Anthony Joshua vs Ruiz!!!! BREAKING BOXING NEWS!! & What Others are Not Saying!

WoW!

No one saw that coming.

And everyone will be looking at the above video.

And for a lot of people it will solidify the negative thoughts they had in regards to Anthony Joshua. The questioning thoughts regarding seemingly ducking Wilder, etc. And taking a ‘lesser’ fight with Ruiz. It did that for me, watching the above video.

But I will urge you to watch the below video. In many ways Anthony Joshua has been the most disrespected champion, however this video i think puts into perspective something that one doesn’t often see.

The measure of a champion.

In adversity you see the true character of a man. And the below video, seeing this after seeing the above video, I think anyone who was an Anthony Joshua dismisser or hater, will come away from that video with a new found respect for him. I did.

I don’t know many men who could have had the night he had, and speak immediately after it with such, no excuses candor.

 

I think in many ways Anthony Joshua now, if he wants it, is poised to be more respected and more dangerous than he has ever been. He is now a man freed of needing to protect perfection, he is a man who can concentrate on just… fighting.

We may rather than seeing the end of a career in the above two videos, be seeing the beginning of one.

Time will tell.

Playhouse 90’s A TOWN TURNED TO DUST aka Echoes of the current political landscape!

“We didn’t know he was guilty.

We strung him up, to satisfy the mood.”

 

“There’s the hunger for the niche.

I wanted to be somebody.

So I decided who the victim should be.

I pointed to an old man.

I led the mob.

I wanted to be somebody.”

— Playhouse 90 A TOWN HAS TURNED TO DUST

 

Those quotes from 1958, written by one of our great writers to highlight a mindset of ignorance and prejudice and lynchings, are oddly and shamefully relevant. Being that here 60 years later the current occupant of the white house stole into the office, on such rhetoric of hate and stupidity and intolerance.

Invaded the most powerful office in the world, swept in on the unreasoning bellows of the mob.

I love Amazon Prime for making available these forgotten and overlooked pieces of cultural and cinematic history.

 

Today I watched from the early days of television, PLAYHOUSE 90s A TOWN THAT TURNED TO DUST.

Directed masterfully by John Frankenheimer, written by Rod Serling, starring a stellar cast including Rod Steiger, William Shatner, Fay Spain,  Eugene Iglesias, Mario Alcade and James Gregory.

From 1958, when Jim Crow and Lynchings still infested large swaths of America, this live production is unfortunately again relevant in 2019, will always be relevant as long as there are masses who want to blame their lives on others rather than taking responsibility for their lives. And ready, these masses, to be led by the loudest voice of hate, rather than the more thoughtful voices of reason.

Watch it now courtesy of Amazon Prime (search for it under the title AN EVENING IN THE ZONE). This is a film that deserves to be owned on DVD/Blu-Ray. Deserves to always be readily available, and not at the mercy of ephemeral streaming  contracts and whims.

I would like to think if Americans were raised on films like 1936’s FURY by Fritz Lang and 1943’s THE OX BOW INCIDENT by William Wellman and this one by John Ftrankenheimer, if these films were required viewing, we would stop repeating the same mistakes and committing the same attrocities and empowering the same hate mongers. To the point where the occupancy of the White House would be different.

There is nothing sadder than history and mistakes not learned from.

Streaming films of the Day : SORRY TO BOTHER YOU and BORDER!

Ali Abbasi and Boots Riley.

LaKeith Stanfield in Sorry to Bother You (2018)

Gräns (2018)

These are names you should remember.

They are Writer/Directors to seek out.

You know for the most part when we go to one of these Blockbuster films in the theater, whether AVENGERS ENDGAME or the latest MISSION IMPOSSIBLE or JAMES BOND , we know what we are going to get. If not the particulars, we know the formula, the genre, the broad beats of hero and villain and threat to resolve.

With films like SORRY TO BOTHER YOU and BORDER if you go in blind, without trailer, or forewarning, or spoilers, as I did, and as I suggest you do, you are in for what film used to be, in the early days of film. You are in for something strange, and beautiful, and horrible, and more than a little bit unsettling; you are in for something rare, something new under the sun.

You are in for a ride, that is unfathomable and twisting, and both harrowing and transformative.

These are arguably not films that do well in the theatrical setting, for the simple fact they do not cater to expectations, they live in the unfamiliar places. And can arguably leave us… thoughtful and conflicted about what we see.

And audiences these days like to leave the theater, with easy assumptions reinforced, rather than challenged.

SORRY TO BOTHER YOU and BORDER are both films that do not play to the usual. They are living room films, they are home theaters films, they are personal films, and they are films that will stay with you long after you see them.

Both films feature amazing performances. Lakeith Stanfield of SORRY TO BOTHER YOU, and coming off a show stealing performance in ATLANTA is quickly becoming one of the best young Actors working. And Eva Melander, an actress unknown to me, is nothing short of award material in BORDER.

Both are must own films on DVD/Blu-Ray. In the age of streaming, these are the type of films you do not trust to the ephemeral nature of streaming. You can try before you buy by viewing both movies courtesy of HULU. and once you do, you’ll want to add these films to your collection.

I consider them both, cinematic gems, that will only grow with subsequent viewings.

Get your copies here:

 

https://amzn.to/2Yn5doc

 

https://amzn.to/2E692GB

Great Television Analyzed : Boris Karloff’s THRILLER (1960-1962)

THRILLER is a tv series hosted by the late, great Boris Karloff, that even for fans and students of cinema and television, is more rumored of than actually seen. So imagine my happy surprise to come home from a hard day of work and find the first season of this perennially hard to find show, available on the Roku Streaming Channel for free.

Very much an attempt to ride the popularity of Rod Serling’s TWILIGHT ZONE (1959-1964), THRILLER ran only two seasons, starting out as a crime/thriller series before drifting into pure horror. The show never truly finding its footing or audience, but is remembered fondly by fans of classic television.

After watching the first episode “Twisted Image” I can see why. WoW! As someone watching this episode for the first time, 59 years after it was first aired, I was absolutely riveted. Everything here, works, the cinematography, the direction, the performances, the writing, the undercurrent of sex, dread and desperation… I mean we have seen variations on this theme, in the decades since, and yet this episode  still manages to own every single minute of its 48 minute run-time.

I can only imagine how powerful this episode must have seem in 1960. To a generation just coming off of shows like LEAVE IT TO BEAVER it must have felt nearly X-rated. And yet 60 years removed from that relatively simpler America, the show somehow magically still has power, and is still oddly relevant to our world now. A world of desperate people, doing desperate things, in an attempt to find someone to hold them through the night.

Directed by the esteemed Arthur Hiller, from a teleplay by James Cavanagh, from a novel by William O’Farrell, this is as good a 48 minutes of television as you will find.

And a quick aside about Arthur Hiller, while his cinematic filmography is impressive (see some of his movies below) it is filled mostly with comedies.

It is his little seen early television work that is imbued with this seedy, nightmarish intensity.

Tobruk (1967)The Out of Towners (1970)Miracle of the White Stallions (1963)Man of La Mancha (1972)

Al Pacino, Dyan Cannon, Tuesday Weld, Bob Dishy, and Alan King in Author! Author! (1982)

Liam Nielsen, long before becoming known to a younger generation as a comedic lead, cut his teeth doing serious, often mirthless roles. And this episode of THRILLER is one such role.  He is great here, as is the rest of the cast, but the real draw for me is actress Natalie Trundy, her beauty and fragile madness is the spark, that burns the whole world down.

Just a phenomenal episode. I would buy the boxset of THRILLER on Dvd/BLU-RAY  just to own this episode. It is that good. I put it right up there with the first episode of the original ALFRED HITCHCOCK PRESENTS. Now as I mentioned not every episode is a hit. Every great episode seems to be followed up with two mediocre ones, but the series is worth having for the great ones. Try it for free courtesy of Roku, and if as impressed as I, use the link below to get the box-set, while you can.

 

https://amzn.to/2IjIrsF

 

 

 

The End of American Comic Books?

With the major two American Publishers (Marvel Comics and DC Comics) Marvel Comics (Real) | Spiderman animated Wikia | FANDOM powered ...Dc Logo Png Transparent - Dc Comics Logo 1976 - Free Transparent ...largely pricing themselves out of the periodic comic book market, ($4 for a 22 story page comic? Are you on crack?! 🙂 ) and failing to engage any sizeable readership in the sub-thirty market, and losing readers in their dwindling above 30 market, they are kept around largely to just be an idea space/loss leader for the actually profitable divisions of the multinational oligarchies that own them.

That is not to say there are not brilliant writers and artists that work for Marvel Comics and DC Comics, but unfortunately they are crippled by a few things.

First a pricing structure (over $3 for a couple dozen pages of comics. 10 minutes of reading entertainment is moronic. It is a poor value for dollar when compared to just about anything else) , second a quality structure ( abhorent paper and cover quality. Poor and obtrusive placement of ads, especially when compared to better Indy publishers. Marvel Comics is especially culpable in this) and third a flawed editorial structure/mindset ( lets inundate the MARKET, dilute the brand and confuse and frustrate the readership, with too much overlapping, and conflicting, and redundant books, and events, and storylines. Let us not give prospective readers one clear on-ramp to our comics, a single Batman book to follow, or Spiderman book to follow, when we can publish 20 poorly selling, and market-fractioning books instead. And let us not place the books or advertise the books, places where our demographic could actually find them).

All three of these ingrained ‘sales’ structures of major American comics, seemingly just designed by moronic frat boys, rather than capable professionals who really love and want to grow/expand the medium.

Marvel and DC comics for the last few decades since the 90s, proving themselves inept at selling American Comics to Americans or anyone else. Think about it, Marvel and DC comics, these publishers, their inability to sell 100 thousand comics in a nation of 300 Million people, is an unprecedented level of failure. Especially with the hard work of selling these characters to the mainstream already done by the movies and TV shows.

If I were the parent companies, AT&T and Disney, I would wholesale fire the Marketing and Editorial departments of both companies, and bring in fresh blood with fresh ideas. Because, clearly the people currently running these divisions have not the slightest clue how to sustain and grow their print model/readership.

Now on the Independent comic book publishing Front, there are still promising companies, IMAGE COMICS, and some of the smaller companies such as Alterna and Albatross etc. these companies are really challenging the ingrained pricing and content and quality deficits of marvel and dc. these companies resembling more the mad creativity and broad appeal of marvel comics in its bronze age glory days, before it lost its way. before the peter principle took hold of marvel and dc, and they grew past their best and most useful state.

WHERE I BUY JUST ABOUT NOTHING MONTHLY FROM THE BIG TWO (Exception being Christopher Priest’s DEATHSTROKE) I buy just about everything from ALTERNA, and ALBATROSS and a bunch from IMAGE. Dark Horse, IDW, Ahoy, Aftershock, Titan, all companies putting out great books.

However a recent rash of buyouts of Indy comic companies, by deep pocket Chinese companies may bode ill for true Indy American Comics. and may signal an end to this current golden age of american comics.

AND YES, I WOULD ARGUE THAT LOW SALES AND OTHER ISSUES TO THE CONTRARY, WE ARE IN A GOLDEN AGE OF COMIC BOOKS, graphic literature, slims. cause when you get away from the reprehensible shenanigans and mismanagement and flooding the market tactics of the big two, the comics themselves, have truly never been better, or richer, with nearly every genre of book being published, and across the board, a higher level of story and art then ever before.

The webpage will not show this image anonymously.

The webpage will not show this image anonymously.

Ahoy Comics | Expect More

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i grew up in the bronze age of comics, i love the bronze age comics, and there were some great comics. but across the board the quality and creativity is better today. you just have to push a lot of that noise of the big two out of the way so you can see eric powell’s hillbilly and goon, so you can see brubaker’s criminal, so you can see rucka’s lazarus so you can see walker’s bitter root, so you can see dingess’ manifest destiny, and the list goes on. and even in marvel, great comics are being made,  ta-nehisi coates black panther and captain america, jason aAron’s thor, montclare’s moon girl and devil dinosaur, g. willolw wilson’s ms. marvel and the list goes on, it is just marvel has made these books (for reasons mentioned) unpalatable to pick up monthly. it is better to wait for the collected edition and read the story that way.

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for monthly comics I really like the Alterna model in terms of pricing, and seeking old fashioned newstand distribution. And hopefully other companies can follow their homegrown lead so we continue to have American comic book companies not potentially censored by allegiance to foreign interests.

Hope you found the above slight tirade useful. It comes from a place of love for the medium, and love that a home grown, domestic comic book company… can endure.

If you want to buy the back issues of any of the books I mention, or subscribe to books (preorder new books, I highly recommend it) use the below link. You will get great books, and it will earn a few pennies for this blog. Enjoy!

https://www.mycomicshop.com/?AffID=200301P01

 

Movie Trailer of the Day : HIGHWAYMEN & TRIPLE FRONTIER

https://m.media-amazon.com/images/M/MV5BODU4MzM2MDAxMl5BMl5BanBnXkFtZTgwNDEzNjM0NzM@._V1_SY1000_CR0,0,674,1000_AL_.jpg

THE HIGHWAYMEN & TRIPLE FRONTIER– I have not been the biggest fan of Netflix, mostly for their price hikes, but also I have never been a fan of their user interface. But their actual content, since the Marvel/Netflix shows, has over all been sound.

I think the Netflix/Marvel TV Shows,for the most part, were very strong. IRON FIST was an unfortunate misstep (my least favorite show next to the PUNISHER. While loved by many, I found season 1 after a strong start, plodding, one note and unlikable), however DAREDEVIL Season 1 set the action standard, and LUKE CAGE Season 1 and 2 for me set the story standard. I like the places LUKE CAGE went, and I think it holds up the best to repeat viewings, as it has something to say more significant than supposed good guy hits bad guy.  And for me has character growth, the other shows lacked.  I love where LUKE CAGE Season 2 ends, and of all of them, its loss of one more season seems the most unfortunate.

But beyond the Marvel/Netflix collaboration, Netflix is well represented by its new films and straight to Netflix films.

While Will Smith is currently getting the stink eye for his ridiculous look in the live action ALADDIN (what was he and his agent thinking???),  I enjoyed BRIGHT and I have enjoyed other Netflix  branded films such as MUDBOUND and BIRDBOX.

Also Netflix has a great offering of international TV shows from RIPPER STREET to NARCOS to MINISTRY OF TIME.

So I am always open to being impressed by their content. 

And with the latest THE HIGHWAYMEN trailer and TRIPLE FRONTIER trailer, I am very impressed with Netflix’s March Lineup. These two trailers look stellar!

Even though I philosophically am more inclined to the Warren Beatty version of BONNIE & CLYDE, I am open to giving this opposing take a chance. See for yourself here…