My Favorite COMIC BOOK Youtube/Roku Channels of 2018!!! Starting off with AFTA COMICS, MERCENAUT and HERB TRIMPE!?!

COMICS

  • TheGO2 Geeks
  • Silver-Aged Dave
  • AFTA Comics
  • Regie Simmons IFBB Pro
  • DS Comics
  • Earl Grey
  • Comics with Bueller
  • Wallace Ryan
  • ComicTom 101
  • Pop Culture Philosophers
  • SleepyReader666
  • Professor Thorgi
  • Metarog
  • Chycho
  • ETA Nick
  • Nighttiger
  • Comichyjinx
  • LeeKirbyDitko
  • CurtisCamron
  • Farley’s Nerdcave
  • Rwheatley0206
  • Saddle City Comics
  • Forest City Coins and Comics
  • BargainHuntersThrift
  • Area 51
  • Arkham Comics las Vegas
  • Comic Buying
  • Tony Sanders
  • Tony Tothe
  • Tom Ryan
  • DrVonChilla
  • CaptainStrangeLife
  • Simon Comics
  • UltimateChance
  • Thugie1
  • Comic Book Ninja
  • ComicHero77
  • Comic News Network
  • Gotham Comics
  • HeroHunter81
  • Longshanks_78
  • Master X
  • Lord Tatman
  • Symphonic-Elk
  • Knights_of_Old
  • Jerno’s Comics
  • YicketyYackety
  • TJ Watson
  • WhatCulture
  • Wiebes TV
  • Windy City Comic
  • Yanni Gogolak
  • Islord 372
  • Batzman’s Classic Cars & Comics
  • Mercenaut

I will be speaking on all these channels in more detail, regarding why they made my 2018 best of List.

I am going to start with the last on this list MERCENAUT and work my way up.

https://www.youtube.com/user/mercenaut

Mercenaut is on this list, not for being a White Supremacist or Black Activist ( inside joke, watch his channel) but for a single show he did in 2018, where he showed off a copy of CAPTAIN BRITAIN #8. With that episode, this guy along with the Epic Marvel Podcast and Afta Comics, started my hunt and love for Herb Trimpe covers in 2018. The CAPTAIN BRITAIN mag sported a STUNNING Herb Trimpe cover which is shown below.

The webpage will not show this image anonymously.

 

Prior to that while i remember Herb Trimpe, I never really paid attention to how great of a cover artist he was. Between MERCENAUT’s showing, and the brilliant Trimpe Western cover’s that AFTA Comics showed, this year has very much been the year of collecting Herb Trimpe and Larry Leiber comics. Some of Trimpe ones I picked up this year are:

The webpage will not show this image anonymously.

The webpage will not show this image anonymously.

The webpage will not show this image anonymously.

https://i0.wp.com/www.comicbookdb.com/graphics/comic_graphics/1/511/183423_20120804222034_large.jpg

 

As great as Trimpe’s Super Hero Covers are (With his work on the INCREDIBLE HULK being arguably his finest) his western work which I did not get exposed to until this year, I love even more. Just look how much storytelling he puts into those covers.

In an age where modern comic covers no longer tell a story, largely are just pinups having nothing to do with the content of the book, Herb Trimpe was able to tell a great story using just the cover.

Thank You Mercenaut, Afta Comics, and Epic MArvel Podcast for putting the late great Herb Trimpe on my radar!!

Okay quick rant on variant/multiple covers.

Darn you Variant Covers!!! You are diluting the medium. You can not have an ICONIC issue and multiple covers. Now again everything in moderation. A variant cover here or there is fine, but it has become the rule rather than the exception.

As a consumer, buy what you like. But as the publisher/producer of this content too much choice in a market can be as harming as too little, if it generates confusion, and stymies adoption by potential readers, in favor of courting speculators.

 

And that is just what is happening in the market place. In an effort to milk a diminishing audience, the mainstream publishers resort to the skankery of pimping multiple covers (yes I did just coin the word skankery 🙂 ) to the speculator segment, which harms the iconic nature of a work as much as alternative endings, to those of us who actually think books should be read.

To be iconic a thing must live memorable, in the shared consciousness and memory of the audience.

A memorable cover, or a memorable line, or a memorable poster, or a memorable ending. You think of Exorcist you think of a singular poster, You think of Casablanca you think of that ending, you think of Citizen Kane you think of that beginning, if you think of the original UNCANNY X-MEN 138, you think of the classic cover of Cyclops walking way from the X-MEN and toward the reader. And the background framed by all these beautiful UNCANNY X-MEN covers tinged in purple. For my money the single most beautiful and poignant X-men cover of all time, by John Bryne, another great artist,

The webpage will not show this image anonymously.

That… for an image, or line, or scene, to stay memorable not just in your memory, but in the memory of a generation,… is to be iconic. People my age have a shorthand, a shared pop-culture language, that makes us part of a shared conversation.

Unfortunately people growing up on comics today, have no such singular, iconic cover or image to define a moment or a book. Because that one clear vision is muddied and diminished by multiple covers so the publisher can try and milk the speculator market, rather than serve the longer and more far reaching nature of creating something singular and memorable.

It’s the same way mainstream publishers are diluting their most popular characters with these shoddy imitations/iterations that only help to eradicate what was unique about the original character. You have now 15 variations of wolverine running around, Including one that is part Hulk, part Wolverine. Really? This is fan-fic, being done by the publishers, with no real consideration beyond milking the speculator market. They have strip-mined their own effectiveness as a sequential platform. 

That and the price point of Marvel and DC Comics is why I have stopped getting them in periodic format. There is no reason the mainstream publishers can not hold their price point at $2.50 or $2.99 cents, and make a profit and sell millions of copies at that price point.

The movies and video games have done the hard work of providing name recognition to the masses,the publishers inability to translate the billions these characters make in other mediums to even millions in the comic medium, comes down to mismanagement and an outdated vision/model from the comic publishers.

So these days if I need a monthly comic, I gravitate to the Independents. If I hear good things about a mainstream storyline, I pick it up in collected format or rent it from my library.

And if I really yearn for the days of great iconic covers, in mainstream comics, well thankfully there are always great Herb Trimpe comics to pick up in back issues!

Thanks for reading, feel free to leave your comments or send emails! I will be covering other channels in upcoming updates.

Excelsior!!!

 

 

 

Advertisements

Youtube Inspirational Video to Start 2019 Off Right! A must Watch! THE SPEECH THAT BROKE THE INTERNET?

While a two year old speech, today was my first time hearing/encountering it.

While politically I have my issues with Arnold Schwarzenegger, I do not have an issue with this speech. Clear and inspiring!

 

December 1st to 2nd Youtube Roundup : Dr. Von Chilla + Price Increases+Bendis+ Social Justice!

https://www.youtube.com/watch?v=gswkW9as0M4

 

Under the heading “Don’t drink and Youtube” 🙂  – Dr. Von-Chilla went on a bit of a tirade regarding people speculating on comics and buying comics based on movie, tv news. Which I can get behind his feelings on that.

He also threw in there, ‘Brown chicks taking over for white guy superheroes’, which I think is a whole separate argument that I don’t get behind.

Now I know Dr. Von Chilla is not one of those anti social justice warrior nut-cases, who were hating on creators like Mark Waid and Ta-Nehisi Coates and Dan Slot, but that issue he brings up of characters changing, is one of the arguments of this mob.

It is that faulty ‘anti social justice warrior’ thinking.

If you do not like social justice warriors, you should not be reading superhero comics, because Superman, Batman, and Captain America in their origins were Social Justice Warriors. Before there was a term for it, these characters in the Golden Age were taken it to the fat cat businesses and corrupt syndicates and regimes that were sticking it to the little guy. From slum lords to Nazis the comics of the 1930s 1940s were all about saying things about what was wrong in the world. Far more courageously I might add, than most books do today.

So to hate on today’s comics for doing the same thing is to be disingenuous at best, and a moron at worst.

Now that’s me going on a tirade against people with an issue with Social justice concepts in comics. Here’s the thing, not all comics are for you or for me.

We have our preferences and there is nothing wrong in wanting to stick to that. What is wrong, is to not allow others there preference.

If the publishers can sell new characters to new populations, great for them, if they can spike sales of existing story-lines, by changing up the character, great for them (changing up not being the same thing as a mashup, which is what they are doing wrong today). That is nothing new. After the first 110 issues of the original IRON MAN he got in a rut. Back in the 80s… the creators, to get him out of this rut, wrote a FANTASTIC very long storyline where Tony Stark, became an alcoholic, stopped being IRON MAN, and James Rhodes became IRON MAN. And those were STELLAR issues from the 1980s. For my money the only issues, along with the original 110 issues, worth owning.

The same thing happened in GREEN LANTERN, the book was going nowhere after Neal Adams’ departure in issue 89 (IT SHOWS YOU HOW MUCH NEAL ADAMS BROUGHT TO THE BOOK AND THAT HE WAS A HUGE PART OF THE CREATIVE DIRECTION, BECAUSE WHEN HE LEFT EVEN THOUGH THE WRITER DENNY ONEIL STAYED, THE BOOK WAS UTTER CRAp. THE SOCIALLY CONSCIOUS STORYLINES THAT MADE AND STILL MAKE THEIR PARTNERSHIP SO GOOD, WENT BY THE Way-side AND THE BOOK DEVOLVED INTO A BORING BOOK. AND I LIKE DENNY ONEIL AS A WRITER, BUT WITHOUT NEAL ADAMS HE DID NOT KNOW WHAT TO DO WITH THESE CHARACTERS. I SPECIFY THESE CHARACTERS BECAUSE HE DID VERY WELL ON BATMAN AFTER NEAL’S DEPARTURE) .

THE BOOK WAS BAD A LONG TIME AND DID NOT GET GOOD AGAIN UNTIL ABOUT #172 when writer Len wein comes aboard and started to direct the book back to earth, and replacing Hal Jordan with John Stewart. LIKE ALWAYS THE LATE, GREAT LEN WEIN WOULD BE CALLED IN TO HELP RIGHT A SINKING SHIP, AND WITH THE HELP OF HIS ARTIST WOULD COMPLETELY REVAMP IT, AND BREATHE NEW LIFE INTO the series.

AND ONCE HE GOT THE BOOK winning again, WEIN would turn iT OVER TO ANOTHER WRITER TO CARRY THE book to the championships (to toss in a sports comparison).

HE DID THAT WITH THE X-MEN, fixing it and HANDING IT OFF TO CHRIS CLAREMONT AND HE DOES THAT HERE WITH GREEN LANTERN… fixing it and HANDING IT OFF TO STEVE ENGLEHART AND JOE STATON, till about issue 200, with wonderful Joe Staton art and great Englehart stories, along with the ONeil/Adams run… those are my favorite issues of GREEN LANTERN to this day.

SO IF LOOKING TO COLLECT GREEN LANTERN IN MY Humble OPINION YOU GET ISSUES 42 to 80, then 172 to 200. Use the following link(YOU GET GREAT BOOKS, AND YTOU EARN A FEW PENNIES FOR THIS BLOG TO KEEP THE LIGHTS ON. A WIN-WIN!):

https://www.mycomicshop.com/search?tid=179931&pgi=1&AffID=200301P01

 

https://d1466nnw0ex81e.cloudfront.net/n_iv/600/680115.jpghttps://d1466nnw0ex81e.cloudfront.net/n_iv/600/4749311.jpghttps://d1466nnw0ex81e.cloudfront.net/n_iv/600/679549.jpghttps://d1466nnw0ex81e.cloudfront.net/n_iv/600/899707.jpgGreen Lantern (1960-1988 1st Series DC) 52Green Lantern (1960-1988 1st Series DC) 53Green Lantern (1960-1988 1st Series DC) 54https://d1466nnw0ex81e.cloudfront.net/n_iv/600/680145.jpg

https://d1466nnw0ex81e.cloudfront.net/n_iv/600/681251.jpgGreen Lantern (1960-1988 1st Series DC) 57Green Lantern (1960-1988 1st Series DC) 58Green Lantern (1960-1988 1st Series DC) 59Green Lantern (1960-1988 1st Series DC) 60https://d1466nnw0ex81e.cloudfront.net/n_iv/600/679569.jpghttps://d1466nnw0ex81e.cloudfront.net/n_iv/600/680191.jpghttps://d1466nnw0ex81e.cloudfront.net/n_iv/600/680199.jpghttps://d1466nnw0ex81e.cloudfront.net/n_iv/600/679611.jpghttps://d1466nnw0ex81e.cloudfront.net/n_iv/600/612061.jpghttps://d1466nnw0ex81e.cloudfront.net/n_iv/600/800569.jpghttps://d1466nnw0ex81e.cloudfront.net/n_iv/600/1081095.jpghttps://d1466nnw0ex81e.cloudfront.net/n_iv/600/867585.jpghttps://d1466nnw0ex81e.cloudfront.net/n_iv/600/804069.jpg

And they were experiments, creators tossing stuff at the wall and seeing what stuck. They were allowed that freedom in the 1980s, they should be allowed that freedom today.

The ones that do not appeal to you, don’t buy. Like me I no longer buy Marvel Comics in monthly form. I think to pay over $3 for Marvel’s horrendous paper quality, and obvious attempt to milk the speculator market rather than create good stories is asinine.  And their obvious editorial mandate to create new characters, mashup characters, to get the mindless speculators, to buy cosmic ghostrider, or phoenix wolverine, or Thor venom, or Hulk Wolverine; is not creative, it is actually them in real ways making of themselves a horrible parody and joke. The same for DC, to a lesser degree, ever since Bendis went over there. He’s a good writer, but I find him more trojan horse at DC, bring the fratboy idocy, and disrespect for readers intelligence and pockets, that he championed while at Marvel.

No sooner he is over there and DC raises its prices to $3.99. So yeah these days, with Marvel and Dc, if I hear good things about a story, I’ll check it out at my library when collected or pick up the trade online. But as far as monthly books, you just get a whole lot more bang for your back from Independents like Image, Dark Horse, IDW, After-Shock, etc. DC and MARVEl, the two companies that realistically can afford to keep the price point of new comics at $2.99 or less, are the ones driving the price up($4,$5,$6,$7 is unsupportable, when realistically speaking most of these books will end up in dollar bins in a few years. It is bad business from the big two.)

So these days companies like Alterna and Chapterhouse who sell books for under $3, are the ones I am happy to purchase everything they sell. For me they are the future of comics.

So alll that to say, there are hundreds of comics released every month, there is no shortage of Alternatives.

And quite frankly to expect Superman or Captain America of today to appeal to you the same way as the Superman of your childhood did, and never allowed to experiment or change that character is moronic.  Characters change, writers changes, the audiences they write for likewise change.

You hate slabbing. Don’t slab. You hate variant covers don’t buy variant covers. (Quick aside : I’m not a huge fan of either of those things. I think pressing comics, while it removes imperfections from the cover, is PROVEN to shorten the lifespan of the interior newsprint pages. I think it is people moronically pursuing short term goals, at the expense of the longevity of the actual book. People are going to unslab these books in several years and find pristine covers over deteriorating interior pages, especially as it relates to older books. Newsprint+moisture+heat=mistake. Every single time.

But hey  if people want to continue doing this even after being informed of the potential damage (every single person you see pressing on youtube, presses differently. Different ranges of heat, different amounts of moisture, different drying time before slabbing. I guarantee you 99% of the people slabbing comics are doing more harm than good, and are making a mold infused mess rather than preserving a collectible. It is all experimentation and guess-work with the lot of them.

If you were to do it perhaps to salvage a book that already had interior water damage, I would only use CGCs  original service, rather than one of these diy -let me get my iron out -guys. Also going through CGC you have some potential recourse through your insurance company  if things go wrong. Better than some of these guys who are doing pressing at their kitchen sink. Okay that may have been a long aside. 🙂 )

 You hate new characters or change to your existing characters, don’t read those characters. Read the 80 years of back issues, or choose new comics to support. It is not that effing difficult, it is not effing brain surgery, it only becomes a problem when you want YOUR choices to be the only choices everyone else has available. That is the problem I have with the anti social justice warrior nuts.

They think their right to hate something, should supersede someone else’s right to love something.

Don’t tell me the things you hate. Tell me the things you love, and that is how you move the needle.

It is what is great about the Youtube comic community. A lot of people sharing their loves, has inspired me to buy a LOT of books this year. People telling me what they hate, has not gotten me to drop a single book, or change a single purchasing decision. I decide for myself what is worth hating, and I hate very few things. I dislike a lot. I have no interest in reading books or watching tv shows about trans or gay characters. I’m not saying these books or Tv shows shouldn’t not exist,  OR THERE IS ANYTHING WRONG WITH IT, but I have no interest in them IN MY COMICS OR MY TV SHOWS. So AFTER THE FIRST SEASOn of supergirl tv show (which i enjoyed) I dropped out of the second season, because it was too much soap opera bs about her sister coming out. no interest. same thing with arrow, mr. terrifics relationship i think is out of place and just detracts from the show, etc.

so instead I just find something I like, to watch or read.  SO while I may dislike or avoid many  things, I hate very few. Your hate is not something I catch from you, like the cold.

But tell me of the things you love, and that I will check out, to see if I love it too.

Dr. VonChilla, knows this. Because I have watched his videos where he introduces us to books he loves. And some of those books I’ve bought.

That’s how you change the world for the better Dr. Von Chilla… one great recommendation at a time.

 

 

Streaming VOD Channel Review -BLACK NEON- And a review on WOLF and the films of Robert Bresson!

So while I advocate always keeping things you LOVE in physical media, DVDs , Blurays, CDs, etc; the benefit of Streaming and Digital is that it is GREAT for exploring, and finding out what out there is worth having. Most things are not worth having or keeping. So Streaming is great for a try before you buy methodology, or simply finding new things to watch right now.

This installment, the channel that is up for review is…  BLACK NEON.

BLACK NEON  – first thing that strikes you about this channel, is unlike the hundreds of options of other channels, this one has a very limited number of movies. Many I have to confess to being unaware of or not having seen on other channels. Always a plus in my book.

To avoid the mishap of doing a lengthy listing of its titles, only to determine the actual streaming service is crap, or ad infested. I decide to pick a movie and test it out.

Wolf (2018)

My eyes gravitate to a film called WOLF, a thriller of some type seemingly, and without reading the description I just start the film. From frame one I’m captivated. And over sixteen minutes in and not a single ad.

I’m loving the movie and the channel so far.

BLACK NEON may be a home-run. I’ll update after finishing the movie and looking around a bit.

***UPDATE*****

Okay I just finished watching WOLF courtesy of the BLACK NEON channel. Do a search for new streaming movie channels to add and you will find BLACK NEON.

Wolf (2018)

They do not have much content, maybe a dozen movies.But it is worth getting the channel just to see WOLF. What an incredibly strange film. Very off kilter, and always has you on the edge and not knowing where it is going, which I find refreshing.

It is very Bressonian. Robert Bresson was a French director, little known, and unfortunately little remembered today, but he used most effectively and most notably the idea of the pregnant frame. An empty frame, and the emptiness, the waiting for it to be filled would create tension.  And while not a horror director, his films such as A MAN ESCAPED and PICKPOCKET (both absolute masterpieces) build incredible amounts of tension by using the empty frame, and our desire to have it filled.

It has been used by directors since, and is used here in WOLF to great effect.  It is a slow burn movie, and has a WTF turn, that you never quite recover from, and is never truly made clear. You leave the film arguably with as many questions as you came, the final meaning of the film, and of what actually happened left up to individual interpretation.

Wolf (2018)

That can be frustrating to some, however I really liked it. I loved it actually, the patience of the film, and its willingness to court confusion.

That does not always work for me, sometimes it is the sign of a lazy filmmaker. But I do not think that is the case here, the filmmaker and writer Michael Jones has crafted a compelling story and wanted to let it finish cooking in the mind of the viewer.

Love it or hate it, I do not think it is a film you will easily dismiss.I fall in the camp of being very impressed by this raw nerve, of a movie.  

WOLF (2016 Australian release/2018 VOD release)

A Michael Jones Film

Grade: B+.

Recommended! This is definitely a movie that deserves to be owned on DVD and/or Blu-Ray.

Where to buy NEW comic books right now, Sept 2018 Pre-orders! And What books to get! ALL THE REST EDITION!

This is the last day to preorder books that will be shipping in December at a discount.

Here are my suggestions for the books worth your time:

MARVEL COMICS

Nothing. I can recommend nothing from Marvel Comics. Marvel is GROSSLY overpriced.  Save your money and either pick up these issues for a $1 or $2 each in a few months, when they are no longer new, from the secondary market. Or wait till they get collected into trade paperbacks and read them from your local library for free. Or buy them used online for a fraction of what getting the individual issues would cost.  I grew up with Marvel Comics, and i think they still have some fantastic creators I would love to read on a monthly basis, Ta-Nehisi Coates CAPTAIN AMERICA , comes to mind. After much hate from the moronic bigoted internet crowd, the moronic antisjw nazis, it turns out Coates CAPTAIN AMERICA is shaping up to be great. The same with just about anything Al Ewing touches. Unfortunately these great creators are sabotaged by a unsupportable comic price, and horrible editorial and marketing decisions.

The movies quite frankly are a lot better, and a lot less disorganized, stupid, and at times ingrained bigoted than the comics. The comics play lip service to diversity, and it is great to see creators like Coates and Walker get a chance to start their vision, but inevitably Editorial steps in and ruins/aborts their process/ending. The comics back pedal from everything to try to pander to the racist anti-change and anti-diversity mob, who typically don’t even read the comics they complain about.

The movies so far under Feige’s reign have embraced diversity with no back pedaling or moronic denigration that makes up so much of what goes on in the comics when it comes to characters of color (‘Oh Well we can’t have the Black Nick Fury be his own man. Let’s explain him away as the son of a White Nick fury.’ What????? Yeah this is the stupidity and racist great ideas that is happening in Marvel Comics, by there non-writers of color and editorial department.)

So yeah, so far the movies are actually better by far than the comics. So stick with them for now. Or until they start following the stupidity of the current comic books.

DC COMICS

Unfortunately DC that was doing a good job of keeping their prices under $3 a comic, ever since hiring the trojan horse of Brian Bendis, they have adopted Marvel’s disastrous and customer offensive pricing policy. Of charging $4, $5, $6,and $7… for COMIC BOOKS!!!!

Absolutely immoral.

And I like Brian Michael Bendis as a creator, but I despise him as a shill for the company, and his arrogant frat boy attitude to companies milking the audience, and  his basic ‘ah they will pay the higher price. Lower prices do not sell.’ I’m ten years of proving Bendis is wrong. It is not diversity that is the cause of Marvel Comics’ inability to keep from bleeding readers, it is the bloody price of their books. Add to that the over abundance of ads, poor placement of ads, and atrocious paper quality and you have a company that is repeatedly slapping their customers in the face, then wondering why the customers are not sticking around.

DC will soon find they will have the same issue as Marvel Comics. They will keep the die hards for a while, the sheep who buy multiple issues and variants, and the speculators, but that is  a far cry from the millions of people a publishing arm of Times Warner should be reaching.

Besides their last $2.99 books, which word is they are going away soon… The only book over $3 that I get from DC, that I make an exception for, is Christopher Priest’s brilliant DEATHSTROKE. And that is going to change, as editorial has decided to reward the critical acclaim that series has received, by mixing it into their editorial marketing ploy, basically gutting Priest’s ability to tell unhindered stories with the character. Once Priest leaves, so do I.

So what is worth getting?

Here is my list for September Pre-orders:

Beyonders 4 On order 1 $2.59
Bitter Root Cvr D Williams 1 On order 1 $2.59
Cavewoman A Wizard A Sorceress And Meriem 1 On order 1 $2.59
Cemetery Beach 3 On order 1 $2.59
Cinema Purgatorio Vast Cvr 16 On order 1 $4.54
Dark Ark Cvr A Doe 11 On order 1 $2.59
Deathstroke (2016) Cvr B Var Ed 37 On order 1 $2.59
Dick Tracy Dead Or Alive Cvr B Tommaso 3 On order 1 $2.59
Feast Or Famine 1 On order 1 $0.98
Gideon Falls Cvr B Suayan 8 On order 1 $2.59
Hillbilly Red Eyed Witchery From Beyond 4 On order 1 $2.59
Infinite Dark 2 On order 1 $2.59
Infinity 8 7 On order 1 $2.59
Jook Joint 2 On order 1 $2.59
Leviathan Cvr B Guillory 4 On order 1 $2.59
Lightstep 1 On order 1 $2.59
Lodger 2 On order 1 $2.59
Magic Order Cvr A Coipel 6 On order 1 $2.59
Moth And Whisper 3 On order 1 $2.59
New World Cvr B Moore And Muller 5 On order 1 $2.59
No World Primer 2018 On order 1 $0.16
Oblivion Song 9 On order 1 $2.59
Outer Darkness 1 On order 1 $2.59
Proxima Centauri 6 On order 1 $2.59
Raid Cvr B Photo 4 On order 1 $2.59
Red Sonja Cvr A Caldwell 23 On order 1 $2.59
Rick And Morty Cvr A 44 On order 1 $2.59
Rick And Morty Presents Pickle Rick Cvr A 1 On order 1 $3.24
Shadowman Cvr C Veregge 9 On order 1 $2.59
Sideways 10 On order 1 $1.94
Silencer 11 On order 1 $1.94
Sink Cvr A Cormack 6 On order 1 $2.59
Skyward 8 On order 1 $2.59
Spawn Cvr B Mattina 292 On order 1 $1.94
Stellar 6 On order 1 $2.59
Terrifics 10 On order 1 $1.94
Unexpected 6 On order 1 $1.94
Walk Through Hell 6 On order 1 $2.59
Warning 1 On order 1 $2.59
Whispering Dark 2 On order 1 $2.59

Order yours here:

https://www.mycomicshop.com/subscriptionservice?AffID=200301P01

And tell them HT sent ya!!!!

🙂

 

 

One of The Greatest YouTube Channels of 2018 : MINDSMASH

If you live  long enough and well enough, well enough to no  longer need to feed ego, or be praised for humility… if you lived that long you know greatness when you see it. And conversely you know folly when you see it.

I have lived that long, and that badly and well, that I know folly when I see it, and I know greatness. The fool will confuse the one for the other, so you get people who call witchhunts justice, and rogues  presidential. But thankfully we are blessed with some who are not fools, who know greatness when they see it… The host of the brilliant Youtube channel MINDSMASH.

With appreciation  the host dissects the great fighters and great fighting styles of our age, but does it with a romantic eye, and a poets hesrt.

Listen/watch his latest episode and you two will see, why it is in my humble opinion, a must not miss you tube channel:

 

 
https://www.youtube.com/channel/UC87Lj67s_Ht40lvGhtF9iHA

YouTube CHANNEL of the Day: PROFESSOR THORGI & Why Marvel and DC Comics are not selling!

Stop by Professor Thorgi’s channel and check out his review of new series JUSTICE LEAGUE DARK. As someone who with rare exceptions no longer gets monthly comics from the major comic publishers, me being interesred in anything new from DC or MARVEL comics… is rare.

The excellent coverage YouTube channel Professor Thorgi provided today on series JUSTICE LEAGUE DARK has me interested.

I really want to rush out and buy this series from DC Comics, however… I will not.

DC has recently followed Marvel in pricing their comics at S4 a book. The cost of hiring Bendis perhaps. Whatever the reason, for me that translates into both companies charging more for new comics than they are worth. $4 cover price at a minimum, with many of the books being even more expensive at $5 and up. 

I can spend that money to buy bronze age back issues that will hold their value as opposed to new issues, that 99% of them will be in the surplus dollar bins in a couple months. WHY ON GOD’S EARTH WOULD YOU PAY $4 for A NEW COMIC , when you can get a classic fantastic four or kubert comic for the same price?

Our Army at War #254

Fantastic Four #104

Fantastic Four #133

Buy Back issues here:

https://www.mycomicshop.com?&AffID=200301P01

That pricing for new comic books is just pure greed, from two companies that are backed by billion dollar parent companies. Unlike smaller publishers, these companies have the infrastructure and scale to support bringing in these books at $2.50  or at least hold the line at $2.99.

I feel the companies inability to do so, and in the case of Marvel, unwillingness to do so comes down to greed, short sightedness, and mismanagement.They would rather try and price gouge the same aging customer base of about 70000 readers to buy multiple copies of overpriced issues, than price the issues at an attractive $2ish price point, to try to sell to millions rather than just thousands.

Contrary to the minority of loud but wrong right wing nuts, comic fan pretenders, screaming against creators and against diversity, as the failing of comics, comics are, in terms of creativity,  in a golden age.

Comics as someone who has been reading these books longer than most of the vocal minority have been alive, comics across the board have never been better in terms of writing, art, stories, creativity, diversity of genres, etc.(with minor exceptions such as Nick Spencer’s racist Nick Fury Jr idea. Really?? That is your idea? I don’t think so. :). Just have the Black Nick Fury be the black Nick Fury. Don’t hamstring him with some insulting, denigrating  and moronic story about him being the ‘son’ of the White Nick Fury. Just stupid and insulting on so many levels. An example of the movie division just being better and  smarter and less racist than the comic book division. And who would have thought that? 🙂 )

But that one caveat aside, the reason the comics are not selling is they are overpriced. Bottom line. And the big two publishers are over saturating the market to try to get their few readers to buy a lot, everything, to keep up.

Newsflash… people can not afford to get a lot, much less everything, especially at $4 a book.

So they choose, like I choose, to either severely limit their consumption or get nothing at all ( I get from DC only one $4 book, Christopher Priest’s DEATHSTROKE, and their few remaining $2.99 books.  However with DC poised to ruin the good work Priest has done on DEATHSTROKE, by putting the character in the JLA, hampering Priest’s ability to write for the comics unhindered, I see me dropping even that title. And according to the rumor mill the $2.99 books are going away. As far as Marvel, I  get nothing at all.)

The fact that Marvel is not legitimately selling millions of copies of Ta-na hesi Coates or Donny Cates or Al Ewing or Mark Waid or David Walker has nothing to do with those creators, those creators are doing their job;  but marketing and management and editorial mandates are failing these books.

I will definitely be reading Coates Captain America run, or the latest Moon Knight. But not monthly, Marvel and DC have taught me that they are not good or affordable publishers of periodical material and to rather wait for the collected edition and read it for free at the library, and the ones worth buying, to purchase in collected form, at a substantial discount over the individual issues. That is just smart shopping in this day and age, and for periodicals to not adjust their price point and marketing plan to make their product more attractive to an audience with a glut of choices and demands for their time… is to be bad at your job.

Marvel and DC’s periodical publishing arms… are bad at their jobs. People in charge of getting these numbers up and selling these books, should be given a deadline to turn things around and make improvements. And if they don’t  maybe what Marvel Upper Management needs is to sweep out the old under-performing and stagnant comic selling paradigm that has taken root at Marvel and DC and replace it with fresh faces, with fresh, innovative ideas for moving product, and winning readers. Do mail order subscriptions at a discount through Amazon, like Entertainment Weekly and other magazines do. Even selling the books as a loss leader, by increasing your subscriber base to millions rather than tens of thousands, you dramatically  increase what you can charge for ad space. But it takes change to make positive changes.

 

Now on the other hand, companies that are worth supporting in periodical form are ALTERNA, CHAPTER HOUSE, they provide inflation friendly comics, that allow you to pick up great books at a sub $3 price.

Also IMAGE, DARK HORSE, IDW, even though they are in the $3 and $4 range, they give you a lot more for your money than DC and Marvel do,  The smaller companies offer you a better periodical experience, they give you more pages, less ads, on better paper, and with additional content such as letters pages and special features.

All that creates a very simple take away for where and how I buy comics in the 21st century:

  • These days when I buy comics, I buy them via pre-order courtesy of MY COMIC SHOP. COM, at a sizable discount off of cover price. I am an affiliate for My Comic Shop, so when you use these links you earn a few pennies for this blog.
  • But the reason I am an affiliate, is because i use and love the service, so it becomes easy for me to hawk them. I have tried other mail order services, and have been pretty disappointed and felt pretty ripped off by them.
  • My experience with MCS has really kept me from quitting the hobby all together. They have been that good for me, and you may find them similarly for you, an easy on-road to a medium, comics, that seemingly has more off-roads.
  • They let you read synopsis of the many, many companies out there.
  • And I get these great books mailed directly to me in great condition.
  • And generally speaking…  I am not buying Marvel and DC. And I have to tell you my reading experience has never been better, and my wallet thanks me.

Use the link below, and your wallet can start thanking you as well:

https://www.mycomicshop.com/subscriptionservice?&AffID=200301P01