MOVIE POSTERS of the Day!

Extra Large Movie Poster Image for Hobbs & Shaw (#7 of 7)

I have not gone to see a single one of the FAST AND FURIOUS movies in the theater, most I have done is catch a couple on streaming. This HOBBS & SHAW spin-off film I think I will catch in the theaters. The trailer is that much fun.

Extra Large Movie Poster Image for Luz (#2 of 2)

I have seen nothing on this film, but that poster… stunning. The use of the attention grabbing colors of Red, Black and Yellow, and the angling of the scene and the typography… simply wonderful poster design.

Anna Movie Poster

The trailer looks good. But not everyone is convincing as a fighter. Keanu Reeves, yes. Angelina Jolie, yes. This actress with her runway model build, looks like her bones would break with the first solid punch landed or received. It takes me right out of it, even watching the trailer. Not everyone is action star material. But I am open to being proven wrong, but I will not be seeing this in the theater. That said, the above poster is very good.

 

Spider-Man: Far From Home Movie Poster

Spider-Man: Far From Home Movie Poster

For these big blockbusters I find the foreign and specialty markets are producing far better and more interesting posters than the American market, which is usually just a big closeup of the star. These two poster for FAR FROM HOME are case in point. Both very well done.

The Good Liar Movie Poster

Another example of great poster design.

Annabelle Comes Home Movie Poster

Looking at the trailer, I do not think the movie will be of any interest to me, seems like a pretty underwhelming, by the numbers, horror film with stupid kids doing stupid things so we can have this sequel, but that aside the above is a CREEPY poster!

 

 

Extra Large Movie Poster Image for Dolor y gloria (#3 of 3)

Above poster does what it should. Makes me want to see the film.

Extra Large Movie Poster Image for Iron Sky: The Coming Race (#1 of 2)

I have no information on the above film, the last thing I remember having IRON SKY in the title, by all reports was awful,  but the poster alone makes me intrigued in finding out more.

 

The Current War Movie Poster

I do not love this poster for THE CURRENT WAR, it shows that unimaginative streak I mentioned regarding domestic posters. That said I did love the trailer, so it is on here more for the trailer than the poster.

 

If you liked this poster coverage, give a like, and support the links in my previous posts.

And let me know if there is a favorite poster of yours that should have been included on this list. Till next installment, be well!

 

 

On JESSICA JONES Trailer, Tom King’s BATMAN, and DCs SWAMP THING show!

Let us start in the middle Tom King’s BATMAN.

I listened to a recent podcast where they were bemoaning the news of Tom King stepping off the BATMAN comic. All kinds of speculation on him being removed, etc. That he was doing a brilliant run on Batman, etc, etc. And they couldn’t understand how DC could not see what a great, innovative job he was doing, and that DC execs must not like great stories, yada, yada.

This very minor and relatively harmless rant from this podcast I watched, illustrates perhaps a less wholesome issue with our culture in whole. This inability to see or look for, or acknowledge, viewpoints other than our own.

The truth is out there, to paraphrase a show I was never a fan of, beyond the odd ‘monster-of the week’ episode.

The truth is out there, but we have to look, and we have to do our homework.

It doesn’t have to be controversy when we get news we do not expect or agree with.

It doesn’t have to be DC executives are stupid.

It could be as simple, if Tom King was removed, as simple as the books were not moving in the numbers they liked, or meeting with across the board praise.

A simple look at reviews of Tom King’s BATMAN run, whether podcasts, or Youtube videos, or blogs or websites, when you extend the search beyond your circle, your chorus, you see a run, a body of work, that from the first trade on, was conflicted. And grew more uneven and conflicted, in terms of the writing, and the response to the writing with every trade/issue.

I think a lot of people make excuses for Tom King”s work when they do not love it. Like they refuse to admit they didn’t love it because of Tom King, so they blame the publisher, or the editor, etc.

A writer is a lot like a director, you get the praise when a product is great. You should also carry the blame when a product isn’t. A lot of people like to give King the former, and make excuses to keep him from the latter.

Stop making excuses or trying to blame Editorial if you do not like a Tom King story. You do not try to give them the praise if you love a Tom King story. So let’s not be hypocrites.

And I am not anti-Tom King, I am not one of these knuckle dragging anti social justice warrior, anti-woman, anti-diversity, psuedo neo nazi nuts. I judge the work, on the work, and wait to read it, before having an opinion on it.

Tom King can be a great writer.

The webpage will not show this image anonymously.

https://amzn.to/2MAm9GC

His VISION series is one of the greatest things I have read in years. (And if you have not read it, I urge you to pick up the collected hardcover… it is that good.)

His OMEGA MEN very good.

https://amzn.to/2EZQGHG

His Batman, in pieces, standalone, I’m thinking specifically of ANNUAL 2, can be great. Annual 2 was great.

The webpage will not show this image anonymously.

https://amzn.to/2MzJsk0

However, specifically to Batman, other than that standalone story,  his actual run on Batman, the first 4 or 5 trades, I found awful. I mean… awful. “I am suicide!”As his take-away on the character of Batman. Really???!!

Batman: I Am Suicide (The Complete Story) - YouTube

The great flaw of Tom King’ s BATMAN (for me), was always Tom King’s take of the character. He keeps writing the same broken, suicidal, and ineffective character, over and over again. And while it worked for the Vision and Mr. Miracle, shoehorning that Hamlet type protagonist and calling him Batman or Kid Flash, does not work at all.

He keeps trying to tailor these heroes and archetypes to his ptsd framework, and it increasingly does not work. He needs to start writing to the character, than simply shoehorning them into his rigid story.

We get it,

Tom King brings a military background, and a CIA background, and an espionage background, and a background of those places where we all break under stress and pressure. And again telling that story with certain characters can work, however retelling that story with every character does not work.

There are more stories than that. And another reason we look to these heroes is because they are our aspirations writ large, they should not all be stand-ins for the places where we fall down, they should be the standards of how to standup. They should be our hopes writ large, not our insecurities. The VISION type stories should be the exception, not the rule.

I do not want to read a comic with a Superman dealing with PTSD. It starts to become one note writing, rather than great writing, to make all the heroes analogs for the common man, or the Hamlet in us.

So yeah, while I will not be picking up the individual issues regardless of who writes BATMAN, because paying more than $2.99 for a single Marvel or DC comic is insanity (Marvel and DC should both be ashamed of themselves for charging more than $2.99 for scant pages of comics. Now, smaller Independent publishers I cut them slack on pricing, because their page count and quality is usually higher. However Marvel and DC has the economies of scale to keep prices low. To not do so comes down to mismarketing, mismanagement, and short term greed, over long term sustainability and growth) , I will, if the word of mouth is good, check out the books when they hit the $1 bins of the secondary market or in collected edition at the libraries.

I look forward to a new take on Batman, and a new writer.

Okay… next topic…

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JESSICA JONES Season III trailer. Here is the thing, I was not interested enough to watch the 2nd season of JESSICA JONES. And by all reviews I did not miss much. But I went into the the trailer for season III hoping it would be good. I have to tell you, I found it incredibly uninteresting.

I can only take so much of brooding, not quite likeable, characters so, just with the way the protagonist is played, with a listless, can’t be bothered attitude, the performance of Jessica Jones is typically the weakest part of the show JESSICA JONES.

https://s15-us2.startpage.com/cgi-bin/serveimage?url=http%3A%2F%2Ft0.gstatic.com%2Fimages%3Fq%3Dtbn%3AANd9GcTfEODizVkEhjX5DTd2Fp-EKHQdU-yX9y0FllP-kS2TgqSH8JQEVA&sp=ced14d29e1bfd30e584288dacec803c5&anticache=124267

So that said, you need charismatic, interesting people surrounding her to make the show worth while. You need a Luke Cage, you need a Purple Man. You need dynamism to counteract the plodding, disaffected, and starting to get annoying, performance of the protagonist.  And unfortunately the trailer for Season III offered none of that. Offered an Antagonist, absolutely as uninteresting as the protagonist. A battle of who could bore me more.

 

So yeah the trailer to Season III of JESSICA JONES, a hard fail. That is not going to make my watch list, based on that trailer.

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Finally, the news that the DC Swamp Thing show has been cancelled before the 1st season really starts.

It has come out the reason DC/Warner Brothers pulled the plug is largely because North Carolina, an increasingly politically suspect state (excuses to my North Carolina Friends, but you are starting to be run by the pointy hat crowd. And I’m not telling you anything you don’t know. You know you need to start cleaning your house, much the same way the Nation needs to clean its house) basically bailed on their promise to help finance the production of SWAMP THING in their state.

It is a great shame, because I have to tell you, I absolutely loved the full trailer to SWAMP THING.

They looked like they had all the elements for a wonderful , long form story, worthy of the kind of eerie, brilliant, haunting storytelling that creators Alan Moore, Bissette, Totleben, Wein, and Wrightson laid the ground work for.

Such a shame.

Maybe someone else will add the additional funds so we get to see this vision of Swamp Thing, eventually played out.

Well that’s it guys.

Just wanted to put my 2 cents in on those 3 topics. Take two seconds and support today’s recommended comics.

You know when I was saying I cut Independent comics a slack, because of their quality of content and packaging. ALTERNA COMICS and AHOY COMICS are two cases in point. There are a lot of great writers/artists in comics, arguably one of the best of them is Eric Powell. I absolutely am enamored with his GOON and his HILLBILLY and his SPOOK SHOW. And ALTERNA comics addreses all the issues with price gouging that we are getting from the big two, Marvel and DC, while giving us quality products. So you can preorder comics from both publishers and get them direct mailed to you.

https://www.mycomicshop.com/subscriptionservice

 

Use the links above get great books, support these publishers, and earn a few pennies for this blog. A win-win!

 

“Second star to the right and straight on ’til morning. ”

J.M. Barrie, Peter Pan

James Gunn releases Evil Superboy Elseworlds TRAILER called BRIGHTBURN?!!

So a new trailer just broke 15 minutes ago called BRIGHTBURN, labeled as produced by James Gunn.

Here is the trailer:

Okay.

So you do not have to be a superhero fan to recognize that this is the Superman/Superboy origin, except uh— evil.

Very clearly from the crashing ship, to the couple on the farm who discover a child they always wanted, to the ship buried in the barn, to the red cape , to the powers, these are very familiar Superman/Superboy tropes.

Now if this was April 1st I would say someone is having a laugh and this is an April Fool’s Day prank.

Why?

Because if I was DC, I would say… ” WTF?? Are you kidding, you are going to rename the characters and do an Elseworlds SUPERBOY story without paying us???!”

Actually, I love it.

I hope it is real, and there are enough changes that Gunn gets away with it. I think the concept of SUPERMAN not being in public domain after 80 years is simply ridiculous. So good on James Gunn if this trailer is legit.

It would not be the first evil superhero film to skate under the radar. Adam Wingard’s brilliant 2014 action film THE GUEST, very much is the tale of an evil Steve Rogers/Captain America, an evil Super Soldier.  And there is another mainstream film out there that plays either as a Joker origin story, or an evil Bruce Wayne story.

So these mash-ups do happen. I mean there is a reason that Copyright was set at 50 years. The lawmakers in their wisdom understood that if an idea had persisted after five decades it had become, like Robin Hood, or Mark Twain, or the three Musketeers, an indelible part of the cultural conversation and zeitgeist. And as such usable by all.

So yeah I don’t know if BRIGHTBURN is a real movie, or Gunn just having a laugh, either way I enjoyed him releasing the trailer!!

Movie of the Day : Netflix’s DEATHNOTE (2017)

DEATH NOTE – less horror than action-fantasy, prolific director Adam Wingard continues to prove himself one of the most innovative and exciting genre directors working; making this adaptation of the lauded manga and anime its own thing, that works beautifully for a feature film.

Great casting, great performances, and a compelling and exciting take on the DEATH NOTE source material, makes for a film that I personally like quite a lot. No it is not the manga, and no it is not the anime, if you want just that… that already exists, rewatch to your hearts content. What this is… is the concept of DEATH NOTE turned into something that works at a feature, rather than episodic, length. Job Done.

Also while I liked the anime, beyond a point I found it a bit long in the tooth, and all the characters while intriguing not exactly.. gripping. With the live action Wingard gets to flesh out the characters with really talented actors.

Nat Wolff’s Light Turner imbuing the relatively cold and calculating character of the anime, with a humanity and likability and relate-ability that makes you care. It is a fitting change to make, and it is a strength of Wingard’s recent films such as THE GUEST, to give us characters who, like most of us, are somewhere between sinner and saint.   Shea Whigham is always compelling, and brings to the role of James Turner, Light’s Dad, a warmth and strength and conviction, and nearly palpable love for his son, that is lacking in the anime.

Lakeith Stanfield, the actor who plays the quirky, candy loving, ‘L’ for my money makes that character even more compelling and interesting than in the anime. It is an inspired bit of casting and his performance largely steals the show.

And speaking of genius casting,  Dafoe’s voice as Ryuk… GENIUS. 

All the pieces of performance,writing, direction ends up with a DEATH NOTE feature film that deserves to be on your keep list. It joins THE GUEST and YOU’RE NEXT as Adam Wingard’s best films so far.

Grade : Strongly Recommended. B+.

 

 

CBS vs Paramount? Old Star Trek vs Confused Star Trek? ST Discovery = Epic fail? and JUSTICE LEAGUE?!

 

Some Times you wonder how what is seemingly obvious  is utterly lost on people in positions of power.

VALERIAN movie? Great concept on paper , great visuals, the leads are as interesting as watching paint dry. I would not in a million years have chosen those two people to helm that movie. They have no visual interest.

The latest Universal bomb in THE MUMMY, completely predictable. White Egyptians, unless they are Boris Karloff, just never a good idea.

Casting and visuals and chemistry is still a HUGE part of what makes a film or show work and why it is dead on arrival.

It is one reason the JUSTICE LEAGUE movie is despite everything they are trying to course correct and do right, can’t fix intrinsic issues they have done wrong. The comic book decided to put CYBORG in the comic, not because he is a good character, but because he hit three demographics they throught would make for both multiple diversity streams and good merchandising. He was a Black crippled robot.

TRANSFORMERS has proven that robots sell, all day long. On top of that being able to add a character of color to the blindingly white DC universe, ticks that box, and making him a cripple, ticks the handicapped audience. A lucrative and growing segment condsidering how many young men and women this country sends overseas to mutilate and get mutilated.

Here is the issue though. It doesn’t make sense for CYBORG to be in the Justice League, beyond tokenism and a blatant money grab.

From a story point it makes NO SENSE in the comics, and it makes no sense in the movies. I’m all for characters of color toning down the lilly whitness of the Justice League, but not awful characters. The JUSTICE LEAGUE UNLIMITED cartoon has shown a great character of color that deserves to be in the Justice League and works great in the Justice League… John Stewart, The Green Lantern, And you know what, he also has kick ass powers and is more than a walking toaster. The late great Dwayne McDuffie made John Stewart a great character, and the Justice League a great AND diverse team without sacrificing quality or common sense. They were great BECAUSE of that diversity and love that Dwayne imbued that series with, that made it great.

Greatness is a thing that seldoms gets said in the same sentence as JUSTICE LEAGUE. Unlike the AVENGERS that has a few notable stories you can hand people to sell them on these characters for live action movies, most notably Mark Millar’s THE ULTIMATES  followed by Steve Englehart’s, Gerry Conway’s, Jim Shooter’s and Kurt Busiek’s runs; the JUSTICE LEAGUE has very little that holds up, or is of appeal to a movie going audience. Outside of deconstructive and apocalyptic stories, the twilight of the Gods type mythology such as KINGDOM COME, and some Morrison work, there are almost no great JUSTICE LEAGUE comic stories. The best the JUSTICE LEAGUE has ever been is in the McDugffie helmed cartoon.

The current comic and the current movie unfortunately, has learned nothing from the late McDuffie’s lead.

Add to that the Cyborg and Flash costumes are crap (didn’t you learn anything from the GREEN LANTERN train-wreck about CGI costumes) and you have a movie that could have been great, crippled by by people who are going to lose dollars to save pennies.  People ignorant or uncaring of the part visual chemistry plays in whether a thing works or not.

And that brings us back to Star Trek.

 

Looking at the cast photo of Star Trek Discovery… that cast has no visual interest, no chemistry. The same issue suffered by THE ENTERPRISE cast, and to a lesser degree the VOYAGER cast. There was no joy or interst or chemistry in this combination of people.

Watching  the latest STAR TREK DISCOVERY Trailer, I find the trailer interesting, however the jury is out on whether that translates into good. There was no excitement in that trailer, a bunch of uninteresting looking people, no visual chemistry or excitement to them, and a general air of uninterst and lack of joy in the whole.

You are in effing space, that should be awe-inspiring to the cast and to the viewer. But all that comes across in that trailer is how dreary everything is. The one male lead, who I know to be a good actor, he perhaps has never been the most rousing actor, and whether lead or not, you need somone immediately that grabs your eye, and you can say, yep, here is a hero or man of action, or somone who can command a screen and command the attention of viewers. Without a doubt great scenery chewing actors is the hallmark of great Star Trek, whether it is William Shatner, or Leonard Nimoy or Patrick Stewart or Johnathan Fraker or Avery Brooks or Michael Dorn.

The star of this series, is a lead actress, and she is clearly charismatic, but you can’t act in a bubble, without that chemistry  of clicking actors around you and fun plots, it is just dreariness. And that’s what came across in the trailer… dreariness.

And a lot of changes for change sake.

The change to the Kilngons… strikes me as… foolhardy at best. THE NEXT GENERATION hit a home run in being able to make an interesting but crude visual race of the Kilingons… better. Not just better, but a rousing transcendent success.  The way the Original Series hit a home run with the Vulcans and the Romulans, the Next Generation hit that Home Run with the Klingons.

You don’t fix what isn’t broken. And in this case DISCOVERY’s redesign of the Klingons just seems change for change sake, that tears down a success, and what could have been an easy inroad to the series for fans craving the popular Klingons, becomes instead a detriment.

Just poor, poor thinking.

Along with that the idea of trying to make American audiences pay to see this series that initially needs as much groundswell of support it can get, is just idiocy. Out of the gate you set an antagonistic relationship between show and audience.

I will, needless to say, not be paying for this show, no more than I had any intest in paying to see VALERIAN or THE MUMMY.

But I will keep abreast of it through online reviews and podcasts, and I hope it can prove me wrong. But if Paramount stick to the visuals and that tone and that cast, that seems clearly set in stone for the first year….you may have an interesting SciFi show, but you arguably wont have a good show, and you definitely won’t have a great Star trek show.

Paramount instued of suing the AXANAR fan film, should have gone with that filmmaker to produce their new show. It is obvious that the fan films have more heart, intelligence, and fun, and understanding of what makes good Star Trek than Paramount has.

PARAMOUNT’s rebooted STAR TREK films, a case of diminishing returns, from the excellence of the first one, to the too self indulgent but still great second film, to the atrocious third film; points to a company that is in desperate need of course correction. And that same folly and arrogant stupidity that highlights their dealings with the fans, mars their handling of this latest television show.

For more on this, I want to direct you to a MIDNIGHT’S EDGE YouTube video, that revealed some of the reasons for Paramount’s mishandling of the latest Star Trek property and where CBS fits in. It’s a riveting and informative bit of reporting.

 

 

 

 

 

SHORT FILMS OF THE DAY : The Short films of Alejandro Suarez Lozano

When I can find nothing of appreciable interest in the long form format I turn to short films. And there are real magnificent gems to be found there from David F. Sandberg’s LIGHTS OUT to Alec Peter’s brilliant PRELUDE TO AXENAR.

A new addition I’ve recently stumbled on, are the short films of Alejandro Suarez Lozano.

His THE FISHERMAN is a well paced, well performed and beautifully shot tale of a Fisherman haunted by the one that got away. With traces of THE OLD MAN AND THE SEA and MOBY DICK this visually adept tale of man vs nature also adds the fragile geopolitical overtones of the third world and the first world fighting for space in a 21st century poised to outgrow them both. The ending is both unexpected and perfect.

His HIDDEN SOLDIER follows a soldier on a mission behind enemy lines during World War II. Vividly told in haunted Blacks and Greys, this one pulls you along to an ending that is both audacious and chilling.

Both films are the calling card of a filmmaker to expect increasingly great films from.

The best way to see these two films? Use the link below and view them on the Director’s site and tell him… HT sent ya!

https://www.asuarezlozano.com/films