Get it While You Can : Bill Cosby’s groundbreaking I-SPY TV series and previous post feedback!

Well my last post really got a lot of attention and mostly positive response.

From a lot of people who get it. And a few negative comments from some people who don’t.

One such comment:

“We need to stop letting abuse occur in our community. Black men are never held accountable when the victims are black women. It’s sick you’re suggesting that we support someone who openly abused women. No more.”

See that kind of response is what I’m talking about.

Bill Cosby isn’t a stand in for your bad experience with your boyfriend, husband, father, uncle. brother, son. He’s not a stand in for your baggage with how you think you’ve been wronged by men. For every woman who wants to castrate every man for her bad relationships, there are quite a few in great relationships. Your baggage is not the world’s baggage, and more importantly your baggage should not be projected onto a case about one individual, Bill Cosby.

It is that kind of thinking (the inability to see an individual but rather a target to put your hate, your rage, your frustrations; frustrations with stuff that has nothing to do with that person or the case at hand) that is the very definition of mob justice and lynchings. It is that kind of thinking that I call sick.

Did Bill Cosby 14 years ago, roofie Costrand, a college student athlete with financial issues, when she supposedly came to his house to ask him for career advice? Did he roofie five other women three decades ago, when he could have had any woman he wanted?  With no physical evidence, and nothing but he said, she said, the way our courts work, the burden of proof is on the prosecution. And how do you prove someone guilty in the absence of evidence? Well, you forget proof, and you sell them as guilty before trial. You, before they even are proven guilty, brand them as guilty in every paper, every tv announcement; you have institutions strip them of honors, before trial.

And even in such an unfair, witch-hunt infused atmosphere, where even the Judge seemingly had decided Cosby was guilty before the case, it took a 2nd jury to get them to swallow the McCarthy flavored kool-aid and pronounce… ‘guilty’.

 

Did Cosby do these things? I don’t know. I do know no one proved it in a court of law. He was tried and convicted before ever getting to a court house. This was a lynching plain and simple, and I find everything about it, the timing, the witnesses,.. suspect.

I do know that if true, these alleged aberrations speak of sickness; rather than an 80 year old mix of Jack the Ripper and Hitler… that the media is painting him as. If true these aberrations warrant treatment and not enslavement.

But as that one comment shows, there are always people willing to see you brought low and punished not for your sins, but as somewhere to put theirs. Many a tree in this country has swung with burned and butchered men and boys, not because they were guilty, but because a group of people decided they needed someone to be guilty.

But when that someone has done as much to change the landscape of a racist America, from sports, to television, to comedy, to movies, to representation, the very fact that many of you can see yourself in TV and movies in non stereotypical roles, is down to this erudite, renaissance man.

You want to judge? You have to judge not just the falling down, you have to judge the standing up. An in an age when very very few had the courage to do anything, Bill Cosby and a few others kicked open the doors, and had the courage to do everything.

You can not strip Bill Cosby of his achievements, without in some fundamental way… stripping away the larger social and economic progress those achievements extended to a whole group of people.

I’m not talking about simply innocence or guilt.

I’m talking about the need to make demons out of people, usually people of color.

In the grand scheme of things, Bill Cosby’s story should not be this big a deal.

Every where around the world, right now, true horrors are happening.

Real horrors, deserving of your outrage and attention.

Real demons, many in high public office and private positions.

And you expend your outrage being swayed to demonize a man whose greatest crime was, he shared his success and his opportunities, and he brought other people of color up with him.

This is who you let yourself be sold on demonizing?

Really?

My god, you have to see with better eyes than that.

I’m saying you are being used to kill your heroes, and by so doing kill some measure of the liberties and the horizons they opened for you.

In everything someone loses, and someone profits.,

A lot of powerful liberal men, who made powerful enemies, have been taken off the playing field.

And every witch hunt has a witch-finder general.

People who amass power as others lose it.

You are being used.

Your bloodthirsty rush to judgment being used, to clear the playing field, and to leave you sheep devoid of anyone to keep the wolves from your neck.

I find everything is a matter of perspective and mercy.

And those without either, need to judge themselves before judging anyone else.

They are trying to erase Bill Cosby’s achievements, and I say you don’t get to do that.

Not on my watch.

Pick up these DVDs while they are still available:

 

 

https://amzn.to/2IgcRMC

https://amzn.to/2KvlXDH

https://amzn.to/2weyg46

https://amzn.to/2JOdZ7t

 

 

https://amzn.to/2KyTM6Q

 

Advertisements

Why Marvel Studios is Successful and Marvel Comics is Suffering! The Last word on Diversity!

Marvel Studios under the brilliant leadership of Kevin Feige has become an unparalleled success because of amazing producers, writers, directors, casting agents, and actors, who take material made often for a juvenile audience and made it work for an adult and non-comics audience, while also satisfying comic die-hards like myself.

And as movies from the 1st film (IRON MAN) to the 18th film (BLACK PANTHER) show, the reason for this is Kevin Feige’s willingness to embrace Diversity. Diversity is not just the makeup of America, contrary to the Trumpian and XM hate radio mob  who who would preach dissension. and hate, it is the makeup of the world. And when you stop running and hiding and sticking your head in the sand, trying to wind back the clock to a Jim Crow America, you realize it is also the makeup to success.

Marvel Comics however has floundered for decades now and continues to flounder with diminishing sales. And while the vocal minority of morons and closet Nazis and talk show radio supporters would blame diversity.

The truth, that common sense and reason would tell you is, appealing only to existing readership has led to a diminishing readership, that can barely get a hundred thousand people, to buy even their most popular book. The people who grew up in the news-stand and comicshop and subscription model of comics,, is an aging and diminishing audience. We are picking up new readers, in large part due to the diversity initiatives and book store and libraries, MS MARVEL and MOON GIRL AND DEVIL DINOSAUR being some of Marvel’s biggest books in collected format. Doing HUGE in Libraries. However while we are picking up new readers in book format, the periodical format continues to lose across the board, for all comics Marvel is producing, whether they put a White, Black, Asian or other character in the comics, and I would argue Marvel is making quality comics across the board, what they suffer from is pricing.

They have in an age of growing options for entertainment dollars, with options of tv, streaming, video games, virtual, and regular books and magazines, priced themselves out of the market. $4 retail for a 20 page comic, that typically is filled with ads and does not give you a full story… it is for most of us an insupportable expense.

Even Die-hards like me have to pick and choose, and generally speaking, the choice is to not support Marvel in the monthly format, not at their $4 and up retail price point. I have not bought a Marvel Comics in years, only their recent diversity push, a good thing rather than the curse word Rush Limbaugh morons would make it, when they finally had Black writers and artists on staff, got me to buy their monthly books again.

I’m speaking of BLACK PANTHER and the short lived POWER MAN AND IRON FIST which was a relatively self-contained title, by dream creative team of David Walker and Sanford Greene. But I stopped getting it when Marvel decided to try to screw with the success of that book by making it into three books. Trying to over-milk their audience. With BLACK PANTHER they quickly started additional titles and crossovers that you had to get to get the whole story. Better and cheaper to just get the collected edition. And when Power Man and Ironfist ended, so did my buying Marvel Comics.

So Marvel’s floundering sales, is a relatively steady study in decline, and has notching to do with diversity. That they have not floundered more is due to their talented and diverse creators and characters. If someone on Youtube or a blog or the media is blaming diversity, you are dealing with an idiot and a bigot and a liar. And you should unsubscribe from their channel and or feed, because stupid people are a waste of time.

Diversity is not Marvel Comics problem. Their problem #1 is pricing. $4 they charge per issue, or $3.99 as they like to call it, you have gone past the threshold the market will bear, or that even your die-hard already converted audience. Particularly when in comparison to other publishers who give you more for that same $4. Other publishers give you less obtrusive ads, letters pages, back matter. And some like CHAPTER HOUSE comics and even DC COMICS (prior to Bendis, hopefully Bendis doesn’t support the same price hike that he supported at Marvel) realize that $2.99 retail is the breaking point for comic book adoption and growth.

Marvel Comics is also big enough that they can support a price of $2.99 retail for their comics. That would take care of their major problem. their second problem,relying on Diamond totally for their periodical distribution. Marvel used to offer mail order subscriptions at a nice discount, that’s how I got some of my books, you would use the ad in the magazine and subscribe to get your comics in the mail. I loved this model as a kid. I used it in addition to the comic book stores.  I think it is a great model unfamiliar with dealing with the Diamond pre-order model. And the third and most important thing, if a title is successful as a single, standalone title, don’t break it by being greedy and stupid. See previous comment on POWERMAN AND IRON FIST.

All those three points come down to Marvel Comics being better managed and better run, if not, no amount of crossovers or character changes or fabricate storyline outrage, will correct Marvel Comics dwindling sales.

 

Here endeth the Diversity Discussion.

:).

 

Marvel Studios BLACK PANTHER in 3D – The Verdict?

I just came from a sold out upscale theater showing of Ryan Coogler’s BLACK PANTHER for Marvel Studios.

I’m going to try to be brief. As someone who went into this having avoided all trailers, and spoilers, and special feature exposes (that in my experience is like pre-chewing your food before sitting down to eat, making it impossible for fan or reviewer to truly be surprised by a film) I was… blown away.

 

https://images-na.ssl-images-amazon.com/images/M/MV5BMTg1MTY2MjYzNV5BMl5BanBnXkFtZTgwMTc4NTMwNDI@._V1_SY1000_CR0,0,674,1000_AL_.jpg

In terms of look, performance, direction, pathos, and humor, and rock solid action, it is without argument one of the best of the EIGHTEEN Marvel Studio Films released to date. I saw it in 3D and it is worth seeing in 3D. You don’t get the things flying into the audience effect, but the sense of looking down, and into chasms and waterfalls, plays up to 3Ds strengths. So I recommend seeing it at least once in 3D. I say once because like the original AVENGERS film, this is a film that deserves to be seen more than once.

I plan to see it in 2D when I go back next time.

This BLACK PANTHER film, released during Black History month, in my humble opinion is in a three way tie for the #1 Marvel Movie of all time; tied with the original AVENGERS by Josh Whedon and CAPTAIN AMERICA WINTER SOLDIER by the Russo Brothers. Those three movies share one shining exquisite truth; they are not just great comic-book movies, they are great films… FULL STOP.

Okay that should be all you need, go see the film now.

Okay still here, the following contains minor spoilers.

Black Panther Movie Poster

BLACK PANTHER is a great film from first frame to last. It is masterfully done; weaving effortlessly between drama, pomp, circumstance, humor, horror, tragedy, and heroism and hope. Chadwick Boseman is astonishing as the titular character, playing him with understated grace and elegance, that carries effortlessly the weight of the film. He is the rock upon which our tale is moored.

Writer/Director Ryan Coogler in three films has catapulted himself as one of the defining directors of our age, and BLACK PANTHER is that talent writ large. This is the tale of the death of kings, of fathers and sons, and things lost in the fire, this is about nothing less than the fate of the world, and about nothing more than the grief of boys for their fathers, a beautifully developed thread in all of Coogler’s films, but never done so well as here.

Coogler takes the admonishment of Hamlet ‘The common theme of life, is death of fathers’ and uses it like a lover and a lance, to both caress and break your heart. And he takes King Henry’s complaint in THE LION OF WINTER ‘I could have conquered Europe all of it, but I had women in my life.’ and here makes of it the saving grace of the protagonist, the film, and the world.

It is the women in this film who save the world, who save the men from their self extinguishing thirst for conquest and vengeance. And taking that line from LION OF WINTER, to also mean parental and familial influence, the difference between T’Challa and Killmonger then ultimately is in their relations to their fathers, even to the structure of their afterlives, one is defined by the inspiration of his father, and one by the lack of his father, and both of them have become completely extraordinary men in staggeringly different ways because of these relations.

It makes for a film of unexpected emotional intensity and depth. Coogler as a filmmaker has my number, as tears unbidden came to my eyes in places in this film. But I would argue he has everyone’s number, if you have the heart to feel, be you Irish or Korean or Ethiopian or American, Coogler will find those places that bind us all,… and squeeze. And then he’ll hit you with the action, then the humor, and sometime when you are laughing, he will squeeze again, and the tears will rise and you will know this is a filmmaker.

And it is wonderful when a director finds his muse, and an actor finds the director that gets him, brings out his best. Coogler and Michael B. Jordan are that combination.

They join legendary director/star pairings such as:

  • Ford and Wayne
  • Hawks and Wayne
  • Kurosawa and Mifune
  • Hitchcock  and Grant
  • Lee and Washington
  • Scorsese and Dinero
  • Scott and Washington
  • Woo and Yun-Fat
  • Ayer and Smith
  • Fuqua and Washington (It is not lost on me that Denzel Washington’s name appears with three different directors. It just shows the kind of fantastic actor he is, the longevity of his career, and that he can embody for many directors, the perfect actor).

Black Panther Movie Poster

Those pairings when they happen are the source of cinematic gold. And it happens in BLACK PANTHER with Coogler and Jordan, two of the respective best of their generation.

Simply a masterful film, with a stunning cast, and great performances. And Kudos to Kevin Feige who with 18 films under his belt, is not just producing films that transcend the source material, he has proved himself the most successful and influential film producer, in the history of the medium.Supplanting such names as Zanuck or Lewton.

It is a success richly earned.

That said, a lot of fans and reviewers care about the numbers, how much a movie makes. I do not. I could not care less if BLACK PANTHER made $1 or 1 Billion Dollars. In this day where studios own the films and the theaters; that is money that is being taken out of local economies. It is good the movie is successful in that we get more such movies from that director, that producer, those actors, but as far as making Disney richer, that does not concern me.

Now should we go back to the days of local and community owned theaters, then that matters, that we should support, because those dollars are staying in the community.

So I’m happy for the movie not because it does this much business, or that much business, I’m happy for the movie, because such visions raise us all, and the success allows such visionaries to keep telling stories.

Grade: An unqualified A+.

Extra Large Movie Poster Image for Black Panther (#18 of 23)

If you like this movie I recommend the following:

The following movies are too good, to trust in the ‘cloud’ or ‘streaming’ to always have them available, or always have them available in unchanged, unedited, or unaltered versions. The below movies deserve to be owned in physical form, in the age of digital.

Chadwick Boseman in Message from the King (2016)

Chadwick Boseman’s excellent A MESSAGE FROM THE KING
LION IN WINTER
http://amzn.to/2CtUltq
HAMLET
http://amzn.to/2C6aEk6
AVENGERS
http://amzn.to/2C5Lx0W
CAPTAIN AMERICA : WINTER SOLDIER
http://amzn.to/2C3M97v
CAPTAIN AMERICA : CIVIL WAR
http://amzn.to/2szGli8

Week 4 of 2018! Best Unboxing and Graphic Novel Videos!

I like Youtube courtesy of Roku because you can browse without comments. I don’t mind comments if they are moderated, but unmoderated comments is just like sewage, something I prefer not to wade thru. 🙂

So Roku allows me to actually be able to use Youtube and find it useful rather than nauseating. Case in point, unboxing videos. I am a HUGE graphic novel and Art Book fan, and I’ve become quite enamored of these videos where people show off their artbook or graphic novel or comic. It has given me so many great ideas regarding items to purchase, as well as helping me decide ites to pass on.

Though, unfortunate for my wallet, more of the former than the latter.

Here are some recent great ones as well as some of the best channels to visit.

 

THE CHINEST has great segments where you get to see the interior of the comic and decide if it is for you or not.

https://m.youtube.com/user/TheChinest

MARKET WATCH has a recent fantastic series of videos where he shows some of the great items he found in a recent collection purchase.

https://www.youtube.com/channel/UCz_gop-AM3fa6NGhSs_J_0w

GEM MINT COLLECTIBLES does a phenomenal end of 2017 Room Tour. Really impressive man-cave even if you are not into figurines. I really want those GOON and FEAR AGENT Hardcovers/Omnibuses.  And I love the idea of his desk in the middle of the room as well as his bookstand. I’m completely going to do that.  Really interesting and informative videos on his channel. Check out his TOP TEN ABSOLUTE EDITION WHALES video as well.

https://www.youtube.com/channel/UC31fEeAOTnfRgvGFwYJsFUA

Kudos to OMNIBUDS CAFE I really enjoyed his 2018 Omnibus collection overview. His bound and signed editions are great.

 

I have more of these shout outs coming, as well as a list of my favorite collections of 2017!  So come back for more next time!

YouTube vs Roku/Fire TV YouTube! CDs vs Records! And the de-evolution of America. Winner? MUSIC COMPANIES!

So i hate YouTube on the web.

I hate anything with an unmoderated comments section, that revels in talk show idiocy, or ‘attention through controversy’ or bad behavior.

But thankfully YouTube via streaming devices Roku or Amazon Fire TV, is actually devoid of those moronic comments and is more signal rather noise.

This week it has been brilliant helping me research and scratch my hifi/ audio need.

And by far, by far, the Youtube Channel I found the most useful of all, is the s)mply fantastic channel AUDIOHOLICS.

These guys can clearly call bs on the fuzzy thinking that makes up too much of hi-fi marketing and hype.

Such as the sillyness of various Youtube channels going on about the superiority of LPs over CD (I don’t care if you like LPs better, that is subjective. But LP/wax is an inferior medium, (I stress MEDIUM) that is not subjective, that is a fact.)

Talk about lossy system, LP is the original lossy system. It can’t handle the highs or the lows that CDs can, so has to be mastered in this very midrange sweet spot. Which is fine, in that midrange, if you’re good with that, and that sounds ‘warmer’ to you than a   CD, whatever. In the midrange if mastered right it can be perfectly fine. But one thing you lose in addition to those highs and those lows, that get clipped on wax, you lose the ability to reproduce the listening experience.

By that I mean, if you play a CD the first time, or the 500th time, and the hardware, the cd player, the speakers, amp, being the same; the quality of that recording will be the same as the first time you listened to it. That listening experience is reproducible.

Not so with wax/lps, like vhs tape or cassette tape, the LP playing experience is one of degradation. Everytime you play the medium, your start wearing it down minutely, and evertime you play it (though no one wants to think of it) it sounds worse than the previous time, because you are scraping into that signal, that medium.

I come from the analog generation, I played records, and vhs tapes, and cassettes until the quality noticeably started grinding down. And it didn’t then, and it doesn’t now, take too many plays, for that quality to start noticeably degrading.

So I have an experience with LPs and Cassettes, and in its time it was great, and it is still something to be said about large beautiful album covers and liner notes, the tactile process of it. But don’t confuse immediacy, with sound quality. And that immediacy doesn’t outweight the glaring flaws and problems with wax, in terms of sound quality, albums always getting futz on it,needles getting futz, the threat of warping, pops and cracles appearing out of nowhere.

We loved LPs because it was the best we had. But it was always a bit of a chore as anyone can tell you who grew up with them.

And I am not an LP hater. I think it has a place , and I still get the occassional LP, but generally these are recordings only available as LPs, or were mastered direct to wax.

The former being a lot of Quincy Jones stellar 60s and 70s avant garde film soundtracks such as the seminal IN COLD BLOOD. As far as the latter, I’m a purchaser and supporter of Jack White’s THIRD MAN RECORDS. This label goes to the stunning step of recording performances live and pressing directly to vinyl. You stilll lose some highs and lows when recording to wax, but in that midrange you get something very unique and original, you get a live concert experience unmoderated by overproducing.  That”s something very unique, and while I don’t see anything particularly superior in the sound, this at least has validity as something distinct from the CD. Unlike others taking tracks mastered for  a CDs range and just chopping off the highs and lows and slapping that on vinyl.

Vinyll can be great for these very unique niche projects. But as as additive to what should be a strong and healthy and forward looking digital market. To include CD and DVD and and SACD market.

It shouldn’t be this very cannibalizing either or scenario, in which music and choice….and the consumer… loses.

So when LD, CD, DVD came on the horizon it was then, and is now, a revolution, because suddenly you have something  you can buy that will rather than lasting 25 listens or views , if you are very careful and meticulous in keeping it cleaned and dust free,  before quality suffers, you have something that will keep its pristine quality, with just normal care for a minimum of 25 years. Not 25 listens like an LP… TWENTY FIVE YEARS! Minimum.

Now add greater dynamic range, larger capacity, and vastly increased lifespan and you have a medium,The CD/DVD, that by any definition is superior. And is by any measure the greatest boon to the video and audio consumer since the advent of recorded sound.

Now if a new generation gets sold on mp3 CDs and mp3 streaming and some badly mastered cds (and LPs can be equally badly mastered, any medium will have those who use it well and poorly. The difference being we have not yet exhausted the limits of how far we can take the CD and DVD and SACD. We are abandoning those formats before wecreach their limits. In favor of going backward to a medium, wax, whose limitations were always a source of frustration to audiophiles and engineers), and this young generation is bamboozled into writing off the most astounding and groundbreaking medium produced in the 20th century and goes backward to the flawed and not copyable ,and needing replaced often, analog medium, then who benefits?

I’ll tell you who… The RIAA and the music companies, who always viewed Digital with fear for the freedom it brought the consumer.

I tell you this new generation is giving away the baby with the bath water. Privacy, oh who needs that, put everything on facebook. Put surveillance systems in the guise of game consoles, and music players and smart devices in our homes.

Here’s the thing about smart devices and trusted computing, its about the companies being able to trust you, and not the other way around.

Conglomerates, are the ones benefiting from DVDs and CDs removed from the consumer and the return to records.This creates a model where the consumer owns music or video only on flawed, finite, non high-quality medium, and must go to the content provider for anything superior.

It is not only politically and morally and spiritually that America is devolving as a nation, but also in terms of technology.

 

My response… don’t let it.

Don’t buy the marketing and allow your rights to the future, be swept away by someone selling you the past. Continue to support full spectrum DVD, CD, and BluRay. And more than that let us continue to innovate, if people like the large LP format, lets give it to them, but in the superior medium.

I was a huge fan of Laser Disc, which works very much like a record, but using a superior medium, and a laser pickup instead of the horrible wax and needle medium.

Lets offer that as the 21st century version of records, to those who want Analog playback but with the benefits of digital transport/reproduction. That is a record I could get behind. 🙂

 

 

 

 

 

 

p.s. And avoid youtube morons attempting to review speakers and amps by just playing music (uh, moron, if I could hear the quality of your system just by listening on my system… they would call that magic. How do you not realize that?)

This is the lack of common sense mentality  that has idiots ditching CDs for flawed LPs, and spending thousands to try and make those LPs reach a dynmaic range, that is beyond them.

 

Okay here endeth my rant!

 

AMAZON PRIME vs NETFLIX! Fun MONSTER Movies on VOD this Weekend!

AMAZON PRIME vs NETFLIX! Fun MONSTER Movies on VOD this Weekend!

For this comparison I’ve left out vampire, zombie, werewolf and ghost/possession films, concentrating on the more niche sub-genre’s that make up horror movies.

AMAZON PRIME HAS:

    

 

NETFLIX HAS:

 

 

EASE OF SEARCHING: Amazon wins. You can type in a generic term and Amazon will search for it. Netflix’s app by default just searches by title

RATINGS: Netflix previously did helpful star ratings, but since has replaced it with utterly useless percentage rankings. Netflix desperately needs to go back to star ratings and IMDB scores on films. Amazon is the clear winner here, offering usually pretty spot on ratings to help you locate your next obscure or recent find.

TRAILERS: Netflix except in a few cases, with mostly their produced content, does not offer trailers. And the few they do offer take multiple clicks to locate and play. I love watching trailers, they can save you a lot of time by, along with the rating, quickly helping you determine if a movie (or show) is worth your time. Another HUGE fail for Netflix, and big win for Amazon Prime.

A ‘VIEWERS ALSO WATCHED’ OPTION – Again it helps emulate the video store dynamic, by putting on your radar options and selections you otherwise would not have thought of. I spend probably 4 times longer on the Amazon app, because it offers this rabbit hole feature. One selection, leading to another, leading to another.

Add all the above, to Amazon Prime’s massive back catalog which dwarfs Netflix’s options, and you have the fun video store experience improved on and ramped up by a factor of ten.  Amazon may be producing the superior new content, and branded shows, but as a central distributor of all things VOD, how it made its name initially, it Is falling way behind.

This week’s clear WINNER…. AMAZON.

 

 

 

CBS vs Paramount? Old Star Trek vs Confused Star Trek? ST Discovery = Epic fail? and JUSTICE LEAGUE?!

 

Some Times you wonder how what is seemingly obvious  is utterly lost on people in positions of power.

VALERIAN movie? Great concept on paper , great visuals, the leads are as interesting as watching paint dry. I would not in a million years have chosen those two people to helm that movie. They have no visual interest.

The latest Universal bomb in THE MUMMY, completely predictable. White Egyptians, unless they are Boris Karloff, just never a good idea.

Casting and visuals and chemistry is still a HUGE part of what makes a film or show work and why it is dead on arrival.

It is one reason the JUSTICE LEAGUE movie is despite everything they are trying to course correct and do right, can’t fix intrinsic issues they have done wrong. The comic book decided to put CYBORG in the comic, not because he is a good character, but because he hit three demographics they throught would make for both multiple diversity streams and good merchandising. He was a Black crippled robot.

TRANSFORMERS has proven that robots sell, all day long. On top of that being able to add a character of color to the blindingly white DC universe, ticks that box, and making him a cripple, ticks the handicapped audience. A lucrative and growing segment condsidering how many young men and women this country sends overseas to mutilate and get mutilated.

Here is the issue though. It doesn’t make sense for CYBORG to be in the Justice League, beyond tokenism and a blatant money grab.

From a story point it makes NO SENSE in the comics, and it makes no sense in the movies. I’m all for characters of color toning down the lilly whitness of the Justice League, but not awful characters. The JUSTICE LEAGUE UNLIMITED cartoon has shown a great character of color that deserves to be in the Justice League and works great in the Justice League… John Stewart, The Green Lantern, And you know what, he also has kick ass powers and is more than a walking toaster. The late great Dwayne McDuffie made John Stewart a great character, and the Justice League a great AND diverse team without sacrificing quality or common sense. They were great BECAUSE of that diversity and love that Dwayne imbued that series with, that made it great.

Greatness is a thing that seldoms gets said in the same sentence as JUSTICE LEAGUE. Unlike the AVENGERS that has a few notable stories you can hand people to sell them on these characters for live action movies, most notably Mark Millar’s THE ULTIMATES  followed by Steve Englehart’s, Gerry Conway’s, Jim Shooter’s and Kurt Busiek’s runs; the JUSTICE LEAGUE has very little that holds up, or is of appeal to a movie going audience. Outside of deconstructive and apocalyptic stories, the twilight of the Gods type mythology such as KINGDOM COME, and some Morrison work, there are almost no great JUSTICE LEAGUE comic stories. The best the JUSTICE LEAGUE has ever been is in the McDugffie helmed cartoon.

The current comic and the current movie unfortunately, has learned nothing from the late McDuffie’s lead.

Add to that the Cyborg and Flash costumes are crap (didn’t you learn anything from the GREEN LANTERN train-wreck about CGI costumes) and you have a movie that could have been great, crippled by by people who are going to lose dollars to save pennies.  People ignorant or uncaring of the part visual chemistry plays in whether a thing works or not.

And that brings us back to Star Trek.

 

Looking at the cast photo of Star Trek Discovery… that cast has no visual interest, no chemistry. The same issue suffered by THE ENTERPRISE cast, and to a lesser degree the VOYAGER cast. There was no joy or interst or chemistry in this combination of people.

Watching  the latest STAR TREK DISCOVERY Trailer, I find the trailer interesting, however the jury is out on whether that translates into good. There was no excitement in that trailer, a bunch of uninteresting looking people, no visual chemistry or excitement to them, and a general air of uninterst and lack of joy in the whole.

You are in effing space, that should be awe-inspiring to the cast and to the viewer. But all that comes across in that trailer is how dreary everything is. The one male lead, who I know to be a good actor, he perhaps has never been the most rousing actor, and whether lead or not, you need somone immediately that grabs your eye, and you can say, yep, here is a hero or man of action, or somone who can command a screen and command the attention of viewers. Without a doubt great scenery chewing actors is the hallmark of great Star Trek, whether it is William Shatner, or Leonard Nimoy or Patrick Stewart or Johnathan Fraker or Avery Brooks or Michael Dorn.

The star of this series, is a lead actress, and she is clearly charismatic, but you can’t act in a bubble, without that chemistry  of clicking actors around you and fun plots, it is just dreariness. And that’s what came across in the trailer… dreariness.

And a lot of changes for change sake.

The change to the Kilngons… strikes me as… foolhardy at best. THE NEXT GENERATION hit a home run in being able to make an interesting but crude visual race of the Kilingons… better. Not just better, but a rousing transcendent success.  The way the Original Series hit a home run with the Vulcans and the Romulans, the Next Generation hit that Home Run with the Klingons.

You don’t fix what isn’t broken. And in this case DISCOVERY’s redesign of the Klingons just seems change for change sake, that tears down a success, and what could have been an easy inroad to the series for fans craving the popular Klingons, becomes instead a detriment.

Just poor, poor thinking.

Along with that the idea of trying to make American audiences pay to see this series that initially needs as much groundswell of support it can get, is just idiocy. Out of the gate you set an antagonistic relationship between show and audience.

I will, needless to say, not be paying for this show, no more than I had any intest in paying to see VALERIAN or THE MUMMY.

But I will keep abreast of it through online reviews and podcasts, and I hope it can prove me wrong. But if Paramount stick to the visuals and that tone and that cast, that seems clearly set in stone for the first year….you may have an interesting SciFi show, but you arguably wont have a good show, and you definitely won’t have a great Star trek show.

Paramount instued of suing the AXANAR fan film, should have gone with that filmmaker to produce their new show. It is obvious that the fan films have more heart, intelligence, and fun, and understanding of what makes good Star Trek than Paramount has.

PARAMOUNT’s rebooted STAR TREK films, a case of diminishing returns, from the excellence of the first one, to the too self indulgent but still great second film, to the atrocious third film; points to a company that is in desperate need of course correction. And that same folly and arrogant stupidity that highlights their dealings with the fans, mars their handling of this latest television show.

For more on this, I want to direct you to a MIDNIGHT’S EDGE YouTube video, that revealed some of the reasons for Paramount’s mishandling of the latest Star Trek property and where CBS fits in. It’s a riveting and informative bit of reporting.