Filmic Fridays! AVENGERS ENDGAME early thoughts

While everyone is busy pondering and obsessed with how many Billions of Dollars AVENGERS ENDGAME will eventually take in, I find myself not really on that hype train.

I do intend to see AVENGERS ENDGAME (quick aside: that is a terrible title. While perhaps definition-wise apt, the actual use as a memorable, imaginative, compelling title… leaves much to be desired) and given the Russo’s track record in their past three Marvel movies I expect it to be great. But as far as getting into the speculation game is how much richer this movie will make one of the richest companies on the planet, I could not care less.

This sense of ownership comic fans show toward these films they own no part of, and corporations that 99.999% of them own no stock in, is very reminiscent of house slaves taking a sense of ownership in the gaudy trappings and parties of their masters.

I dislike Disney.

I have always disliked and distrusted Disney.

From a little kid there was something off about the company, an undercurrent always contrary to their seemingly family friendly/kid friendly fare. As a kid I always felt about all their product there was something so…. forced and insincere and cloying.

Time and egregious acts such as Disney being one of the first companies to buy a news division, (ostensibly to not be scrutinized by a free press, but to actually be the owners of the news) to now being one of the biggest monopolies in the world, has only strengthened my distrust of the company.

All these morons clamoring for Disney to subsume Fox, for no better reason than to see a movie with fictional IPs interacting, to have their Avengers meet their X-men, not understanding the broader real world implications of one less movie and TV company, one less alternative, in a world clearly running out of things not owned by Disney.

Disney has proven themselves historically to be an opponent of concepts such as public domain and creator owned, concepts that enrich culture, and move us forward.

And now that they in little more than a couple of decades have completely eaten any promising rivals to their claim of being the ‘Dream Studio’ from PIXAR, to MARVEL STUDIOS, to LUCAS FILMS, to now FOX, they are the textbook definition of a SUPER MONOPOLY.

About a 108 years ago the Supreme Court was RIGHT in breaking up Standard Oil. The Rockefeller’s monopoly of the oil business. Understanding a company with such broad reach could set prices, fix wages, even create and change laws. They were right to break Standard Oil all to pieces. And they are wrong to not actively be doing the same to Disney.

One company, especially one with as combative a policy on public domain and creator rights, should never have been made the owner (jailer?) of so many cultural and pop cultural properties, a large portion of which, like Shakespeare, like the writings of Mark Twain, Like the works of Poe, should already be in public domain. Batman, Superman, Captain America, these are concepts around long enough to become part of the cultural lexicon and conversation and hence, owned and own-able by all.

So just like any studio or TV station can put out Poe derived properties, the same should be the case with many of the early properties of Disney. Public Domain not keeping companies from making money off these concepts, it just keeps them from being the only entity to do so. it spreads the wealth, understanding that at some point, if a story lives long enough, it becomes the story of all men, and not the property of a single man or monopoly.

And Public Domain being only one of the rights of man trampled on, when a company grows too big. A company of sufficient size can set wages for an industry, effectively blacklist or put out of work who it chooses, suppress and eliminate competition/ choice.

Marvel Studios getting bought by Disney was not a good thing.

We are the poorer when viable competition to Disney or Microsoft or Apple or Google gets taken off the board.

So I hope for my own enjoyment that AVENGERS ENDGAME is a good movie, but as far as if it makes money, breaks even. I don’t have a dog in that fight. I’m not a theater owner, I’m not a studio stock holder, I’m not one of the people who worked in or on the movie, so in no way am i profiting from whether the movie does well or badly, anymore than as a film fan.

And for a fan to be interested in if he will see more of a franchise is understandable, but for a fan to be rabid about a film breaking records or how much billions it makes or its opening Weekend hall, is to lose sight of that money is largely going one way, out of many diverse people and  communities into a very few pockets.

In many ways those Billions a movie makes are further funds siphoned, to widen the gap… between rich and poor.

Now i do not fault a movie for doing well, but I will be much abused or maladjusted, before I cheer billionaires becoming bigger billionaires, when the bulk of people in this world, are getting poorer.

That’s my take on how completely, a monopolized media can skew us against our own best interests.

Here Endeth the Lesson.

🙂

 

 

 

The End of American Comic Books?

With the major two American Publishers (Marvel Comics and DC Comics) Marvel Comics (Real) | Spiderman animated Wikia | FANDOM powered ...Dc Logo Png Transparent - Dc Comics Logo 1976 - Free Transparent ...largely pricing themselves out of the periodic comic book market, ($4 for a 22 story page comic? Are you on crack?! 🙂 ) and failing to engage any sizeable readership in the sub-thirty market, and losing readers in their dwindling above 30 market, they are kept around largely to just be an idea space/loss leader for the actually profitable divisions of the multinational oligarchies that own them.

That is not to say there are not brilliant writers and artists that work for Marvel Comics and DC Comics, but unfortunately they are crippled by a few things.

First a pricing structure (over $3 for a couple dozen pages of comics. 10 minutes of reading entertainment is moronic. It is a poor value for dollar when compared to just about anything else) , second a quality structure ( abhorent paper and cover quality. Poor and obtrusive placement of ads, especially when compared to better Indy publishers. Marvel Comics is especially culpable in this) and third a flawed editorial structure/mindset ( lets inundate the MARKET, dilute the brand and confuse and frustrate the readership, with too much overlapping, and conflicting, and redundant books, and events, and storylines. Let us not give prospective readers one clear on-ramp to our comics, a single Batman book to follow, or Spiderman book to follow, when we can publish 20 poorly selling, and market-fractioning books instead. And let us not place the books or advertise the books, places where our demographic could actually find them).

All three of these ingrained ‘sales’ structures of major American comics, seemingly just designed by moronic frat boys, rather than capable professionals who really love and want to grow/expand the medium.

Marvel and DC comics for the last few decades since the 90s, proving themselves inept at selling American Comics to Americans or anyone else. Think about it, Marvel and DC comics, these publishers, their inability to sell 100 thousand comics in a nation of 300 Million people, is an unprecedented level of failure. Especially with the hard work of selling these characters to the mainstream already done by the movies and TV shows.

If I were the parent companies, AT&T and Disney, I would wholesale fire the Marketing and Editorial departments of both companies, and bring in fresh blood with fresh ideas. Because, clearly the people currently running these divisions have not the slightest clue how to sustain and grow their print model/readership.

Now on the Independent comic book publishing Front, there are still promising companies, IMAGE COMICS, and some of the smaller companies such as Alterna and Albatross etc. these companies are really challenging the ingrained pricing and content and quality deficits of marvel and dc. these companies resembling more the mad creativity and broad appeal of marvel comics in its bronze age glory days, before it lost its way. before the peter principle took hold of marvel and dc, and they grew past their best and most useful state.

WHERE I BUY JUST ABOUT NOTHING MONTHLY FROM THE BIG TWO (Exception being Christopher Priest’s DEATHSTROKE) I buy just about everything from ALTERNA, and ALBATROSS and a bunch from IMAGE. Dark Horse, IDW, Ahoy, Aftershock, Titan, all companies putting out great books.

However a recent rash of buyouts of Indy comic companies, by deep pocket Chinese companies may bode ill for true Indy American Comics. and may signal an end to this current golden age of american comics.

AND YES, I WOULD ARGUE THAT LOW SALES AND OTHER ISSUES TO THE CONTRARY, WE ARE IN A GOLDEN AGE OF COMIC BOOKS, graphic literature, slims. cause when you get away from the reprehensible shenanigans and mismanagement and flooding the market tactics of the big two, the comics themselves, have truly never been better, or richer, with nearly every genre of book being published, and across the board, a higher level of story and art then ever before.

The webpage will not show this image anonymously.

The webpage will not show this image anonymously.

Ahoy Comics | Expect More

The webpage will not show this image anonymously.

i grew up in the bronze age of comics, i love the bronze age comics, and there were some great comics. but across the board the quality and creativity is better today. you just have to push a lot of that noise of the big two out of the way so you can see eric powell’s hillbilly and goon, so you can see brubaker’s criminal, so you can see rucka’s lazarus so you can see walker’s bitter root, so you can see dingess’ manifest destiny, and the list goes on. and even in marvel, great comics are being made,  ta-nehisi coates black panther and captain america, jason aAron’s thor, montclare’s moon girl and devil dinosaur, g. willolw wilson’s ms. marvel and the list goes on, it is just marvel has made these books (for reasons mentioned) unpalatable to pick up monthly. it is better to wait for the collected edition and read the story that way.

The webpage will not show this image anonymously.

for monthly comics I really like the Alterna model in terms of pricing, and seeking old fashioned newstand distribution. And hopefully other companies can follow their homegrown lead so we continue to have American comic book companies not potentially censored by allegiance to foreign interests.

Hope you found the above slight tirade useful. It comes from a place of love for the medium, and love that a home grown, domestic comic book company… can endure.

If you want to buy the back issues of any of the books I mention, or subscribe to books (preorder new books, I highly recommend it) use the below link. You will get great books, and it will earn a few pennies for this blog. Enjoy!

https://www.mycomicshop.com/?AffID=200301P01

 

STAN LEE

“WE TELL THE DEAD TO REST IN PEACE, WHEN WE SHOULD WORRY ABOUT THE LIVING TO LIVE IN PEACE.” —Anthony Liccione

 

” WHEN YOU WERE BORN, YOU CRIED AND THE WORLD REJOICED. LIVE YOUR LIFE IN A MANNER SO THAT WHEN YOU DIE THE WORLD CRIES AND YOU REJOICE.” —Native American Proverb

 

“ALL SAY, HOW HARD IT IS THAT WE HAVE TO DIE— A STRANGE COMPLAINT TO COME FROM THE MOUTHS OF PEOPLE WHO HAVE HAD TO LIVE.” —- Mark Twain

 

It has been a bloody decade, losing a lot of people we are the poorer for losing. It is odd the things that form our lives, especially cultural pivot points. The very nature of who we are, doesn’t get formed, or forms drastically differently… without those signposts of our youth. Without names like Poe and Bradbury and Baldwin and Assimov and Ellison and Cosby and Lean and Welles and Ford and Poitier and Stan Lee.

And Stan Lee.

Men who spoke to us from distances vast, but with the power of the written word, the movie screen or the tv screen or the radio… seemed to be ever constant friends, and mentors and guides.

I am, like most of us a flawed person, but what is in me that transcends flaw, and looks to brighter horizons, more hopeful climates, I owe to many people. Parents of course, friends and family, but these… ghost people … we knew only by their work, which was entertaining us, these were people who spoke to the creative part of us, and somehow shaped us, while not knowing us.

Shaped us, while not knowing us.

What a great gift.

And yet seemingly knowing us ( the cumulative us, of comic-book fans or film fans) completely.

Stan Lee was one of those people.

I owe him, like I owe all those, living and dead, whose work touched, and moved and shaped me, and offered solace and hope in a world oft devoid of it, a debt that can not be relinquished or shirked, but must be acknowledged and paid the only way it can. By passing it on, in whatever humble ways I can, passing on moments of solace and inspiration and hope.

Excelsior!

TV Show Review : DAREDEVIL Seasons 1, 2, and 3!

cool-poster-art-for-daredevil-season-3-highlights-the-hero-and-villain1

The first season of DAREDEVIL, was and remains game changing , ground breaking TV. In terms of action choreography, and initial complexity of storyline, and some amazing performances.  It remains an astounding season of television, however it didn’t quite stick the landing.

There was something rushed and not quite satisfying in the ending. Something that did not quite live up to the AMAZING buildup.There was always a slight worm in the apple, and that was what was best and most enjoyable and most likable about the series, what was really brilliant about the series, was never the main three protagonists, the great acting of the series was done by the so-called villains such as Wilson Fisk, Alexandra, Wesley  and by the supporting characters such as Ben Urich and Stick.

What was annoying about season 1, was Karen Page, and she got increasingly more annoying, like nails on chalkboard through the season. Her remaining on the show, when two other astounding characters met violent ends, really for me weakened the show going forward. Also Matt Murdock, his maudlin approach, begins to wear thin at the end of 13 episodes.  But all those caveats aside, the strengths outweigh the failings of that first season. A solid A- of a season.

 

Fast forward to season 2 , which has a strong first half, but disintegrates in the 2nd half, Karen Page gets more annoying, Matt Murdock gets more whiny and maudlin, and Elektra storyline doesn’t do much for me. Karen Page playing girl reporter, just emphasizes everything I find annoying about that character, and how much the character of Ben Urich is missed.  Season 2 has its moments, largely due to the Punisher in the first half, but overall is strictly fast forward material through much of the 2nd half of season 2. This season is the definition of uneven, coming in at a C+/B-.

 

Daredevil Season 3 Review

 

The DEFENDERS series plays very much as DAREDEVIL Season 2.5. Because we get to minimize exposure to the weakest parts of season 2, namely Karen Page. Even though the Elektra/Black Star storyline is largely nonsensical and uneven (she can take blows from Power Man, but is affected by blows from Daredevil. Nonsensical.) the series moves at a fast clip, and seeing these actors together, enjoyable. Overall, inane ending excepted, a fun series. Grade: B+.

 

That brings us to the just finished third season of DAREDEVIL. It starts off intriguing, But quickly, particularly in the later episodes, drowns in all the unlikeable characters.

Karen Page is show stoppingly annoying every-time she is on the screen. Also three seasons of watching Matt Murdock suck all the joy out of everything, is just tiring. “Ooh, I have special powers, to make up for being blinded, I have friends, a good job, a great apartment… Oh I’m so angry!” what the hell does he have to be mad about all the time? 🙂

Just a joyless, depressing performance. And I am not saying it is badly acted, the actor is good, it is just he is written with nothing to do but complain all the time.

By comparison all the so-called villainous characters are far more interesting, to the point I was rooting though the later episodes for Fisk and the Mystery Villain 🙂 to take out Karen Page (Again, a fine actress, she is just written with nothing to do but eat the joy out of every scene. And what works in a few scant panels in a limited story, over three seasons… tires), and beat Matt Murdock.

I felt the ending was very unsatisfying.  Matt Murdock/Daredevil just comes across as much a psychotic as those he fights, and a hypocrite on top of it. And again the character flaws that work briefly in panels on a comic page, does not wear as well over three seasons. Add Karen Page to the mix, and you have a season 3 that I lose interest in whenever the three so-called leads are on camera. (To be fair, I quite liked the character of Foggy. He was the one thing that worked in that triangle.)

Overall a very dissatisfying wrap up to DAREDEVIL Season III. Karen Page survives, where yet more good characters die in her stead. I bought the first DAREDEVIL on BLURAY,  I bought the first LUKE CAGE on Bluray, and will be buying the 2nd season when it is available. I might buy the DEFENDERS, its flaws aside, overall it worked very well, and what IRON FIST couldn’t do in his own series (be good) he manages to pull off in the DEFENDERS and LUKE CAGE Season II.

With Luke Cage having been canceled, I don’t see anything to bring me back to the Netflix/Marvel Properties.  Not a fan of PUNISHER Season 1, Jessica Jones I fell off of, Iron Fist show was a train-wreck, and DAREDEVIL can not get out of its own way. Should a MOON KNIGHT show pop up, or a WEREWOLF BY NIGHT, I would definitely give those a look, but for now it appears the great Marvel/Netflix ship of success… has capsized.

 

DAREDEVIL Season 1 A-

DAREDEVIL Season 2 C+

DAREDEVIL Season 3 C+/B-

Overall Grade: B

 

 

 

 

TV Show of the Day : LUKE CAGE SEASON 2 by Cheo Hodari Coker

Cheo Hodari Coker’s 1st Season of Luke Cage was one of my favorite TV shows of 2016, right up there with the excellent Noah Hawley LEGION. They were each in their own way, game changing and ground breaking TV.

Mike Colter in Luke Cage (2016)

LEGION largely for its visuals and innovative storytelling, and Coker’s LUKE CAGE for in many ways being one of the few shows to offer a multitude of characters of colors in non-stereotypical ways, and with innovative roles, with unfettered storytelling. One of my favorite shots in the 1st season of LUKE CAGE, was four strong, upstanding women of color, captured in one great shot. Not as prostitutes, not as rappers, not as comedians,  but as heroes. Likewise their male counterparts were admirably done.

LUKE CAGE, the series, sings/rewards…  largely because of those conversation of books in the barbershop, those conversations on playwrights and writers. Those things, those conversations, that mostly uninformed people (who mainly know Blacks via the stereotypes they have consumed through mass media), would right off as preachy, or talky, or unrealistic, those are the conversations, that immediately sang for me, and clued me to the greatness of this show.

As someone who grew up in those Barbershops, those conversations are very true, to how many of us escaped the traps of the street, and found our way to something… better.

Always Forward.

If SEINFELD can be acclaimed for being, in places, a show about nothing, we should allow that same latitude to a serious show such as LUKE CAGE, that uses those seemingly frivolous nothings about the writers, and the artist, and the books, and the music; to say profound somethings.

Of All the Netflix shows, it is the only one that says something more profound, than the standard super-hero or for that matter action or drama tropes. It says something about the world outside our door, and how to meet it. Not preachy, not banal, and never losing the joy and beauty we can find, despite the dire days, and the dangerous nights.

It is the balance of crime and charm, violence and virtue, war and wit, that can sing, to those with ears. And it withstands repeated viewings better, because of all those layers you can view it on.

Cheo Hodari Coker’s LUKE CAGE is one of the best written and most innovative and ground breaking shows to come along in years for precisely this reason. It takes you the place all great writing should, beyond your prejudices, your assumptions, your comfort zone.

For my money it is one of the best of the Marvel/Netflix TV shows, right up there with the first season of DAREDEVIL. But edges it out, because I find the characters in LUKE CAGE, especially the protagonists, far more interesting and likable. DAREDEVIL’s main characters are various stages of unlikeable and annoying.

Add to that Coker’s plot has something valuable and timely and timeless to say about our world, that transcends bad guy fights good guy. There is a complexity to the storyline and the conflicts, that rewards repeated viewings.

Ten episodes in and that complexity remains for Season 2 of LUKE CAGE. It is not perfect, I can do with less Alfre Woodard, particularly her and the character of Shades getting intimate, I can really do without. I never really buy Shades attraction to Woodard’s character, and the more they try to sell it, the less it works for me. Also Alfre’s unhinged performance, while I get it.. she is Lady Macbething it up, for me it is too much. She is always in her twitches, and sputterings, always at eleven, always wildly and uncomfortably out of control, which for my own taste would have been better dialed back to 4 or 5. Also the poster for season 2 is absolute garbage, whoever came up with that poster should be fired. It is that inept of a poster. Right up there with the HANCOCK boxart and poster.

But those minor weakness aside, LUKE CAGE season 2, following strongly in the footsteps of Season 1 is crushing it; the story and performances shine, and like season 1 it has the best soundtrack of the year. Ten episodes in and I’m loving it… Grade: B+.

More to come as I watch the last few episodes.

 

Where to buy NEW comic books right now, Sept 2018 Pre-orders! And What books to get! ALL THE REST EDITION!

This is the last day to preorder books that will be shipping in December at a discount.

Here are my suggestions for the books worth your time:

MARVEL COMICS

Nothing. I can recommend nothing from Marvel Comics. Marvel is GROSSLY overpriced.  Save your money and either pick up these issues for a $1 or $2 each in a few months, when they are no longer new, from the secondary market. Or wait till they get collected into trade paperbacks and read them from your local library for free. Or buy them used online for a fraction of what getting the individual issues would cost.  I grew up with Marvel Comics, and i think they still have some fantastic creators I would love to read on a monthly basis, Ta-Nehisi Coates CAPTAIN AMERICA , comes to mind. After much hate from the moronic bigoted internet crowd, the moronic antisjw nazis, it turns out Coates CAPTAIN AMERICA is shaping up to be great. The same with just about anything Al Ewing touches. Unfortunately these great creators are sabotaged by a unsupportable comic price, and horrible editorial and marketing decisions.

The movies quite frankly are a lot better, and a lot less disorganized, stupid, and at times ingrained bigoted than the comics. The comics play lip service to diversity, and it is great to see creators like Coates and Walker get a chance to start their vision, but inevitably Editorial steps in and ruins/aborts their process/ending. The comics back pedal from everything to try to pander to the racist anti-change and anti-diversity mob, who typically don’t even read the comics they complain about.

The movies so far under Feige’s reign have embraced diversity with no back pedaling or moronic denigration that makes up so much of what goes on in the comics when it comes to characters of color (‘Oh Well we can’t have the Black Nick Fury be his own man. Let’s explain him away as the son of a White Nick fury.’ What????? Yeah this is the stupidity and racist great ideas that is happening in Marvel Comics, by there non-writers of color and editorial department.)

So yeah, so far the movies are actually better by far than the comics. So stick with them for now. Or until they start following the stupidity of the current comic books.

DC COMICS

Unfortunately DC that was doing a good job of keeping their prices under $3 a comic, ever since hiring the trojan horse of Brian Bendis, they have adopted Marvel’s disastrous and customer offensive pricing policy. Of charging $4, $5, $6,and $7… for COMIC BOOKS!!!!

Absolutely immoral.

And I like Brian Michael Bendis as a creator, but I despise him as a shill for the company, and his arrogant frat boy attitude to companies milking the audience, and  his basic ‘ah they will pay the higher price. Lower prices do not sell.’ I’m ten years of proving Bendis is wrong. It is not diversity that is the cause of Marvel Comics’ inability to keep from bleeding readers, it is the bloody price of their books. Add to that the over abundance of ads, poor placement of ads, and atrocious paper quality and you have a company that is repeatedly slapping their customers in the face, then wondering why the customers are not sticking around.

DC will soon find they will have the same issue as Marvel Comics. They will keep the die hards for a while, the sheep who buy multiple issues and variants, and the speculators, but that is  a far cry from the millions of people a publishing arm of Times Warner should be reaching.

Besides their last $2.99 books, which word is they are going away soon… The only book over $3 that I get from DC, that I make an exception for, is Christopher Priest’s brilliant DEATHSTROKE. And that is going to change, as editorial has decided to reward the critical acclaim that series has received, by mixing it into their editorial marketing ploy, basically gutting Priest’s ability to tell unhindered stories with the character. Once Priest leaves, so do I.

So what is worth getting?

Here is my list for September Pre-orders:

Beyonders 4 On order 1 $2.59
Bitter Root Cvr D Williams 1 On order 1 $2.59
Cavewoman A Wizard A Sorceress And Meriem 1 On order 1 $2.59
Cemetery Beach 3 On order 1 $2.59
Cinema Purgatorio Vast Cvr 16 On order 1 $4.54
Dark Ark Cvr A Doe 11 On order 1 $2.59
Deathstroke (2016) Cvr B Var Ed 37 On order 1 $2.59
Dick Tracy Dead Or Alive Cvr B Tommaso 3 On order 1 $2.59
Feast Or Famine 1 On order 1 $0.98
Gideon Falls Cvr B Suayan 8 On order 1 $2.59
Hillbilly Red Eyed Witchery From Beyond 4 On order 1 $2.59
Infinite Dark 2 On order 1 $2.59
Infinity 8 7 On order 1 $2.59
Jook Joint 2 On order 1 $2.59
Leviathan Cvr B Guillory 4 On order 1 $2.59
Lightstep 1 On order 1 $2.59
Lodger 2 On order 1 $2.59
Magic Order Cvr A Coipel 6 On order 1 $2.59
Moth And Whisper 3 On order 1 $2.59
New World Cvr B Moore And Muller 5 On order 1 $2.59
No World Primer 2018 On order 1 $0.16
Oblivion Song 9 On order 1 $2.59
Outer Darkness 1 On order 1 $2.59
Proxima Centauri 6 On order 1 $2.59
Raid Cvr B Photo 4 On order 1 $2.59
Red Sonja Cvr A Caldwell 23 On order 1 $2.59
Rick And Morty Cvr A 44 On order 1 $2.59
Rick And Morty Presents Pickle Rick Cvr A 1 On order 1 $3.24
Shadowman Cvr C Veregge 9 On order 1 $2.59
Sideways 10 On order 1 $1.94
Silencer 11 On order 1 $1.94
Sink Cvr A Cormack 6 On order 1 $2.59
Skyward 8 On order 1 $2.59
Spawn Cvr B Mattina 292 On order 1 $1.94
Stellar 6 On order 1 $2.59
Terrifics 10 On order 1 $1.94
Unexpected 6 On order 1 $1.94
Walk Through Hell 6 On order 1 $2.59
Warning 1 On order 1 $2.59
Whispering Dark 2 On order 1 $2.59

Order yours here:

https://www.mycomicshop.com/subscriptionservice?AffID=200301P01

And tell them HT sent ya!!!!

🙂

 

 

YouTube CHANNEL of the Day: PROFESSOR THORGI & Why Marvel and DC Comics are not selling!

Stop by Professor Thorgi’s channel and check out his review of new series JUSTICE LEAGUE DARK. As someone who with rare exceptions no longer gets monthly comics from the major comic publishers, me being interesred in anything new from DC or MARVEL comics… is rare.

The excellent coverage YouTube channel Professor Thorgi provided today on series JUSTICE LEAGUE DARK has me interested.

I really want to rush out and buy this series from DC Comics, however… I will not.

DC has recently followed Marvel in pricing their comics at S4 a book. The cost of hiring Bendis perhaps. Whatever the reason, for me that translates into both companies charging more for new comics than they are worth. $4 cover price at a minimum, with many of the books being even more expensive at $5 and up. 

I can spend that money to buy bronze age back issues that will hold their value as opposed to new issues, that 99% of them will be in the surplus dollar bins in a couple months. WHY ON GOD’S EARTH WOULD YOU PAY $4 for A NEW COMIC , when you can get a classic fantastic four or kubert comic for the same price?

Our Army at War #254

Fantastic Four #104

Fantastic Four #133

Buy Back issues here:

https://www.mycomicshop.com?&AffID=200301P01

That pricing for new comic books is just pure greed, from two companies that are backed by billion dollar parent companies. Unlike smaller publishers, these companies have the infrastructure and scale to support bringing in these books at $2.50  or at least hold the line at $2.99.

I feel the companies inability to do so, and in the case of Marvel, unwillingness to do so comes down to greed, short sightedness, and mismanagement.They would rather try and price gouge the same aging customer base of about 70000 readers to buy multiple copies of overpriced issues, than price the issues at an attractive $2ish price point, to try to sell to millions rather than just thousands.

Contrary to the minority of loud but wrong right wing nuts, comic fan pretenders, screaming against creators and against diversity, as the failing of comics, comics are, in terms of creativity,  in a golden age.

Comics as someone who has been reading these books longer than most of the vocal minority have been alive, comics across the board have never been better in terms of writing, art, stories, creativity, diversity of genres, etc.(with minor exceptions such as Nick Spencer’s racist Nick Fury Jr idea. Really?? That is your idea? I don’t think so. :). Just have the Black Nick Fury be the black Nick Fury. Don’t hamstring him with some insulting, denigrating  and moronic story about him being the ‘son’ of the White Nick Fury. Just stupid and insulting on so many levels. An example of the movie division just being better and  smarter and less racist than the comic book division. And who would have thought that? 🙂 )

But that one caveat aside, the reason the comics are not selling is they are overpriced. Bottom line. And the big two publishers are over saturating the market to try to get their few readers to buy a lot, everything, to keep up.

Newsflash… people can not afford to get a lot, much less everything, especially at $4 a book.

So they choose, like I choose, to either severely limit their consumption or get nothing at all ( I get from DC only one $4 book, Christopher Priest’s DEATHSTROKE, and their few remaining $2.99 books.  However with DC poised to ruin the good work Priest has done on DEATHSTROKE, by putting the character in the JLA, hampering Priest’s ability to write for the comics unhindered, I see me dropping even that title. And according to the rumor mill the $2.99 books are going away. As far as Marvel, I  get nothing at all.)

The fact that Marvel is not legitimately selling millions of copies of Ta-na hesi Coates or Donny Cates or Al Ewing or Mark Waid or David Walker has nothing to do with those creators, those creators are doing their job;  but marketing and management and editorial mandates are failing these books.

I will definitely be reading Coates Captain America run, or the latest Moon Knight. But not monthly, Marvel and DC have taught me that they are not good or affordable publishers of periodical material and to rather wait for the collected edition and read it for free at the library, and the ones worth buying, to purchase in collected form, at a substantial discount over the individual issues. That is just smart shopping in this day and age, and for periodicals to not adjust their price point and marketing plan to make their product more attractive to an audience with a glut of choices and demands for their time… is to be bad at your job.

Marvel and DC’s periodical publishing arms… are bad at their jobs. People in charge of getting these numbers up and selling these books, should be given a deadline to turn things around and make improvements. And if they don’t  maybe what Marvel Upper Management needs is to sweep out the old under-performing and stagnant comic selling paradigm that has taken root at Marvel and DC and replace it with fresh faces, with fresh, innovative ideas for moving product, and winning readers. Do mail order subscriptions at a discount through Amazon, like Entertainment Weekly and other magazines do. Even selling the books as a loss leader, by increasing your subscriber base to millions rather than tens of thousands, you dramatically  increase what you can charge for ad space. But it takes change to make positive changes.

 

Now on the other hand, companies that are worth supporting in periodical form are ALTERNA, CHAPTER HOUSE, they provide inflation friendly comics, that allow you to pick up great books at a sub $3 price.

Also IMAGE, DARK HORSE, IDW, even though they are in the $3 and $4 range, they give you a lot more for your money than DC and Marvel do,  The smaller companies offer you a better periodical experience, they give you more pages, less ads, on better paper, and with additional content such as letters pages and special features.

All that creates a very simple take away for where and how I buy comics in the 21st century:

  • These days when I buy comics, I buy them via pre-order courtesy of MY COMIC SHOP. COM, at a sizable discount off of cover price. I am an affiliate for My Comic Shop, so when you use these links you earn a few pennies for this blog.
  • But the reason I am an affiliate, is because i use and love the service, so it becomes easy for me to hawk them. I have tried other mail order services, and have been pretty disappointed and felt pretty ripped off by them.
  • My experience with MCS has really kept me from quitting the hobby all together. They have been that good for me, and you may find them similarly for you, an easy on-road to a medium, comics, that seemingly has more off-roads.
  • They let you read synopsis of the many, many companies out there.
  • And I get these great books mailed directly to me in great condition.
  • And generally speaking…  I am not buying Marvel and DC. And I have to tell you my reading experience has never been better, and my wallet thanks me.

Use the link below, and your wallet can start thanking you as well:

https://www.mycomicshop.com/subscriptionservice?&AffID=200301P01