Book of the Day : ALEISTER & ADOLF

Like most of you reading this I have a backlog of material to get to. Being a collector I likely have more of a backlog than most. Books, comic books and graphic novels, music, cds, movies, streaming, old time radio, podcasts, youtube, and the list goes on.

So it is not unusual for Books that I get with all intention of reading, getting parked in a very long queue. For any of you with Netflix or Amazon Watchlists, you’ll understand this.

So often times books only make it to the top of that list when going out the door.

Case in point with ALEISTER & ADOLF. I have started finding new homes for books I have not had a chance to get around to, ALEISTER & ADOLF became one of those books. I was packing it up to ship to its new owner, and while I had flipped thru it never really had gotten a chance to read it. Well about to pack it up to ship off, I wanted to read a bit of it.

I opened the book, and ended up reading the whole thing, standing in one spot…. and I found it, riveting. I found it an interesting tale of the part symbols play in history, and in our concept of reality. That advertising and salesmanship, while seen as a very modern thing, is actually since time immemorial… at the heart of empires, their rise and their fall. The hearts and minds of people, is where wars and peace are won, and oligarchies sustained.

If you are a fan of writers like Alan Moore and Grant Morrison, while not told with the elegaic poetry of these writers, Douglas Rushkoff‘s writing and Michael Avon Oemings‘ art, weaves a succinct and engrossing page turner of strange fiction, based on even stranger facts. 

A worthy addition to the writings, both fact and fiction, on that most pivotal and bloodiest of Wars, what Roosevelt would come to call… The Survival War.

Great read. And I see myself re-adding this to my collection in the future.

Grade: B+.

 

Get your copy here. You may want to hurry as they are almost out of stock.

Stunning and undervalued GOLDEN AGE Comic Book Cover of the Day!

The webpage will not show this image anonymously.One of the best Comic Book covers ever, this one is DIRT cheap,  and way undervaled.  You can pick up this issue of this 1950s horror anthology book, in very good or better condition, for well under a $1000. Stellar art, and great stories. This is the comic that started me purchasing Golden Age comicbooks, and now a couple years into that journey, it still remains the single best Golden Age cover.

 

https://www.comiclink.com/

https://www.ebay.com

 

Best Comic Book Covers of All Time: Joe Kubert’s LOSERS run

What makes a great comic book cover, in this age of virgin variants and gimmick covers, is the same thing that has always made a great cover. When all these flash in the pan virgin covers, are resigned to the 50 cent bin (where most of them belong), the really great covers, will still be… great covers.

They will still have stunning typography, married to great art, with great placement of the various parts, and together the whole, in one moment, both tells a story and sells a product. It is not just this lazy and brainless current fad of a pretty image, but with no context to the story or to the storytelling. Today’s cover artists and editors and art directors, and buyers, confuse a pinup with an effective and affecting cover, and the two are not the same.

Now that is not to say there are not exceptions, where the pinup is so good that you want it for eye candy’s sake alone. That does happen, and is fine, but in my experience it is rare, and is not conducive to books you are actually buying, serialized entertainment you are actually buying,… to read. In that case a pretty picture does not cut it, you need a storyteller as an artist and an art editor, to design a cover that tells a story.

And like i said it is a marriage of many things, some of which are not in the artist’s hands. But when all those disparate elements come together, you have have some of the greatest covers of all time.

There were a lot of people I could have started this new segment with, Neal Adams, Gil Kane, Berni Wrightson, Jack Kirby, but for my money the best cover artist of all time very rarely worked in Superhero Comics, and that is the great Joe Kubert.

Kubert had many magnificent cover runs to choose from but the one that launches this segment is the work of his that made me a Conflict Comics collector. His run on OUR FIGHTING FORCES AT WAR. Not the whole run, because while he did hundreds of covers not all of them have the elements that make an iconic cover. I mentioned a great cover having to do with things sometimes beyond the artists control such as typography and placement of disparate elements on a cover. But Here, for this run of issues, Kubert had complete control over the typography of his covers, and completely integrated that typography into his artwork, in a manner that would have made Eisner impressed. Creating a brilliant image AND telling a story and selling a product.

In the 181 issue run of OUR FIGHTING FORCES AT WAR, all of which had good covers,  there are nineteen covers that stand out as masterpieces… only nineteeneighteen. They are not ‘key’ issues, they are seminal issues in the history of comic book cover design. The following scans were the best I could find on short notice, and do not do the books justice. But they give you a taste of the brilliance that make these 19 consecutive issues of OUR FIGHTING FORCES AT WAR a milestone of cover design, and worth owning.

They are…

 

Cover for Our Fighting Forces (DC, 1954 series) #123Cover for Our Fighting Forces (DC, 1954 series) #124  Our Fighting Forces #125 Cover for Our Fighting Forces (DC, 1954 series) #126Cover for Our Fighting Forces (DC, 1954 series) #127Our Fighting Forces #128  Cover for Our Fighting Forces (DC, 1954 series) #129File:Our Fighting Forces Vol 1 130.jpgFile:Our Fighting Forces Vol 1 135.jpg

 

Issue 142 would signal the end of the ground breaking covers, as well as heralding the end of Joe Kubert as editor on the series (his name would officially be removed as editor two issues later). Archie Goodwin would take over for a while as editor, followed by Jack Kirby(with all due respect to Jack Kirby, I am not a fan of his work on this book). And while Kubert would continue to do covers sporadically for the series up till the end, never again would the typography and mast-head be part of the story-telling. 141 would be the last of that wild imaginative experimentation with art and typography, the last of nineteen issues of the best and longest consecutive run of great covers by one creator in the history of comics. Pick them all up today, while they can still be had affordably.

 

Use the link below to get your issues today:

https://www.mycomicshop.com/search?TID=180611&AffID=200301P01

If you enjoyed this post and would like to see more like it, please subscribe, leave a like and comment. And what are your favorite cover runs, or cover artists/artwork?

Till next time… be well!!

CLASSIC GOLDEN AGE Horror Comic Book Cover of the Day!

There are no skulls, or drooling monsters, or scantily clad females in peril on this cover (not that there is anything wrong with those covers, the lurid has its place) and yet, this is the cover that made me fall in love with collecting Golden Age Comic Books. The sophistication of John Severin’s artwork, the masterful use of color, its ability to encapsulate mood and storytelling and foreboding in a single pregnant image. 

First time I saw this image, I knew I had to have this book. That i was looking at the work of an artist, Capital A.

This is my book of the day. And it is currently VERY undervalued and very affordable. And is my recommendation for affordable golden age comic book to add or start, your collection with.

Hope you found this post useful, if so give a like and a subscribe. Till next time… be well!

3 days left to PREORDER your comics in October! Here is how!

‘Preorder? Preorder?

We don’t need no stinking preorder!’

Little bit of a bastardization of the famous line from the great john Huston directed, Humphrey Bogart, Walter Huston led movie, TREASURE OF THE SIERRA MADRE.

Humphrey Bogart, Tim Holt, and Walter Huston in The Treasure of the Sierra Madre (1948)

One of the best films ever made, and a must watch if you have, in an age of Disney Blockbusters, never seen this quintessential bit of Americana. From 1948, the film is as riveting as SICARIO or any other thriller you will see today, and amazingly still as timely and as timeless.

Pre-ordering is something unique to that weird world of comic books.

Not every comic store can carry every comic. There are a lot of publishers, coming out every month with new titles. Staying on top of it can be an initial learning curve.

But pre-ordering helps you save money, depending what online or brick and mortar retailer you use, the amount is typically between 10% and 50% savings.

The particular online retailer I use, and that I recommend, saves you 35% off the cover price of your comics.

Why do I use the retailer that saves you 35% as opposed to the retailer who saves you 40 to 50%? Well I’ve used that 50% off retailer in the past, and had issues with their customer service, as well as problems getting the issues I ordered, and problems with how i was being charged.

With the 35% off retailer, the customer service has been excellent, and I get the books I ordered in quality condition.

Therefore they are the ones I use, and the ones I recommend.

Okay this is part one of my comic book pre-order tutorial, the little trailer/preamble if you will.  I am hard at work on part two, with suggestions of what to order and the link you can use to order from my retailer of choice.

Give this post a like, and come back in about 4 hours to see the 2nd and final part of this pre-order for books shipping in over 2 months, in October.

Thanks!

One Day Left for Prime Deals 2019! And here are the ones everyone forgot!

A lot of people are concentrating on the tech deals, but there are also deals on what Amazon initially built its empire on… books.

 

Here then are great book deals recommended for you to pick up this Prime Day… and beyond. (While supplies last!).

Everyone is aware of Kareem Abdul Jabbar as one of the great basketball players of all time. Fewer are aware of him as an acclaimed writer. From non-fiction books on all Black tank units in World War II, to his recent Graphic novel work, Kareem Abdul Jabbar proves himself as compelling a writer as he is a personality. I recommend this Prime Day, picking up his books and audio books.

 

https://amzn.to/2jGI80Y

https://amzn.to/2lJvqiN

https://amzn.to/2kcEoV8

https://amzn.to/2lJxIhT

https://amzn.to/2lImXML

The last link above is for the audio cd. There is only ONE left. So hopefully I beat you guys to it. 🙂

 

https://amzn.to/2lkVVek

The hardcover is almost sold out.

 

And below is his new Mycroft book, the third in the series, coming out this September.

https://amzn.to/2lJMs0d

And I would definitely also recommend the graphic novel, available here:

Cover Image

https://amzn.to/2lJbsEZ

Use the links, get a great item for yourself, and earn a couple pennies for this humble blog. A win-win! 🙂