BEHIND- This short does everything right initially but falls apart at the climax with a mediocre ending. Would anyone actually do what the protagonist did in that situation, and the reveal was just sub-par.
CHERI- Much better is this slow-burn 2016 short with an ending that nails the landing.
You can view both the shorts via the YOU TUBE streaming channel on either Roku or Amazon Fire. I prefer the streaming options to the YouTube website as this way you can avoid the idiotic comments that Youtube fails to moderate/cleanup. I would never recommend sending someone direct to the Youtube website.
Still don’t have a Roku or an Amazon Fire? Here are my links to the ones to get:
While the heyday of the music video was arguably 30 years ago, people are still cranking them out. And without further ado here is one that I stumbled across today that is awesomely fun.
You can use the link below. Or, the better way to watch… If you have a streaming system such as Roku or Amazon Fire TV and the free Vimeo channel you can watch this on your big screen right now.
Black Butter Records
Directed by bif
Produced by Riff Raff and Mill+
Netflix is showing the theatrical cut of SUPERMAN II. Anyone who tries to tell you the Richard Donner cut of SUPERMAN II is better than the Richard Lester theatrical version is quite frankly deranged.
Okay maybe that’s a bit harsh (no it is not) but while there are pieces of the so-called Donner Cut that would be nice added into the theatrical cut, most notably the Marlon Brando scenes in the fortress of Solitude are essential, and the extended scenes with Luthor and Ms. Teschmacher are just a lot of fun (I strongly recommend getting the DVDs of both and cutting those scenes into the Theatrical cut to create something I call the improved cut. It will wow you).
as a whole the theatrical cut of SUPERMAN II is vastly superior and more satisfying then the Donner cut. Full stop.
The opening is vastly superior in the theatrical cut, as is the reason for Zod’s escape from the phantom zone. And the ending of the Donner cut, SUPERMAN turning back time again, is just lazy and stupid, from a creative level, and makes the memory wiping kiss in the theatrical version look like a stroke of genius.
And yes the theatrical version takes liberties with Superman’s powers, force beams, mirage powers, using the shield on his suit as a net, but I never had a problem with these scenes… because they were fun. And really, in for a penny… in for a pound, once you sign off on heat vision and cold breath, then mirage powers, and force blasts, and memory wiping… seems like just enjoying the ride.
Both versions skate over the final reckoning of the defeated villains, so neither version is perfect, but of the two the theatrical version is head and shoulders better. In my opinion Donner wanting to end the 2nd movie with the same unsatisfying gimmick he ended the first film with, like I said, is just lazy writing and unimaginative thinking. I could clearly see based on that, why the studios replaced him.
The Richard Lester SUPERMAN II theatrical film, trounces the Richard Donner SUPERMAN II Cut by a mile.
Get your copy here:
I have these episodes of Johnny Dollar on CD, that I purchased off of Ebay many moons ago, and I’ve lately taken to listening to them in the morning when driving to work. They are such an enjoyable alternative to what usually is available on radio these days. And most of the CDs I never listened to (they would always take a backseat to other great, but more garish shows… such as THE SHADOW, SUSPENSE or ESCAPE). Reevaluating it now, in my more seasoned years, the show has a compelling modernity and universalness that transcends its 6+ Decades of age.
And I have to say, this show in particular, because of its still innovative format of using an Insurance Investigator’s expense account as the hook into these narratives, is surprisingly addictive. All adults to some extent are part and parcell of the Insurance world, either as an occupation or a customer, so the films slant is familiar and well worn.
A few talented actors played Johnny Dollar, but the episodes with Bob Bailey… read as the show at its best. Starting in 1955 around episode #185, those are the shows to start with.
And because the shows are public domain you can burn to CD or copy to your media player and listen to as you travel or work.
Listen to some here: