Best TV shows by decade! 1950s to 2017!

Best TV shows by decade!

1950s
DRAGNET
GUNSMOKE
HONEYMOONERS
I LOVE LUCY
THE LONE RANGER
RAWHIDE
RIFLEMAN

1960s
MISSION IMPOSSIBLE

RIFLEMAN
STAR TREK
TWILIGHT ZONE
GUNSMOKE
HAVE GUN WILL TRAVEL
OUTER LIMITS
THE FUGITIVE (the template for decades of shows to follow, from THE HULK to WEREWOLF)
RIFLEMAN

1970S
SANFORD AND SON
GOOD TIMES
HAPPY DAYS
MASH
MISSION IMPOSSIBLE
MORK AND MINDY
UFO
SPACE 1999

 

1980s

THE COSBY SHOW
SPENSER FOR HIRE
HILL STREET BLUES
MIAMI VICE
QUANTUM LEAP
THREE’S COMPANY
STAR TREK NEXT GENERATION
WEREWOLF (Starred the great Chuck Connors, this short lived series was great!)
ROBIN OF SHERWOOD (Best interpretation of Robin Hood ever!)

 

1990s
ER
FAMILY MATTERS
FRESH PRINCE OF BEL-AIR
THE SIMPSONS
MARRIED WITH CHILDREN
MARTIN
SEINFELD
WINGS
STAR TREK DEEP SPACE NINE
BABYLON 5
X-FILES
HOMICIDE
NYPD BLUE
BUFFY

 

2000s

EVERYBODY LOVES RAYMOND
CURB YOUR ENTHUSIASM
SPOOKS
BREAKING BAD
HUSTLE
TOP GEAR
TORCHWOOD
DOCTOR WHO (The Dave Tennant Years)
THE WIRE
FIREFLY
THE VENTURE BROTHERS
JUSTICE LEAGUE

2010s (There was a while in the 2000s where after the writer’s strike everyone was signaling the death nell of scripted television, as channels ramped up their reality tv programming. Thankfully the 2010s sees scripted television not only alive and well, but thriving on an unprecedented level. The rise of streaming TV has created an unprecedented production of shows to fill the VOD demand. 

With Streaming platforms such as Netflix, Amazon, and Hulu becoming world class producers of content, the 2010s sees not only the quantity of Television options at the highest it has ever been in the history of the world (with exoosure to the best TV shows of other nations), but the quality of the programming exponentially better. 2010s is a golden age of TV.

 

 

 

HEMLOCK GROVE
BATES MOTEL
PENNY DREADFUL
ROME
SPARTACUS
BLACK MIRROR
AMERICAN HORROR STORY
HOUSE OF CARDS
DAREDEVIL
RIPPER STREET
LUKE CAGE
JESSICA JONES
SUPERNATURAL
GREEN ARROW
IZOMBIE
ELEMENTARY
THE FLASH
THE GOOD WIFE
LONGMEYER
WALLANDER
THE AMERICANS
LEGION
LUTHER
BADLANDS
ALPHAS
COSMOS
BEING HUMAN BBC 1ST 3 SEASONS ONLY
TEEN WOLF
BLACKLIST
STRANGER THINGS
TOPGEAR BBC ONLY
NARCOS
THE 100
MARCO POLO
GLITCH
SHERLOCK
RECTIFY
HAWAII FIVE-O
LEVERAGE
THE CLONE WARS
ZOO
HELL ON WHEELS
AGENTS OF SHIELD
ASCENSION
CRIMINAL MINDS
TRANSPORTER
BURN NOTICE
HATFIELDS & MCCOYS
BROADCHIRCH
HELIX
INSPECTOR POIROT
JACK TAYLOR
HINTERLAND
THE MAGICIANS
LIFE
YOUNG JUSTICE
DOLLHOUSE
BEING MARY JANE
PERSON OF INTEREST
FRONTIER
THE MESSENGERS
ALMIGHTY JOHNSONS
DARK MATTER
MARSEILLE
THE CLEVELAND SHOW
BOONDOCKS

TEENAGE MUTANT NINJA TURTLES -Nickelodeon

Netflix/Marvel Studios 2017 IRON FIST Episode #1 Review!






Iron Fist Movie Poster

The last of the long awaited DEFENDERS heroes, IRON FiST breaks on the Netflix shores this Weekend, and my opinion? Well After Loving the first season of DAREDEVIL with some minor hiccups in the later episodes, Really enjoying JESSICA JONES, being Lukewarm on the 2nd season of DAREDEVIL, and LOVING Hodari Coker’s LUKE CAGE: POWERMAN, I find the first episode of IRON FIST… underwhelming.

 

The trailers were the first hiccup as I found them tedious rather than exciting, and tedium is not what you expect from what should be a Martial Arts rich show. The action looked unimpressive, and the casting, especially of the protagonist gave me cause for concern. He looked unimpressive rather than what he should be… a living weapon.

But trailers can steer you wrong, and hoping to be proven wrong I watch the first episode of IRON FIST. What hits you is the opening sequence, one thing all the Marvel/Netflix collaborations have gotten right is an absolutely great opening/credit sequence. The IRON FIST opening sequence by comparison looks like an unfinished product, a bad joke. An unfocused concept that they simply ran out of time and ended up just throwing something together.

 

 

Getting beyond the disappointment of the Credit Sequence, I like the opening shot of the barefoot hero in New York, a shout out to the Master of Kung Fu Comic’s of the 70s.

 

Quirky but in reality do you know how impossibly disgusting it would be to walk around the streets of New York or any major city in your bare feet?! There are things I fear to step on, even with shoes on. But again it’s a harmless if ludicrous call back to the comics of yesteryear.

 

What immediately impresses me is how much better Finn Jones is as Danny Rand, than the trailers hinted at. He has a likable and commanding presence, that is at the heart of the character, and he is choreographed to move with an effortless balletic grace that speaks volumes of his character and journey.

 

Iron Fist Movie Poster

 

Indeed, Jones as Danny Rand is pretty much, contrary to my thoughts on the trailer, rather than being the weakest thing about the show, in this episode he is the strongest thing. He is very affable, which above all is the saving grace of his character, and in many ways distances him from the other more brooding members of the Defenders.

With the exception of Luke Cage, who beneath his bullet proof skin has, like Danny Rand, the heart of an optimist and a poet. Unlike the bone breaking Daredevil or the oft alcoholic and fatalist Jessica Jones, Power Man and Iron Fist don’t want to hurt their fellow man, they want to help them, make them better; Even, if possible, their villains. It’s why those two work so well as a duo in the comics. Particularly the wonderful David Walker and Sanford Green POWERMAN AND IRONFIST comics that started in 2016.

 

Finn Jones gets the character of Danny Rand, The Iron Fist. Underneath the affable nature of Jones portrayal, there is something you see in his first closeup (when he is trying to get in to be seen) a core of steel, something unyielding that completely sells him in a way the trailer did not.

So the Danny Rand portion of the first episode works well, it is a lot of setup, and I don’t mind setup, if it is done well, and written well, and brought across well, I thought the first two epiosdes of LUKE CAGE, which some considered talky, I felt were two of the finest written hours of television of 2016.

ASIDE ON  LUKE CAGE SERIES AND COLOR CODED TELEVISION

(I’m about to get deep into media bias, particularly as it relates to ethnicity, so feel free to skip the following aside, the ending of it is marked, and continue on with the Iron Fist review)

 

Coker’s LUKE CAGE said wonderful truths that you usually don’t get with ethnic characters, because mostly ethnic characters on television are nothing more than Black faces spouting and reaffirming White messages . Messages which whether BUFFY or SUPERGIRL Season 2 or DOCTOR WHO or NEXT GENERATION all tend to be some variation on the wish fulfillment of its writers or worse the unconscious coded messages that they unknowing have accepted as truths, namely White female initially falls for Ethnic Character than comes to her senses and dumps him for a White character.
If that plotline plays out in one show, that’s fine, that’s life, stuff happens. However, if that plot-line plays out in every single show where a white female is romantically tied to a man of color, then that is no longer sharp, inventive writing, or originality, it is programming, played over and over again until we stop seeing it, but keep believing it.
In Hodari Coker’s LUKE CAGE you got writing that was shorn of that very racist programming that makes up 90% of the shows we see on TV, and the output of even our best writers. By no measure do I think Joss Whedon is racist, however he reuses the above pattern of racial politics when it comes to the romantic lives of the men of color he scripts from FIREFLY to BUFFY to AGENTS OF SHIELD to AGENT CARTER. At some point any romantic light he casts the men of color he scripts, any momentum to a healthy heterosexual relationship, particularly with a female of another ethnicity has to be derailed. Their identification as a sexual alpha, derailed. Mac on AGENTS OF SHIELD becomes comedy relief, rather than what he should be on that show… the Mac.
And like I said you would be hard pressed to not see this very strange repetition of sexual marginalization and symbolic castration (fit to be comedy relief or the non-threatening buddy or father figure but not the romantic interest) occur over and over to men of color in just about every dramatic show you can name, particularly the action oriented ones. Whether BUFFY, AGENT CARTER, AGENTS OF SHIELD, NEXT GENERATION, ER, ROSEWOOD, SUPERGIRL, FIREFLY.  Such bias extends even to our news and ‘reality programming’, the fact that over 20 years later the media is still lynching OJ Simpson (A famous Black man accused of murdering a white woman) while in the intervening years there has been no shortage of murdered spouses. However this particular case accomplishes familiar goals of America, the tearing down of idols, the vilification of the other, and a platform to use an individual act, to try to send a message to a whole mass of people. It’s a lynching, writ large, 20th and 21st century style.
And by contrasts it has been envogue for the last 20 years to pair White Males successfully with women of color, pair being perhaps too equal a term, more like have the woman of color fling herself at the White Male, whether that’s FLASH, JAMES BOND, WALKING DEAD, TAKEN, EMERALD CITY, and again a couple of times it is just original storytelling, but for this pattern to be a constant over the last 20 years, then that is something else, that is programming.

 

So I’m always drawn to the shows that eschew these programming ploys, these repeated coded messages. So that is why I hold shows like LUKE CAGE in such high regard. A show where a man of color, a Black man, can be a hero and get the girl, full stop. It’s a rare concept in a mass media that is so racist it is not aware of how rare they have by design, made that concept.
Name me ten Dramatic shows (not comedies) on TV right now where a lead character of color, is in a successful healthy relationship with a female, particularly of another ethnic group. You’d be hard pressed to name 2. But you can name dozens upon dozens of shows that are cast and written the other way. Even though statistics tell us there are far more Black Male/White female relationships than White Male/Black Female relationships.
So why would the fiction of mass media be so contrary and completely out of sync with the realities of the populations watching those fictions? Because invariably the writers, who mostly are white males, propagate their limited definitions of diversity while also crafting their wish fulfillment, which usually breaks down to our White Hero is ‘so enlightened’ because he deigns to have a Black girlfriend, and the Black Girlfriend who has to throw herself at him.
Like I said, once or twice, it is original, however all the time, the same way, it is programming and it is insulting.

 

END OF ASIDE

Hodari Coker’s LUKE CAGE : POWER MAN brilliantly gave us something more than the programming we have been used to, showed us Netflix as a channel where more original and more truly DIVERSE stories could be told.

It left big foot prints for the next show, IRON FIST, to follow in.

And without expecting IRON FIST to be ground breaking, or anti- stereotype and ANTI programming, I did expect it to be good.

Unfortunately the first episode of IRON FIST suffers because its lack of action is not compensated for by rich and compelling characters, or evocative acting. Case in point… Ward and his father.

There is nothing more derailing to a narrative, than a weak antagonist, and unfortunately in Ward and his Father you have two very boring and uninteresting and cookie cutter antagonists. Ward came off as just a petulant child, a whiner, and whiners do not make for great TV.

The scene with Ward and his Dad discussing Danny Rand, rather than riveting is the definition of tedious. I had to look at the clock, to see how much time was left before I could watch something else.

That is never what you want to be doing when watching a show, looking at your clock.

So,  between the pacing issues, and the casting issues, and the uninteresting bad guys, I’m solidly unexcited to move on to the next episode. And that’s not an issue I have had with the previous shows.

I hope to work my way through the series and all the way to the end, and I hope I can report it gets great, but for the first episode all I can give it is a …

Grade: C-

 

Iron Fist Movie Poster

Slim of the Day : THE SIX MILLION DOLLAR MAN : FALL OF MAN

We have the technology.

We can rebuild him.

We can make the world’s first Bionic Man.

 

Four decades ago kids everywhere thrilled to that opening of one of their favorite TV shows, The Six Million Dollar Man starring Lee Majors as the titular hero… Steve Austin.

Well New jersey Publisher  Dynamite Entertainment since 2014 has been bringing us various slim revivals of everyone’s favorite slow motion super powered hero.

[Slim- A stapled publication, consisting of words and pictures telling a narrative in periodical format, typically monthly doses, told in scant pages in a highly portable format, with eye catching covers and interiors. Also known by the more widely used misnomer of comic books.]

Six Million Dollar Man Fall #1A

And 2016 mini-series THE FALL OF MAN written by Van Jensen with art by Ron Salas and Letters by Taylor Esposito and colors by Mike Atiyeh and Caitlin McCarthy, is the companies fourth time at bat with this property and is their most successful. As it takes place in the 80s, in a cold world, where the wall has not yet fallen. but the year is never implicitly stated; instead the time is set in inventive and satirical story beats and sight gags.

From 80s star references to a bit of lampooning of the high tech marvels of the day (Such as portable phones in the early 80s, truly monstrously sized things by today’s standards, but back then they were marvels. Same with the room sized computers that had less processing power than even your low-end laptop today); while all the while telling a crackerjack action story of betrayal, globe trotting espionage, and bionic feats of derring-do.

It’s just a fun series.

And while Ron Salas figure drawing at first strikes as merely serviceable, his use of layouts and panel composition and inventive storytelling is exceptional, as are his covers for this series. I’ve read all issues of the series to date, and they have all been exceptional and come highly recommended. 

If late to the party have no fear, as all issues are available at the link below.

Use the below link, get great books, and support this blog, as every purchase though the link, generates a couple pennies to keep this blog bringing you the best in Pop Culture finds!

Without further ado, get your issues of THE SIX MILLION DOLLAR MAN : FALL OF MAN here:

 

Six Million Dollar Man Fall (2016 Dynamite) 1ASix Million Dollar Man Fall (2016 Dynamite) 2Six Million Dollar Man Fall (2016 Dynamite) 3Six Million Dollar Man Fall (2016 Dynamite) 4Six Million Dollar Man Fall (2016 Dynamite) 5

 

TV Show of the Week! Amazon’s THE GRAND TOUR! Great Car/Humor Show!

 

 

https://scontent-lga3-1.xx.fbcdn.net/v/t1.0-9/15107271_528972003968012_8096998581861718912_n.jpg?oh=95c9ebb5ab9cccbcb1845e214046fcb2&oe=58C181A9

Last year I became a huge fan of the BBC car show TOP GEAR. Thanks to catching episodes of past seasons on Netflix.  It took a couple episodes for me to warm up to the show, but quite quickly the natural camaraderie of the hosts, Jeremy Clarkson, Richard Hammond, and James May  made a believer out of me.

The shows were just plain fun. So when news came that one  of the trinity was no longer going to be on the show, due to punching out one of the producers, and the other 2/3rds quitting to join him, I was dismayed. No more of the show that I had in quick order made a binge watch favorite.

And yes there was the American TOP GEAR, but the hosts there came off as annoying frat boys, making the show quite unwatchable. Nope it was clear that what made BBC’s TOP GEAR a long running hit, was the fun dynamic of the three hosts they had stupidly lost.

So when it was announced that AMAZON was giving the three ex-hosts a new car show, I couldn’t wait. Well tonight the waiting ended as the first episode of THE GRAND TOUR  dropped. And it’s great. Different but great. There are minor quibbles, the biggest being the absolutely awful ‘THE AMERICAN’ driver.

Their take on the very popular “STIG’ driver of TOP GEAR, but a very poor take it is. Being something of a very unfunny send-up of Ugly American cliches.  The ‘AMERICAN’ is very annoying, very unfunny, and is a bit that hopefully they will pull the plug on in short order.

That aside, the rest of the show and the skits and the cars and the banter of the hosts is great! And the opening sequence is quite frankly awesome. A welcome premiere and looking forward to the upcoming Friday release  of new shows!

 

http://amzn.to/2ePIPSa

 

 

The Grand Tour

 

 

6 Best and 3 Worst Free Channels/Apps on Amazon Fire!

I’ve been trying out the Amazon Fire lately.  It’s interface takes a bit of getting used to if you are used to the Roku, but for the most part is very navigation friendly.

It allows the easy install of the three must have paid channels, NETFLIX, AMAZON PRIME, and HULU; however it also offers a selection of excellent free channels. Not as extensive as Roku, but it has a solid selection.

 

So without further preamble, The best free apps/channels for Amazon Fire are:

 

  • CRACKLE – It’s selection can use updating, but offers a nice feature of being able to watch a show while searching their list of titles
  • TUBITV- arguably the best selection of content on any free channel, including notables not available on the paid channels
  • SNAGFILMS – It’s selection needs updating, but highligts  a few movies that may fall through the cracks of the other channels
  • For the most part the above channels are easy to load  and navigate, offer good content, and keep the ads to a minimum. Three things that the below apps/channels fail to do, and hence end up in our hall of shame.
  • YOUTUBE and VIMEO – convenient for staying abreast of movie trailers and finding short films and other hard to find content
  • PLUTO TV- The cable experience, without the cable price

 

The worst Amazon Fire Channels/Apps are:

  • KINO LORBER – Horrible navigation issues, mediocre content
  • GO INDIE TV – Navigation issues, and more mediocre content
  • SCREAMBOX – You’ll be screaming at what a waste of time this channel is. Lackluster content, poor navigation menu
  • COMICBOOKCAST2 – is basically a podcast with static pics, Not worth the time to download.

So there you go,  the best and worst channels on Amazon Fire. Feel free to comment with your picks for best and worst!

Favorite New TV Show of 2015 THE PLAYER — Cancelled by NBC, but being picked up by Netflix?!

 

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THE PLAYERAny chance you get to see Wesley Snipes kicking ass, is must see television as far as I’m concerned, so the recent announcement of NBC cancelling the series, after only a measly 9 episodes, when it has higher rastings than ELEMENTARY and CSI is misguided.

As misguided as TBS cancelling LONGMEYER.

But like LONGMEYER there’s a rumor out there that the action packed THE PLAYER may get picked up by Netflix, to finish their aborted series.

Here’s hoping!

 

 

Favorite Televsion Shows: OUTER LIMITS Season 1 What’s Hot & What’s Not!

HOT

THE MICE– The high contrast and deep focus photography of this episode by the brilliant Conrad Hall is a standout, as is the performances of all involved, particularly the always reliable Henry Silva as Chino, a convict asked to volunteer for a decidedly out of this world mission. And the episode is enriched by Diana Sands, a brilliant actress of stage and screen, who simply shines here as Dr. Julia Harrison. Directed by Alan Crosland Jr, a go to director for television for over three decades, it sports one of the more disturbing aliens. A Solidly captivating episode. B.

NOT

DON’T OPEN TILL DOOMSDAY – There has to be a point to this episode, but I find myself unable to locate it. Grade : Avoid. This is a decided miss.

 

Catch these episodes and more at Hulu today!