Why Marvel Studios is Successful and Marvel Comics is Suffering! The Last word on Diversity!

Marvel Studios under the brilliant leadership of Kevin Feige has become an unparalleled success because of amazing producers, writers, directors, casting agents, and actors, who take material made often for a juvenile audience and made it work for an adult and non-comics audience, while also satisfying comic die-hards like myself.

And as movies from the 1st film (IRON MAN) to the 18th film (BLACK PANTHER) show, the reason for this is Kevin Feige’s willingness to embrace Diversity. Diversity is not just the makeup of America, contrary to the Trumpian and XM hate radio mob  who who would preach dissension. and hate, it is the makeup of the world. And when you stop running and hiding and sticking your head in the sand, trying to wind back the clock to a Jim Crow America, you realize it is also the makeup to success.

Marvel Comics however has floundered for decades now and continues to flounder with diminishing sales. And while the vocal minority of morons and closet Nazis and talk show radio supporters would blame diversity.

The truth, that common sense and reason would tell you is, appealing only to existing readership has led to a diminishing readership, that can barely get a hundred thousand people, to buy even their most popular book. The people who grew up in the news-stand and comicshop and subscription model of comics,, is an aging and diminishing audience. We are picking up new readers, in large part due to the diversity initiatives and book store and libraries, MS MARVEL and MOON GIRL AND DEVIL DINOSAUR being some of Marvel’s biggest books in collected format. Doing HUGE in Libraries. However while we are picking up new readers in book format, the periodical format continues to lose across the board, for all comics Marvel is producing, whether they put a White, Black, Asian or other character in the comics, and I would argue Marvel is making quality comics across the board, what they suffer from is pricing.

They have in an age of growing options for entertainment dollars, with options of tv, streaming, video games, virtual, and regular books and magazines, priced themselves out of the market. $4 retail for a 20 page comic, that typically is filled with ads and does not give you a full story… it is for most of us an insupportable expense.

Even Die-hards like me have to pick and choose, and generally speaking, the choice is to not support Marvel in the monthly format, not at their $4 and up retail price point. I have not bought a Marvel Comics in years, only their recent diversity push, a good thing rather than the curse word Rush Limbaugh morons would make it, when they finally had Black writers and artists on staff, got me to buy their monthly books again.

I’m speaking of BLACK PANTHER and the short lived POWER MAN AND IRON FIST which was a relatively self-contained title, by dream creative team of David Walker and Sanford Greene. But I stopped getting it when Marvel decided to try to screw with the success of that book by making it into three books. Trying to over-milk their audience. With BLACK PANTHER they quickly started additional titles and crossovers that you had to get to get the whole story. Better and cheaper to just get the collected edition. And when Power Man and Ironfist ended, so did my buying Marvel Comics.

So Marvel’s floundering sales, is a relatively steady study in decline, and has notching to do with diversity. That they have not floundered more is due to their talented and diverse creators and characters. If someone on Youtube or a blog or the media is blaming diversity, you are dealing with an idiot and a bigot and a liar. And you should unsubscribe from their channel and or feed, because stupid people are a waste of time.

Diversity is not Marvel Comics problem. Their problem #1 is pricing. $4 they charge per issue, or $3.99 as they like to call it, you have gone past the threshold the market will bear, or that even your die-hard already converted audience. Particularly when in comparison to other publishers who give you more for that same $4. Other publishers give you less obtrusive ads, letters pages, back matter. And some like CHAPTER HOUSE comics and even DC COMICS (prior to Bendis, hopefully Bendis doesn’t support the same price hike that he supported at Marvel) realize that $2.99 retail is the breaking point for comic book adoption and growth.

Marvel Comics is also big enough that they can support a price of $2.99 retail for their comics. That would take care of their major problem. their second problem,relying on Diamond totally for their periodical distribution. Marvel used to offer mail order subscriptions at a nice discount, that’s how I got some of my books, you would use the ad in the magazine and subscribe to get your comics in the mail. I loved this model as a kid. I used it in addition to the comic book stores.  I think it is a great model unfamiliar with dealing with the Diamond pre-order model. And the third and most important thing, if a title is successful as a single, standalone title, don’t break it by being greedy and stupid. See previous comment on POWERMAN AND IRON FIST.

All those three points come down to Marvel Comics being better managed and better run, if not, no amount of crossovers or character changes or fabricate storyline outrage, will correct Marvel Comics dwindling sales.

 

Here endeth the Diversity Discussion.

:).

 

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Podcast of the Day : The Best Doug Moench Interview!

THE BEST DOUG MOENCH INTERVIEW!

I just discovered this COMIC SHENANIGANS interview with Doug Moench.

From April 2017 this interview is FANTASTIC! Doug Moench (pronounced mensh) is a legendary comic writer, but arguably not as legendary as he should be. While names like Frank Miller, Alan Moore, Stan Lee, Jack Kirby, Chris Claremont and John Byrne are known to even peripheral fans of comics, the name Doug Moench  arguably doesn’t get the praise he deserves.

His work in the 70s and 80s brought a sophistication to comics, that tends to get attributed to the year 1986 and the one two punch of Frank Miller’s DARK KNIGHT and Alan Moore’ s WATCHMEN, but those iconic books didn’t get born in a vacuum.  It came in stages through creators, by fits and starts, progressing the medium.  Creators such as…

The phenomenal work of Stan Lee in the 1960s creating stories that talked to the audience, rather than at the audience. His stories, his dialog, was snappy and fun patter which sung for the first time to a college audience, rather than strictly to the kid audience, and really separated Marvel from everyone else.

Stan Lee gets credit, but I think too many people in a rush to praise the artists, and address any slights,  such as Jack Kirby and Ditko and Romita etc (men deserving of praise) , they stumble into a very trumpian conceit of feeling that in order to praise the artists they have to tear down the writer, namely Stan Lee.  And quite frankly that is just insipid. You can praise them both, and should praise them both.

Beacause all that beautiful FF art, if married to insipid dialog/writing you have underwhelming stories. Or if you have stories that don’t hype/excite the audience, all the art is not going to save it. The silver age series SHIELD (pre and even some of the early Steranko) is an example of this.  Interesting Kirby art, but pretty boring , uninteresting writing.

Stan was writing the whole Marvel Universe at the time, and I don’t think war and spy books was his strength, so this series is pretty poorly written/dialoged, and all Kirby’s art couldn’t save it. The same thing could have happened to FF, but for Stan’s love for those characters and stories. The FF stories are great because Stan is at the top of his game as ideaman/writer, and Kirby is at the top of his game as storyteller/artist.  It is the collaboration of words and images that make those early FF stories work.

Stan Lee as ideaman, as writer, as editor, as cheerleader, as salesman, as enthusiastic fount of energy is unequaled. He put Marvel Comics  on his back and he carried it with a smile, onto the road that it is on now. With his passion to identify his creators and sell them to his audience, something no other publisher was doing, he gave birth to a generation of future writers and artists. As well as his more experimental work, allowing the competition (DC) to likewise let their writers off the leash. You get some of the best late 60s /early 70s Kanigher, Giordano, ONeil, Haney stories as a reaction to Marvel’s inroads to the college audience.

So you get a bunch of writers in the wake of Stan, growing the medium.

Among them being Roy Thomas, Steve Englehart, Len Wein, Marv Wolfman, Steranko, David Kraft, Keith Giffen, ONeil, Claremont, and arguably one of the most innovative of them… Doug Moench.

Doug Moench is known to a younger generation mostly for his later Batman work, however thanks to a new bunch of collections coming out from Marvel; the work that put him on the map (to even other comicbook creators) THE MASTER OF KUNG FU and MOON KNIGHT is finally readily available. Its availability allowing old and new to revisit these groundbreaking works, and put in clearer perspective this pivotal creator.

His MOKF, while of its age was more sophisticated than anything else coming out in comics, and looking back on it, now nearly 4 decades later, those stories are still incredibly entertaining. Particularly the issues with his long time collaborator, Paul Gulacy, are a phenomenal marriage of words and pictures.

Arguably 4 decades later, their ‘CAT’ story from issue #38 of the MASTER OF KUNG FU SERIES (and now available in Volume II of the MASTER OF KUNG FU Omnibus) is one of the greatest single issues of a comic. And fellow collaborators Mike Zeck, and the late great Gene Day also brought wonderful life to the words of Moench.

Likewise his MOON KNIGHT series with Bill Sienkiewicz was month in and month out one of the most sophisticated and daring and heartfelt books being put out; and opened the door for the success of the comic shop, and the rise of the Independent publishers. It gave a generation of writers a broader perspective on what can be done in a comic book. Many talented writers and artists have tried their hands at the character of Moon Knight since Moench’s departure, a few have been good, Warren Ellis and Jeff Lemire come to mind, most have been awful, and none have been the equal of Moench and Sienkiewicz’s run. That is something, when 4 decades of writers, cannot equal or surpass what you did.

Add to that three of the most haunting Batman stories, a trilogy of one shot issues done with Pat Broderick, and phenomenal creator owned work SIX FROM SIRIUS with Paul Gulacy, as well as his work in the Black and White mags,  and you have some of what makes Doug Moench one of the best writers in the history of comics.

Now with my 2 cents out of the way, go listen to the interview from the man himself:

https://comicshenanigans.podbean.com/category/doug-moench/

MUST LISTEN Audio Books for BLACK HISTORY Month and every other month! :) Part 2 of 2

The 2nd must listen audio book for Black History Month or any month is the mind breaking MUMBO JUMBO by the great Ishmael Reed.

Ishmael Reed, who was honored with the MacArthur “genius” award, is a Pulitzer Prize finalist and two-time nominee for the National Book Award. Mumbo Jumbo, a literary masterpiece, is an ironic and unconventional detectivestory infused with African-American cultural heritage. A strange psychic epidemic called “Jes Grew” is spreading through the country, affecting millions. PaPa LaBas, a HooDoo detective, is trying to find the origins of the JesGrew – not because he wants to cure it, but because he’s ready for a new kind of society.

mumbojumbo

Composed of the memorable personalities and the little remembered tragedies and triumphs of the roaring 20s, MUMBO JUMBO weaves these truths into an overarching fictional narrative that goes from the beginning of civilization to the fall of man.

But the fiction is so peppered with essential truths, like the best of all fiction, that it will change fundamentally how you look at everything, from museums to curse words to bull fights. If MIDDLE PASSAGE is my favorite audio book, MUMBO JUMBO  I think , in opposition to its name, is the most enlightening and powerful audio book I’ve ever listened to, for the  way it opened up my mind to… broader definitions of history and broader definitions of ourselves. Magnificent.

Version:

Unabridged
Author: Ishmael Reed
Narrator: J. D. Jackson
Genres: Fiction & Literature
Publisher: Recorded Books
Published In: July 2005
# of Units: 8 CDs
Length: 8 hours, 30 minutes

Get your copy here:

 

Mumbo Jumbo

GREAT Last minute / END OF YEAR GIFT IDEAS! Day 2 of 15! CANDLES!

GREAT GIFT IDEAS for the Homemaker or Survivalist Among you!

https://images-na.ssl-images-amazon.com/images/I/31LwP3ZJyxL.jpg

 

7-Day Beeswax Candle

 

7-Day Beeswax Candle

 

https://images-na.ssl-images-amazon.com/images/I/71oMAQS6nGL._SX522_.jpg

Puracy Natural Liquid Dish Soap, Sulfate Free Dishwashing Detergent, Green Tea and Lime, 16 Ounce Bottle, (Pack of 3)
Puracy Natural Liquid Dish Soap, Sulfate Free Dishwashing Detergent, Green Tea and Lime, 16 Ounce Bottle, (Pack of 3)

 

TriWick 120 Hour Candle & Camping Stove – Survival & Emergency Light Source

TriWick 120 Hour Candle & Camping Stove – Survival & Emergency Light Source

 

Volcanica Candles Dendritic Pillar Candle, Medium, Maroon/Gold

 

Volcanica Candles Flora Vase Candle, Creme

 

Candle by the Hour 120-Hour Beehive Candle, Eco-friendly Natural Beeswax with Cotton Wick

GREAT Last minute / END OF YEAR GIFT IDEAS! Day 1 of 15!

Whatever Holiday you or yours are gearing up to celebrate, be it Ramadan, Hanukah, Kwanzaa, Vodun or the Mass of Christ, chances are you are swept up in the very American magnate propagated desire to buy things, and an older, more selfless desire to give stuff.

Here without further ado are some GREAT last minute gift ideas!

 

KIDS UNDER 15 (And fun for their parents too)

Carrera GO!!! – GT Contest Track Set

 

GIFTS FOR THE HOROLOGIST (CLOCK LOVER) OR TO IMPRESS A BOSS OR FAMILY FRIEND

Vivid Large Deer Handcrafted Wood Cuckoo Clock CC105

 

 

GREAT GIFT IDEAS FOR YOUR COWORKERS or CRYSTAL LOVERS!

 

Amlong Crystal Globe on Crystal Stand with Gift Box – 4.75 Inch

 

GREAT GIFT IDEAS FOR THE GRAPHIC NOVEL/COMIC BOOK FAN or WEREWOLF FAN!

 

Werewolf by Night Omnibus

FOR THE ART BOOK LOVER /COFFEE TABLE FAN!

 

The Art of Jock

 

Cover Image

The Signature Art Of Brian Stelfreeze

 

Star Trek: 50 Artists 50 Years

 

 
Matt Baker: The Art of Glamour

Slim of the Day : THE SIX MILLION DOLLAR MAN : FALL OF MAN

We have the technology.

We can rebuild him.

We can make the world’s first Bionic Man.

 

Four decades ago kids everywhere thrilled to that opening of one of their favorite TV shows, The Six Million Dollar Man starring Lee Majors as the titular hero… Steve Austin.

Well New jersey Publisher  Dynamite Entertainment since 2014 has been bringing us various slim revivals of everyone’s favorite slow motion super powered hero.

[Slim- A stapled publication, consisting of words and pictures telling a narrative in periodical format, typically monthly doses, told in scant pages in a highly portable format, with eye catching covers and interiors. Also known by the more widely used misnomer of comic books.]

Six Million Dollar Man Fall #1A

And 2016 mini-series THE FALL OF MAN written by Van Jensen with art by Ron Salas and Letters by Taylor Esposito and colors by Mike Atiyeh and Caitlin McCarthy, is the companies fourth time at bat with this property and is their most successful. As it takes place in the 80s, in a cold world, where the wall has not yet fallen. but the year is never implicitly stated; instead the time is set in inventive and satirical story beats and sight gags.

From 80s star references to a bit of lampooning of the high tech marvels of the day (Such as portable phones in the early 80s, truly monstrously sized things by today’s standards, but back then they were marvels. Same with the room sized computers that had less processing power than even your low-end laptop today); while all the while telling a crackerjack action story of betrayal, globe trotting espionage, and bionic feats of derring-do.

It’s just a fun series.

And while Ron Salas figure drawing at first strikes as merely serviceable, his use of layouts and panel composition and inventive storytelling is exceptional, as are his covers for this series. I’ve read all issues of the series to date, and they have all been exceptional and come highly recommended. 

If late to the party have no fear, as all issues are available at the link below.

Use the below link, get great books, and support this blog, as every purchase though the link, generates a couple pennies to keep this blog bringing you the best in Pop Culture finds!

Without further ado, get your issues of THE SIX MILLION DOLLAR MAN : FALL OF MAN here:

 

Six Million Dollar Man Fall (2016 Dynamite) 1ASix Million Dollar Man Fall (2016 Dynamite) 2Six Million Dollar Man Fall (2016 Dynamite) 3Six Million Dollar Man Fall (2016 Dynamite) 4Six Million Dollar Man Fall (2016 Dynamite) 5

 

GREAT 2015 Art Books to get before the end of the year!!

 

The Art of Horror: An Illustrated History

Crimson Peak: The Art of Darkness

 

 

Guillermo del Toro Cabinet of Curiosities: My Notebooks, Collections, and Other Obsessions

 

 

Hello, Here I Am

 

 

Hall of History Bermuda’s Story in Art

 

 

Gustave Dore 1832-1883: Master of Imagination

 

 

 

American Grotesque: The Life and Art of William Mortensen