December 1st to 2nd Youtube Roundup : Dr. Von Chilla + Price Increases+Bendis+ Social Justice!

https://www.youtube.com/watch?v=gswkW9as0M4

 

Under the heading “Don’t drink and Youtube” 🙂  – Dr. Von-Chilla went on a bit of a tirade regarding people speculating on comics and buying comics based on movie, tv news. Which I can get behind his feelings on that.

He also threw in there, ‘Brown chicks taking over for white guy superheroes’, which I think is a whole separate argument that I don’t get behind.

Now I know Dr. Von Chilla is not one of those anti social justice warrior nut-cases, who were hating on creators like Mark Waid and Ta-Nehisi Coates and Dan Slot, but that issue he brings up of characters changing, is one of the arguments of this mob.

It is that faulty ‘anti social justice warrior’ thinking.

If you do not like social justice warriors, you should not be reading superhero comics, because Superman, Batman, and Captain America in their origins were Social Justice Warriors. Before there was a term for it, these characters in the Golden Age were taken it to the fat cat businesses and corrupt syndicates and regimes that were sticking it to the little guy. From slum lords to Nazis the comics of the 1930s 1940s were all about saying things about what was wrong in the world. Far more courageously I might add, than most books do today.

So to hate on today’s comics for doing the same thing is to be disingenuous at best, and a moron at worst.

Now that’s me going on a tirade against people with an issue with Social justice concepts in comics. Here’s the thing, not all comics are for you or for me.

We have our preferences and there is nothing wrong in wanting to stick to that. What is wrong, is to not allow others there preference.

If the publishers can sell new characters to new populations, great for them, if they can spike sales of existing story-lines, by changing up the character, great for them (changing up not being the same thing as a mashup, which is what they are doing wrong today). That is nothing new. After the first 110 issues of the original IRON MAN he got in a rut. Back in the 80s… the creators, to get him out of this rut, wrote a FANTASTIC very long storyline where Tony Stark, became an alcoholic, stopped being IRON MAN, and James Rhodes became IRON MAN. And those were STELLAR issues from the 1980s. For my money the only issues, along with the original 110 issues, worth owning.

The same thing happened in GREEN LANTERN, the book was going nowhere after Neal Adams’ departure in issue 89 (IT SHOWS YOU HOW MUCH NEAL ADAMS BROUGHT TO THE BOOK AND THAT HE WAS A HUGE PART OF THE CREATIVE DIRECTION, BECAUSE WHEN HE LEFT EVEN THOUGH THE WRITER DENNY ONEIL STAYED, THE BOOK WAS UTTER CRAp. THE SOCIALLY CONSCIOUS STORYLINES THAT MADE AND STILL MAKE THEIR PARTNERSHIP SO GOOD, WENT BY THE Way-side AND THE BOOK DEVOLVED INTO A BORING BOOK. AND I LIKE DENNY ONEIL AS A WRITER, BUT WITHOUT NEAL ADAMS HE DID NOT KNOW WHAT TO DO WITH THESE CHARACTERS. I SPECIFY THESE CHARACTERS BECAUSE HE DID VERY WELL ON BATMAN AFTER NEAL’S DEPARTURE) .

THE BOOK WAS BAD A LONG TIME AND DID NOT GET GOOD AGAIN UNTIL ABOUT #172 when writer Len wein comes aboard and started to direct the book back to earth, and replacing Hal Jordan with John Stewart. LIKE ALWAYS THE LATE, GREAT LEN WEIN WOULD BE CALLED IN TO HELP RIGHT A SINKING SHIP, AND WITH THE HELP OF HIS ARTIST WOULD COMPLETELY REVAMP IT, AND BREATHE NEW LIFE INTO the series.

AND ONCE HE GOT THE BOOK winning again, WEIN would turn iT OVER TO ANOTHER WRITER TO CARRY THE book to the championships (to toss in a sports comparison).

HE DID THAT WITH THE X-MEN, fixing it and HANDING IT OFF TO CHRIS CLAREMONT AND HE DOES THAT HERE WITH GREEN LANTERN… fixing it and HANDING IT OFF TO STEVE ENGLEHART AND JOE STATON, till about issue 200, with wonderful Joe Staton art and great Englehart stories, along with the ONeil/Adams run… those are my favorite issues of GREEN LANTERN to this day.

SO IF LOOKING TO COLLECT GREEN LANTERN IN MY Humble OPINION YOU GET ISSUES 42 to 80, then 172 to 200. Use the following link(YOU GET GREAT BOOKS, AND YTOU EARN A FEW PENNIES FOR THIS BLOG TO KEEP THE LIGHTS ON. A WIN-WIN!):

https://www.mycomicshop.com/search?tid=179931&pgi=1&AffID=200301P01

 

https://d1466nnw0ex81e.cloudfront.net/n_iv/600/680115.jpghttps://d1466nnw0ex81e.cloudfront.net/n_iv/600/4749311.jpghttps://d1466nnw0ex81e.cloudfront.net/n_iv/600/679549.jpghttps://d1466nnw0ex81e.cloudfront.net/n_iv/600/899707.jpgGreen Lantern (1960-1988 1st Series DC) 52Green Lantern (1960-1988 1st Series DC) 53Green Lantern (1960-1988 1st Series DC) 54https://d1466nnw0ex81e.cloudfront.net/n_iv/600/680145.jpg

https://d1466nnw0ex81e.cloudfront.net/n_iv/600/681251.jpgGreen Lantern (1960-1988 1st Series DC) 57Green Lantern (1960-1988 1st Series DC) 58Green Lantern (1960-1988 1st Series DC) 59Green Lantern (1960-1988 1st Series DC) 60https://d1466nnw0ex81e.cloudfront.net/n_iv/600/679569.jpghttps://d1466nnw0ex81e.cloudfront.net/n_iv/600/680191.jpghttps://d1466nnw0ex81e.cloudfront.net/n_iv/600/680199.jpghttps://d1466nnw0ex81e.cloudfront.net/n_iv/600/679611.jpghttps://d1466nnw0ex81e.cloudfront.net/n_iv/600/612061.jpghttps://d1466nnw0ex81e.cloudfront.net/n_iv/600/800569.jpghttps://d1466nnw0ex81e.cloudfront.net/n_iv/600/1081095.jpghttps://d1466nnw0ex81e.cloudfront.net/n_iv/600/867585.jpghttps://d1466nnw0ex81e.cloudfront.net/n_iv/600/804069.jpg

And they were experiments, creators tossing stuff at the wall and seeing what stuck. They were allowed that freedom in the 1980s, they should be allowed that freedom today.

The ones that do not appeal to you, don’t buy. Like me I no longer buy Marvel Comics in monthly form. I think to pay over $3 for Marvel’s horrendous paper quality, and obvious attempt to milk the speculator market rather than create good stories is asinine.  And their obvious editorial mandate to create new characters, mashup characters, to get the mindless speculators, to buy cosmic ghostrider, or phoenix wolverine, or Thor venom, or Hulk Wolverine; is not creative, it is actually them in real ways making of themselves a horrible parody and joke. The same for DC, to a lesser degree, ever since Bendis went over there. He’s a good writer, but I find him more trojan horse at DC, bring the fratboy idocy, and disrespect for readers intelligence and pockets, that he championed while at Marvel.

No sooner he is over there and DC raises its prices to $3.99. So yeah these days, with Marvel and Dc, if I hear good things about a story, I’ll check it out at my library when collected or pick up the trade online. But as far as monthly books, you just get a whole lot more bang for your back from Independents like Image, Dark Horse, IDW, After-Shock, etc. DC and MARVEl, the two companies that realistically can afford to keep the price point of new comics at $2.99 or less, are the ones driving the price up($4,$5,$6,$7 is unsupportable, when realistically speaking most of these books will end up in dollar bins in a few years. It is bad business from the big two.)

So these days companies like Alterna and Chapterhouse who sell books for under $3, are the ones I am happy to purchase everything they sell. For me they are the future of comics.

So alll that to say, there are hundreds of comics released every month, there is no shortage of Alternatives.

And quite frankly to expect Superman or Captain America of today to appeal to you the same way as the Superman of your childhood did, and never allowed to experiment or change that character is moronic.  Characters change, writers changes, the audiences they write for likewise change.

You hate slabbing. Don’t slab. You hate variant covers don’t buy variant covers. (Quick aside : I’m not a huge fan of either of those things. I think pressing comics, while it removes imperfections from the cover, is PROVEN to shorten the lifespan of the interior newsprint pages. I think it is people moronically pursuing short term goals, at the expense of the longevity of the actual book. People are going to unslab these books in several years and find pristine covers over deteriorating interior pages, especially as it relates to older books. Newsprint+moisture+heat=mistake. Every single time.

But hey  if people want to continue doing this even after being informed of the potential damage (every single person you see pressing on youtube, presses differently. Different ranges of heat, different amounts of moisture, different drying time before slabbing. I guarantee you 99% of the people slabbing comics are doing more harm than good, and are making a mold infused mess rather than preserving a collectible. It is all experimentation and guess-work with the lot of them.

If you were to do it perhaps to salvage a book that already had interior water damage, I would only use CGCs  original service, rather than one of these diy -let me get my iron out -guys. Also going through CGC you have some potential recourse through your insurance company  if things go wrong. Better than some of these guys who are doing pressing at their kitchen sink. Okay that may have been a long aside. 🙂 )

 You hate new characters or change to your existing characters, don’t read those characters. Read the 80 years of back issues, or choose new comics to support. It is not that effing difficult, it is not effing brain surgery, it only becomes a problem when you want YOUR choices to be the only choices everyone else has available. That is the problem I have with the anti social justice warrior nuts.

They think their right to hate something, should supersede someone else’s right to love something.

Don’t tell me the things you hate. Tell me the things you love, and that is how you move the needle.

It is what is great about the Youtube comic community. A lot of people sharing their loves, has inspired me to buy a LOT of books this year. People telling me what they hate, has not gotten me to drop a single book, or change a single purchasing decision. I decide for myself what is worth hating, and I hate very few things. I dislike a lot. I have no interest in reading books or watching tv shows about trans or gay characters. I’m not saying these books or Tv shows shouldn’t not exist,  OR THERE IS ANYTHING WRONG WITH IT, but I have no interest in them IN MY COMICS OR MY TV SHOWS. So AFTER THE FIRST SEASOn of supergirl tv show (which i enjoyed) I dropped out of the second season, because it was too much soap opera bs about her sister coming out. no interest. same thing with arrow, mr. terrifics relationship i think is out of place and just detracts from the show, etc.

so instead I just find something I like, to watch or read.  SO while I may dislike or avoid many  things, I hate very few. Your hate is not something I catch from you, like the cold.

But tell me of the things you love, and that I will check out, to see if I love it too.

Dr. VonChilla, knows this. Because I have watched his videos where he introduces us to books he loves. And some of those books I’ve bought.

That’s how you change the world for the better Dr. Von Chilla… one great recommendation at a time.

 

 

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Top Black Friday Shopping DEALS for Those Not in Debt! COMIC BOOK FAN Gift Edition!

If you are in debt, see my previous post. You should be using any free money to pay down or pay off your debt, not adding to it.

A simply essential Youtube channel for sensible money management tips is :

MINORITY MINDSET-

https://yt3.ggpht.com/CdRWgeqIDvjAWK7tus78G4gmmWc7sRRvr7wQaocxRQ02MEZS-iRz_CJCkEIP1S9DJg2S5sxCIQ=w1440-fcrop64=1,32b75a57cd48a5a8-nd-c0xffffffff-rj-k-no

https://www.youtube.com/channel/UCT3EznhW_CNFcfOlyDNTLLw/featured

https://theminoritymindset.com/

A lot of it is seemingly common sense, but if common sense was common, most of America would not be drowning in debt, and a person who did not win the popular vote would not be in the oval office.

So we can not have too many people… talking sense to us.

Obviously as a nation and a world, common sense bears repeating often. 🙂

 

Anything you buy, should not be bought on credit until any existing debt is paid on first.  If you can pay cash for it, after paying down on your debt, than go for it.

For the few of you who have done this, this list is for you:

For COMIC BOOK/GRAPHIC NOVEL/SLIM Fans:

First get the comic book fan in your life, quality bags, boards and tape. As a fellow collector I speak from experience, few things are as aggravating as a disorganized collection.

So let us start there, by helping the comic bibliophile in your life get more organized.

Every single comic fan needs comic book bags and backing boards, and typically never gets enough or the right kind for themselves.

I’ve done the hard work for you. Here are the ones to get:

Comic Book Bags AND BOARDS:

 

E. Gerber without a doubt is the name to trust in this hobby, and his MYLITES2 a must own. Get “standard size” as that will support not just today’s smaller comics but the older, larger bronze, silver and golden age comics. But plastic is not enough you will also need a backing board (preferably full back as it is acid free on both sides) to keep the books from getting damaged when stored or being moved.

Also with the board each bag can store two comic books, with the books facing out. Storing it this way actually better protects the books. Buy the bags and boards together and save money.

Get them here:

https://amzn.to/2TzXHES

 

TAPE:

Now, traditionally to close the bags a little bit of scotch tape was used, but that proved to be an issue as that tape would end up sticking and damaging the comic book, when it was removed or inserted into the bag. Some people use painters tape, but it defeats the purpose of having these books beautifully displayed in crystal clear mylar, if you are going to use unsightly blue tape to close the bags.

No, a good upgrade from both scotch and painters tape is two sided tape. There are several varieties one that works well for me is :

XFasten Double Sided Carpet Tape, 2-Inch x 30 Yards
All you need is 1 to 3 very small pieces, maybe 1″ x .5″, apply it not to the flap of the plastic bag, but the back of the mylar plastic bag, where the flap will seal, remove the film, close the bag, and tada you have an almost invisible, very non-obtrusive way to safely seal your comic book bags. And comics may be removed and inserted without risk of tape damage.
Get yours here:
Okay, we got you set with protecting the individual comic, now what do you store them in?

COMIC STORAGE:

There is arguably nothing more outdated about this hobby, than grown ass men and women filling their homes with these unsightly cardboard boxes. 🙂 Now don’t get me wrong, for many years I was one of these men. I think sometimes we go on inertia, and what worked for us yesterday, we continue with today and into tomorrow, unexamined.

And if you are still a kid, or even a bachelor, living by yourself, maybe that comic box fits your needs.  But maybe it doesn’t. Maybe you outgrow it.

The surest way to entrenched failure, is to not continually reexamine the constants of your life.

It is like people voting along party lines, or treating elections like a horse race, or a basketball game. Where we need our team to sweep, rather than putting the best person in the position. That is not the way. You have to always reexamine, on a case by case basis, who we love and who we hate, because everything changes.

Midterm elections, is an example.

I had several Democrats, a couple Republicans, a couple green party, because sometimes the label does not tell you who best represents your or your family’s or your community’s best interest. That is the problem with America, we are voting for the label, and not the measure or voting history of the specific man/woman.

All this highly political tirade, — hey its my thing, to say always be on the lookout for the better mouse trap.

And the standard comic book box or even the newer drawer box, may not be the better mouse trap for you.

 

ComicsDC: PR: Get $2 for your old empty comic box! Beyond Comics!Value of old comics | Comic book worth, appraisal & valuationOld Comic Books | eBay

 

Here in 2018 I have completely transitioned away from the standard comic book box for a variety of reasons. Cardboard is a nice home for bugs, particularly spiders, silver fish, etc.

I love watching those storage reality shows, and people grab these comic book boxes, and the boxes are stained and rotting away around the comic books. And even when brand new, it is not something for a more mature, tailored environment.

And while your comics may be safely bagged and boarded the cardboard box itself is a convenient home and meal and breeding ground for such pests. And whether a storage unit or your home, insects, particularly spiders, find a way. Especially if cardboard is involved. Now definitely keeping your collection in a temperature controlled location, with ceiling fans constantly gently moving the air, and dehumidifier material/desiccants (such as that derived from volcanic rock) helps. But until you remove the main attractant for humidity and moisture and pests, stacks of cardboard, you are fighting an uphill battle.

So what do you do instead? You replace the cardboard box. You put all that cardboard where it needs to be… in recycling bins.

There are 5 great options out there, to replace your outdated comic book box. Two display options and 3 portable options.They are:

IKEA Kallax 4 Shelving Unit Black-Brown

IKEA’S KALLAX is just wonderful for displaying books, graphic novels, and even bagged and boarded comics, to include certified CGC/CBCS sized comic books. I own six of the above Kallax cubes and they are one of the best purchases I have made.They look GREAT in any room, and display your collectibles beautifully as opposed to the horrendous traditional comic book box.

 

Price them here:

https://amzn.to/2S6U9bz

 

Another great and essential storage and display unit, that also resolves the cleanliness and organization and appearance issues with traditional cardboard boxes, is the above CASA PURA METAL STORAGE SHELVING UNIT. I have the 4 tier unit, that is rated to hold 155lbs per shelf.

 

Price them here:

https://amzn.to/2DUBYmi

 

Okay now while great for displaying your collection, the Kallax and Casa Pura storage units are not portable options. That is where the next options come in…

 

 

Muscle Rack MK131311-B2PK 11" x 13" x 13" Black Milk Crate (Pack of 2)

MUSCLE RACK BLACK MILK CRATE fits perfectly in the above KALLAX or is great stacked on the CASA PURA. Very reasonably priced and holds as many comics as the standard short box. Conservatively 150 bagged and boarded comics per milk crate. That means inserted into the Kallax you can hold up to 600 comics. And used 2 to the shelf on the Casa Pura you can hold at least 1200 comics with space in between for trades and hardcovers.

Made of hard plastic, you can toss away your stain and bug collecting cardboard box. As these MUSCLE RACK CRATES will not trap humidity (the enemy of paper based products) like your traditional comic book box.

Price them here:

https://amzn.to/2P1sRS6

Okay for strictly display needs, the above three items will handle everything you could want. They will turn your comic collection space, from a kids room, to an adults room, where your collectibles will not cause your significant other or guests to groan upon seeing it. The above items would be equally good for record or figurine or movie collections.

However, portability for the books you do not need displayed, but still want easy access to, and to be able to easily move them; you need something more. We will go over those last two options in the upcoming installment.

If you have found this post helpful, please like it up, spread the word, and use the associated links. You get great items and it generates helpful pennies for this blog.

Thanks! And more next installment!

 

 

THE LAST WORD: Joe Kubert’s BEST Comic Book Covers!!(Some of them)

I have an appreciation for the late, great Joe Kubert here in 2018 as an adult, that I really didn’t have for him as a kid. And much of that is down to exposure, as well as a broader scope of reading material.

As a kid, comics that interested me were what interested most kids of the latter 20th century. We were children of Stan Lee and Jack Kirby, Chis Claremont and John Bryne, Marv Wolfman and George Perez, David Kraft and Keith Giffen, Bob Haney and Jim Aparo. The very exciting and colorful, but delineated world of Superhero comics.

The Brave & The Bold #84 - Neal Adams

But then the late 80s happened, and creators like Alan Moore and Frank Miller and William Mesner Loebs created works that seemed to challenge and expand the horizons and genres and tropes of the medium. They were following in the footsteps of late 70s pioneers such as Doug Moench and Paul Gulacy, and the aforementioned creators, who all had their moments of scripting comics with an Indy sensibility before the term existed.

And now as an adult, having explored much of the growth of the mainstream comic industry from their golden age roots, to their big screen interpretations, here in 2018 I am revisiting some work that was largely before my time.

Namely the westerns and horror books and combat books, of the late 60s and early 70s.

https://i0.wp.com/comicbookdb.com/graphics/comic_graphics/1/230/105485_20071213140823_large.jpg

And this deep dive into this world (I mean I have gone deep in 2018), has solidified and cemented and revealed somethings. Most notably is 1/ The western comic books of Marvel Comics, the 12cent and 15 cent, etc comics, RAWHIDE KID, TWO-GUN KID, GUNHAWKS, MARVEL WESTERN, by mostly Larry Lieber, and Stan Lee, and Jack Kirby, and Gil Kane, and Herb Trimpe and John Severin are masterpieces. And these books are MUST OWNS. And many have not been reprinted. And while MARVEL COMICS were hands down producing some of the best Western Comics, some other notable comics in this genre are the painted cover LONE RANGER comics by Dell and Gold Key Publishing, and DC’s TOMAHAWK–

(Brief interuption to gush on Kubert’s TOMAHAWK. The last 25 issues or so of TOMAHAWK go from Neal Adams covers to the final ten which are Joe Kubert covers, from issues 131 to 140. There are not many people who can follow Neal Adams on covers, and be able to equal him.

When Neal Adams does a run of covers, those become the definitive sought after covers, especially during this period of the 60s and 70s in DC. Whether BATMAN or DETECTIVE or SUPERMAN or SUPERBOY, to this day the definitive covers for all those titles, are the ones drawn by Neal Adams, and with good reason. Neal Adams is a master artist.

So it is no small compliment to say not only does Joe Kubert’s ten issue cover run on TOMAHAWK equal the work of his good friend Neal Adams, they surpass them. As someone who just acquired those ten books this year, listen to me when I say they are INCREDIBLY undervalued, sporting both stunning covers and interiors, and no true fan of comics should be without them. If you can get them in high grade for $10 a book, that is a steal.

Get those issues at the link below. You get great comics AND you earn a few pennies to keep this blog’s lights on.

https://www.mycomicshop.com/search?tid=181351&pgi=101&AffID=200301P01

)

–and ALL STAR WESTERN & WEIRD WESTERN. All fantastic and I will be doing a bit on Western Comics in an upcoming post.

 

https://i0.wp.com/comicbookdb.com/graphics/comic_graphics/1/798/374435_20160819181122_large.jpg

 

And 2/ where the Marvel Comics  of yesterday ruled the WESTERN genre, the WAR or COMBAT genre was ruled by DC Comics. Largely because of two names the great Robert Kanigher and the great Joe Kubert. Both men master story tellers, one with words and one with images, and both men incredibly prolific and productive. My favorite TEEN TITANS story of the silver age is by Robert Kanigher, my favorite FLASH stories by Robert Kanigher. So I always meant to pursue Kanigher’s work into his combat/conflict/war books of the period, and I am finally getting a chance to do that in 2018. And what immediately sells these books is the iconic covers and visual storytelling by the late, great Joe Kubert.

Joe Kubert’s cover art on Our Fighting Forces #135

His work, especially pre the mid 70s, where his covers got to play with the typography and marrying that to the cover image… gold. Absolutely gold. To the point where covers for OUR FIGHTING FORCES and OUR ARMY AT WAR for a brief period in the late 60s, early 70s are cover art truly raised to the level of Art with a capital A. Why anyone would pay $4, $5, $6, and $7 for a brand new comic book (that can be found in the $1 bins or reprinted in a much better quality trade in a few months), when you can take that same money and get a classic issue from this period of comics… is beyond me.

It is work you are typically not going to see unless you go looking. Not many people are showing off 50 year old war comic book covers. In 2018 I have gone looking.

Let me show you some of what I’ve found. We will start with a taste of his unconventional and relatively rare Superhero work and move onto his more prolific genre work.

 

 

 

flash_189.jpg

GI_Combat_88.jpg

SYFYWIRE’s Matthew Funk says it best when they say…

“G.I. Combat #88

Kubert’s contributions to the visual language of war stories can’t be overstated, and this cover proves as much. This is very Stanley Kubrick-style imagery, but the comic predates Full Metal Jacket by 26 years. Kubert was creating iconic, haunting, and cinematic images of war that would influence generations of storytellers.”

weird_war_tales_6.jpg

tor_2.jpg

When you think of great, iconic cover artists, the names Gil Kane, Neal Adams, Jim Steranko, Nick Cardy, and more recently Alex Ross come to mind. And all deservedly so. But one that arguably has gotten overlooked by the masses is Joe Kubert, and this is largely because he worked mostly in genres that did not get the attention back in the day. But now as an adult and getting into genres of Western and War and Horror, I am getting exposed to the work of great artists such as Joe Kubert, I am seeing much of it for the first time, and it is…. ASTONISHING. What really amazes me about Kubert is when he gets to play with Typography in his covers, and make that part of his story-telling, those are absolute game changers. Such as the above, and many of his Combat books.

 

https://static3.cbrimages.com/wp-content/uploads/goodcomics/2012/08/kubertcover6.jpg?q=35&w=400&h=601&fit=crop

https://static1.cbrimages.com/wp-content/uploads/goodcomics/2012/08/kubertcover18.jpg?q=35&w=400&h=596&fit=crop

SGT ROCK

G.I. Combat (Volume) - Comic Vine

Our Army At War 254 - Sgt. Rock - Joe Kubert

Cover

Ready to own some of these great comic books?

Then use the link below and start ordering:

https://www.mycomicshop.com/search?q=our+army+at+war&pubid=&PubRng&AffID=200301P01

 

Where to buy NEW comic books right now, Sept 2018 Pre-orders! And What books to get! ALL THE REST EDITION!

This is the last day to preorder books that will be shipping in December at a discount.

Here are my suggestions for the books worth your time:

MARVEL COMICS

Nothing. I can recommend nothing from Marvel Comics. Marvel is GROSSLY overpriced.  Save your money and either pick up these issues for a $1 or $2 each in a few months, when they are no longer new, from the secondary market. Or wait till they get collected into trade paperbacks and read them from your local library for free. Or buy them used online for a fraction of what getting the individual issues would cost.  I grew up with Marvel Comics, and i think they still have some fantastic creators I would love to read on a monthly basis, Ta-Nehisi Coates CAPTAIN AMERICA , comes to mind. After much hate from the moronic bigoted internet crowd, the moronic antisjw nazis, it turns out Coates CAPTAIN AMERICA is shaping up to be great. The same with just about anything Al Ewing touches. Unfortunately these great creators are sabotaged by a unsupportable comic price, and horrible editorial and marketing decisions.

The movies quite frankly are a lot better, and a lot less disorganized, stupid, and at times ingrained bigoted than the comics. The comics play lip service to diversity, and it is great to see creators like Coates and Walker get a chance to start their vision, but inevitably Editorial steps in and ruins/aborts their process/ending. The comics back pedal from everything to try to pander to the racist anti-change and anti-diversity mob, who typically don’t even read the comics they complain about.

The movies so far under Feige’s reign have embraced diversity with no back pedaling or moronic denigration that makes up so much of what goes on in the comics when it comes to characters of color (‘Oh Well we can’t have the Black Nick Fury be his own man. Let’s explain him away as the son of a White Nick fury.’ What????? Yeah this is the stupidity and racist great ideas that is happening in Marvel Comics, by there non-writers of color and editorial department.)

So yeah, so far the movies are actually better by far than the comics. So stick with them for now. Or until they start following the stupidity of the current comic books.

DC COMICS

Unfortunately DC that was doing a good job of keeping their prices under $3 a comic, ever since hiring the trojan horse of Brian Bendis, they have adopted Marvel’s disastrous and customer offensive pricing policy. Of charging $4, $5, $6,and $7… for COMIC BOOKS!!!!

Absolutely immoral.

And I like Brian Michael Bendis as a creator, but I despise him as a shill for the company, and his arrogant frat boy attitude to companies milking the audience, and  his basic ‘ah they will pay the higher price. Lower prices do not sell.’ I’m ten years of proving Bendis is wrong. It is not diversity that is the cause of Marvel Comics’ inability to keep from bleeding readers, it is the bloody price of their books. Add to that the over abundance of ads, poor placement of ads, and atrocious paper quality and you have a company that is repeatedly slapping their customers in the face, then wondering why the customers are not sticking around.

DC will soon find they will have the same issue as Marvel Comics. They will keep the die hards for a while, the sheep who buy multiple issues and variants, and the speculators, but that is  a far cry from the millions of people a publishing arm of Times Warner should be reaching.

Besides their last $2.99 books, which word is they are going away soon… The only book over $3 that I get from DC, that I make an exception for, is Christopher Priest’s brilliant DEATHSTROKE. And that is going to change, as editorial has decided to reward the critical acclaim that series has received, by mixing it into their editorial marketing ploy, basically gutting Priest’s ability to tell unhindered stories with the character. Once Priest leaves, so do I.

So what is worth getting?

Here is my list for September Pre-orders:

Beyonders 4 On order 1 $2.59
Bitter Root Cvr D Williams 1 On order 1 $2.59
Cavewoman A Wizard A Sorceress And Meriem 1 On order 1 $2.59
Cemetery Beach 3 On order 1 $2.59
Cinema Purgatorio Vast Cvr 16 On order 1 $4.54
Dark Ark Cvr A Doe 11 On order 1 $2.59
Deathstroke (2016) Cvr B Var Ed 37 On order 1 $2.59
Dick Tracy Dead Or Alive Cvr B Tommaso 3 On order 1 $2.59
Feast Or Famine 1 On order 1 $0.98
Gideon Falls Cvr B Suayan 8 On order 1 $2.59
Hillbilly Red Eyed Witchery From Beyond 4 On order 1 $2.59
Infinite Dark 2 On order 1 $2.59
Infinity 8 7 On order 1 $2.59
Jook Joint 2 On order 1 $2.59
Leviathan Cvr B Guillory 4 On order 1 $2.59
Lightstep 1 On order 1 $2.59
Lodger 2 On order 1 $2.59
Magic Order Cvr A Coipel 6 On order 1 $2.59
Moth And Whisper 3 On order 1 $2.59
New World Cvr B Moore And Muller 5 On order 1 $2.59
No World Primer 2018 On order 1 $0.16
Oblivion Song 9 On order 1 $2.59
Outer Darkness 1 On order 1 $2.59
Proxima Centauri 6 On order 1 $2.59
Raid Cvr B Photo 4 On order 1 $2.59
Red Sonja Cvr A Caldwell 23 On order 1 $2.59
Rick And Morty Cvr A 44 On order 1 $2.59
Rick And Morty Presents Pickle Rick Cvr A 1 On order 1 $3.24
Shadowman Cvr C Veregge 9 On order 1 $2.59
Sideways 10 On order 1 $1.94
Silencer 11 On order 1 $1.94
Sink Cvr A Cormack 6 On order 1 $2.59
Skyward 8 On order 1 $2.59
Spawn Cvr B Mattina 292 On order 1 $1.94
Stellar 6 On order 1 $2.59
Terrifics 10 On order 1 $1.94
Unexpected 6 On order 1 $1.94
Walk Through Hell 6 On order 1 $2.59
Warning 1 On order 1 $2.59
Whispering Dark 2 On order 1 $2.59

Order yours here:

https://www.mycomicshop.com/subscriptionservice?AffID=200301P01

And tell them HT sent ya!!!!

🙂

 

 

YouTube CHANNEL of the Day: PROFESSOR THORGI & Why Marvel and DC Comics are not selling!

Stop by Professor Thorgi’s channel and check out his review of new series JUSTICE LEAGUE DARK. As someone who with rare exceptions no longer gets monthly comics from the major comic publishers, me being interesred in anything new from DC or MARVEL comics… is rare.

The excellent coverage YouTube channel Professor Thorgi provided today on series JUSTICE LEAGUE DARK has me interested.

I really want to rush out and buy this series from DC Comics, however… I will not.

DC has recently followed Marvel in pricing their comics at S4 a book. The cost of hiring Bendis perhaps. Whatever the reason, for me that translates into both companies charging more for new comics than they are worth. $4 cover price at a minimum, with many of the books being even more expensive at $5 and up. 

I can spend that money to buy bronze age back issues that will hold their value as opposed to new issues, that 99% of them will be in the surplus dollar bins in a couple months. WHY ON GOD’S EARTH WOULD YOU PAY $4 for A NEW COMIC , when you can get a classic fantastic four or kubert comic for the same price?

Our Army at War #254

Fantastic Four #104

Fantastic Four #133

Buy Back issues here:

https://www.mycomicshop.com?&AffID=200301P01

That pricing for new comic books is just pure greed, from two companies that are backed by billion dollar parent companies. Unlike smaller publishers, these companies have the infrastructure and scale to support bringing in these books at $2.50  or at least hold the line at $2.99.

I feel the companies inability to do so, and in the case of Marvel, unwillingness to do so comes down to greed, short sightedness, and mismanagement.They would rather try and price gouge the same aging customer base of about 70000 readers to buy multiple copies of overpriced issues, than price the issues at an attractive $2ish price point, to try to sell to millions rather than just thousands.

Contrary to the minority of loud but wrong right wing nuts, comic fan pretenders, screaming against creators and against diversity, as the failing of comics, comics are, in terms of creativity,  in a golden age.

Comics as someone who has been reading these books longer than most of the vocal minority have been alive, comics across the board have never been better in terms of writing, art, stories, creativity, diversity of genres, etc.(with minor exceptions such as Nick Spencer’s racist Nick Fury Jr idea. Really?? That is your idea? I don’t think so. :). Just have the Black Nick Fury be the black Nick Fury. Don’t hamstring him with some insulting, denigrating  and moronic story about him being the ‘son’ of the White Nick Fury. Just stupid and insulting on so many levels. An example of the movie division just being better and  smarter and less racist than the comic book division. And who would have thought that? 🙂 )

But that one caveat aside, the reason the comics are not selling is they are overpriced. Bottom line. And the big two publishers are over saturating the market to try to get their few readers to buy a lot, everything, to keep up.

Newsflash… people can not afford to get a lot, much less everything, especially at $4 a book.

So they choose, like I choose, to either severely limit their consumption or get nothing at all ( I get from DC only one $4 book, Christopher Priest’s DEATHSTROKE, and their few remaining $2.99 books.  However with DC poised to ruin the good work Priest has done on DEATHSTROKE, by putting the character in the JLA, hampering Priest’s ability to write for the comics unhindered, I see me dropping even that title. And according to the rumor mill the $2.99 books are going away. As far as Marvel, I  get nothing at all.)

The fact that Marvel is not legitimately selling millions of copies of Ta-na hesi Coates or Donny Cates or Al Ewing or Mark Waid or David Walker has nothing to do with those creators, those creators are doing their job;  but marketing and management and editorial mandates are failing these books.

I will definitely be reading Coates Captain America run, or the latest Moon Knight. But not monthly, Marvel and DC have taught me that they are not good or affordable publishers of periodical material and to rather wait for the collected edition and read it for free at the library, and the ones worth buying, to purchase in collected form, at a substantial discount over the individual issues. That is just smart shopping in this day and age, and for periodicals to not adjust their price point and marketing plan to make their product more attractive to an audience with a glut of choices and demands for their time… is to be bad at your job.

Marvel and DC’s periodical publishing arms… are bad at their jobs. People in charge of getting these numbers up and selling these books, should be given a deadline to turn things around and make improvements. And if they don’t  maybe what Marvel Upper Management needs is to sweep out the old under-performing and stagnant comic selling paradigm that has taken root at Marvel and DC and replace it with fresh faces, with fresh, innovative ideas for moving product, and winning readers. Do mail order subscriptions at a discount through Amazon, like Entertainment Weekly and other magazines do. Even selling the books as a loss leader, by increasing your subscriber base to millions rather than tens of thousands, you dramatically  increase what you can charge for ad space. But it takes change to make positive changes.

 

Now on the other hand, companies that are worth supporting in periodical form are ALTERNA, CHAPTER HOUSE, they provide inflation friendly comics, that allow you to pick up great books at a sub $3 price.

Also IMAGE, DARK HORSE, IDW, even though they are in the $3 and $4 range, they give you a lot more for your money than DC and Marvel do,  The smaller companies offer you a better periodical experience, they give you more pages, less ads, on better paper, and with additional content such as letters pages and special features.

All that creates a very simple take away for where and how I buy comics in the 21st century:

  • These days when I buy comics, I buy them via pre-order courtesy of MY COMIC SHOP. COM, at a sizable discount off of cover price. I am an affiliate for My Comic Shop, so when you use these links you earn a few pennies for this blog.
  • But the reason I am an affiliate, is because i use and love the service, so it becomes easy for me to hawk them. I have tried other mail order services, and have been pretty disappointed and felt pretty ripped off by them.
  • My experience with MCS has really kept me from quitting the hobby all together. They have been that good for me, and you may find them similarly for you, an easy on-road to a medium, comics, that seemingly has more off-roads.
  • They let you read synopsis of the many, many companies out there.
  • And I get these great books mailed directly to me in great condition.
  • And generally speaking…  I am not buying Marvel and DC. And I have to tell you my reading experience has never been better, and my wallet thanks me.

Use the link below, and your wallet can start thanking you as well:

https://www.mycomicshop.com/subscriptionservice?&AffID=200301P01

For the love of all things good, STOP pressing and cleaning your old comics!!! You are DESTROYING them!

Watching these Youtube videos on line of people so-called pressing and cleaning their comics.

I can not believe what I am seeing  it is like giving baboons knives. 🙂

People do not press your comics yourself, and do not pay to have an ‘expert’ do it for you.

Why?

Few reasons.

1/All of these so-called experts are using t-shirt presses or steam irons to ‘improve’ your comic. They are all just winging it, with no real understanding of ph balances, and acidity and moisture content, before or after. It’s a bunch of hacks, each one with no understanding of reason 2.

2/ The application of heat and moisture to newsprint, jump-starts a chemical reaction in the pulp paper, the newsprint, that continues and accelerates long after the initial application is supposedly done. The process is called advanced deterioration. The two things you should never apply to pulp paper, to avoid early deterioration, heat and moisture. A whole slew of new and returned collectors are doing just that. In hopes of turning short term profits by slabbing and reselling their ‘hot’ comic. In the long term what they are doing is SHORTENING THE LIFE of that bronze, silver age or golden age comic.

It is far better that your comic has a spine roll in it, than you BURN IN heat and moisture and humidity deep INTO the fabric of newsprint paper. That as stated is kicking into high gear deterioration and breakdown of that pulp paper on a molecular level, that CONTINUES after you have it graded and slabbed in plastic.

And yes, it comes back on the surface looking flatter and squarer, but internally you have taken years (if not decades) off the life of that pulp paper.  And that deterioration process will continue, as well as the possibility for mold growth, IN THE SLAB. Particularly if there is not sufficient time between ‘pressing’ and slabbing.

I’ve seen warped books in a slab before, and the root cause appeared to be a disastrous ‘pressing’ job, immediately followed by slabbing that still humidity soaked book, in plastic.

Now of course the person who sells you the book, doesn’t care, as long as he is getting paid for the arbitrary grade on the slab, people only seeing the cover of the book in the slab, and having no idea of excessive humidity or ph levels in the actual pages of the book. So it becomes a game of hot potato, to not be the one stuck with this graded book, that when finally unslabbed from its protective case, will be found to be in worse condition than a similarly aged book that had not suffered heat and moisture intrusion.

So arguably people are paying more for slabbed books (that is what they call graded comics, that have been sealed in plastic after grading) that are actually shortening the life of their comics, that because of this mania of people seeking a ‘perfect’ cover, they are ruining the actual comic book pages by entrusting them to witch doctors claiming to ‘press and clean’ them.

And I’m sure there is at least one restorative service that is keeping ph levels and moisture content, in mind. However they are the conservationists at the Library of Congress, and are not the services selling themselves as pressers to help you increase the grading on your comic book. 🙂

This is not brain surgery. I do not know what it is about the 21st century , or America in the 21st century, where common sense is not common, and idiocy is contagious, and sought out over reason. How do we  jump on obvious idiotic band wagons like ‘Me too’ and ‘Let’s iron my old pulp comics!” 🙂

And before I get hate mail, I think crimes of abuse when proven in a court of law, people should of couse face the punishemnt prescibed. However, I think when punishment is applied by the mob, before the verdict is in, people losing their jobs, their families, their name before their day in court… that is not justice. And when you are making judgements on your biases and trama, and projecting your issues, or unapplied vengeance in your own life, over the facts of a case that has nothing to do with you, that is mob rule. That is lynch mob justice. That is a witch hunt. And calling it ‘ME TOO’ doesn’t make it any less so. Okay back to the regularly scheduled program.

I do not have a major issue with drycleaning, provided the person knows what he is doing, however If you love your comics, for the love of GOD, spread the word to have people stop pressing their comics. If you have to get out an overwrap or wrinkle, do it the old fashioned way, apply weight and time, to the book. Not heat or moisture.

That should be common sense to anyone over twelve years old, especially anyone who is a comic fan. The fact that it isn’t… disturbing.

Not trying to be belligerent, I’m a collector, so I hate the idea of people shortsightedly ruining collections, in this new speculator’s bubble we find ourselves in, a couple decades after the last speculator bubble popped.

Love the hobby guys, and avoid the snake oil salesman. 🙂

Here endeth the public service announcement. 🙂

 

The last word on Social Justice Warriors, the Anti-SJW movement, Nazis, and Comics!

Everything is political. Because we all have a point of view. And when things conform, or do not question our point of view, we tend to think of them as non-political. But everything is an expression of our values, from Mickey Mouse to Batman to Star Wars to Popeye. Everything has a moral perspective,  a concept of what is heroic, and what is villainous, based on where we were raised, and how we were raised, and sometimes.. if we are lucky, based on how we have grown.

You have a vocal faction these days, a minority, that wants to play the aggrieved party and the victim and label and attack others that they perceive as a challenge to their norms, they attack creators and they attack fans, and brand them with the label SJW.

This vocal faction using acronyms over the whole or correct word, the way traditionally oppressive, bigoted factions have done. SJW instead of Social Justice Warrior, PC instead of Respect, etc. It is the tactic of the Nazi, to use labels and intimidation to cloud reason. To call others what they are, closed minded, and intolerant. And on this web of lies and misdirection, hope to confuse the issue, and gain ground.

The issue is simple. Social Justice Warriors, as it relates to comics, is in the very origins of the super-hero. The fight for the under privileged against monied interests, and oppressive regimes. It is right there in the earliest issues of Superman, of Batman, of Captain America.

There were people back, in a 1940s America, who made death threats, and attacks against creators. People who attacked Jack Kirby and Joe Simon, for having Captain America, on the cover of Captain America #1, punch out Adolph Hitler, for effectively creating a Social Justice Warrior, and a social justice medium. The people railing against Social Justice Warriors and Comics back then in the early 1940s are the same ones railing against writer Ta-Nehisi Coates, and what they call SJW or Social Justice Warriors today, they are Nazis or they are ignorant.

Now if you are ignorant, that is not a crime as long as you don’t stay ignorant. We all wake up, if we are honest, everyday ignorant of something. And we all… if we are healthy, growing human beings… go to bed less ignorant than we started the day. We have read, we have talked, we have communed, we have learned,. we have grown, and we have thrown off at least one incorrect folly we held too. This is your chance to grow. If no one has pointed out to you the immorality of a rant against social justice warriors, in the social justice medium of comics… well I’m telling you.

Now when you go before God, you can’t say you didn’t know. 🙂

Now what you do with that determines, if you are just ignorant, a fool, or a Nazi. A fool and a Nazi are not going to change. An ignorant man however, if he be a man, will embrace opportunities to slough off the hates and misinformation of yesterday.

Will embrace places to grow,

Un-subscribe from those click-bait, hate mongering channels, posing under names completely contrary to what they are doing. Channels with names like We Love, and Diversity, but all they preach is hate.

A lot of you are subscribed to them out of habit.

Habit to give attention to lowest common denominator talk show type conflict and what passes for conversation. This Resident Trump did not win the popular vote, but he won more of the vote than he should have in a civilized country. Part of the reason is seen in Youtube, and across social media. We have become a nation that has traded talk show drama for dialog, and irrational rage and outrage, over reason.

That is a recipe for a falling down nation, a recipe for the end of days.

I say no.

I say no to lies.

I say no to misinformation.

I say no to collusion.

I say no to agents of chaos, seeking to subvert one of the few progressive mediums left…. comics. The majority of these fools do not even read the works or writers they complain about. You don’t like a writer or story, don’t read it. But to attack creators and mess with livelihoods because you don’t want anyone else to read the story… that is Nazism. And I won’t have it. Too many of those who paved the way for you even being here, sacrificed way too much, to let the hate they beat back… rise in the very hearts of their indolent children.

I say no.

I say it in what I subscribe to. I say it in what I buy. I say it in who I defend. And I say it in the face of a new American age of terror and witch-hunts.

This far, no further.

 

 

To not want to be challenged by your reading is a prerogative and right, at times we want the comfort of a simple narrative. Or a comforting narrative. And there is nothing wrong with that. But do not confuse that comfort,  with it being a non-political narrative. Even the lack of overt political stance in a work, is in and of itself political. Because there is no greater force in times of massive change, no greater political force, than the quiet, silence of the masses.’

—From SILENCE OF THE MASSES