Must Purchase Books of the Day!
Get these great books before they sell out or go up in value. These are today’s Amazon Picks of the Day!
The above were some of my favorite channels, and with a few exceptions, are all still on my subscription list here in 2020.
AARON PYNN (we do not have the same taste in films, but I like being introduced to films I would otherwise not be aware of or give a try. And being a physical media guy he has been helpful in 2019 in keeping me abreast of Dvd/Bluray sales), ADAM CELADIN (knife thrower), ALTER (some of the best short horror films), ALTERNA COMICS (really a fan of the sub $2 model this comic book company is providing, and they and Image comics $1 reprint books, I think are a big reason the big two offered $1 reprint books of their own), AMATEUR FILIES (one of the best Dvd/BluRay coverage channels), ARCHITECTURAL DIGEST, AVANTGARDEVEGAN, AXANAR, BADDAD320, BARBARIAN_KUNGFU, BARGAINHUNTERSTHRIFT, BATINTHESUN, BELLA’S TOY CHEST, BERNIE’S BOOTLEGS, BLADE HQ (helped get me into knife collecting in 2019), BLU RAY COLLECTOR, BLU-RAY BENN, BLURAY DAN, BRAVE WILDERNESS (one of our top 10 favorite channels), BUDGETBUGOUT.
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Romance books as well as Comic Books in general really picked up steam in the post World War II years. The comics finding themselves picked up by everyone one from kids to teens to adults. GIs and their wives also making a regular audience for these comic books.
In the prosperous post World War II years America was riding high, and you can see it in everything from the cars to the boom in home ownership to the boom in the birth rate, to the boom in comic genres and publishers.
In an America where currently comics struggle to sell a 100000 issues, comics back then routinely sold upwards of half a million copies. The more popular titles in the millions.
Romance Titles were one of those lifted by the general explosion of comics. And mainstream comics, though another war had just been won, ostensibly for liberty and freedom, were still victim of an America cowtowing to Jim Crow restrictions. Books that had people of color,could not be sold in some southern states if those depictions were not jingoistic or demeaning.
Evenhanded or respectful depictions of people of color, would likely get your book banned from that particular retailer. It was an extension of the same restrictions movies dealt with, that led to the ‘race’ movies of pioneers such as Director/Producer Oscar Micheaux in the 1920s and the creation of Black Film Production companies, and more importantly a Black owned circuit of theaters.
However Comics, while more popular than today, were still a niche medium and attempts to break the Jim Crow mandated codes against people of color, while valiant and brilliant… were unfortunately short lived. Especially where legal protections against mob behaviour/lynchings were virtually non-existant.
So that the NEGRO ROMANCE comic existed at all (much like the earlier ALL NEGRO COMICS) is down to the courage and talent of people who at the end of the day just wanted to tell good stories, without the Minstrel Show trappings of the time. That the book lasted two issues before being literally white-washed, removing characters of color and renaming it, is unfortunate.
But at least we had those two issues. And Thanks to Karl A. Therrian, after 70 years of being lost from the light of day, these issues, along with ALL NEGRO COMICS are currently available.
I could not be happier to own these reissues, in FANTASTIC condition of these extremely rare comics. Get them while they last.
I will cover the book in more detail in an upcoming post.
However, I would strongly suggest not sleeping on these books. Yes, you can buy them from various people, but it is apparent the love and care that Karl A. Therrian puts into his reissues that sets them above the competition.
Buy it while available.
I will be speaking on all these channels in more detail, regarding why they made my 2018 best of List.
I am going to start with the last on this list MERCENAUT and work my way up.
Mercenaut is on this list, not for being a White Supremacist or Black Activist ( inside joke, watch his channel) but for a single show he did in 2018, where he showed off a copy of CAPTAIN BRITAIN #8. With that episode, this guy along with the Epic Marvel Podcast and Afta Comics, started my hunt and love for Herb Trimpe covers in 2018. The CAPTAIN BRITAIN mag sported a STUNNING Herb Trimpe cover which is shown below.
Prior to that while i remember Herb Trimpe, I never really paid attention to how great of a cover artist he was. Between MERCENAUT’s showing, and the brilliant Trimpe Western cover’s that AFTA Comics showed, this year has very much been the year of collecting Herb Trimpe and Larry Leiber comics. Some of Trimpe ones I picked up this year are:
Darn you Variant Covers!!! You are diluting the medium. You can not have an ICONIC issue and multiple covers. Now again everything in moderation. A variant cover here or there is fine, but it has become the rule rather than the exception.
As a consumer, buy what you like. But as the publisher/producer of this content too much choice in a market can be as harming as too little, if it generates confusion, and stymies adoption by potential readers, in favor of courting speculators.
And that is just what is happening in the market place. In an effort to milk a diminishing audience, the mainstream publishers resort to the skankery of pimping multiple covers (yes I did just coin the word skankery 🙂 ) to the speculator segment, which harms the iconic nature of a work as much as alternative endings, to those of us who actually think books should be read.
To be iconic a thing must live memorable, in the shared consciousness and memory of the audience.
A memorable cover, or a memorable line, or a memorable poster, or a memorable ending. You think of Exorcist you think of a singular poster, You think of Casablanca you think of that ending, you think of Citizen Kane you think of that beginning, if you think of the original UNCANNY X-MEN 138, you think of the classic cover of Cyclops walking way from the X-MEN and toward the reader. And the background framed by all these beautiful UNCANNY X-MEN covers tinged in purple. For my money the single most beautiful and poignant X-men cover of all time, by John Bryne, another great artist,
That… for an image, or line, or scene, to stay memorable not just in your memory, but in the memory of a generation,… is to be iconic. People my age have a shorthand, a shared pop-culture language, that makes us part of a shared conversation.
Unfortunately people growing up on comics today, have no such singular, iconic cover or image to define a moment or a book. Because that one clear vision is muddied and diminished by multiple covers so the publisher can try and milk the speculator market, rather than serve the longer and more far reaching nature of creating something singular and memorable.
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