Essential Paperback & Audiobooks to Own : Feb 2024 Edition – The Essential Marc Olden!

 

 

 

 

 

 

For those of you new to this blog I am a huge fan of men’s adventure pulps/paperbacks of the 70s and 80s. The 70s and 80s explosion of Men’s adventure mags was a revival of sorts of the pulp craze of the 30s and 40s that featured such characters as THE SHADOW, DOC SAVAGE, and THE SPIDER; but the 70s replaced the more costumed and fantastical elements, with a more militarized protagonist. Gone was the rich self-directed playboy vigilante, and instead you had these built weapons, these blunt weapons, conscripted into various agencies and their hidden shadow wars against enemies beyond the reach of traditional law enforcement.

Ian Fleming’s 14 book series James Bond, is in many ways its own age and genre of pulp, running from 1953 to 1967, it bridges the gap from the 30-40s pulps, and its success gives birth and creates the mold for the 70s/80s pulps.

Of these 70s, 80s pulps, I was introduced to the genre with THE EXECUTIONER MACK BOLAN (A long lived series starting in 1969, Don Pendleton wrote 37 of the first books before selling the series, which has continued into the 21st century) followed by the DESTROYER: REMO WILLIAMS books (one of my favorites, this series started in 1971 by the prolific and talented Warren Murphy. Arguably one of the most successful and longest running men’s adventure pulps, it continues to this day in various formats ) and have sampled many other takes on this genre since, but without doubt my favorite of this bunch is one of  the shortest lived… Marc Olden’s BLACK SAMURAI.

Marc Olden’s BLACK SAMURAI which ran for only eight books. But my gosh, what an eight books! What is amazing about these books, besides how great each one is, is how prolific Marc Olden was. He wrote and had published the first five books in THE SAME YEAR!!! And then the last three books in the next year. Eight books running from 1974 to 1975, The books by all reports sold well, before the publication inexplicably ended.

But despite their relatively short publishing life, these books stand out as the height of the medium; brilliantly written, with a veracity in terms of the action scenes (Marc Olden in addition to being a great writer was a life-long martial artist) and an empathy in terms of the characters, that was novel in a Men’s Action genre that dealt typically in stereotypes.

I had the great pleasure to do an interview with Diane Crafford (Marc’s Partner) regarding Marc Olden, I direct you to that earlier interview on this blog, but suffice to say he was a fantastic writer, and would go on to write several works outside of the BLACK SAMURAI franchise, two of which I consider absolute masterpieces, POE MUST DIE and BOOK OF SHADOWS.

However his BLACK SAMURAI series for me stands as some of the best and most beautiful of a very specific period of time; and those original Signet paperbacks, with those beautiful painted covers, are woefully and criminally out of print. And yes you can still pick these up in ebook form, and even in a newer trade format, but you really need to read that book with that Signet Art, that Signet aesthetic, as it properly sets the stage for the work within.

I hope this series gets a new printing that will do what those original Signet paperbacks did, be works of art inside and out. But till that happens I HIGHLY recommend using the links to pick up these Signet paperbacks while you can. Purchasing thru the links earn this Blog a few appreciated pennies, but whether you use the links or get these offline, I strongly urge getting them. These books are like the protagonist of the series, Robert Sands, the best of a time and a place.

 

In addition to picking up the SIGNET paperbacks from 1974 and 1975, the eight audio books are fantastic! With a great voice actor bring to life the escapades of Robert Sand’s BLACK SAMURAI. Don’t let the audio books disappear on you like the paperbacks have, Pick them up today! And you can also pic up the aforementioned POE MUST DIE and BOOK OF SHADOWS in their original paperback versions and in audio-book form. Voice actor is brilliant here as well, so these are must own. I’ll put links to those up as well. (There seems to be various audio book versions, so I can’t speak on the quality of the new ones. I’ll provide a link to the ones I have checked out and recommend.)

 

 

 

Streaming TV Guide of the Day 4 Aug 2021- Youtube Edition!

MOVIES AND PHYSICAL MEDIA RECOMMENDATIONS AND INSIGHTS

 

GREAT MOVIE TRAILERS OF THE DAY

Sports and Competition

AUTO AND HOME IMPROVEMENT NEWS AND INSIGHTS

INSIGHT AND NEWS YOU CAN USE

ART BOOKS AND COMIC BOOKS

 

I love Golden Age Comic Books but stop making excuses for the Bigotry in some of them!

This post was spurred by comments I have seen several Youtube channels make when discussing Golden Age comics, that are being released in impressive hardcover reprints called Omnibuses.

One that is dropping this month and I am looking forward to is GOLDEN AGE CAPTAIN AMERICA Vol II.

And quite a few channels have given an overview on this upcoming book.

I am a huge fan of several genres and eras of comics, to include the golden age. I particularly think the Timely era of comics (What Marvel was called before it was Marvel), especially their horror comics, is very entertaining.

If you have not tried golden/atomic age series like MYSTIC and MENACE and STRANGE TALES I highly recommend them. And I also am a fan of the combat and superhero comics of that period.

I own the GOLDEN AGE CAPTAIN AMERICA Vol I omnibus, and strongly recommend it.  And already have Vol II pre-ordered.

I say all that to say I am the audience for these books, but I have to take objection to one thing various Youtubers and Pundits continue to say during their overview of these books, as if to make apologies for them.

  • They say these books have offensive depictions, which is true.
  • They say they are a desire to dehumanize the enemy, which is partly true.
  • They say it is not racist which is a 100% false.
No, These are bigoted and ignorant depictions, that serve a deeply ingrained racist dogma. Racist depictions were happening long before the bombing of Pearl Harbor, or any act of aggression, to the earliest days of comic strips, at the start of the 20th century, and comic books.

So these comics depictions were less about ‘dehumanizing the enemy’ related to people we were at war with, but was about dehumanizing the non-white masses. Hence why Blacks and other ethnicities are portrayed in demeaning ways to cully favor with a “frightened of changing times” majority. It is an attempt to continue to give the majority a minstrel show entertainment, which itself was an outgrowth of the outcome of the civil war, and an attempt to denigrate and have power over the things they feared.

The irony of this is that these new forms of mass media, from Movies to Comics, these 20th century forms of entertainment that in their infancy were looked down on as ghetto entertainment, were largely overseen by Jewish Immigrants that themselves had escaped various forms of European persecution. But saw that the secret of success was swerving into the bigotry and biases of the day, particularly if they could point that ridicule and persecution to other ethnicities.
These pundits say these books are a product of their times, which while a nice sounding statement, obscures the more accurate truth, these were choices of men in power and men aspiring toward power.
And whether 1921 or 2021, the date does not matter, what matters is the choices and the hearts of men.

Some men through racism or venality made horrible choices, such as Will Eisner, and the people he shaped in his shop to perpetuate these denigrations of people of color. And by contrast you had creators like Matt Baker and Mac Raboy, who lived in the same time as Eisner, but decided not to embrace the same bigotry as Eisner. Look at the way Raboy drew characters of color who we were not at war with (his CAPTAIN MARVEL JR and MASTER COMICS work comes to mind) or Baker; largely without caricature,  as opposed to Eisner.

I can enjoy these books despite their failings and their bigotry, but let us not make excuses for the bigotry on display by saying it was the times. In 1921 or 2021, the fault is never the date on the calendar, or our stars, it is always the hearts of men.

Some men make right decisions, and some make Trumpian ones, and rise to popularity on peoples bigotry, and fear, and hate and ignorance.
That is what happened in Comics and in movies, but not all comics, and not all movies, so let us stop saying it is the times. It may have been the publisher, or the editor, or the writer or the artist, but it was not the times.
To make that infantile argument is to obscure the courage of the men who made the right choices, and white wash the culpability of the men who made the wrong/easy choices.

Yes these books are part of history, and we can learn from them, but only if we recognize that these books are demeaning and offensive in places, because people chose to make demeaning and offensive  choices, and not just because of ‘the times’.

Okay, Off my soap box now.
Love the various channels that do cover and champion these Golden Age collections, it is just we have to be wary of spreading an uninformed opinion as fact… namely that these books are reflections of the times.

Theses books are the choices of men, and only understanding this, can we learn to make better choices… regardless of the date on the calendar.

Here Endeth The Lesson!

The GREATEST multi-part FANTASTIC FOUR comic book stories—- EVER!!!!!!!!!!!!

Start with the  FANTASTIC FOUR OMNIBUS 1,2, & 3. A great way to get into the early issues. Click the images to see more on the titles covered.

 

They were visionaries. Explorers. Imaginauts. They were Stan Lee and Jack Kirby. And like the Fantastic Four, they continually strove to overcome the impossible and achieve the extraordinary. Now, the first three years of their landmark run are collected in one oversized volume. This keepsake edition also includes all original letters pages and pinups, critical commentaries, a historical overview, and other DVD-style extras.

COLLECTING: FANTASTIC FOUR (1961) #1-30, FANTASTIC FOUR ANNUAL (1963) #1

 

Collecting the greatest stories from the World’s Greatest Comics Magazine in one, massive collector’s edition that has been painstakingly restored and recolored from the sharpest material in the Marvel Archives.

COLLECTING: FANTASTIC FOUR 31-60, ANNUAL 2-4

These are some of the greatest adventures of all time! Collecting FANTASTIC FOUR (1961) #61-93 and ANNUAL #5-7, and material from NOT BRAND ECHH #5-7. All Ages

 

Celebrate 60 years of the World’s Greatest Comics Collaboration! Stan Lee and Jack Kirby conclude their record-setting tenures on the FANTASTIC FOUR, the book that birthed the Marvel Universe! In Kirby’s final issues, Doctor Doom lurks in the shadows, the FF save Apollo 11 from an alien threat, and the Sub-Mariner and Magneto team up to attack our heroes! Then, Stan Lee is joined by Marvel art legends John Romita Sr. and John Buscema to forge a new future for Marvel’s first family! Along the way, the Thing battles the Hulk, the Surfer is taken captive by Galactus, and the Overmind menaces Earth — leading to the strangest event in Marvel history: Doctor Doom joins the FF?! Guest-starring Black Panther, the Inhumans and more!

COLLECTING: Fantastic Four (1961) 94-125, Fantastic Four: The Lost Adventure (2008) 1, material from Fantastic Four Annual (1963) 8-9

 

Okay now onto the issues you can afford to pick up in issue form, and the ones i recommend having:

FANTASTIC FOUR 161,162,163,164- These issues completely wowed me as a kid, and continue to entertain me as an adult. Simply great work by the team of thomas, buckler and sinnott.

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FANTASTIC FOUR 164,165– Great covers, Great issues!!!

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FANTASTIC FOUR 168,169,170 More Thomas, Buckler greatness!!

 

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FANTASTIC FOUR 242,243,244 -Comics (and Comic Book Covers and Artwork) do not get any better. Just genius issues!!!!

 

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FANTASTIC FOUR 249,250

https://d1466nnw0ex81e.cloudfront.net/n_iv/600/905357.jpghttps://d1466nnw0ex81e.cloudfront.net/n_iv/600/794987.jpg For my money John Byrne invented the concept of wide-screen entertainment with his seminal early work on AVENGERS 164 thru 166. This is him a decade later, showing he is still the bar, by which super hero action will always be measured.

 

FANTASTIC FOUR 251-265

 

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Without argument John Bryne was one of the best writers and artists on Fantastic Four (Right up there with Stan the Man Lee, Jack King Kirby, John Buscema and Roy Thomas ), but until you go back and revisit his lengthy run on The World’s Greatest Comic Magazine’you forget exactly how good he was. Issue 251 thru 265 is really one large, fluid story about— families lost and families found.

It was the world’s greatest comic magazine – again! Not since the days of Stan Lee and Jack Kirby had a creator so perfectly captured the intense mood, cosmic style and classic sense of adventure of Marvel’s First Family. Fresh off an earth-shattering and reputation-making run as penciler on UNCANNY X-MEN, John Byrne proved his writing talent was every bit the equal of his art as he pulled double-duty on FANTASTIC FOUR, launching Reed, Sue, Ben and Johnny into realms of imagination and wonder into which few creators before had dared to travel. From the four corners of the globe to the farthest reaches of space to the deepest depths of the Negative Zone, the FF face off against foes old and new – including the Dr. Doom, Galactus and Annihilus! Plus: The FF aid the Inhumans, bid farewell to the Baxter Building, don new costumes and celebrate their 20th anniversary in style as Byrne reminds us all there’s a family at the heart of this team of adventurers!

Collecting: MARVEL TEAMUP (1972) #61-62; MARVEL TWO-IN-ONE #50; FANTASTIC FOUR (1961) #215-218, #220-221, #232-262 and ANNUAL #17; PETER PARKER, THE SPECTACULAR SPIDER-MAN (1976) #42; AVENGERS (1963) #233; THING (1983) #2; and ALPHA FLIGHT (1983) #4.

Superstar John Byrne’s legendary run concludes with one of the most innovative periods in Fantastic Four history! The sensational She-Hulk replaces the Thing, Sue Richards becomes the Invisible Woman, and Mr. Fantastic is tried for crimes against the universe! Also featuring the return of Dr. Doom, the fate of Reed and Sue’s unborn child, the resurrection of Jean Grey, and more — as the FF confront deadly foes including the Mole Man, Dr. Octopus, Terminus, the Beyonder, Mephisto, Psycho-Man and Annihilus! Plus: the unfinished “Last Galactus Story,” reprinted for the first time!

COLLECTING: Fantastic Four (1961) #261-295, Fantastic Four Annual #18-19, Alpha Flight (1983) #4, Thing (1983) #10 and #19, Avengers Annual #14, and material from Secret Wars II #2, Epic Illustrated #26-34, What If? (1977) #36, What The -?! #2 and #10, Thing (1983) #7, Fantastic Four Roast and Fantastic Four Special Edition — written by John Byrne, Mark Gruenwald, and Roger Stern; and illustrated by John Byrne, Mark Bright, Ron Wilson, and Jerry Ordway.

The original first run of the FANTASTIC FOUR ran 416 issues. For my money you can stop reading with the recommendations in this post. The series never gets better or as good as the issues listed above.

 

Well this post was a good amount of work. If you enjoyed, then please like, subscribe, comment, email, and use the links. It is all apprecaired! Hope all you gals and guys are doing great!!!

2019 Favorite YouTube Channels and Channels that did and did not make it to 2020! Edition A-B!

Favorite Youtube Channels of 2019:

 

 

The above were some of my favorite channels, and with a few exceptions, are all still on my subscription list here in 2020.

Other channels in letters ‘A to B’ that I am subscribed to in 2020 are:

AARON PYNN (we do not have the same taste in films, but I like being introduced to films I would otherwise not be aware of or give a try. And being a physical media guy he has been helpful in 2019 in keeping me abreast of Dvd/Bluray sales), ADAM CELADIN (knife thrower), ALTER (some of the best short horror films), ALTERNA COMICS (really a fan of the sub $2 model this comic book company is providing, and they and Image comics $1 reprint books, I think are a big reason the big two offered $1 reprint books of their own), AMATEUR FILIES (one of the best Dvd/BluRay coverage channels), ARCHITECTURAL DIGEST, AVANTGARDEVEGAN, AXANAR,  BADDAD320, BARBARIAN_KUNGFU, BARGAINHUNTERSTHRIFT, BATINTHESUN, BELLA’S TOY CHEST, BERNIE’S BOOTLEGS, BLADE HQ (helped get me into knife collecting in 2019), BLU RAY COLLECTOR, BLU-RAY BENN, BLURAY DAN, BRAVE WILDERNESS (one of our top 10 favorite channels), BUDGETBUGOUT.

 

Channels that have gone dark in 2020:

ANDY BORDERS

BATAVENGER

Favorite (or if you are British, Favourite) Steelbooks BluRay/DVD! 2019 HOLIDAY / GIFT Ideas! Part 1!

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ThE FIFTH ELEMENT and CASINO ROYALE Steel-Books are AWESOME!

 

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That FIRST BLOOD and TERMINATOR II Steelbooks are STUNNING!

 

That is just a killer STEELBOOK!

WoW! Stunning JUNGLE BOOK (2016) Steelbook!

 

If you like this post or just want to pick up some great items, use the link below to support this installment’s sponsor:

 

Support this Blog and get great Items…Here!

Today’s STREAMING VOD TV Guide Roku Recommendations: Youtube Edition!

Today’s STREAMING VOD TV Guide RECOMMENDATIONS – Youtube EDITION!

 

YOUTUBE:

 

4 Best Youtube Channels of the Day! 8 July 2019!

 

 

 

 

 

 

Stop by and give all 4 of the channels above some love.

And to support this blog, buy stuff from my sponsor at the link below, and earn this blog some pennies! Happy Monday!

https://www.ebay.com/sch/aseller99/m.html

 

The End of American Comic Books?

With the major two American Publishers (Marvel Comics and DC Comics) Marvel Comics (Real) | Spiderman animated Wikia | FANDOM powered ...Dc Logo Png Transparent - Dc Comics Logo 1976 - Free Transparent ...largely pricing themselves out of the periodic comic book market, ($4 for a 22 story page comic? Are you on crack?! 🙂 ) and failing to engage any sizeable readership in the sub-thirty market, and losing readers in their dwindling above 30 market, they are kept around largely to just be an idea space/loss leader for the actually profitable divisions of the multinational oligarchies that own them.

That is not to say there are not brilliant writers and artists that work for Marvel Comics and DC Comics, but unfortunately they are crippled by a few things.

First a pricing structure (over $3 for a couple dozen pages of comics. 10 minutes of reading entertainment is moronic. It is a poor value for dollar when compared to just about anything else) , second a quality structure ( abhorent paper and cover quality. Poor and obtrusive placement of ads, especially when compared to better Indy publishers. Marvel Comics is especially culpable in this) and third a flawed editorial structure/mindset ( lets inundate the MARKET, dilute the brand and confuse and frustrate the readership, with too much overlapping, and conflicting, and redundant books, and events, and storylines. Let us not give prospective readers one clear on-ramp to our comics, a single Batman book to follow, or Spiderman book to follow, when we can publish 20 poorly selling, and market-fractioning books instead. And let us not place the books or advertise the books, places where our demographic could actually find them).

All three of these ingrained ‘sales’ structures of major American comics, seemingly just designed by moronic frat boys, rather than capable professionals who really love and want to grow/expand the medium.

Marvel and DC comics for the last few decades since the 90s, proving themselves inept at selling American Comics to Americans or anyone else. Think about it, Marvel and DC comics, these publishers, their inability to sell 100 thousand comics in a nation of 300 Million people, is an unprecedented level of failure. Especially with the hard work of selling these characters to the mainstream already done by the movies and TV shows.

If I were the parent companies, AT&T and Disney, I would wholesale fire the Marketing and Editorial departments of both companies, and bring in fresh blood with fresh ideas. Because, clearly the people currently running these divisions have not the slightest clue how to sustain and grow their print model/readership.

Now on the Independent comic book publishing Front, there are still promising companies, IMAGE COMICS, and some of the smaller companies such as Alterna and Albatross etc. these companies are really challenging the ingrained pricing and content and quality deficits of marvel and dc. these companies resembling more the mad creativity and broad appeal of marvel comics in its bronze age glory days, before it lost its way. before the peter principle took hold of marvel and dc, and they grew past their best and most useful state.

WHERE I BUY JUST ABOUT NOTHING MONTHLY FROM THE BIG TWO (Exception being Christopher Priest’s DEATHSTROKE) I buy just about everything from ALTERNA, and ALBATROSS and a bunch from IMAGE. Dark Horse, IDW, Ahoy, Aftershock, Titan, all companies putting out great books.

However a recent rash of buyouts of Indy comic companies, by deep pocket Chinese companies may bode ill for true Indy American Comics. and may signal an end to this current golden age of american comics.

AND YES, I WOULD ARGUE THAT LOW SALES AND OTHER ISSUES TO THE CONTRARY, WE ARE IN A GOLDEN AGE OF COMIC BOOKS, graphic literature, slims. cause when you get away from the reprehensible shenanigans and mismanagement and flooding the market tactics of the big two, the comics themselves, have truly never been better, or richer, with nearly every genre of book being published, and across the board, a higher level of story and art then ever before.

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Ahoy Comics | Expect More

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i grew up in the bronze age of comics, i love the bronze age comics, and there were some great comics. but across the board the quality and creativity is better today. you just have to push a lot of that noise of the big two out of the way so you can see eric powell’s hillbilly and goon, so you can see brubaker’s criminal, so you can see rucka’s lazarus so you can see walker’s bitter root, so you can see dingess’ manifest destiny, and the list goes on. and even in marvel, great comics are being made,  ta-nehisi coates black panther and captain america, jason aAron’s thor, montclare’s moon girl and devil dinosaur, g. willolw wilson’s ms. marvel and the list goes on, it is just marvel has made these books (for reasons mentioned) unpalatable to pick up monthly. it is better to wait for the collected edition and read the story that way.

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for monthly comics I really like the Alterna model in terms of pricing, and seeking old fashioned newstand distribution. And hopefully other companies can follow their homegrown lead so we continue to have American comic book companies not potentially censored by allegiance to foreign interests.

Hope you found the above slight tirade useful. It comes from a place of love for the medium, and love that a home grown, domestic comic book company… can endure.

If you want to buy the back issues of any of the books I mention, or subscribe to books (preorder new books, I highly recommend it) use the below link. You will get great books, and it will earn a few pennies for this blog. Enjoy!

https://www.mycomicshop.com/?AffID=200301P01