Best Cheap but GREAT over-sized comic book posters of the Day!!!

Best Cheap but GREAT over-sized comic book posters!!!

Makes fantastic gifts or presents for the pop-culture fan in your life, or give to yourself as a nice present!

 

 

Captain America – Madbomb Marvel Retro” Maxi Poster 36 x 24

 

Alex Ross 70721 Marvel Generations Oversize Vinyl 62×48 Poster

 

Frank Frazetta Red Planet Mars Science Fiction Fantasy Artwork Classic Retro Vintage SciFi Artist Comic Book Cover 1970s Cool Wall Decor Art Print Poster 24×36

 

Pyramid International X Men Magneto Triumphant Marvel Comics Retro Cover Art Cool Wall Decor Art Print Poster 24x36

Magneto Triumphant Marvel Comics Retro Cover Art Cool Wall Decor Art Print Poster 24×36

 

Princess and The Panther by Frank Frazetta Cool Wall Decor Art Print Poster 24×36

 

Guys if you found this post helpful, I definitely would appreciate  you subscribing, liking and using the attached links. It is a win-win.

SHAW BROTHERS classic Martial Arts film of the Week : FIVE SUPERFIGHTERS

Tang shan wu hu (1979)

Currently watching the Shaw Brothers fun FIVE SUPERFIGHTERS, that starts typically enough, with a  guy who styles himself THE CORRECTOR OF BAD KUNG FU :), and he just goes around picking fights with every martial arts school, he comes across.

It is a common plot in these movies, but this one wastes no time getting to it. Nicely filmed, well staged fight scenes, and good editing. And there are nice little flourishes in this film from 40 years ago that I haven’t seen before. One of the Kung Fu teachers is a woman, and she makes tofu for a living. It is nice to see the traditional steps of making Tofu, which is very much still relatively new in the west.

Add to that these widescreen remastered prints on Amazon, look WAY better than these films ever looked in the theaters or on TV back in the day, and you have an enjoyable streaming watch for the day.

 

Very enjoyable. Grade: B/B+.

******

SPOILER: Read only after viewing the movie…. The ending of this film there is a bit of a revelation that raises the film up a notch for me. Initially through most of the run-time, the ones seeking revenge come off as petty and mean-spirited as the antagonist of the film. Particularly the Teacher, who devolves into a drunk after back to back losses to the Antagonist. Going so far as to attack his friend when he is drunk.

However in the end fight you realize that  (again huge SPOILER) all throughout the movie he was devising a new style… DRUNKEN BOXING, to beat his unbeatable nemesis. This film tackles the origins of Drunken Boxing. A nice little twist, so that ending and the beautifully choreographed fight scenes, and the almost painterly use of color, moves this up to a solid B/B+.

Movie Posters of the Day!

If the purpose of an effective poster, is to get your attention, to be intrigued about the film, and in and of itself, to be an appealing work of art; the below are examples of this week’s recommended and effective posters.

Now the actual TV show or movie or trailer can be great or awful, however the following posters judged on their own merits as posters… are, in this reviewers opinion, this week’s winners.

 

 

 

Antebellum (2020)Rogue Warfare 3: Death of a Nation (2020)Tales from the Loop (2020)Arkansas (2020)

 

 

Now where there are posters that are effective and compelling, there are posters that aren’t. These are some of the ones that stand out to me, as not interesting or effective posters.

Again the movie or trailer could be great or awful, i am here just talking about the poster itself.

 

I like Tom Hanks, I think he is a good actor, if not a personal favorite of mine, I acknowledge he is a good actor. However, all of his movies, the posters are just pictures of his face. And there is no lazier form of poster design then that. I mean the closeup of a face can be effective, when it is used to tell a story, or set a tone for the film, look at the ANTEBELLUM poster above. A closeup, but a closeup that gets you thinking, and wondering, and coming in on the middle of a story. It is a closeup as part of a storytelling moment, as opposed to this Hanks poster that is glorified selfie.

And not just for him, but for any actor, and for any poster, I general feel taking a close up of the stars face and calling that a poster or marketing… is LAZY and BORING and UNINTERESTING poster design.

And again, this is not just Tom Hanks, they do the same thing with other big stars like Will Smith, etc, people just want to take a big pic of the stars face, and photoshop in a lame background.

It is incredibly lazy poster design. Put some bloody effort and thought into it, give us the Struzan paints or Saul Bass typography, earn your effing money as a piece of marketing, and maybe even as a piece of art.

Here are some other examples of inept poster design/marketing.

I mean they are trying in this poster. Some thought has obviously gone into it, just for me, the design does not in anyway interest me to stop on this image, or want to find out or explore what the movie is about. I  can not click off of it, or go past it quickly enough. Not the sign of a good poster.

The trailer for this looks good. The actual poster, not so much. The background is interesting, but the foreground of the star running toward us, just not interesting.

Jeffrey Dean Morgan and Cush Jumbo in The Postcard Killings (2020)See my rant above, on the Tom Hanks poster. A selfie does not a great or even good, poster make.

 

Agree. Disagree. Have your own recommendations of great or mediocre posters, than subscribe, like, and feel free to comment or email.

 

Thanks and come back next installment!

Oh and give love to this week’s sponsors below.

 

Deal of the Day#1!

Deal of the Day #2!

Trailer of the Day : Mark Amin’s EMPEROR (2020) and great Black History Month and All Year Long DVD and Blu-Ray Pickups!

Dayo Okeniyi in Emperor (2020)

This trailer came out of nowhere, but I loved it.

I’m not crazy about the poster tag-line, a ‘true legend’, while many true things with time become the stuff of legend, and many legends are stories that have outlived and outlasted the crumbling and burying into dust of all things, even concrete evidence, the putting together of those two words… ‘true legend’ , if not exactly an oxymoron, is just slightly inept marketing. You want to put those two together, try this… ‘in a time of imposed truths, he became in his own lifetime… a galvanizing legend’ .

Took me two seconds to come up with that, and I think it shows more thought than what their marketing department did. Call me guys if you need to fire them and get a better marketing presence, we’ll talk. 🙂 .

But that aside, a very good poster and a GREAT Trailer! If the movie lives up to it, it will be a blast.

As someone who just picked up the 2 season set of UNDERGROUND (almost sold out, so you may want to pick it up while you can, use the attached link) and who is a huge fan of the best in Pan African cinema such as SANKOFA, DARESALAM, HYENAS, GENESIS, I AM CUBA, CAMP DE THIAROYE  (also available courtesy of the attached links) this film definitely goes on my must check out list. Probably along with the WITCH:SUBVERSION one of the best trailers for the Month of February.

 

UNDERGROUND 2 season DVD

SANKOFA – arguably one of the finest, and both savage and beautiful films made, of a true Holocaust. Haile Gerima’s masterpiece. and the fact that this film is out of print, and does not have a Criterion or similar high-scale Blu-ray or DVD release, is only proof that we have a long way yet to go. Get a copy, you will thank me later.

Sankofa

 

 

Daresalam

DARESALAM – This is simply put, cinema at its finest. Get your copy, while you can.

 

I AM CUBAFor years this film was not available in the west, and then when I finally saw it, I think at a film festival, yeas ago, the camera work, in a time way before CGI, blew my mind. As a fan of David Lean, and Hitchcock and Welles and Fritz Lang, geniuses with the camera, this film was like a generational evolution. In an age before Steadicam adoption, the shots were absolutely mind blowing. When it finally was released on a quality DVD boxset, I rushed out and picked it up, and I told all of you to pick it up. For those new to this blog, back in the day, those who listened to me picked it up for $40. It is decidedly more than that, but still worth picking up, if you have the funds. A Masterpiece.

*************************

 

Quick rant, feel free to bypass this. 🙂

Here’s a tip you should know. Quality  non-hollywood  films about and by people of color, especially politically provocative films, have a tendency of not staying in print. And either dry up entirely on the secondary market, or explode in price before disappearing into private collections rarely to see the light of day.

I am never in a rush to pick up KNIVES OUT or 1917 or AVENGERS ENDGAME, because that is going to be there for decades to come. But when I hear about a THE GREAT WAR or EMPEROR or a DARESALAM or a BROTHER JOHN on dvd or Blu-ray, I can not race fast enough to purchase these movies. Haile Gerima, who I had the pleasure to interview back in the day, understood the importance of retaining positive images, and words, and movies, and music. That is culture.

And when the ability to view or hear or see these sounds and images, is at the mercy and whims of multinationals… culture itself is held hostage. And the people who depend on the reflective power of culture, to help define the width and the breadth of their aspirations, are likewise diminished.

And particularly today when so many are weaned on streaming, physical media is ironically both scarcer and yet more important and arguably esteemed and sought after, than ever before.

Because those in the know, understand streaming giveth and streaming taketh away, based on the uninformed whims of the lynchmob. You want your favorite film, available to watch when you want, and in the cut of the film you remember, there is no replacement for physical media. There just is not.

Here endeth the soap-box interlude. 🙂

You can take it, or you can leave it alone. 🙂
Either way, be well.

 

 

 

3 Best Marvel/MCU Villains 2008-2019

 

22 movies, Eleven years, hundreds of actors, dozens of bad guys, but only 3 stand as the very best Villains of kevin feige’s Marvel Cinematic Universe.

 

LOKI

 

The webpage will not show this image anonymously.

LOKI– In many ways the first AVENGERS movie stands as the most important of the MCU films, up there with the first IRON MAN movie. The IRON MAN movie proved these individual characters could work on the big screen, THE AVENGERS movie proved a super-hero team, wide screen Comic Book level action, could work for the masses; proved That this concept of long form story telling in film… could payoff, and should continue.

After 22 movies, THE AVENGERS is still the movie I saw the most in the theaters, a record three times (I almost never see a movie in a theater more than once), and the one I had the most fun with. And that is because Director Josh Whedon delivered the film of his career, the writing was brilliant, actors and effects phenomenal, and the characters… literally the stuff of Myth. And the most memorable scenes of a very memorable film revolve around Tom Hiddleston’s completely crowd pleasing performance as Loki, that sets up such memorable lines as ‘Mewling Quim’ and ‘Puny God’.

Like the best of all Villains, the two other names on this list; the Loki character while wrong, there is something compelling and seductive, and relateable in Loki’s mania. Driven by some hurt he seeks to fix, some reason that reason knows not of, that makes him more than a stock villain, but someone more complex, and someone that in moments… seen from some angle, is understandable, if not approvable.

There is a reason Hiddleston’s Loki ten years later remains… beloved. Because being more than a stock Villain, means at moments he resembles all of us, he is capable of good, as well as evil. And watching Loki navigate that line, grow as a character, makes him more than villain and more than hero… it makes him… interesting.

 

 

The webpage will not show this image anonymously.

 

 

KILLMONGER

 

The webpage will not show this image anonymously.

 

KILLMONGER – There were a lot of MCU villains prior to Michael B. Jordan’s acclaimed turn as KILLMONGER, in the brilliant and ground-breaking Ryan Coolger helmed BLACK PANTHER, but none of them, not Red Skull, not Ultron, not Winter Soldier, not even Loki, had me deep into the movie… unmoored about who was right and who was wrong.

To do that in a film, to bring the audience with you into a questionable grey area where there are no more heroes and no more villains, but just principles of better worlds that clash in blood, that is some deep and epic and personal filmmaking, and to accomplish that in a large scale blockbuster superhero movie, is the stuff that awards are designed to recognize.

Hats off to all involved, but particularly to the way Jordan chose to play KILLMONGER, just unique and disturbing and yet another memorable character, from an actor who has quickly become one of the best actors of his generation.

BLACK PANTHER is a film that I loved the action in, loved the fight scenes, loved the story, loved the scale, but what really sets it apart from every other MCU films before it (with the exception of THE WINTER SOLDIER, which did it in a smaller way) is the sophistication of how it is told. The murky grey areas where good and bad become… unsound. It’s a great film, that becomes stronger every time you watch it. Like leather curing in the sun.

At the film’s heart it is a tale of fathers and sons, kings and commoners, and a question of whose vision of tomorrow… is most right. And that hinges on Jordan’s KILLMONGER, a lesser villain or a lesser performance, and we would be talking about a much less successful film. Which is the case with any film, a great film seldom does so, without a great antagonist; and Jordan’s KILLMONGER is one of the greats.

 

 

 

The webpage will not show this image anonymously.

 

THANOS

 

The webpage will not show this image anonymously.

And now we come to the 1000lb Gorilla in the room, (it is an idiom used to call attention to an overwhelming or obvious  idea, finally being recognized – for those of you who may not be familiar with the expression) THANOS.

A CGI character that has been the big bad we have been building to in these 22 films. It is an unprecedented build up, the likes of which we will likely never see again. But boy did it pay off. Josh Brolin (son of the legendary actor James Brolin) has in the last two decades started forging his own legend, in films from NO COUNTRY FOR OLD MEN to AMERICAN GANGSTER to TRUE GRIT to SICARIO (look forward to seeing him in the upcoming Villeneuve directed DUNE and Sean Penn helmed FLAG DAY) he has been solidly delivering the goods.

But I think it is safe to say his THANOS is likely to be the role he is remembered for above and beyond all others, just based on the cultural and historic imprint these 22 films have carved out. You have to go back to Universal Studios game changing monster movies of 1923 to 1955 to get a run as formative and impactful as this current run of MCU movies.

And THANOS is the looming shadow that haunts these films, and in INFINITY WAR and ENDGAME Brolin’s Thanos gets to come out of the shadows and take center stage.

Again as buildups go, you will likely never see, in your lifetime the like again, a 22 film novel for television, that stuck the landing.

Much has been written on the character of THANOS and the sophistication he was written and performed with. following in the wake of Jordan’s KILLMONGER, here too is another villain where, to a lesser degree, you see the mercy in his madness, the humanity in his horror. He does and is going to do horrible things, but toward ends that we must all, at the end of the day judge as… understandable.  And it is the achievement of all involved from performers to directors to special effects to camera to makeup to lighting to sound, that in not one moment of INFINITY WAR or ENDGAME, not one moment of a CGI Thanos interacting with the other actors, do I question the fiction crafted. The vision is solid.

It is a 2 film culmination of a 22 film, 11 year unequaled and un-thought of cinematic achievement, and it sticks the landing. And Thanos quite rightly gets catapulted into the conversation of most iconic cinematic villains of all time, up there with Darth Vader, Dracula, Dr. No, Dr. Mabuse, Khan, Hannibal Lecter, Joker.

 

The webpage will not show this image anonymously.

 

So that is it guys, the 3 best villains of 22 movies, and 11 years of cinematic gold!!!

 

And for Honarable Mentions:

  • Ultron
  • Red Skull
  • Winter Soldier
  • Klaw

 

Thanks for looking, feel free to comment with your favorite villain or villains, and if you enjoyed this post give some love to this installment’s sponsor:

 

Full-size item image

 

Purchase Here.

Streaming VOD Movies, TV shows and Youtube Videos of Week 2 of 2020! SHUDDER Edition!

 

 

 

https://res.cloudinary.com/amc-svod/image/upload/f_auto,w_600,q_auto:best/vmh/6846056b4e192c47_boxart.jpghttps://res.cloudinary.com/amc-svod/image/upload/f_auto,w_600,q_auto:best/vmh/0d60dca411127720_boxart.jpghttps://res.cloudinary.com/amc-svod/image/upload/f_auto,w_600,q_auto:best/vmh/a5893189d2c98895_boxart.jpghttps://res.cloudinary.com/amc-svod/image/upload/f_auto,w_600,q_auto:best/vmh/a82798ecfe55fbb2_boxart.jpg

 

These 4 films, which I have watched since starting my SHUDDER subscription (something like $2.49 for the month, for the next 3 months) are all FANTASTIC, films, in very different ways. But all of them have soared to the top of my MUST BUY List!

MANDY I raved about in a previous post is just a brilliant primary color tinged nightmare of a dream quest/revenge story committed to film.

THE HEAD HUNTER, is a claustrophobic, incredibly tense, incredibly rousing,  actioner/creature feature mash-up.

THE WAX MASK is one of the most sumptuously filmed and strangest Italian Giallo’s, being both a period piece and a Hammer studios homage, a stunning directorial debut.

And then we come to Lucio Fulci’s CITY OF THE LIVING DEAD. I am not a champion of the nonsensical, gore filled films that most remember Fulci for, like THE BEYOND and THE HOUSE BY THE CEMETERY and this one, CITY OF THE LIVING DEAD. I think all of these are the films he made when the audiences  neglected his true masterpieces, to some extent when he stopped caring about making great films, and just decided to pander to the lowest common denominator horror crowds. When Fulci cared, he was one of the most imaginative, talented and stylish filmmakers of his time. He made some of the best Giallos, some of the best westerns, one of the best Hitchcock homages, and one that was his stab at a serious film/period piece. It was that film’s failure that soured him on film and audiences, and made him a gun for hire, and by reports misanthropic to his cast, his crew and the audience, and a churner out of his gore films. That said while I do see these films as Fulci no longer being that filmmaker whose westerns would inspire John Woo’s Blood Ballets and dove motif, despite these films being set-pieces of gore… loosely supported by a story, they are despite all that… still very, very compelling and entertaining. He builds moments of tension and dread and horror, as well as a good smattering of WTF!. Just the audacity of these films, particularly CITY OF THE LIVING DEAD, is impressive. So while not a champion of this film like I am of his earlier films, even lesser Fulci… is jaw dropping. This movie has story structure issues, it doesn’t hold together as a cogent film, it is haphazard and at times silly, but all that aside it is always visually arresting and cinematically audacious. And once seen, you want to own the BluRay to see the making of features and here the interviews and commentary because you definitely want to know what the cast thought of him, after making them do some of the things he had them do in this film.

I’ll be doing an upcoming piece on Fulci, but I guess it says everything about Fulci, is that even what I consider his ‘slapped together/whatever’ film phase, consists of many films, such as CITY OF THE LIVING DEAD, that are must watch films. Even his films of derision, are dripping with imaginative talent.

 

Movie / TV Trailer of the Day or First Netflix Show I have been excited for in a Long Time!

Dracula_Final_VARIANT.jpg

The poster above is by Jonathan Burton, commissioned by Universal Studios to honor the original 1931 Dracula film, but in spirit it seems perfect to capture this new Netflix distributed DRACULA that is on the horizon. The new trailer looks… AWESOME!!! View it at the link below.

Lets make no mistake Francis Ford Coppola, his questionable stance on current films aside, in his heyday made some phenomenal films. APOCALYPSE NOW, and GODFATHER on anybody’s shortlist of 100 best films.

However, some of his less celebrated movies, are the ones I love the most. TUCKER starring Jeff Bridges, is a masterful film. And his BRAM STOKER’S DRACULA, is the last word in the vampire film. I love my Universal Films, I love my Hammer films, PENNY DREADFUL had its moments (a poor third season ruined it for me), but Coppola’s DRACULA has been the undisputed best take on the Dracula myth.

Based on the trailer alone, this new DRACULA, may be a worthy new take on Stoker’s most celebrated tale.

The trailer has me looking forward to it, and excited for it, which is something I have not been for a Netflix property in sometime. So yeah, this one goes on my must watch list. 🙂

 

 

DEALS OF THE DAY