STAN LEE

“WE TELL THE DEAD TO REST IN PEACE, WHEN WE SHOULD WORRY ABOUT THE LIVING TO LIVE IN PEACE.” —Anthony Liccione

 

” WHEN YOU WERE BORN, YOU CRIED AND THE WORLD REJOICED. LIVE YOUR LIFE IN A MANNER SO THAT WHEN YOU DIE THE WORLD CRIES AND YOU REJOICE.” —Native American Proverb

 

“ALL SAY, HOW HARD IT IS THAT WE HAVE TO DIE— A STRANGE COMPLAINT TO COME FROM THE MOUTHS OF PEOPLE WHO HAVE HAD TO LIVE.” —- Mark Twain

 

It has been a bloody decade, losing a lot of people we are the poorer for losing. It is odd the things that form our lives, especially cultural pivot points. The very nature of who we are, doesn’t get formed, or forms drastically differently… without those signposts of our youth. Without names like Poe and Bradbury and Baldwin and Assimov and Ellison and Cosby and Lean and Welles and Ford and Poitier and Stan Lee.

And Stan Lee.

Men who spoke to us from distances vast, but with the power of the written word, the movie screen or the tv screen or the radio… seemed to be ever constant friends, and mentors and guides.

I am, like most of us a flawed person, but what is in me that transcends flaw, and looks to brighter horizons, more hopeful climates, I owe to many people. Parents of course, friends and family, but these… ghost people … we knew only by their work, which was entertaining us, these were people who spoke to the creative part of us, and somehow shaped us, while not knowing us.

Shaped us, while not knowing us.

What a great gift.

And yet seemingly knowing us ( the cumulative us, of comic-book fans or film fans) completely.

Stan Lee was one of those people.

I owe him, like I owe all those, living and dead, whose work touched, and moved and shaped me, and offered solace and hope in a world oft devoid of it, a debt that can not be relinquished or shirked, but must be acknowledged and paid the only way it can. By passing it on, in whatever humble ways I can, passing on moments of solace and inspiration and hope.

Excelsior!

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TV Show Review : DAREDEVIL Seasons 1, 2, and 3!

cool-poster-art-for-daredevil-season-3-highlights-the-hero-and-villain1

The first season of DAREDEVIL, was and remains game changing , ground breaking TV. In terms of action choreography, and initial complexity of storyline, and some amazing performances.  It remains an astounding season of television, however it didn’t quite stick the landing.

There was something rushed and not quite satisfying in the ending. Something that did not quite live up to the AMAZING buildup.There was always a slight worm in the apple, and that was what was best and most enjoyable and most likable about the series, what was really brilliant about the series, was never the main three protagonists, the great acting of the series was done by the so-called villains such as Wilson Fisk, Alexandra, Wesley  and by the supporting characters such as Ben Urich and Stick.

What was annoying about season 1, was Karen Page, and she got increasingly more annoying, like nails on chalkboard through the season. Her remaining on the show, when two other astounding characters met violent ends, really for me weakened the show going forward. Also Matt Murdock, his maudlin approach, begins to wear thin at the end of 13 episodes.  But all those caveats aside, the strengths outweigh the failings of that first season. A solid A- of a season.

 

Fast forward to season 2 , which has a strong first half, but disintegrates in the 2nd half, Karen Page gets more annoying, Matt Murdock gets more whiny and maudlin, and Elektra storyline doesn’t do much for me. Karen Page playing girl reporter, just emphasizes everything I find annoying about that character, and how much the character of Ben Urich is missed.  Season 2 has its moments, largely due to the Punisher in the first half, but overall is strictly fast forward material through much of the 2nd half of season 2. This season is the definition of uneven, coming in at a C+/B-.

 

Daredevil Season 3 Review

 

The DEFENDERS series plays very much as DAREDEVIL Season 2.5. Because we get to minimize exposure to the weakest parts of season 2, namely Karen Page. Even though the Elektra/Black Star storyline is largely nonsensical and uneven (she can take blows from Power Man, but is affected by blows from Daredevil. Nonsensical.) the series moves at a fast clip, and seeing these actors together, enjoyable. Overall, inane ending excepted, a fun series. Grade: B+.

 

That brings us to the just finished third season of DAREDEVIL. It starts off intriguing, But quickly, particularly in the later episodes, drowns in all the unlikeable characters.

Karen Page is show stoppingly annoying every-time she is on the screen. Also three seasons of watching Matt Murdock suck all the joy out of everything, is just tiring. “Ooh, I have special powers, to make up for being blinded, I have friends, a good job, a great apartment… Oh I’m so angry!” what the hell does he have to be mad about all the time? 🙂

Just a joyless, depressing performance. And I am not saying it is badly acted, the actor is good, it is just he is written with nothing to do but complain all the time.

By comparison all the so-called villainous characters are far more interesting, to the point I was rooting though the later episodes for Fisk and the Mystery Villain 🙂 to take out Karen Page (Again, a fine actress, she is just written with nothing to do but eat the joy out of every scene. And what works in a few scant panels in a limited story, over three seasons… tires), and beat Matt Murdock.

I felt the ending was very unsatisfying.  Matt Murdock/Daredevil just comes across as much a psychotic as those he fights, and a hypocrite on top of it. And again the character flaws that work briefly in panels on a comic page, does not wear as well over three seasons. Add Karen Page to the mix, and you have a season 3 that I lose interest in whenever the three so-called leads are on camera. (To be fair, I quite liked the character of Foggy. He was the one thing that worked in that triangle.)

Overall a very dissatisfying wrap up to DAREDEVIL Season III. Karen Page survives, where yet more good characters die in her stead. I bought the first DAREDEVIL on BLURAY,  I bought the first LUKE CAGE on Bluray, and will be buying the 2nd season when it is available. I might buy the DEFENDERS, its flaws aside, overall it worked very well, and what IRON FIST couldn’t do in his own series (be good) he manages to pull off in the DEFENDERS and LUKE CAGE Season II.

With Luke Cage having been canceled, I don’t see anything to bring me back to the Netflix/Marvel Properties.  Not a fan of PUNISHER Season 1, Jessica Jones I fell off of, Iron Fist show was a train-wreck, and DAREDEVIL can not get out of its own way. Should a MOON KNIGHT show pop up, or a WEREWOLF BY NIGHT, I would definitely give those a look, but for now it appears the great Marvel/Netflix ship of success… has capsized.

 

DAREDEVIL Season 1 A-

DAREDEVIL Season 2 C+

DAREDEVIL Season 3 C+/B-

Overall Grade: B

 

 

 

 

TV Show of the Day : LUKE CAGE SEASON 2 by Cheo Hodari Coker

Cheo Hodari Coker’s 1st Season of Luke Cage was one of my favorite TV shows of 2016, right up there with the excellent Noah Hawley LEGION. They were each in their own way, game changing and ground breaking TV.

Mike Colter in Luke Cage (2016)

LEGION largely for its visuals and innovative storytelling, and Coker’s LUKE CAGE for in many ways being one of the few shows to offer a multitude of characters of colors in non-stereotypical ways, and with innovative roles, with unfettered storytelling. One of my favorite shots in the 1st season of LUKE CAGE, was four strong, upstanding women of color, captured in one great shot. Not as prostitutes, not as rappers, not as comedians,  but as heroes. Likewise their male counterparts were admirably done.

LUKE CAGE, the series, sings/rewards…  largely because of those conversation of books in the barbershop, those conversations on playwrights and writers. Those things, those conversations, that mostly uninformed people (who mainly know Blacks via the stereotypes they have consumed through mass media), would right off as preachy, or talky, or unrealistic, those are the conversations, that immediately sang for me, and clued me to the greatness of this show.

As someone who grew up in those Barbershops, those conversations are very true, to how many of us escaped the traps of the street, and found our way to something… better.

Always Forward.

If SEINFELD can be acclaimed for being, in places, a show about nothing, we should allow that same latitude to a serious show such as LUKE CAGE, that uses those seemingly frivolous nothings about the writers, and the artist, and the books, and the music; to say profound somethings.

Of All the Netflix shows, it is the only one that says something more profound, than the standard super-hero or for that matter action or drama tropes. It says something about the world outside our door, and how to meet it. Not preachy, not banal, and never losing the joy and beauty we can find, despite the dire days, and the dangerous nights.

It is the balance of crime and charm, violence and virtue, war and wit, that can sing, to those with ears. And it withstands repeated viewings better, because of all those layers you can view it on.

Cheo Hodari Coker’s LUKE CAGE is one of the best written and most innovative and ground breaking shows to come along in years for precisely this reason. It takes you the place all great writing should, beyond your prejudices, your assumptions, your comfort zone.

For my money it is one of the best of the Marvel/Netflix TV shows, right up there with the first season of DAREDEVIL. But edges it out, because I find the characters in LUKE CAGE, especially the protagonists, far more interesting and likable. DAREDEVIL’s main characters are various stages of unlikeable and annoying.

Add to that Coker’s plot has something valuable and timely and timeless to say about our world, that transcends bad guy fights good guy. There is a complexity to the storyline and the conflicts, that rewards repeated viewings.

Ten episodes in and that complexity remains for Season 2 of LUKE CAGE. It is not perfect, I can do with less Alfre Woodard, particularly her and the character of Shades getting intimate, I can really do without. I never really buy Shades attraction to Woodard’s character, and the more they try to sell it, the less it works for me. Also Alfre’s unhinged performance, while I get it.. she is Lady Macbething it up, for me it is too much. She is always in her twitches, and sputterings, always at eleven, always wildly and uncomfortably out of control, which for my own taste would have been better dialed back to 4 or 5. Also the poster for season 2 is absolute garbage, whoever came up with that poster should be fired. It is that inept of a poster. Right up there with the HANCOCK boxart and poster.

But those minor weakness aside, LUKE CAGE season 2, following strongly in the footsteps of Season 1 is crushing it; the story and performances shine, and like season 1 it has the best soundtrack of the year. Ten episodes in and I’m loving it… Grade: B+.

More to come as I watch the last few episodes.

 

Where to buy NEW comic books right now, Sept 2018 Pre-orders! And What books to get! ALL THE REST EDITION!

This is the last day to preorder books that will be shipping in December at a discount.

Here are my suggestions for the books worth your time:

MARVEL COMICS

Nothing. I can recommend nothing from Marvel Comics. Marvel is GROSSLY overpriced.  Save your money and either pick up these issues for a $1 or $2 each in a few months, when they are no longer new, from the secondary market. Or wait till they get collected into trade paperbacks and read them from your local library for free. Or buy them used online for a fraction of what getting the individual issues would cost.  I grew up with Marvel Comics, and i think they still have some fantastic creators I would love to read on a monthly basis, Ta-Nehisi Coates CAPTAIN AMERICA , comes to mind. After much hate from the moronic bigoted internet crowd, the moronic antisjw nazis, it turns out Coates CAPTAIN AMERICA is shaping up to be great. The same with just about anything Al Ewing touches. Unfortunately these great creators are sabotaged by a unsupportable comic price, and horrible editorial and marketing decisions.

The movies quite frankly are a lot better, and a lot less disorganized, stupid, and at times ingrained bigoted than the comics. The comics play lip service to diversity, and it is great to see creators like Coates and Walker get a chance to start their vision, but inevitably Editorial steps in and ruins/aborts their process/ending. The comics back pedal from everything to try to pander to the racist anti-change and anti-diversity mob, who typically don’t even read the comics they complain about.

The movies so far under Feige’s reign have embraced diversity with no back pedaling or moronic denigration that makes up so much of what goes on in the comics when it comes to characters of color (‘Oh Well we can’t have the Black Nick Fury be his own man. Let’s explain him away as the son of a White Nick fury.’ What????? Yeah this is the stupidity and racist great ideas that is happening in Marvel Comics, by there non-writers of color and editorial department.)

So yeah, so far the movies are actually better by far than the comics. So stick with them for now. Or until they start following the stupidity of the current comic books.

DC COMICS

Unfortunately DC that was doing a good job of keeping their prices under $3 a comic, ever since hiring the trojan horse of Brian Bendis, they have adopted Marvel’s disastrous and customer offensive pricing policy. Of charging $4, $5, $6,and $7… for COMIC BOOKS!!!!

Absolutely immoral.

And I like Brian Michael Bendis as a creator, but I despise him as a shill for the company, and his arrogant frat boy attitude to companies milking the audience, and  his basic ‘ah they will pay the higher price. Lower prices do not sell.’ I’m ten years of proving Bendis is wrong. It is not diversity that is the cause of Marvel Comics’ inability to keep from bleeding readers, it is the bloody price of their books. Add to that the over abundance of ads, poor placement of ads, and atrocious paper quality and you have a company that is repeatedly slapping their customers in the face, then wondering why the customers are not sticking around.

DC will soon find they will have the same issue as Marvel Comics. They will keep the die hards for a while, the sheep who buy multiple issues and variants, and the speculators, but that is  a far cry from the millions of people a publishing arm of Times Warner should be reaching.

Besides their last $2.99 books, which word is they are going away soon… The only book over $3 that I get from DC, that I make an exception for, is Christopher Priest’s brilliant DEATHSTROKE. And that is going to change, as editorial has decided to reward the critical acclaim that series has received, by mixing it into their editorial marketing ploy, basically gutting Priest’s ability to tell unhindered stories with the character. Once Priest leaves, so do I.

So what is worth getting?

Here is my list for September Pre-orders:

Beyonders 4 On order 1 $2.59
Bitter Root Cvr D Williams 1 On order 1 $2.59
Cavewoman A Wizard A Sorceress And Meriem 1 On order 1 $2.59
Cemetery Beach 3 On order 1 $2.59
Cinema Purgatorio Vast Cvr 16 On order 1 $4.54
Dark Ark Cvr A Doe 11 On order 1 $2.59
Deathstroke (2016) Cvr B Var Ed 37 On order 1 $2.59
Dick Tracy Dead Or Alive Cvr B Tommaso 3 On order 1 $2.59
Feast Or Famine 1 On order 1 $0.98
Gideon Falls Cvr B Suayan 8 On order 1 $2.59
Hillbilly Red Eyed Witchery From Beyond 4 On order 1 $2.59
Infinite Dark 2 On order 1 $2.59
Infinity 8 7 On order 1 $2.59
Jook Joint 2 On order 1 $2.59
Leviathan Cvr B Guillory 4 On order 1 $2.59
Lightstep 1 On order 1 $2.59
Lodger 2 On order 1 $2.59
Magic Order Cvr A Coipel 6 On order 1 $2.59
Moth And Whisper 3 On order 1 $2.59
New World Cvr B Moore And Muller 5 On order 1 $2.59
No World Primer 2018 On order 1 $0.16
Oblivion Song 9 On order 1 $2.59
Outer Darkness 1 On order 1 $2.59
Proxima Centauri 6 On order 1 $2.59
Raid Cvr B Photo 4 On order 1 $2.59
Red Sonja Cvr A Caldwell 23 On order 1 $2.59
Rick And Morty Cvr A 44 On order 1 $2.59
Rick And Morty Presents Pickle Rick Cvr A 1 On order 1 $3.24
Shadowman Cvr C Veregge 9 On order 1 $2.59
Sideways 10 On order 1 $1.94
Silencer 11 On order 1 $1.94
Sink Cvr A Cormack 6 On order 1 $2.59
Skyward 8 On order 1 $2.59
Spawn Cvr B Mattina 292 On order 1 $1.94
Stellar 6 On order 1 $2.59
Terrifics 10 On order 1 $1.94
Unexpected 6 On order 1 $1.94
Walk Through Hell 6 On order 1 $2.59
Warning 1 On order 1 $2.59
Whispering Dark 2 On order 1 $2.59

Order yours here:

https://www.mycomicshop.com/subscriptionservice?AffID=200301P01

And tell them HT sent ya!!!!

🙂

 

 

YouTube CHANNEL of the Day: PROFESSOR THORGI & Why Marvel and DC Comics are not selling!

Stop by Professor Thorgi’s channel and check out his review of new series JUSTICE LEAGUE DARK. As someone who with rare exceptions no longer gets monthly comics from the major comic publishers, me being interesred in anything new from DC or MARVEL comics… is rare.

The excellent coverage YouTube channel Professor Thorgi provided today on series JUSTICE LEAGUE DARK has me interested.

I really want to rush out and buy this series from DC Comics, however… I will not.

DC has recently followed Marvel in pricing their comics at S4 a book. The cost of hiring Bendis perhaps. Whatever the reason, for me that translates into both companies charging more for new comics than they are worth. $4 cover price at a minimum, with many of the books being even more expensive at $5 and up. 

I can spend that money to buy bronze age back issues that will hold their value as opposed to new issues, that 99% of them will be in the surplus dollar bins in a couple months. WHY ON GOD’S EARTH WOULD YOU PAY $4 for A NEW COMIC , when you can get a classic fantastic four or kubert comic for the same price?

Our Army at War #254

Fantastic Four #104

Fantastic Four #133

Buy Back issues here:

https://www.mycomicshop.com?&AffID=200301P01

That pricing for new comic books is just pure greed, from two companies that are backed by billion dollar parent companies. Unlike smaller publishers, these companies have the infrastructure and scale to support bringing in these books at $2.50  or at least hold the line at $2.99.

I feel the companies inability to do so, and in the case of Marvel, unwillingness to do so comes down to greed, short sightedness, and mismanagement.They would rather try and price gouge the same aging customer base of about 70000 readers to buy multiple copies of overpriced issues, than price the issues at an attractive $2ish price point, to try to sell to millions rather than just thousands.

Contrary to the minority of loud but wrong right wing nuts, comic fan pretenders, screaming against creators and against diversity, as the failing of comics, comics are, in terms of creativity,  in a golden age.

Comics as someone who has been reading these books longer than most of the vocal minority have been alive, comics across the board have never been better in terms of writing, art, stories, creativity, diversity of genres, etc.(with minor exceptions such as Nick Spencer’s racist Nick Fury Jr idea. Really?? That is your idea? I don’t think so. :). Just have the Black Nick Fury be the black Nick Fury. Don’t hamstring him with some insulting, denigrating  and moronic story about him being the ‘son’ of the White Nick Fury. Just stupid and insulting on so many levels. An example of the movie division just being better and  smarter and less racist than the comic book division. And who would have thought that? 🙂 )

But that one caveat aside, the reason the comics are not selling is they are overpriced. Bottom line. And the big two publishers are over saturating the market to try to get their few readers to buy a lot, everything, to keep up.

Newsflash… people can not afford to get a lot, much less everything, especially at $4 a book.

So they choose, like I choose, to either severely limit their consumption or get nothing at all ( I get from DC only one $4 book, Christopher Priest’s DEATHSTROKE, and their few remaining $2.99 books.  However with DC poised to ruin the good work Priest has done on DEATHSTROKE, by putting the character in the JLA, hampering Priest’s ability to write for the comics unhindered, I see me dropping even that title. And according to the rumor mill the $2.99 books are going away. As far as Marvel, I  get nothing at all.)

The fact that Marvel is not legitimately selling millions of copies of Ta-na hesi Coates or Donny Cates or Al Ewing or Mark Waid or David Walker has nothing to do with those creators, those creators are doing their job;  but marketing and management and editorial mandates are failing these books.

I will definitely be reading Coates Captain America run, or the latest Moon Knight. But not monthly, Marvel and DC have taught me that they are not good or affordable publishers of periodical material and to rather wait for the collected edition and read it for free at the library, and the ones worth buying, to purchase in collected form, at a substantial discount over the individual issues. That is just smart shopping in this day and age, and for periodicals to not adjust their price point and marketing plan to make their product more attractive to an audience with a glut of choices and demands for their time… is to be bad at your job.

Marvel and DC’s periodical publishing arms… are bad at their jobs. People in charge of getting these numbers up and selling these books, should be given a deadline to turn things around and make improvements. And if they don’t  maybe what Marvel Upper Management needs is to sweep out the old under-performing and stagnant comic selling paradigm that has taken root at Marvel and DC and replace it with fresh faces, with fresh, innovative ideas for moving product, and winning readers. Do mail order subscriptions at a discount through Amazon, like Entertainment Weekly and other magazines do. Even selling the books as a loss leader, by increasing your subscriber base to millions rather than tens of thousands, you dramatically  increase what you can charge for ad space. But it takes change to make positive changes.

 

Now on the other hand, companies that are worth supporting in periodical form are ALTERNA, CHAPTER HOUSE, they provide inflation friendly comics, that allow you to pick up great books at a sub $3 price.

Also IMAGE, DARK HORSE, IDW, even though they are in the $3 and $4 range, they give you a lot more for your money than DC and Marvel do,  The smaller companies offer you a better periodical experience, they give you more pages, less ads, on better paper, and with additional content such as letters pages and special features.

All that creates a very simple take away for where and how I buy comics in the 21st century:

  • These days when I buy comics, I buy them via pre-order courtesy of MY COMIC SHOP. COM, at a sizable discount off of cover price. I am an affiliate for My Comic Shop, so when you use these links you earn a few pennies for this blog.
  • But the reason I am an affiliate, is because i use and love the service, so it becomes easy for me to hawk them. I have tried other mail order services, and have been pretty disappointed and felt pretty ripped off by them.
  • My experience with MCS has really kept me from quitting the hobby all together. They have been that good for me, and you may find them similarly for you, an easy on-road to a medium, comics, that seemingly has more off-roads.
  • They let you read synopsis of the many, many companies out there.
  • And I get these great books mailed directly to me in great condition.
  • And generally speaking…  I am not buying Marvel and DC. And I have to tell you my reading experience has never been better, and my wallet thanks me.

Use the link below, and your wallet can start thanking you as well:

https://www.mycomicshop.com/subscriptionservice?&AffID=200301P01

An early contender for one of the BEST podcasts of the year! Larry Lieber on Stan Lee!

 

 

 

 

 

A simply stupendous interview with Larry Lieber, brother to the great Stan Lee, and unsung hero/creator in his own right.

A vocal few people like to praise Kirby, and then feel they can’t do that, without also taking shots at Stan Lee. A very diseased American either/or idea, that you can’t praise something without tearing something else down.

I’ll have no truck with that.

Stan Lee was (is? I think genius is a fleeting time frame for the best of us. It is an alchemic time that is short lived for the best of us) a genius… Full Stop. And his greatest genius besides his enthusiasm and invention and superlative imagination and ideas, and great writing, was he knew how to find and cheer-lead talent. And inspire talent and appreciation in and for others.

I don’t care how talented you are, either as an artist or writer, what you need is someone to champion that talent and get the masses excited. This is what Stan Lee did, he took a denigrated kids medium, and moved it from the corner store into the College campuses. And from the College campuses to the larger mainstream culture of television, music, merchandising and finally Movies.

Stan Lee did that.

Not alone at the end, but alone at the beginning, he was the visionary who saw a future for these four colored mythologies, beyond the recycling bin. He believed in outrageous ideas like a life for these four color concepts beyond their newsprint origins. He believed in a bookstore life for these books, when that was as much a thing of fiction as the stories in the books themselves.

And he did this by finding and celebrating talent.Like Kirby, like Ditko, Like Romito, Like Heck, Like Buscema, like Roy Thomas.And like his Brother Steve Lieber. Absolutely fantastic interview, I say again. I found myself tearing up during it. And my appreciation for Stan Lee is already immense, him helping train and teach his brother, only increased it. And my appreciation for Larry Lieber has skyrocketed. I’m on a mission now to pick up all his work as writer and artist.
Listen now, true Believer!

 

 

 

The last word on Social Justice Warriors, the Anti-SJW movement, Nazis, and Comics!

Everything is political. Because we all have a point of view. And when things conform, or do not question our point of view, we tend to think of them as non-political. But everything is an expression of our values, from Mickey Mouse to Batman to Star Wars to Popeye. Everything has a moral perspective,  a concept of what is heroic, and what is villainous, based on where we were raised, and how we were raised, and sometimes.. if we are lucky, based on how we have grown.

You have a vocal faction these days, a minority, that wants to play the aggrieved party and the victim and label and attack others that they perceive as a challenge to their norms, they attack creators and they attack fans, and brand them with the label SJW.

This vocal faction using acronyms over the whole or correct word, the way traditionally oppressive, bigoted factions have done. SJW instead of Social Justice Warrior, PC instead of Respect, etc. It is the tactic of the Nazi, to use labels and intimidation to cloud reason. To call others what they are, closed minded, and intolerant. And on this web of lies and misdirection, hope to confuse the issue, and gain ground.

The issue is simple. Social Justice Warriors, as it relates to comics, is in the very origins of the super-hero. The fight for the under privileged against monied interests, and oppressive regimes. It is right there in the earliest issues of Superman, of Batman, of Captain America.

There were people back, in a 1940s America, who made death threats, and attacks against creators. People who attacked Jack Kirby and Joe Simon, for having Captain America, on the cover of Captain America #1, punch out Adolph Hitler, for effectively creating a Social Justice Warrior, and a social justice medium. The people railing against Social Justice Warriors and Comics back then in the early 1940s are the same ones railing against writer Ta-Nehisi Coates, and what they call SJW or Social Justice Warriors today, they are Nazis or they are ignorant.

Now if you are ignorant, that is not a crime as long as you don’t stay ignorant. We all wake up, if we are honest, everyday ignorant of something. And we all… if we are healthy, growing human beings… go to bed less ignorant than we started the day. We have read, we have talked, we have communed, we have learned,. we have grown, and we have thrown off at least one incorrect folly we held too. This is your chance to grow. If no one has pointed out to you the immorality of a rant against social justice warriors, in the social justice medium of comics… well I’m telling you.

Now when you go before God, you can’t say you didn’t know. 🙂

Now what you do with that determines, if you are just ignorant, a fool, or a Nazi. A fool and a Nazi are not going to change. An ignorant man however, if he be a man, will embrace opportunities to slough off the hates and misinformation of yesterday.

Will embrace places to grow,

Un-subscribe from those click-bait, hate mongering channels, posing under names completely contrary to what they are doing. Channels with names like We Love, and Diversity, but all they preach is hate.

A lot of you are subscribed to them out of habit.

Habit to give attention to lowest common denominator talk show type conflict and what passes for conversation. This Resident Trump did not win the popular vote, but he won more of the vote than he should have in a civilized country. Part of the reason is seen in Youtube, and across social media. We have become a nation that has traded talk show drama for dialog, and irrational rage and outrage, over reason.

That is a recipe for a falling down nation, a recipe for the end of days.

I say no.

I say no to lies.

I say no to misinformation.

I say no to collusion.

I say no to agents of chaos, seeking to subvert one of the few progressive mediums left…. comics. The majority of these fools do not even read the works or writers they complain about. You don’t like a writer or story, don’t read it. But to attack creators and mess with livelihoods because you don’t want anyone else to read the story… that is Nazism. And I won’t have it. Too many of those who paved the way for you even being here, sacrificed way too much, to let the hate they beat back… rise in the very hearts of their indolent children.

I say no.

I say it in what I subscribe to. I say it in what I buy. I say it in who I defend. And I say it in the face of a new American age of terror and witch-hunts.

This far, no further.

 

 

To not want to be challenged by your reading is a prerogative and right, at times we want the comfort of a simple narrative. Or a comforting narrative. And there is nothing wrong with that. But do not confuse that comfort,  with it being a non-political narrative. Even the lack of overt political stance in a work, is in and of itself political. Because there is no greater force in times of massive change, no greater political force, than the quiet, silence of the masses.’

—From SILENCE OF THE MASSES