Today’s 12 MUST OWN DvDs and BluRays in the Age of DIGITAL!!!!

Go back ten years in this blog and you will see I was singing the praises of Walter Hill’s EXTREME PREJUDICE as not just one of Walter Hill’s best films, but one of the best action films ever made.

Here is where all of Walter Hill’s loves and inspirations (from John Ford to Sam Pekinpah) took him furthest and took all involved furthest. Much like Anthony Harvey’s seminal THE LION IN WINTER it was the best film of everyone involved.

So EXTREME PREJUDICE‘s lack of availability in a great Bluray, and better yet Steelbook format, has always struck me as a missed opportunity.

While the US has yet to correct that wrong, Germany and Japan (and the UK had an out of print version as well) evidently know a brilliant movie when they see one, as you can get Walter Hill’s best film on BluRay thru those countries.

Shame on you US!

In my best PLANET OF THE APES growl… “BOW YOUR HEAD!!!” 🙂

But yeah, came across the below BluRay version from Germany…

I have recently gone on a steelbook kick thanks to recent absolutely jaw droppingly beautiful steelbook releases by Shout Factory. I’ve kinda grown to despise the titular blue bar on the top of traditional BluRay packaging. I was never a fan of that branding, but accepted it because, that was all there was.

Well today we have great companies releasing wonderful Blurays done with an eye to aesthetics, that makes not just the film a work of art, but the whole gestalt, the whole process, a work of art. Which is what hopefully anything that takes up space, precious space, in our homes and our lives should be… a thing of beauty.

A thing that makes us smile, to look upon it.

The twelve movies below, including the aforementioned EXTREME PREJUDICE release… make me smile.

Reach out to me, if you need assistance in acquiring any of these.

Without further ado… 

Today’s 12 MUST OWN DvDs and BluRays in the Age of DIGITAL!!!!

The Japan and Uk version use similar art for the BluRay, but both are out of print. But they have that blue branding at the top that I can deal with, but does not inspire me to rush out and get a copy. These days I drag my feet before buying anything that doesn’t completely thrill me. Streaming has spoiled us, even us DVD and Bluray fans: today even for an increasing # of us, owning physical media is a luxury that has to justify itself, in an age of Digital.

Digital… meet justification. The German mediabook of EXTREME PREJUDICE…

 

HOLY … BLOODY… HECK!!! 

That is a magnificent cover! And I even forgive it the Blue branding at the top.

Man… when I saw this, even though the book portion is in German (And the title is AUSGELOSCHT which translates loosely to Elimination or Annihilation), I had to have it. Especially when I saw that it was sold out nearly everywhere. 

Okay that was one Bluray down, here are today’s other 11 must own BluRays.

 

 

https://amzn.to/2LeMZ4s

Yes, I listed THE THING Steelbook last time, and yes it still takes my breath away. SHOUT FACTORY has just knocked it out of the park with this and their other recent Steelbook releases. I own it now and still am impressed with it every time I see it on my shelf.  And people, this is nearly out of print everywhere. Pick it up while you can.

 

And moving on, here are the remaining must own Blurays of today!

 

 

https://amzn.to/2Lgq2Oj

https://amzn.to/2NKS3iF

 

https://amzn.to/2zMhgkM

The Blue Branding is just a removable cardboard piece, thankfully, and at the price this classic is a must own.

https://amzn.to/2NLjN6X

https://amzn.to/2MS9CxN

https://amzn.to/2NLzsmF

 

https://amzn.to/2MR0HMT

https://amzn.to/2HCv1qf

I do not love THE HOWLING steelbook, but it is growing on me. I kinda like it. And it is currently affordable.

https://amzn.to/2MSacvt

While everyone is proclaiming the death of physical media, I have to tell you, there are people like me, who will always support beautiful things. And while it is great to stream movies, and stream comics, and stream books, and stream magazines, there is no substitution for being able to hold and peruse and showcase a well designed work of art.

So if companies up their game like SHOUT FACTORY is doing, don’t just slap a photo on the cover, but put some bloody creativity into the packaging. Custom artwork, great design, and they will sellout their SteelBook Blurays… just like SHOUT FACTORY is doing. People will support… quality.

Choir… preach. 🙂

Guys if you like this post. go ahead and support this blog by using the links provided. Purchases thru the included links earn this blog a few much appreciated pennies to keep the virtual lights on. 🙂

Thanks for viewing, leave a comment, like or email or subscribe. It is all appreciated. Till next time… be well!!

 

CLASSIC GOLDEN AGE Horror Comic Book Cover of the Day!

There are no skulls, or drooling monsters, or scantily clad females in peril on this cover (not that there is anything wrong with those covers, the lurid has its place) and yet, this is the cover that made me fall in love with collecting Golden Age Comic Books. The sophistication of John Severin’s artwork, the masterful use of color, its ability to encapsulate mood and storytelling and foreboding in a single pregnant image. 

First time I saw this image, I knew I had to have this book. That i was looking at the work of an artist, Capital A.

This is my book of the day. And it is currently VERY undervalued and very affordable. And is my recommendation for affordable golden age comic book to add or start, your collection with.

Hope you found this post useful, if so give a like and a subscribe. Till next time… be well!

Favorite Modern DETECTIVE COMICS Covers! Vol 2!

Generally speaking, the 2nd volume of DETECTIVE COMICS which ran 50+ issues was not great. It began questionably and ended questionably. However in between there was some very good work done with cover design and typography. Here then are the best covers from that brief run!

GREAT Comic Book covers from the 2nd Volume of DETECTIVE COMICS!

Detective Comics #27ADetective Comics #30ADetective Comics #31ADetective Comics #32ADetective Comics #33ADetective Comics #34COMBODetective Comics #35COMBODetective Comics #36ADetective Comics #37ADetective Comics #37BDetective Comics #38ADetective Comics #38COMBO

Detective Comics #39ADetective Comics #40COMBODetective Comics #41ADetective Comics #42A

 

If you like or are missing any of the above issues and would likre to purchase them, feel free to use the handy great link below! You’ll get great books, and earn a couple of pennies for this blog. Also don’t forget to like and share this post if you would like to see more like it! Thanks!

https://www.mycomicshop.com/search?TID=22331625&AffID=200301P01

4 Best Youtube Channels of the Day! 8 July 2019!

 

 

 

 

 

 

Stop by and give all 4 of the channels above some love.

And to support this blog, buy stuff from my sponsor at the link below, and earn this blog some pennies! Happy Monday!

https://www.ebay.com/sch/aseller99/m.html

 

Playhouse 90’s A TOWN TURNED TO DUST aka Echoes of the current political landscape!

“We didn’t know he was guilty.

We strung him up, to satisfy the mood.”

 

“There’s the hunger for the niche.

I wanted to be somebody.

So I decided who the victim should be.

I pointed to an old man.

I led the mob.

I wanted to be somebody.”

— Playhouse 90 A TOWN HAS TURNED TO DUST

 

Those quotes from 1958, written by one of our great writers to highlight a mindset of ignorance and prejudice and lynchings, are oddly and shamefully relevant. Being that here 60 years later the current occupant of the white house stole into the office, on such rhetoric of hate and stupidity and intolerance.

Invaded the most powerful office in the world, swept in on the unreasoning bellows of the mob.

I love Amazon Prime for making available these forgotten and overlooked pieces of cultural and cinematic history.

 

Today I watched from the early days of television, PLAYHOUSE 90s A TOWN THAT TURNED TO DUST.

Directed masterfully by John Frankenheimer, written by Rod Serling, starring a stellar cast including Rod Steiger, William Shatner, Fay Spain,  Eugene Iglesias, Mario Alcade and James Gregory.

From 1958, when Jim Crow and Lynchings still infested large swaths of America, this live production is unfortunately again relevant in 2019, will always be relevant as long as there are masses who want to blame their lives on others rather than taking responsibility for their lives. And ready, these masses, to be led by the loudest voice of hate, rather than the more thoughtful voices of reason.

Watch it now courtesy of Amazon Prime (search for it under the title AN EVENING IN THE ZONE). This is a film that deserves to be owned on DVD/Blu-Ray. Deserves to always be readily available, and not at the mercy of ephemeral streaming  contracts and whims.

I would like to think if Americans were raised on films like 1936’s FURY by Fritz Lang and 1943’s THE OX BOW INCIDENT by William Wellman and this one by John Ftrankenheimer, if these films were required viewing, we would stop repeating the same mistakes and committing the same attrocities and empowering the same hate mongers. To the point where the occupancy of the White House would be different.

There is nothing sadder than history and mistakes not learned from.

Haul / Ebay Unboxing and Why Variant Covers are destroying the Comic Book Market / Experience!

THE BEST OF DC WAR COMICS AMERICA AT WAR  Edited by Michael Uslan

One of the great discoveries of 2018, in addition to me getting back into old back issue comics, and purchasing my first Golden and Atomic age comics, is my jumping into conflict or combat or war comics, with both feet.

The first conflict title that really grabbed me was OUR FIGHTING FORCES STARRING THE LOSERS. I have been reading comics for decades and somehow I managed to remain largely clueless to these comics. I mean I had seen war and western comics as a kid, and had no interest in them as most kids of my age at the time.

I think those books are very much something you have to grow to appreciate, much like the art of Jack Kirby.

But here many decades removed from that kid, this year I stumbled across the amazing run of Joe Kubert covers for OUR FIGHTING FORCES, and they just blew me away.

In an age where a lot of morons are using gimmicks like variant comics to sell multiple copies to a dwindling reader base , and publishers are playing into the gambling aspect of the speculators, who don’t even read the comics, they just oooh and ahhh over what amounts to pinups on the cover, rather than in the book where they used to be.

To the point where you have covers that are completely devoid of typography. Typography is part and parcel, of what makes s great, iconic cover. Another part of being iconic, is there being only one image,  per issue, a popular shared point of reference that an entire public can reference.

If you say Amazing Fantasy 15, or X-men 94, or Hulk 181, what makes all those issues so iconic, is they  bring up one agreed upon, and shared image in the minds of the audience.

Now covers have a minimum of 2 variants and often 10 times that many. At that point you have stopped selling stories, and are in the business of selling pin-ups. And if all you want is a pin-up, just download the damn cover images. Do not get me wrong there are some wonderful images being created for these ‘variant’ covers. But they are pin-ups or posters, they are not covers. They act against the very idea of a cover, which is a single, memorable image you can identify with that story. You weaken your own product, by dilluting and muddying the waters, with multiple covers, or multiple endings, or multiple versions. Plurality being the enemy of the iconic.

It is the reason modern comics are a speculator’s bubble, poised to burst. The whole market, much like the 90s, is built on speculation, and chasing the very transitory and ephemeral nature of what is hot. A lot of it is forced or manufactured rarity. Ooh this issue had a curse word in it, ooh this issue had a possibly risqué or controversial image.

It is completely manufactured market, based on very superficial minutiae, than in any way on content or quality.

DEATHSTROKE is consistently one of the best books DC comics is producing. Christopher Priest month in and month out delivering fantastic writing, with fantastic interior art.

Unfortunately all the speculator’s comment on is the cover variant.

While no doubt the creators are glad to have the numbers, having the readers is the real goal of this medium, and the real satisfaction of being a creator.

It is one reason that older comics, particularly from the Bronze Age, are getting so popular. The storytelling, the typography, the beauty, the singularity of vision, all stands out, especially in comparison to the lack of all of those things in most modern comic books.

Joe Kubert I really have grown such a HUGE appreciation for his story-telling, particularly his covers. He is such a master artist, and no-where is that more obvious than on his long and fruitful run in Conflict Comics.

Here without further ado are just a few of the must own LOSERS Joe Kubert covers (the complete essential run goes from OUR FIGHTING FORCES 123 TO 141. 19 issue run of AMAZING covers. And even though Kubert keeps doing the cover art till 151, I would say 141 is a good jumping off point for individual issues collectors.  After 141 DC would go for a more conventional , less experimental style, and those later issues lend themselves to just picking up in a collected trade format.

The more boring covers seems to coincide with the switch of Editors from Joe Kubert to Archie Goodwin. And then it would quickly bounce to Jack Kirby and Finally Murray Boltinoff who would see the series to its demise at issue #181. The series at its strongest, and the individual issues worth collecting, are issues 123 to 141.

Buy your issues here:

https://www.mycomicshop.com/search?tid=180611&pgi=101&AffID=200301P01

Use the link above, and get great deals, and help this blog keep putting out content.

 

Thanks!

 

You heard it here first!!! Forget about paying a fortune for the first issue of new book BATMAN DAMNED, a flash in a pan overpriced at cover price, book. And get something with real staying power, Joe kubert’s 1970’s run on OUR FIGHTING FORCES issues #123 to141!!