These four films, which did not get theatrical releases, are far better than the vast majority of films that do reach the theaters. Disappointing films such as DEAD MAN DOWN and SPRING BREAKERS get screen time, when visually and thematically superior films such as Tim McCann’s brilliant ANOTHER ZERO IN THE SYSTEM and Dan Eberle’s enthralling, nearly wordless PRAYER TO A VENGEFUL GOD go unheralded.
And Michael Morrissey’s impressive BOY WONDER is the myth of masked vengeance done better than most big budget super-hero movies. Rounding out the quartet, director Brian A. Miller’s HOUSE OF THE RISING SUN is one of the best neo-noirs seen since the Coen Brother’s BLOOD SIMPLE or Craig Ross Jr’s frenetic and fantastic CAPPUCCINO. Dave Bautista delivering a surprisingly elegant and understated performance.
One of the common threads these four movies share is understated but brilliant performances, as well as a thematic conceit of men either at odds or abandoned by the judicial system, who must themselves find justice for those around them.
From Mike Simmons memorable turn as the protagonist in ANOTHER ZERO IN THE SYSTEM (A great film unfairly lambasted by the short-sighted crowd, there’s rumors of director Tim McCann and star Mike Simmons in talk to helm the new Luke Cage/Power-Man series from Marvel/Netflix — to which I say… heck yes!) to Director/Writer Dan Eberle, also doing triple duty as star in his PRAYER TO A VENGEFUL GOD. Together these four films create a new and refreshing phase of American cinema, a new wave if you will.
Sample them for yourself while they last on streaming services, and when you find yourself smitten with them… purchase your copies here:
‘When you strip everything away from Batman, you are left with someone who doesn’t want to see anyone die.’ — KINGDOM COME by Alex Ross and Mark Waid
When I think of humanity in general, and the holiday season in particular it strikes me that that should be our goal. The pursuit of a world, where nobody dies in vain.
But the reality, particularly in America, this time of year is that with the eyes of the media diverted; government sponsored mass-murders actually ramp up, bombings ramp up (now of the drone and unmanned variety, machines murdering men.. what an unholy road we walk), the terrorism of the rich… ramps up.
I’ll not forget the media celebrating the death of Bin Laden. Death and Murder and Torture are never things to celebrate, no matter the justification.
While I am savage enough to know that killing may be a necessary evil, I am human and moral enough to know it is never a joy, never a victory, never a cause for celebration.
Be the murdered Bin Laden, or Hitler or insert bogieman here, bringing murder to murderers is never anything less than a soiling, and a failure, necessary though it may be, it is a failure of reason. And as such is a solemn time, not a glorious one.
Because to do otherwise, to take joy from death, and celebration from degradation and horror… is to devoid you of moral high-ground, is to make you (in ways stark and true) worse than those you would revile, worse than your Hitlers and Bin-Ladens. It makes you a lynchmob, a coward, and an opportunist of carnage.
We must strive to be better than that, otherwise your protestations of Christianity, and Holy Nights, and piety are just lies, are hypocrisy and mendacity most foul, that you use to conceal your roman desire to see people bleed and suffer and die.
You become that lowest form of life, a gibbering coward among cowards, you become nothing more than a grasping claw, a rolling eye, and a screeching mouth… in the creature we call lynchmob. And there is no lower, and ultimately, more inhuman form of life.
Our goal therefore must be to reject that, to reject the easy lies and the easy hates, and work toward this wildly improbable world where no one dies in vain.
But humanity’s very existence is an improbability, so we can bend that already fanciful existence to either improbable heights of good, or improbable depths of evil. We just have to pick a direction.
‘We do these things not because they are easy, but because they are hard. ‘ — John Fitzgerald Kennedy when imploring men into space
Here, on this holiday season, more fiction than fact, ‘goodwill to all’; look into yourself and find what is hypocrisy, what is lies, and find it in yourself to make truths, and truly believe and act on this idea…. of a time of peace.
Here endeth the lesson.
ALL NEW X-MEN VOL 2 HERE TO STAY – Collecting issues 6 to 10 of the series this is an interesting and fun premise for a miniseries, namely have the X-men of the past interact with the present. However for a series, it is a gimmick, an in-joke, that runs the risk of staying around too long, and outliving its sell by date. For the moment Marquez and Immonen art keeps it interesting, but already the premise is getting to feel belabored.
UNCANNY X-MEN VOL 1 REVOLUTION – Collecting issues 1 to 5 of the series the pluses are a strong, witty and fun script by Brian Michael Bendis, and some gorgeous art by Chris Bacchalo. The weaknesses are the layouts can be lost under muddy finishing/coloring, and a tendency, unsatisfying tendency, to end the very slight collections on a cliffhanger. It is a weakness that both volumes share.
Add to that the outrageous price of $24.99 for only 5 issues ($5 an issue!!!), a hundred thirty plus pages of story and the absence of a complete, standalone story becomes even more insulting.
It is a very petty and miserly and obscene ‘bleed your audience’ policy that Marvel has undertaken here, that does not deserve to be rewarded by purchasing these overpriced volumes. That said, I do feel the writing in these volumes is fun and entertaining and action-packed and worthy of a read if not a buy.
Just be aware that the cliffhanger ending, appropriate for a $3 monthly serialized comic, is wholly inappropriate for an overpriced $25 collected edition ; that you should be able to enjoy on its own without waiting months for the next volume.
GRADE : B-. Until the ending I was enjoying both volumes, but without an ending the volumes are very much like a great parallel bar routine where the athlete fails to stick the landing. Pretty, but ultimately disappointing and forgettable.
And add that exorbitant price point of $25 for 5 issues of material (and yes I realize the trade can be had for a little bit cheaper, but that is still overpriced as well) and it becomes a case of look, do not buy.
Borrow or rent these puppies for a quick read, then move onto something else, that you would not have any problems paying retail for; something you would not mind proudly adding to your bookshelf such as BATWOMAN VOL 1 HYDROLOGY. A book that I have also recently read.
DC publishing (the other big comic book company besides Marvel) has their own problems, however producing satisfying collections is generally not one of them.
DC hardcover collections, offer an issue more and two dollars less retail, and offer a contained story, something that Marvel’s new publishing initiative MARVEL NOW may want to take note of.
Marvel writers generally are currently doing good work (far better than their esteemed competition that with few exceptions is self-destructing due to editorial hubris), so to have that sabotaged by ghetto collections… possibly not the route Marvel wants to go.
To try the books and decide for yourself or to hunt them down for less than retail use the below links and this blog earns a couple pennies. If I’ve helped turn you on to something you would have otherwise missed (BATWOMAN HYDROLOGY is a must have for any art lover’s collection. It is exquisite), then please use the links below. Thanks:
Okay combine the writings of living legend Alan Moore at his best, with the impassioned reading of Kevin Smith and you have something excellent to accompany you through an hour or two of work.
Smith has an excellent voice for radio/podcasts, and using it to recite one of Moore’s most imaginative tales, makes this podcast a must listen.
Whether or not you have any interest in comics, Kevin Smith’s passion for the subject, and masterful reading is just addictive and entertaining. Highly recommended!
it was more
a poetical horror
were as Bad
As their Guys’
–Grant Morrison on FMOBM #26 and 27
This particular cover and comic of the day is BRAVE AND THE BOLD #149, from 1979, starring BATMAN in conflict with the TEEN TITANS, and titled ‘LOOK HOMEWARD, RUNAWAY’. Both the absurd and highly entertaining writing of Bob Haney and fluid and graceful art of Jim Aparo are at full gallop in this fun story.
If interested grab a copy here!
Enjoy till next time!
“Never forget that once upon a time, in an unguarded moment, you recognized yourself as a friend.” - E. Gilbert
A film fan who loves to write, talk and promote filmmakers
Cult, classic and crazy movies you must see, might see and maybe miss