Best & Favorite of 2017!!!

This is a bit belated but I think you will find a nice overview to 2017 and pointers to 2018 in the ramblings below.

Favorite movies seen in the Theater in 2017:

KONG:SKULL ISLAND

LOGAN

 

I only saw two movies in the theater in 2017, so looking to improve on that in 2018. Nothing in January had me jazzed to pay theater prices for, however I am looking forward to the following in 2018:

click for larger (if applicable) click for larger (if applicable) click for larger (if applicable)

EQUALIZER 2

click for larger (if applicable)

 

FAVORITE TV SHOWS IN 2017:

  • LEGION
  • TAKEN
  • POWER
  • AMERICAN NINJA
  • CHOPPED
  • AMERICAN PICKERS
  • LOVE IT OR LIST IT
  • LETHAL WEAPON
  • THE GRAND TOUR
  • GODLESS
  • RUNAWAYS

FAVORITE STREAMING TV CHANNEL IN 2017

The one two punch of AMAZON PRIME and HULU gets this award. NETFLIX that was riding high in 2016 with LUKE CAGE and other shows, had a disappointing 2017. With a non user friendly interface compared to Amazon Prime and a selection of shows and movies that weren’t as interesting or well curated as either HULU or AMAZON PRIME, I cancelled my membership at the end of 2017. The last straw being the overhyped and ultimately lackluster PUNISHER series, as well as news of the studios pulling their content from Netflix.

In 2018 the TV shows that I am or will be watching are:

CASTLE ROCK

GRAND TOUR

TAKEN (I think the new showrunner made a mistake getting rid of most of the cast from season 1, but hopefully he can course correct and fix it)

STRIKE BACK and ELEMENTARY return after long hiatuses

LONGMEYER went out with a bit of a whimper, so looking forward to YELLOWSTONE

JACK RYAN

LETHAL WEAPON

CHOPPED

IZOMBIE

BLACK LIGHTNING

AMERICANS

And lastly looking forward to Season 2 of what, without question, was the best, most inventive TV show of 2017, Noah Hawley’s LEGION.

And for those keeping score… LUKE CAGE tied with FARGO Season 2 (Also by Noah Hawley) were the best TV shows of 2015, and DAREDEVIL Season 1 was the best TV show of 2014.

 

BEST MUSIC OF 2017

I loved everything binaural in 2017, adding many great CDs to my collection. THE HEAVY and GREGORY PORTER remained in heavy rotation. Gregory Porter being my favorite live performance of 2017. And I added new interests RAG N BONE MAN, Andra day and Brian Ferneyhough. With Spotify to allow me to try before I buy, I’m looking forward in 2018 to discovering more great music, both old and new.

BEST READS OF 2017

I didn’t read as many novels, or listen to as many audio books in 2017 as I did in previous years, so I definitely hope to turn that around in 2018.

I did do substantially better with Art Books, Graphic Novels, Reference Books, and comics in 2017. Some of the standouts:

 

MATT BAKER THE ART OF GLAMOUR

CREEPING DEATH FROM NEPTUNE

THE WOLVERTON BIBLE

ARTIST EDITION BASIL WOLVERTON (This and the other two previous books having to do with Basil Wolverton, I went all in on him in 2017. Still absorbing these three books here in 2018)

JACKIE ORMES

THE SIGNATURE ART OF BRIANSTELFREEZE

SEX AND HORROR THE ART OF ALESSANDRO BIFFIGNANDI

In 2018 writers I intend to go all in on are Percival Everett, Victor Lavalle, Colin Whitehead and Walter Mosley, as well as revisiting work by Ligotti, Lebbon, Ellison, Stephen King, Clive Barker and Bennett.

 

In 2017 Marvel had a great POWER MAN AND IRON FIST series I was reading, the only thing I was buying monthly from Marvel Comics. And Marvel letting greed get in the way of common sense, killed a series everyone was loving, with a creative team everyone was loving, David Walker and Brian Stelfreeze, to instead both dilute audience attention and oversaturate the market with multiple books, almost all of which are ready to be canceled. So going into 2018, with Marvel sticking to their insane $3.99 price point per book, there are no titles I pick up from Marvel Comics.

 

In 2017 DEATHSTROKE by Christopher Priest was the only DC Comic I was getting on a monthly base. It’s arguably the one series that you can just pick up and enjoy without having to read any other title, or care about any other title. Priest has been able to just do… what he does best, create a fantastic read; month in and month out. So it is the only DC book I’m reading in 2018. However, greed rears its ugly heads and the idiots who get paid to make stupid decisions have decided to add DEATHSTROKE to their floundering team book… JLA,  basically gutting the standalone nature of the comic that allows Priest, to do his magic. Basically the same poor decision making that happened last year with POWER MAN AND IRON FIST.

 

I figure the conversation went like this… ‘man everyone is talking about this book, let’s put the characters in multiple other books, and then they will be talking about all those other books too.’ No, you EFFING morons! The reason people are enjoying POWER MAN AND INRON FIST or DEATHSTROKE is because it is well drawn and well written and not part of your insipid crossover infested universe. Your very attempts to duplicate that success, without understanding it, will kill the character in the new book, and kill interest in the character in the original book.

So yeah here’s hoping someone with brains over at DC, vetoes the horrible idea to put DEATHSTROKE in the JLA, because I’m not going to read the JLA, and you’re editorial interference will create a character that no longer works in his solo book. You have therefore killed the golden goose and have nothing to show for it.

 

The good news is when you get sick of the stupid decisions and overpriced ad laden product at DC and MARVEL, you have great content from other publishers to enjoy. Publishers that give you more for your money. Publishers such as IMAGE, AFTERSHOCK, DARK HORSE and many more.

As far as where to buy new comics from, a lot of people will steer you to DCBS. I personally in terms of pure customer service and ease or ordering prefer LONE STAR COMICS. You can order comics in advance from the at http://www.mycomicshop.com at a discount.

 

They are highly recommended, and I use them myself, and this is an unpaid recommendation. Tell them Heroic Times sent you.

 

And wrapping this up, favorite podcasts of 2017:

 

11OCLOCK COMICS

COMIC GEEK SPEAK

WTF with Marc Maron

BLACK TAPES

GEEK SYNDICATE

 

To name a few. Okay that is it for my 2017 Pop Culture overview. Thanks for bearing with it and if you enjoy, spread the word. Enjoy WEEK #6 of 2018!!!

 

 

 

 

 

Advertisements

VOD Streaming Amazon Prime Movie Review – Larry Fessenden’s WENDIGO

 

Written, Directed and Edited by Larry Fessenden, WENDIGO (2001) is a very unusual movie, in that it feels very full of portent, out of control, and uneasy. Most of all uneasy. The title would have you gearing up for something else, but what you ultimately get is something thst is less and more, something subtle, yet forboding.

It will leave you, depending on the type of person you are when you come to it, both enthralled by the story, and leary of following the story to its conclusion.

Go into this 17 year old film ( hard to believe 2001 is almost 17 years ago)  knowing as little as possible, nothing beyond the title, don’t even watch the trailer, and it will reward you with a film that will linger, long after the credits roll.

A recommended film. Grade B+.

 

 

 

AMAZON PRIME vs NETFLIX! Fun MONSTER Movies on VOD this Weekend!

AMAZON PRIME vs NETFLIX! Fun MONSTER Movies on VOD this Weekend!

For this comparison I’ve left out vampire, zombie, werewolf and ghost/possession films, concentrating on the more niche sub-genre’s that make up horror movies.

AMAZON PRIME HAS:

    

 

NETFLIX HAS:

 

 

EASE OF SEARCHING: Amazon wins. You can type in a generic term and Amazon will search for it. Netflix’s app by default just searches by title

RATINGS: Netflix previously did helpful star ratings, but since has replaced it with utterly useless percentage rankings. Netflix desperately needs to go back to star ratings and IMDB scores on films. Amazon is the clear winner here, offering usually pretty spot on ratings to help you locate your next obscure or recent find.

TRAILERS: Netflix except in a few cases, with mostly their produced content, does not offer trailers. And the few they do offer take multiple clicks to locate and play. I love watching trailers, they can save you a lot of time by, along with the rating, quickly helping you determine if a movie (or show) is worth your time. Another HUGE fail for Netflix, and big win for Amazon Prime.

A ‘VIEWERS ALSO WATCHED’ OPTION – Again it helps emulate the video store dynamic, by putting on your radar options and selections you otherwise would not have thought of. I spend probably 4 times longer on the Amazon app, because it offers this rabbit hole feature. One selection, leading to another, leading to another.

Add all the above, to Amazon Prime’s massive back catalog which dwarfs Netflix’s options, and you have the fun video store experience improved on and ramped up by a factor of ten.  Amazon may be producing the superior new content, and branded shows, but as a central distributor of all things VOD, how it made its name initially, it Is falling way behind.

This week’s clear WINNER…. AMAZON.

 

 

 

Movie of the Day : Netflix’s DEATHNOTE (2017)

DEATH NOTE – less horror than action-fantasy, prolific director Adam Wingard continues to prove himself one of the most innovative and exciting genre directors working; making this adaptation of the lauded manga and anime its own thing, that works beautifully for a feature film.

Great casting, great performances, and a compelling and exciting take on the DEATH NOTE source material, makes for a film that I personally like quite a lot. No it is not the manga, and no it is not the anime, if you want just that… that already exists, rewatch to your hearts content. What this is… is the concept of DEATH NOTE turned into something that works at a feature, rather than episodic, length. Job Done.

Also while I liked the anime, beyond a point I found it a bit long in the tooth, and all the characters while intriguing not exactly.. gripping. With the live action Wingard gets to flesh out the characters with really talented actors.

Nat Wolff’s Light Turner imbuing the relatively cold and calculating character of the anime, with a humanity and likability and relate-ability that makes you care. It is a fitting change to make, and it is a strength of Wingard’s recent films such as THE GUEST, to give us characters who, like most of us, are somewhere between sinner and saint.   Shea Whigham is always compelling, and brings to the role of James Turner, Light’s Dad, a warmth and strength and conviction, and nearly palpable love for his son, that is lacking in the anime.

Lakeith Stanfield, the actor who plays the quirky, candy loving, ‘L’ for my money makes that character even more compelling and interesting than in the anime. It is an inspired bit of casting and his performance largely steals the show.

And speaking of genius casting,  Dafoe’s voice as Ryuk… GENIUS. 

All the pieces of performance,writing, direction ends up with a DEATH NOTE feature film that deserves to be on your keep list. It joins THE GUEST and YOU’RE NEXT as Adam Wingard’s best films so far.

Grade : Strongly Recommended. B+.

 

 

Rating the Bigfoot Movies! Best and Worst!

BIGFOOT MOVIES TO SEEK OUT:

WILLOW CREEK – Suffers from annoying boyfriend syndrome, a failing too common to too many of these films with women being talked into dangerous situations, and worse being talked into remaining in the dangerous situations by boyfriends completely oblivious or making inane excuses for them remaining rather than rushing them to safety.

WILLOW CREEK for the majority is this annoying dynamic. So worth a watch if you are a Bigfoot movie fan/completest, but this due to how stupid the characters are written is far from satisfying. Grade: C-/D.

EXISTS is Big Foot movie done probably as well as it can be done. While you do have the obligatory idiot, you also have more well rounded and intriguing characters, and some sustained and exciting Bigfoot action. And a great and exciting if harrowing ending. Well worth owning on Blu-ray. Grade: B+

THE WOODSMAN- Is a horror takeoff on SURVIVOR MAN, as are many of these ‘Something in the woods’ films. Sporting only 2 actors, and only a brief glimpse of the rock thrower. Worth a  look, but relatively forgettable and an abrupt unsatisfying end. Always a bad sign when the poster is far more interesting than the actual movie.  Grade: C-/D-.

STOMPING GROUND – is up there with IT EXISTS with being a solid entertaining look of friends sharing their bonding time with something else. A great ending. B+.

LEGEND OF BOGGY CREEK- This is the one that started the BigFoot hype and with its documentary  meets DELIVERANCE style, continues to have a compelling vibe. Grade: C-.

SOMETHING IN THE WOODS – low budget 2016 film is convincingly done and engrossing tale of a man trying to protect his family and farm from something… unrelenting. Very good film. Grade: B/B-.

THE SIGHTING – For those looking for a twist on the standard BigFoot lore, this film fits the bill. Quite liked it. B/B+.

BIGFOOT (1969) – Speaking of twists. This forgotten 1969 film features buxom beauties falling into the clutches of a Bigfoot who wants attention paid to something besides his foot, and the biker boyfriends who must save them. The type of outlandish, trippy film that only the waning days of the swinging 60s could provide. Grade:  C/C+. Worth a Look and several shakes of the head.

CREATURE FROM BLACK LAKE (1976)

HUNTING GROUNDS (2017) – If you are sick of this off camera stuff most of these other films do, than this is the film for you. You will see the Bigfoot clearly and often, and doing things the other films would leave to your imagination. Where this one trips itself up is the human element. But unevenness aside, well worth a look. Grade: C/C+.

WILD MEN (2017) – Another Reality show goes hunting for BigFoot type movie. This one is quite good and fun. Grade: B.

 

-BIGFOOT THE LOST COAST TAPES rivals EXISTS as one of the best BIGFOOT movies. And it has one of the more unique and impressive endings. Strongly recommended. Grade: B+.

 

You can catch many of these films courtesy of AMAZON PRIME and/or HULU and the following are worthy of owning on DVD/Blu-Ray:

Exists [DVD + Digital]

Bigfoot: The Lost Coast Tapes BD/Combo [Blu-ray]

 

BIGFOOT MOVIES TO AVOID:

FIELD FREAK

BLACK WATER SASQUATCH

NIGHT WALKER

BIGFOOT VS DB COOPER

LOST WOODS

1313 BIGFOOT ISLAND

BOGGY CREEK (2010)

DOGMAN

HOLLER CREEK CANYON

PREDATORY INSTINCT

BIGFOOT HORROR CAMP

BIGFOOT WARS

BIGFOOT VS ZOMBIES

THE VOID Netflix StreaminG Movie of the Day!

THE VOID by director/writing team of Jeremy Gillespie and Steven Kosanski is the calling card of filmmakers to watch.

I loved the trailer for this film, and it was one of the films I was most hyped to catch on Netflix this year. Finally watched it does deliver the goods, a throwback to the visceral, and gooey practical affects of the best of 80s Body Horror, films such as John Carpenter’s THE THING. THE VOID is a deeply off-center film, and an uncomfortable one, and while doing everything right, feels off-kilter enough not to be a home-run.

You couldn’t ask anything more of a horror movie than this film delivers, and yet it leaves you slightly unsatisfied. Again, it is everything you can want in a horror film, but there is something about it that feels, strange and cold and empty in the center. Maybe that’s an earned feeling, or something about how referential it is to well known films in the genre, whatever it is, I do like this film, and I think it deserves more than one viewing.

I hestitate to call it a great film the way I would unreservedly say of DEVOURED or IT FOLLOWS or A GIRL WALKS HOME ALONE AT NIGHT or III: RITUAL, but it is a solid very good film, and is worth owning on Blu-ray or DVD. Grade:B+.

The Void

Currently Watching : Richard Linklater’s BEFORE SUNRISE

‘The Answer must be in the attempt.’

I had no desire to see this film, but finally watched, it is quite a lovely film. Covering one day, one chance encounter between two people. There is something very relateable and universal about meeting someone in passing, and bridging that gap between is there or isn’t there something there.

It’s a wonderful film about those fleeting glances we have all had, followed and acted upon, and leading to something by chance begun. Here that unlikely and awkward and magical and inept circumstance of burgeoning love is told against the backdrop of one of the most beautiful of cities, Vienna, immortalized by Carol Reed’s and Orson Welles’ THIRD MAN.

It’s a wonderful way to pass an hour and a half. Watching a film about the moments that live… because of the attempt.

 

“I believe if there’s any kind of God it wouldn’t be in any of us, not you or me but just this little space in between. If there’s any kind of magic in this world it must be in the attempt of understanding someone, sharing something. I know, it’s almost impossible to succeed but who cares really? The answer must be in the attempt.” — Celine in BEFORE SUNRISE