YouTube vs Roku/Fire TV YouTube! CDs vs Records! And the de-evolution of America. Winner? MUSIC COMPANIES!

So i hate YouTube on the web.

I hate anything with an unmoderated comments section, that revels in talk show idiocy, or ‘attention through controversy’ or bad behavior.

But thankfully YouTube via streaming devices Roku or Amazon Fire TV, is actually devoid of those moronic comments and is more signal rather noise.

This week it has been brilliant helping me research and scratch my hifi/ audio need.

And by far, by far, the Youtube Channel I found the most useful of all, is the s)mply fantastic channel AUDIOHOLICS.

These guys can clearly call bs on the fuzzy thinking that makes up too much of hi-fi marketing and hype.

Such as the sillyness of various Youtube channels going on about the superiority of LPs over CD (I don’t care if you like LPs better, that is subjective. But LP/wax is an inferior medium, (I stress MEDIUM) that is not subjective, that is a fact.)

Talk about lossy system, LP is the original lossy system. It can’t handle the highs or the lows that CDs can, so has to be mastered in this very midrange sweet spot. Which is fine, in that midrange, if you’re good with that, and that sounds ‘warmer’ to you than a   CD, whatever. In the midrange if mastered right it can be perfectly fine. But one thing you lose in addition to those highs and those lows, that get clipped on wax, you lose the ability to reproduce the listening experience.

By that I mean, if you play a CD the first time, or the 500th time, and the hardware, the cd player, the speakers, amp, being the same; the quality of that recording will be the same as the first time you listened to it. That listening experience is reproducible.

Not so with wax/lps, like vhs tape or cassette tape, the LP playing experience is one of degradation. Everytime you play the medium, your start wearing it down minutely, and evertime you play it (though no one wants to think of it) it sounds worse than the previous time, because you are scraping into that signal, that medium.

I come from the analog generation, I played records, and vhs tapes, and cassettes until the quality noticeably started grinding down. And it didn’t then, and it doesn’t now, take too many plays, for that quality to start noticeably degrading.

So I have an experience with LPs and Cassettes, and in its time it was great, and it is still something to be said about large beautiful album covers and liner notes, the tactile process of it. But don’t confuse immediacy, with sound quality. And that immediacy doesn’t outweight the glaring flaws and problems with wax, in terms of sound quality, albums always getting futz on it,needles getting futz, the threat of warping, pops and cracles appearing out of nowhere.

We loved LPs because it was the best we had. But it was always a bit of a chore as anyone can tell you who grew up with them.

And I am not an LP hater. I think it has a place , and I still get the occassional LP, but generally these are recordings only available as LPs, or were mastered direct to wax.

The former being a lot of Quincy Jones stellar 60s and 70s avant garde film soundtracks such as the seminal IN COLD BLOOD. As far as the latter, I’m a purchaser and supporter of Jack White’s THIRD MAN RECORDS. This label goes to the stunning step of recording performances live and pressing directly to vinyl. You stilll lose some highs and lows when recording to wax, but in that midrange you get something very unique and original, you get a live concert experience unmoderated by overproducing.  That”s something very unique, and while I don’t see anything particularly superior in the sound, this at least has validity as something distinct from the CD. Unlike others taking tracks mastered for  a CDs range and just chopping off the highs and lows and slapping that on vinyl.

Vinyll can be great for these very unique niche projects. But as as additive to what should be a strong and healthy and forward looking digital market. To include CD and DVD and and SACD market.

It shouldn’t be this very cannibalizing either or scenario, in which music and choice….and the consumer… loses.

So when LD, CD, DVD came on the horizon it was then, and is now, a revolution, because suddenly you have something  you can buy that will rather than lasting 25 listens or views , if you are very careful and meticulous in keeping it cleaned and dust free,  before quality suffers, you have something that will keep its pristine quality, with just normal care for a minimum of 25 years. Not 25 listens like an LP… TWENTY FIVE YEARS! Minimum.

Now add greater dynamic range, larger capacity, and vastly increased lifespan and you have a medium,The CD/DVD, that by any definition is superior. And is by any measure the greatest boon to the video and audio consumer since the advent of recorded sound.

Now if a new generation gets sold on mp3 CDs and mp3 streaming and some badly mastered cds (and LPs can be equally badly mastered, any medium will have those who use it well and poorly. The difference being we have not yet exhausted the limits of how far we can take the CD and DVD and SACD. We are abandoning those formats before wecreach their limits. In favor of going backward to a medium, wax, whose limitations were always a source of frustration to audiophiles and engineers), and this young generation is bamboozled into writing off the most astounding and groundbreaking medium produced in the 20th century and goes backward to the flawed and not copyable ,and needing replaced often, analog medium, then who benefits?

I’ll tell you who… The RIAA and the music companies, who always viewed Digital with fear for the freedom it brought the consumer.

I tell you this new generation is giving away the baby with the bath water. Privacy, oh who needs that, put everything on facebook. Put surveillance systems in the guise of game consoles, and music players and smart devices in our homes.

Here’s the thing about smart devices and trusted computing, its about the companies being able to trust you, and not the other way around.

Conglomerates, are the ones benefiting from DVDs and CDs removed from the consumer and the return to records.This creates a model where the consumer owns music or video only on flawed, finite, non high-quality medium, and must go to the content provider for anything superior.

It is not only politically and morally and spiritually that America is devolving as a nation, but also in terms of technology.

 

My response… don’t let it.

Don’t buy the marketing and allow your rights to the future, be swept away by someone selling you the past. Continue to support full spectrum DVD, CD, and BluRay. And more than that let us continue to innovate, if people like the large LP format, lets give it to them, but in the superior medium.

I was a huge fan of Laser Disc, which works very much like a record, but using a superior medium, and a laser pickup instead of the horrible wax and needle medium.

Lets offer that as the 21st century version of records, to those who want Analog playback but with the benefits of digital transport/reproduction. That is a record I could get behind. 🙂

 

 

 

 

 

 

p.s. And avoid youtube morons attempting to review speakers and amps by just playing music (uh, moron, if I could hear the quality of your system just by listening on my system… they would call that magic. How do you not realize that?)

This is the lack of common sense mentality  that has idiots ditching CDs for flawed LPs, and spending thousands to try and make those LPs reach a dynmaic range, that is beyond them.

 

Okay here endeth my rant!

 

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Deal of the Day! ZeroWater ZP-010 10-Cup Pitcher or American Water Distiller vs Aquasana vs Pur vs Zero Water Filters!?


A while back I had done a post on the difficulty of finding a reliable, affordable Water filter. I had first tried an American Water Distiller, however after some weeks of use, quality control issues regarding the materials used, namely rusting and taste, made me question what it was adding to the water as opposed to removing.

amerdistiller

Ultimately a distiller is a big expense and is only as safe as the parts used and the storage system used to catch and hold the water, and I found this particular model of American Water Filter… lacking.

I then after some reading tried Aquasana Counter-top Water Filter, which I used quite a while.

aquas

I loved the glass storage containers this company provided and the reviews and documentation initially appeared solid. But the price for filters were way too expensive, the plastic of the filter housings tended to stain, there was no real reliable method for telling when to change the filter, outside of guessing and when you noticed issues with the water, and the certifications claimed in Aquasana’s ads weren’t backed up with any current certifications, and the company’s lack of response when questioned regarding their NSF certification I found less than satisfactory. So all these reasons made me decide to discontinue using Aquasana.

I then went to Pur Faucet Filter, largely for its claim of weeding out Mercury, recent certifications, availability and ease of purchase and low initial cost. I really appreciated the system offered a handy LED reminder regarding when it was time to replace the filter.

pur

One thing that never sat well with me is the loose way the Pur Filter fit into the housing. There was nothing to stop water from flowing around, rather than through, the filter. But it seemed better than nothing.

And that for quite a while is what I was using, until the Zero Water Pitcher. The design of this pitcher answers a lot of issues I had with the Pur faucet design.

zerop

And the included TDS water tester (Total Dissolved Solids) that came with the filter really made a believer out of me after testing my untreated water, which read something like 140ppm, than the Pur filtered water… which to my surprise read more than my tap water, was something like a 150ppm. I realized the Pur water filter was reading higher because of the very design I always found questionable, in essence the filter housing seemingly allowed water to sit there and levels to actually build up.

So then I tested the water coming out of the Zero pitcher, and sure enough it came out Zero. And you could actually see the difference between the tap water, the pur water, and the zero water. There was a lot of particles in the former two, and the zero pitcher came out noticeably clear.

That is what I call impressive. Down the road I intend to run other tests and testers on the Zero Pitcher to confirm what it removes from the water beyond turbidity, but for right now, and for the relatively affordable price compared to the alternatives, it is my current water filter solution of choice.

If you are looking for a better water filter option, Zero Pitcher with their included TDS (Total Dissolved Solids) Tester is a well thought out, and seemingly effective, and definitely affordable option to give a try to. Get your copy here: ZeroWater ZP-010 10-Cup Pitcher
!

If you have found this blog post helpful please support by using the links above. You get recommended to a solid item, and this blog earns a couple cents to keep providing you informative postings. A win-win. If you like this blog or this post in particular, please spread the word, and feel free to hit it with likes or comments. Thanks!

Movie Original vs Remake : THE TOWN THAT DREADED SUNDOWN

THE TOWN THAT DREADED SUNDOWN (1976) VS THE TOWN THAT DREADED SUNDOWN (2014)

town_that_dreaded_sundown2

town_that_dreaded_sundown

I recently watched the original THE TOWN THAT DREADED SUNDOWN FROM 1976 and to my surprise rather than a simple exploitation film, I found a compelling, harrowing, and somehow (despite it’s matter of fact “pseudo documentary” style) eminently watchable film. An unexpected examination into the American heart of darkness that manages to linger and haunt long after the credits role.

I really had no interest in the 2014 ‘remake’, largely because I saw it incapable of transcending that original film’s “of its time” power. Thankfully the filmmakers had the same respect for the original and rather than attempting to remake it, they created an unexpected sequel to it that manages to speak to a 21st century audience, while invoking the unyielding ghost of that 20th century nightmare.

However, the true saving grace and the the true validation of this sequel lies in its director Alfonso Gomez-Rejon, who creates one of the most stylish and inventively directed thrillers of recent years.

And even though the film falters a bit at the end (you get the feeling the scriptwriters didn’t really know how to end the film, as the reveal and conclusion stumble a bit, in a way the original film didn’t), still the momentum that Alfonso delivers is enough to leave you impressed and satisfied.

Final Grade: Both films are available for streaming [The Town That Dreaded Sundown (2014)] and both are worthy of owning, but the one that I am personally excited about adding to my Blu-Ray collection (when it hopefully quickly becomes available) is the Alfonso Gomez-Rejon version, simply because of some of the superlative direction and cinematography involved. It is the calling card of a filmmaker to watch.

Scratch that. Having seen the specs on the Shout! Factory Blu-ray version of the original THE TOWN THAT DREADED SUNDOWN, and its load of special features, I now proudly proclaim it as a must own Blu-Ray. For all the dazzle that the newer film offers, there are moments of pure horror in the first film that it does not come close to touching. One attack in particular, in the original film, will stick with you, about a woman and a cornfield and its unbelievable outcome, that is simply jaw dropping in its true life power, and makes pale in comparison some of the cinematic histrionics of the newer film. Decide for yourself here: The Town That Dreaded Sundown (BluRay/DVD Combo) [Blu-ray]

Podcast of the Day

PODCAST OF THE DAY

Linux Outlaws 312 – Bullshit off the Starboard Bow
Linux Outlaws

I’m listening to this podcast at work, and generally I’ve tried this particular podcast show before, and previously it just didn’t engage me.

However this time, this particular episode they are discussing items I’m familiar with such as Linux Mint vs Ubuntu. Cinnamon vs Mate, and the general look at the Linux Desktop options /environment.

Based on their review I’m actually going to download and try Linux Mint after a hiatus of several years.

You can download Linux Mint 15 here. (Going along with my previous post, if you are sick of Windows, then here is another Linux Distro you have as an alternative to Microsoft)

I’m also loving their take on Youtube ‘Youtube is the sewer of the internet… should turn comments off.” as well as their view of Microsoft’s X-BOX “X-Box needs to die”. Viewpoints I entirely agree with, and the reason I don’t use or frequent YouTube or own an X-Box or Wii.:).

And on a funny note… “the house that looked like Hitler”?

Just found this podcast episode informative and even fun listening. Take a listen and see if you agree,

MOVIE TRAILER ROUNDUP: SUPERMAN RETURNS vs MAN OF STEEL and the bigotry of ELYSIUM?!!

MOVIE TRAILER AND UPCOMING MOVIE ROUND-UP

GHASTLYTHE GHASTLY LOVE OF JOHNNY X- I gave this trailer a download. It’s a send up of 50s movies, especially of the drive-in, monster, teen angst variety. Not my beverage of choice. And it just wasn’t interesting at all. Save yourself the viewing time… avoid.

PACIFIC RIM- I keep watching this trailer, and I keep being impressed. “Today we are canceling the APOCALYPSE!!” Delivered as only Idris Elba can deliver it! This summer blockbuster hits screens in July. And I’ll definitely be in the crowd.

NOWYOUSEEMENOW YOU SEE ME- “First rule of magic, always be the smartest guy in the room.” A stellar cast, and an inventive and surprisingly original feeling trailer (no small feat for a film to seem original, given how many caper and heist films I’ve seen) makes this film one that I’m interested in seeing on the big screen when it hits on 31 May.

man_of_steelMAN OF STEEL- The latest full trailer is out and looks very good, though I have to be honest it doesn’t excite me the way the SUPERMAN RETURNS trailer of several years ago did. And I know it’s envogue these days to hate on that movie, but the young and foolish forget how well received that trailer and the movie initially was. That plane sequence alone having people cheering in the theaters. And while the pimply set in hindsight dismiss SUPERMAN RETURNS because of some pacing issues and I think some weaknesses with the casting, particularly the Lois character, it was, warts acknowledged, a good movie, with a great trailer. So far MAN OF STEEL merely has a good trailer, let’s hope that translates into a great movie. Being a fan of Zack Snyder (not so much Christopher Nolan) I’ll be in the theaters to find out.

THOR II- I’m watching the 1st trailer for this film and I’m not particularly gripped by the ‘story’ of the trailer, but I’m thinking how awesome it is that we can produce movies on this scale. Super-hero movies are possible due to CGI and advances of technology that can make a man swinging around and hitting things with a big hammer prop look awesome rather than stupid. That said,the absence of Branagh as director worries, as I couldn’t find anything close to an interesting story in the trailer. But it is just an early trailer, perhaps the movie has more depth to it than the trailer hints at. This one is a wait and see.

ELYSIUM- This scifi trailer is for a film by Neill Blomkamp ,the director of DISTRICT 9, and starring Matt Damon. That is strike 1 and strike 2. I disliked DISTRICT 9 for its pretty blatant Nigerian bashing, and am not a fan of Matt Damon. ELYSIUM is based on a great short film by Ricardo De Montreuil’s THE RAVEN, which sports a Black/Hispanic protagonist, almost a christ parable, taking the fight to the powers that be in a drone plane/terminator oppressed future, ELYSIUM seemingly takes everything edgy and original and challenging about THE RAVEN, and literally whitewashes it with a Dutch/South African director and a White savior in the form of Matt Damon. Compare the short film THE RAVEN (my review and a link to the film here) to the ELYSIUM trailer and I think it is clear which one is the far more interesting. ELYSIUM is a definite wait for DVD, if that, and is yet another glaring example of the bigotry and programmatic and exclusionary nature of Hollywood sanctioned films.

MANOFTAICHITHE MAN OF TAI CHI- Keanuu Reeves is one of those actors like Nicolas Cage who takes a huge amount of crap from Western critics for his acting style, or perhaps more precisely utilizing the same style regardless of project. Whether that assessment oh his acting ability is true or false, in Asia Keannu Reeves is HUGE, again like the aforementioned Nicolas Cage. And that Pan-Asian popularity seemingly has to do with their looks (since their acting/voices are dubbed by Asian actors). Asians being a, seemingly, very homogeneous society like supporting their own, and both Reeves and Cage are of the necessary dark hair and build and perhaps presence to be adopted by Asian audiences. So it makes perfect sense that Reeves’ directorial debut should be geared to that part of the world market that has always embraced and made profitable his films. The trailer for THE MAN OF TAI CHI is out and it sports glimpses of impressive fight choreography. Whether there is a story to go with it remains to be seen, but it definitely interest me enough to look for it on DVD

Okay that’s all for this segment. Join us next time for more!

SUMMER 2012 Movie Guide! With AVENGERS behind us are there any other films worth seeing in IMAX?

SUMMER 2012 Movie Guide!

With the AVENGERS film behind us, are there any other films worth seeing in IMAX?

That’s the question. It’s a bit of a trick question, in that if there was no uptick in price for seeing it in IMAX I would say go for it. Unfortunately there is a bump in the price, and even for the AVENGERS, which was fake converted to IMAX (post-processed, like every other film coming out for the rest of the year) the quality difference on an AMC “baby IMAX/fake IMAX” isn’t all that great.

Infact, I quite preferred the 2D version of AVENGERS.

It’s a preference thing to a point, but to another point it is about pushing back a little against the studios that want to foist these post-processed IMAX and IMAX 3D films on us, rather than actually filming in these formats, and then charge us like we are at a real 5-story, wraparound screen, 70mm, Science Center IMAX theater. That’s the problem I have with these AMC midget Imax theaters, they over-charge for a compromised viewing experience.

I have no problem with the gimmick of 3D, if priced the same as the 2D experience; the way it traditionally was done. But to pay more?

So, to the point, even the AVENGERS wasn’t worth paying more to see in IMAX 3D. But are any films this summer, worth seeing in IMAX or IMAX 3D?

None of the films… not PROMETHEUS, not EXPENDABLES II, not DARK KNIGHT RISES, not SPIDER-MAN could be bothered to shoot the film in IMAX (tiny portions of DKR maybe), much less IMAX 3D. So why the heck would you bother to pay IMAX or IMAX 3D prices, for the cinematic equivalent of a poor redressing of a set?

So for me, no I will not be seeing any other film this summer in IMAX or IMAX 3D.

[And as an aside, definitely call or web-browse ahead when going to the movies, because this is how they get you: they put 2D showings at inconvenient times so you get stuck with an IMAX or 3D showing. So as idiotic as it sounds you need to pretty much do homework to make sure you’re getting a 2D and not a 3D showing. I hate homework! 🙂 ]

Quite frankly there aren’t many films I’m that bothered about seeing in the theaters this summer, even in 2D. Like I heard one person say, “I like going to movies, I hate the people in the movie theater”.

I mean, do I have a sign-on me that says sit beside me? I either have to tell some old bat and her kid to not sit beside me and talk (I would be more forgiving if people in a theater with lots of seats, didn’t choose to sit right next to me with their foolishness), or I have to tell young punks to keep it down, or I have to tell the valley girls to stop texting and kicking the chairs… and on top of all that drama you want to charge me more for effed up, fake a** 3D?!!!

Heck No!!! Mother HT’s son ain’t having it!!! The studios should be paying me for the aggravation.

ohmmmmmm…..

ohmmmmmm…..

Okay, back in my happy place. Steering this boat back on track…

My take on the remaining summer movies: SPIDER MAN I currently have no interest in. DARK KNIGHT RISES, as I’ve previously stated I’m lukewarm on at best.

Only PROMETHEUS, EXPENDABLES II, TOTAL RECALL, and surprisingly enough ABRAHAM LINCOLN VAMPIRE HUNTER (I’m a fan of the Director, I enjoyed his WANTED, A case of a director’s vision trumping the writer’s source material— which I disliked) really have me excited to see them in the theater.

Some honorable mentions that look interesting/fun and I might see in the theater are CHERNOBYL DIARIES, BEASTS OF THE SOUTHERN WILD, THE BOURNE LEGACY, PREMIUM RUSH (the trailer for this looks GREAT, but I’m not sold on the director yet), and POSSESSION (also a phenomenal trailer).

If a movie is not on this list it could be an oversight, but more than likely it isn’t. It’s my way of saying that movie isn’t for me 🙂

Why don’t I tell you how I really feel? 🙂

No, but seriously, if you think I missed a summer flick that you think is going to be great, feel free to send me a comment. I’m always happy to discover another promising flick!

Artist of the Day: Alex Ross!!

The only reason I started rereading comics or graphic novels or slims, is because of Alex Ross. I had turned my back on the medium, just tired of the juvenile art, the storytelling style, everything. Then Alex Ross exploded onto the scene with the one-two punch of the graphic novels MARVELS then KINGDOM COME.

Self contained, stand alone, complete stories, told with jaw droppingly astonishing painted art. People immediately began calling him the Norman Rockwell of comics, and that term is not quite undeserved.

Like Norman Rockwell, Alex Ross is able to imbue his scenes with a sense of homey Americana, that calls back a yearning to better, simpler days now passed… or perhaps never existed.

But he does more than imbue scenes with nostalgia, he does something Rockwell never did, perhaps never dreamt of doing, Alex Ross imbues his scenes with a sense of awe, of scale, of grandeur.

Of myth.

It has become habit these days for people without a fraction of Ross’ talent or vision to take his work for granted. To call his effort: extremism, and to call his meticulous paints: stiff, over rendering… I see nothing stiff or over-rendered in the work of Alex Ross but people are allowed their opinion, though the criticism always struck me as uninformed opinion.

It always struck me as the voices of jealous ants trying to deride an elephant. People disparaging Alex Ross, simply because he was that good.

Alex Ross is a meticulous perfectionist, who paints worlds that never were, but should be, and populates them with the stuff of faith…rewarded. Long before Hollywood made a habit of making our marvels real, Ross reached out to the lightning, and called down the thunder, and put it on paper, and gave us all a vision… to aspire to.

Many a painter has come on the sequential art scene since Ross’ mainstream debut, and they all bring something wonderful to the mix. But it’s a testament to Alex Ross’ skill, his understanding and his love for the heroic… that none of the numerous painters now in the medium, quite grasp that sense of grandeur that Ross brings to even the least of his creations.

All his creations look out at you with eyes that have seen the worst, yet still seem to say… “endure, be better.”

And end of the day, I figure… that’s not such a bad message for an artist and his art to leave us with. So for all these reasons Alex Ross is our Artist of the Day.

Check out all his work at the links below:

Site for Alex Ross Art and Info!

Mythology: The DC Comics Art of Alex Ross

Rough Justice: The DC Comics Sketches of Alex Ross

The Dynamite Art of Alex Ross HC

The World’s Greatest Super-Heroes

Absolute Justice

Absolute Kingdom Come

Uncle Sam: Deluxe Edition