Currently Watching : Richard Linklater’s BEFORE SUNRISE

‘The Answer must be in the attempt.’

I had no desire to see this film, but finally watched, it is quite a lovely film. Covering one day, one chance encounter between two people. There is something very relateable and universal about meeting someone in passing, and bridging that gap between is there or isn’t there something there.

It’s a wonderful film about those fleeting glances we have all had, followed and acted upon, and leading to something by chance begun. Here that unlikely and awkward and magical and inept circumstance of burgeoning love is told against the backdrop of one of the most beautiful of cities, Vienna, immortalized by Carol Reed’s and Orson Welles’ THIRD MAN.

It’s a wonderful way to pass an hour and a half. Watching a film about the moments that live… because of the attempt.

 

“I believe if there’s any kind of God it wouldn’t be in any of us, not you or me but just this little space in between. If there’s any kind of magic in this world it must be in the attempt of understanding someone, sharing something. I know, it’s almost impossible to succeed but who cares really? The answer must be in the attempt.” — Celine in BEFORE SUNRISE

 

Best TV shows by decade! 1950s to 2017!

Best TV shows by decade!

1950s
DRAGNET
GUNSMOKE
HONEYMOONERS
I LOVE LUCY
THE LONE RANGER
RAWHIDE
RIFLEMAN

1960s
MISSION IMPOSSIBLE

RIFLEMAN
STAR TREK
TWILIGHT ZONE
GUNSMOKE
HAVE GUN WILL TRAVEL
OUTER LIMITS
THE FUGITIVE (the template for decades of shows to follow, from THE HULK to WEREWOLF)
RIFLEMAN

1970S
SANFORD AND SON
GOOD TIMES
HAPPY DAYS
MASH
MISSION IMPOSSIBLE
MORK AND MINDY
UFO
SPACE 1999

 

1980s

THE COSBY SHOW
SPENSER FOR HIRE
HILL STREET BLUES
MIAMI VICE
QUANTUM LEAP
THREE’S COMPANY
STAR TREK NEXT GENERATION
WEREWOLF (Starred the great Chuck Connors, this short lived series was great!)
ROBIN OF SHERWOOD (Best interpretation of Robin Hood ever!)

 

1990s
ER
FAMILY MATTERS
FRESH PRINCE OF BEL-AIR
THE SIMPSONS
MARRIED WITH CHILDREN
MARTIN
SEINFELD
WINGS
STAR TREK DEEP SPACE NINE
BABYLON 5
X-FILES
HOMICIDE
NYPD BLUE
BUFFY

 

2000s

EVERYBODY LOVES RAYMOND
CURB YOUR ENTHUSIASM
SPOOKS
BREAKING BAD
HUSTLE
TOP GEAR
TORCHWOOD
DOCTOR WHO (The Dave Tennant Years)
THE WIRE
FIREFLY
THE VENTURE BROTHERS
JUSTICE LEAGUE

2010s (There was a while in the 2000s where after the writer’s strike everyone was signaling the death nell of scripted television, as channels ramped up their reality tv programming. Thankfully the 2010s sees scripted television not only alive and well, but thriving on an unprecedented level. The rise of streaming TV has created an unprecedented production of shows to fill the VOD demand. 

With Streaming platforms such as Netflix, Amazon, and Hulu becoming world class producers of content, the 2010s sees not only the quantity of Television options at the highest it has ever been in the history of the world (with exoosure to the best TV shows of other nations), but the quality of the programming exponentially better. 2010s is a golden age of TV.

 

 

 

HEMLOCK GROVE
BATES MOTEL
PENNY DREADFUL
ROME
SPARTACUS
BLACK MIRROR
AMERICAN HORROR STORY
HOUSE OF CARDS
DAREDEVIL
RIPPER STREET
LUKE CAGE
JESSICA JONES
SUPERNATURAL
GREEN ARROW
IZOMBIE
ELEMENTARY
THE FLASH
THE GOOD WIFE
LONGMEYER
WALLANDER
THE AMERICANS
LEGION
LUTHER
BADLANDS
ALPHAS
COSMOS
BEING HUMAN BBC 1ST 3 SEASONS ONLY
TEEN WOLF
BLACKLIST
STRANGER THINGS
TOPGEAR BBC ONLY
NARCOS
THE 100
MARCO POLO
GLITCH
SHERLOCK
RECTIFY
HAWAII FIVE-O
LEVERAGE
THE CLONE WARS
ZOO
HELL ON WHEELS
AGENTS OF SHIELD
ASCENSION
CRIMINAL MINDS
TRANSPORTER
BURN NOTICE
HATFIELDS & MCCOYS
BROADCHIRCH
HELIX
INSPECTOR POIROT
JACK TAYLOR
HINTERLAND
THE MAGICIANS
LIFE
YOUNG JUSTICE
DOLLHOUSE
BEING MARY JANE
PERSON OF INTEREST
FRONTIER
THE MESSENGERS
ALMIGHTY JOHNSONS
DARK MATTER
MARSEILLE
THE CLEVELAND SHOW
BOONDOCKS

TEENAGE MUTANT NINJA TURTLES -Nickelodeon

Movie of the Day : THE HUNTED (2013) DVD Review!

https://images-na.ssl-images-amazon.com/images/M/MV5BODkwMDY1MzI4Ml5BMl5BanBnXkFtZTgwNjAyNDMzMDE@._V1_SY1000_CR0,0,675,1000_AL_.jpg

THE HUNTED(2013)There have been numerous movies with the title THE HUNTED, this one from 2013 is the best. 

I am QUITE impressed by this film. Star, writer, director and producer Josh Stewart crafts methodically and surprisingly, from earnest, everyday beginnings… moments of horror profound. Taking a primal sound meant to denote a response to horror, and making it in and of itself a vehicle of horror.

The editing (william yeh) and Sound Design (WALTER WERZOWA) in this film is brilliant, horror like comedy is timing, and this film is timed perfectly to… grip you, in moments not unlike, terror. The DVD featurette is a must watch when you finish the film, as is the fun director’s commentary. Go into the film, knowing as little as possible, and it will reward you.

An impressive debut film from Josh Stewart. Everyone wants to make a horror film but not everyone should or is capable of it. Stewart shows out the gate a deft hand and an assured eye, marrying perfectly the moments that seemed earnest and true, and the moments that chill. Looking forward to his follow-up films.

He joins a small but growing list of impressive filmmakers OF the disturbing to be on the lookout for.

JAMES WAN (INSIDIOUS, THE CONJURING)
LEIGH WHANNEL (INSIDIOUS 3) – A definite improvement over Insidious 2. Hair-raisingly talented.
DAVID F. SANDBERG (LIGHTS OUT)
NICHOLAS McCARTHY (PACT, AT THE DEVIL’S DOOR, HOLIDAYS)
DAVID ROBERT MITCHELL (IT FOLLOWS)
TI WEST (HOUSE OF THE DEVIL)
OREN PELI (PARANORMAL ACTIVITY FRANCHISE)
TOMAS ALFREDSON/MATT REEVES (LET THE RIGHT ONE IN/LET ME IN)
JAUME BALAGUERO (REC)
NEIL MARSHALL (THE DESCENT)
BONG JOON-HO (THE HOST)
JONATHAN GLAZER (UNDER THE SKIN)
GUILLERMO DEL TORO (PAN’S LABYRINTH)
(PONTYPOOL)
(THE WOMAN IN BLACK)
J.T. PETTY (THE BURROWERS)
PAVEL KHVALEEV (III, THE RANDOM, INVOLUTION)
BONE TOMAHAWK
SAUNA
CHRISTOPHE GANS (THE BROTHERHOOD OF THE WOLF, SILENT HILL)

A Fortress Features production.

 

Hunted [DVD] [2013] [Region 1] [US Import] [NTSC]

Netflix/Marvel Studios 2017 IRON FIST Episode #1 Review!






Iron Fist Movie Poster

The last of the long awaited DEFENDERS heroes, IRON FiST breaks on the Netflix shores this Weekend, and my opinion? Well After Loving the first season of DAREDEVIL with some minor hiccups in the later episodes, Really enjoying JESSICA JONES, being Lukewarm on the 2nd season of DAREDEVIL, and LOVING Hodari Coker’s LUKE CAGE: POWERMAN, I find the first episode of IRON FIST… underwhelming.

 

The trailers were the first hiccup as I found them tedious rather than exciting, and tedium is not what you expect from what should be a Martial Arts rich show. The action looked unimpressive, and the casting, especially of the protagonist gave me cause for concern. He looked unimpressive rather than what he should be… a living weapon.

But trailers can steer you wrong, and hoping to be proven wrong I watch the first episode of IRON FIST. What hits you is the opening sequence, one thing all the Marvel/Netflix collaborations have gotten right is an absolutely great opening/credit sequence. The IRON FIST opening sequence by comparison looks like an unfinished product, a bad joke. An unfocused concept that they simply ran out of time and ended up just throwing something together.

 

 

Getting beyond the disappointment of the Credit Sequence, I like the opening shot of the barefoot hero in New York, a shout out to the Master of Kung Fu Comic’s of the 70s.

 

Quirky but in reality do you know how impossibly disgusting it would be to walk around the streets of New York or any major city in your bare feet?! There are things I fear to step on, even with shoes on. But again it’s a harmless if ludicrous call back to the comics of yesteryear.

 

What immediately impresses me is how much better Finn Jones is as Danny Rand, than the trailers hinted at. He has a likable and commanding presence, that is at the heart of the character, and he is choreographed to move with an effortless balletic grace that speaks volumes of his character and journey.

 

Iron Fist Movie Poster

 

Indeed, Jones as Danny Rand is pretty much, contrary to my thoughts on the trailer, rather than being the weakest thing about the show, in this episode he is the strongest thing. He is very affable, which above all is the saving grace of his character, and in many ways distances him from the other more brooding members of the Defenders.

With the exception of Luke Cage, who beneath his bullet proof skin has, like Danny Rand, the heart of an optimist and a poet. Unlike the bone breaking Daredevil or the oft alcoholic and fatalist Jessica Jones, Power Man and Iron Fist don’t want to hurt their fellow man, they want to help them, make them better; Even, if possible, their villains. It’s why those two work so well as a duo in the comics. Particularly the wonderful David Walker and Sanford Green POWERMAN AND IRONFIST comics that started in 2016.

 

Finn Jones gets the character of Danny Rand, The Iron Fist. Underneath the affable nature of Jones portrayal, there is something you see in his first closeup (when he is trying to get in to be seen) a core of steel, something unyielding that completely sells him in a way the trailer did not.

So the Danny Rand portion of the first episode works well, it is a lot of setup, and I don’t mind setup, if it is done well, and written well, and brought across well, I thought the first two epiosdes of LUKE CAGE, which some considered talky, I felt were two of the finest written hours of television of 2016.

ASIDE ON  LUKE CAGE SERIES AND COLOR CODED TELEVISION

(I’m about to get deep into media bias, particularly as it relates to ethnicity, so feel free to skip the following aside, the ending of it is marked, and continue on with the Iron Fist review)

 

Coker’s LUKE CAGE said wonderful truths that you usually don’t get with ethnic characters, because mostly ethnic characters on television are nothing more than Black faces spouting and reaffirming White messages . Messages which whether BUFFY or SUPERGIRL Season 2 or DOCTOR WHO or NEXT GENERATION all tend to be some variation on the wish fulfillment of its writers or worse the unconscious coded messages that they unknowing have accepted as truths, namely White female initially falls for Ethnic Character than comes to her senses and dumps him for a White character.
If that plotline plays out in one show, that’s fine, that’s life, stuff happens. However, if that plot-line plays out in every single show where a white female is romantically tied to a man of color, then that is no longer sharp, inventive writing, or originality, it is programming, played over and over again until we stop seeing it, but keep believing it.
In Hodari Coker’s LUKE CAGE you got writing that was shorn of that very racist programming that makes up 90% of the shows we see on TV, and the output of even our best writers. By no measure do I think Joss Whedon is racist, however he reuses the above pattern of racial politics when it comes to the romantic lives of the men of color he scripts from FIREFLY to BUFFY to AGENTS OF SHIELD to AGENT CARTER. At some point any romantic light he casts the men of color he scripts, any momentum to a healthy heterosexual relationship, particularly with a female of another ethnicity has to be derailed. Their identification as a sexual alpha, derailed. Mac on AGENTS OF SHIELD becomes comedy relief, rather than what he should be on that show… the Mac.
And like I said you would be hard pressed to not see this very strange repetition of sexual marginalization and symbolic castration (fit to be comedy relief or the non-threatening buddy or father figure but not the romantic interest) occur over and over to men of color in just about every dramatic show you can name, particularly the action oriented ones. Whether BUFFY, AGENT CARTER, AGENTS OF SHIELD, NEXT GENERATION, ER, ROSEWOOD, SUPERGIRL, FIREFLY.  Such bias extends even to our news and ‘reality programming’, the fact that over 20 years later the media is still lynching OJ Simpson (A famous Black man accused of murdering a white woman) while in the intervening years there has been no shortage of murdered spouses. However this particular case accomplishes familiar goals of America, the tearing down of idols, the vilification of the other, and a platform to use an individual act, to try to send a message to a whole mass of people. It’s a lynching, writ large, 20th and 21st century style.
And by contrasts it has been envogue for the last 20 years to pair White Males successfully with women of color, pair being perhaps too equal a term, more like have the woman of color fling herself at the White Male, whether that’s FLASH, JAMES BOND, WALKING DEAD, TAKEN, EMERALD CITY, and again a couple of times it is just original storytelling, but for this pattern to be a constant over the last 20 years, then that is something else, that is programming.

 

So I’m always drawn to the shows that eschew these programming ploys, these repeated coded messages. So that is why I hold shows like LUKE CAGE in such high regard. A show where a man of color, a Black man, can be a hero and get the girl, full stop. It’s a rare concept in a mass media that is so racist it is not aware of how rare they have by design, made that concept.
Name me ten Dramatic shows (not comedies) on TV right now where a lead character of color, is in a successful healthy relationship with a female, particularly of another ethnic group. You’d be hard pressed to name 2. But you can name dozens upon dozens of shows that are cast and written the other way. Even though statistics tell us there are far more Black Male/White female relationships than White Male/Black Female relationships.
So why would the fiction of mass media be so contrary and completely out of sync with the realities of the populations watching those fictions? Because invariably the writers, who mostly are white males, propagate their limited definitions of diversity while also crafting their wish fulfillment, which usually breaks down to our White Hero is ‘so enlightened’ because he deigns to have a Black girlfriend, and the Black Girlfriend who has to throw herself at him.
Like I said, once or twice, it is original, however all the time, the same way, it is programming and it is insulting.

 

END OF ASIDE

Hodari Coker’s LUKE CAGE : POWER MAN brilliantly gave us something more than the programming we have been used to, showed us Netflix as a channel where more original and more truly DIVERSE stories could be told.

It left big foot prints for the next show, IRON FIST, to follow in.

And without expecting IRON FIST to be ground breaking, or anti- stereotype and ANTI programming, I did expect it to be good.

Unfortunately the first episode of IRON FIST suffers because its lack of action is not compensated for by rich and compelling characters, or evocative acting. Case in point… Ward and his father.

There is nothing more derailing to a narrative, than a weak antagonist, and unfortunately in Ward and his Father you have two very boring and uninteresting and cookie cutter antagonists. Ward came off as just a petulant child, a whiner, and whiners do not make for great TV.

The scene with Ward and his Dad discussing Danny Rand, rather than riveting is the definition of tedious. I had to look at the clock, to see how much time was left before I could watch something else.

That is never what you want to be doing when watching a show, looking at your clock.

So,  between the pacing issues, and the casting issues, and the uninteresting bad guys, I’m solidly unexcited to move on to the next episode. And that’s not an issue I have had with the previous shows.

I hope to work my way through the series and all the way to the end, and I hope I can report it gets great, but for the first episode all I can give it is a …

Grade: C-

 

Iron Fist Movie Poster

Roku Fire TV FREE VOD/STREAMING Channel of the Weekend : TUBI TV

TUBI TV is not a particularly easy to browse website, however their free streaming channel has one of the largest selections of movies outside of paid options such as Netflix and Amazon Prime, and even includes quite a few movies that are available on neither platform.

Here are some titles from TUBI TV that are available this weekend:

FINAL PRAYER- An okay found footage horror film. Third act goes off the rails a bit, but worth a look.

the-apartment-1960THE APARTMENT- One of my favorite Gene Wilder films, an endearing drama/romance starring two of the greats. Jack Lemmon has never been better and the late, great Shirley Maclaine has never been more radiant. A lovely movie. See it for free here then buy the blu-ray. This one deserves to be owned, complete with special features.

jack-lemmon-shirley-maclaine-the-apartment-1960

HENRY THE  V- Kenneth Branagh’s first film, and for my money still his best and most endearing. The quintessential adaption of this most rousing of Shakespeare’s plays.

greatexpectations46GREAT EXPECTATIONS- A 1947 David Lean masterpiece. Groundbreaking camera  work and lighting.

burrowersTHE BURROWERS – There are two great western-horror hybrids, BONE TOMOHAWK is one, and this is the other.

lifeforceLIFEFORCE- I remember seeing this movie as a kid, blew my mind back then. And as an adult there is much still to appreciate, especially a memorable gravity defying actress. 🙂 Well worth a look.

Haven’t seen the following but intrigued enough to give them a watch this weekend:

AFTER DUSK THEY CAME

HOWLING II

DARK CIRCLES

DAY OF THE TRIFFIDS

LAKE EERIE

BREATHING ROOM

HOWLING (2012)

ALL SOULS DAY

THE TERROR EXPERIMENT

THE BLACK WATERS OF ECHO’S POND

DARKROOM

THE PERFECT HOUSE

THE THIRST

Respond with your own TUBI TV favorites!

 

Music Video of the Day??? Yep. Roku Vimeo Streaming VOD Style!

While the heyday of the music video was arguably 30 years ago, people are still cranking them out.  And without further ado here is one that I stumbled across today that is awesomely fun.

You can use the link below. Or, the better way to watch… If you have a streaming system such as Roku or Amazon Fire TV and the free Vimeo channel you can watch this on your big screen right now.

Strongly Recommended!

 

https://i.vimeocdn.com/video/614284207.jpg?mw=300&mh=168

SHY LUV – SHOCK HORROR feat Jones on Vimeo

 

Black Butter Records

Directed by bif
Produced by Riff Raff and Mill+

 

Currently Watching : HORRORS OF THE BLACK MUSEUM

horrors-of-the-black-museum-movie-poster-1959-1020672568

Watching this classic 1959 chiller courtesy of VIEWSTER’s Roku Channel.

Considering the DVD of this is a pretty penny:

 

Horrors of the Black Museum

Catching it courtesy of VIEWSTER is this weekend’s recommended watch!

And wanted to thank the B-Movie Cast for putting it on my radar in this episode of theirs from a couple years ago.

http://bmoviecast.com/podcasts/bmc142-horrors-of-the-black-museum-1959-toll-free-number-888-350-2570/

Well worth a listen.