Youtube Channel Roundup : On Harlan Ellison, DC Comics, Brian Michael Bendis, and SLEEPYREADER666!

This blog post is on a recent video courtesy of SLEEPY READER, via his excellent Youtube Channel. Watched it courtesy of the Youtube Channel on my Roku streaming device

SLEEPY READER 666 Vlog #76 I like the fact that Sleepy reader covers diverse content, rather than just showing you the latest comics, or variants. I like that his stories are a little deeper than that and more informed.

In his most recent episode he discusses the late great Harlan Ellison, as well as Brian Michael Bendis, and kinda wags his finger at them for being too self aggrandizing. Based on a bad meeting he had with Harlan Ellison when he was 24.

And that got me thinking about the impressions we make of a person, the life long animus, or bad impression we somehow cement of a person, based on a cursory meeting in our youth. When you might have been catching your idol on a bad day.

Evidently seeing Ellison being bombastic and vocal, an impression of Ellison was created,  a definition of Ellison based on that one meeting, that some can carry through an entire life.

It is a common mistake that young people do (I have done it), imagining that one moment is the man. A lot of people go to conventions or meet their heroes, and because the hero doesn’t say what they wanted him to say, or respond how they expected him to respond that creator is suddenly for all time, and in all things, an asshole, or pompous, or whatever.

And most of the time it is that the person may have have a bad day, or a bad interaction, or a bad lunch, or a rude fan before you, or his mind is on a personal issue at home, so perhaps he doesn’t fully pay attention to the 200th person in the line, asking  him the same stupid question, or make the same inane joke as 50 people before.

Most of us barely are able to get along with the small circle of people who make up are 9 to 5. A celebrity mutiplies those interactions by the thousands arguably, and even if he is on most of that, 99% of that time, that leaves 1% he is not going to satisfy, or be at his best for.

I’m saying that basing your view of a person on one peripheral incident, that that person arguably has forgotten, five minutes after it happened, if he were to bump into you the day after he would likely not know know you from Adam, yet for you that incident of decades ago has become a defining , enlightening moment on that person’s personality for all time.

And all of us have done this at times. It is the reckoning of someone very young, and the mistake of someone very young. We who are older, who have been on both sides of that being disappointed, and disappointing a person, should hopefully grow to know better.

 

People have bad days. You call em on it, or you don’t. But either way you let it go, and you do not try and define a person you really do not know, based on just that one incident at a convention or party.

An idol doesn’t owe you the approval of his character, he produces work, an if the work speaks to you, he’s done his job. The judging of his soul or his character is not a part of that contract we develop with those who amaze up.

I’m one of those who grew up on the work of Asimov, Bradbury, Baldwin, and Harlan Ellison. Along with a good helping of Stan Lee, and Bill Cosby and Edgar Allen poe and Electric company.

What I gained from all those influences, those creators remain. I’m an immesurably richer person for the creativity of people I know only through their work for the most part.

And if later time finds them in places far from the heroic heights we met them on, it does not change the great things their work did for us, and many like us.

It’s the concept that is lost on a witch hunt America, that a man’s evil does not erase his good. No matter how our culture of championing falls, would like it to be so. 

I think sometimes, particularly in America, we raise people up, just to tear them down. That is arguably not the way, I’m not a bandwagon guy.   Judgement not by the consensus of the media or Social media, or one cursory interaction.

We all make up opinions on people, but perhaps those opinions should be as cognizant of our own… fallibility, as we can make it. And look at the supposed sins and failings of others, always in relation to our own sins and failings.

Something I absolutely do not think is currently happening in the media.

Was Harlan Ellison a prickly, abrasive, off-putting, and arguably contrary and combative person? As someone who has listened to just about all his recordings as well as read and listened to his writings… I believe Harlan Ellison would be the first one to say Yes!!!

He famously said, something to the effect ‘I’m a snake on a rock, don’t mes with me I’ll leave you alone. Mess with me i’ll bite you and hang on.’

That was Harlan Ellison. He suffered not fools. And he believed, he believed the wrong things should be railed against.

And that fire permeated his work, like the fire of invention. Harlan Elision changed the landscape of fiction, with an almost incendiary mirror to the fallacies of our age. His DANGEROUS VISIONS, written before I was born, and that I discovered as a teen, is (I think) for most who read it… the defining anthology of an age.

And in the decades since its publication that anthology and its sequel, continue to be the standard bearer by which all future anthologies are measured.

Harlan Ellison has been chastised for having been self aggrandizing, for his ‘look at me, aren’t I great’ attitude.

I, for one, think Harlan Ellison was a great writer. And his body of work will remain… great and essential, and oddly timeless.

He in many ways was some odd ying to Ray Bradbury’s yang, both of them being the voice for reason, in a world embroiled in madness. They both were masters of the cautionary tale, and their shadow looms large in the works of popular culture to this day. Like Poe they were the masters of the short story, and those short stories will only grow more beloved and adapted in the years to come.

Was Harlan Ellison self aggrandizing. It is the poor creator who isn’t , if he wants to sell his work.

Some creators are bad or uncomfortable with it, and hire others to do it for them. Some are great at it.

Harlan Ellison in addition to being a great writer, was arguably just as great a performer and showman. Like Jim Steranko he had the circus in his blood from a young age. Likely the way such men came up, kicking down doors is the reason the world knows their name today.

So to expect them to be something meek, because you are not comfortable with their breed of strong, is both inane and arrogant.

I love reading Ellison’s Books  for the very brashness of them. and their elegance, and the breath of his imagination, all  imposed by a hard early life, where dreams and the scraping, and shouting, and biting for them was all that made them real.

The very  ‘center of attention’ nature of Ellison, that so can put off others,  is the very thing that galvanizes me to him. And is one of the reasons listening to him perform his works makes them even richer.

He was a natural performer, and one of the best audio performers. Which is surprising giving his slightly nasally voice, but him performing was the audio equivalent of the energy Jack Kirby brought to his panel breaking drawings. It was raw energy and emotion and passion.

If you only know Harlan Ellison’s fiction from just reading, pick up the audio books.

He was one of the best audio actors of the 20th century, right up there with Orson Welles, Vincent Price, James Mason, Roddy McDowell, David Birney.

The thing about Ellison, he earned the right to be proud of his work. As did Bradbury, who had his own very good tv series. And there were plenty, and remain plenty to sing the praises of Ellison’s work. i own his 50th anniversary tome. An updated followup to it, containing the newsletter and other work he did prior to his passing, I definitely look forward to.

So to bring this back, if anyone does not like people who they feels push their importance’ that is their right.

But for every one who for whatever reason finds that behaviour bragging or pitiful, there are a lot that find it neither bragging or insincere, but simply informative, and the person’s personality.

And for me, Ellison, the personality I saw as a fan, was a great personality. And God knows we could use more of his take no bs personality  now, in a world of sheep meekly being bled to death by corporate gleed and malfeasance.

I’m sure he saw in this 21st century, everything he railed against in his fiction.

People also to do a sharp, awkward pivot off Harlan Ellison to accuse Brian Michael Brendis of disappointing publisher DC  Comics, because he misled them by , like Ellison, over-hyping himself.

That is to paraphrase some complaints I have heard. I like the work of Bendis, but he is no Harlan Ellison. The two do not fit in the same sentence. But you can get the gist of the thematic comparison Sleepy was making, by checking out his channel, and the video in question at the link below.

And to be clear, i like Sleepy Reader’s channel. I think it is very informative and you should subscribe. I have enjoyed just about all his shows and find him a highly intelligent, informed and informative person, providing a wealth of great information to this niche community of Comic Book fans on Youtube.

I take the time to write this post not to highlight how all of us in this talk show age, even the most intelligent of us, have started to internalize the sloppy thinking that has brought us to an America, that is regressing rather than progressing.

 

I am reminded of an Alan Moore line, that highlights the discrepancy between the truth of who we  were as angry young men, and who we hopefully grow into being.

As angry young men we have monologues rather than a conversation.  ‘Monologues  we have mistaken for the world’ to quote Alan Moore.

In closing HUGE FAN of Harlan Ellison here, as I mentioned, I hope they will releases a 70th anniversary anthology to follow up his 50th anniversary book.

 

For those reading this who want more from the late, great Harlan Ellison, as well as some of the other greats mentioned please use the following links:

https://amzn.to/2KNsJDA

Originally published in 1962 and updated in later decades with a new introduction, Ellison Wonderland shows a vibrant young writer with a wide-ranging imagination, ferocious creative energy, devastating wit, and an eye for the wonderful and terrifying and tragic. Among the gems are ”All the Sounds of Fear,” ”The Sky Is Burning,” ”The Very Last Day of a Good Woman,” and ”In Lonely Lands.” Though they stand tall on their own merits, they also point the way to the sublime stories that followed soon after and continue to come even now, more than fifty years later.

https://amzn.to/2MDGrLa

 

https://amzn.to/2MeAHv9

A Lit Fuse is an unguarded, uncensored, unquiet tour of the life of Harlan Ellison.

In late 2011 Harlan Ellison the multi-award-winning writer of speculative fiction and famously litigious personality did two uncharacteristic things. First, he asked biographer Nat Segaloff if he d be interested in writing his life story. Second, he gave Segaloff full control. The result is the long-anticipated A Lit Fuse: The Provocative Life of Harlan Ellison. The expansive biography, which is the first such project in which Ellison has permitted large portions of his varied works to appear, is published by NESFA Press.

Segaloff conducted exhaustive interviews with Ellison over the course of five years and also spoke with many of his friends and enemies in an effort to get inside the man and pin down the best-known Harlan stories. Their wide-ranging discussions cover his bullied boyhood, his storied marriages, his fabled lawsuits, and his compulsive writing process with more depth and detail than has ever before appeared in print. But it also delves deeply into the man s deeply held principles, his fears, and the demons that have driven him all of his 83 (so far) years. Friends, colleagues, and admirers such as Neil Gaiman, Patton Oswalt, Peter David, Robert Sawyer, Michael Scott, Edward Asner, Leonard Nimoy, Ed Bryant, Alan Brennert, Robert Silverberg, and many other notables add their voices.

Along the way the reader is treated to an analysis of the Connie Willis controversy, the infamous dead gopher story, allegedly pushing a fan down an elevator shaft, and the final word on The Last Dangerous Visions. What emerges is a rich portrait of a man who has spent his life doing battle with his times and himself, always challenging his readers to reach for a higher plane and goading himself to get them there. It s funny, wise, shocking, and well, it’s Harlan.

https://amzn.to/2Me0vY7

Rediscover the Early Ellison. This collection restores to print fifteen never-collected tales from the first dozen years of his career. Hard-hitting crime stories like “Thrill Kill,” “Girl at Gunpoint,” “Kill Joy,” “Knife/Death” and “Burn My Killers!” share the table of contents with stories of betrayal, including “Death Climb,” “Riff,” “Mac’s Girl,” and “The Honor in the Dying.” And, together for the first time, Ellison’s three detective stories featuring insurance investigator Jerry Killian. Toss in the solo outing of a diminutive private dick named Big John Novak (of whom Ellison expected to write much more, but never did) and a sexy Western called “Saddle Tramp” and you’ve got quite an assemblage of tales from the seamier side of life. All that, plus “The Final Movement,” a never-before-published story from the mid-1950s. Better than a poke in the eye with a white-hot bone of Amenhotep, I think you’ll agree.

 

https://amzn.to/2Oyn6vw

Harlan Ellison is probably best known as a script writer for sci-fi and fantasy movies and TV series such as the original Outer Limits, The Hunger, Logan’s Run, and Babylon Five. But his range is much broader than that, encompassing stories, novels, essays, reviews, reminiscences, plays, even fake autobiographies. Essential Ellison includes contains 74 unabridged works, including such classics as “A Boy and His Dog,” “Xenogenesis,” and “Mefisto in Onyx.” Includes black-and-white photos.

https://amzn.to/2KQ2Z9I

 

 

Best to any one reading this!

 

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Favorite Directorial Debuts of the 21st Century!

I recently did a post highlighting some of the best directorial debuts of the last century. A lot of classic greats such as Orson Welles  CITIZEN KANE, Branagh’s HENRY V, Ossie Davis’ COTTON COMES TO HARLEM (which for the time when it was made, 1970, was really revolutionary as far as staging chase scenes. It’s often over looked in great car chase films, however it is one of the first and best. And the movie as a whole is disarming, tinges of heart felt humor in it, but also a surprising bit of wrath, brutality and action).

This time around I wanted to cover some of the best directorial debuts of the still relatively new 21st century.

In our fragmented increasingly monotheistic film landscape, the importance of film that comes outside of the ever repressive Disney structure has never been more important (shame on you Disney for firing James Gunn. And shame on you Twitter for not deleting ten year old quotes when asked, and instead holding on to quotes and allowing them to be militarized and sold to neo-conservative/neo-nazi hatchet men with a desire to use social media, the stupidity of the masses, and the immorality and venality of corporations,  to destroy any and all opposition to their madness.)

So until Disney is broken up by Anti-Trust laws like it needs to be, we need alternatives to standard mass media. We need streaming and VOD, and that’s where the interesting films and filmmaker get a chance to have a life, and earn an income. We need a new generation of great and gusty filmmakers, and I am happy to say they are out there.

So without further ado, here are the best Feature film directorial debut of the 21st century:

Serenity

Serenity (2005)

15 | 119 min | Action, Adventure, Sci-Fi Director: Joss Whedon

Following (1998)

15 | 69 min | Crime, Mystery, Thriller Director: Christopher Nolan

Intruders PosterINTRUDERS (2015) –

Director:

Adam Schindler

 

The Evil Within PosterTHE EVIL WITHIN (2017) – It is NIGHTMARE ON ELM STREET but instead of a slasher film, is a perverted episode of TWILIGHT ZONE. A little known movie but worth seeking out.  Like most of these films it can be seen if you are an Amazon Prime member.

Director:

Andrew Getty

The Monster Project (2017)

THE MONSTER PROJECT (2017)

Director:

Victor Mathieu

last_will_and_testament_of_rosalind_leigh_xlg
THE LAST WILL AND TESTAMENT OF ROSALIND LEIGH (2012)

Director:

Rodrigo Gudiño  – To date the only feature film by Rodrigo Gudino, I love this film. However, It is one of the few director’s commentary I do not like, as his take on the movie runs contrary to the wonderfully unique atmosphere the film creates, and really talks you out of liking the movie, and his interpretation takes the magic, and wonderful horrific atmosphere. So a rare case of watch the movie, but avoid the special features and commentary. And I typically LOVE Commentaries.

Most Beautiful Island (2017)MOST BEAUTIFUL ISLAND-  Wow. I didn’t know at all where this movie was going. And that is how I suggest you go into it. Do not watch trailers or read anything else beyond this on it. I will say the opening pre-credit sequence…very masterfully done. Robert Bresson is arguably one of the greatest directors ever, and he mastered what is considered the empty frame, or the pregnant frame.  He created the camera opening on a vacant scene, and building expectation as you waited for that space to be filled. The opening of this movie has some of that Bressonian genius. But pushes it somewhere odd, depending who you are, and what you bring to the film, that opening scene may highlight how almost on an instinctual level their is a vouyeristic and somewhat predatory nature to how we look at people in groups, and what people we focus on. It is hard to explain, but you will arguably feel it in the motion and lack of motion of the camera in that opening sequence. And ends just as brilliantly and conflictedly.  A great film by star and first time director Ana Asensio.

JOHN WICK

A GIRL WALKS HOME ALONE AT NIGHT

CAPTAIN AMERICA WINTER SOLDIER

THE WITCH
SOUTHBOUND
STOMPING GROUND
CRAWL OR DIE
DEVOURED
CALL ME KING
A MESSAGE FROM THE KING
ABSENTIA
THE HOUSE OF THE DEVIL
LET THE RIGHT ONE IN
EUROPA REPORT
FRANKENSTEIN’S ARMY
AT THE DEVIL’S DOOR
THE TALL MAN
BONE TOMAHAWK
PONTY POOL
UNDER THE SKIN
THE ARROYO
BOY WONDER
Honorable mentions: IT FOLLOWS unfortunately is the 2nd film of its Director, or it would be at the top of this list. I consider it (along with A GIRL WALKS HOME ALONE AT NIGHT) one of the greatest Horror films made since Carpenter’s 1980s output.

7 Reasons AMAZON PRIME Streaming is better than Netflix STREAMING!

  1. LARGER SELECTION OF FILMS, ESPECIALLY GENRE AND CLASSIC FILMS – Netflix has a rather paltry selection of films compared to Amazon. In addition Netflix is almost completely lacking in older films in any numbers. Want to see the best in Spaghetti Westerns, or Italian Giallos or Polischei films or Paul Naschy films or Shaw Brothers Hong Kong Films or Black New Wave Films or Bigfoot Films? You wont find that on Netflix, you have to go to Amazon for such a curated selection of films/options.

  2. BETTER SELECTION OF FILMS – This goes hand in hand with point 1. In addition to having a much larger selection, they have a better selection of films.

  3. AVAILABILITY OF RATINGS FOR ALL MOVIES AND TV SHOWS – I find Amazon’s ratings on their films not only spot on, but a great way to help me find a film I might otherwise not have tried or discovered.

  4. SUPER USEFUL ‘CUSTOMERS ALSO WATCHED’ FEATURE – This feature goes along with the ratings to help me find films I otherwise would not have discovered.

  5. EASY AVAILABILITY OF TRAILERS FOR MOST MOVIES, OLD AND NEW – Trailers for all movies, old and new, is a must, and is yet another reason Amazon is far more enjoyable to browse than Netflix.

  6. BETTER SELECTION OF SHORT FILMS

  7. MORE BANG FOR YOUR BUCK, IN ADDITION TO STREAMING YOU GET ALL THE OTHER BENEFITS OF AMAZON , INCLUDING DISCOUNTED PRICING AND FREE SHIPPING.

For all these reasons I have un-subscribed to Netflix, and am happily subscribed to Amazon and Hulu.

One caveat, I think I’ll subscribe to Netflix for one month just to see the 2nd season of LUKE CAGE. The first season was along with DAREDEVIL season 1 the best of the Netflix shows. And was easily the best written and most groundbreaking of the shows.

Those conversations, that the closed-minded called slow or unnecessary, were the very heart of the show, this understanding of a Harlem renaissance not yet deferred, and were conversations that I’ve heard and had. So to see a show embrace an other than anglo-saxon or yuppie story-telling perspective, to have stories that actually have some resonance and familiarity to a broader ethnic perspective, made LUKE CAGE 1 up there with LEGION season 1 and FARGO season 2 as truly innovative television.

Those of you who didn’t get Luke Cage, I would suggest watch season 1 again, it is one of the few shows that gets stronger, when re-watched. When watched for what it is, rather than what we assumed it would be.

Here is hoping SEASON 2 of LUKE CAGE lives up to season 1.

Best things on streaming HULU this month : Donald Glover’s ATLANTA leads the pack

It took me a while to get aboard the ATLANTA hype train, but catching the whole 1st season of the series courtesy of HULU, it lives up to the hype,

The multi-talanted Donald Glover crafting an ethnic focused drama, with echoes of Twin Peaks (the first interesting season, not the 2nd horrendously boring 2nd season of twin Peaks) mixed with a wonderful filmic vibe of WHAT’S HAPPENING meets HAPPY DAYS meets MENANCE TO SOCIETY.

I binged the entire ten episode 1st season, and look forward to season 2 breaking on HULU or Blu-ray/DVD.

Extra Large Movie Poster Image for Atlanta (#9 of 9)

Other recommends or items of interest this week from the VOD/Streaming service are:

GAME SHOWS or LIFESTYLE PROGRAMMING (I’m not a fan of the term Reality TV)

  • CHOPPED
  • BEAT BOBBY FLAY
  • IRON CHEF
  • HOUSE HUNTERS
  • COUNTING CARS
  • FORGED IN FIRE
  • AMERICAN NINJA WARRIOR

Forged in Fire (2015)

DRAMA SHOWS

  • THE HANDMAIDS TALE
  • LETHAL WEAPON
  • TAKEN
  • THE CROSSING
  • FARGO -Just SEASON 2, Season 1 is okay, Season 3 is pretty unwatchable, Season 2 is great.
  • POWER
  • STAN AGAINST EVIL – Horror/Comedy/Drama…. it is great’
  • THE ORVILLE
  • THE STRAIN
  • SPOOKS
  • THE MUSKETEERS- These two BBC shows, SPOOKS and THE MUSKETEERS are two of my favorite shows of all time. I’m buying the BLU-RAY of both against the day they get pulled from streaming. Or one of the actors in the future gets villified and they call for all the shows to be burned/removed. That’s right mofos I still have all my ISPY, FAT ALBERT and COSBY shows. As well as the Grammy winning albums. So sit on it and spin. 🙂 (I really don’t know what that means. 🙂 ) And if you don’t know what I’m referring to, go check out my earlier post.

Taken Movie Poster

CARTOONS

  • TEENAGE MUTANT NINJA TURTLES

 

CLASSIC SHOWS

  • THE BIG VALLEY
  • THE SAINT
  • THE ROCKFORD FILES

Lee Majors, Barbara Stanwyck, Linda Evans, Peter Breck, and Richard Long in The Big Valley (1965)

MOVIES

  • AMERICAN GANSTER
  • ROCKY V – A lot of people hate on this fifth entry in the series starring real life Boxer Tommy Morrison (who gives a really good performance), but I love this movie, and its generational overtones. It is a nice, at the time, capper to the series. Rating the movies I would have to go the first two ROCKY films, CREED, than my next favorite one by far, is this film. ROCKY V. ‘I didn’t hear no bell, Tommy. I didn’t hear no bell.’  I Love this movie.
  • AWAKEN THE SHADOWMAN
  • RYDE
  • STARSHIP TROOPERS: TRAITORS OF MARS
  • COLOSSAL
  • 78/52:HITCHCOCK ‘S SHOWER SCENE
  • THE HANGMAN

American Gangster Movie Poster

Still waiting on Season 2 of LEGION and RUNAWAYS to drop on HULU.

That’s it for this installment.  Come  back for more, or feel free to suggest a VOD channel you want me to do an installement on. Till then be well, be kind, and don’t let big media decide your Gods or your Demons.

VOD/STREAMING Winner or Loser : DELIRIUM (2018) courtesy Amazon Prime

 

 

DELIRIUM (2018) -Contrary to the blurb on the poster this is not ‘One Hell of a Wild Ride’. It is actually more of a waste of time.. DELIRIUM Is a film so weighted down with its own mediocrity and annoying paper thin characters,  that it is not worth spending more than 15 minutes of your time on. That is more than enough time to determine if this film is worth continuing with. It is not.

However part of that 15 minutes is given over to the credit sequence, which is everything the film is not, innovative, interesting, compelling, concise. In scant minutes the credit sequence does not only a thankless job well, but tells a complete story. Watch and enjoy the credit sequence and burn the film.

This film with the exeception of the credit sequence is most definitely a loser. I looked for the company behind the credits, but unfortunately that info is nowhere to be found.

GRADE : FAIL the film, pass the credits!

CONAN THE BARBARIAN (1982) -Revisited and Amazon Prime CONAN series in the works?

 

Mongol General: Hao! Dai ye! We won again! This is good, but what is best in life?

Mongol: The open steppe, fleet horse, falcons at your wrist, and the wind in your hair.

Mongol General: Wrong! Conan! What is best in life?

Conan: To crush your enemies. See them driven before you. And to hear the lamentations of their women.

Mongol General: That is good! That is good.

—Conan The Barbarian

36 Years later, and the best version of Robert E Howard’s pulp adventure series set at the beginning of the Hyborian age of man, the best live action version of his CONAN, is John Milius’ absolutely thrillingly written CONAN THE BARBARIAN (1982).

Conan the Barbarian Movie Poster

 

Starring the great James Earl Jones, and just dripping with great lines, the movie holds up. And no one who has seen it, can leave it without the lines of a plain, unapologetic, patriarchal time, following you, like war drums in your heart.  Man, Millius got what was best in Howard’s Conan, dialing down the ‘of its time’ weaknesses of Howard’s stories, and instead dialing up the strengths to 11.

Seeing the movie as a boy, it was a boy’s adventure writ large, like STAR WARS or INDIANA JONES or SUPERMAN. And John Millius’ CONAN THE BARBARIAN were the lines and the myth, that many boys grew to manhood on.

The only weakness of the first film is its titular star, Arnold Schwarzenegger. Schwarzenegger at the time, coming off devastating bodybuilding wins, was while physically the absolutely right person, did not have the acting chops. I mean he pulls it off for the most part, but some scenes cause you to wince, even as a kid, However with an actor with more gravitas, the movie could be a solid recommend, rather than  a qualified one.

I think you could take this same Movie, with the brilliant John Millius script, shoot it almost line for line, and shot for shot, and add a protagonist with more acting skill, and have a great movie.

The 2011 Momoa movie unfortunately, while it got a dynamic actor, surrounded him with a sub par script and story, and had nothing iconic or memorable to it, ala Millius’ CONAN THE BARBARIAN.

And the less said about the CONAN  THE DESTROYER the better.

However there is talk of an Amazon Streaming TV series of Conan to be put together by Colony co-creator Ryan Condal, Thrones director Miguel Sapochnik and The Handmaid’s Tale executive producer Warren Littlefield.

But until that sees the light of day, I would say revisit Millius; CONAN THE BARBARIAN, and enjoy what is best in life.

Thulsa Doom: I wish to speak to you now. Where is the Eye of the Serpent? Rexor says that you gave to a girl, probably for a mere night’s pleasure, hmm? What a loss. People have no grasp of what they do. You broke into my house, stole my property, murdered my servants, and my PETS! And that is what grieves me the most! You killed my snake. Thorgrim is beside himself with grief! He raised that snake from the time it was born.

Conan: You killed my mother! You killed my father, you killed my people! You took my father’s sword… ah –

[Rexor twists his arm]

Thulsa Doom: Ah. It must have been when I was younger. There was a time, boy, when I searched for steel, when steel meant more to me than gold or jewels.

Conan: The riddle… of steel.

Thulsa Doom: Yes! You know what it is, don’t you boy? Shall I tell you? It’s the least I can do. Steel isn’t strong, boy, flesh is stronger! Look around you. There, on the rocks; a beautiful girl. Come to me, my child…

[coaxes the girl to jump to her death]

Thulsa Doom: That is strength, boy! That is power! What is steel compared to the hand that wields it? Look at the strength in your body, the desire in your heart, I gave you this! Such a waste. Contemplate this on the tree of woe. Crucify him!

—James Earl Jones having six years earlier defined one of the great cinematic villains of all time in Darth Vader, does so here in front of the camera, with his brilliant performance of Thulsa Doom. Like all great villains, there is something alluring, and of the misplaced hero, in the best of villians. Something almost correct, something of the man they were, or could have been, that resonates in who they are. Something in their fervor and their madness, that seems at times… almost sane.

 Not currently available (free) on streaming, this is the reason to always have your Blu-Ray Player and Blu-ray copy of great movies like this! Get your copy at the link below! 🙂

https://amzn.to/2r4R28h

 

Conan the Barbarian [Blu-ray]

Today’s best and worst Comic Book related Youtube Channels

First Point, Youtube via your laptop or computer I find annoying and not worth your time.

Youtube via Roku, on my big screen TV, and absent all stupid comments I find incredibly useful and watchable.

Here without further ado, my additional points, Youtube Winners and  Losers for First Quarter 2018.

BEST

I like buying artbooks, and graphic novels, and collected editions, so I find some of these channels very helpful in helping me decide if  an item is worth buying. Especially when you are dealing with something like artist editions that can run hundreds of dollars.

So here are channels that helped me make great purchase decisions.

GABE INFINITY WATCH

GEM MINT COLLECTIBLES

NEAR MINT CONDITION

WALT’S COMIC BOOK CHANNEL

EARL GREY

OMNIBROS  LIVE

GORE VIDAL

WALLACE RYAN

 

WORST

Anyone who uses acronym’s such as SJW in their headlines, or as a snarky insult (I’m looking at DIVERSITY & COMICS channel, which is not about Diversity and is not about comics, but is about click baiting and laziness) is generally not a channel you should support or be subscribed to. The thing with acronyms is you end up blindly lumping things together that have nothing to do with each other. And instead of dealing with a specific argument, you tend to become the very caricature you are arguing against. You become as misinformed, in your ‘lumping together and your stigmatizing’ as those you accuse of lumping together and stigmatizing others.

Here’s the thing, we are all of us (if not idiots) more than the party line.

Let me say that again, we are all of us more than the party line.

Whatever party you choose to support this day or that. We are conservative when it comes to some things, liberal when it comes to some things. And biased when it comes to some things.

Take me.

I’m not a fan of witch-hunts. Whether that is the Salem Witch trials, or the McCarthy Witch Trials. Or today’s sexual harassment witch trials. I believe no one should lose their job or be punished, based on unproven allegations. I believe people are innocent till proven guilty in a COURT OF LAW. That goes for Cosby, or Weinstein, or Lauer, or Singer or Spacey, or Gibson, or as it affects comics, Berganza.

I do not like mobs. And I do not like Mob mentalities, and I do not like knee jerk responses, and I do not like talk show mentalities, and most of all I don’t like people tried on twitter and Youtube, and based on the accusations of the unproven, the opinions of the uninvolved, and the fear, and in some cases the vendettas of the powerful, people before trial… are tried and punished.

I do not like it.

Not when it comes to movies, or sports, or newscasters, or the medium of comic-books.

I do not know Editor Berganza from a hole in the wall. He could well be guilty. My problem he was fired on allegations rather than proof. As were all those I’ve mentioned. Accolades and awards and honors they have earned, stripped from them at the merest whiff of scandal. So until proven guilty, a man is innocent, and should be treated as such. I don’t like that comic book artist Adrian Syaf was fired for placing the numbers ‘212’ and the number ‘5:51’ in the background of drawings. Artists sneaking easter eggs into the background of drawings is not new for comics or any other medium. And how that is any different from Christians putting bible verses in the background of their scenes. Long story short, it isn’t. That’s what an editor is for to catch that stuff, and if you don’t you don’t. Based on the agregiousness of it, you take  the appropriate action. Which usually involves a good talking to, not ruining someone’s career.

So I do not like witch hunts..

Whether led by a republican, a lesbian, a trans-gender person, a bigot, I do not like witch-hunts. You have a case, prove it in a court of law, not by gathering lynch mobs.

And this overreacting is on both sides of the fence, and the quickness to throw broad dismissive labels, obscures the fact of what you are fighting against, and what you are fighting for.

That is the folly of labels, it makes people side with fools, and fools lead good men to horrible acts.

Labels and acronyms are always shorthand for the lazy, who can’t be bothered to know what or who they are really arguing against or about. If you are using the acronym SJW you might as well carve a swastika in your forehead because that’s the level you are arguing on.

We are all of us gradations of right, and gradations of wrong, and we are all gradations of irrational.

Being aware of those places where the unfair and the fair fight for possession of our soul, being aware of our culpability in any argument, makes us less likely to glibly go along with the mob, or those who would throw the first and last stone.

Being unaware that anyone who uses the term SJW or dem or repub, is in and of himself, guilty of being the exact same thing they would denigrate; makes you ignorant.

But that is fine, we are all ignorant of something.

Staying ignorant however, makes you stupid or evil.

And that is not fine.

You have to know in any argument, you may not be on the side of the right. And you must learn to accept no truth you went to bed with, as the truth you’ll wake up with. Only through constant questioning of yourself, and the things you love and the things you hate, and the things you believe, can you grow and stay on the right side of those things.

And just as surely… assuming you are always right, especially your side or group or acronym is always right, is the surest way to go marching down the road to hell.

Deep waters for Youtube and comics, huh?

Here is the thing, it doesn’t matter over what we conflict, How seemingly trivial or important.  it matters that we always know, the conflict is with ourselves first. And reason and right is not a given, it must be continually retried within ourselves.

I generally do not gravitate to comics that have trans-gendered or homosexual people in it. That has nothing to do with either of those groups, and everything to do with me. I would like to think it is less about homophobia and more my aversion and dislike of talk shows and reality shows and Lifetime movies, and not wanting that in my comic. Though definitely homophobia plays a part. But mostly its an aversion to those topics heavy handedly crowbarred into what should be a a superhero/action genre. That was my problem with Supergirl Season 2. And why I stopped watching it. It was the gay subplot, handled incredibly annoyingly.

Now contrast that to JH Williams III’s BATWOMAN which was a brilliant superhero book, that just so happened to have a Lesbian character. Or Priest’s DEATHSTROKE with its bisexual character, and these things aren’t written in 20 point type, it’s just another brilliantly layered part, or a brilliant superhero story.

But most people aren’t as talented as a Priest or Williams, so when my comic reads more like a mission statement it is time for me to find a different comicbook.

And it is specifically a superhero/comic related bias, I have an archaic definition of what Superhero and other comics are and should be, an idea that works for me. An idea of what entertains me in comics,  So I understand this bias in me, and I buy the comics that appeal.  However I’m not going to have a problem with their being homosexual or trans-gendered comics or creators, that do want to focus on the lifetime channel or talk show extremes. If there is an audience for those stories great. I won’t be reading them, but neither am I going to have a fit because these stories or creators or characters exist. And that is because I ‘m good with the world being what it is, and me being what I am, and I am aware what part of the failing is me rather than the world.

There is a lot of talk on youtube about social justice warriors, mostly by white men (mostly but not exclusively, there are also enough Black and Brown and Red and Yellow idiots to go around), who see comics by creators not like them, and filled with new characters not like them, and they are not comfortable with that.

That  is not a problem. Like I said, I also feel that discomfort for things outside my comfort zone.

But here is the difference, they feel threatened by these things out of their comfort zone, and attack. Rather than allow people to ‘do them’ (as the kids would say), and simply choose to not patronize the books and creators they don’t like, and just buy and read and enjoy the things they do, instead they want to attack, and force the industry to only reflect them and exclude the other.

That is a problem.

It is a problem of ignorance, and it is a problem of fear, and it is a problem of not knowing yourself, that the world is wide and wonderful, and we don’t have to agree to like the same books or like the same creators.

But we do have to agree to, not stop others from liking what they like.

We do have to agree, to fight with ourselves before we fight others, because most of the time when we lose control, and take up arms against others, it is because we haven’t solved something with ourselves.

So that was an incredibly long aside to get you to my list of Youtubers who are doing a disservice to our hobby, by waging war with others, because they can’t just  embrace this idea… that ‘you do you’.  :).

 

Case in point…

cAPN C-SUMTHING (not worth remembering the dudes correct channel, or name) – emphasizes one of my pet peeves, people who think having an opinion is enough. When it comes to sharing and broadcasting it to a larger audience, it is not enough to have an opinion. It needs to be an informed. You are sitting in a movie theater, and because you are warm you start screaming fire, and spreading an opinion, that with two seconds to inform that opinion… you may have realized you still have your jacket on, or the person a row in-front of you is smoking; so the theater is not actually on fire. So your initial knee-jerk animal brain opinion may have been ‘fire’, but shouting out that uninformed opinion, in the theater to a crowd, would create panic and possible injuries; whereas a moment to look around and inform that opinion, makes all the difference.

An informed opinion is worth sharing, an uninformed opinion is not. This Capn C-something perfectly illustrates the type of knee-jerk reactionary that is the bane of the Internet and the world.

First he has the money to buy a 100+ dollar Artist Edition, the time and resources to want to do a video on it and share his opinion on it, however he doesn’t even know what it is. When the description of the artist Edition is on every blurb about it, as well as on the back and inside cover You don’t even know what you are buying, and you are trying to do a review on it. Strike one.

Next he’s one of these reactionaries who uses acronyms and labels coined seemingly just to be denigrative. Social Justice Warrior, and then he is too lazy, to use the whole word. The kind who resorts to shorthand like SJW and Dems, the sign of someone who can’t be bothered to research the bandwagon he is jumping on, or the things he supports or objects to in any great depth. Strike two.

Third he sees a post by Christopher Priest, lamenting his pigeonholing by DC Comics as a Black Writer,and Priest stating that a good writer can write characters outside his ethnicity and gender, and that the publishers should not be lead by the ‘twitterverse’ the vocal minority who comments on titles they have not read and subjects they are not informed on. Capn Crumudgeon responds to this by saying ‘this Priest guy gets it’ while showing his ignorance by not knowing the writer currently works for DC and is one of their most acclaimed writers, and that Capn Cummudgeon by definition is the vocal minority Priest is calling out. Priest is not railing against diversity, he’s railing against editorial mandates decided by people who can not be bother to be informed on the positions they take.

Strike 3, you are out. What really lit me up about this, is a lazy acronym user like this guy, has more subscribers than actually informative people like some of the users listed above. It’s like people subscribing to JERRY SPRINGER instead of COSMOS. People stumble across his channel, probably like I did  (i did not subscribe  to him) because of his numerous Artist Edition reviews, and then he uses that as a platform for this half baked uninformed drivel, posing as a stance or world view. It reminds me of the brain damaged circus that passed for the last presidential debates. Something that debases viewer and viewed. If you are subscribed to this guy, unsubscribe. There are better places to get your book reviews from. And I list a bunch of them above. :).

 

And to not end on a down note here are more people/channels you should be watching and even subscribing to:

 

JARED OSBORN- He offers weekly pull list comic book hauls, and the occasional collected edition

POPE CEREBUS THE FIRST-

THE DARK NATE

IDWPublishing

24FRAMES

CURTISCAMRON

DRACIR’S COMICS AND THINGS

SOLID4STBEND

BRANDON 191

LUTHER MANNING

MARCUS LIM

JACKKIRBYBRONZE

So any of the above are better than those who embrace attacking the difference of others, rather than simply trying to better understand… the difference of themselves.   CAP’N and DIVERSITY (in name only), Youtube channels, come to mind, but any channel using acronyms such as SJW to cloak their ignorance and fear, you should strongly consider unsubscribing from.

Don’t support the uninformed who want to spend their time screaming fire, in a theater where there is no fire. Instead support the above channels that are trying to help people just find the seats, that are a good fit for them.

Here endeth the lesson.