creature | Heroic Times

Here are all the Universal Steel-book Blu-rays done with Alex Ross art, all listed in chronological order. Starting from 1931’s DRACULA to 1954’s CREATURE FROM THE BLACK LAGOON!!! Look at that art!!!

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I have loved the Universal Monster movies since i was a kid, watching the films on tv. Have owned them in various formats, HOWEVER These Alex Ross Blu-Ray Steel-book Versions are the ultimate way to own these essential titles.

I AM HOPING THEY COME OUT WITH A VOLUME TWO, THAT INCLUDES TITLES LIKE ISLAND OF LOST SOULS, THE BLACK CAT, MURDERS IN THE ZOO, ETC.

BUT AS FAR AS THESE EXISTING ONES, THEY ARE beginning to sell out. A month ago you could have picked them all up. now? well i would say if you are interested pick them up today while they are still all in stock. get them here!

NETFLIX HAS:

EASE OF SEARCHING: Amazon wins. You can type in a generic term and Amazon will search for it. Netflix’s app by default just searches by title

RATINGS: Netflix previously did helpful star ratings, but since has replaced it with utterly useless percentage rankings. Netflix desperately needs to go back to star ratings and IMDB scores on films. Amazon is the clear winner here, offering usually pretty spot on ratings to help you locate your next obscure or recent find.

TRAILERS: Netflix except in a few cases, with mostly their produced content, does not offer trailers. And the few they do offer take multiple clicks to locate and play. I love watching trailers, they can save you a lot of time by, along with the rating, quickly helping you determine if a movie (or show) is worth your time. Another HUGE fail for Netflix, and big win for Amazon Prime.

A ‘VIEWERS ALSO WATCHED’ OPTION – Again it helps emulate the video store dynamic, by putting on your radar options and selections you otherwise would not have thought of. I spend probably 4 times longer on the Amazon app, because it offers this rabbit hole feature. One selection, leading to another, leading to another.

It takes a lot to get me out to the theater these days. 2016 was one of my most anemic theater going years. Having only seen a couple movies in the theater (among them the excellent CAPTAIN AMERICA CIVIL WAR).

The slow movie going year could be linked to several reasons, some personal and singular, and some endemic of larger more encompassing perspectives.

The rise of Netflix and Streaming options has brought cinema quality programming to your living room or bedroom, around your schedule. So no trying to make your schedule fit around a movie showing, and all the baggage of parking, and seats, and annoying crowds, and of course the expense.

So for those reasons and others the theater wasn’t top on my list in 2016.

2017 and I’m incentivized to see quite a few movies in the theater. One reason is the reopening of one of my favorite regional movie theaters, as an upscale adults only dinner and a movie venue.

Perfect for couples or close friends, I decided to check out a matinee showing of KONG : SKULL ISLAND over other available options at this theater (such as LOGAN and JOHN WICK II and GET OUT, all of which I intend to see) for the main reason I wanted to test out the spectacle and 3D quality of this new theater, and what better way than a loud, explosive, monster movie.

So I reserved my seats, picking the perfect seats of course, and quite impressed with their meal and drink menu. Forget the overpriced artery clogging Popcorn and Hotdogs and Candy that comprises the fare of your typical theater, this theater offered a full and quite impressive meal and drink menu, brought to your spacious clean, well kept seats, no less. We had the crabcakes, bistro burger, korean wings, with a Berry Blast drink for me and a Mocha Latte for her. And did I mention the excellent attentive service.

So we are planted in front our huge curved screen, it’s a matinee showing so not only do we have our whole row free, we have our whole section free, with probably a total of less than 20 people in the large yet intimate theater. Meaning the theater and screen is large, but the number of seats are few.

So that’s the setup. What about the movie?

The best part of the Peter Jackson 2005 KING KONG movie, was the one hour period on the island (once we get past Peter Jackson’s annoying portrayal of Native Life as monstrous, evil and subhuman), that one hour was fantastic sequences of monster and Kong Mayhem, and should have been the whole movie.

Once that movie leaves the island it loses all interest and excitement, crawling toward a tepid ending.

KONG:SKULL ISLAND, 12 years after Peter Jackson’s mistake, learns admirably from the flaws of his film, crafting an entire movie on Kong’s home, the Island of Monsters, Skull Island, and it is absolutely kick-ass!

The idea to set it in 1973, at a pivotal time for America and the World, I thought was a stroke of genius and gives real motivation to Samuel L. Jackson’s Ahab inclined character, who see’s in the monster of Kong, this fight, a chance to win the war that he was denied, to change shame into glory. I like the opening, the setup to the actual Mayhem that is Kong, quite a bit, which says a lot about the quality of the filmmaker and the film.

Usually the least interesting part of any monster movie, is the prelude to the appearance of the Monster, when you have to endure boring cardboard characters killing time. That was the issue with the GODZILLA movie by the producers of this film, it was mostly setup and concentration on the human drama, but the humans and the human drama in that movie was as of much interest as watching paint dry.

Here, the setup and the characters feel fleshed out and earned, and part of that is grounding these soldiers in 1973. Survivors, but somehow not victors. Going from one barely war abroad, to a frightening barely understood war at home awaiting them, Skull Island, is very much a reprieve to Jackson’s Colonel. And the men under him, caught in the machinations of dreams of Glory, well they are understood to.

And all the characters are quickly enlisted for this obscure mission, all powerful, compelling actors, not a Jack Black insight. But actors all who can compel and own their time onscreen… their closeups. So I’m thoroughly entertained and into the movie, before Kong goes Ape, so to speak. And when he does go Ape… it is… EPIC!!!

This is why Theaters have value in an age of Netflix and Home Theaters, because a home theater is no match for a commercial theater when you have no annoying audience to deal with, this was the fury of Kong unleashed… this was spectacle, this was Blockbuster, and this was worth every penny paid!

Should you see it in 3D? I typically find 3D is a wasted expense in most situations. I think it is expertly done here, and is really the type of movie that cries out for really good 3D. KONG is really good use of 3D, and I think like AVATAR is a must see in 3D!

KONG is only the second feature film of Director Jordan Vogt-Roberts, nothing in his filmography would indicate he could handle a big budget blockbuster of a monster movie, but much like the Russo Brothers of CAPTAIN AMERICA fame (who also came out of feature film obscurity) Roberts rises to the occasion, shattering expectations.

I loved this movie from beginning to end. It blows away recent failures such as GODZILLA and the aforementioned KING KONG, and bodes well for future films. Stay past the trailer for a nice Marvel style Easter Egg.