15 Best YOUTUBE Comic BOOK Channels!

While relatively new to the Youtube Comic Book watching scene, I’ve been a collector for a very long time.

And while I don’t know everything that is right. I know IMMEDIATELY when something sounds wrong.

I’m listening and watching these Youtube videos/channels on Comic Books, and these channels are fantastic. I watch it courtesy of Roku on my Big Screen, and I spend more time watching these YouTube channels, than regular TV most days. Much to the chagrin of my better half, who has seen more of these videos than she would like. 🙂

It is just great to see collectors of various ages and backgrounds sharing their passion and finds and tips, on a hobby I also get a lot of enjoyment out of.

Channels like:(You can find any of the channels just by searching for their name on Youtube. Tell them HT sent ya!)

  • SILVER AGED DAVE (best comic book room tours, and essntial info on insurance, budgeting, preserving your books, and generally enjoying your collection, along with great hauls)
  • EARL GREY (best coverage of European comics, as well as deep dives into select creators and genres)
  • MERCENAUT (very informative, and great selection of books to be on the lookout for)
  • GEM MINT (great coverage on Omibus and collected editions)
  • REGIE IFBBPRO (great hauls and stories, and passion for this hobby)
  • LEEKIRBYDITKO (hands down the best golden age coverage on Youtube, and recently become very interested in Golden Age)

  • THULE (Another great Golden Age channel)
  • AFTA COMICS (I love listening to this guy. He sounds like the late, great Adam West. May he rest in peace. So yeah, I listen to him tell his stories in his Adam West voice, and I’m entertained, and reminded of the late great Adam West. Really like this channel. Covers great Westerns.)
  • COUGARCOMICS, WE LOVE COMICS,
  • CHYCHO – I like his laid back, ASMR (autonomous sensory meridian response, a belief that sound can soothe, and in addition create states in the listener where information is more readily absorbed) delivery. Nice coverage of everything from Golden Age to moderns. And his overview and understanding of economic systems, reinforced some things I knew, and really opened my eyes on some other things. His post PERSONAL FINANCE:CURRENCY,MONEY,ECONOMY,P2:GOLD should really be required viewing, by pretty much everyone.

  • LUTHER MANNING – Like his CGC hauls
  • ALEX THE COMIC HOARDER- like his upbeat coverage of hauls
  • WINDY CITY COMIC BOOKS (great coverage of classic comic book magazines)
  • GORE VIDAL- Great coverage of Independents, magazines, and hardcovers, with a love for the Spanish and Italian artists. His multi-episode coverage on Dark Horse’s CREPAX is essential viewing. He stopped broadcasting a bit mysteriously a month ago, anyone with his contact info just let us know he is all right.

  • GABE INFINITY WATCH – I like his coverage of IDW Artist’s Edition. There is another guy Capn something something that comes up more often on Artists Edition, but cant stand that guys very uninformed opinions, or the trumpian confusion that derision is a replacement for discourse. To everyone out there who has an issue with Social Justice Warriors, first learn to use the whole word and not the acronym, second you may want to choose a different medium if you don’t like Social justice Warriors. Because if you are reading Superhero Comics, the first social justice warrior is Superman. Followed quickly by Batman, Shazam, and all the others. The whole of Superhero Comics built on this bedrock of vigilantes, sticking up for the little guy, and taking it to the fat cats, and the corrupt, system. Social Justice Warrior defined.

Well that in a nutshell is the 15 channels that have been wowing me this month. I highly recommend taking the rest of April and exploring these guys channels, all of whom have a solid catalog of videos. If you are like me I can’t watch them on my laptop. I have to use the Youtube channel courtesy of Amazon Fire or Roku.

So yeah, loving the positive, fun youtube channels, and ignoring the haters. However one thing not  so easily ignored is the aforementioned ever present  conversation of people ‘cleaning and pressing their comics for CGC slabbing.

Okay I’ve known about slabbing for years, has never been my thing. But the Youtube Channels have actually made me interested in some slabbed books for some of the more significant titles, for my ‘security deposit box’  books. So from having a total of 0 certified books 3 months ago, I now have nine. Not a tremendous number, but I domn’t have the need to have a tremendous # of slabbed books.

Now I haven’t pulled the trigger on having any of my personal collection slabbed, the aforementioned 9 slabbed books, were bought slabbed. For me not having to wait, or pay the cost of grading makes already certified books attractive. Particularly, when I’ve been able to buy already certified books, for basically the price of the raw book in most occasions. And plus I did look into it, and the time, and cost of slabbing, right now it is more cost effective to buy certified editions,

My only concern about slabbed editions is the people who are into cleaning and pressing comics.

Common sense tells me that heat and moisture added to newsprint speeds up the decay of newsprint. So you add moisture, and heat to newsprint, and seal it in plastic you have started a process of increased deterioration that is now pressed into the fibers of the paper and will continue at an enhanced speed, INSIDE the now slabbed book.You are creating a product that when unslabbed in the future will be in SUBSTANTIALLY worse condition than a mylar protected but uncleaned/pressed book. In an attempt to get an inflated number on the book, you are actually shortening the life of the book.

And all that is best case scenario, when you do the drycleaning and pressing process correctly.

http://www.thecomicdoctor.com/comic-book-pressing-faqs/

There are a lot of third party services out there who are absolutely destroying comics and calling it cleaning and pressing. I’ve seen some Youtube videos of people, who press comics as a money making business that apply water to the book in their cleaning process. THAT IS A NO NO!!! Then heat the book. Then get it slabbed and sell it. That is why I’m happy to have the majority of my gold, silver, bronze collection well preserved with fullbacks, mylar, and microchamber paper. So everything CGC offers you, but without pressing and dry cleaning.

And the above discussion I’m talking about Gold, Silver, Bronze age books primarily. Slabbing newer books is what CGC makes the bulk of their money on, because of the huge # of Wednesday Warriors speculators, immediately having any new book they think has a cool cover or a number one appearance slabbed to get a 9.8 in hopes of being the next WALKING DEAD #1.

Hey if you have the money and that’s your thing, go for it. However be aware of the break even point you have now set for that modern book.

Because here’s the issue, the fact that you have more people certifying the same new books, and getting the same high grades, means you are killing the scarcity of that item, meaning the likelihood of it ever being WALKING DEAD #1 much less AMAZING FANTASY 15 is slim to none, In fact most hot slabbed and variant covers, have a very short hotness span, before they start diving in value, and are worth less than your initial investment.

Now that is true of most comics, but it becomes even more egregious when people are paying multiples of cover price for a brand new book, and on top of that than pay for slabbing. That book now out of the gate is more prone to fall and lose value. It is very much a version of the speculator fever that led to the crash of the 90s.

The good news is there is no bubble to pop at this time. Comic Books are not selling millions of copies like they were in the 90s, creators and companies are not getting rich off comics, like they were in the 90s, and speculator fever has not hit the mainstream. There was a sizable precipice in the 90s for everyone to fall from. Not so today, the uptick in interest is mostly lapsed fans, and a few new fans, and their speculation and double and triple dipping is actually keeping aloft a medium that is happy to cater to their speculator fantasies.

If you can’t sell to more people, sell more copies to the audience you have. So the current speculator fervor, Publishers and retailers are happy to buy into it; because it is not a bubble, it is a lifeline keeping them afloat, in a market where $3.99 cover prices have priced comics out of adaption by anyone but the converted.

That’s why I stick to books that already have a proven value outside of the slab.

So yeah that is my post.

Give love to the channels I mention and be wary of cleaning and pressing a comic. If your comic book is a 4.5, It is a 4.5. The attempt to make it a 5.5 in the short term, can be speeding up the process of making it a 1 in the long term.

Ending this on a positive note you 15 channels are always showing my your hauls and recommends, which I greatly thank you for. You’ve put some great books on my radar. Wanted to return the favor. Below is my list of must own comic books, that I think are WAY undervalued and you can still buy incredibly cheaply and will only go up.

Enjoy!!!

 

https://vignette.wikia.nocookie.net/marveldatabase/images/d/d7/Defenders_Vol_1_52.jpg/revision/latest?cb=20080721172925https://vignette.wikia.nocookie.net/marveldatabase/images/b/b8/Gunhawks_Vol_1_1.jpg/revision/latest?cb=20160716135239

https://vignette.wikia.nocookie.net/marvel_dc/images/8/84/Adventure_Comics_Vol_1_431.jpg/revision/latest?cb=20170401041618https://vignette.wikia.nocookie.net/marvel_dc/images/a/a7/Adventure_Comics_Vol_1_434.jpg/revision/latest?cb=20090202013949https://vignette.wikia.nocookie.net/marvel_dc/images/0/04/Adventure_Comics_Vol_1_438.jpg/revision/latest?cb=20090202014031https://vignette.wikia.nocookie.net/marvel_dc/images/0/07/Adventure_Comics_Vol_1_440.jpg/revision/latest?cb=20170430053009https://d1466nnw0ex81e.cloudfront.net/n_iv/600/786713.jpghttps://vignette.wikia.nocookie.net/marveldatabase/images/5/51/Daredevil_Vol_1_126.jpg/revision/latest?cb=20080808204134https://vignette.wikia.nocookie.net/marveldatabase/images/8/80/Daredevil_Vol_1_127.jpg/revision/latest?cb=20080808204311https://i0.wp.com/www.strangercomics.com/wp-content/uploads/2016/05/asunda-untamed-graphic.jpg

 

DAREDEVIL 126 & 127 – One of the best two parters of all time. I read this back in the day and it still stands up as one of my favorite non-Frank Miller DAREDEVIL comics. TORPEDO is a great bronze age character, and this is him at his best. Sporting great Gil kane covers, and a story by Marv Wolfman (who was also Executive Editor at the time, and art by Bob Brown and Klaus Janson. Wonderful visuals.

THE UNTAMED – Is a beautiful sword and sorcery graphic novel by Sebastian A. Jones and Peter Bergting and Darrell May. From STRANGER COMICS. A quality and very little known collected edition.

DEFENDERS 52- Best Gil Kane Cover. Best done in one story. Best Hulk vs Sub-Mariner fight. One of the Best Keith Giffen and David Kraft co-scripts. From about issue 42 to 52, these guys were on FIRE! Best depiction of the Hulk. Best depiction of Sub-Mariner. Done, done, and done.

ADVENTURE COMICS 431-440 -Michael Fleisher’s stories starring the Spectre, with Jim Aparo art have quite frankly never been surpassed. They are for me, the definitive take on the Spectre as a vengeful Wrath of God, with a more than demented sense of perverse punishments. A lurid and legendary series.

THE SINISTER HOUSE OF SECRET LOVE #1- Dark Shadows meets the House of Mystery? How do you not love that title and that cover. A must own.

I SPY 1-6 – The 60s pushed the envelope in terms of entertainment, writing and scope. Bringing globe trotting adventures into our living room. I SPY along with DANGER MAN/SECRET AGENT MAN and MAN WITH A SUITCASE were some of the best TV shows of the period. to have that great Cosby and Culp series, also as a comic book is a must own. Great photo-covers.

You can get any of the books listed using the link below. And using the lin earns this blog a few pennies to keep the lights on.

 
Buy comic books here!
 

Hope you enjoyed this post. if you did, spread the word.

 

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Today’s Comic Book and Book Recommendation of the Day! BLACK COMIX RETURNS

I’ve already said that THE SIGNATURE ART OF BRIAN STELFREEZE by Boom Studios was my favorite art book of 2017. Just a stunning, masterpiece of a tome in terms of content and book design.

Today I received an early contender for best Artbook of 2018, from LION FORGE and THE MAGNETIC COLLECTION I received Damian Duffy and John Jennings BLACK COMIX RETURNS.

https://s15-us2.startpage.com/cgi-bin/serveimage?ref=https%3A%2F%2Fdoomrocket.com%2Fwp-content%2Fuploads%2F2018%2F02%2F6266876-01.jpg&ua=TW96aWxsYS81LjAgKFgxMTsgVTsgTGludXggaTY4NjsgZW4tVVM7IHJ2OjEuOS4xLjcpIEdlY2tvLzIwMDkxMjIxIEZpcmVmb3gvNTguMA&uadata=cf9debef56fa965b769e72c56b27148c&url=https%3A%2F%2Fdoomrocket.com%2Fwp-content%2Fuploads%2F2018%2F02%2F6266876-01.jpg&sp=0bf754d25485da820bce7d78c288509e

I didn’t know much about this book going into it, except it was edited by the prolific John Jennings, and after seeing this creator interviewed on Youtube,I was on a mission to pick up his work. BLACK COMIX RETURNS is a ten year old followup to the sold out first volume (which iI delayed picking up, and is now out of print, and the copies that are availabl;e are selling for 3 figures).

I was eager to get this volume, and finally received today, it is stunning. I didn’t know what to expect, what I got was a curated overview of the creators who are putting out some great and very individual works. Similar to David Roach’s MASTERS OF SPANISH COMIC BOOK ART, but where that is a look back, BLACK COMIX RETURNS is a look at creators who are currently redefining the medium, one passion project at a time.

Get any of the books recommended in this post at the links below:

https://amzn.to/2Grs4GK

https://amzn.to/2uwPlFq

https://amzn.to/2GoYXaX

https://amzn.to/2IkuqYa

Also this book, like that aforementioned Brian Stelfreeze artbook, is simply massive and gorgeous. A lot of collectors today concentrate on variants and rarity, I like to call it manufactured rarity, and I tend to not have a use for it. I remember the bubble of the 90s, and much of that had to do with variants and speculation of value, the illusion of scarcity and value, and when the music stopped people had paid lots of money for books that no one wanted, and were now worthless.

https://s17-us2.startpage.com/cgi-bin/serveimage?url=https:%2F%2Fwww.bleedingcool.com%2Fwp-content%2Fuploads%2F2017%2F02%2FBlackComixReturns-600x346.jpg&sp=76cf8ecc82f33d3b9ff061cab835bcde

BLACK COMIX RETURNS should firstly be bought because it is a fantastic and informative and  stellar addition to anyone’s library (showcasing fantastic artists such as Paris Alleyne, Gregory Anderson Elysee, Dawud Anyabwile, Eric Battle, to name a few) , however it should also be bought because it is a map to true, underground, and often scare and underseen comics and their diverse and talented creators.

And as the first BLACK COMIX shows it should thirdly be bought because quality hardcover artbooks,  particularly regarding populations of color, tend to go out of print, and become in themselves… rsrities.

For all these reasons BLACK COMIX RETURNS is my book of the day!

https://amzn.to/2uwPlFq

https://s17-us2.startpage.com/cgi-bin/serveimage?url=http:%2F%2Fteamradio.net%2Fwp-content%2Fuploads%2F2015%2F01%2FBlack-Comix-Festival.jpg&sp=9b3d91ef240c48da88b1d532f88223c3

 

YouTube Channel of the Day goes to SILVER-AGED DAVE for their post ‘What if your Comic Book Collection is not insured!’

UPDATE: Unfortunately it appears the video has been pulled.

In the interim you may want to try the following links:

https://collectinsure.com/what-we-insure/comics

https://americancollectors.com/plans/collectibles/collectible-resources/collector-chronicles/collector-insurance-how-it-will-protect-your-comic-book-collection/

https://www.insurancequotes.com/home/home-insurance-rider

 

This applies to anyone who has any collection of value. Whether that be coins, golf clubs, statues, comics, baseballs, comic books, etc.

Most of you reading this are paying without fail homeowners or renters insurance, should the worst happen. Well this video highlights that you might literally be paying for nothing, if you do not have the correct coverage for the collection you have.

It is something I have been thinking about for a little bit but this video by Silver-Aged Dave really spurs me to take control of this, possibly expensive and unfortunate, loophole.

Thanks Silver-Aged Dave and keep those videos and tips coming.

 

See more of Silver Aged Dave’s content here:

https://www.youtube.com/channel/UCaH_FN9f9_hp-0ThhekxcBw

And tell him, Heroic Times sent ya!

Drool worthy Item/Gift/Auction/Deal of the Day!

 

BATMAN: SECRETS-SAM KIETH Gallery Edition • Regular Edition

BATMAN: SECRETS-SAM KIETH Gallery Edition
Regular Edition

248 pgs • 12 x 17″ • Smyth-Sewn Hardcover

AVAILABLE FEB. 14

Price: $125.00

BATMAN: SECRETS series, this large-format, Smythe-sewn hardcover edition is sourced from and captures the look and feel of the original boards. Rounding out this 248- page presentation is the complete art from BATMAN: CONFIDENTIAL #40, BATMAN/LOBO #1, Kieth’s eight-page story from BATMAN #38 and an extensive gallery section containing covers and pages from SCRATCH, ARKHAM ASYLUM: MADNESS and BATMAN: THROUGH THE LOOKING GLASS.

Graphitti Designs’ Gallery Editions replicate the look, feel and attitude of the original artwork. Every page is reproduced at full board size on heavy paper stock to provide fans and collectors with museum-quality reproductions that are unobtainable from any other source.

Containing samples of Kieth’s art from his early days (1992) to the present (2015), this book gives the fan, collector and art student a never-before-seen overview of his incredible work.

alt

 

Auction of the Day Link:

https://www.ebay.com/itm/263560025941?ssPageName=STRK:MESELX:IT&_trksid=p3984.m1555.l2649

 

Today’s best and worst Comic Book related Youtube Channels

First Point, Youtube via your laptop or computer I find annoying and not worth your time.

Youtube via Roku, on my big screen TV, and absent all stupid comments I find incredibly useful and watchable.

Here without further ado, my additional points, Youtube Winners and  Losers for First Quarter 2018.

BEST

I like buying artbooks, and graphic novels, and collected editions, so I find some of these channels very helpful in helping me decide if  an item is worth buying. Especially when you are dealing with something like artist editions that can run hundreds of dollars.

So here are channels that helped me make great purchase decisions.

GABE INFINITY WATCH

GEM MINT COLLECTIBLES

NEAR MINT CONDITION

WALT’S COMIC BOOK CHANNEL

EARL GREY

OMNIBROS  LIVE

GORE VIDAL

WALLACE RYAN

 

WORST

Anyone who uses acronym’s such as SJW in their headlines, or as a snarky insult (I’m looking at DIVERSITY & COMICS channel, which is not about Diversity and is not about comics, but is about click baiting and laziness) is generally not a channel you should support or be subscribed to. The thing with acronyms is you end up blindly lumping things together that have nothing to do with each other. And instead of dealing with a specific argument, you tend to become the very caricature you are arguing against. You become as misinformed, in your ‘lumping together and your stigmatizing’ as those you accuse of lumping together and stigmatizing others.

Here’s the thing, we are all of us (if not idiots) more than the party line.

Let me say that again, we are all of us more than the party line.

Whatever party you choose to support this day or that. We are conservative when it comes to some things, liberal when it comes to some things. And biased when it comes to some things.

Take me.

I’m not a fan of witch-hunts. Whether that is the Salem Witch trials, or the McCarthy Witch Trials. Or today’s sexual harassment witch trials. I believe no one should lose their job or be punished, based on unproven allegations. I believe people are innocent till proven guilty in a COURT OF LAW. That goes for Cosby, or Weinstein, or Lauer, or Singer or Spacey, or Gibson, or as it affects comics, Berganza.

I do not like mobs. And I do not like Mob mentalities, and I do not like knee jerk responses, and I do not like talk show mentalities, and most of all I don’t like people tried on twitter and Youtube, and based on the accusations of the unproven, the opinions of the uninvolved, and the fear, and in some cases the vendettas of the powerful, people before trial… are tried and punished.

I do not like it.

Not when it comes to movies, or sports, or newscasters, or the medium of comic-books.

I do not know Editor Berganza from a hole in the wall. He could well be guilty. My problem he was fired on allegations rather than proof. As were all those I’ve mentioned. Accolades and awards and honors they have earned, stripped from them at the merest whiff of scandal. So until proven guilty, a man is innocent, and should be treated as such. I don’t like that comic book artist Adrian Syaf was fired for placing the numbers ‘212’ and the number ‘5:51’ in the background of drawings. Artists sneaking easter eggs into the background of drawings is not new for comics or any other medium. And how that is any different from Christians putting bible verses in the background of their scenes. Long story short, it isn’t. That’s what an editor is for to catch that stuff, and if you don’t you don’t. Based on the agregiousness of it, you take  the appropriate action. Which usually involves a good talking to, not ruining someone’s career.

So I do not like witch hunts..

Whether led by a republican, a lesbian, a trans-gender person, a bigot, I do not like witch-hunts. You have a case, prove it in a court of law, not by gathering lynch mobs.

And this overreacting is on both sides of the fence, and the quickness to throw broad dismissive labels, obscures the fact of what you are fighting against, and what you are fighting for.

That is the folly of labels, it makes people side with fools, and fools lead good men to horrible acts.

Labels and acronyms are always shorthand for the lazy, who can’t be bothered to know what or who they are really arguing against or about. If you are using the acronym SJW you might as well carve a swastika in your forehead because that’s the level you are arguing on.

We are all of us gradations of right, and gradations of wrong, and we are all gradations of irrational.

Being aware of those places where the unfair and the fair fight for possession of our soul, being aware of our culpability in any argument, makes us less likely to glibly go along with the mob, or those who would throw the first and last stone.

Being unaware that anyone who uses the term SJW or dem or repub, is in and of himself, guilty of being the exact same thing they would denigrate; makes you ignorant.

But that is fine, we are all ignorant of something.

Staying ignorant however, makes you stupid or evil.

And that is not fine.

You have to know in any argument, you may not be on the side of the right. And you must learn to accept no truth you went to bed with, as the truth you’ll wake up with. Only through constant questioning of yourself, and the things you love and the things you hate, and the things you believe, can you grow and stay on the right side of those things.

And just as surely… assuming you are always right, especially your side or group or acronym is always right, is the surest way to go marching down the road to hell.

Deep waters for Youtube and comics, huh?

Here is the thing, it doesn’t matter over what we conflict, How seemingly trivial or important.  it matters that we always know, the conflict is with ourselves first. And reason and right is not a given, it must be continually retried within ourselves.

I generally do not gravitate to comics that have trans-gendered or homosexual people in it. That has nothing to do with either of those groups, and everything to do with me. I would like to think it is less about homophobia and more my aversion and dislike of talk shows and reality shows and Lifetime movies, and not wanting that in my comic. Though definitely homophobia plays a part. But mostly its an aversion to those topics heavy handedly crowbarred into what should be a a superhero/action genre. That was my problem with Supergirl Season 2. And why I stopped watching it. It was the gay subplot, handled incredibly annoyingly.

Now contrast that to JH Williams III’s BATWOMAN which was a brilliant superhero book, that just so happened to have a Lesbian character. Or Priest’s DEATHSTROKE with its bisexual character, and these things aren’t written in 20 point type, it’s just another brilliantly layered part, or a brilliant superhero story.

But most people aren’t as talented as a Priest or Williams, so when my comic reads more like a mission statement it is time for me to find a different comicbook.

And it is specifically a superhero/comic related bias, I have an archaic definition of what Superhero and other comics are and should be, an idea that works for me. An idea of what entertains me in comics,  So I understand this bias in me, and I buy the comics that appeal.  However I’m not going to have a problem with their being homosexual or trans-gendered comics or creators, that do want to focus on the lifetime channel or talk show extremes. If there is an audience for those stories great. I won’t be reading them, but neither am I going to have a fit because these stories or creators or characters exist. And that is because I ‘m good with the world being what it is, and me being what I am, and I am aware what part of the failing is me rather than the world.

There is a lot of talk on youtube about social justice warriors, mostly by white men (mostly but not exclusively, there are also enough Black and Brown and Red and Yellow idiots to go around), who see comics by creators not like them, and filled with new characters not like them, and they are not comfortable with that.

That  is not a problem. Like I said, I also feel that discomfort for things outside my comfort zone.

But here is the difference, they feel threatened by these things out of their comfort zone, and attack. Rather than allow people to ‘do them’ (as the kids would say), and simply choose to not patronize the books and creators they don’t like, and just buy and read and enjoy the things they do, instead they want to attack, and force the industry to only reflect them and exclude the other.

That is a problem.

It is a problem of ignorance, and it is a problem of fear, and it is a problem of not knowing yourself, that the world is wide and wonderful, and we don’t have to agree to like the same books or like the same creators.

But we do have to agree to, not stop others from liking what they like.

We do have to agree, to fight with ourselves before we fight others, because most of the time when we lose control, and take up arms against others, it is because we haven’t solved something with ourselves.

So that was an incredibly long aside to get you to my list of Youtubers who are doing a disservice to our hobby, by waging war with others, because they can’t just  embrace this idea… that ‘you do you’.  :).

 

Case in point…

cAPN C-SUMTHING (not worth remembering the dudes correct channel, or name) – emphasizes one of my pet peeves, people who think having an opinion is enough. When it comes to sharing and broadcasting it to a larger audience, it is not enough to have an opinion. It needs to be an informed. You are sitting in a movie theater, and because you are warm you start screaming fire, and spreading an opinion, that with two seconds to inform that opinion… you may have realized you still have your jacket on, or the person a row in-front of you is smoking; so the theater is not actually on fire. So your initial knee-jerk animal brain opinion may have been ‘fire’, but shouting out that uninformed opinion, in the theater to a crowd, would create panic and possible injuries; whereas a moment to look around and inform that opinion, makes all the difference.

An informed opinion is worth sharing, an uninformed opinion is not. This Capn C-something perfectly illustrates the type of knee-jerk reactionary that is the bane of the Internet and the world.

First he has the money to buy a 100+ dollar Artist Edition, the time and resources to want to do a video on it and share his opinion on it, however he doesn’t even know what it is. When the description of the artist Edition is on every blurb about it, as well as on the back and inside cover You don’t even know what you are buying, and you are trying to do a review on it. Strike one.

Next he’s one of these reactionaries who uses acronyms and labels coined seemingly just to be denigrative. Social Justice Warrior, and then he is too lazy, to use the whole word. The kind who resorts to shorthand like SJW and Dems, the sign of someone who can’t be bothered to research the bandwagon he is jumping on, or the things he supports or objects to in any great depth. Strike two.

Third he sees a post by Christopher Priest, lamenting his pigeonholing by DC Comics as a Black Writer,and Priest stating that a good writer can write characters outside his ethnicity and gender, and that the publishers should not be lead by the ‘twitterverse’ the vocal minority who comments on titles they have not read and subjects they are not informed on. Capn Crumudgeon responds to this by saying ‘this Priest guy gets it’ while showing his ignorance by not knowing the writer currently works for DC and is one of their most acclaimed writers, and that Capn Cummudgeon by definition is the vocal minority Priest is calling out. Priest is not railing against diversity, he’s railing against editorial mandates decided by people who can not be bother to be informed on the positions they take.

Strike 3, you are out. What really lit me up about this, is a lazy acronym user like this guy, has more subscribers than actually informative people like some of the users listed above. It’s like people subscribing to JERRY SPRINGER instead of COSMOS. People stumble across his channel, probably like I did  (i did not subscribe  to him) because of his numerous Artist Edition reviews, and then he uses that as a platform for this half baked uninformed drivel, posing as a stance or world view. It reminds me of the brain damaged circus that passed for the last presidential debates. Something that debases viewer and viewed. If you are subscribed to this guy, unsubscribe. There are better places to get your book reviews from. And I list a bunch of them above. :).

 

And to not end on a down note here are more people/channels you should be watching and even subscribing to:

 

JARED OSBORN- He offers weekly pull list comic book hauls, and the occasional collected edition

POPE CEREBUS THE FIRST-

THE DARK NATE

IDWPublishing

24FRAMES

CURTISCAMRON

DRACIR’S COMICS AND THINGS

SOLID4STBEND

BRANDON 191

LUTHER MANNING

MARCUS LIM

JACKKIRBYBRONZE

So any of the above are better than those who embrace attacking the difference of others, rather than simply trying to better understand… the difference of themselves.   CAP’N and DIVERSITY (in name only), Youtube channels, come to mind, but any channel using acronyms such as SJW to cloak their ignorance and fear, you should strongly consider unsubscribing from.

Don’t support the uninformed who want to spend their time screaming fire, in a theater where there is no fire. Instead support the above channels that are trying to help people just find the seats, that are a good fit for them.

Here endeth the lesson.

Artbook of the Day : THE SIGNATURE ART OF BRIAN STELFREEZE

 

http://amzn.to/2FwbB3o

 

 

This book, THE SIGNATURE ART OF BRIAN STELFREEZE, i think I mentioned before , was hands down in a very crowded field of great artbooks last year, was easily my best artbook of the year. Three months into 2018, and it is still my favorite artbook of this year as well.

Boom did a FANTASTIC  job of putting togeter this very large and exquisite looking tome. The design and construction of the book is a work of art, befitting of the art inside.

I love, LOVE, gilded pages on a book. The James Jean REBUS book from 2011, was one of my favorite artbooks of 2011 for many reasons, chief among them the use of just beautiful red gilded pages.

http://amzn.to/2tyCSkf

THE SIGNATURE ART OF BRIAN STELFREEZE sports simply astonishing purple gilded pages that makes this book, even before opening it, a work of staggering beauty. Designers Scott Newman & Michelle Ankley should be applauded for such a wonderfully crafted tome.

Huge and imposing at 12″ by 12″ this tome should be on everyone’s coffee table or book collection. If you don’t have it (or REBUS) use the links above. You will be glad you did!

Highest Recommendation.