The GREATEST multi-part FANTASTIC FOUR comic book stories—- EVER!!!!!!!!!!!!

Start with the  FANTASTIC FOUR OMNIBUS 1,2, & 3. A great way to get into the early issues. Click the images to see more on the titles covered.

 

They were visionaries. Explorers. Imaginauts. They were Stan Lee and Jack Kirby. And like the Fantastic Four, they continually strove to overcome the impossible and achieve the extraordinary. Now, the first three years of their landmark run are collected in one oversized volume. This keepsake edition also includes all original letters pages and pinups, critical commentaries, a historical overview, and other DVD-style extras.

COLLECTING: FANTASTIC FOUR (1961) #1-30, FANTASTIC FOUR ANNUAL (1963) #1

 

Collecting the greatest stories from the World’s Greatest Comics Magazine in one, massive collector’s edition that has been painstakingly restored and recolored from the sharpest material in the Marvel Archives.

COLLECTING: FANTASTIC FOUR 31-60, ANNUAL 2-4

These are some of the greatest adventures of all time! Collecting FANTASTIC FOUR (1961) #61-93 and ANNUAL #5-7, and material from NOT BRAND ECHH #5-7. All Ages

 

Celebrate 60 years of the World’s Greatest Comics Collaboration! Stan Lee and Jack Kirby conclude their record-setting tenures on the FANTASTIC FOUR, the book that birthed the Marvel Universe! In Kirby’s final issues, Doctor Doom lurks in the shadows, the FF save Apollo 11 from an alien threat, and the Sub-Mariner and Magneto team up to attack our heroes! Then, Stan Lee is joined by Marvel art legends John Romita Sr. and John Buscema to forge a new future for Marvel’s first family! Along the way, the Thing battles the Hulk, the Surfer is taken captive by Galactus, and the Overmind menaces Earth — leading to the strangest event in Marvel history: Doctor Doom joins the FF?! Guest-starring Black Panther, the Inhumans and more!

COLLECTING: Fantastic Four (1961) 94-125, Fantastic Four: The Lost Adventure (2008) 1, material from Fantastic Four Annual (1963) 8-9

 

Okay now onto the issues you can afford to pick up in issue form, and the ones i recommend having:

FANTASTIC FOUR 161,162,163,164- These issues completely wowed me as a kid, and continue to entertain me as an adult. Simply great work by the team of thomas, buckler and sinnott.

FANTASTIC FOUR 164,165– Great covers, Great issues!!!

 

FANTASTIC FOUR 168,169,170 More Thomas, Buckler greatness!!

 

FANTASTIC FOUR 242,243,244 -Comics (and Comic Book Covers and Artwork) do not get any better. Just genius issues!!!!

 

 

FANTASTIC FOUR 249,250

For my money John Byrne invented the concept of wide-screen entertainment with his seminal early work on AVENGERS 164 thru 166. This is him a decade later, showing he is still the bar, by which super hero action will always be measured.

 

FANTASTIC FOUR 251-265

 

Without argument John Bryne was one of the best writers and artists on Fantastic Four (Right up there with Stan the Man Lee, Jack King Kirby, John Buscema and Roy Thomas ), but until you go back and revisit his lengthy run on The World’s Greatest Comic Magazine’you forget exactly how good he was. Issue 251 thru 265 is really one large, fluid story about— families lost and families found.

It was the world’s greatest comic magazine – again! Not since the days of Stan Lee and Jack Kirby had a creator so perfectly captured the intense mood, cosmic style and classic sense of adventure of Marvel’s First Family. Fresh off an earth-shattering and reputation-making run as penciler on UNCANNY X-MEN, John Byrne proved his writing talent was every bit the equal of his art as he pulled double-duty on FANTASTIC FOUR, launching Reed, Sue, Ben and Johnny into realms of imagination and wonder into which few creators before had dared to travel. From the four corners of the globe to the farthest reaches of space to the deepest depths of the Negative Zone, the FF face off against foes old and new – including the Dr. Doom, Galactus and Annihilus! Plus: The FF aid the Inhumans, bid farewell to the Baxter Building, don new costumes and celebrate their 20th anniversary in style as Byrne reminds us all there’s a family at the heart of this team of adventurers!

Collecting: MARVEL TEAMUP (1972) #61-62; MARVEL TWO-IN-ONE #50; FANTASTIC FOUR (1961) #215-218, #220-221, #232-262 and ANNUAL #17; PETER PARKER, THE SPECTACULAR SPIDER-MAN (1976) #42; AVENGERS (1963) #233; THING (1983) #2; and ALPHA FLIGHT (1983) #4.

Superstar John Byrne’s legendary run concludes with one of the most innovative periods in Fantastic Four history! The sensational She-Hulk replaces the Thing, Sue Richards becomes the Invisible Woman, and Mr. Fantastic is tried for crimes against the universe! Also featuring the return of Dr. Doom, the fate of Reed and Sue’s unborn child, the resurrection of Jean Grey, and more — as the FF confront deadly foes including the Mole Man, Dr. Octopus, Terminus, the Beyonder, Mephisto, Psycho-Man and Annihilus! Plus: the unfinished “Last Galactus Story,” reprinted for the first time!

COLLECTING: Fantastic Four (1961) #261-295, Fantastic Four Annual #18-19, Alpha Flight (1983) #4, Thing (1983) #10 and #19, Avengers Annual #14, and material from Secret Wars II #2, Epic Illustrated #26-34, What If? (1977) #36, What The -?! #2 and #10, Thing (1983) #7, Fantastic Four Roast and Fantastic Four Special Edition — written by John Byrne, Mark Gruenwald, and Roger Stern; and illustrated by John Byrne, Mark Bright, Ron Wilson, and Jerry Ordway.

The original first run of the FANTASTIC FOUR ran 416 issues. For my money you can stop reading with the recommendations in this post. The series never gets better or as good as the issues listed above.

 

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Streaming Roku VOD Youtube Videos TV Guide of the Day!

 

 

 

Best Cheap but GREAT over-sized comic book posters of the Day!!!

Best Cheap but GREAT over-sized comic book posters!!!

Makes fantastic gifts or presents for the pop-culture fan in your life, or give to yourself as a nice present!

The Destroyer by Frank Frazetta Cool Wall Decor Art Print Poster 24×36

 

 

Captain America – Madbomb Marvel Retro” Maxi Poster 36 x 24

 

Alex Ross 70721 Marvel Generations Oversize Vinyl 62×48 Poster

 

Frank Frazetta Red Planet Mars Science Fiction Fantasy Artwork Classic Retro Vintage SciFi Artist Comic Book Cover 1970s Cool Wall Decor Art Print Poster 24×36

 

Magneto Triumphant Marvel Comics Retro Cover Art Cool Wall Decor Art Print Poster 24×36

 

Trends International DC Comics – Justice League – Alex Ross – The Elite, 22.375″ x 34″, Black Framed Version

Princess and The Panther by Frank Frazetta Cool Wall Decor Art Print Poster 24×36

 

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Streaming VOD TV Guide for Today 6 April 2020 : Youtube Morning Edition

 

 

Great information for all affected by the current crisis as of the date of this writing.

 

Mark Felix still competing and medaling at 52 years of age. Amazing.

If you are a fan of iconic artist Jim Steranko, give this video a watch. Shows off some of his lesser known comic book covers from the 1970s period.

 

 

Just an essential physical media channel.

 

 

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ARTBOOK OF THE DAY

 

3 Best Marvel/MCU Villains 2008-2019

 

22 movies, Eleven years, hundreds of actors, dozens of bad guys, but only 3 stand as the very best Villains of kevin feige’s Marvel Cinematic Universe.

 

LOKI

 

LOKI– In many ways the first AVENGERS movie stands as the most important of the MCU films, up there with the first IRON MAN movie. The IRON MAN movie proved these individual characters could work on the big screen, THE AVENGERS movie proved a super-hero team, wide screen Comic Book level action, could work for the masses; proved That this concept of long form story telling in film… could payoff, and should continue.

After 22 movies, THE AVENGERS is still the movie I saw the most in the theaters, a record three times (I almost never see a movie in a theater more than once), and the one I had the most fun with. And that is because Director Josh Whedon delivered the film of his career, the writing was brilliant, actors and effects phenomenal, and the characters… literally the stuff of Myth. And the most memorable scenes of a very memorable film revolve around Tom Hiddleston’s completely crowd pleasing performance as Loki, that sets up such memorable lines as ‘Mewling Quim’ and ‘Puny God’.

Like the best of all Villains, the two other names on this list; the Loki character while wrong, there is something compelling and seductive, and relateable in Loki’s mania. Driven by some hurt he seeks to fix, some reason that reason knows not of, that makes him more than a stock villain, but someone more complex, and someone that in moments… seen from some angle, is understandable, if not approvable.

There is a reason Hiddleston’s Loki ten years later remains… beloved. Because being more than a stock Villain, means at moments he resembles all of us, he is capable of good, as well as evil. And watching Loki navigate that line, grow as a character, makes him more than villain and more than hero… it makes him… interesting.

 

 

 

 

KILLMONGER

 

 

KILLMONGER – There were a lot of MCU villains prior to Michael B. Jordan’s acclaimed turn as KILLMONGER, in the brilliant and ground-breaking Ryan Coolger helmed BLACK PANTHER, but none of them, not Red Skull, not Ultron, not Winter Soldier, not even Loki, had me deep into the movie… unmoored about who was right and who was wrong.

To do that in a film, to bring the audience with you into a questionable grey area where there are no more heroes and no more villains, but just principles of better worlds that clash in blood, that is some deep and epic and personal filmmaking, and to accomplish that in a large scale blockbuster superhero movie, is the stuff that awards are designed to recognize.

Hats off to all involved, but particularly to the way Jordan chose to play KILLMONGER, just unique and disturbing and yet another memorable character, from an actor who has quickly become one of the best actors of his generation.

BLACK PANTHER is a film that I loved the action in, loved the fight scenes, loved the story, loved the scale, but what really sets it apart from every other MCU films before it (with the exception of THE WINTER SOLDIER, which did it in a smaller way) is the sophistication of how it is told. The murky grey areas where good and bad become… unsound. It’s a great film, that becomes stronger every time you watch it. Like leather curing in the sun.

At the film’s heart it is a tale of fathers and sons, kings and commoners, and a question of whose vision of tomorrow… is most right. And that hinges on Jordan’s KILLMONGER, a lesser villain or a lesser performance, and we would be talking about a much less successful film. Which is the case with any film, a great film seldom does so, without a great antagonist; and Jordan’s KILLMONGER is one of the greats.

 

 

 

 

THANOS

 

And now we come to the 1000lb Gorilla in the room, (it is an idiom used to call attention to an overwhelming or obvious  idea, finally being recognized – for those of you who may not be familiar with the expression) THANOS.

A CGI character that has been the big bad we have been building to in these 22 films. It is an unprecedented build up, the likes of which we will likely never see again. But boy did it pay off. Josh Brolin (son of the legendary actor James Brolin) has in the last two decades started forging his own legend, in films from NO COUNTRY FOR OLD MEN to AMERICAN GANGSTER to TRUE GRIT to SICARIO (look forward to seeing him in the upcoming Villeneuve directed DUNE and Sean Penn helmed FLAG DAY) he has been solidly delivering the goods.

But I think it is safe to say his THANOS is likely to be the role he is remembered for above and beyond all others, just based on the cultural and historic imprint these 22 films have carved out. You have to go back to Universal Studios game changing monster movies of 1923 to 1955 to get a run as formative and impactful as this current run of MCU movies.

And THANOS is the looming shadow that haunts these films, and in INFINITY WAR and ENDGAME Brolin’s Thanos gets to come out of the shadows and take center stage.

Again as buildups go, you will likely never see, in your lifetime the like again, a 22 film novel for television, that stuck the landing.

Much has been written on the character of THANOS and the sophistication he was written and performed with. following in the wake of Jordan’s KILLMONGER, here too is another villain where, to a lesser degree, you see the mercy in his madness, the humanity in his horror. He does and is going to do horrible things, but toward ends that we must all, at the end of the day judge as… understandable.  And it is the achievement of all involved from performers to directors to special effects to camera to makeup to lighting to sound, that in not one moment of INFINITY WAR or ENDGAME, not one moment of a CGI Thanos interacting with the other actors, do I question the fiction crafted. The vision is solid.

It is a 2 film culmination of a 22 film, 11 year unequaled and un-thought of cinematic achievement, and it sticks the landing. And Thanos quite rightly gets catapulted into the conversation of most iconic cinematic villains of all time, up there with Darth Vader, Dracula, Dr. No, Dr. Mabuse, Khan, Hannibal Lecter, Joker.

 

 

So that is it guys, the 3 best villains of 22 movies, and 11 years of cinematic gold!!!

 

And for Honarable Mentions:

• Ultron
• Red Skull
• Winter Soldier
• Klaw

 

Thanks for looking, feel free to comment with your favorite villain or villains, and if you enjoyed this post give some love to this installment’s sponsor:

 

 

Purchase Here.

Book of the Day : ALEISTER & ADOLF

Like most of you reading this I have a backlog of material to get to. Being a collector I likely have more of a backlog than most. Books, comic books and graphic novels, music, cds, movies, streaming, old time radio, podcasts, youtube, and the list goes on.

So it is not unusual for Books that I get with all intention of reading, getting parked in a very long queue. For any of you with Netflix or Amazon Watchlists, you’ll understand this.

So often times books only make it to the top of that list when going out the door.

Case in point with ALEISTER & ADOLF. I have started finding new homes for books I have not had a chance to get around to, ALEISTER & ADOLF became one of those books. I was packing it up to ship to its new owner, and while I had flipped thru it never really had gotten a chance to read it. Well about to pack it up to ship off, I wanted to read a bit of it.

I opened the book, and ended up reading the whole thing, standing in one spot…. and I found it, riveting. I found it an interesting tale of the part symbols play in history, and in our concept of reality. That advertising and salesmanship, while seen as a very modern thing, is actually since time immemorial… at the heart of empires, their rise and their fall. The hearts and minds of people, is where wars and peace are won, and oligarchies sustained.

If you are a fan of writers like Alan Moore and Grant Morrison, while not told with the elegaic poetry of these writers, Douglas Rushkoff‘s writing and Michael Avon Oemings‘ art, weaves a succinct and engrossing page turner of strange fiction, based on even stranger facts. 

A worthy addition to the writings, both fact and fiction, on that most pivotal and bloodiest of Wars, what Roosevelt would come to call… The Survival War.

Great read. And I see myself re-adding this to my collection in the future.

Grade: B+.

 

Get your copy here. You may want to hurry as they are almost out of stock.

Stunning and undervalued GOLDEN AGE Comic Book Cover of the Day!

One of the best Comic Book covers ever, this one is DIRT cheap,  and way undervaled.  You can pick up this issue of this 1950s horror anthology book, in very good or better condition, for well under a $1000. Stellar art, and great stories. This is the comic that started me purchasing Golden Age comicbooks, and now a couple years into that journey, it still remains the single best Golden Age cover.

 

https://www.comiclink.com/

https://www.ebay.com

 

12 Best DC Warner Brothers AT&T Power Girl Comic Book Covers!

 

 

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Best Comic Book Covers of All Time: Joe Kubert’s LOSERS run

What makes a great comic book cover, in this age of virgin variants and gimmick covers, is the same thing that has always made a great cover. When all these flash in the pan virgin covers, are resigned to the 50 cent bin (where most of them belong), the really great covers, will still be… great covers.

They will still have stunning typography, married to great art, with great placement of the various parts, and together the whole, in one moment, both tells a story and sells a product. It is not just this lazy and brainless current fad of a pretty image, but with no context to the story or to the storytelling. Today’s cover artists and editors and art directors, and buyers, confuse a pinup with an effective and affecting cover, and the two are not the same.

Now that is not to say there are not exceptions, where the pinup is so good that you want it for eye candy’s sake alone. That does happen, and is fine, but in my experience it is rare, and is not conducive to books you are actually buying, serialized entertainment you are actually buying,… to read. In that case a pretty picture does not cut it, you need a storyteller as an artist and an art editor, to design a cover that tells a story.

And like i said it is a marriage of many things, some of which are not in the artist’s hands. But when all those disparate elements come together, you have have some of the greatest covers of all time.

There were a lot of people I could have started this new segment with, Neal Adams, Gil Kane, Berni Wrightson, Jack Kirby, but for my money the best cover artist of all time very rarely worked in Superhero Comics, and that is the great Joe Kubert.

Kubert had many magnificent cover runs to choose from but the one that launches this segment is the work of his that made me a Conflict Comics collector. His run on OUR FIGHTING FORCES AT WAR. Not the whole run, because while he did hundreds of covers not all of them have the elements that make an iconic cover. I mentioned a great cover having to do with things sometimes beyond the artists control such as typography and placement of disparate elements on a cover. But Here, for this run of issues, Kubert had complete control over the typography of his covers, and completely integrated that typography into his artwork, in a manner that would have made Eisner impressed. Creating a brilliant image AND telling a story and selling a product.

In the 181 issue run of OUR FIGHTING FORCES AT WAR, all of which had good covers,  there are nineteen covers that stand out as masterpieces… only nineteeneighteen. They are not ‘key’ issues, they are seminal issues in the history of comic book cover design. The following scans were the best I could find on short notice, and do not do the books justice. But they give you a taste of the brilliance that make these 19 consecutive issues of OUR FIGHTING FORCES AT WAR a milestone of cover design, and worth owning.

They are…

 

   

 

Issue 142 would signal the end of the ground breaking covers, as well as heralding the end of Joe Kubert as editor on the series (his name would officially be removed as editor two issues later). Archie Goodwin would take over for a while as editor, followed by Jack Kirby(with all due respect to Jack Kirby, I am not a fan of his work on this book). And while Kubert would continue to do covers sporadically for the series up till the end, never again would the typography and mast-head be part of the story-telling. 141 would be the last of that wild imaginative experimentation with art and typography, the last of nineteen issues of the best and longest consecutive run of great covers by one creator in the history of comics. Pick them all up today, while they can still be had affordably.

 

Use the link below to get your issues today:

https://www.mycomicshop.com/search?TID=180611&AffID=200301P01

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CLASSIC GOLDEN AGE Horror Comic Book Cover of the Day!

There are no skulls, or drooling monsters, or scantily clad females in peril on this cover (not that there is anything wrong with those covers, the lurid has its place) and yet, this is the cover that made me fall in love with collecting Golden Age Comic Books. The sophistication of John Severin’s artwork, the masterful use of color, its ability to encapsulate mood and storytelling and foreboding in a single pregnant image. 

First time I saw this image, I knew I had to have this book. That i was looking at the work of an artist, Capital A.

This is my book of the day. And it is currently VERY undervalued and very affordable. And is my recommendation for affordable golden age comic book to add or start, your collection with.

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