3 Best Marvel/MCU Villains 2008-2019

 

22 movies, Eleven years, hundreds of actors, dozens of bad guys, but only 3 stand as the very best Villains of kevin feige’s Marvel Cinematic Universe.

 

LOKI

 

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LOKI– In many ways the first AVENGERS movie stands as the most important of the MCU films, up there with the first IRON MAN movie. The IRON MAN movie proved these individual characters could work on the big screen, THE AVENGERS movie proved a super-hero team, wide screen Comic Book level action, could work for the masses; proved That this concept of long form story telling in film… could payoff, and should continue.

After 22 movies, THE AVENGERS is still the movie I saw the most in the theaters, a record three times (I almost never see a movie in a theater more than once), and the one I had the most fun with. And that is because Director Josh Whedon delivered the film of his career, the writing was brilliant, actors and effects phenomenal, and the characters… literally the stuff of Myth. And the most memorable scenes of a very memorable film revolve around Tom Hiddleston’s completely crowd pleasing performance as Loki, that sets up such memorable lines as ‘Mewling Quim’ and ‘Puny God’.

Like the best of all Villains, the two other names on this list; the Loki character while wrong, there is something compelling and seductive, and relateable in Loki’s mania. Driven by some hurt he seeks to fix, some reason that reason knows not of, that makes him more than a stock villain, but someone more complex, and someone that in moments… seen from some angle, is understandable, if not approvable.

There is a reason Hiddleston’s Loki ten years later remains… beloved. Because being more than a stock Villain, means at moments he resembles all of us, he is capable of good, as well as evil. And watching Loki navigate that line, grow as a character, makes him more than villain and more than hero… it makes him… interesting.

 

 

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KILLMONGER

 

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KILLMONGER – There were a lot of MCU villains prior to Michael B. Jordan’s acclaimed turn as KILLMONGER, in the brilliant and ground-breaking Ryan Coolger helmed BLACK PANTHER, but none of them, not Red Skull, not Ultron, not Winter Soldier, not even Loki, had me deep into the movie… unmoored about who was right and who was wrong.

To do that in a film, to bring the audience with you into a questionable grey area where there are no more heroes and no more villains, but just principles of better worlds that clash in blood, that is some deep and epic and personal filmmaking, and to accomplish that in a large scale blockbuster superhero movie, is the stuff that awards are designed to recognize.

Hats off to all involved, but particularly to the way Jordan chose to play KILLMONGER, just unique and disturbing and yet another memorable character, from an actor who has quickly become one of the best actors of his generation.

BLACK PANTHER is a film that I loved the action in, loved the fight scenes, loved the story, loved the scale, but what really sets it apart from every other MCU films before it (with the exception of THE WINTER SOLDIER, which did it in a smaller way) is the sophistication of how it is told. The murky grey areas where good and bad become… unsound. It’s a great film, that becomes stronger every time you watch it. Like leather curing in the sun.

At the film’s heart it is a tale of fathers and sons, kings and commoners, and a question of whose vision of tomorrow… is most right. And that hinges on Jordan’s KILLMONGER, a lesser villain or a lesser performance, and we would be talking about a much less successful film. Which is the case with any film, a great film seldom does so, without a great antagonist; and Jordan’s KILLMONGER is one of the greats.

 

 

 

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THANOS

 

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And now we come to the 1000lb Gorilla in the room, (it is an idiom used to call attention to an overwhelming or obvious  idea, finally being recognized – for those of you who may not be familiar with the expression) THANOS.

A CGI character that has been the big bad we have been building to in these 22 films. It is an unprecedented build up, the likes of which we will likely never see again. But boy did it pay off. Josh Brolin (son of the legendary actor James Brolin) has in the last two decades started forging his own legend, in films from NO COUNTRY FOR OLD MEN to AMERICAN GANGSTER to TRUE GRIT to SICARIO (look forward to seeing him in the upcoming Villeneuve directed DUNE and Sean Penn helmed FLAG DAY) he has been solidly delivering the goods.

But I think it is safe to say his THANOS is likely to be the role he is remembered for above and beyond all others, just based on the cultural and historic imprint these 22 films have carved out. You have to go back to Universal Studios game changing monster movies of 1923 to 1955 to get a run as formative and impactful as this current run of MCU movies.

And THANOS is the looming shadow that haunts these films, and in INFINITY WAR and ENDGAME Brolin’s Thanos gets to come out of the shadows and take center stage.

Again as buildups go, you will likely never see, in your lifetime the like again, a 22 film novel for television, that stuck the landing.

Much has been written on the character of THANOS and the sophistication he was written and performed with. following in the wake of Jordan’s KILLMONGER, here too is another villain where, to a lesser degree, you see the mercy in his madness, the humanity in his horror. He does and is going to do horrible things, but toward ends that we must all, at the end of the day judge as… understandable.  And it is the achievement of all involved from performers to directors to special effects to camera to makeup to lighting to sound, that in not one moment of INFINITY WAR or ENDGAME, not one moment of a CGI Thanos interacting with the other actors, do I question the fiction crafted. The vision is solid.

It is a 2 film culmination of a 22 film, 11 year unequaled and un-thought of cinematic achievement, and it sticks the landing. And Thanos quite rightly gets catapulted into the conversation of most iconic cinematic villains of all time, up there with Darth Vader, Dracula, Dr. No, Dr. Mabuse, Khan, Hannibal Lecter, Joker.

 

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So that is it guys, the 3 best villains of 22 movies, and 11 years of cinematic gold!!!

 

And for Honarable Mentions:

  • Ultron
  • Red Skull
  • Winter Soldier
  • Klaw

 

Thanks for looking, feel free to comment with your favorite villain or villains, and if you enjoyed this post give some love to this installment’s sponsor:

 

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Purchase Here.

Best songs of the last TEN Years!

BEST SONGS OF THE LAST 10 YEARS THAT GOT (WELL DESERVED) ATTENTION FROM THE BIG LABELS

Katy Perry DARK HORSE
John Legend ALL OF ME
The Lumineers HO HEY
Zac Brown Band CHICKEN FRIED
Passenger LET HER GO
Macklemore & Ryan Lewis CAN’T HOLD US
The Script BREAKEVEN
John Mayer WAITING ON THE WORLD TO CHANGE
Gnarls Barkley CRAZY
Ed Sheeran THINKING OUT LOUD
Gym Class Heroes STERO HEARTS
Jason Mraz I’M YOURS
Solomon Burke DON’T GIVE UP ON ME

TOP 15 FAVORITE DVD Commentaries! Part 3 of 3!

Completing (Yay! Finally!!) the list of 15 favorite DVD commentaries!! Here are selections 11-15.

THE LION IN WINTER- A seminal film, the finest performances of all involved and commentary by the director, Anthony Harvey. The Lion in Winter

T-MEN/RAW DEAL- Not a commentary per se, the excellent 2 part DARK REFLECTIONS audio/video essay by mystery writer Max Allen Collins is a must listen as it examines two of the best films by the legendary team of director Anthony Mann and Director of Photography John Alton. Very, very informative covering film noir, Dick Tracy, Eisner’s Spirit and more.Anthony Mann Film Noir Double Feature: Raw Deal/T-Men

DESCENT- 2 director commentaries, one with cast, one with crew. The crew commentary is more than a bit bland, the cast commentary is definitely more lively with a bunch of giggling, possibly tipsy, actresses, and it takes a bit to determine who is who, but still an enjoyable insight into this fantastic film. The Descent (Original Unrated Widescreen Edition)

SEVEN- no less than 4 great commentaries to choose from! Seven (New Line Platinum Series)-this is the only version that has all four commentaries

KING OF NEW YORK- great commentary by maverick director Abel Ferrara.King of New York (Special Edition)

Well that’s it! The wrap up of the 15 Favorite Commentaries!! The links to previous sections are below, and feel free to suggest your own favorite commentary!

Thanks for viewing and if you like this post, take the time to give a ‘like’ and also take the time to purchase using the links provided.

Thanks!:)!

Here’s Part I!

Here’s Part II!

TOP 15 FAVORITE DVD Commentaries! Part 1 of 3!


“She loved me. That’s the root of the business. But she knew… she knew I thought more of my wife’s footprint in the mud, than I did of her body and soul.”
— A fantastic performance by Ciaran Hinds as Jim Browner, telling Holmes about the sister-in-law who connived to destroy his marriage, with tragic results. From THE MEMOIRS OF SHERLOCK HOLMES adaptation of THE CARDBOARD BOX.

The Memoirs of Sherlock Holmes Collection
Sherlock Holmes: The Complete Granada Television Series

In this age of streaming and Netflix, the DVD/Blu-ray is still the format of choice for those who want to do more than ‘see’ the movie, but explore it and enjoy it. I’m speaking of special features.

Specifically Director’s Commentaries.

As a rule I don’t purchase DVDs/Blu-rays, unless it is a movie or series I intend to watch more than once. And as such a director’s commentary is an essential part of the DVD for a film fan such as myself.

I can watch the DVD once for the program, then go back and watch it for the cast/crew insights into the film. So that said, what are the best DVD/Blu-ray commentaries?

Best is a problematic designation, so let’s go with favorite… here are my 15 favorite DVD commentaries:

Images
The Long Goodbye

Robert Altman’s IMAGES/THE LONG GOODBYE- I put these two films together as one, because they are Robert Altman at his most experimental, and to my mind, while not his biggest or most lavish or most acclaimed films, IMAGES and THE LONG GOODBYE are his most interesting and stylish and surreal films (and they also sport two of the most amazing, experimental scores).

They are my favorite Altman films. And while endlessly watchable on their own, the excellent special features push them over the top. While not really a commentary, the films instead sport brief interviews with Robert Altman, but such informative and formative interviews. Altman gives a great insight into the division of labor between Director/Writer and Actor, and how as a writer a work is 2D, and it is incumbent on the actor and others to make it 3D, to bring it to life. Between the film and the interviews, it’s a class on film-making, for the price of a DVD.

And next…

Michael Mann and Tony Scott are two of my favorite directors, they make fantastic films, and their commentaries are full-on clinics in film-making. So just about any movie they make, I purchase as much for the commentaries… as the film. So you can easily fill a top ten or twenty list with just these two directors.

But for the sake of brevity we’ll limit each director to just one:

Michael Mann’s MANHUNTER [There are numerous DVD and Blu-ray versions of this film, but the link below is the only DVD that sports the Michael Mann DVD commentary.]
Manhunter (Restored Director’s Cut Divimax Edition)

[And as honorable mention check out Michael Mann’s COLLATERAL, from covering using the digital camera to the landscape of mercenaries, to the actors, it is just a riveting commentary. Collateral (Two-Disc Special Edition)]

Tony Scott’s MAN ON FIRE showcases two excellent commentary tracks.
Man on Fire

Another one of my favorite directors is Werner Herzog, and his commentaries are always things of high drama and art onto themselves. Everyone of his films are worth owning as much, and in some cases more for his commentary. Just a fascinating director, and a fascinating man.

Like Mann and Scott, every one of his commentaries could fill a best of list, but again for the sake of brevity we’ll narrow it to one.

AGUIRRE WRATH OF GOD- cause it’s always entertaining hearing him discuss Klaus Kinski

Werner Herzog and Klaus Kinski: A Film Legacy

Werner Herzog Collection

DEVIL IN A BLUE DRESS- Put together a novel from one of my favorite writers, a few of my favorite actors, and one of my favorite directors in Carl Franklin, and you have a movie that makes anyone’s purchase list. Add a riveting commentary from director Carl Franklin, and you have DVD as film and film-experience.

Devil in A Blue Dress

And rounding out the first five for this list of 15 Favorite commentaries is

THE COMPLETE FARSCAPE- People who are fans of this show, a show that at its heart is this great love story, are fans because they are so connected to the characters that the actors and writers bring to life. Outside of possibly BABYLON 5, FARSCAPE is the most emotional and best acted show of the fantastic (Browder giving wrenching, award worthy performances). So the chance to reconnect with these shows, especially by listening to Ben Browder and Claudia Black, who obviously have as much chemistry off screen as they do on… is just a joy. Even lukewarm episodes of FARSCAPE, rare but they do exist, are made ‘must-haves’ by the commentary. A fantastic series, adorned with fantastic commentaries.

Farscape: The Complete Series [Blu-ray]
Farscape: The Complete Series

So that’s it for the first five favorite commentaries. Join me in the next installment as we cover #s 6-10! And in the interim feel free to leave comments about your favorite commentaries.

15 Favorite Pulp Heroes / Characters and the meaning of Pulp! Pt. 1 of 2!


Price The Avenger Chronicles Here!

We’ll begin this with a definition of pulp, pulp heroes, and pulp writing, then get into my list of favorite pulp characters and pulp runs.

The perceived definition of a pulp character tends to be a character that takes place in the 20s to 40s, in an America besieged by the spectre of War, and consists of slam-bam action, and a colorful larger than life hero and outlandish villains.

It’s with the cementing of pulp heroes to a specific milieu, a specific time, that I take issue with that definition. Characters such as THE SHADOW and DOC SAVAGE and the AVENGER were pulp sensations AT THE TIME OF THEIR PUBLICATION because they spoke to present fears and issues, in colorful imaginative ways.

But now the nostalgia bunch wants to calcify the definition of pulp adventure to a particular time frame or particular writers. I don’t think pulp heroes need to be set 80 or a 100 years in the past, that’s not what Marcel Allain, Norvell Page or Walter Gibson or Paul Ernst (writing as Kenneth Robeson) or any of the pulp writers we idolize today, were doing.

Now I’m not saying ignore the pulp heroes of yesterday, or not set new pulp stories in the 20s or 30s if you want. But what I am saying is… you’re largely missing the point of what the pulp writers were really doing. They were putting these heroes in a world that really needed them, the present world.

I am saying the pulp fiction of Warren Murphy’s REMO WILLIAMS or Marc Olden’s BLACK SAMURAI or Don Pendleton’s MAC BOLDEN are far truer representations of pulp fiction, pulp heroes, than today’s current writers who are making nostalgic re-workings of 1920s, 1930, and 1940s stories.

Again I have no problem with modern writers setting stories in that time frame, I quite enjoy and have championed many of them, but there seems to be this faulty conclusion in the minds of modern writers and readers that setting them in a specific past time frame, makes it pulp. No. Nothing could be further from the truth. Setting it in that time frame makes it a pastiche.

If Gibson or Page or Allain were writing today their heroes would be set in today, and their horror and villains… expressions of timely concerns. Allain’s FANTOMAS or Gibson’s SHADOW would be hanging the president of Exxon or Shell out of a window, saying “You want to explain those gas prices to me now?”

That’s why I love books like BLACK SAMURAI and THE DESTROYER because they are the pulp aesthetic continued, and have original things to say and original menaces to say it to, rather than simply the tendency to nostalgia, and aping dead writers.

When pulp heroes of yesterday fought nazis and gangsters, that wasn’t simply kitschy entertainment, that took some balls. Because gangsters were very much real things, and Nazis a very real threat, and nobody wanted to touch these topics. The way no one today wants to deal with topics of Guantanamo Bay, or Middle Eastern massacres, or corporate over-lobbying of representatives.

Pulp fiction of the 10s (the wonderful, and horrifying Fantamos),20s and 30s and 40s… was timely and controversial. Pulp fiction (and pulp heroes) was about giving the common man a hero who could stand up against the evils of the day, be those evils foreign or domestic. That is pulp fiction, not this nostalgic, safe, hermetically sealed, removed from any relevance of today, pastiches that people want to sanctify.

True pulp fiction, is a fantastic, white-knuckled, adrenalin inducing and entertaining tirade against the evils of its time. Sometimes in-dispute evil.

People forget there was a portion of America, the loud vocal right wing that were pro-hitler and pro the nazis, right up to and even after Pearl Harbor. So for these books to come out in the 1930s with Nazi Villains took balls. It was controversial. They got their share of grief from the Rush Limbaugh’s of the day.

So when people say “Well, true pulp fiction/pulp heroes needs to be set in the 20s to the 40s”, to that I say “only if you’re living in the 20s to the 40s”. True pulp heroes are an answer… an answer to the truths and the lies of your nightly news.

So while it’s wonderful we have this resurgence of so many writers doing pastiches in the pulp vein, it’s unfortunate so few modern writers are actually doing real pulp novels ala Warren Murphy or the late Marc Olden or even the late Ian Flaming.

So few current writers are doing books with great, even salacious covers, breakneck speed, thrilling action, and larger than life protagonists in conflict with outlandish villains, set in a present/timely context. That is the definition of true pulp fiction, and true pulp heroes… and what we are in dire need… of more of.

-to be continued-

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Part II will bring you the list of 15 favorite pulp heroes. Your jaw will drop!!! 🙂

Copyright 2000-2012 Masai Inc

FAVORITE Website & Program OF THE DAY: CELESTIA?!

FAVORITE WEBSITE OF THE DAY: CELESTIA

I’m kinda double-dipping here because this is not just my favorite website of the day, it’s one of my favorite programs to use on the computer.

Just addictive as well as being fun and educational. How often does that happen?!

I’m speaking of a mad open-source astronomy project called Celestia.

You can see what I’m going on about here!

As well as here andhere!

It’s like having an endlessly configurable planetarium on your computer. The idea of creating simulations of voyages through the stars, and sampling amazing voyages and scripts that other users create… well all that functionality makes Celestia pretty close to great. 🙂

You can get download links for the program and user created voyages/scripts from the link above. Okay need to go do some Celesting now! 🙂

(Yes. it’s geeky but it’s also pretty… [wait for it]…stellar! You see what I did there? :))