EL MINISTERIO DEL TIEMPO Netflix Streaming VOD Marathon

 

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EL MINISTERIO DEL TIEMPO Marathon

I’m currently watching the 2nd season of EL MINISTERIO DEL TIEMPO, courtesy of Netflix, and it just gets better with each episode.

Despite the fact that, like most time shows, the logic does not hold up. The rules of what they change, or do not change, does not really stand up from episode to episode, or minute to minute. It can be dissatisfying, if you ponder the holes in the show too closely.

But if you gloss over the issues with the central conceit of the show, the chracters themselves, and the overarching storyline, is entertaining and addictive, and the perfect thing to marathon on a lazy Sunday!

Streaming VOD Movies, TV shows and Youtube Videos of Week 2 of 2020! SHUDDER Edition!

 

 

 

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These 4 films, which I have watched since starting my SHUDDER subscription (something like $2.49 for the month, for the next 3 months) are all FANTASTIC, films, in very different ways. But all of them have soared to the top of my MUST BUY List!

MANDY I raved about in a previous post is just a brilliant primary color tinged nightmare of a dream quest/revenge story committed to film.

THE HEAD HUNTER, is a claustrophobic, incredibly tense, incredibly rousing,  actioner/creature feature mash-up.

THE WAX MASK is one of the most sumptuously filmed and strangest Italian Giallo’s, being both a period piece and a Hammer studios homage, a stunning directorial debut.

And then we come to Lucio Fulci’s CITY OF THE LIVING DEAD. I am not a champion of the nonsensical, gore filled films that most remember Fulci for, like THE BEYOND and THE HOUSE BY THE CEMETERY and this one, CITY OF THE LIVING DEAD. I think all of these are the films he made when the audiences  neglected his true masterpieces, to some extent when he stopped caring about making great films, and just decided to pander to the lowest common denominator horror crowds. When Fulci cared, he was one of the most imaginative, talented and stylish filmmakers of his time. He made some of the best Giallos, some of the best westerns, one of the best Hitchcock homages, and one that was his stab at a serious film/period piece. It was that film’s failure that soured him on film and audiences, and made him a gun for hire, and by reports misanthropic to his cast, his crew and the audience, and a churner out of his gore films. That said while I do see these films as Fulci no longer being that filmmaker whose westerns would inspire John Woo’s Blood Ballets and dove motif, despite these films being set-pieces of gore… loosely supported by a story, they are despite all that… still very, very compelling and entertaining. He builds moments of tension and dread and horror, as well as a good smattering of WTF!. Just the audacity of these films, particularly CITY OF THE LIVING DEAD, is impressive. So while not a champion of this film like I am of his earlier films, even lesser Fulci… is jaw dropping. This movie has story structure issues, it doesn’t hold together as a cogent film, it is haphazard and at times silly, but all that aside it is always visually arresting and cinematically audacious. And once seen, you want to own the BluRay to see the making of features and here the interviews and commentary because you definitely want to know what the cast thought of him, after making them do some of the things he had them do in this film.

I’ll be doing an upcoming piece on Fulci, but I guess it says everything about Fulci, is that even what I consider his ‘slapped together/whatever’ film phase, consists of many films, such as CITY OF THE LIVING DEAD, that are must watch films. Even his films of derision, are dripping with imaginative talent.

 

Streaming VOD Movie of the 2nd Week of 2020 : MANDY Shudder Amazon Prime

 

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MANDY (2018)– Finally catching this 2018 released film courtesy of SHUDDER. And I have to say… stunning. A lurid and at times lucid nightmarish primary color tinged, cosmic fueled descent into the Maelstrom; a revenge flick that goes to damnation and beyond. Panos Cosmatos has created a singular vision of the places that wait beyond our reason, places horrid , and awe-inspiring, and unrelenting. And all we must offer up… is everything.

A stunning film by Cosmatos, fueled by a great score by (I have just found out) the late and uber talented Johann Johannsson (composer of one of the best scores of recent memory, SICARIO… he will be missed), and powered by transformative performances by all; but particularly by Nicholas Cage, who takes us into the maelstrom with him, into hearts of darkness.

Nicolas Cage has really been taking some rough roles, brutal roles recently. That will take much out of any actor, and he does it again here, but going further than anyone should have to, into places dark and demanding. And it is so great to see the legendary Bill Duke in a film, he just raises the bar of everything he is in, and does so here. Panos Cosmatos (the son of George Cosmatos who directed one of my favorite films, TOMBSTONE, also an iconic film, with revenge, pushing the wrong man too far, at its core conceit)  with only his second film, the first the equally magical realism imbued BEYOND THE BLACK RAINBOW, has cemented himself for me, as a director to seek out, and to purchase his films when available.

And Kudos to producers Elijah Wood and Daniel Noah for helping champion these criminally underused (and in one case, seemingly blacklisted) visionaries, and working with them to get their films out to a wider audience again. MANDY is very much a gift, from a filmmaker who we have not heard from since 2010. Also very much looking forward to their collaboration with Richard Stanley.

Final thoughts on MANDY… Hypnotic and an experience, that is… compellingly watchable and re-watchable. It is a rabbit hole, and will suck you in. Highly recommended!

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When you have viewed it courtesy of streaming, ‘tried before you buy’ so to speak, and are as impressed as I am, then I suggest buying on Bluray. However I would hold out until they release a steel-book or digi-book with special features to include commentary. The Bluray on the market now lacks any commentary or really notable special features, which I think is a big misstep, to release a bare-bones disc. These days I do not buy a disc, unless it is loaded with special feature to include a commentary track.

In the age of streaming you really need to step up your game with the special features to make the Bluray worth it. Here’s hoping a full fledged disk will be released soon, this film deserves it.

 

2019 Year in Review : Favorite TV Shows

2019 Year in review : Favorite TV Shows

I tried quite a few shows in 2019 UMBRELLA ACADEMY, LUCIFER, GOOD OMENS, THE WITCHER, BLACK MIRROR, GAME OF THRONES but my favorite TV shows, BY FAR, were the following:

 

THE TERROR 1st Season – One of the most grueling and terrifying and brilliant things I saw on TV in 2019

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BODYGUARD 1st and only season- One of the best action/spy shows I’ve seen since SPOOKS and the first season of JACK RYAN.

THE GRAND TOUR – One of the worst mistakes TOP GEAR made was pissing these guys off and forcing them out. TOP GEAR has become an un-watched joke, and THE GRAND TOUR … simply fun and brilliant.

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HAUNTING OF HILL HOUSE Season 1- After THE TERROR, the 2nd most terrifying tv show I saw in 2019. And that one episode with the reveal of the hanging lady, is just horrible to think about. The more you think about that episode the more effed up it becomes, and the more you feel for that character. A brilliantly written show.

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LUKE CAGE Season 2- Speaking of a brilliantly written show, LUKE CAGE season 2 when you get past some cringe worthy scenes in the early episode ( I do not want to see Shades and Black Mariah kissing on each other, the less of that the better) but when you get past that bit of self indulgence, it really takes off and has a story that is more complex than people hitting each other. Which kinda is why I lost interest in the other Marvel/Netflix shows. It is the small moments where this series sings, like the scene of Cage and Rand just talking as they overlook Central Park. That is one of my favorite scenes, and not a punch in it, just people talking. And the Antagonists were so rich, no clear good, or clear evil, but people in varying degrees of pain. Add to that just the best ending/cliffhanger of any of the Marvel/Netflix shows. Really hope this comes to Bluray soon.

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MANDALORIAN Season 1 – Baby Yoda Rules! And the show is great, a nice back to basics western in space.

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THE BOYS Season 1 – Jaw Dropping, and one of the best examples of the adaptation being superior to the source material. Not a fan of THE BOYS comic, loved this show,

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THE EXPANSE (Seasons 1-3) – I’ve praised this show often. It is the best scifi show currently being aired.

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PENNYWORTH – Only saw 3 episodes, that was all that was available for free, but what a 3 episodes. Phenomenal and fun and gripping.

 

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WATCHMEN – Only saw the first episode, but what an episode. Had my doubts about this show, the first episode made me a believer.

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With an honorable mention to BABYLON 5 as a show I revisited in 2019. Currently on season 4. Holds up as one of the best shows of all time. Straczynski creating the first novel for TV.

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Must watch Streaming VOD film of the first week of 2020 – THE DAY OF THE TRIFFIDS

Must watch Streaming VOD film of the first week of 2020!!

 

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DAY OF THE TRIFFIDSI have often seen this movie come up when looking for something to watch, but have always avoided this film. A film about killer plants, and the ludicrousness of the poster just not really piquing my attention. However, I finally decide to watch it here in 2020, nearly 60 years removed from when it was first released on theaters, and I have to say… allowing for the limitations of the time, regarding effects… it is  surprisingly gripping.

You very much see in it the template for current movies and tv shows, such as BIRDBOX, A QUIET PLACE, etc. Infact the very opening of THE WALKING DEAD and 28 DAYS LATER is borrowed or a homage, to DAY OF THE TRIFFIDS scene of waking up in a vacated and devastated hospital. It is a surprisingly mature take on the end of the world, though it itself being influenced by HG Wells (father of literary Scifi and Cosmic Horror, I add the literary, because you can make a case for there being an oral concept of scifi and cosmic horror going back to the origins of man) game changing WAR OF THE WORLDS. The denouement of DAY OF THE TRIFFIDS owing obviously to WAR OF THE WORLDS, that aside DAY OF THE TRIFFIDS is a very compelling film of the early 1960s.

Grade: B.

View it courtesy of Amazon Prime.

And then if moved to, get the DVD/Bluray here.

 

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STAR WARS : THE RISE OF SKYWALKER – The Final Word Review :)!

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STAR WARS: THE RISE OF SKYWALKER – TO Set the stage for my thoughts on the rise of skywalker, to help you decide if my review is informative, it is helpful to know what informs my viewing experience.

I go into a film having avoided reviews, or special features, or tirades, or predictions, or pontifications or guesses on what it should be. Beyond the first teaser trailer, for a movie I know I am going to see, I avoid all subsequent trailers, there is no need for them, I know I am going to see the movie.

So I go into a film, as much as humanly possible, there to see the film the filmmaker decides to make, and not hoping to see the idea of a film I have made up in my head.

So off the bat, I liked THE RISE OF SKYWALER. My barometer always being at the end of the film… am I glad I saw this film in the theater? Answer? Yes.

And this is coming from someone who saw the film at a Cinebistro, with spacious selected/premium seating, and meals brought to you. For the two of us it came to about a $140 for movie, meals and drink, and tip. Now obviously for a cheapskate like me who prefers $4 matinees, this is not something I am going to indulge in more than 2 or 3 times a year, and only for special movies. At the end of the day, I liked the film and am glad I saw it in the theater, however I did not love the film.

I think a lot of times when people rail against a film, or say they dislike or hate a film ( not a word I would use for a film, hate is a word best left toward things that have raped and pillaged real things in a real world. First worlders using the word hate, for as innocuous a thing as film, have lived a very small life. Applying words out of proportion to the impetus); a lot of times what they are really saying is, that the film is not the film they were expecting, or hoped for, or wanted.

Whether a politician, or a group, or a show, or a book, or a movement, a lot of times, when we choose to dislike a thing it is  less about that thing being good or bad, than it is about that thing not being a reflection of our prejudices. Not wearing our colors, or speaking with our voice, or laughing to our jokes, or sharing our choices.

A lot of it is about something not meeting our expectations.

And in our current always on, and everything preanalyzied, and pontificated on, and second guessed and armchair quarterbacked before it ever comes out, we build up expectations, that fly in the face of actally enjoying the movie.

A lot of times enjoying the movie is about leaving what you want the film to be at the door, and going in just letting the filmmaker tell his story. Allowing them to not be a mindreader and a puppet, and do more than simply regurgitate the fanfiction in your head.

A lot of people confuse nostalgia with quality. “Oh comics today aren’t as good as they were when I was a kid, and movies, and books, and, food, and candy and cartoons”….and as someone who is older than most of you reading this, and have a fond feeling for a lot of things we have deified, the truth is that nostalgia, while comforting to look back on, the past is not necessarily better. I’ll go further, it is not usually better.

The present and the future builds on the past. The 6 minute mile gives way to the 5 minute mile gives way to the 4 minute mile.

We move, in all things, toward a more perfect union. Not all things surely, but as a median, the quality of things have improved in the hundred years from 1920 to 2020.

And in my lifetime, while I love the comic books of Stan and Jack, and Neal Adams and Denny ONeil and Keith Giffen and David Kraft, and some of those books remain masterpieces, as a whole we produce more great books in a month than they cranked out in a year. And yes, our share of bad, but I would argue the general level of craft, of art and storytelling and production is as a whole superior now to then.

And the same goes for film. Nostalgia is fine when we understand it for a feeling and not a formula or a fact, when we understand it is something that is not a barometer of quality, or a map to follow, or to necessarily always steer into.

RISE OF SKYWALKER almost from the first frame is a film that steers into nostalgia and sentiment, and those can be powerful and effective parts of a story when used sparingly, when earned. Here the early parts of the film, feel very… contrived. The humor, and the banter, and the reveal of the big bad, all feels…by the numbers,  and … yes contrived, rather than the natural outgrowth of the story.

You never get a 2nd chance to make a first impression, and RISE OF SKYWALKER starts off with a lot of telling, rather than showing. There is a lot of ‘we are going here because of this’, and ‘must do this because of that’. And while that is part of many films, it felt very obvious and clunky here, it felt like the one thing it should never feel like… it felt like exposition.

Star Wars: The Rise of Skywalker theatrical poster upper portion with Rey, Kylo Ren, and others

I like JJ Abrams as a filmmaker. I loved his first STAR TREK, and while a huge fan of his 2nd STAR TREK film, concede that it was marred by his need to wink and steer into nostalgia, at expense of the story he is telling. Here in RISE OF SKYWALKER It feels like he is at times making fan fiction, playing to nostalgia, rather than actually having his own story to tell.

Rian Johnson’s THE LAST JEDI was met, I think, by a small but vocal group who wanted the film to be only nostalgia, and only their expectations, and only well trod ground, and Rian Johnson told a story that moved the needle, and was about change, and about the end of old things. I wholeheartedly think it is a masterpiece, that will stand the test of time. And people forget in all the social media bs, all the tornado in a teapot, that THE LAST JEDI was a box office success.

But we have become a very reactionary society, where the faceless mob, the agenda driven mob, and arguably the talentless mob, wants to be the tail that wags the dog.

RISE OF SKYWALKER to me, feels like JJ Abram to some extent capitulating and trying to appease the nostalgia crowd, as well as his own nostalgia tropes. I was and am a huge fan of the late Carrie Fisher, and that he wanted to honor her with this film, understandable. However for me, again it felt a lot of the scenes shoehorned in, at the expense of a more compelling story-line. To some extent, again to me, THE LAST JEDI used both those characters more compellingly than how they were used here.

RISE at times, besides feeling very long, feels like a list being checked off. I am not qualified and virtually no one reviewing this… is qualified to call this a bad film, any more than anyone is qualified to call any of the recent batch of STAR WARS films bad films.These are master filmmakers, all of them, and most of the people weighing in with opinions have not made a single film. It’s like someone who is not a painter, saying this painting is bad or this painting is good. You can say that a thing works for you, or does not work for you, but barometers about the quality of a product, from someone outside the industy, ill-informed at best.

So full disclosure, I like all the STAR WARS films, with the exception of the prequels. And even those I do not call bad, they just were not for me. Not everything is geared for everyone. For the intended audience of kids, those rightly may be their favorite films.

As someone who does not see the world with rose-colored glasses, or confuse nostalgia with quality, or have an agenda of hate to defend, I can say that the new films  I have enjoyed for the most part more than the original trilogy. With the exception of EMPIRE STRIKES BACK, which is arguably right up there with THE LAST JEDI as my favorite STAR WARS films.

If you take Nostalgia away from the first STAR WARS film, and compare it warts and all to any of the recent films, the recent films are stronger. They are better shot, better paced, more exciting. And that goes for RISE OF SKYWALKER , which is my least enjoyed of the new films.

 

That said, while the story JJ Abrams ended up telling I found less compelling than the less formulaic story that Rian Johnson was embarking on, there were some things I greatly liked about  RISE OF SKYWALKER. I thought the visuals were stunning. Not as Elegiac and beautiful as THE LAST JEDI, but very close.The battles were stupendous, I liked some of the sentiment, and in moments… it wowed.

So ultimately it was not the movie I would have liked to see, but for what it was, there is a lot of good here, and misgivings about the story-line aside, I overall enjoyed watching it.

Grade: B-.

Youtube Video of the Day? PORCH PIRATE vs GLITTER BOMB TRAP 2.0

 

Likely we have all had to deal with mail and packages going missing, at least once. It is one of the reasons that years ago, I opted to purchase a PO Box. Though the main reason I did so, was due to misdelivered mail by the postal carrier. But a PO Box solved the issue of not receiving my mail, as well as the issue of packages being left unattended.

That aside, I completely sympathize with anyone who still has packages coming to their home, and have to deal with sticky fingered neighbors or passer-bys.

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By accident I stumbled across the above Youtube video. It is diabolical, and also genius. We can all agree it is humorous, and theft is wrong.

However, I am wary of this escalation in pranks into almost vigilantism territory. Because now you are meeting the crime of theft, with the crime of potentially assault (spraying a person? what if someone’s kid is there when they open the package? And they get so surprised and fall down an injure themselves).

So suddenly your  ‘prank’ has unintended and potentially criminal collateral damage. Added to the fact of illegal wire tap, recording someone without their permission, defamation (what if some of the people who are in the room had no part in, and know nothing about the pilfering of the package). Likely anyone skeezy enough to take a package that doesn’t belong to them, is skeezy enough to trick someone else into opening it up for them.

So pranks are all well and good, but when it starts to be punitive, and the opportunity for unintended collateral damage is high, booby-trapped boxes, suddenly seem a lot less funny. All it takes is one of these reveals to go tragically wrong, and suddenly, you the prankster, are the one looking at jail time.

Real talk, if you are that outraged about stolen packages, get a PO Box. It is cheaper and safer than playing vigilante prankster.

 

My 2 cents. Till next installment…. be well.