Currently Reading : BATMAN Vol1-3 by Tom King

Tom King in a few years has made quite a name for himself as a writer of Slims (comic books).

Always suspicious of hype, I went into his VISION quite skeptical. Long story made short, his VISION lives up to the hype. You can come into it not knowing anything, and be quickly swept away by the sheer power, and humanity and hurt; in a story about what it means to be human, in an inhuman world.

http://amzn.to/2sytRaa

 

It truly is fabulous and if you have never read it, it is a highest recommendation. There is a just dropped hardcover available at remaining Bookstores everywhere.

His MISTER MIRACLE released half a dozen Slims in 2017, the issues were definitely good, though the final verdict is out till he sticks the landing this year. Like the VISION and his earlier OMEGA MEN, it is about a damaged character, a broken character. A slightly off kilter world view.  So far all titles are relatively intriguing and well crafted.  In the case of the VISION masterfully crafted.

 

Then we come to the books up for review this installment, BATMAN VOL 1-3 from the DC Rebirth Line of books, by Tom King.

 

http://amzn.to/2EstqnA

http://amzn.to/2EtmNRZ

http://amzn.to/2swBT3r

 

The irrationality and poor decision making and erratic, even stupid, behavior; that worked well in the tale of a broken Android, a torn freedom fighter, and a suicidal God, does not work well in the BATMAN books.

The very conceit for the whole three volumes, is that Batman (the world’s greatest detective and inventor), is distraught about an emotionally damaged ward, and decides in a world of super scientists, magicians, and Gods, the only way to help his ward, is by stealing a mediocre villain, with the power to make people feel happy, so he can smile at Batman’s traumatized ward and make her feel happy. If that is not a brain-dead enough premise, it becomes even more moronic, when he decides to accomplish this by putting together a suicide squad and risking war and death, and doing this knowing it will wake a retired and sleeping dragon.

It is just the type of moronic plotting one tends to associate with brain-damaged villains seeking world conquest, not the resourceful Batman. And adding stupidity on stupidity, KIng redefines what drives Batman, to be not a sense of justice, or outrage, but a desire toward… (wait for it) Suicide.

And that definition doesn’t stick. Not with any interpretation of the character that makes sense. The desire to die doesn’t push you to be a beyond Olympic level athlete, it doesn’t push you to endure, it doesn’t push you to overcome.

Ultimately this addled definition is Tom King’s definition of the character, unfortunately, it seems to be the same broken, frayed creature that he tries to shape all the characters he writes into. And what worked with THE VISION, and THE OMEGA MEN, and seems to be working with MISTER MIRACLE, does inherently not work, does not graft, does not fit… onto the character of Bruce Wayne/Batman. Plus I can really do without the Yellow costumed Sidekick. I can do without the sidekick dynamic period. Either make him his own character (his own man) and get him out of the insipid yellow costume, or don’t have the character in the book.

Tom King is instead of tailoring the story to the character, seemingly making every character fit into the same story mold. All Tom King’s character are horrible tacticians, who make horrendous plans. That is not any type of Batman I want to read about. I picked up the three Tom King Batman volumes from the library to give a try, and I am so glad I didn’t buy them. It is surprisingly uninteresting, tedious, and disappointing reading.

Final Grade: AVOID

 

 

 

 

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Best & Favorite of 2017!!!

This is a bit belated but I think you will find a nice overview to 2017 and pointers to 2018 in the ramblings below.

Favorite movies seen in the Theater in 2017:

KONG:SKULL ISLAND

LOGAN

 

I only saw two movies in the theater in 2017, so looking to improve on that in 2018. Nothing in January had me jazzed to pay theater prices for, however I am looking forward to the following in 2018:

click for larger (if applicable) click for larger (if applicable) click for larger (if applicable)

EQUALIZER 2

click for larger (if applicable)

 

FAVORITE TV SHOWS IN 2017:

  • LEGION
  • TAKEN
  • POWER
  • AMERICAN NINJA
  • CHOPPED
  • AMERICAN PICKERS
  • LOVE IT OR LIST IT
  • LETHAL WEAPON
  • THE GRAND TOUR
  • GODLESS
  • RUNAWAYS

FAVORITE STREAMING TV CHANNEL IN 2017

The one two punch of AMAZON PRIME and HULU gets this award. NETFLIX that was riding high in 2016 with LUKE CAGE and other shows, had a disappointing 2017. With a non user friendly interface compared to Amazon Prime and a selection of shows and movies that weren’t as interesting or well curated as either HULU or AMAZON PRIME, I cancelled my membership at the end of 2017. The last straw being the overhyped and ultimately lackluster PUNISHER series, as well as news of the studios pulling their content from Netflix.

In 2018 the TV shows that I am or will be watching are:

CASTLE ROCK

GRAND TOUR

TAKEN (I think the new showrunner made a mistake getting rid of most of the cast from season 1, but hopefully he can course correct and fix it)

STRIKE BACK and ELEMENTARY return after long hiatuses

LONGMEYER went out with a bit of a whimper, so looking forward to YELLOWSTONE

JACK RYAN

LETHAL WEAPON

CHOPPED

IZOMBIE

BLACK LIGHTNING

AMERICANS

And lastly looking forward to Season 2 of what, without question, was the best, most inventive TV show of 2017, Noah Hawley’s LEGION.

And for those keeping score… LUKE CAGE tied with FARGO Season 2 (Also by Noah Hawley) were the best TV shows of 2015, and DAREDEVIL Season 1 was the best TV show of 2014.

 

BEST MUSIC OF 2017

I loved everything binaural in 2017, adding many great CDs to my collection. THE HEAVY and GREGORY PORTER remained in heavy rotation. Gregory Porter being my favorite live performance of 2017. And I added new interests RAG N BONE MAN, Andra day and Brian Ferneyhough. With Spotify to allow me to try before I buy, I’m looking forward in 2018 to discovering more great music, both old and new.

BEST READS OF 2017

I didn’t read as many novels, or listen to as many audio books in 2017 as I did in previous years, so I definitely hope to turn that around in 2018.

I did do substantially better with Art Books, Graphic Novels, Reference Books, and comics in 2017. Some of the standouts:

 

MATT BAKER THE ART OF GLAMOUR

CREEPING DEATH FROM NEPTUNE

THE WOLVERTON BIBLE

ARTIST EDITION BASIL WOLVERTON (This and the other two previous books having to do with Basil Wolverton, I went all in on him in 2017. Still absorbing these three books here in 2018)

JACKIE ORMES

THE SIGNATURE ART OF BRIANSTELFREEZE

SEX AND HORROR THE ART OF ALESSANDRO BIFFIGNANDI

In 2018 writers I intend to go all in on are Percival Everett, Victor Lavalle, Colin Whitehead and Walter Mosley, as well as revisiting work by Ligotti, Lebbon, Ellison, Stephen King, Clive Barker and Bennett.

 

In 2017 Marvel had a great POWER MAN AND IRON FIST series I was reading, the only thing I was buying monthly from Marvel Comics. And Marvel letting greed get in the way of common sense, killed a series everyone was loving, with a creative team everyone was loving, David Walker and Brian Stelfreeze, to instead both dilute audience attention and oversaturate the market with multiple books, almost all of which are ready to be canceled. So going into 2018, with Marvel sticking to their insane $3.99 price point per book, there are no titles I pick up from Marvel Comics.

 

In 2017 DEATHSTROKE by Christopher Priest was the only DC Comic I was getting on a monthly base. It’s arguably the one series that you can just pick up and enjoy without having to read any other title, or care about any other title. Priest has been able to just do… what he does best, create a fantastic read; month in and month out. So it is the only DC book I’m reading in 2018. However, greed rears its ugly heads and the idiots who get paid to make stupid decisions have decided to add DEATHSTROKE to their floundering team book… JLA,  basically gutting the standalone nature of the comic that allows Priest, to do his magic. Basically the same poor decision making that happened last year with POWER MAN AND IRON FIST.

 

I figure the conversation went like this… ‘man everyone is talking about this book, let’s put the characters in multiple other books, and then they will be talking about all those other books too.’ No, you EFFING morons! The reason people are enjoying POWER MAN AND INRON FIST or DEATHSTROKE is because it is well drawn and well written and not part of your insipid crossover infested universe. Your very attempts to duplicate that success, without understanding it, will kill the character in the new book, and kill interest in the character in the original book.

So yeah here’s hoping someone with brains over at DC, vetoes the horrible idea to put DEATHSTROKE in the JLA, because I’m not going to read the JLA, and you’re editorial interference will create a character that no longer works in his solo book. You have therefore killed the golden goose and have nothing to show for it.

 

The good news is when you get sick of the stupid decisions and overpriced ad laden product at DC and MARVEL, you have great content from other publishers to enjoy. Publishers that give you more for your money. Publishers such as IMAGE, AFTERSHOCK, DARK HORSE and many more.

As far as where to buy new comics from, a lot of people will steer you to DCBS. I personally in terms of pure customer service and ease or ordering prefer LONE STAR COMICS. You can order comics in advance from the at http://www.mycomicshop.com at a discount.

 

They are highly recommended, and I use them myself, and this is an unpaid recommendation. Tell them Heroic Times sent you.

 

And wrapping this up, favorite podcasts of 2017:

 

11OCLOCK COMICS

COMIC GEEK SPEAK

WTF with Marc Maron

BLACK TAPES

GEEK SYNDICATE

 

To name a few. Okay that is it for my 2017 Pop Culture overview. Thanks for bearing with it and if you enjoy, spread the word. Enjoy WEEK #6 of 2018!!!

 

 

 

 

 

Podcast of the Day : The Best Doug Moench Interview!

THE BEST DOUG MOENCH INTERVIEW!

I just discovered this COMIC SHENANIGANS interview with Doug Moench.

From April 2017 this interview is FANTASTIC! Doug Moench (pronounced mensh) is a legendary comic writer, but arguably not as legendary as he should be. While names like Frank Miller, Alan Moore, Stan Lee, Jack Kirby, Chris Claremont and John Byrne are known to even peripheral fans of comics, the name Doug Moench  arguably doesn’t get the praise he deserves.

His work in the 70s and 80s brought a sophistication to comics, that tends to get attributed to the year 1986 and the one two punch of Frank Miller’s DARK KNIGHT and Alan Moore’ s WATCHMEN, but those iconic books didn’t get born in a vacuum.  It came in stages through creators, by fits and starts, progressing the medium.  Creators such as…

The phenomenal work of Stan Lee in the 1960s creating stories that talked to the audience, rather than at the audience. His stories, his dialog, was snappy and fun patter which sung for the first time to a college audience, rather than strictly to the kid audience, and really separated Marvel from everyone else.

Stan Lee gets credit, but I think too many people in a rush to praise the artists, and address any slights,  such as Jack Kirby and Ditko and Romita etc (men deserving of praise) , they stumble into a very trumpian conceit of feeling that in order to praise the artists they have to tear down the writer, namely Stan Lee.  And quite frankly that is just insipid. You can praise them both, and should praise them both.

Beacause all that beautiful FF art, if married to insipid dialog/writing you have underwhelming stories. Or if you have stories that don’t hype/excite the audience, all the art is not going to save it. The silver age series SHIELD (pre and even some of the early Steranko) is an example of this.  Interesting Kirby art, but pretty boring , uninteresting writing.

Stan was writing the whole Marvel Universe at the time, and I don’t think war and spy books was his strength, so this series is pretty poorly written/dialoged, and all Kirby’s art couldn’t save it. The same thing could have happened to FF, but for Stan’s love for those characters and stories. The FF stories are great because Stan is at the top of his game as ideaman/writer, and Kirby is at the top of his game as storyteller/artist.  It is the collaboration of words and images that make those early FF stories work.

Stan Lee as ideaman, as writer, as editor, as cheerleader, as salesman, as enthusiastic fount of energy is unequaled. He put Marvel Comics  on his back and he carried it with a smile, onto the road that it is on now. With his passion to identify his creators and sell them to his audience, something no other publisher was doing, he gave birth to a generation of future writers and artists. As well as his more experimental work, allowing the competition (DC) to likewise let their writers off the leash. You get some of the best late 60s /early 70s Kanigher, Giordano, ONeil, Haney stories as a reaction to Marvel’s inroads to the college audience.

So you get a bunch of writers in the wake of Stan, growing the medium.

Among them being Roy Thomas, Steve Englehart, Len Wein, Marv Wolfman, Steranko, David Kraft, Keith Giffen, ONeil, Claremont, and arguably one of the most innovative of them… Doug Moench.

Doug Moench is known to a younger generation mostly for his later Batman work, however thanks to a new bunch of collections coming out from Marvel; the work that put him on the map (to even other comicbook creators) THE MASTER OF KUNG FU and MOON KNIGHT is finally readily available. Its availability allowing old and new to revisit these groundbreaking works, and put in clearer perspective this pivotal creator.

His MOKF, while of its age was more sophisticated than anything else coming out in comics, and looking back on it, now nearly 4 decades later, those stories are still incredibly entertaining. Particularly the issues with his long time collaborator, Paul Gulacy, are a phenomenal marriage of words and pictures.

Arguably 4 decades later, their ‘CAT’ story from issue #38 of the MASTER OF KUNG FU SERIES (and now available in Volume II of the MASTER OF KUNG FU Omnibus) is one of the greatest single issues of a comic. And fellow collaborators Mike Zeck, and the late great Gene Day also brought wonderful life to the words of Moench.

Likewise his MOON KNIGHT series with Bill Sienkiewicz was month in and month out one of the most sophisticated and daring and heartfelt books being put out; and opened the door for the success of the comic shop, and the rise of the Independent publishers. It gave a generation of writers a broader perspective on what can be done in a comic book. Many talented writers and artists have tried their hands at the character of Moon Knight since Moench’s departure, a few have been good, Warren Ellis and Jeff Lemire come to mind, most have been awful, and none have been the equal of Moench and Sienkiewicz’s run. That is something, when 4 decades of writers, cannot equal or surpass what you did.

Add to that three of the most haunting Batman stories, a trilogy of one shot issues done with Pat Broderick, and phenomenal creator owned work SIX FROM SIRIUS with Paul Gulacy, as well as his work in the Black and White mags,  and you have some of what makes Doug Moench one of the best writers in the history of comics.

Now with my 2 cents out of the way, go listen to the interview from the man himself:

https://comicshenanigans.podbean.com/category/doug-moench/

Deals of the Day! Amazon Edition!

DEALS OF THE DAY!

‘With this CD on Winter & Winter, the Arditti String Quartet celebrates 40 years of cutting-edge performances. Long recognized as the leading string quartet in avant-garde circles, and admired for the brilliance and virtuosity of its performances of the most demanding works, the Arditti gave its first concert in March, 1974, and over four decades it has not stopped rehearsing, studying, performing, and recording the most challenging music of our time. This program consists of 14 short works by some of the most prominent contemporary composers — Wolfgang Rihm, Hans Abrahamsen, Toshio Hosokawa,Brian Ferneyhough, Brice Pauset, Mark Andre, Marco Stroppa, Liza Lim, Harrison Birtwistle, Hilda Paredes, James Clarke, Georg Friedrich Haas, Uri Caine, and Johannes Maria Staud — and the variety of their compositions makes this survey a fascinating exploration of innovative techniques and original concepts. Adventurous listeners will be impressed by the Arditti’s fearlessness and directness in approaching this uncompromising music, and the liner notes by violinist Irvine Arditti provide background information that will be helpful to those just discovering the group.’ — All Music

View/price it here:

http://amzn.to/2EsqSTm

FERNEYHOUGH:TERRAIN – with the 21st century’s most complex composer ‘s most famous CD out of print and commanding multiples of its msrp, this TERRAIN cd is a good way to sample some of the composers best works without taking out a mortgage. Great CD at an affordable price.

Get tge CD here:

http://amzn.to/2BGw1Ed

 

Jack Kirby’s FOURTH WORLD OMNIBUS – At over 1200pages this hardcover is big enough to go into battle with, or you can do something more traditional with it and enjoy it and put it on your bookshelf. Rushed out just at the end of 2017, to be part of the 100th Anniversary of Jack Kirby, it is easily the must own collected edition/graphic novel to have. The first printing does have a printing error, all that rushing I was talking about. One page is printed twice. It is an easily corrected error.

You can find details here:

https://www.bleedingcool.com/2017/12/21/fourth-world-omnibus-major-printing-error/

I printed the correct page (found at the link above) on my color printer and slipped it in the book at the correct spot. Job done. And sure we can wait for a corrected edition, or future printing, but considering we have no idea when or if that is happening, my 10 cent fix more than suffices.

Get your copy, while it is still below cover price, here:

 

http://amzn.to/2ErGztV

 

Come back next time for more… Deals of the Day!

 

2016 and 2017 : Remembering Writers and Artist – Wrightson & Wollstonecraft and The Best Pen & Ink Artists!

Things lost in the Fire, may yet be  found in the Ashes

“There was a silly damn bird called a phoenix back before Christ, every few hundred years he built a pyre and burnt himself up. He must have been the first cousin to Man. But every time he burnt himself up he sprang out of the ashes, he got himself born all over again. And it looks like we’re doing the same thing, over and over, but we’re got on damn thing the phoenix never had. We know the damn silly thing we just did. We know all the damn silly things we’ve done for a thousand years and as long as we know that and always have it around where we can see it, someday we’ll stop making the goddamn funeral pyres and jumping in the middle of them. We pick up a few more people that remember every generation.”
Ray Bradbury, Fahrenheit 451

“Whence arose all the horrid assassinations of whole nations of men, women, and infants, with which the Bible is filled; and the bloody persecutions, and tortures unto death and religious wars, that since that time have laid Europe in blood and ashes; whence arose they, but from this impious thing called revealed religion, and this monstrous belief that God has spoken to man? The lies of the Bible have been the cause of the one, and the lies of the Testament of the other.”
Thomas Paine, The Age of Reason

“Father… you speak with absolute assurance, completely convinced that your vision is the only proper way, and like all men who speak thus … you are mad.”
— Steve Englehart, MASTER OF KUNG OMNIBUS VOL 1

 

RIP to:

Bernie Wrightson, Len Wein, Rich Buckler, Darwyn Cooke, Steve Dillon – great creators lost in 2016/2017

They were not actors, and they were not sports figures, they were creators and myth makers working in an oft castigated medium, but delivering words and images and concepts, that would transcend their newsprint origins and outlive naysayers.

This installment is dedicated to Bernie Wrightson. Over a year into his passing and I wanted to reflect on Wrightson, the artist, again:

Bernie Wrightson had a suitably Baroque name for someone whose beautiful, exquisitely detailed and ornate artwork and sensabilities was the best of the Baroque meets the gothic. I’m an art lover, I own a large selection of art books from Dali to Duncanson, and Wrightson”s mesmerizing FRANKENSTEIN where he created full page plates to accompany Mary Wollstonecraft Shelley’s celebrated and cautionary tale, remains not just the only version of FRANKENSTEIN one needs own, but one of the most significant art books made in the latter half of the 20th century.

Wrightson quickly proving himself one of the preeminent Pen and Ink artists of all time, up there with the 19th century’s celebrated Louis-Auguste Gustave Dore and the criminally under-heralded mid-20th century Virgil Finlay.

Thankfully, Wrightson’s most lauded work, FRANKENSTEIN, often rumored of rather than seen, was republished by DARK HORSE BOOKS in the 21st century, in an even better quality version.

In this writer’s opinion it is a book, not just any American household should have, but all households should have. The myth of Frankenstein is old and oft told, but you will not find it better told in print anywhere, than in this pairing of Wollstonecraft and Wrightson.

 

Bernie Wrightsons Frankenstein

It is currently out of print, but I see this book as one that Dark Horse will bring back in print. Especially considering next year, 2018, marks the 35 year anniversay of the book’s initial release.

As far as Gustave Dore, here’s a nice affordable coffee table overview of his work:

The Drawings of Gustave Dore:Illustrations to the Great Classics

And Virgil Finlay,

Book of Virgil Finlay

This remains the best introduction and overview of his work, including many of his quality works that fail to show up in later versions. Unfortunately a softcover, however do what I do, pay a book binder to make a hardcover out of it.

And a few other departed genius that deserve mention in the above company… Segio Toppi, Franklin Booth and Basil Wolverton:

Sharaz-de: Tales from the Arabian Nights

The Collector

FRANKLIN BOOTH

Franklin Booth: American Illustrator

 

Creeping Death from Neptune: The Life And Comics Of Basil Wolverton Vol. 1

BASIL WOLVERTON WEIRD WORLDS ARTIST ED HC

And some living, breathing pen and ink geniuses that you should be seeking out, buying their books, hiring for projects? Glad you asked, they are:

Tim Bradstreet

Maximum Black
A very prolific and in-demand artist, Bradstreet’s MAXIMUM BLACK art book dates from the turn of the century. A new collection of his art, covering the work he has done in the two decades since, would make a welcome addition to this first book.

Oscar Chichoni

Chichoni: Mekanika – A game, film, and dimensional artist, Chichoni does very little printed work. This is his only art book to-date. That it is also one of the best artbooks, only makes it more pressing that he does another one. His art is that good.

Andy Brase – This guy is going to be huge. Looking forward to his first artbook.

Stephen Bissette  & John Totleben ( yes I’m cheating here)- Bissette’s pencils married to Totleben’s inking, on DC’s revamping of floundering title SWAMP THING, with evolutionary writing by relative newcomer Alan Moore, and all of it mid-wifed into being by the late great Len Wen, remains, 30+ years later, seminal, ground breaking and unsurpassed work. And Bissette not only as instructor for new generations of creators, but as scholor and historian and reviewer and Indie Comic supporter remains an essential and insightful voice for the medium of words and pictures. His podcast interviews on a variety of shows, starting with the late Indie Spinner Rack, remains, like his artwork, top notch. I’ve sought out podcasts he has done, and each one reveals more about comics as hobby, as job, as calling, as artform, and as cultural touchstone.

Look for his podcast interviews on MAKING COMICS, INDIE SPINNER RACK, and DECONSTRUCTING COMICS to name some. And in addition he is a prolific reviewer and writer.

Teen Angels & New Mutants

Geof Darrow – When you think of detailed, intricate artists, Geof Darrow’s name comes up near the top of the list. Long before there was an IDW publishing doing tabloid sized treatments of famous artists, there was Frank Miller and Geof Darrow ‘s ground breaking tabloid work for Dark Horse Books. A superlative addition to any library.

Big Damn Hard Boiled

Big Guy & Rusty the Boy Robot (King Size B&W) (Big Guy & Rusty the Boy Robot)

 

Mark Schultz

Mike Hoffman

The Mike Hoffman Comics Reader: 300 Pages Volume One

Tim Vigil

 

Lucas Ruggieri

Predrag Djukic – I will be at the front of the line to get this gentleman’s first artbook

Art Adams

Like any list, this one is also a distillation of the writer’s biases, his experiences, his major passions, and his minor blindspots, as such it can by definition not be comprehensive, only revealing. Chalk up any omissions of your favorite pen&ink artist to my head and not my heart. Brevity demands limiting the list, but shine light on those I have missed, by leaving your comment of those past and those present… deserving of attention!

Thanks for looking!!

The Annotated Stephen Bissette : SWAMP THINGS & TABOOS & TYRANTS

During my formative years I discovered this comic SWAMP THING by relative newcomers Alan Moore, Stephen Bissette, and John Totleben.

I was a kid, but old enough to realize even then that this was something special. Alan Moore’s words and Bissette and Totleben’s visuals even at the time, and it was a strange time because everything felt in flux and on the brink of changing, even at the time, getting these off the stands, the combination of these three men working together felt like greatness.

And some things are hot in the moment, but some things, some work that is rushed out for the masses, to meet deadlines for a castigated medium, some work screams greatness from the go, and time only makes it more great.

More Hallowed.

From pioneers like Stan Lee and Jack Kirby and Steve Ditko and Roy Thomas and Gerry Conway and Steve Englehart and Chris Claremont and Kraft and Giffen and O’Neil and Neal Adams and Jim Steranko and Bernie Wrightson there was a new generation building on the foundation they laid down.

Creators such as…

Don Lomax (who I had the pleasure to interview) would give us VIETNAM JOURNAL.

Doug Moench, a pioneer in his own right, off of MASTER OF KUNG FU (issues 38 and 39 remains the best two parter ever) would do some of his most heartfelt work in Moon Knight (that first 21 or 22 issues is gold, everything from dealing with the death of John Lennon, to familial abuse)

Frank Miller would give us DARK KNIGHTS and RONINS and YEAR ONES.

William Messner Loebs would create a frontier masterpiece, unfotunately a hidden gem to most, with JOURNEY.

Bruce Jones – With his TWISTED TALES would almost singlehandedly give birth to a new EC inspired golden age of Horror Comics, but making comics that were horrifying to a Reagan era age.

and of course… Alan Moore.

Alan Moore would birth many such works, particularly in the waning decades of the 20th century. SWAMP THING was one of his earliest successes and remains one of his most iconic works. And for me one of his most beautiful works, working with the art team of Bissette snd Totleben, they were visual storytellers that could really add and evolve and enrich the scope of Moore’s script, throwing in their own ideas and visuals.

It is very much the work of three young men riffing on their loves, and remains now 30 years later still very seminal work.

Bissette in the years since has become one of the most respected instructors, teaching at the celebrated Center for Cartoon Studies in vermont.

One thing you may not know about him, and I first discovered listening to an Indie Spinner Rack podcast episode (that great now defunct show) is he is a FANTASTIC speaker. He is such an engaging and erudite and interesting wealth of information on this beloved hobby and artform and the personalities behind it.

And I love podcasts to begin with, so combining this walking encyclopedia of not just comic lore, but film and film journalism, books, the art of creating, of self publishing, of blogging, and for me… that is entertainment.

So ever since I’ve listened to him, whenever I catch him interviewed on a podcast.

So here without further ado is hours of audio greatness with one of the best artists in Comics, and one of its most engaging speakers.

INDIE SPINNER RACK #79 8 May 2007 – My first introduction to Stephen Bissette post SWAMP THING, this put him on my radar as just a fantastic and informative speaker. A great interview/conversation.

Talkcast #102 8 Oct 2011 – Very annoying hosts makes this one almost unlistenable, but fast forward to where Bissette finally gets to speak about fundraising and HP Lovecraft.

LOST IN THE STATIC #99 -25 Nov 2013- Fun informative hosts lead inro a really compelling interview on Bissette, that includes Edgar Allen Poe, Greg Irons, Skull #6, Moore, Veitch, Totleben and the Saga of the Swamp Thing. Indie work on Gore Shriek, Shriek, and the ground breaking Dave Simm funded TABOO. Structure of TABOO inspired by Harlan Ellison’s brilliant DANGEROUS VISIONS and AGAIN DANGEROUS VISIONS. Bruce Jones TWISTED TALES, X-MEN’S Brood Saga. TABOO designed by Bissette to be taken seriously, and push the envelope and make people ‘drop it on the ground’. Kirby Awards. A must listen podcast.

Adam Greenfield’s great podcast MAKING COMICS has had Stephen Bissette as a guest three times, and all three are brilliant, with nice Vincent Price/Poe Intros. Well worth hunting down. Oct 2014,2015, & 2016.

DECONSTRUCTING COMICS #465,#500 – Sept 2015, June 2016

POD SEQUENTIALISM #2 – October 2015

TV GUIDANCE #228 – May 2017

RADIODROME #323 – Mar 2017

UNDER CONSTRUCTION – Come back as I flesh out the content in all the interviews and conversations!

GREAT Last minute / END OF YEAR GIFT IDEAS! Day 2 of 15! CANDLES!

GREAT GIFT IDEAS for the Homemaker or Survivalist Among you!

https://images-na.ssl-images-amazon.com/images/I/31LwP3ZJyxL.jpg

 

7-Day Beeswax Candle

 

7-Day Beeswax Candle

 

https://images-na.ssl-images-amazon.com/images/I/71oMAQS6nGL._SX522_.jpg

Puracy Natural Liquid Dish Soap, Sulfate Free Dishwashing Detergent, Green Tea and Lime, 16 Ounce Bottle, (Pack of 3)
Puracy Natural Liquid Dish Soap, Sulfate Free Dishwashing Detergent, Green Tea and Lime, 16 Ounce Bottle, (Pack of 3)

 

TriWick 120 Hour Candle & Camping Stove – Survival & Emergency Light Source

TriWick 120 Hour Candle & Camping Stove – Survival & Emergency Light Source

 

Volcanica Candles Dendritic Pillar Candle, Medium, Maroon/Gold

 

Volcanica Candles Flora Vase Candle, Creme

 

Candle by the Hour 120-Hour Beehive Candle, Eco-friendly Natural Beeswax with Cotton Wick