Kudos to CEREAL AT MIDNIGHT for some excellent content on his blog and Youtube videos. His Youtube video on COLLECTING MEDIA IN A DIGITAL WORLD…. absolutely essential viewing.
If you are not donating to the EFF, are not a card carrying member, and you consider some of the violations of personal liberties as well as continued inability of companies to safe guard our data, a concern at the least, and more accurately an outrage… EFF is the one fighting for your freedoms. And the one that needs your support.
Read up on FCC’s historic capitulation to big business (again… similar to when they just GAVE huge swaths of the public airwaves over to the private sector) as they now give unfettered manipulation powers to already grossly entrenched and competition squashing monopolistic entities (your ISPs).
And find out why the fight is not over and what you can do to help.
So i hate YouTube on the web.
I hate anything with an unmoderated comments section, that revels in talk show idiocy, or ‘attention through controversy’ or bad behavior.
But thankfully YouTube via streaming devices Roku or Amazon Fire TV, is actually devoid of those moronic comments and is more signal rather noise.
This week it has been brilliant helping me research and scratch my hifi/ audio need.
And by far, by far, the Youtube Channel I found the most useful of all, is the s)mply fantastic channel AUDIOHOLICS.
These guys can clearly call bs on the fuzzy thinking that makes up too much of hi-fi marketing and hype.
Such as the sillyness of various Youtube channels going on about the superiority of LPs over CD (I don’t care if you like LPs better, that is subjective. But LP/wax is an inferior medium, (I stress MEDIUM) that is not subjective, that is a fact.)
Talk about lossy system, LP is the original lossy system. It can’t handle the highs or the lows that CDs can, so has to be mastered in this very midrange sweet spot. Which is fine, in that midrange, if you’re good with that, and that sounds ‘warmer’ to you than a CD, whatever. In the midrange if mastered right it can be perfectly fine. But one thing you lose in addition to those highs and those lows, that get clipped on wax, you lose the ability to reproduce the listening experience.
By that I mean, if you play a CD the first time, or the 500th time, and the hardware, the cd player, the speakers, amp, being the same; the quality of that recording will be the same as the first time you listened to it. That listening experience is reproducible.
Not so with wax/lps, like vhs tape or cassette tape, the LP playing experience is one of degradation. Everytime you play the medium, your start wearing it down minutely, and evertime you play it (though no one wants to think of it) it sounds worse than the previous time, because you are scraping into that signal, that medium.
I come from the analog generation, I played records, and vhs tapes, and cassettes until the quality noticeably started grinding down. And it didn’t then, and it doesn’t now, take too many plays, for that quality to start noticeably degrading.
So I have an experience with LPs and Cassettes, and in its time it was great, and it is still something to be said about large beautiful album covers and liner notes, the tactile process of it. But don’t confuse immediacy, with sound quality. And that immediacy doesn’t outweight the glaring flaws and problems with wax, in terms of sound quality, albums always getting futz on it,needles getting futz, the threat of warping, pops and cracles appearing out of nowhere.
We loved LPs because it was the best we had. But it was always a bit of a chore as anyone can tell you who grew up with them.
And I am not an LP hater. I think it has a place , and I still get the occassional LP, but generally these are recordings only available as LPs, or were mastered direct to wax.
The former being a lot of Quincy Jones stellar 60s and 70s avant garde film soundtracks such as the seminal IN COLD BLOOD. As far as the latter, I’m a purchaser and supporter of Jack White’s THIRD MAN RECORDS. This label goes to the stunning step of recording performances live and pressing directly to vinyl. You stilll lose some highs and lows when recording to wax, but in that midrange you get something very unique and original, you get a live concert experience unmoderated by overproducing. That”s something very unique, and while I don’t see anything particularly superior in the sound, this at least has validity as something distinct from the CD. Unlike others taking tracks mastered for a CDs range and just chopping off the highs and lows and slapping that on vinyl.
Vinyll can be great for these very unique niche projects. But as as additive to what should be a strong and healthy and forward looking digital market. To include CD and DVD and and SACD market.
It shouldn’t be this very cannibalizing either or scenario, in which music and choice….and the consumer… loses.
So when LD, CD, DVD came on the horizon it was then, and is now, a revolution, because suddenly you have something you can buy that will rather than lasting 25 listens or views , if you are very careful and meticulous in keeping it cleaned and dust free, before quality suffers, you have something that will keep its pristine quality, with just normal care for a minimum of 25 years. Not 25 listens like an LP… TWENTY FIVE YEARS! Minimum.
Now add greater dynamic range, larger capacity, and vastly increased lifespan and you have a medium,The CD/DVD, that by any definition is superior. And is by any measure the greatest boon to the video and audio consumer since the advent of recorded sound.
Now if a new generation gets sold on mp3 CDs and mp3 streaming and some badly mastered cds (and LPs can be equally badly mastered, any medium will have those who use it well and poorly. The difference being we have not yet exhausted the limits of how far we can take the CD and DVD and SACD. We are abandoning those formats before wecreach their limits. In favor of going backward to a medium, wax, whose limitations were always a source of frustration to audiophiles and engineers), and this young generation is bamboozled into writing off the most astounding and groundbreaking medium produced in the 20th century and goes backward to the flawed and not copyable ,and needing replaced often, analog medium, then who benefits?
I’ll tell you who… The RIAA and the music companies, who always viewed Digital with fear for the freedom it brought the consumer.
I tell you this new generation is giving away the baby with the bath water. Privacy, oh who needs that, put everything on facebook. Put surveillance systems in the guise of game consoles, and music players and smart devices in our homes.
Here’s the thing about smart devices and trusted computing, its about the companies being able to trust you, and not the other way around.
Conglomerates, are the ones benefiting from DVDs and CDs removed from the consumer and the return to records.This creates a model where the consumer owns music or video only on flawed, finite, non high-quality medium, and must go to the content provider for anything superior.
It is not only politically and morally and spiritually that America is devolving as a nation, but also in terms of technology.
My response… don’t let it.
Don’t buy the marketing and allow your rights to the future, be swept away by someone selling you the past. Continue to support full spectrum DVD, CD, and BluRay. And more than that let us continue to innovate, if people like the large LP format, lets give it to them, but in the superior medium.
I was a huge fan of Laser Disc, which works very much like a record, but using a superior medium, and a laser pickup instead of the horrible wax and needle medium.
Lets offer that as the 21st century version of records, to those who want Analog playback but with the benefits of digital transport/reproduction. That is a record I could get behind. 🙂
p.s. And avoid youtube morons attempting to review speakers and amps by just playing music (uh, moron, if I could hear the quality of your system just by listening on my system… they would call that magic. How do you not realize that?)
This is the lack of common sense mentality that has idiots ditching CDs for flawed LPs, and spending thousands to try and make those LPs reach a dynmaic range, that is beyond them.
Okay here endeth my rant!
This is a really odd post, it starts as a nice, fluffy love letter to an album I’m completely loving, and at the end goes completely off the rails and becomes a tirade.
I would say, read the warm, fluffy part, and leave the tirade alone. Especially if you know nothing about the Nate Parker controversy, or better yet care nothing for it.
I’ll give you ample warning when to stop reading.
Not sure where it came from, but it came.
My ire, and disgust with the media.
But it came.
And I thought it was honest, not necessarily right, but it was honest and deserved its say. So I left it.
You have been warned.
I can’t wait to see the movie when it breaks on wide release. It sounds completely on my page. However I haven’t seen the movie so the jury’s out, but I have listened to the soundtrack, and… I LOVE IT!!!!
To listen to this one album was reason enough to sign up for Spotify.
And speaking of Spotify, how did I get involved with it?
Well I’m not at all a social media type. But I like things that enrich us and after a month of using Spotify I have to say… I’m feeling enriched.
This is going to sound hyperbolic. And maybe it is. I’m too close, I can’t say. I can only say I’m listening to THE BIRTH OF A NATION as I write this and I’m feeling… thankful.
I think as we get older, and side-tracked by adult concerns, one thing that falls by the wayside, is our time to enjoy and follow and discover music. And I think that moving away from that discovery of new sounds, new voices, new visions, new wonders to buoy our souls, is when we begin to die,
I know, extreme.
But bear with me.
What if the world began with a song, and will end with one.
What if all we are is notes, in some unfathomable composition.
That would mean that what we feed on more than food is music. And it would mean what we starve for lack of, more than food, is music.
The lack of it, the relinquishing of it, perhaps just a little death.
A little death we let wedge its tip into our hearts.
“When they say make America great again, they mean make us all slaves again.”— WAR Nas
“No matter if you’re red, white, black, if you want freedom, then we’re all like Nat!”— WAR Nas
Oh and if you have a problem with Nate Parker, and are part of this new spate of using the media to lynch Black Men before trial, be it Bill Cosby or Nate Parker, or really going back 20 years to OJ Simpson, eff you and the horse you rode in on.
“Oh, but they are guilty, they did this, they did that.”
Then let a court prove it. Not the news, not talk shows, not soap boxes.
I don’t stand with lynch mobs, whether you wear a white hood and a shotgun, or a TV camera and a microphone.
Because for a lynch mob it’s never about innocence or guilt, it’s about creating an atmosphere of fear and horror and distrust, so they can sell a message, usually to keep a certain demographic in line.
Me, I’m not the message buying type. In a Nation where less than a hundred years ago, thousands of Black men (many of them war heroes) were lynched by ‘god fearing’ ‘people’ I’ll side with Black ‘villains’ before I side with a biased lynch mob media, everyday of the week, and twice on Sunday.
If they are guilty try them in the courts. Do not effing try them on your TV program, or radio show, or ‘news’ show, or at the water cooler, or on your lynching scaffold.
Until you’ve done the good of a Bill Cosby, or a Nate Parker, or even an OJ Simpson; don’t presume to judge their evil. That’s for a court room… your soul is not sinless enough for the task.
I say again…
Your soul… Christian, or Muslim, or Jew, or Hindu… is not sinless enough for the task.
I think any Presidential candidate you can name has done more evil than all three of those men combined. The pursuit of power is a bloody road, and the achieving of it even more so.
You kill one person (allegedly) they call you what, OJ? 🙂 You kill thousands of people, they call you Reagan or Bush.
Save your hate for mass murderers, but for other flawed men, and for yourself, pray to be better.
That is the justice of honest men, who are wise enough to know, there… but for the grace of God… go I.
Woah… that came out of nowhere.
But hey, that’s what you can expect in a nation that is honestly considering Trump for the highest office in the land. Derision. :).
God keep you all from rage, and keep you all from harm, and most of all god keep you from the folly of thinking you are bloody better than the poor slobs the media chooses to lynch today.
If you like this crazy post, or just like the blog, support by checking out and purchasing the following cool and recommended items!
Sylvania SDVD7029 7″ Portable DVD Player-Swivel Screen (Certified Refurbished)
Kids these days, in this age of MP3s and Itunes and Spotify have no idea what CDs are, or how good they can sound. For $40 you can give them the gift of not only a portable CD player, but a portable DVD player.
But it’s as the former, a portable CD player, that currently interests us. In addition to the portable player you want to get them a couple CDs to play on it, and I recommend the following two:
It Follows (Original Motion Picture Soundtrack) I really enjoyed IT FOLLOWS and the soundtrack on CD is equally brilliant, and stands on its own as just engaging and creepy and addictive listening experience.At once an influenced work, yet highly original in its own right, and sure to be influential. Disasterpeace hits a homerun with this score. Nice use of stereo imaging. Highly Recommended.
Sinister (Original Motion Picture Soundtrack) – I’m not a wimp, and am a huge fan of a variety of scores, especially the dark, strange ones, but I have to say this Christopher Young score is on a level all its own. I find it truly disturbing, and yes… scary. A huge achievement, and essential listening!
This is a full fledged production as smooth and polished as the Original Star Trek series that it revives. Not simply a homage this web series continues the unfinished five year mission of the original series (which was cancelled after three seasons). STAR TREK CONTINUES conceit is that it starts off in the 4th (never seen) season of The original Star Trek.
And going along with this conceit, STAR TREK CONTINUES first episode PILGRIM OF ETERNITY, before watching you really should watch the season two episode of the original series, titled WHO MOURNS FOR ADONAIS. STAR TREK CONTINUES premiere episode is a direct follow-up to that 1967 episode, complete with the actor who played in that episode, reprising his role here.
You’ll have so much more appreciation for exactly how wondrous STAR TREK CONTINUES is, if you precede it by watching that 1967 episode. You’ll also have a far better understanding just how excellent Vic Mignogna is, largely the driving force behind this labor of love, in his role as the iconic James T. Kirk. Vic Mignogna has Shatner’s Kirk down to an alchemy, it’s not science, it’s magic. From the walk, to the pauses, to the lift of the chin, to the way he sits, this isn’t mimicry, or mockery, it is acting of a very high and compelling level.
Vic Mignogna understands and loves the role, and that comes across, as does his passion and expertise for the original series. Wearing an insanely impressive number of hats from director, to editor, to writer, to producer, to star, Vic Mignogna has put together an impressive production and a large and varied cast.
From Christopher Doohan reprising, excellently I might add, his father’s role of Mr. Scott, to Kim Stinger doing a lovely Uhuru, to Michele Specht ravishing in her role as new character Dr. Elise McKennah, to the towering 84 year old Michael Forest (with many movie and tv credits to his name) reprising and bettering his 1967 performance of Apollo, it is a series that would have made Gene Roddenberry proud, and makes this fan of Roddenberry’s endearing dream… incredibly impressed and happy.
Now not everything works of course. Not all the actors do as well a job of bringing to life their characters as the above actors do. But considering everyone is largely doing this for the love, the general level of performances is fantastic, and the costumes, and makeup, and sets and special effects and writing is jaw droppingly good quality! Every bit professional level. Hell, this show is easily better than most of the post-DS9 Star Trek television shows that Paramount paid small fortunes to produce.
Now I like the JJ Abrams STAR TREK movies, I think they both were fantastic. That said, I think there is a place in this digital world, for Chris Pine on the big screen, and Paramount backing the STAR TREK CONTINUES series and having Vic Mignogna on the small screen.
Okay enough praising this series. Go watch the 1967 episode WHO MOURNS FOR ADONAIS courtesy of Amazon Prime for free, then go to the STAR TREK CONTINUES website to view the existing three episodes. If you have Roku, you can go to the Vimeo Channel here for an easy way to view it on your tv.
And once you are as impressed with the series as I am, help them keep it up by swinging by their web page and sharing the love and donating; so that you can help keep this great project coming! And tell em HT sent ya! 🙂
At over 7lbs,and nearly 17″ wide by 12″ tall and 370pages… this tale by co-creators Skipp Brittenham and Brian Haberlin that is equal parts STARSHIP TROOPERS meets BLADE RUNNER meets AVATAR lives up to its impressiveness and hype.
In a world racing toward digital, it shows in its tactile art object glory, why print will always have its audience. There is a wow factor with interacting and touching, and even smelling a well designed art book, that can not be replaced or replicated by a tablet or laptop. Don’t get me wrong, digital has is strengths, and ANOMALY using built in AR codes in the book, and a website, makes digital and tablets and phones part of the conversation if you so choose.
But ANOMALY, the book, remains a wonderful experience whether or not you have a signal, or your device has power, which is the strength of the ancient technology of books. It is self sufficient, and does not suffer the obsolescence most technology falls victim to.
I have books from the 1950s and you can hand those books to anyone who can read… and the magic in those books can be consumed with no problem nor external player needed. That cannot be said of most technologies since. Most people can no longer play 8track tapes or laser-discs or records or video tapes or even cds. All of which are mediums far newer than my book of the 1950s however far more temporary based on their dependence on a player to translate the storage medium. A book in that way remains superior technology, being both a storage medium and a player.
And the rate of technological obsolescence is speeding up, as companies hurriedly race to produce the next thing to get you to re-buy what you just bought, but in a new format. More than likely in less than 10years, your huge collection of mp3s will be as useful (and as used) as real audio files. And no doubt your Blu-rays and certainly your DVDs will (as the players break, and the market stops producing new content and new players) go the way of the Laser-disc, as a format that time, for good or ill, has passed by.
However, books such as ANOMALY, the ancient technology, will remain accessible and valued. Indeed ever more valued as tangible items, and physical quality, become ever more a cost, publishers and manufacturers are unwilling to undergo.
At $75 retail, it is not cheap by any definition, but neither is it overpriced. And to paraphrase Shakespeare’s Henry the Vth, “if you wear it, it will only wear better and better over time’. Add to that Amazon has it at a substantial discount, and you have today’s DEAL OF THE DAY. Details here:
If you appreciate this post, and agree this installment’s DEAL OF THE DAY is for you please use the link above to purchase it. You’ll get a great item and this blog will earn a couple pennies to keep the proverbial doors open, and keep bringing you more DEALS OF THE DAY posts. It’s a win/win! 🙂
For the young and young at heart I recommend the following cartoons:
BATMAN THE BRAVE AND THE BOLD
THE SUPERHERO SQUAD
For the action fans:
IP MAN (all three movies are available, I’ve seen the first two so far and they are great. Director Wilson Yip and star Donnie Yen crafting a dramatic biopic anchored with brutal and impressive martial arts scenes. That one man could have lived such an influential and pivotal life is truly inspiring)
SOLOMON KANE – this disappeared out of the theaters quickly, but once you get past the weak opening, it is an enjoyable fantasy, action film, led by the always solid James Purefoy.
ARROW- probably my favorite television show discovery in a while, nearly every episode of the ARROW has been outstanding (I tend to like my heroes, to not be killers, so the later episodes, are getting a bit bloody and hypocritical for my liking. I’m starting to root for anyone except the titular hero. The series creators will need to watch that) .
Who knew the CW could make a show I actually like. The first season is on NetFlix, and sports fun stories, a strong lead, and perhaps a particular selling point for me, a large and diverse cast with multiple actors and actresses of color. I personally just can’t be bothered with shows that sport no characters of color or only the one token character of color. ARROW is a well acted, directed, and written show and provides lots of diverse actors in non-stereotypical roles. It’s a gem in a sea of sameness. Loving that first season enough to pick up the Bluray.
For the SciFi and Horror Fans out there I recommend:
EUROPA REPORT, THE FRANKENSTEIN THEORY and TROLL HUNTER are all three, enjoyable examples of the found footage film.
THE WALKING DEAD – I’m not a Darabont fan, typically because he doesn’t have a subtle bone in his body, and his usage of characters of color shows a pattern of being unflattering at best. I understand the Walking Dead TV show is going to be a different animal from the Walking Dead book, that said changes when they happen should improve upon the source material, not diminish it. And I feel the first few episodes of THE WALKING DEAD unnecessarily takes a dumbed down approach, to very innovative material.
On the Drama/Thriller side I recommend:
REDEMPTION (aka by the less intriguing title HUMMINGBIRD)- starring Jason Statham, is a surprisingly well acted film from the typically taciturn action star. Along with SAFE and THE EXPENDABLES it is one of his best films.
LIE TO ME- Based on an Israeli TV show, this is one of the few police procedurals I enjoy. Incredibly engrossing and informative.
BURN NOTICE- is another enjoyable series. I like to describe it as, Macgyver if it was good. :).
For the gastronomically inclined among you I recommend:
MARCEL’S QUANTUM KITCHEN
KITCHEN NIGHTMARES US Version
Those are the ones to seek out, some to avoid on Netflix are:
KILL ‘EM ALL
TACTICAL FORCE- interesting cast, but the directing, writing is subpar
THE FROZEN – couple stranded in the cold and hunted, sounds like an intriguing premise. But is a recipe for boredom in this film.
THE INNKEEPERS- I was and am a huge fan of Ti West’s HOUSE OF THE DEVIL, so was very much looking forward to watching THE INNKEEPERS, but unfortunately while it sports the wonderful Ti West use of Framing and Camera angles, the movie has no real substance or interest. The writing, plot is a major failing, with dumb and annoying characters choosing to do dumb things which immediately takes me out of a movie. Plus the scare scenes are poorly done and edited, the movie lacks any real power, and end of day is both predictable and empty. Rating is: Avoid.
As far as the ones to own:
Where what I review isn't new
“Never forget that once upon a time, in an unguarded moment, you recognized yourself as a friend.” - E. Gilbert
A film fan who loves to write, talk and promote filmmakers
Cult, classic and crazy movies you must see, might see and maybe miss