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Movie Diary : 2022 Day 1- 01012022- UNDERWORLD AWAKENING 3D and PINA 3D from Criterion!
So my first movie viewing of 2022 is one that came into my 3D collection in the last couple of weeks of 2021, and I am just now getting a chance to give it a spin on my 3D projection system.
I am speaking of UNDERWORLD:AWAKENING. The 3D Blu-ray reviews on it were mixed, so I thought I would find out for myself. Generally the 3D is very similar to the quality of the movie, okay but nothing great.
I am a fan of a good creature feature, and even CGI laden werewolf transformation scenes are always fun to watch. You kinda know what you are getting with this UNDERWORLD franchise and this one delivers what you would expect.
Regarding the 3D, a couple of things really work against stereo imaging, even for natively shot 3D. Dark or underlit/dreary/ low contrast scenes, particularly night scenes, being one of the nemesis of good stereoscopy and poor shot compositions that flatten out the depth rather than accentuating it, being the 2nd one. A film like the first DOCTOR STRANGE… people tend to confuse great visual effects with 3D, when in actuality DOCTOR STRANGE has (for the most part) deplorable 3D, sporting both dreary, underlit scenes and poor/flat compositions.
This film, UNDERWORLD AWAKENING, is not flawed to that degree; it actually has good shot composition– designed to make use of 3D, but is hampered by the fact that 90% of the film takes place at night or in low light situations, effectively undermining the very separation you are trying to get in a stereoscopic movie.
Still there is enough 3D to be noticeable and given the choice I would much rather watch this film in even muted 3D, then without. So worth a look. Grade: C- for the movie and C- for the 3D.
Now onto PINA.
I knew very little about the film PINA, before watching it today. I knew it was the only 3D release that seminal Boutique Blu-ray company Criterion has released. I knew it was in some way to deal with dance.
Now having seen it, I completely do not understand how this film is virtually never mentioned, even by die-hard Criterion experts and fans. This is clearly one of Criterion’s best and most essential releases.
PINA, by the great director Wim Wenders, is at once a love letter to a calling — a vocation, while also being as moving an eulogy as one person has ever had. It is a dance troupe’s love letter to their guiding star, choreographer Pina Bausch, and as great and effective and affecting a use of 3D as I am likely to see all year.
What LIFE OF PI was able to do for a fiction film, PINA does for documentaries/performance art, making the 3D more than a gimmick, but an indispensable part of the storytelling process.
The doorway sequence close to the end is one of numerous excellent uses of stereo imaging, but may be my favorite of the whole film, as they break rules in that shot, moving the camera, as the actors move, as all the layered doorways seem to move, it is a brief moment, but it helps your idea of reality tremble for a moment, and what more is magic but that.
As a fan of theatre, great theater is hard to translate to great film. While a fan of ONE NIGHT IN MIAMI the film, it pales to the power and immediacy of the theatrical presentation I saw. The same with nearly every version of RICHARD THE III I have seen, they pale to the experience of having attended a walking theatrical play of RICHARD III , conducted at night, in the rain, following the actors in an out of decaying edifices, with roofs gone, and nothing to stop the heavens to bearing witness. Great theater is hard to match.
Very rarely does that happen the other way, where the film can capture or surpass the theatrical presentation.
A few come quickly to mind, Branagh’s HENRY THE VTH (1989), Anthony Harvey’s THE LION IN WINTER (1968) and this film, Wim Wender’s PINA (2011) while not an adaption of any one performance, but rather the overview of a troupe’s body of work, offers an immediacy in how the camera is used, and the stereo imaging is used, that allow the artists to communicate with you in a way that transcends, perhaps by a little — perhaps by a lot, anything that you can experience sitting in the best seats of the best traditional theater.
PINA becomes therefore great film, and even rarer a great and essential 3D film. Grade: A. a film that must be experienced in 3D, and a must own film.
p.s. THE CRITERION RELEASE OFFERS A MAKING OF, THAT IS ALSO IN 3D (SOMETHING I HAVE NEVER SEEN BEFORE), as WELL AS A COMMENTARY. THIS FILM HAS A WEALTH OF CONTENT FOR NUMEROUS VIEWINGS and REVISITS. A RELEASE I LOOK FORWARD TO ENJOYING FOR YEARS.
“Dance. Dance! Or otherwise we are lost.”
–Pina Bausch
These reviews were conducted using 3D Blu-rays, a region free 3D compatible Blu-ray player, and a short throw, full HD, 3D compatible short throw projector (Essential for a flexible/portable system) offering at least 3000 lumens, and high contrast, and active DLP glasses (one of the most important parts of any system)..
If you would like to purchase your own pre-assembled system you can use this link as well as clicking the images in this post to acquire the items depicted.
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Streaming TV Guide of the Day 4 Aug 2021- Youtube Edition!
MOVIES AND PHYSICAL MEDIA RECOMMENDATIONS AND INSIGHTS
GREAT MOVIE TRAILERS OF THE DAY
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AUTO AND HOME IMPROVEMENT NEWS AND INSIGHTS
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ART BOOKS AND COMIC BOOKS
I love Golden Age Comic Books but stop making excuses for the Bigotry in some of them!
This post was spurred by comments I have seen several Youtube channels make when discussing Golden Age comics, that are being released in impressive hardcover reprints called Omnibuses.
One that is dropping this month and I am looking forward to is GOLDEN AGE CAPTAIN AMERICA Vol II.
And quite a few channels have given an overview on this upcoming book.
I am a huge fan of several genres and eras of comics, to include the golden age. I particularly think the Timely era of comics (What Marvel was called before it was Marvel), especially their horror comics, is very entertaining.
If you have not tried golden/atomic age series like MYSTIC and MENACE and STRANGE TALES I highly recommend them. And I also am a fan of the combat and superhero comics of that period.
I own the GOLDEN AGE CAPTAIN AMERICA Vol I omnibus, and strongly recommend it. And already have Vol II pre-ordered.
I say all that to say I am the audience for these books, but I have to take objection to one thing various Youtubers and Pundits continue to say during their overview of these books, as if to make apologies for them.
- They say these books have offensive depictions, which is true.
- They say they are a desire to dehumanize the enemy, which is partly true.
- They say it is not racist which is a 100% false.
No, These are bigoted and ignorant depictions, that serve a deeply ingrained racist dogma. Racist depictions were happening long before the bombing of Pearl Harbor, or any act of aggression, to the earliest days of comic strips, at the start of the 20th century, and comic books.
So these comics depictions were less about ‘dehumanizing the enemy’ related to people we were at war with, but was about dehumanizing the non-white masses. Hence why Blacks and other ethnicities are portrayed in demeaning ways to cully favor with a “frightened of changing times” majority. It is an attempt to continue to give the majority a minstrel show entertainment, which itself was an outgrowth of the outcome of the civil war, and an attempt to denigrate and have power over the things they feared.
The irony of this is that these new forms of mass media, from Movies to Comics, these 20th century forms of entertainment that in their infancy were looked down on as ghetto entertainment, were largely overseen by Jewish Immigrants that themselves had escaped various forms of European persecution. But saw that the secret of success was swerving into the bigotry and biases of the day, particularly if they could point that ridicule and persecution to other ethnicities.
These pundits say these books are a product of their times, which while a nice sounding statement, obscures the more accurate truth, these were choices of men in power and men aspiring toward power.
And whether 1921 or 2021, the date does not matter, what matters is the choices and the hearts of men.
Some men through racism or venality made horrible choices, such as Will Eisner, and the people he shaped in his shop to perpetuate these denigrations of people of color. And by contrast you had creators like Matt Baker and Mac Raboy, who lived in the same time as Eisner, but decided not to embrace the same bigotry as Eisner. Look at the way Raboy drew characters of color who we were not at war with (his CAPTAIN MARVEL JR and MASTER COMICS work comes to mind) or Baker; largely without caricature, as opposed to Eisner.
I can enjoy these books despite their failings and their bigotry, but let us not make excuses for the bigotry on display by saying it was the times. In 1921 or 2021, the fault is never the date on the calendar, or our stars, it is always the hearts of men.
Some men make right decisions, and some make Trumpian ones, and rise to popularity on peoples bigotry, and fear, and hate and ignorance.
That is what happened in Comics and in movies, but not all comics, and not all movies, so let us stop saying it is the times. It may have been the publisher, or the editor, or the writer or the artist, but it was not the times.
To make that infantile argument is to obscure the courage of the men who made the right choices, and white wash the culpability of the men who made the wrong/easy choices.
Yes these books are part of history, and we can learn from them, but only if we recognize that these books are demeaning and offensive in places, because people chose to make demeaning and offensive choices, and not just because of ‘the times’.
Okay, Off my soap box now.
Love the various channels that do cover and champion these Golden Age collections, it is just we have to be wary of spreading an uninformed opinion as fact… namely that these books are reflections of the times.
Theses books are the choices of men, and only understanding this, can we learn to make better choices… regardless of the date on the calendar.
Here Endeth The Lesson!
PUBLIC SERVICE ANNOUNCEMENT : New changes to Ebay= Sellers should avoid EBay like the plague!
Ebay is great to buy on, and while for now is still the biggest market for buying and selling, it has increasingly become horrible to sell on, and very antagonistic to sellers.
Their new payment management changes for sellers includes potentially some truly onerous fine print. Perhaps the most unacceptable of which is the following passage:
Buying or selling outside of eBay
If you offer or reference your contact information or ask a buyer for their contact information in the context of buying or selling outside of eBay – opens in new window or tab, you’ll be charged a final value fee based on the total amount of the sale even if your item doesn’t sell. In this situation,
Now I get and agree that Sellers should not be actively trying to divert Ebay traffic and potential sales off Ebay, however a lot of established and reputable sellers list items on multiple sites, and the first one to sell is the first one to sell. Now with Ebay’s above stated policy, even if you end up selling the item through your own web page first, and Ebay discovers it, they will charge your checking account, as if you sold it on Ebay!!
WTF????
A seemingly punitive measure for you to sell on Ebay only. What moron thought of this?! You’re going to charge people for your site failing to be the first to sell the item??!!
Also if a Buyer opens a dispute, which unfortunately happens to the best of sellers, and the seller loses the dispute (which also happens to the best of sellers) Ebay has the following onerous policy change:
Dispute fee
If you are found responsible for a disputed amount as per eBay policies – opens in new window or tab (e.g., chargeback), we charge a $20.00 dispute fee, excluding sales tax, for each dispute.
WHAT?? No Thank you Ebay.
I stopped selling on Ebay a long time ago, even before these absurd policy changes. Now as a seller, I would never sign onto Ebay with their current seller-hostile policies.
In closing, Ebay is still a great place to Buy, but I see that changing as more and more sellers jump ship to find a less onerous company and platform to deal with.
THE LAST HURRAH : Ten Greatest Film Noirs of the 20th Century and their best physical releases here in the 21st Century!
I have not put CASABLANCA or THIRD MAN on this list, because although they have noir elements, there is an A picture scope to them in terms of not just budget but aspiration, that transcends the conventions of the noir, they ultimately tell larger tales than the fall or redemption of a single man, which is the heart of the noir aesthetic.
With that caveat aside, onto the list.
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MALTESE FALCON (1941)
- DOUBLE INDEMNITY (1944)
I don’t love the cover art for the Eureka release of Billy Wilder’s DOUBLE INDEMNITY (I think they should have gone with the art used for DVD and other releases) , but the film itself is magnificent, one of the greatest film noirs of all time. And a very good Blu-ray release. It is currently the must own version of this film.
3. MURDER MY SWEET (1944)
4. KISS ME DEADLY (1955) 
5 DEVIL IN A BLUE DRESS (1995)
Walter Mosley’s DEVIL IN A BLUE DRESS remains a watershed book, in many ways improving on the pulp noir and film noir roots laid by writers like Hammett And Chandler. As someone who has read the book, listened to the audio book, and seen the film, Director and Screenwriter Carl Franklin’s take on DEVIL IN A BLUE DRESS is just as watershed a film. With a stellar cast, the film is Noir distilled, while being one of the most beautiful color films, and is endlessly watchable and compelling. Indicator Films finally releases this film on Blu-ray, with Booklet and one newer special feature… a charming 2018 Interview– Carl Franklin: DANCING WITH THE DEVIL. That said I do wish they had sprung for new interviews and commentaries to go along with the ported features from the original 20 year old DVD; but that aside this is a must own limited-special edition release, that is 25 years in the making.
6. LADY FROM SHANGHAI (1947) 
7. THE BIG HEAT (1953)
8. THE BIG SLEEP (1946)
9. I WAKE UP SCREAMING (1941)
While ostensibly 1941’s MALTESE FALCON is recognized as the first FILM NOIR, this film, I WAKE UP SCREAMING, made at the same time as MALTESE FALCON, actually is the first film to put together all the iconic elements we would later associate with film noir.
In addition to the Femme Fatale, and the morally challenged protagonist, this film adds the heavy use of shadows, the Venetian blinds, the stylish dutch and off-center shooting angles, in essence the visual language of film noir shows up first in this least heralded of films. And with a winding script that keeps you shifting your belief of “who done it” from one character to another, and some strange and compelling performances and laudable direction, you end up with a film that deserves to be better known.
10. RAW DEAL (1948)
Being the single best of Anthony Mann’s and John Alton’s magnificent collaborations makes RAW DEAL a must for any top ten list. This special edition, complete with booklet is a must own release.
Well, that’s it my top 10 list.
2020 saw all ten of these films available on quality, feature rich Blu-Ray releases (eff barebone, questionable quality 4K releases — I despise the “no interior artwork, lacking new artwork” 4k releases. I also blame 4k for the further fragmentation and dwindling of a market, that can not survive anymore fragmentation. If you are going to do UHD releases, release them with the Blu-Ray and/or DVD in multi-packs. You eliminate having to have a DVD market and a Bluray Market and a UHD market, and the associated expenses of trying to package for 3 different formats ) for the first time in the relatively short history of physical media. And arguably by the end of 2021 these ten movies will never again all be available in quality, feature rich, physical media versions.
I hope that will not be the case, but hope for the best, but prepare for the worst.
If you want these films in physical media, pick all ten up today, while they are still in stock. Click the images to be taken to the movies in question.
If you have enjoyed this post, then like, subscribe and come back for more of our coverage of physical media and the… Last Hurrah.
Amazon Deals of the Day : Recommended Complete CRIMINAL Collection Available!
I like the dayglo covers of the above reprint editions (the first two are reprint editions, the last two are new printings). However, I like the covers of the original Icon editions (shown below) a little bit better. The contents and build of both editions are almost identical, I just think the below Icon Editions have covers that are more in keeping with the noirish, slow-burn, content of the interiors. Price being no object I would get the below editions. However the below editions are out of print, and going for multiple times the cost of the new reprints. So unless you get the first editions cheap, or are well off and buy what you want… get the above reprints. Cick the images to view more and/or purchase.
Update to my review on Warner Archives CURSE OF FRANKENSTEIN!
A few posts back I recommended the Warner Brothers Archive distributed, Hammer Studios made CURSE OF FRANKENSTEIN disc, but did point out an issue with its aspect issue. That the so-called wide screen 1:85 version is ‘fake’ widescreen, that basically just zooms in and crops information on the sides and top of the film, and that the 1:66 version is superior to the 1:85 version.
While that is true as far as it goes, I have just seen the special features on the 2nd disc, and the light bulb goes off. The primary feature on this disc is the movie in 1:37, basically 4:3, tv frame. This film was shot to maintain the 4:3 standard, that was very much still the standard for cinema. The viewers they used to frame their shots, everything was 4 by 3. Widescreen in the 1950s was very much a hail Mary, to try and bring people back to the cinemas by giving them something they could not get in their homes… widescreen.
And where widescreen would be used to real effect, by filmmakers as the years went on, watching the 1:37 print, from frame effing one it is clear, this is how the film was meant to look. From the first frame you can see the castle at the top of the screen that the rider is climbing up the mountain toward. a castle that is not discernible in the 1:8 version and you can just make out the bottom of on the 1:66 version.
In the 1:33 version you can clearly see the destination the rider is heading toward. And the rest of the movie is likewise perfectly framed, you no longer get the horses ears getting cut out of the frame, or the tops of people’s heads touching the top of the screen or being clipped out of the frame.
I knew the moment I saw the 1:8 version that it was missing detail. The 1:66 version gave us some of that detail back, the 1:33 finally gives us all the story… and the scales fall from our eyes.
Not only do you gain data on the top and bottom of the frame, you also gain data on the sides. You gain all that information that had the picture feeling… lacking (to differing degrees) in the other two versions.
And the pictures looks great in this 4 by 3 version. I’m over-joyed they included the 1:33 version but am dismayed they relegated it to the special feature disc (that potentially most will not even know about), and the ‘legitimate’ versions will be touted as these fake wide-screen versions.
It actually makes me mad, that the superior version of the film, the 4 by 3 version, was not the marketable version. “Oh but everyone has a widescreen tv, and people don’t want the picture to not use all that widescreen real estate”, even if it means they are actually being sold an inferior viewing experience, under the guise that it is a superior standard.
Studio speak.
It reminds me of what is happening with 4K, People are sold this idea that 4k is a superior picture to Bluray, that is is 4 times as good picture wise, and as with fake widescreen, that is not true.
1st, the term 4K is a misnomer sold to idiots, it is not 4 times anything compared to Bluray. It can discern smaller pixels, so roughly twice more dots per inch. But that is about screen real estate, and is not picture quality. It is picture real estate that depending what you are looking at and how it is applied… could be a component of better picture quality, or not.
But as I’ve stated before, in real world situation on a 60″ or less tv, at a standard viewing distance you are not going to discern any notable difference in the resolution between HD and UHD (called inaccurately 4K). What you do notice is the bells and whistles they dress up the marginal difference with, ie Dolby Digital and/or HDR. And that is color grading. And that technology could have just as easily veen applied to Bluray, but then they could not have sold the masses on new Tvs and players.
UHD like Widescreen has the ability to be well used, but it also (as in THE CURSE OF FRANKENSTEIN) has the ability to be lip-service to quality, rather than a true qualitative improvement.
It depends if the people mastering these discs, are just interested in selling you a buzz word and a fad to get you to part with your money, or if they are actually interested and capable of recognizing a superior picture, and providing you that experience.
As with widescreen, sometimes the UHD/4K is just a buzzword with no value, and you are better off getting the 4:3 or Bluray version.
THE CURSE OF FRANKENSTEIN is a great film, and if you have only seen it via the ‘wide-screen’ versions, go to disc 2 and watch the 1:33 version, and see what you have been missing. Highly Recommended!
Favorite Audio Books of May 2021!! CHOICE ONE — Alex Ross’ KINGDOM COME!!
I LOOOOOOOOVVVVVVVVVVVVVEVEEEEEEEEEEEE this audio book!. I’ve had the audio cassette for years and ripped my copy to cd so I can listen to it when in my car going to/from work, etc. I Loved the graphic novel so much that when I heard about the audio book, I just had to have it.
And this audio book, actually does what I thought was impossible. it makes the graphic novel, which I consider a masterpiece and one of my favorite books, even richer and more beloved.
That said it has been a good couple years since I have found these CDs and revisited this audio book. I listened to them this week…. and it still hits me the same…. my goodness I LOVE this audio book.
And I know Mark Waid the scripter is not a fan of this audio book, but I adore it. And what gets lost about KINGDOM COME, the graphic novel that inspires this audio book, when discussing it, is it is Alex Ross’ KINGDOM COME.
Click the image above to own the ABSOLUTE KINGDOM COME while it is still in print. A must own.
Alex Ross was not just the artist on the book, KINGDOM COME, it was his brain-child, he conceived it, this was and is very much Alex Ross’ story that he brought to DC, this idea of the Twilight of the Gods, even to having his Dad in the book as a central character, and DC paired him with Mark Waid to flesh out the story and create the script and structure.
And all due respect to Mark Waid (you can’t have a much better scripter/writer to flesh out your ideas, and make your concept better, especially when it comes to DC Characters and history and imbuing it with a sense of the iconic and the nostalgic); but I do think we need to give due respect to Alex Ross, and start giving him his due praise for the story even existing, and its romantic, and even spiritual nature… giving us the gist of this story about — faith rewarded.
And here another great writer and lover of all things DC, Elliot S. Maggin, takes the Graphic Novel and adapts it for the novel and the audio book, I think with faithful and momentous and heartfelt results.
Read the comic, then read this exceptional novelization
Verified Purchase
Moments in this audio book never fail to give me chills or make me teary eyed or make me inspired. The audio eliciting memories of Alex Ross’ stunning iconic painted moments. So yes, you very much need to have read the Graphic Novel first, to appreciate the audio book.
I’ll post links to both items, and more, throughout this post.
“And fingers that can fuse coal into diamond, crawl across human bone. And in the hush, ears that can hear a cell divide, pick out with chilling ease, the scream of human rage.”
Holy Effing Crap.
I think the performers with one or two brief exceptions for the bit players, are all fantastic. The main characters, Superman, Batman, WonderWoman, Magog, Norman McKay, Wesley Dodds, Spectre, many more— are all picture perfect.
Alex Ross meets Mark Waid meet Elliott Maggin— all add up to the best DC adaptation ever made.
The cassettes have dried up, but sometimes you can catch one popping up from time to time. And hopefully one day they will release the CD (but wouldn’t hold my breath, considering it has been over 20 years since the Audio Book was released). However, if you can snag a copy, it is worth having.
Strongly Recommended!!!
The GREATEST multi-part FANTASTIC FOUR comic book stories—- EVER!!!!!!!!!!!!
Start with the FANTASTIC FOUR OMNIBUS 1,2, & 3. A great way to get into the early issues. Click the images to see more on the titles covered.
They were visionaries. Explorers. Imaginauts. They were Stan Lee and Jack Kirby. And like the Fantastic Four, they continually strove to overcome the impossible and achieve the extraordinary. Now, the first three years of their landmark run are collected in one oversized volume. This keepsake edition also includes all original letters pages and pinups, critical commentaries, a historical overview, and other DVD-style extras.
COLLECTING: FANTASTIC FOUR (1961) #1-30, FANTASTIC FOUR ANNUAL (1963) #1
Collecting the greatest stories from the World’s Greatest Comics Magazine in one, massive collector’s edition that has been painstakingly restored and recolored from the sharpest material in the Marvel Archives.
COLLECTING: FANTASTIC FOUR 31-60, ANNUAL 2-4
These are some of the greatest adventures of all time! Collecting FANTASTIC FOUR (1961) #61-93 and ANNUAL #5-7, and material from NOT BRAND ECHH #5-7. All Ages
Celebrate 60 years of the World’s Greatest Comics Collaboration! Stan Lee and Jack Kirby conclude their record-setting tenures on the FANTASTIC FOUR, the book that birthed the Marvel Universe! In Kirby’s final issues, Doctor Doom lurks in the shadows, the FF save Apollo 11 from an alien threat, and the Sub-Mariner and Magneto team up to attack our heroes! Then, Stan Lee is joined by Marvel art legends John Romita Sr. and John Buscema to forge a new future for Marvel’s first family! Along the way, the Thing battles the Hulk, the Surfer is taken captive by Galactus, and the Overmind menaces Earth — leading to the strangest event in Marvel history: Doctor Doom joins the FF?! Guest-starring Black Panther, the Inhumans and more!
COLLECTING: Fantastic Four (1961) 94-125, Fantastic Four: The Lost Adventure (2008) 1, material from Fantastic Four Annual (1963) 8-9
Okay now onto the issues you can afford to pick up in issue form, and the ones i recommend having:
FANTASTIC FOUR 161,162,163,164- These issues completely wowed me as a kid, and continue to entertain me as an adult. Simply great work by the team of thomas, buckler and sinnott.
FANTASTIC FOUR 164,165– Great covers, Great issues!!!
FANTASTIC FOUR 168,169,170 More Thomas, Buckler greatness!!
For my money John Byrne invented the concept of wide-screen entertainment with his seminal early work on AVENGERS 164 thru 166. This is him a decade later, showing he is still the bar, by which super hero action will always be measured.
Without argument John Bryne was one of the best writers and artists on Fantastic Four (Right up there with Stan the Man Lee, Jack King Kirby, John Buscema and Roy Thomas ), but until you go back and revisit his lengthy run on The World’s Greatest Comic Magazine’you forget exactly how good he was. Issue 251 thru 265 is really one large, fluid story about— families lost and families found.
It was the world’s greatest comic magazine – again! Not since the days of Stan Lee and Jack Kirby had a creator so perfectly captured the intense mood, cosmic style and classic sense of adventure of Marvel’s First Family. Fresh off an earth-shattering and reputation-making run as penciler on UNCANNY X-MEN, John Byrne proved his writing talent was every bit the equal of his art as he pulled double-duty on FANTASTIC FOUR, launching Reed, Sue, Ben and Johnny into realms of imagination and wonder into which few creators before had dared to travel. From the four corners of the globe to the farthest reaches of space to the deepest depths of the Negative Zone, the FF face off against foes old and new – including the Dr. Doom, Galactus and Annihilus! Plus: The FF aid the Inhumans, bid farewell to the Baxter Building, don new costumes and celebrate their 20th anniversary in style as Byrne reminds us all there’s a family at the heart of this team of adventurers!
Collecting: MARVEL TEAMUP (1972) #61-62; MARVEL TWO-IN-ONE #50; FANTASTIC FOUR (1961) #215-218, #220-221, #232-262 and ANNUAL #17; PETER PARKER, THE SPECTACULAR SPIDER-MAN (1976) #42; AVENGERS (1963) #233; THING (1983) #2; and ALPHA FLIGHT (1983) #4.
Superstar John Byrne’s legendary run concludes with one of the most innovative periods in Fantastic Four history! The sensational She-Hulk replaces the Thing, Sue Richards becomes the Invisible Woman, and Mr. Fantastic is tried for crimes against the universe! Also featuring the return of Dr. Doom, the fate of Reed and Sue’s unborn child, the resurrection of Jean Grey, and more — as the FF confront deadly foes including the Mole Man, Dr. Octopus, Terminus, the Beyonder, Mephisto, Psycho-Man and Annihilus! Plus: the unfinished “Last Galactus Story,” reprinted for the first time!
COLLECTING: Fantastic Four (1961) #261-295, Fantastic Four Annual #18-19, Alpha Flight (1983) #4, Thing (1983) #10 and #19, Avengers Annual #14, and material from Secret Wars II #2, Epic Illustrated #26-34, What If? (1977) #36, What The -?! #2 and #10, Thing (1983) #7, Fantastic Four Roast and Fantastic Four Special Edition — written by John Byrne, Mark Gruenwald, and Roger Stern; and illustrated by John Byrne, Mark Bright, Ron Wilson, and Jerry Ordway.
The original first run of the FANTASTIC FOUR ran 416 issues. For my money you can stop reading with the recommendations in this post. The series never gets better or as good as the issues listed above.
Well this post was a good amount of work. If you enjoyed, then please like, subscribe, comment, email, and use the links. It is all apprecaired! Hope all you gals and guys are doing great!!!
Heroic Times 