Youtube Channel Roundup : On Harlan Ellison, DC Comics, Brian Michael Bendis, and SLEEPYREADER666!

This blog post is on a recent video courtesy of SLEEPY READER, via his excellent Youtube Channel. Watched it courtesy of the Youtube Channel on my Roku streaming device

SLEEPY READER 666 Vlog #76 I like the fact that Sleepy reader covers diverse content, rather than just showing you the latest comics, or variants. I like that his stories are a little deeper than that and more informed.

In his most recent episode he discusses the late great Harlan Ellison, as well as Brian Michael Bendis, and kinda wags his finger at them for being too self aggrandizing. Based on a bad meeting he had with Harlan Ellison when he was 24.

And that got me thinking about the impressions we make of a person, the life long animus, or bad impression we somehow cement of a person, based on a cursory meeting in our youth. When you might have been catching your idol on a bad day.

Evidently seeing Ellison being bombastic and vocal, an impression of Ellison was created,  a definition of Ellison based on that one meeting, that some can carry through an entire life.

It is a common mistake that young people do (I have done it), imagining that one moment is the man. A lot of people go to conventions or meet their heroes, and because the hero doesn’t say what they wanted him to say, or respond how they expected him to respond that creator is suddenly for all time, and in all things, an asshole, or pompous, or whatever.

And most of the time it is that the person may have have a bad day, or a bad interaction, or a bad lunch, or a rude fan before you, or his mind is on a personal issue at home, so perhaps he doesn’t fully pay attention to the 200th person in the line, asking  him the same stupid question, or make the same inane joke as 50 people before.

Most of us barely are able to get along with the small circle of people who make up are 9 to 5. A celebrity mutiplies those interactions by the thousands arguably, and even if he is on most of that, 99% of that time, that leaves 1% he is not going to satisfy, or be at his best for.

I’m saying that basing your view of a person on one peripheral incident, that that person arguably has forgotten, five minutes after it happened, if he were to bump into you the day after he would likely not know know you from Adam, yet for you that incident of decades ago has become a defining , enlightening moment on that person’s personality for all time.

And all of us have done this at times. It is the reckoning of someone very young, and the mistake of someone very young. We who are older, who have been on both sides of that being disappointed, and disappointing a person, should hopefully grow to know better.

 

People have bad days. You call em on it, or you don’t. But either way you let it go, and you do not try and define a person you really do not know, based on just that one incident at a convention or party.

An idol doesn’t owe you the approval of his character, he produces work, an if the work speaks to you, he’s done his job. The judging of his soul or his character is not a part of that contract we develop with those who amaze up.

I’m one of those who grew up on the work of Asimov, Bradbury, Baldwin, and Harlan Ellison. Along with a good helping of Stan Lee, and Bill Cosby and Edgar Allen poe and Electric company.

What I gained from all those influences, those creators remain. I’m an immesurably richer person for the creativity of people I know only through their work for the most part.

And if later time finds them in places far from the heroic heights we met them on, it does not change the great things their work did for us, and many like us.

It’s the concept that is lost on a witch hunt America, that a man’s evil does not erase his good. No matter how our culture of championing falls, would like it to be so. 

I think sometimes, particularly in America, we raise people up, just to tear them down. That is arguably not the way, I’m not a bandwagon guy.   Judgement not by the consensus of the media or Social media, or one cursory interaction.

We all make up opinions on people, but perhaps those opinions should be as cognizant of our own… fallibility, as we can make it. And look at the supposed sins and failings of others, always in relation to our own sins and failings.

Something I absolutely do not think is currently happening in the media.

Was Harlan Ellison a prickly, abrasive, off-putting, and arguably contrary and combative person? As someone who has listened to just about all his recordings as well as read and listened to his writings… I believe Harlan Ellison would be the first one to say Yes!!!

He famously said, something to the effect ‘I’m a snake on a rock, don’t mes with me I’ll leave you alone. Mess with me i’ll bite you and hang on.’

That was Harlan Ellison. He suffered not fools. And he believed, he believed the wrong things should be railed against.

And that fire permeated his work, like the fire of invention. Harlan Elision changed the landscape of fiction, with an almost incendiary mirror to the fallacies of our age. His DANGEROUS VISIONS, written before I was born, and that I discovered as a teen, is (I think) for most who read it… the defining anthology of an age.

And in the decades since its publication that anthology and its sequel, continue to be the standard bearer by which all future anthologies are measured.

Harlan Ellison has been chastised for having been self aggrandizing, for his ‘look at me, aren’t I great’ attitude.

I, for one, think Harlan Ellison was a great writer. And his body of work will remain… great and essential, and oddly timeless.

He in many ways was some odd ying to Ray Bradbury’s yang, both of them being the voice for reason, in a world embroiled in madness. They both were masters of the cautionary tale, and their shadow looms large in the works of popular culture to this day. Like Poe they were the masters of the short story, and those short stories will only grow more beloved and adapted in the years to come.

Was Harlan Ellison self aggrandizing. It is the poor creator who isn’t , if he wants to sell his work.

Some creators are bad or uncomfortable with it, and hire others to do it for them. Some are great at it.

Harlan Ellison in addition to being a great writer, was arguably just as great a performer and showman. Like Jim Steranko he had the circus in his blood from a young age. Likely the way such men came up, kicking down doors is the reason the world knows their name today.

So to expect them to be something meek, because you are not comfortable with their breed of strong, is both inane and arrogant.

I love reading Ellison’s Books  for the very brashness of them. and their elegance, and the breath of his imagination, all  imposed by a hard early life, where dreams and the scraping, and shouting, and biting for them was all that made them real.

The very  ‘center of attention’ nature of Ellison, that so can put off others,  is the very thing that galvanizes me to him. And is one of the reasons listening to him perform his works makes them even richer.

He was a natural performer, and one of the best audio performers. Which is surprising giving his slightly nasally voice, but him performing was the audio equivalent of the energy Jack Kirby brought to his panel breaking drawings. It was raw energy and emotion and passion.

If you only know Harlan Ellison’s fiction from just reading, pick up the audio books.

He was one of the best audio actors of the 20th century, right up there with Orson Welles, Vincent Price, James Mason, Roddy McDowell, David Birney.

The thing about Ellison, he earned the right to be proud of his work. As did Bradbury, who had his own very good tv series. And there were plenty, and remain plenty to sing the praises of Ellison’s work. i own his 50th anniversary tome. An updated followup to it, containing the newsletter and other work he did prior to his passing, I definitely look forward to.

So to bring this back, if anyone does not like people who they feels push their importance’ that is their right.

But for every one who for whatever reason finds that behaviour bragging or pitiful, there are a lot that find it neither bragging or insincere, but simply informative, and the person’s personality.

And for me, Ellison, the personality I saw as a fan, was a great personality. And God knows we could use more of his take no bs personality  now, in a world of sheep meekly being bled to death by corporate gleed and malfeasance.

I’m sure he saw in this 21st century, everything he railed against in his fiction.

People also to do a sharp, awkward pivot off Harlan Ellison to accuse Brian Michael Brendis of disappointing publisher DC  Comics, because he misled them by , like Ellison, over-hyping himself.

That is to paraphrase some complaints I have heard. I like the work of Bendis, but he is no Harlan Ellison. The two do not fit in the same sentence. But you can get the gist of the thematic comparison Sleepy was making, by checking out his channel, and the video in question at the link below.

And to be clear, i like Sleepy Reader’s channel. I think it is very informative and you should subscribe. I have enjoyed just about all his shows and find him a highly intelligent, informed and informative person, providing a wealth of great information to this niche community of Comic Book fans on Youtube.

I take the time to write this post not to highlight how all of us in this talk show age, even the most intelligent of us, have started to internalize the sloppy thinking that has brought us to an America, that is regressing rather than progressing.

 

I am reminded of an Alan Moore line, that highlights the discrepancy between the truth of who we  were as angry young men, and who we hopefully grow into being.

As angry young men we have monologues rather than a conversation.  ‘Monologues  we have mistaken for the world’ to quote Alan Moore.

In closing HUGE FAN of Harlan Ellison here, as I mentioned, I hope they will releases a 70th anniversary anthology to follow up his 50th anniversary book.

 

For those reading this who want more from the late, great Harlan Ellison, as well as some of the other greats mentioned please use the following links:

https://amzn.to/2KNsJDA

Originally published in 1962 and updated in later decades with a new introduction, Ellison Wonderland shows a vibrant young writer with a wide-ranging imagination, ferocious creative energy, devastating wit, and an eye for the wonderful and terrifying and tragic. Among the gems are ”All the Sounds of Fear,” ”The Sky Is Burning,” ”The Very Last Day of a Good Woman,” and ”In Lonely Lands.” Though they stand tall on their own merits, they also point the way to the sublime stories that followed soon after and continue to come even now, more than fifty years later.

https://amzn.to/2MDGrLa

 

https://amzn.to/2MeAHv9

A Lit Fuse is an unguarded, uncensored, unquiet tour of the life of Harlan Ellison.

In late 2011 Harlan Ellison the multi-award-winning writer of speculative fiction and famously litigious personality did two uncharacteristic things. First, he asked biographer Nat Segaloff if he d be interested in writing his life story. Second, he gave Segaloff full control. The result is the long-anticipated A Lit Fuse: The Provocative Life of Harlan Ellison. The expansive biography, which is the first such project in which Ellison has permitted large portions of his varied works to appear, is published by NESFA Press.

Segaloff conducted exhaustive interviews with Ellison over the course of five years and also spoke with many of his friends and enemies in an effort to get inside the man and pin down the best-known Harlan stories. Their wide-ranging discussions cover his bullied boyhood, his storied marriages, his fabled lawsuits, and his compulsive writing process with more depth and detail than has ever before appeared in print. But it also delves deeply into the man s deeply held principles, his fears, and the demons that have driven him all of his 83 (so far) years. Friends, colleagues, and admirers such as Neil Gaiman, Patton Oswalt, Peter David, Robert Sawyer, Michael Scott, Edward Asner, Leonard Nimoy, Ed Bryant, Alan Brennert, Robert Silverberg, and many other notables add their voices.

Along the way the reader is treated to an analysis of the Connie Willis controversy, the infamous dead gopher story, allegedly pushing a fan down an elevator shaft, and the final word on The Last Dangerous Visions. What emerges is a rich portrait of a man who has spent his life doing battle with his times and himself, always challenging his readers to reach for a higher plane and goading himself to get them there. It s funny, wise, shocking, and well, it’s Harlan.

https://amzn.to/2Me0vY7

Rediscover the Early Ellison. This collection restores to print fifteen never-collected tales from the first dozen years of his career. Hard-hitting crime stories like “Thrill Kill,” “Girl at Gunpoint,” “Kill Joy,” “Knife/Death” and “Burn My Killers!” share the table of contents with stories of betrayal, including “Death Climb,” “Riff,” “Mac’s Girl,” and “The Honor in the Dying.” And, together for the first time, Ellison’s three detective stories featuring insurance investigator Jerry Killian. Toss in the solo outing of a diminutive private dick named Big John Novak (of whom Ellison expected to write much more, but never did) and a sexy Western called “Saddle Tramp” and you’ve got quite an assemblage of tales from the seamier side of life. All that, plus “The Final Movement,” a never-before-published story from the mid-1950s. Better than a poke in the eye with a white-hot bone of Amenhotep, I think you’ll agree.

 

https://amzn.to/2Oyn6vw

Harlan Ellison is probably best known as a script writer for sci-fi and fantasy movies and TV series such as the original Outer Limits, The Hunger, Logan’s Run, and Babylon Five. But his range is much broader than that, encompassing stories, novels, essays, reviews, reminiscences, plays, even fake autobiographies. Essential Ellison includes contains 74 unabridged works, including such classics as “A Boy and His Dog,” “Xenogenesis,” and “Mefisto in Onyx.” Includes black-and-white photos.

https://amzn.to/2KQ2Z9I

 

 

Best to any one reading this!

 

Advertisements

An early contender for one of the BEST podcasts of the year! Larry Lieber on Stan Lee!

 

 

 

 

 

A simply stupendous interview with Larry Lieber, brother to the great Stan Lee, and unsung hero/creator in his own right.

A vocal few people like to praise Kirby, and then feel they can’t do that, without also taking shots at Stan Lee. A very diseased American either/or idea, that you can’t praise something without tearing something else down.

I’ll have no truck with that.

Stan Lee was (is? I think genius is a fleeting time frame for the best of us. It is an alchemic time that is short lived for the best of us) a genius… Full Stop. And his greatest genius besides his enthusiasm and invention and superlative imagination and ideas, and great writing, was he knew how to find and cheer-lead talent. And inspire talent and appreciation in and for others.

I don’t care how talented you are, either as an artist or writer, what you need is someone to champion that talent and get the masses excited. This is what Stan Lee did, he took a denigrated kids medium, and moved it from the corner store into the College campuses. And from the College campuses to the larger mainstream culture of television, music, merchandising and finally Movies.

Stan Lee did that.

Not alone at the end, but alone at the beginning, he was the visionary who saw a future for these four colored mythologies, beyond the recycling bin. He believed in outrageous ideas like a life for these four color concepts beyond their newsprint origins. He believed in a bookstore life for these books, when that was as much a thing of fiction as the stories in the books themselves.

And he did this by finding and celebrating talent.Like Kirby, like Ditko, Like Romito, Like Heck, Like Buscema, like Roy Thomas.And like his Brother Steve Lieber. Absolutely fantastic interview, I say again. I found myself tearing up during it. And my appreciation for Stan Lee is already immense, him helping train and teach his brother, only increased it. And my appreciation for Larry Lieber has skyrocketed. I’m on a mission now to pick up all his work as writer and artist.
Listen now, true Believer!

 

 

 

BEST YOUTUBE CHANNELS TO WATCH

https://www.youtube.com/channel/UCABwxPC4ugqDZYy8z_6VHNQ/featured

FENSTHE SPOOK- I enjoy this guy’s channel. He covers older books, and underrepresented genres like WAR and HORROR comics, that I really have gotten into.

He does not post often, but that just gives you more time to catch up with his older videos. Great content, and naturally personable. Great channel.

And his take on graded/CGC books is similar to mine. I do not mind them for select,  more valuable books, but I really find it more cost effective to just purchase the slabbed books I want, at the grade I want , rather than the expense and INSANE delay to get the book back from one of the grading organizations. And since I am a very good deal hunter, I find it typically more cost effective as well. Time is also a big factor in any purchase decision.

I hear some people on Youtube going on ‘Well I’ve wanted and searched for this book for three years, but I didn’t want to pay $10 for it but I found it today in a $1 bin. Yay.’ Now you do not have to be the smartest person in the world to figure out 3 years , of even semi-actively scouring and thinking of a book, gas, mileage, and TIME, adds up to a lot more than $10. P

Seriously I hear some of these people crow about finding a book after multiple years of looking, and having paid $10 or $20 less for it. I’m not an immediate satisfaction guy, but I am a cost analysis,time and effort factored in guy. And in no crunching of the #s, does that type of minor savings outweight the time and effort expended even just thinking about the purchase. Much less the multiple boxes scoured just looking for the book.

It is that kind of poor thinking, that has Trump in office right now. 🙂

People not being adequately able to see the real cost of one situation over another.

Okay, that was a pretty large diversion, rant I just went on, I do that.

It’s my thing. 🙂

Anyhow, getting this car back on track, for most of my books, especially new and newer ones, bagging them in Mylar and full back backing board is more than enough. And I can still read them if I choose. 🙂

So yeah, subscribe, or at least spread the word about Fens channel. It is good stuff.

Cool Comic Book Purchases of the Week!

https://vignette.wikia.nocookie.net/rickandmorty/images/1/12/LCSD_Treasury_Edition_2017.jpg/revision/latest?cb=20170923002152Wonder Woman v1 #199 dc 1970s bronze age comic book cover art by Jeff Jones

Wonder Woman v1 #200 dc 1970s bronze age comic book cover art by Jeff Jones

I love the Denny O’Neil Leisure Suit era of WONDER WOMAN. Those issues are the most sought after of WONDER WOMAN’s first run, and two of the best issues, and the most beautiful WONDER WOMAN covers of all time are issues 199 and 200. These issues are starting to really heat up.  Fantastic 1970s Covers by the great Jeff Jones.

 

 

Podcast of the Day : Episode 286: The July Previews Catalog & Bendis Trojan Horse!?!

Podcast of the Day : Episode 286: The July Previews Catalog & Bendis Trojan Horse!?!

http://comicsalternative.com/episode-286-the-july-previews-catalog/

Great podcast, around the 30 to 40 minute mark you’ll find a nice bit on how everything  thoughtful is somewhat political. Give a listen.

It is a nice overview of items you can find in this Month’s Previews.

Previews for those uninitiated is a prE-ordering system for comic books. Especially with the outrageous cover prices Marvel and now DC are charging (I’m telling you, Brian Bendis was a Trojan horse for Marvel 🙂 , jumping ship to eff up DC’s lower, and more successful $2.99 pricing structure. I was picking up a good # of DC $2.99 books, but suddenly Bendis defects to DC, after defending Marvel’s awful business practices and price points for years, and now DC’s books (with a couple welcome holdouts) have shifted to the higher; and in my view, too expensive, Marvel price point of $3.99 minimum).

Pre-Ordering comics allows you to save (depending on the service you use) between 30% and 50% off cover price.

A sizable savings off the no-discount you would receive if you wait to  get the books off-the racks at your local retailer, when they come out.

The deadline to order upcoming comics at a sizeable discount, this month is 25 july. So in a few days at the time of this writing.

Thankfully there are several online retailers that allow you to preorder your comics and have them mailed to you. I’ve tried them all, Milehigh, Westfield, DCBS, to name a few, and while not the cheapest, the one I find to be the best, with the best packing, best customer service, and best quality of service and ease of use… is MY COMIC SHOP.

Order them here:

https://www.mycomicshop.com/subscriptionservice/previews?AffID=200301P01

Come back in a little bit and I’ll have up my list of must buys! I will give you a hint, fire marvel and dc (the movies are much better than the books anyhow. case in point, in the comics they moronically feel the need to both ride off the coattails of the movie version of nick fury, and diminish him at the same time, Black nick fury as white nick fury’s son??? that is just stupid.

what moronic writer came up with that lame, and more than a bit wasp centric idea?

Oh nick spencer. 

yeah, why am i not surprised. 🙂

I KID because i love! Unlike the moronic anti social justice warrior crowD, [basically any idiot who thinkS he is so witty for having a new short hand derogatory label, ‘SJW’, to try and diminish something that scares them, and they don’t quite understand. if they weren’t attacking sjw, they would be burning crosses no doubt. :). if you are subscribed to these clickbait morons on youtube or etc, stop being part of the problem and unsubscribe from them.

] i do not give an eff about cap being a hydra agent for two minutes. i just didm’t buy them.but it enforces a precedent of spencer perhaps not having the greatest ideas. 🙂

here’s an idea. marvel has a multiverse. why can’t the sam jackson nick fury, be his own man. from that splendid multiverse, where he is called nick fury and he is black, and his dad was black, and his mom was black, and his grand parents were black, like the sam jackson nick fury would have to be with a complexion that dark. 🙂

and that should be a great and fine thing! we have some mixed, melting pot families. that’s fine. but we have a lot that are not, and that should be fine too!

why does he have to be a junior to the wwii version of nick fury. it is worse than being blindly bigoted, which a lot of supposedly liberal people are… it is just stupid.

that is why the movies are better than the comics, they have better writers, and other creative people. and don’t get me started on tom king’s batman. talk about the emperor not having any clothes.

tom king is a fantastic writer. his ‘vision’ is i think, without argument, a masterpiece. However there is a repetition to king’s writing, and having the suicidal, deranged, falling apart protagonist that worked so well for the vision, as his goto archetype for every subsequent story is a failing.

it worked less well for the omega men, jury is out on on mister miracle, and it absolutely does not fit with batman. i am suicide? as the definition of batman? it is  the absolute oposite of everything it would take to endure, which is the definition of batman that rings the truest.

I took the trouble of getting and reading the five volumes of his batman run from the library, it is not good. i think he has one voice for all his male protaginists, and it is a voice that doesn’t fit his batman run. that said, when he gets away from his ‘not working’ longer storyline, and sticks to self contained stories, that’s when you see the genius of tom king.

HIS BATMAN ANNUAL 2 is case in point. forget trying to weave this long form story, and delivering issue after issue that underwhelms, give me a 100 stand alone stories of the quality of batman annual 2.

unfortunately he took the wrong thing from the success of that annual. he thought it was about milking that one storyline for a hundred issues, the strength of that issue is it was complete onto itself. king is trying to do doug moench, when he should be trying to do frank robbins. self contained over long form

 

How is that for an aside?! :))

so all that to say fire the over-priced, variant and gimmick saturated marvel and dc comics , and get periodical comics from people who respect their readers and just want to tell good stories in the periodical format. marvel and dc, do have fantastic creators, but they are being sabotaged by $4 to $8 ‘high way robbery’ price points. i absolutely want to read coates’ captain america and black panther, priests’ deathstroke, same for many other books. i refuse to pay their price gouging amounts. rather do what i do, wait for them to be collected and either read it for free from the library or buy it at a discount at your local bookstore or online store.

marvel and dc, are pridefully ignorant, a catching disease as our political landscape shows too well. such ignorance can not be reasoned with, it must be actively chastised the only way the pridefully ignorant understand, in dollars and cents.

stop buying them in periodical form. job done.

and instead buy periodicals from companies that are still excited by that format and price point. buy from the new marvel and the new dc for the 21st century.

 

I’m talking of the Canadian company CHAPTER HOUSE, AND THE AMERICAN COMPANY ALTERNA. AT LESS THAN HALF THE PRICE OF MARVEL AND DC, I BUY EVERYTHING THESE GUYS PUT OUT. THESE GUYS MAY JUST BE THE NEW, AND GOOD, MARVEL AND DC. 🙂

 

***********

Thursday’s Thoughts! Vol 1 Issue 1

dvd, bluray

‘ “Heart jim, Heart! The whole world’s crying out for a little bit of heart!”

— DETECTIVE STORY

RECOMMENDED DVD/BLU-RAY PURCHASE OF THE DAY

 

DETECTIVE STORY (1951) – Detective Story released in 1951, a time before most of your grand parents were born is a surprisingly timeless and always ahead of its time film. To call it the best film of its type is to damn it with faint praise, directed by William Wyler, a director”s director, and starring true powerhouse actors, it is a film, that in an age of streaming, an age of digital, it is a film that it is a crime not to own in physical format, as DVD. Leaving such a movie to the whims of content providers, or broadband access or licensing deals, for when or if it is available… criminal.

It is a movie that now 70 years after every TV show and every movie has ripped it off, should strike modern audiences as formulaic, but it doesn’t. Because here is where the formula was born, and here is where it remains the most staggering and damning.

The cover to the Spanish Blursy, hints at the smouldering intensity that Kirk Douglas and Eleanor Parker as his wife deliver, captive cogs in a city and a time and a place. Eleanor Parker is absolutely devastating in her performance, her reaction shots to a Kirk Douglas far beyond the edge, it is what people mean when they say star power.

You can say that of the whole cast. Ensemble acting in a time when that was not even a concept.

Watch it via streaming if you can; but then buy the DVD or BluRay. It deserves like most of William Wyler’s movies a place on your book shelf. It is art at 24 frames a minute.

 

What I’m Listening to:

I’m on the third audio book of the 8 book men’s adventure series from the 1970s BLACK SAMURAI. I pop the cd in on my way to from work, and it is SO FRIGGING GOOD! Each book is a writer, the late, great Matc Olden just at the height of his gifts. As a fan of all these men’s adventure books of the 70s, from BOND, to NICK CARTER, to THD EXECUTIONER MAC BOLAN to REMO WILLIAMS THE DESTROYER, Olden’s BLACK SAMURAI  is just more riveting.

An outgrowth of the pulps of the 20s and 30s, married to the pulp fiction and roman noir fiction of the 40s and 50s, the men’s adventures of the 60s and 70s would add a globe hopping sense of scale, mired in the cultural, sexual and idealogical battle grounds of the times. In terms of just great writing, this series is the tops. And that is coming from one of the biggest fans of Warren Murphy’s excellent DESTROYER SERIES.

Pick up the recently released MP3 CD Collections, fantastic performances by audio actor Kevin Kenerly, and all eight of the original 1970 Signet Paperbacks. The original paperbacks are works of art and should be in any bibliophile’s collection.

See my earlier posts for An interview with Diane Crafford, Mark Olden’s partner who the books are dedicated to and who even shows up in one of the books

And I hope to bring you a new interview here on the 44th Aniversary of the series, and since the Marc Olden properties have all heated up of late, with names like Common and Idris Elba attached to them, it is a timely follow-up.

 

What I’m wztching:

Youtube.

I am watching a lot of great Youtube channels. I watch, via Roku, Youtube on my big screen. The Youtube shows are overall more interesting than regular TV.

This week’s standouts are:

FENSTHESPOOK – The quote at the top of this post about having heart, this guy has heart. I like his humanity, his acknowledgement of the fact that the hobby of comic book collecting, is a calling, and an honor. And his reminisces about those who have passed, I find touching.

Silver-Age Dave – one of my favorite Youtubers week in and week out. I have spent a lot of money recently on treasury books, because watching his collection reminded me how much I enjoyed these older treasuries as a kid.

Regie Collects – Always informative, as well as fun haul stories.

Mind Smash – Great channel that breaks down some of the best fighters current and past.

Earl Grey – Great coverage of European and Indie comics and books

Ok that’s it for this installment. Nearly 3am and have to be at work early.

Leave a comment or like if you enjoy this THURSDAY’S THOUGHTS!!!

 

 

 

Today’s Comic Book and Book Recommendation of the Day! BLACK COMIX RETURNS

I’ve already said that THE SIGNATURE ART OF BRIAN STELFREEZE by Boom Studios was my favorite art book of 2017. Just a stunning, masterpiece of a tome in terms of content and book design.

Today I received an early contender for best Artbook of 2018, from LION FORGE and THE MAGNETIC COLLECTION I received Damian Duffy and John Jennings BLACK COMIX RETURNS.

https://s15-us2.startpage.com/cgi-bin/serveimage?ref=https%3A%2F%2Fdoomrocket.com%2Fwp-content%2Fuploads%2F2018%2F02%2F6266876-01.jpg&ua=TW96aWxsYS81LjAgKFgxMTsgVTsgTGludXggaTY4NjsgZW4tVVM7IHJ2OjEuOS4xLjcpIEdlY2tvLzIwMDkxMjIxIEZpcmVmb3gvNTguMA&uadata=cf9debef56fa965b769e72c56b27148c&url=https%3A%2F%2Fdoomrocket.com%2Fwp-content%2Fuploads%2F2018%2F02%2F6266876-01.jpg&sp=0bf754d25485da820bce7d78c288509e

I didn’t know much about this book going into it, except it was edited by the prolific John Jennings, and after seeing this creator interviewed on Youtube,I was on a mission to pick up his work. BLACK COMIX RETURNS is a ten year old followup to the sold out first volume (which iI delayed picking up, and is now out of print, and the copies that are availabl;e are selling for 3 figures).

I was eager to get this volume, and finally received today, it is stunning. I didn’t know what to expect, what I got was a curated overview of the creators who are putting out some great and very individual works. Similar to David Roach’s MASTERS OF SPANISH COMIC BOOK ART, but where that is a look back, BLACK COMIX RETURNS is a look at creators who are currently redefining the medium, one passion project at a time.

Get any of the books recommended in this post at the links below:

https://amzn.to/2Grs4GK

https://amzn.to/2uwPlFq

https://amzn.to/2GoYXaX

https://amzn.to/2IkuqYa

Also this book, like that aforementioned Brian Stelfreeze artbook, is simply massive and gorgeous. A lot of collectors today concentrate on variants and rarity, I like to call it manufactured rarity, and I tend to not have a use for it. I remember the bubble of the 90s, and much of that had to do with variants and speculation of value, the illusion of scarcity and value, and when the music stopped people had paid lots of money for books that no one wanted, and were now worthless.

https://s17-us2.startpage.com/cgi-bin/serveimage?url=https:%2F%2Fwww.bleedingcool.com%2Fwp-content%2Fuploads%2F2017%2F02%2FBlackComixReturns-600x346.jpg&sp=76cf8ecc82f33d3b9ff061cab835bcde

BLACK COMIX RETURNS should firstly be bought because it is a fantastic and informative and  stellar addition to anyone’s library (showcasing fantastic artists such as Paris Alleyne, Gregory Anderson Elysee, Dawud Anyabwile, Eric Battle, to name a few) , however it should also be bought because it is a map to true, underground, and often scare and underseen comics and their diverse and talented creators.

And as the first BLACK COMIX shows it should thirdly be bought because quality hardcover artbooks,  particularly regarding populations of color, tend to go out of print, and become in themselves… rsrities.

For all these reasons BLACK COMIX RETURNS is my book of the day!

https://amzn.to/2uwPlFq

https://s17-us2.startpage.com/cgi-bin/serveimage?url=http:%2F%2Fteamradio.net%2Fwp-content%2Fuploads%2F2015%2F01%2FBlack-Comix-Festival.jpg&sp=9b3d91ef240c48da88b1d532f88223c3