Richard Carpenter’s seminal 80’s ROBIN OF SHERWOOD may just be the best TV show of all Time

‘Nothing is forgotten. Nothing is ever forgotten.’ — Richard Carpenter’s ROBIN OF SHERWOOD

 

 

 

Richard Carpenter, no relation to John Carpenter, is largely unknown to modern audiences, however he shouldn’t be. In the 80s he created a TV show, ROBIN OF SHERWOOD, which became a surprising hit. Here in the states it was broadcast via PBS, and even watching it then, it felt mythic and larger than life. Revisiting it 35 years later, not only does the short lived series hold up as great television, those first two seasons remain the best version of Robin Hood ever conceived.

Richard Carpenter taking the traditional Robin Hood myth, and adding unheard of mystical and Moorish and pagan and Arthurian elements to it, created a show that was the crystallization of myth. Add the perfect confluence of young, hungry actors , a brilliant creator/writer at the peak of his powers, groundbreaking directors and cinematographers, led by Director Ian Sharp, that were rewriting the way action could be filmed, and a score done by Pol Brennan and hot new touring bad Clanad, and you had a show that was as mythic and forged by destiny, as the fiction it chronicled.

 

  • Michael Praed
  • Ray Winstone,
  • Nickolas Grace
  • Judi Trott
  • Clive Mantle
  • Robert Addie
  • Phil Rose
  • Mark Ryan
  • Peter Llewellyn Williams

 

The above actors were the perfect cast (thanks to Beth and Esta Charkham) to give life to Richard Carpenter’s groundbreaking mythic and mystic version of Robin of the Hood.

The writing, married to the performances, is at once eloquent and elegant; and like all great myths it is endlessly quotable and memorable. In the 35 years since, what Richard Carpenter invented for his series, the mystical elements, the addition of a Moor to Robin’s Merry Men, making Marion a vital part of the story, has been stolen by other tv shows and films, but none to any great effect. Because those were part of Carpenter’s vision, and 35 years ago he, with the exact right people, and the exact alignment of stars… gave birth to that vision.

Will someday someone make a Robin Hood series or film as good? Well they haven’t yet, but the good news is ROBIN OF SHERWOOD is available on DVD/Bluray and Streaming for a new generation to discover, and long term fans… revisit.

The first two seasons (called Set 1) are essential television. The third season (Set 2) is fun, but is not essential.

Get your fix here:

http://amzn.to/2H8TSQI

http://amzn.to/2ElZrxo

 

If you would like to try before you buy, Season 1 is available right now via Amazon Prime. But the commentaries in the Bluray’s are a clinic on film-making and storytelling, and are a must listen. As well as the other features, and interviews with the cast, it is… in the age of streaming; a must own Blu-ray.

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Best & Favorite of 2017!!!

This is a bit belated but I think you will find a nice overview to 2017 and pointers to 2018 in the ramblings below.

Favorite movies seen in the Theater in 2017:

KONG:SKULL ISLAND

LOGAN

 

I only saw two movies in the theater in 2017, so looking to improve on that in 2018. Nothing in January had me jazzed to pay theater prices for, however I am looking forward to the following in 2018:

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EQUALIZER 2

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FAVORITE TV SHOWS IN 2017:

  • LEGION
  • TAKEN
  • POWER
  • AMERICAN NINJA
  • CHOPPED
  • AMERICAN PICKERS
  • LOVE IT OR LIST IT
  • LETHAL WEAPON
  • THE GRAND TOUR
  • GODLESS
  • RUNAWAYS

FAVORITE STREAMING TV CHANNEL IN 2017

The one two punch of AMAZON PRIME and HULU gets this award. NETFLIX that was riding high in 2016 with LUKE CAGE and other shows, had a disappointing 2017. With a non user friendly interface compared to Amazon Prime and a selection of shows and movies that weren’t as interesting or well curated as either HULU or AMAZON PRIME, I cancelled my membership at the end of 2017. The last straw being the overhyped and ultimately lackluster PUNISHER series, as well as news of the studios pulling their content from Netflix.

In 2018 the TV shows that I am or will be watching are:

CASTLE ROCK

GRAND TOUR

TAKEN (I think the new showrunner made a mistake getting rid of most of the cast from season 1, but hopefully he can course correct and fix it)

STRIKE BACK and ELEMENTARY return after long hiatuses

LONGMEYER went out with a bit of a whimper, so looking forward to YELLOWSTONE

JACK RYAN

LETHAL WEAPON

CHOPPED

IZOMBIE

BLACK LIGHTNING

AMERICANS

And lastly looking forward to Season 2 of what, without question, was the best, most inventive TV show of 2017, Noah Hawley’s LEGION.

And for those keeping score… LUKE CAGE tied with FARGO Season 2 (Also by Noah Hawley) were the best TV shows of 2015, and DAREDEVIL Season 1 was the best TV show of 2014.

 

BEST MUSIC OF 2017

I loved everything binaural in 2017, adding many great CDs to my collection. THE HEAVY and GREGORY PORTER remained in heavy rotation. Gregory Porter being my favorite live performance of 2017. And I added new interests RAG N BONE MAN, Andra day and Brian Ferneyhough. With Spotify to allow me to try before I buy, I’m looking forward in 2018 to discovering more great music, both old and new.

BEST READS OF 2017

I didn’t read as many novels, or listen to as many audio books in 2017 as I did in previous years, so I definitely hope to turn that around in 2018.

I did do substantially better with Art Books, Graphic Novels, Reference Books, and comics in 2017. Some of the standouts:

 

MATT BAKER THE ART OF GLAMOUR

CREEPING DEATH FROM NEPTUNE

THE WOLVERTON BIBLE

ARTIST EDITION BASIL WOLVERTON (This and the other two previous books having to do with Basil Wolverton, I went all in on him in 2017. Still absorbing these three books here in 2018)

JACKIE ORMES

THE SIGNATURE ART OF BRIANSTELFREEZE

SEX AND HORROR THE ART OF ALESSANDRO BIFFIGNANDI

In 2018 writers I intend to go all in on are Percival Everett, Victor Lavalle, Colin Whitehead and Walter Mosley, as well as revisiting work by Ligotti, Lebbon, Ellison, Stephen King, Clive Barker and Bennett.

 

In 2017 Marvel had a great POWER MAN AND IRON FIST series I was reading, the only thing I was buying monthly from Marvel Comics. And Marvel letting greed get in the way of common sense, killed a series everyone was loving, with a creative team everyone was loving, David Walker and Brian Stelfreeze, to instead both dilute audience attention and oversaturate the market with multiple books, almost all of which are ready to be canceled. So going into 2018, with Marvel sticking to their insane $3.99 price point per book, there are no titles I pick up from Marvel Comics.

 

In 2017 DEATHSTROKE by Christopher Priest was the only DC Comic I was getting on a monthly base. It’s arguably the one series that you can just pick up and enjoy without having to read any other title, or care about any other title. Priest has been able to just do… what he does best, create a fantastic read; month in and month out. So it is the only DC book I’m reading in 2018. However, greed rears its ugly heads and the idiots who get paid to make stupid decisions have decided to add DEATHSTROKE to their floundering team book… JLA,  basically gutting the standalone nature of the comic that allows Priest, to do his magic. Basically the same poor decision making that happened last year with POWER MAN AND IRON FIST.

 

I figure the conversation went like this… ‘man everyone is talking about this book, let’s put the characters in multiple other books, and then they will be talking about all those other books too.’ No, you EFFING morons! The reason people are enjoying POWER MAN AND INRON FIST or DEATHSTROKE is because it is well drawn and well written and not part of your insipid crossover infested universe. Your very attempts to duplicate that success, without understanding it, will kill the character in the new book, and kill interest in the character in the original book.

So yeah here’s hoping someone with brains over at DC, vetoes the horrible idea to put DEATHSTROKE in the JLA, because I’m not going to read the JLA, and you’re editorial interference will create a character that no longer works in his solo book. You have therefore killed the golden goose and have nothing to show for it.

 

The good news is when you get sick of the stupid decisions and overpriced ad laden product at DC and MARVEL, you have great content from other publishers to enjoy. Publishers that give you more for your money. Publishers such as IMAGE, AFTERSHOCK, DARK HORSE and many more.

As far as where to buy new comics from, a lot of people will steer you to DCBS. I personally in terms of pure customer service and ease or ordering prefer LONE STAR COMICS. You can order comics in advance from the at http://www.mycomicshop.com at a discount.

 

They are highly recommended, and I use them myself, and this is an unpaid recommendation. Tell them Heroic Times sent you.

 

And wrapping this up, favorite podcasts of 2017:

 

11OCLOCK COMICS

COMIC GEEK SPEAK

WTF with Marc Maron

BLACK TAPES

GEEK SYNDICATE

 

To name a few. Okay that is it for my 2017 Pop Culture overview. Thanks for bearing with it and if you enjoy, spread the word. Enjoy WEEK #6 of 2018!!!

 

 

 

 

 

YouTube vs Roku/Fire TV YouTube! CDs vs Records! And the de-evolution of America. Winner? MUSIC COMPANIES!

So i hate YouTube on the web.

I hate anything with an unmoderated comments section, that revels in talk show idiocy, or ‘attention through controversy’ or bad behavior.

But thankfully YouTube via streaming devices Roku or Amazon Fire TV, is actually devoid of those moronic comments and is more signal rather noise.

This week it has been brilliant helping me research and scratch my hifi/ audio need.

And by far, by far, the Youtube Channel I found the most useful of all, is the s)mply fantastic channel AUDIOHOLICS.

These guys can clearly call bs on the fuzzy thinking that makes up too much of hi-fi marketing and hype.

Such as the sillyness of various Youtube channels going on about the superiority of LPs over CD (I don’t care if you like LPs better, that is subjective. But LP/wax is an inferior medium, (I stress MEDIUM) that is not subjective, that is a fact.)

Talk about lossy system, LP is the original lossy system. It can’t handle the highs or the lows that CDs can, so has to be mastered in this very midrange sweet spot. Which is fine, in that midrange, if you’re good with that, and that sounds ‘warmer’ to you than a   CD, whatever. In the midrange if mastered right it can be perfectly fine. But one thing you lose in addition to those highs and those lows, that get clipped on wax, you lose the ability to reproduce the listening experience.

By that I mean, if you play a CD the first time, or the 500th time, and the hardware, the cd player, the speakers, amp, being the same; the quality of that recording will be the same as the first time you listened to it. That listening experience is reproducible.

Not so with wax/lps, like vhs tape or cassette tape, the LP playing experience is one of degradation. Everytime you play the medium, your start wearing it down minutely, and evertime you play it (though no one wants to think of it) it sounds worse than the previous time, because you are scraping into that signal, that medium.

I come from the analog generation, I played records, and vhs tapes, and cassettes until the quality noticeably started grinding down. And it didn’t then, and it doesn’t now, take too many plays, for that quality to start noticeably degrading.

So I have an experience with LPs and Cassettes, and in its time it was great, and it is still something to be said about large beautiful album covers and liner notes, the tactile process of it. But don’t confuse immediacy, with sound quality. And that immediacy doesn’t outweight the glaring flaws and problems with wax, in terms of sound quality, albums always getting futz on it,needles getting futz, the threat of warping, pops and cracles appearing out of nowhere.

We loved LPs because it was the best we had. But it was always a bit of a chore as anyone can tell you who grew up with them.

And I am not an LP hater. I think it has a place , and I still get the occassional LP, but generally these are recordings only available as LPs, or were mastered direct to wax.

The former being a lot of Quincy Jones stellar 60s and 70s avant garde film soundtracks such as the seminal IN COLD BLOOD. As far as the latter, I’m a purchaser and supporter of Jack White’s THIRD MAN RECORDS. This label goes to the stunning step of recording performances live and pressing directly to vinyl. You stilll lose some highs and lows when recording to wax, but in that midrange you get something very unique and original, you get a live concert experience unmoderated by overproducing.  That”s something very unique, and while I don’t see anything particularly superior in the sound, this at least has validity as something distinct from the CD. Unlike others taking tracks mastered for  a CDs range and just chopping off the highs and lows and slapping that on vinyl.

Vinyll can be great for these very unique niche projects. But as as additive to what should be a strong and healthy and forward looking digital market. To include CD and DVD and and SACD market.

It shouldn’t be this very cannibalizing either or scenario, in which music and choice….and the consumer… loses.

So when LD, CD, DVD came on the horizon it was then, and is now, a revolution, because suddenly you have something  you can buy that will rather than lasting 25 listens or views , if you are very careful and meticulous in keeping it cleaned and dust free,  before quality suffers, you have something that will keep its pristine quality, with just normal care for a minimum of 25 years. Not 25 listens like an LP… TWENTY FIVE YEARS! Minimum.

Now add greater dynamic range, larger capacity, and vastly increased lifespan and you have a medium,The CD/DVD, that by any definition is superior. And is by any measure the greatest boon to the video and audio consumer since the advent of recorded sound.

Now if a new generation gets sold on mp3 CDs and mp3 streaming and some badly mastered cds (and LPs can be equally badly mastered, any medium will have those who use it well and poorly. The difference being we have not yet exhausted the limits of how far we can take the CD and DVD and SACD. We are abandoning those formats before wecreach their limits. In favor of going backward to a medium, wax, whose limitations were always a source of frustration to audiophiles and engineers), and this young generation is bamboozled into writing off the most astounding and groundbreaking medium produced in the 20th century and goes backward to the flawed and not copyable ,and needing replaced often, analog medium, then who benefits?

I’ll tell you who… The RIAA and the music companies, who always viewed Digital with fear for the freedom it brought the consumer.

I tell you this new generation is giving away the baby with the bath water. Privacy, oh who needs that, put everything on facebook. Put surveillance systems in the guise of game consoles, and music players and smart devices in our homes.

Here’s the thing about smart devices and trusted computing, its about the companies being able to trust you, and not the other way around.

Conglomerates, are the ones benefiting from DVDs and CDs removed from the consumer and the return to records.This creates a model where the consumer owns music or video only on flawed, finite, non high-quality medium, and must go to the content provider for anything superior.

It is not only politically and morally and spiritually that America is devolving as a nation, but also in terms of technology.

 

My response… don’t let it.

Don’t buy the marketing and allow your rights to the future, be swept away by someone selling you the past. Continue to support full spectrum DVD, CD, and BluRay. And more than that let us continue to innovate, if people like the large LP format, lets give it to them, but in the superior medium.

I was a huge fan of Laser Disc, which works very much like a record, but using a superior medium, and a laser pickup instead of the horrible wax and needle medium.

Lets offer that as the 21st century version of records, to those who want Analog playback but with the benefits of digital transport/reproduction. That is a record I could get behind. 🙂

 

 

 

 

 

 

p.s. And avoid youtube morons attempting to review speakers and amps by just playing music (uh, moron, if I could hear the quality of your system just by listening on my system… they would call that magic. How do you not realize that?)

This is the lack of common sense mentality  that has idiots ditching CDs for flawed LPs, and spending thousands to try and make those LPs reach a dynmaic range, that is beyond them.

 

Okay here endeth my rant!

 

VOD Streaming Amazon Prime Movie Review – Larry Fessenden’s WENDIGO

 

Written, Directed and Edited by Larry Fessenden, WENDIGO (2001) is a very unusual movie, in that it feels very full of portent, out of control, and uneasy. Most of all uneasy. The title would have you gearing up for something else, but what you ultimately get is something thst is less and more, something subtle, yet forboding.

It will leave you, depending on the type of person you are when you come to it, both enthralled by the story, and leary of following the story to its conclusion.

Go into this 17 year old film ( hard to believe 2001 is almost 17 years ago)  knowing as little as possible, nothing beyond the title, don’t even watch the trailer, and it will reward you with a film that will linger, long after the credits roll.

A recommended film. Grade B+.

 

 

 

AMAZON PRIME vs NETFLIX! Fun MONSTER Movies on VOD this Weekend!

AMAZON PRIME vs NETFLIX! Fun MONSTER Movies on VOD this Weekend!

For this comparison I’ve left out vampire, zombie, werewolf and ghost/possession films, concentrating on the more niche sub-genre’s that make up horror movies.

AMAZON PRIME HAS:

    

 

NETFLIX HAS:

 

 

EASE OF SEARCHING: Amazon wins. You can type in a generic term and Amazon will search for it. Netflix’s app by default just searches by title

RATINGS: Netflix previously did helpful star ratings, but since has replaced it with utterly useless percentage rankings. Netflix desperately needs to go back to star ratings and IMDB scores on films. Amazon is the clear winner here, offering usually pretty spot on ratings to help you locate your next obscure or recent find.

TRAILERS: Netflix except in a few cases, with mostly their produced content, does not offer trailers. And the few they do offer take multiple clicks to locate and play. I love watching trailers, they can save you a lot of time by, along with the rating, quickly helping you determine if a movie (or show) is worth your time. Another HUGE fail for Netflix, and big win for Amazon Prime.

A ‘VIEWERS ALSO WATCHED’ OPTION – Again it helps emulate the video store dynamic, by putting on your radar options and selections you otherwise would not have thought of. I spend probably 4 times longer on the Amazon app, because it offers this rabbit hole feature. One selection, leading to another, leading to another.

Add all the above, to Amazon Prime’s massive back catalog which dwarfs Netflix’s options, and you have the fun video store experience improved on and ramped up by a factor of ten.  Amazon may be producing the superior new content, and branded shows, but as a central distributor of all things VOD, how it made its name initially, it Is falling way behind.

This week’s clear WINNER…. AMAZON.

 

 

 

Currently Watching : Richard Linklater’s BEFORE SUNRISE

‘The Answer must be in the attempt.’

I had no desire to see this film, but finally watched, it is quite a lovely film. Covering one day, one chance encounter between two people. There is something very relateable and universal about meeting someone in passing, and bridging that gap between is there or isn’t there something there.

It’s a wonderful film about those fleeting glances we have all had, followed and acted upon, and leading to something by chance begun. Here that unlikely and awkward and magical and inept circumstance of burgeoning love is told against the backdrop of one of the most beautiful of cities, Vienna, immortalized by Carol Reed’s and Orson Welles’ THIRD MAN.

It’s a wonderful way to pass an hour and a half. Watching a film about the moments that live… because of the attempt.

 

“I believe if there’s any kind of God it wouldn’t be in any of us, not you or me but just this little space in between. If there’s any kind of magic in this world it must be in the attempt of understanding someone, sharing something. I know, it’s almost impossible to succeed but who cares really? The answer must be in the attempt.” — Celine in BEFORE SUNRISE

 

Best TV shows by decade! 1950s to 2017!

Best TV shows by decade!

1950s
DRAGNET
GUNSMOKE
HONEYMOONERS
I LOVE LUCY
THE LONE RANGER
RAWHIDE
RIFLEMAN

1960s
MISSION IMPOSSIBLE

RIFLEMAN
STAR TREK
TWILIGHT ZONE
GUNSMOKE
HAVE GUN WILL TRAVEL
OUTER LIMITS
THE FUGITIVE (the template for decades of shows to follow, from THE HULK to WEREWOLF)
RIFLEMAN

1970S
SANFORD AND SON
GOOD TIMES
HAPPY DAYS
MASH
MISSION IMPOSSIBLE
MORK AND MINDY
UFO
SPACE 1999

 

1980s

THE COSBY SHOW
SPENSER FOR HIRE
HILL STREET BLUES
MIAMI VICE
QUANTUM LEAP
THREE’S COMPANY
STAR TREK NEXT GENERATION
WEREWOLF (Starred the great Chuck Connors, this short lived series was great!)
ROBIN OF SHERWOOD (Best interpretation of Robin Hood ever!)

 

1990s
ER
FAMILY MATTERS
FRESH PRINCE OF BEL-AIR
THE SIMPSONS
MARRIED WITH CHILDREN
MARTIN
SEINFELD
WINGS
STAR TREK DEEP SPACE NINE
BABYLON 5
X-FILES
HOMICIDE
NYPD BLUE
BUFFY

 

2000s

EVERYBODY LOVES RAYMOND
CURB YOUR ENTHUSIASM
SPOOKS
BREAKING BAD
HUSTLE
TOP GEAR
TORCHWOOD
DOCTOR WHO (The Dave Tennant Years)
THE WIRE
FIREFLY
THE VENTURE BROTHERS
JUSTICE LEAGUE

2010s (There was a while in the 2000s where after the writer’s strike everyone was signaling the death nell of scripted television, as channels ramped up their reality tv programming. Thankfully the 2010s sees scripted television not only alive and well, but thriving on an unprecedented level. The rise of streaming TV has created an unprecedented production of shows to fill the VOD demand. 

With Streaming platforms such as Netflix, Amazon, and Hulu becoming world class producers of content, the 2010s sees not only the quantity of Television options at the highest it has ever been in the history of the world (with exoosure to the best TV shows of other nations), but the quality of the programming exponentially better. 2010s is a golden age of TV.

 

 

 

HEMLOCK GROVE
BATES MOTEL
PENNY DREADFUL
ROME
SPARTACUS
BLACK MIRROR
AMERICAN HORROR STORY
HOUSE OF CARDS
DAREDEVIL
RIPPER STREET
LUKE CAGE
JESSICA JONES
SUPERNATURAL
GREEN ARROW
IZOMBIE
ELEMENTARY
THE FLASH
THE GOOD WIFE
LONGMEYER
WALLANDER
THE AMERICANS
LEGION
LUTHER
BADLANDS
ALPHAS
COSMOS
BEING HUMAN BBC 1ST 3 SEASONS ONLY
TEEN WOLF
BLACKLIST
STRANGER THINGS
TOPGEAR BBC ONLY
NARCOS
THE 100
MARCO POLO
GLITCH
SHERLOCK
RECTIFY
HAWAII FIVE-O
LEVERAGE
THE CLONE WARS
ZOO
HELL ON WHEELS
AGENTS OF SHIELD
ASCENSION
CRIMINAL MINDS
TRANSPORTER
BURN NOTICE
HATFIELDS & MCCOYS
BROADCHIRCH
HELIX
INSPECTOR POIROT
JACK TAYLOR
HINTERLAND
THE MAGICIANS
LIFE
YOUNG JUSTICE
DOLLHOUSE
BEING MARY JANE
PERSON OF INTEREST
FRONTIER
THE MESSENGERS
ALMIGHTY JOHNSONS
DARK MATTER
MARSEILLE
THE CLEVELAND SHOW
BOONDOCKS

TEENAGE MUTANT NINJA TURTLES -Nickelodeon