BOOK COVERS OF THE DAY!

WEDNESDAYS WORDS

WEDNESDAYS WORDS is a new weekly installment that ranks the most interesting, intriguing books of the week (old, new, reissues, digital, etc). Contributors represent a variety of genres and sources. Each book includes Title and publisher blurb.

I looked at both the Amazon Bestseller List for the week and the New York Times Bestseller list for the week.

While I found the NY list more interesting than the Amazon list, both were a bit more miss than hit for me. The majority of their items wouldn’t be on my purchase list. What would be?

Glad you asked. Behold:

Dogsbody[Paperback] – Book Description
Publication Date: April 12, 2012
The Dog Star, Sirius, is tried – and found guilty – by his heavenly peers for a murder he did not commit. His sentence: to live on the planet Earth until he can carry out a seemingly impossible mission – the recovery of a deadly weapon known as the Zoi. The first lesson Sirius learns in his lowly earthly form is that humans have all the power. The second is that even though his young mistress loves him, she can’t protect either of them. The third – and worst – is that someone out there will do anything to keep Sirius from finding the Zoi. Even if it means destroying Earth itself. This funny, heartbreaking, stunning book features an introduction by Neil Gaiman, an avid fan of Diana Wynne Jones.

Fire and Hemlock [Paperback] Publication Date: April 12, 2012
Polly Whittacker has two sets of memories. In the first, things are boringly normal; in the second, her life is entangled with the mysterious, complicated cellist Thomas Lynn. One day, the second set of memories overpowers the first, and Polly knows something is very wrong. Someone has been trying to make her forget Tom – whose life, she realizes, is at supernatural risk. Fire and Hemlock is a fantasy filled with sorcery and intrigue, magic and mystery – and a most unusual and satisfying love story.

Widely considered to be one of Diana Wynne Jones’s best novels, the Firebird edition of Fire and Hemlock features an introduction by the acclaimed Garth Nix – and an essay about the writing of the book by Jones herself.

About the Author
Diana Wynne Jones was the multiple award-winning author of many fantasy novels for children, teenagers, and adults. Her book Howl’s Moving Castle was made into an Academy Award-nominated major animated feature by Hayao Miyazaki. She received the World Fantasy Lifetime Achievement Award in 2007. Married to the medievalist J. A. Burrow, with whom she had three sons, she lived for many years in Bristol, the setting for many of her books. Diana Wynne Jones passed away in March 2011, after a long illness.

The Incredible Adventures of Doc Atlas: The Doc Atlas Omnibus (Doc Atlas Omnibus) – Publication Date: October 7, 2011 | Series: Doc Atlas Onmibus
Set in the era of the 1940s and 50s, this collection of pulp-style novellas follows the adventures of the mighty Doc Atlas and crew from the jungles of Central America to the frozen tundra of the North Pole. Whether they’re prowling the streets of Manhattan, investigating reports of a killer gorilla (with the purported brain of an executed criminal) or a crashed flying saucer in a small town named Roswell, New Mexico, Doc and company always see the investigation through to the end. Written with historical hindsight, these tales combine the best elements of the pulp era with actual historical figures and events.
– I’m not a Doc Savage fan. So a Doc Savage homage, is generally not something that is going to get my attention. I would never even have stopped on the page, accept the cover. It had a striking Geoff Darrow cover. So that got me to stop, read the description and decide… yeah it sounds worth a look. And that would neveer have happened without a great cover. I can’t stress this enough, with ebooks and print on demand and specialty presses there is a lot of product and competition out there, make it easy and attractive for your book to stand out and get picked up… pay the money, get a great cover. I see so many books, and I’n a cover guy, so if you send me a book, and the cover looks like a two year old drew it, I don’t care how good the book is purported to be…, I’m just not going to take the time to read it. An awful cover, to me, shows a lack of concern on the writer’s part, for their product, not to package it as pleasingly as possible. And if the writer doesn’t care… why should I? So people, if you spend months or years on a book, don’t short-change yourself… spend the money and have a nice cover drawn up. And that’s exactly what writer Black and Lovato do with this book, and as you can see by me highlighting their title… having a good cover helps. It won’t make up for bad writing, but it will at least get people to open the book and judge for themselves the quality of the writing.

Tales from the Deed Box of John H. Watson, MD: Three Untold Tales of Sherlock Holmes– Publication Date: January 20, 2012
Three previously unknown accounts in the case files of Sherlock Holmes, discovered and transcribed by Hugh Ashton: The Odessa Business, the Case of the Missing Matchbox and The Case of the Cormorant.- I like these theme books, and Hugh Ashton’s stories are getting good reviews.

For other writers who do a fantastic job of writing original Holmes stories, some superior to the originals, I have to direct you to the fantastic audio dramas by the folks at IMAGINATION THEATRE. Jim French with wife Pat French since 1952 have been working in radio drama, and since 1995 with Transmedia have been producing and broadcasting IMAGINATION THEATRE.

Starring John Patrick Lowrie and John Gilbert as Holmes with Lawrence Albert as Dr. Watson, their long running Sherlock Holmes radio series is not just good Holmes, it’s one of the best adaptation of Holmes… period. Better than the BBC productions, better than the Downey movies, better than the new Sherlock tv series (SACRILEGE!!!).

In fact there are only two other adaptations I rate as highly, the Jeremy Brett television series… which is seminal entertainment, and (not the Rathbone radio series) the John Shirley 1940s radio series when written by two particular writers whose names are escaping me at the moment. But that’s it, those two and French’s adaptations, a Californian, An American production, are the tops.

French’s IMAGINATION THEATRE, for hundreds of weeks, producing quietly without the attention it deserves the best Holmes Original stories and Adaptations, of our time.

I wish however they would put together thematic sets of their Holmes audio dramas. They have a fantastic 3 or 4 episodes with a villain, that transcends Moriarty in terms of craziness, but it is spread over multiple seasons. They need to make that trilogy/quadrilogy a boxed collection onto itself, and that would make a fantastic introduction to IMAGINATION THEATRE and their Holmes dramas.

But do they listen to me… no. Oh well, until such time as they do, make do with the following:

Jim French Holmes Productions

The Further Adventures of Sherlock Holmes Volume 1

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The WEDNESDAYS WORDS column is a new blog feature, appearing (you guessed it!) every Wednesday. Come back next week to see which books make the list!

If you’re a publisher, writer, or other creative representative looking to submit items for WEDNESDAYS WORDS, just leave a comment on this post with your email/contact info, comments don’t get posted they come right to me, and I’ll reach out to you with the snail mail details.

And as far as readers, if you see items on WEDNESDAYS WORDS you’re considering purchasing then, if you are able and would like to support this blog, please utilize the attached links.

Your helpful purchases through those links, generates much appreciated pennies to keep this blog running. Your feedback and support… just way cool, and way appreciated. Thanks!

This posting is brought to you by:

Cornell Woolrich from Pulp Noir to Film Noir

Knowing Darkness: Artists Inspired by Stephen King

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Robert S. Duncanson, 19th century Black romantic painter (The Sigma Pi Phi series)

The Lost Frankenstein Pages

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15 Favorite Pulp Heroes / Characters and the meaning of Pulp! Pt. 1 of 2!

Price The Avenger Chronicles Here!

We’ll begin this with a definition of pulp, pulp heroes, and pulp writing, then get into my list of favorite pulp characters and pulp runs.

The perceived definition of a pulp character tends to be a character that takes place in the 20s to 40s, in an America besieged by the spectre of War, and consists of slam-bam action, and a colorful larger than life hero and outlandish villains.

It’s with the cementing of pulp heroes to a specific milieu, a specific time, that I take issue with that definition. Characters such as THE SHADOW and DOC SAVAGE and the AVENGER were pulp sensations AT THE TIME OF THEIR PUBLICATION because they spoke to present fears and issues, in colorful imaginative ways.

But now the nostalgia bunch wants to calcify the definition of pulp adventure to a particular time frame or particular writers. I don’t think pulp heroes need to be set 80 or a 100 years in the past, that’s not what Marcel Allain, Norvell Page or Walter Gibson or Paul Ernst (writing as Kenneth Robeson) or any of the pulp writers we idolize today, were doing.

Now I’m not saying ignore the pulp heroes of yesterday, or not set new pulp stories in the 20s or 30s if you want. But what I am saying is… you’re largely missing the point of what the pulp writers were really doing. They were putting these heroes in a world that really needed them, the present world.

I am saying the pulp fiction of Warren Murphy’s REMO WILLIAMS or Marc Olden’s BLACK SAMURAI or Don Pendleton’s MAC BOLDEN are far truer representations of pulp fiction, pulp heroes, than today’s current writers who are making nostalgic re-workings of 1920s, 1930, and 1940s stories.

Again I have no problem with modern writers setting stories in that time frame, I quite enjoy and have championed many of them, but there seems to be this faulty conclusion in the minds of modern writers and readers that setting them in a specific past time frame, makes it pulp. No. Nothing could be further from the truth. Setting it in that time frame makes it a pastiche.

If Gibson or Page or Allain were writing today their heroes would be set in today, and their horror and villains… expressions of timely concerns. Allain’s FANTOMAS or Gibson’s SHADOW would be hanging the president of Exxon or Shell out of a window, saying “You want to explain those gas prices to me now?”

That’s why I love books like BLACK SAMURAI and THE DESTROYER because they are the pulp aesthetic continued, and have original things to say and original menaces to say it to, rather than simply the tendency to nostalgia, and aping dead writers.

When pulp heroes of yesterday fought nazis and gangsters, that wasn’t simply kitschy entertainment, that took some balls. Because gangsters were very much real things, and Nazis a very real threat, and nobody wanted to touch these topics. The way no one today wants to deal with topics of Guantanamo Bay, or Middle Eastern massacres, or corporate over-lobbying of representatives.

Pulp fiction of the 10s (the wonderful, and horrifying Fantamos),20s and 30s and 40s… was timely and controversial. Pulp fiction (and pulp heroes) was about giving the common man a hero who could stand up against the evils of the day, be those evils foreign or domestic. That is pulp fiction, not this nostalgic, safe, hermetically sealed, removed from any relevance of today, pastiches that people want to sanctify.

True pulp fiction, is a fantastic, white-knuckled, adrenalin inducing and entertaining tirade against the evils of its time. Sometimes in-dispute evil.

People forget there was a portion of America, the loud vocal right wing that were pro-hitler and pro the nazis, right up to and even after Pearl Harbor. So for these books to come out in the 1930s with Nazi Villains took balls. It was controversial. They got their share of grief from the Rush Limbaugh’s of the day.

So when people say “Well, true pulp fiction/pulp heroes needs to be set in the 20s to the 40s”, to that I say “only if you’re living in the 20s to the 40s”. True pulp heroes are an answer… an answer to the truths and the lies of your nightly news.

So while it’s wonderful we have this resurgence of so many writers doing pastiches in the pulp vein, it’s unfortunate so few modern writers are actually doing real pulp novels ala Warren Murphy or the late Marc Olden or even the late Ian Flaming.

So few current writers are doing books with great, even salacious covers, breakneck speed, thrilling action, and larger than life protagonists in conflict with outlandish villains, set in a present/timely context. That is the definition of true pulp fiction, and true pulp heroes… and what we are in dire need… of more of.

-to be continued-

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Part II will bring you the list of 15 favorite pulp heroes. Your jaw will drop!!! 🙂

Copyright 2000-2012 Masai Inc

WEDNESDAYS WORDS

WEDNESDAYS WORDS is a new weekly installment that ranks the most interesting, intriguing books of the week (old, new, reissues, digital, etc). Contributors represent a variety of genres and sources. Each book includes Title and publisher blurb.

Robert S. Duncanson, 19th century Black romantic painter (The Sigma Pi Phi series)
Parks, James Dallas.
ROBERT S. DUNCANSON: 19th Century Black Romantic Painter.
Washington, DC: Associated Publishers, Inc., A Division of the Association For The Study of Afro-American Life and History, Inc., 1980.
x, 60 pp., 25 b&w illus., chronol., catalogue of works. Appendices include letters from Duncanson and note from Mrs. Ruth E. Showes, “A Relative”; letter concerning Duncanson’s illness from his wife Phoebe. 8vo (24 cm.), cloth.

When the Death-Bat Flies: The Detective Stories of Norvell Page

When the Death-Bat Flies: The Detective Stories of Norvell Page- Best known for his Spider pulp stories, scribe Norvell Page was a master mystery writer as well. This 800-page book collects over 30 of Page’s detective stories from the pages of DETECTIVE TALES, THE SPIDER, DETECTIVE FICTION WEEKLY and STRANGE DETECTIVE MYSTERIES, most of which have never been reprinted before. Includes an all-new introduction by Will Murray.

Dead Dolls Don’t Talk / Hunt the Killer / Too Hold to Hold

Three short thrillers that offer variations on the theme of the innocent person caught up in murderous events. Dead Dolls Don t Talk (1959) allows a juror to find out what it s like to be on the other side of the law. Hunt the Killer (1951) is the story of a man just out from prison who is newly framed for a killing he didn t commit. And Too Hot to Hold (1959) is a case of mistaken identity that escalates when greed takes the place of common sense.

City of Corpses: The Weird Mysteries of Ken Carter

“Reading Page is like grabbing a live electrical wire. . . . Once you take hold, you can’t let go until the story comes to an end. Page paced his stories at one speed only-runaway locomotive.

“When it comes to writing grab-your-throat and hurtle-you-along at a hundred miles an hour fiction, there’s nobody better.”

—Robert Weinberg, from his introduction

From the author of The Spider, here are seven tales of weird mystery and strange crime. Follow Ken Carter as he unravels seven strange cases.

Bonus: Also included is a 1935 article by Norvell Page explaining his approach to writing.

With an introduction by Robert Weinberg.

Cover art by Walter M. Baumhofer.

Stories include:

Hell’s Music
City of Corpses
Statues of Horror
Gallows Ghost
The Devil’s Hoof
The Sinister Embrace
Satan’s Sideshow
“How I Write” by Norvell Page

Hank & Muddy

In steamy Shreveport, Louisiana, two musical legends-in-the-making come together: a whiskey-soaked country singer named Hank Williams and blues artist Muddy Waters. What they’ve got in common over several hectic days of drinking, singing and whoring is an interest in staying alive despite local mobsters, bent cops, and a truckload of Ku Klux Klansmen. Then there’s the bankrobber’s daughter.

The Spider VS. The Empire State: The Complete Black Police Trilogy [Paperback]
Norvell Page – THEY SAID IT COULDN’T HAPPEN HERE. THEN THEY SAID ONE MAN COULDN’T STOP IT! Richard Wentworth spent his vigilante career as The Spider always in the shadows. Now evil acted in broad daylight. The Party of Justice swept into office, rewriting the laws of New York state overnight to benefit their criminal backers and make slaves of its people. This American Reichstag gave itself sweeping powers and raised a private army to exert its malevolent will. How could The Spider hope to stop a criminal conspiracy as big as the state itself? This time The Master of Men would go beyond taking the lives of evildoers… by bringing Hope to the tyrannized citizens of the Empire State! The “Black Police Trilogy” is author Norvell Page’s classic pulp fiction Nazi allegory from 1938. Originally published in three consecutive months of The Spider Magazine, the novels “The City That Paid To Die”, “The Spider at Bay”, and “Scourge of the Black Legions” are collected in book form for the first time! The Spider VS. The Empire State: The Complete Black Police Trilogy

The WEDNESDAYS WORDS column is a new blog feature, appearing (you guessed it!) every Wednesday. Come back next week to see which books make the list!

If you’re a publisher, writer, or other creative representative looking to submit items for WEDNESDAYS WORDS, just leave a comment on this post with your email/contact info, comments don’t get posted they come right to me, and I’ll reach out to you with the snail mail details.

And as far as readers, if you see items on WEDNESDAYS WORDS you’re considering purchasing then, if you are able and would like to support this blog, please utilize the attached links.

Your helpful purchases through those links, generates much appreciated pennies to keep this blog running. Your feedback and support… just way cool, and way appreciated. Thanks!

Sponsored by Ebay Store: Deals of the Day!

TODAY’S BEST COMIC BOOK AND TPB COVERS

The Last Black Samurai: Remembering Marc Olden; an interview with Diane Crafford

22 Feb 2012 Wednesday

There’s some news on the horizon regarding Mark Olden’s seminal series BLACK SAMURAI, as well as other work. I don’t have the thumbs up yet… to break the news, but in the interim I thought it was a great time to re-present this fun and informative interview, to tide you over.

Plus it has been updated with new pics, courtesy of Ms. Crafford. Please Enjoy!

And is it me, or does the new film THE RAVEN bear more than a passing resemblance to Marc Olden’s POE MUST DIE? hmmmm. 🙂 .

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The fact that what you are about to read and hear is a YEAR in the preparation, goes to the absurd vagaries of mi vida loca, my crazy life.

But here finally, before the clock turns over on yet another year is my interview with Diane Crafford, on one of my favorite writers, the late, great and incomparable Marc Olden.

We’ll start with the text portion of the interview, and following that the pretty free flowing audio interview. HUGE, HUGE thanks to Diane for her time, her good humor, her anecdotes, and her extreme patience.

Now without further delay….

1st to set the stage.

Who is Marc Olden?

Marc Olden is a writer I became aware of, oddly enough on an auction site. Being something of a bibliophile I’m always looking to pick up books, and no doubt I was looking for either Warren Murphy’s DESTROYER books, or books by the late great Donald Goines.

And instead I came across this auction of a near complete series of BLACK SAMURAI books by Marc Olden. Being a Blackophile as well as a Bibliophile 🙂 , the title alone, as well as the very impressive 70s art on the paperbacks were enough for me to decide to purchase the books.

So I won the auction got the books, and was… from book one, blown away. This was not the hokey Jim Kelly movie, this was the undiluted source material, and it was pure and gritty, and brilliantly written. I’ve a huge fan of the Warren Murphy DESTROYER books, as well as the James Bonds and the MacK Bolans, but BLACK SAMURAI takes it to another level. BLACK SAMURAI is the BEST of that flooded market that was Men’s Action Adventure Books of the 70s. And the fact that it was so relatively short lived, also makes it a far more accessible body of work, and to my mind, far more prized.

And passion leading to passion, I just became obsessed with collecting all the work, primarily the 70s work, of this somehow inexplicably under the radar writer. Two of the holy grails being the Edgar Nominated POE MUST DIE, and the even more obscure BOOK OF SHADOWS (which I have to thank Diane for really making me aware of).

And reading his books led me to wanting to share with the world more of this, I felt and feel, brilliant, important, and overlooked writer.

So I reached out to the person who was keeping the late Mr. Olden’s web presence alive, the gracious Diane Crafford, and she was both kind and crazy enough to consent to the following free flowing and I believe informative and engaging interview/conversation.

The early part of our interview… the audio does not capture Diane’s, bubbly, fun, immersive personality, so I’m going to transcribe that from notes, and memory as best I can (I have a tendency toward the romantic, so anything that sounds like bs I take the blame for) bullet points mainly, and then we’ll kick into the audio.

HT: Hi Diane, thanks in advance for your time. We’re here to discuss Marc Olden one of my, and I assume your, favorite writers. Now most of this I got from your site as well as my research: He’s done over 40 books. His first work of fiction NARC a series of nine novels. He also produced the eight book BLACK SAMURAI series, made into a bad movie with Jim Kelly. And POE MUST DIE a stunning immersive novel drenched in period detail.

DC: You do your homework.

HT: I try. Now I’m detecting a bit of an accent, and your name Crafford, Londoner?

DC: Welsh, actually.

HT: Ahh, missed it by that much. Now tell me a little about Marc Olden behind the books

DC: Well he was born in Baltimore and was a press agent before he gave it up to become a writer. And once he chose that road, he embraced it completely. He had a strong work ethic, he wrote every day. His Black Samurai series was written at the same time he wrote the Narc series. It was while writing Narc he got to know guys in Law Enforcement. With advanced degree black belts in Japanese Karate and Aikido, he coached and mentored many members of the NYPD in Aikido.

HT: So his writing was an extension of the man.

DC: Yes. Like every good writer he wrote what he knew, of his passions. And after the NARC, BLACK SAMURAI books, he went into stand-alone novels such as INFORMANT. It did well but was not a best seller.

HT: Going back to BLACK SAMURAI series for a second, what did he think of the film?

DC: He had no input into the film. And resigned himself to it being something distinct from his work.

HT: Well let’s backup a bit, and tell us bit about you and how you met Marc.

DC: -I met him here at New York. He was a press agent for a restaurant, and I was working in film. We hit it off immediately. He had a way of carrying himself. –Later I was in London working for a film Producer, Sidney Dujer. The film was THE TWELVE CHAIRS starring Frank Lagella.

It’s amazing the little decisions that make all the difference. Marc went from Press Agent to writer, writing magazine articles. And then was approached to write a book on Angela Davis. And at that time I was looking for work, and became his transcriptionist. He had a head full of stories, he loved to tell them. And at the center of them was his belief in Justice.

HT: Now how did one of his earliest books, and what I consider not just one of his best books, but one of THE best books, POE MUST DIE come about? It seems a very ecletic work and ahead of its time work, mixing historical fiction and figures, mystery, horror, action, and adventure.

DC: He loved Edgar Allen Poe and he loved Charles Dickens. And POE MUST DIE at its heart is his love letter to those influences, but done as only he could do it. Dicken’s Christmas Carol, all about redemption, at the heart of this elaborately researched and gothic murder mystery,

HT: I can definitely see that. The book is so full of period detail, and authenticity, it puts you there in that place and in that time, of a wilder and younger England and America. What were some of his other inspirations?

DC: He thought Raymond Chandler was the best American writer. He was inspired by Eastern Philosophy through his mother and father (his father was George Olden, an art director). This filtered down to the type of man he was. Very calm, very contained, very brave and strong. I once asked him, “What is it that makes you so together?” and he said, “Good looks and the power of prayer.”And while he said it with a smile, that was sincere, it was how he lived his life. In balance.

“It was a different breed of man who sat in the cherrywood chair, his legs crossed under a cashmere robe, a thin volume on his lap. His graying hair, immaculately groomed, seemed to highlight a strong-lined, somber face… An aura of greatness and elegance seemed to permeate his being, as if his presence lent dignity to the book-lined walls. He seemed like what men should be, but never were.“
….THE DESTROYER: CREATED, THE DESTROYER by Warren Murphy.

HT: You can see that balance in his work. It’s very measured and… sincere. Which is an odd thing to say about fiction, but he wrote fiction with Authenticity.

DC: Yes. All his work was an extension of his interests. Take BOOK OF SHADOWS, he got the idea for that on one of our annual trips to England. He loved history and was a real Anglophile. He became intrigued by the canals that snaked through England, and that was the impetus for BOOK OF SHADOWS about vacationing American’s who stumble across things best left undisturbed.

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Okay that brings our text portion to an end. Onto the audio. You’re going to hear a lot of paper shuffling, that’s me jotting down notes, and flipping back and forth in my book, to consult my notes. I don’t think it distracts too much, Diane does a great job. So please enjoy! And bottom line, if you haven’t read anything by Marc Olden, go to Diane’s site and get acquainted. I would also suggest purchasing through her site.

Diane’s great site on Marc Olden

For more on Marc Olden, and particularly BLACK SAMURAI also see the following sites:

Great overview of the 8 Book BLACK SAMURAI series
More great Marc Olden/Black Samurai coverage

The below audio is a little over 33 minutes,, and the audio has been noise reduced to minimize the sound (my frantic note taking) as much as possible. Not great audio, but definitely listenable, and DEFINITELY informative.

Okay! You can listen to it HERE!

Copyright 2000-2012 Masai Inc and other specified writers. Images copyright their respective owners.