As I have previously mentioned I do not watch YouTube on my computer. However it was the ease of access of viewing YouTube on your TV, courtesy of streaming devices/platforms like Roku that in 2018 finally made the YouTube platform a major destination for me.
So now here in 2021 the channel I watch the most of… is not Netflix, is not Amazon Prime, is not Disney, is not Hulu or Kanopy; the channel I watch the most of… by a LARGE margin is Youtube (free version).
And on that YouTube platform, I am subscribed to something like 60 varied and distinct sub-channels (aka content creator channels), many of which I have shared and will continue to share on this blog.
The great thing about YouTube is there is SOOOOOOO much content that you are always making new discoveries. New channels put up not by networks, or conglomerates, but typically just passionate people who want to share their passions and hobbies and interests with you.
I love discovering a new passionate channel, whether new or new to me. Here are two of this weekend discoveries and they both have to do with Batman.
And not just Batman, but the strength of these channels is their focus on the classic, individual stories/ comic book issues as opposed to the collected edition.
Many channels will tell you what is recent, or current, or hot, or collectible. Many channels will speculate on the cgc (graded) book to get in a 9.8 because of movie news this or that, but very few channels will actually just tell you about individual comic book stories that are worth reading or getting just because they are enjoyable reads.
Both of these channels do just that and cover primarily the older Bronze, Silver and Golden age of Batman Comics, which I particularly am a fan of, and am always looking to be informed more on.
These two channels succeed in being my discoveries of the weekend, and are both now subscribed to by me, and I urge you to give them a look, and if as entertained by them as I was, likewise subscribe to their channels and give a like to their videos.
Both of these channels I found entertaining and I have highlighted above what i consider their best videos so far.
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To this day, my favorite trailer of all time is the 1st WATCHMEN movie trailer, with the simply haunting SMASHING PUMPKINS song. You have to understand, that 2009 trailer represented the culmination of over 20 years of attempting to get that iconic book to screen.
And I have to say — I was one who was happy with the graphic novel, and just didn’t think a filmed version was feasible or needed. And I’m typically not that guy/gal who complains if someone wants to make a movie, or cartoon, or whatever from a successful book or movie. I say, more power to them, that’s just business. That is the nature of film, since the dawn of film.
Sometimes adaptations work out great (quite a lot actually) where the movie is actually superior to the source material, example of this would be Michael Mann’s MANHUNTER being superior to the original novel RED DRAGON by Thomas Harris. Or the Russo brother’s CIVIL WAR being superior to the over-bloated comic-book version. So yeah I’m always game to be pleasantly surprised by an adaption.
I guess where Alan Moore’s WATCHMEN differed for me, is the creator made an agreement with the publisher, that would have given him the rights to WATCHMEN, once the book went out of print, He made this deal in a time where there was no such concept as an ‘evergreen’ graphic novel. Everything went out of print in the Comic Book world. Alan Moore’s WATCHMEN became the first book, that DC would never let go out of print.
So while Alan Moore is known for being historically difficult, the reason may be that he has been hoodwinked more than a time or two. And WATCHMEN perhaps being the most painful of the many various conflicts he has had with publishers and other creators, would notoriously be a sore subject with Mr. Moore.
At the end of the day, 35 years removed from Moore’s heyday in comics, he is still that name we reach toward when we think of what is best in comics. So to have the medium’s best writer, our modern day Shakespeare (a writer, writing in a castigated medium for the mob, works that would stand the test of time) not involved with the adaptation, and not wanting the adaptation of his most acclaimed property; well you tend to understand, as a fan of that writer and that property, and not really need to see that adaption.
So I wasn’t calling for a WATCHMEN film, and I was not boycotting it either, I just had no interest in seeing it. Two things started to excite me about the film, One/ that Zack Snyder was attached as Director (coming off 300 he had skyrocketed as one of the most exciting directors, and one of my favorite directors) and Two/ then seeing that first trailer in 2009. The first trailer with the Smashing Pumpkins song… holy cow!!!
For someone to take a long un-filmable project, that had been gestating for decades, and bounced between different writers, directors, production teams, and finally land with one of the most stylish action directors to come along since Sam Peckinpah and John Woo, and to produce a trailer like that— mic drop.
That trailer, as someone like many, who loved Alan Moore’s WATCHMEN; that trailer completely screamed Alan Moore’s WATCHMEN. And more than that it screamed iconic, it screamed visionary, it screamed Zack Snyder.
Visionary is a high compliment, but when looking at the visuals of Zack Snyder, it is well earned. And that vision and love for the source material was all on display in that trailer, and add that perfect song…and you have something that highlights the strengths of Zack Snyder, his visuals, and replaces dialog and plotting, with the pure emotion of the right song.
To this day, that first WATCHMEN trailer remains my favorite trailer of all time. And while the movie was not the trailer (meaning it could not maintain that level of perfection and excitement over 2+ hours, but arguably no film can), the film while definitely having issues (overlong, pacing issues); at the end of the day, flaws and all, it is an achievement of film-making.
You could not cast that film any better than it was cast, it starts great, it ends great, and in-between it is compelling if overlong (but given the depth of content, it was the length it needed to be). And let us speak of that ending, I spoke earlier of adaptions that are better than the original; this film is not better than the graphic novel, but there are moments in this film, that are. One of those moments is the ending. The culmination of Ozymandias’ master plan makes far more sense in the film than in the Graphic novel.
All in all Zack Snyder’s WATCHMEN is a flawed masterpiece, and I’ll take that every day of the week. And the trailer… flawless. Check out the below review.
Since then others have taken a crack at Alan Moore’s seminal work, to surprising (and I would say impressive) effect. I still wish Alan Moore’s name was on all these adaptions, and he was getting paid, since he is making corporations quite wealthy milking his ideas.
Part of this is Moore’s own ‘line in the sand ‘ attitude, but seriously I really wish fences could be mended, as Moore is not getting any younger, and it would be nice if people would laud him, monetarily and credit wise, while he is alive, rather than empty speeches after he, like we all must, passes off this mortal coil.
Anyhow that was just a quick aside about how much i love the 1st 2009 WATCHMEN trailer, and while Zack Snyder has been hit and miss for me film-wise, his visuals (with the exception of the stupid costumes/CGI for the FLASH and CYBORG) are always top notch; and the trailers… genius.
I just saw the trailer for JUSTICE LEAGUE THE SNYDER CUT, and once again, that marriage of iconic visuals as only Zack Snyder can do it, with the perfect song– it makes me excited now to see this, when I had no interest in a ‘Snyder Cut’ of a film that did not work for me the first time.
“You won’t let me live, and you won’t let me die.”
In a very impressive trailer weekend for DC/Warner Brothers, the SNYDER JUSTICE LEAGUE may be my favorite trailer, just edging out both THE BATMAN and WONDER WOMAN 84. Now I definitely think both WONDER WOMAN 84 and THE BATMAN are going to be vastly better films than this re-cut JUSTICE LEAGUE CUT (I don’t see the edit substantially being able to change/better the film. Change it a little, yes. Better it a little, yes. But substantially? No.); however based just on trailers, the Snyder Cut hearkens back to his successful 1st WATCHMEN trailer, and that formula (for the trailer) just works.
BATMAN: KELLEY JONES Regular Edition by Doug Moench, Kelley Jones, and John Beatty
248 pgs • 12′ x 17″ • Smyth-Sewn Hardcover
“Graphitti Designs proudly launches their new, large-format hardcover book series with BATMAN: KELLEY JONES GALLERY EDITION. For the first time ever, Dark Knight fans and collectors will have the opportunity to see and own museum-quality reproductions of memorable Batman art…as it was originally conceived by the artist. Printed in color from high-resolution scans of the actual original art, this first entry in Graphitti Designs’ new Gallery Editions line replicates the look, feel and attitude of the artwork. Every page is reproduced at original size on heavy paper stock, capturing the artwork – stray pencil marks, whiteout, coffee stains and all! The pages are alive with all of the subtleties and nuances one would expect from investment-quality original comic art.
BATMAN: KELLEY JONES GALLERY EDITION is the first in a series of deluxe, hardcover books from Graphitti Designs that faithfully reproduces the original art from select, key DC Comics series. This inaugural volume contains the covers and interior pages from BATMAN #515 through #525, minus the interior of issue #520, which Kelley did not draw. These stories are written by Doug Moench, with most pages inked by John Beatty.
Graphitti Designs’ Gallery Editions reproduce the look, feel and attitude of the original art as it was originally created by the artist. Though it appears to be printed in black and white, the contents of these books are sourced from high-resolution, full color scans taken directly from the artwork. Each high-quality, Smythe-sewn hardcover book captures every detail of the art at actual-size, and are printed at 200 line-screen on a rich, heavy paper stock. Replicating the original art experience is our goal. Our Gallery Editions are the next best thing to holding the original art in your hands – and easier on the wallet, too!”
Way before Todd Phillip’s record breaking JOKER, other filmmakers were tackling very grounded stories of damaged people, transcending (or giving into) their damage in ways either heroic or horrific. Grounded takes that are eerily familiar to the fanciful origin stories more typically found in the comic books of yesteryear, but now moved into a darker world,, more akin to our own. Here then are the best of the pre-JOKER grounded films. One of them plays like the tale of the most bad-ass Robin, another an evil Super-Soldier Steve Rogers, another perhaps the origins of a demented Joker, or a sociopathic Bruce Wayne (the Jeff Wadlow directed TRUTH OR DARE is surprisingly good), and one a pre-Netflix prototype for Luke Cage.
Here are the best DETECTIVE COMICS covers from the 3rd and current run. What makes a great cover, contrary to those pushing these portrait and variant covers aesthetic, is great typography, meshed with great visual storytelling. Here then, are the best covers to date from that brief run!
GREAT Comic Book covers from the 3RD Volume of DETECTIVE COMICS!
I absolutely love that post issue 1000 logo! And the return to word balloons on covers!
If you like or are missing any of the above issues and would likre to purchase them, feel free to use the handy great link below! You’ll get great books, and earn a couple of pennies for this blog. Also don’t forget to like and share this post if you would like to see more like it! Thanks!
My better half thinks I’m a sick puppy for liking this cover, but man, I remember being wowed by this cover as a kid, and as an adult it still makes me literally laugh out loud. Even from the 60s and 70s age of outrageous SUPERMAN covers it is one of the most outrageous and funny.
The thought that even Luthor would stoop to such extremes, is absurd and horrible, both character wise and concept wise. But the absurd part wins out, you can not take it seriously.
Even as a kid, I knew there was no way anyone was getting ‘killed’ and Luthor would get his well deserved beatdown, and so even as a kid i saw the cover as a bit of wonderful hucksterism, and wildly audacious fun/comedy. As an adult I still feel that way. I don’t think the interior story is memorable, but that cover… is frame worthy.
Lex Luthor turning the heroes into kids is bad enough, but then he is still so cowardly that he is sneaking up behind them and hitting them in the back of the head, rabbit punching them, with his super-powered brass knuckles. Do you get anymore ludicrously, cowardly, mustache twirlingly despicable. It is impossible not to view it like a Chuck Jones Wile E. Coyote skit on meth. :).
Quick aside, my Favorite Luthor in live action, and I have, to varying degrees, liked all the versions, but the actor for me who is not only the best live action version, but is better than the animated version , is the criminally under mentioned Sherman Howard.
His work in seasons 3 and 4 of THE ADVENTURES OF SUPERBOY, thanks to great scripts and a great cast and crew (including the excellent Stacy Haiduk and Gerard Christopher), was TREMENDOUS. Those two years of THE ADVENTURES OF SUPERBOY, season 3 and 4, I would have to rate as easily the best live action version of Superboy/Superman on the small screen. Better than LOIS & CLARK, better than SMALLVILLE, better than the second season and up, of SUPERGIRL.
And a large part of why those two seasons remain worth revisiting are the Luthor episodes, and the fact that Sherman Howard gets to take the character from brilliant to wildly unhinged to sympathetic and back again. It is really a wonderful performance, that I urge you to go out and purchase or view those two seasons if you have never seen them.
They are that good, and Sherman Howard is that good in the role.
Now getting back to the comic book cover… The cover shows MUCH better in person. But you should get a feel from the image whether it is one to add to your collection. If so, get your copy here:
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I listened to a recent podcast where they were bemoaning the news of Tom King stepping off the BATMAN comic. All kinds of speculation on him being removed, etc. That he was doing a brilliant run on Batman, etc, etc. And they couldn’t understand how DC could not see what a great, innovative job he was doing, and that DC execs must not like great stories, yada, yada.
This very minor and relatively harmless rant from this podcast I watched, illustrates perhaps a less wholesome issue with our culture in whole. This inability to see or look for, or acknowledge, viewpoints other than our own.
The truth is out there, to paraphrase a show I was never a fan of, beyond the odd ‘monster-of the week’ episode.
The truth is out there, but we have to look, and we have to do our homework.
It doesn’t have to be controversy when we get news we do not expect or agree with.
It doesn’t have to be DC executives are stupid.
It could be as simple, if Tom King was removed, as simple as the books were not moving in the numbers they liked, or meeting with across the board praise.
A simple look at reviews of Tom King’s BATMAN run, whether podcasts, or Youtube videos, or blogs or websites, when you extend the search beyond your circle, your chorus, you see a run, a body of work, that from the first trade on, was conflicted. And grew more uneven and conflicted, in terms of the writing, and the response to the writing with every trade/issue.
I think a lot of people make excuses for Tom King”s work when they do not love it. Like they refuse to admit they didn’t love it because of Tom King, so they blame the publisher, or the editor, etc.
A writer is a lot like a director, you get the praise when a product is great. You should also carry the blame when a product isn’t. A lot of people like to give King the former, and make excuses to keep him from the latter.
Stop making excuses or trying to blame Editorial if you do not like a Tom King story. You do not try to give them the praise if you love a Tom King story. So let’s not be hypocrites.
And I am not anti-Tom King, I am not one of these knuckle dragging anti social justice warrior, anti-woman, anti-diversity, psuedo neo nazi nuts. I judge the work, on the work, and wait to read it, before having an opinion on it.
His VISION series is one of the greatest things I have read in years. (And if you have not read it, I urge you to pick up the collected hardcover… it is that good.)
However, specifically to Batman, other than that standalone story, his actual run on Batman, the first 4 or 5 trades, I found awful. I mean… awful. “I am suicide!”As his take-away on the character of Batman. Really???!!
The great flaw of Tom King’ s BATMAN (for me), was always Tom King’s take of the character. He keeps writing the same broken, suicidal, and ineffective character, over and over again. And while it worked for the Vision and Mr. Miracle, shoehorning that Hamlet type protagonist and calling him Batman or Kid Flash, does not work at all.
He keeps trying to tailor these heroes and archetypes to his ptsd framework, and it increasingly does not work. He needs to start writing to the character, than simply shoehorning them into his rigid story.
We get it,
Tom King brings a military background, and a CIA background, and an espionage background, and a background of those places where we all break under stress and pressure. And again telling that story with certain characters can work, however retelling that story with every character does not work.
There are more stories than that. And another reason we look to these heroes is because they are our aspirations writ large, they should not all be stand-ins for the places where we fall down, they should be the standards of how to standup. They should be our hopes writ large, not our insecurities. The VISION type stories should be the exception, not the rule.
I do not want to read a comic with a Superman dealing with PTSD. It starts to become one note writing, rather than great writing, to make all the heroes analogs for the common man, or the Hamlet in us.
So yeah, while I will not be picking up the individual issues regardless of who writes BATMAN, because paying more than $2.99 for a single Marvel or DC comic is insanity (Marvel and DC should both be ashamed of themselves for charging more than $2.99 for scant pages of comics. Now, smaller Independent publishers I cut them slack on pricing, because their page count and quality is usually higher. However Marvel and DC has the economies of scale to keep prices low. To not do so comes down to mismarketing, mismanagement, and short term greed, over long term sustainability and growth) , I will, if the word of mouth is good, check out the books when they hit the $1 bins of the secondary market or in collected edition at the libraries.
I look forward to a new take on Batman, and a new writer.
JESSICA JONES Season III trailer. Here is the thing, I was not interested enough to watch the 2nd season of JESSICA JONES. And by all reviews I did not miss much. But I went into the the trailer for season III hoping it would be good. I have to tell you, I found it incredibly uninteresting.
I can only take so much of brooding, not quite likeable, characters so, just with the way the protagonist is played, with a listless, can’t be bothered attitude, the performance of Jessica Jones is typically the weakest part of the show JESSICA JONES.
So that said, you need charismatic, interesting people surrounding her to make the show worth while. You need a Luke Cage, you need a Purple Man. You need dynamism to counteract the plodding, disaffected, and starting to get annoying, performance of the protagonist. And unfortunately the trailer for Season III offered none of that. Offered an Antagonist, absolutely as uninteresting as the protagonist. A battle of who could bore me more.
So yeah the trailer to Season III of JESSICA JONES, a hard fail. That is not going to make my watch list, based on that trailer.
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Finally, the news that the DC Swamp Thing show has been cancelled before the 1st season really starts.
It has come out the reason DC/Warner Brothers pulled the plug is largely because North Carolina, an increasingly politically suspect state (excuses to my North Carolina Friends, but you are starting to be run by the pointy hat crowd. And I’m not telling you anything you don’t know. You know you need to start cleaning your house, much the same way the Nation needs to clean its house) basically bailed on their promise to help finance the production of SWAMP THING in their state.
It is a great shame, because I have to tell you, I absolutely loved the full trailer to SWAMP THING.
They looked like they had all the elements for a wonderful , long form story, worthy of the kind of eerie, brilliant, haunting storytelling that creators Alan Moore, Bissette, Totleben, Wein, and Wrightson laid the ground work for.
Such a shame.
Maybe someone else will add the additional funds so we get to see this vision of Swamp Thing, eventually played out.
Well that’s it guys.
Just wanted to put my 2 cents in on those 3 topics. Take two seconds and support today’s recommended comics.
You know when I was saying I cut Independent comics a slack, because of their quality of content and packaging. ALTERNA COMICS and AHOY COMICS are two cases in point. There are a lot of great writers/artists in comics, arguably one of the best of them is Eric Powell. I absolutely am enamored with his GOON and his HILLBILLY and his SPOOK SHOW. And ALTERNA comics addreses all the issues with price gouging that we are getting from the big two, Marvel and DC, while giving us quality products. So you can preorder comics from both publishers and get them direct mailed to you.
Great podcast, around the 30 to 40 minute mark you’ll find a nice bit on how everything thoughtful is somewhat political. Give a listen.
It is a nice overview of items you can find in this Month’s Previews.
Previews for those uninitiated is a prE-ordering system for comic books. Especially with the outrageous cover prices Marvel and now DC are charging (I’m telling you, Brian Bendis was a Trojan horse for Marvel 🙂 , jumping ship to eff up DC’s lower, and more successful $2.99 pricing structure. I was picking up a good # of DC $2.99 books, but suddenly Bendis defects to DC, after defending Marvel’s awful business practices and price points for years, and now DC’s books (with a couple welcome holdouts) have shifted to the higher; and in my view, too expensive, Marvel price point of $3.99 minimum).
Pre-Ordering comics allows you to save (depending on the service you use) between 30% and 50% off cover price.
A sizable savings off the no-discount you would receive if you wait to get the books off-the racks at your local retailer, when they come out.
The deadline to order upcoming comics at a sizeable discount, this month is 25 july. So in a few days at the time of this writing.
Thankfully there are several online retailers that allow you to preorder your comics and have them mailed to you. I’ve tried them all, Milehigh, Westfield, DCBS, to name a few, and while not the cheapest, the one I find to be the best, with the best packing, best customer service, and best quality of service and ease of use… is MY COMIC SHOP.
Come back in a little bit and I’ll have up my list of must buys! I will give you a hint, fire marvel and dc (the movies are much better than the books anyhow. case in point, in the comics they moronically feel the need to both ride off the coattails of the movie version of nick fury, and diminish him at the same time, Black nick fury as white nick fury’s son??? that is just stupid.
what moronic writer came up with that lame, and more than a bit wasp centric idea?
Oh nick spencer.
yeah, why am i not surprised. 🙂
I KID because i love! Unlike the moronic anti social justice warrior crowD, [basically any idiot who thinkS he is so witty for having a new short hand derogatory label, ‘SJW’, to try and diminish something that scares them, and they don’t quite understand. if they weren’t attacking sjw, they would be burning crosses no doubt. :). if you are subscribed to these clickbait morons on youtube or etc, stop being part of the problem and unsubscribe from them.
] i do not give an eff about cap being a hydra agent for two minutes. i just didm’t buy them.but it enforces a precedent of spencer perhaps not having the greatest ideas. 🙂
here’s an idea. marvel has a multiverse. why can’t the sam jackson nick fury, be his own man. from that splendid multiverse, where he is called nick fury and he is black, and his dad was black, and his mom was black, and his grand parents were black, like the sam jackson nick fury would have to be with a complexion that dark. 🙂
and that should be a great and fine thing! we have some mixed, melting pot families. that’s fine. but we have a lot that are not, and that should be fine too!
why does he have to be a junior to the wwii version of nick fury. it is worse than being blindly bigoted, which a lot of supposedly liberal people are… it is just stupid.
that is why the movies are better than the comics, they have better writers, and other creative people. and don’t get me started on tom king’s batman. talk about the emperor not having any clothes.
tom king is a fantastic writer. his ‘vision’ is i think, without argument, a masterpiece. However there is a repetition to king’s writing, and having the suicidal, deranged, falling apart protagonist that worked so well for the vision, as his goto archetype for every subsequent story is a failing.
it worked less well for the omega men, jury is out on on mister miracle, and it absolutely does not fit with batman. i am suicide? as the definition of batman? it is the absolute oposite of everything it would take to endure, which is the definition of batman that rings the truest.
I took the trouble of getting and reading the five volumes of his batman run from the library, it is not good. i think he has one voice for all his male protaginists, and it is a voice that doesn’t fit his batman run. that said, when he gets away from his ‘not working’ longer storyline, and sticks to self contained stories, that’s when you see the genius of tom king.
HIS BATMAN ANNUAL 2 is case in point. forget trying to weave this long form story, and delivering issue after issue that underwhelms, give me a 100 stand alone stories of the quality of batman annual 2.
unfortunately he took the wrong thing from the success of that annual. he thought it was about milking that one storyline for a hundred issues, the strength of that issue is it was complete onto itself. king is trying to do doug moench, when he should be trying to do frank robbins. self contained over long form
How is that for an aside?! :))
so all that to say fire the over-priced, variant and gimmick saturated marvel and dc comics , and get periodical comics from people who respect their readers and just want to tell good stories in the periodical format. marvel and dc, do have fantastic creators, but they are being sabotaged by $4 to $8 ‘high way robbery’ price points. i absolutely want to read coates’ captain america and black panther, priests’ deathstroke, same for many other books. i refuse to pay their price gouging amounts. rather do what i do, wait for them to be collected and either read it for free from the library or buy it at a discount at your local bookstore or online store.
marvel and dc, are pridefully ignorant, a catching disease as our political landscape shows too well. such ignorance can not be reasoned with, it must be actively chastised the only way the pridefully ignorant understand, in dollars and cents.
stop buying them in periodical form. job done.
and instead buy periodicals from companies that are still excited by that format and price point. buy from the new marvel and the new dc for the 21st century.
I’m talking of the Canadian company CHAPTER HOUSE, AND THE AMERICAN COMPANY ALTERNA. AT LESS THAN HALF THE PRICE OF MARVEL AND DC, I BUY EVERYTHING THESE GUYS PUT OUT. THESE GUYS MAY JUST BE THE NEW, AND GOOD, MARVEL AND DC. 🙂
Tom King in a few years has made quite a name for himself as a writer of Slims (comic books).
Always suspicious of hype, I went into his VISION quite skeptical. Long story made short, his VISION lives up to the hype. You can come into it not knowing anything, and be quickly swept away by the sheer power, and humanity and hurt; in a story about what it means to be human, in an inhuman world.
It truly is fabulous and if you have never read it, it is a highest recommendation. There is a just dropped hardcover available at remaining Bookstores everywhere.
His MISTER MIRACLE released half a dozen Slims in 2017, the issues were definitely good, though the final verdict is out till he sticks the landing this year. Like the VISION and his earlier OMEGA MEN, it is about a damaged character, a broken character. A slightly off kilter world view. So far all titles are relatively intriguing and well crafted. In the case of the VISION masterfully crafted.
Then we come to the books up for review this installment, BATMAN VOL 1-3 from the DC Rebirth Line of books, by Tom King.
The irrationality and poor decision making and erratic, even stupid, behavior; that worked well in the tale of a broken Android, a torn freedom fighter, and a suicidal God, does not work well in the BATMAN books.
The very conceit for the whole three volumes, is that Batman (the world’s greatest detective and inventor), is distraught about an emotionally damaged ward, and decides in a world of super scientists, magicians, and Gods, the only way to help his ward, is by stealing a mediocre villain, with the power to make people feel happy, so he can smile at Batman’s traumatized ward and make her feel happy. If that is not a brain-dead enough premise, it becomes even more moronic, when he decides to accomplish this by putting together a suicide squad and risking war and death, and doing this knowing it will wake a retired and sleeping dragon.
It is just the type of moronic plotting one tends to associate with brain-damaged villains seeking world conquest, not the resourceful Batman. And adding stupidity on stupidity, KIng redefines what drives Batman, to be not a sense of justice, or outrage, but a desire toward… (wait for it) Suicide.
And that definition doesn’t stick. Not with any interpretation of the character that makes sense. The desire to die doesn’t push you to be a beyond Olympic level athlete, it doesn’t push you to endure, it doesn’t push you to overcome.
Ultimately this addled definition is Tom King’s definition of the character, unfortunately, it seems to be the same broken, frayed creature that he tries to shape all the characters he writes into. And what worked with THE VISION, and THE OMEGA MEN, and seems to be working with MISTER MIRACLE, does inherently not work, does not graft, does not fit… onto the character of Bruce Wayne/Batman. Plus I can really do without the Yellow costumed Sidekick. I can do without the sidekick dynamic period. Either make him his own character (his own man) and get him out of the insipid yellow costume, or don’t have the character in the book.
Tom King is instead of tailoring the story to the character, seemingly making every character fit into the same story mold. All Tom King’s character are horrible tacticians, who make horrendous plans. That is not any type of Batman I want to read about. I picked up the three Tom King Batman volumes from the library to give a try, and I am so glad I didn’t buy them. It is surprisingly uninteresting, tedious, and disappointing reading.
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