Today’s best and worst Comic Book related Youtube Channels

First Point, Youtube via your laptop or computer I find annoying and not worth your time.

Youtube via Roku, on my big screen TV, and absent all stupid comments I find incredibly useful and watchable.

Here without further ado, my additional points, Youtube Winners and  Losers for First Quarter 2018.


I like buying artbooks, and graphic novels, and collected editions, so I find some of these channels very helpful in helping me decide if  an item is worth buying. Especially when you are dealing with something like artist editions that can run hundreds of dollars.

So here are channels that helped me make great purchase decisions.











Anyone who uses acronym’s such as SJW in their headlines, or as a snarky insult (I’m looking at DIVERSITY & COMICS channel, which is not about Diversity and is not about comics, but is about click baiting and laziness) is generally not a channel you should support or be subscribed to. The thing with acronyms is you end up blindly lumping things together that have nothing to do with each other. And instead of dealing with a specific argument, you tend to become the very caricature you are arguing against. You become as misinformed, in your ‘lumping together and your stigmatizing’ as those you accuse of lumping together and stigmatizing others.

Here’s the thing, we are all of us (if not idiots) more than the party line.

Let me say that again, we are all of us more than the party line.

Whatever party you choose to support this day or that. We are conservative when it comes to some things, liberal when it comes to some things. And biased when it comes to some things.

Take me.

I’m not a fan of witch-hunts. Whether that is the Salem Witch trials, or the McCarthy Witch Trials. Or today’s sexual harassment witch trials. I believe no one should lose their job or be punished, based on unproven allegations. I believe people are innocent till proven guilty in a COURT OF LAW. That goes for Cosby, or Weinstein, or Lauer, or Singer or Spacey, or Gibson, or as it affects comics, Berganza.

I do not like mobs. And I do not like Mob mentalities, and I do not like knee jerk responses, and I do not like talk show mentalities, and most of all I don’t like people tried on twitter and Youtube, and based on the accusations of the unproven, the opinions of the uninvolved, and the fear, and in some cases the vendettas of the powerful, people before trial… are tried and punished.

I do not like it.

Not when it comes to movies, or sports, or newscasters, or the medium of comic-books.

I do not know Editor Berganza from a hole in the wall. He could well be guilty. My problem he was fired on allegations rather than proof. As were all those I’ve mentioned. Accolades and awards and honors they have earned, stripped from them at the merest whiff of scandal. So until proven guilty, a man is innocent, and should be treated as such. I don’t like that comic book artist Adrian Syaf was fired for placing the numbers ‘212’ and the number ‘5:51’ in the background of drawings. Artists sneaking easter eggs into the background of drawings is not new for comics or any other medium. And how that is any different from Christians putting bible verses in the background of their scenes. Long story short, it isn’t. That’s what an editor is for to catch that stuff, and if you don’t you don’t. Based on the agregiousness of it, you take  the appropriate action. Which usually involves a good talking to, not ruining someone’s career.

So I do not like witch hunts..

Whether led by a republican, a lesbian, a trans-gender person, a bigot, I do not like witch-hunts. You have a case, prove it in a court of law, not by gathering lynch mobs.

And this overreacting is on both sides of the fence, and the quickness to throw broad dismissive labels, obscures the fact of what you are fighting against, and what you are fighting for.

That is the folly of labels, it makes people side with fools, and fools lead good men to horrible acts.

Labels and acronyms are always shorthand for the lazy, who can’t be bothered to know what or who they are really arguing against or about. If you are using the acronym SJW you might as well carve a swastika in your forehead because that’s the level you are arguing on.

We are all of us gradations of right, and gradations of wrong, and we are all gradations of irrational.

Being aware of those places where the unfair and the fair fight for possession of our soul, being aware of our culpability in any argument, makes us less likely to glibly go along with the mob, or those who would throw the first and last stone.

Being unaware that anyone who uses the term SJW or dem or repub, is in and of himself, guilty of being the exact same thing they would denigrate; makes you ignorant.

But that is fine, we are all ignorant of something.

Staying ignorant however, makes you stupid or evil.

And that is not fine.

You have to know in any argument, you may not be on the side of the right. And you must learn to accept no truth you went to bed with, as the truth you’ll wake up with. Only through constant questioning of yourself, and the things you love and the things you hate, and the things you believe, can you grow and stay on the right side of those things.

And just as surely… assuming you are always right, especially your side or group or acronym is always right, is the surest way to go marching down the road to hell.

Deep waters for Youtube and comics, huh?

Here is the thing, it doesn’t matter over what we conflict, How seemingly trivial or important.  it matters that we always know, the conflict is with ourselves first. And reason and right is not a given, it must be continually retried within ourselves.

I generally do not gravitate to comics that have trans-gendered or homosexual people in it. That has nothing to do with either of those groups, and everything to do with me. I would like to think it is less about homophobia and more my aversion and dislike of talk shows and reality shows and Lifetime movies, and not wanting that in my comic. Though definitely homophobia plays a part. But mostly its an aversion to those topics heavy handedly crowbarred into what should be a a superhero/action genre. That was my problem with Supergirl Season 2. And why I stopped watching it. It was the gay subplot, handled incredibly annoyingly.

Now contrast that to JH Williams III’s BATWOMAN which was a brilliant superhero book, that just so happened to have a Lesbian character. Or Priest’s DEATHSTROKE with its bisexual character, and these things aren’t written in 20 point type, it’s just another brilliantly layered part, or a brilliant superhero story.

But most people aren’t as talented as a Priest or Williams, so when my comic reads more like a mission statement it is time for me to find a different comicbook.

And it is specifically a superhero/comic related bias, I have an archaic definition of what Superhero and other comics are and should be, an idea that works for me. An idea of what entertains me in comics,  So I understand this bias in me, and I buy the comics that appeal.  However I’m not going to have a problem with their being homosexual or trans-gendered comics or creators, that do want to focus on the lifetime channel or talk show extremes. If there is an audience for those stories great. I won’t be reading them, but neither am I going to have a fit because these stories or creators or characters exist. And that is because I ‘m good with the world being what it is, and me being what I am, and I am aware what part of the failing is me rather than the world.

There is a lot of talk on youtube about social justice warriors, mostly by white men (mostly but not exclusively, there are also enough Black and Brown and Red and Yellow idiots to go around), who see comics by creators not like them, and filled with new characters not like them, and they are not comfortable with that.

That  is not a problem. Like I said, I also feel that discomfort for things outside my comfort zone.

But here is the difference, they feel threatened by these things out of their comfort zone, and attack. Rather than allow people to ‘do them’ (as the kids would say), and simply choose to not patronize the books and creators they don’t like, and just buy and read and enjoy the things they do, instead they want to attack, and force the industry to only reflect them and exclude the other.

That is a problem.

It is a problem of ignorance, and it is a problem of fear, and it is a problem of not knowing yourself, that the world is wide and wonderful, and we don’t have to agree to like the same books or like the same creators.

But we do have to agree to, not stop others from liking what they like.

We do have to agree, to fight with ourselves before we fight others, because most of the time when we lose control, and take up arms against others, it is because we haven’t solved something with ourselves.

So that was an incredibly long aside to get you to my list of Youtubers who are doing a disservice to our hobby, by waging war with others, because they can’t just  embrace this idea… that ‘you do you’.  :).


Case in point…

cAPN C-SUMTHING (not worth remembering the dudes correct channel, or name) – emphasizes one of my pet peeves, people who think having an opinion is enough. When it comes to sharing and broadcasting it to a larger audience, it is not enough to have an opinion. It needs to be an informed. You are sitting in a movie theater, and because you are warm you start screaming fire, and spreading an opinion, that with two seconds to inform that opinion… you may have realized you still have your jacket on, or the person a row in-front of you is smoking; so the theater is not actually on fire. So your initial knee-jerk animal brain opinion may have been ‘fire’, but shouting out that uninformed opinion, in the theater to a crowd, would create panic and possible injuries; whereas a moment to look around and inform that opinion, makes all the difference.

An informed opinion is worth sharing, an uninformed opinion is not. This Capn C-something perfectly illustrates the type of knee-jerk reactionary that is the bane of the Internet and the world.

First he has the money to buy a 100+ dollar Artist Edition, the time and resources to want to do a video on it and share his opinion on it, however he doesn’t even know what it is. When the description of the artist Edition is on every blurb about it, as well as on the back and inside cover You don’t even know what you are buying, and you are trying to do a review on it. Strike one.

Next he’s one of these reactionaries who uses acronyms and labels coined seemingly just to be denigrative. Social Justice Warrior, and then he is too lazy, to use the whole word. The kind who resorts to shorthand like SJW and Dems, the sign of someone who can’t be bothered to research the bandwagon he is jumping on, or the things he supports or objects to in any great depth. Strike two.

Third he sees a post by Christopher Priest, lamenting his pigeonholing by DC Comics as a Black Writer,and Priest stating that a good writer can write characters outside his ethnicity and gender, and that the publishers should not be lead by the ‘twitterverse’ the vocal minority who comments on titles they have not read and subjects they are not informed on. Capn Crumudgeon responds to this by saying ‘this Priest guy gets it’ while showing his ignorance by not knowing the writer currently works for DC and is one of their most acclaimed writers, and that Capn Cummudgeon by definition is the vocal minority Priest is calling out. Priest is not railing against diversity, he’s railing against editorial mandates decided by people who can not be bother to be informed on the positions they take.

Strike 3, you are out. What really lit me up about this, is a lazy acronym user like this guy, has more subscribers than actually informative people like some of the users listed above. It’s like people subscribing to JERRY SPRINGER instead of COSMOS. People stumble across his channel, probably like I did  (i did not subscribe  to him) because of his numerous Artist Edition reviews, and then he uses that as a platform for this half baked uninformed drivel, posing as a stance or world view. It reminds me of the brain damaged circus that passed for the last presidential debates. Something that debases viewer and viewed. If you are subscribed to this guy, unsubscribe. There are better places to get your book reviews from. And I list a bunch of them above. :).


And to not end on a down note here are more people/channels you should be watching and even subscribing to:


JARED OSBORN- He offers weekly pull list comic book hauls, and the occasional collected edition












So any of the above are better than those who embrace attacking the difference of others, rather than simply trying to better understand… the difference of themselves.   CAP’N and DIVERSITY (in name only), Youtube channels, come to mind, but any channel using acronyms such as SJW to cloak their ignorance and fear, you should strongly consider unsubscribing from.

Don’t support the uninformed who want to spend their time screaming fire, in a theater where there is no fire. Instead support the above channels that are trying to help people just find the seats, that are a good fit for them.

Here endeth the lesson.


2016 and 2017 : Remembering Writers and Artist – Wrightson & Wollstonecraft and The Best Pen & Ink Artists!

Things lost in the Fire, may yet be  found in the Ashes

“There was a silly damn bird called a phoenix back before Christ, every few hundred years he built a pyre and burnt himself up. He must have been the first cousin to Man. But every time he burnt himself up he sprang out of the ashes, he got himself born all over again. And it looks like we’re doing the same thing, over and over, but we’re got on damn thing the phoenix never had. We know the damn silly thing we just did. We know all the damn silly things we’ve done for a thousand years and as long as we know that and always have it around where we can see it, someday we’ll stop making the goddamn funeral pyres and jumping in the middle of them. We pick up a few more people that remember every generation.”
Ray Bradbury, Fahrenheit 451

“Whence arose all the horrid assassinations of whole nations of men, women, and infants, with which the Bible is filled; and the bloody persecutions, and tortures unto death and religious wars, that since that time have laid Europe in blood and ashes; whence arose they, but from this impious thing called revealed religion, and this monstrous belief that God has spoken to man? The lies of the Bible have been the cause of the one, and the lies of the Testament of the other.”
Thomas Paine, The Age of Reason

“Father… you speak with absolute assurance, completely convinced that your vision is the only proper way, and like all men who speak thus … you are mad.”


RIP to:

Bernie Wrightson, Len Wein, Rich Buckler, Darwyn Cooke, Steve Dillon – great creators lost in 2016/2017

They were not actors, and they were not sports figures, they were creators and myth makers working in an oft castigated medium, but delivering words and images and concepts, that would transcend their newsprint origins and outlive naysayers.

This installment is dedicated to Bernie Wrightson. Over a year into his passing and I wanted to reflect on Wrightson, the artist, again:

Bernie Wrightson had a suitably Baroque name for someone whose beautiful, exquisitely detailed and ornate artwork and sensabilities was the best of the Baroque meets the gothic. I’m an art lover, I own a large selection of art books from Dali to Duncanson, and Wrightson”s mesmerizing FRANKENSTEIN where he created full page plates to accompany Mary Wollstonecraft Shelley’s celebrated and cautionary tale, remains not just the only version of FRANKENSTEIN one needs own, but one of the most significant art books made in the latter half of the 20th century.

Wrightson quickly proving himself one of the preeminent Pen and Ink artists of all time, up there with the 19th century’s celebrated Louis-Auguste Gustave Dore and the criminally under-heralded mid-20th century Virgil Finlay.

Thankfully, Wrightson’s most lauded work, FRANKENSTEIN, often rumored of rather than seen, was republished by DARK HORSE BOOKS in the 21st century, in an even better quality version.

In this writer’s opinion it is a book, not just any American household should have, but all households should have. The myth of Frankenstein is old and oft told, but you will not find it better told in print anywhere, than in this pairing of Wollstonecraft and Wrightson.


Bernie Wrightsons Frankenstein

It is currently out of print, but I see this book as one that Dark Horse will bring back in print. Especially considering next year, 2018, marks the 35 year anniversay of the book’s initial release.

As far as Gustave Dore, here’s a nice affordable coffee table overview of his work:

The Drawings of Gustave Dore:Illustrations to the Great Classics

And Virgil Finlay,

Book of Virgil Finlay

This remains the best introduction and overview of his work, including many of his quality works that fail to show up in later versions. Unfortunately a softcover, however do what I do, pay a book binder to make a hardcover out of it.

And a few other departed genius that deserve mention in the above company… Segio Toppi, Franklin Booth and Basil Wolverton:

Sharaz-de: Tales from the Arabian Nights

The Collector


Franklin Booth: American Illustrator


Creeping Death from Neptune: The Life And Comics Of Basil Wolverton Vol. 1


And some living, breathing pen and ink geniuses that you should be seeking out, buying their books, hiring for projects? Glad you asked, they are:

Tim Bradstreet

Maximum Black
A very prolific and in-demand artist, Bradstreet’s MAXIMUM BLACK art book dates from the turn of the century. A new collection of his art, covering the work he has done in the two decades since, would make a welcome addition to this first book.

Oscar Chichoni

Chichoni: Mekanika – A game, film, and dimensional artist, Chichoni does very little printed work. This is his only art book to-date. That it is also one of the best artbooks, only makes it more pressing that he does another one. His art is that good.

Andy Brase – This guy is going to be huge. Looking forward to his first artbook.

Stephen Bissette  & John Totleben ( yes I’m cheating here)- Bissette’s pencils married to Totleben’s inking, on DC’s revamping of floundering title SWAMP THING, with evolutionary writing by relative newcomer Alan Moore, and all of it mid-wifed into being by the late great Len Wen, remains, 30+ years later, seminal, ground breaking and unsurpassed work. And Bissette not only as instructor for new generations of creators, but as scholor and historian and reviewer and Indie Comic supporter remains an essential and insightful voice for the medium of words and pictures. His podcast interviews on a variety of shows, starting with the late Indie Spinner Rack, remains, like his artwork, top notch. I’ve sought out podcasts he has done, and each one reveals more about comics as hobby, as job, as calling, as artform, and as cultural touchstone.

Look for his podcast interviews on MAKING COMICS, INDIE SPINNER RACK, and DECONSTRUCTING COMICS to name some. And in addition he is a prolific reviewer and writer.

Teen Angels & New Mutants

Geof Darrow – When you think of detailed, intricate artists, Geof Darrow’s name comes up near the top of the list. Long before there was an IDW publishing doing tabloid sized treatments of famous artists, there was Frank Miller and Geof Darrow ‘s ground breaking tabloid work for Dark Horse Books. A superlative addition to any library.

Big Damn Hard Boiled

Big Guy & Rusty the Boy Robot (King Size B&W) (Big Guy & Rusty the Boy Robot)


Mark Schultz

Mike Hoffman

The Mike Hoffman Comics Reader: 300 Pages Volume One

Tim Vigil


Lucas Ruggieri

Predrag Djukic – I will be at the front of the line to get this gentleman’s first artbook

Art Adams

Like any list, this one is also a distillation of the writer’s biases, his experiences, his major passions, and his minor blindspots, as such it can by definition not be comprehensive, only revealing. Chalk up any omissions of your favorite pen&ink artist to my head and not my heart. Brevity demands limiting the list, but shine light on those I have missed, by leaving your comment of those past and those present… deserving of attention!

Thanks for looking!!

The Annotated Stephen Bissette : SWAMP THINGS & TABOOS & TYRANTS

During my formative years I discovered this comic SWAMP THING by relative newcomers Alan Moore, Stephen Bissette, and John Totleben.

I was a kid, but old enough to realize even then that this was something special. Alan Moore’s words and Bissette and Totleben’s visuals even at the time, and it was a strange time because everything felt in flux and on the brink of changing, even at the time, getting these off the stands, the combination of these three men working together felt like greatness.

And some things are hot in the moment, but some things, some work that is rushed out for the masses, to meet deadlines for a castigated medium, some work screams greatness from the go, and time only makes it more great.

More Hallowed.

From pioneers like Stan Lee and Jack Kirby and Steve Ditko and Roy Thomas and Gerry Conway and Steve Englehart and Chris Claremont and Kraft and Giffen and O’Neil and Neal Adams and Jim Steranko and Bernie Wrightson there was a new generation building on the foundation they laid down.

Creators such as…

Don Lomax (who I had the pleasure to interview) would give us VIETNAM JOURNAL.

Doug Moench, a pioneer in his own right, off of MASTER OF KUNG FU (issues 38 and 39 remains the best two parter ever) would do some of his most heartfelt work in Moon Knight (that first 21 or 22 issues is gold, everything from dealing with the death of John Lennon, to familial abuse)

Frank Miller would give us DARK KNIGHTS and RONINS and YEAR ONES.

William Messner Loebs would create a frontier masterpiece, unfotunately a hidden gem to most, with JOURNEY.

Bruce Jones – With his TWISTED TALES would almost singlehandedly give birth to a new EC inspired golden age of Horror Comics, but making comics that were horrifying to a Reagan era age.

and of course… Alan Moore.

Alan Moore would birth many such works, particularly in the waning decades of the 20th century. SWAMP THING was one of his earliest successes and remains one of his most iconic works. And for me one of his most beautiful works, working with the art team of Bissette snd Totleben, they were visual storytellers that could really add and evolve and enrich the scope of Moore’s script, throwing in their own ideas and visuals.

It is very much the work of three young men riffing on their loves, and remains now 30 years later still very seminal work.

Bissette in the years since has become one of the most respected instructors, teaching at the celebrated Center for Cartoon Studies in vermont.

One thing you may not know about him, and I first discovered listening to an Indie Spinner Rack podcast episode (that great now defunct show) is he is a FANTASTIC speaker. He is such an engaging and erudite and interesting wealth of information on this beloved hobby and artform and the personalities behind it.

And I love podcasts to begin with, so combining this walking encyclopedia of not just comic lore, but film and film journalism, books, the art of creating, of self publishing, of blogging, and for me… that is entertainment.

So ever since I’ve listened to him, whenever I catch him interviewed on a podcast.

So here without further ado is hours of audio greatness with one of the best artists in Comics, and one of its most engaging speakers.

INDIE SPINNER RACK #79 8 May 2007 – My first introduction to Stephen Bissette post SWAMP THING, this put him on my radar as just a fantastic and informative speaker. A great interview/conversation.

Talkcast #102 8 Oct 2011 – Very annoying hosts makes this one almost unlistenable, but fast forward to where Bissette finally gets to speak about fundraising and HP Lovecraft.

LOST IN THE STATIC #99 -25 Nov 2013- Fun informative hosts lead inro a really compelling interview on Bissette, that includes Edgar Allen Poe, Greg Irons, Skull #6, Moore, Veitch, Totleben and the Saga of the Swamp Thing. Indie work on Gore Shriek, Shriek, and the ground breaking Dave Simm funded TABOO. Structure of TABOO inspired by Harlan Ellison’s brilliant DANGEROUS VISIONS and AGAIN DANGEROUS VISIONS. Bruce Jones TWISTED TALES, X-MEN’S Brood Saga. TABOO designed by Bissette to be taken seriously, and push the envelope and make people ‘drop it on the ground’. Kirby Awards. A must listen podcast.

Adam Greenfield’s great podcast MAKING COMICS has had Stephen Bissette as a guest three times, and all three are brilliant, with nice Vincent Price/Poe Intros. Well worth hunting down. Oct 2014,2015, & 2016.

DECONSTRUCTING COMICS #465,#500 – Sept 2015, June 2016

POD SEQUENTIALISM #2 – October 2015

TV GUIDANCE #228 – May 2017

RADIODROME #323 – Mar 2017

UNDER CONSTRUCTION – Come back as I flesh out the content in all the interviews and conversations!


Favorite artists discovered in 2015!

With 2015 about to wrap up my mind goes to some of the illustrators/artist that really made my radar in 2015.

Two that I met at a regional art show and who I have bought prints off of, whose work continues here at the end of the year to captivate me; are: Edwin Lester and Phil Kutno.

You can see for yourself what grabs me about each artist’s work. The below images are copyright the respective artists, and if you like what you see I highly recommend you visit the artists respective sites, tell them this blog sent you, and grab yourself some affordable and stunning prints or originals. Now onto the artists:









COVER GALLERY : Favorite Flash Comic book Covers! 1959-1970

COVER GALLERY : Favorite Flash Comic book Covers! 1959-1970

If you have watched television recently, you probably know the very popular FLASH TV series. After some misgivings regarding the show, I’ve grown quite fond of it.

What you might not know, is the comic book series.

The Flash is a comic book series that has had several incarnations; and without doubt, one of the most popular ones is the silver age series, that introduced the scarlet clad Flash, Barry Allen.

The silver age series ran from the late 1950s to about 1970. Here is a selection of my favorite FLASH comic book covers from that period. The covers (as were the interiors) overwhelmingly were the vision of one man, Carmine Infantino, who was the art director of all of DC’s comics, and (at the formative years of an oft maligned medium) defined the look of what an exciting comic book cover was.

His artwork, while perhaps crude and simplistic compared to the more refined and rendered artists of today, has a sense of design, the placement of text and graphics, and the art of getting you excited, that is still head and shoulders above most artists today.











Carmine, at the end of 1967 with his workload as art director/executive editor increasing, after almost 8 consistent years as the sole artist of the Flash, passed on the reigns of cover and interior artist to talented newcomer Ross Andru.

Ross Andru after some initial growing pains proved himself a talented artist, growing into a strong cover artist in his own right. His issues get progressively better.



But by far the best covers of this period are the haunting, almost baroque covers by the great Joe Kubert. Paired with stories by John Broome and the always great Robert Kanigher, these issues are a must own for any fan of great art and story. Some exemplary Neal Adams and Gil Kane covers round out the list of best covers as 1970 closes out the silver age of comics.










Hope you’ve enjoyed this tour of the best of Silver Age FLASH Comic Book Covers! Drop us a line and let us know some of your favorites!

And to own these issues yourself? Well the bad news is most of these have not been collected yet. The good news is brand new collections are on the way. The first one, THE FLASH OMNIBUS was released last year, is hardcover, full color, and contains over 800 pages!! At $60 it is not cheap, but considering you get reprinted tens of thousands of dollars of comics, it’s a deal.

Get it The Flash Omnibus Vol. 1

DEAL OF THE DAY : Hall of History Bermuda’s Story in Art! 14″ by 14″ rare Art Book!

“The Hall of History – Bermuda’s own “Sistine Chapel”

‘The Hall of History’ is a larger than life mural by Bermudian artist, Graham Foster, to be found in The Commissioner”s House at the National Museum of Bermuda in Dockyard.

The two story, 1000 square foot interior mural depicts five centuries of Bermudian history, and took approximately 7,000 hours -over three years – to complete.”



On my recent trip to Bermuda, as can be imagined I saw many wonderful sights and sounds and toured many impressive places. One of the most striking is the Commissioner’s House, which offered some of the most beautiful views of the Island of Bermuda and the surrounding seas.

And not to be undone the interior of the Commissioner’s house held many Marvels both historic and cultural. Weapons of War and documents of peace, tales of soldiers who gave their last best measure, stories of slavery endured and triumphed over, and rooms lovingly adorned with books and art, going back to the early days of the seafaring age.


And of the many Marvels to be seen in the Commissioner’s House one of the many impressive ones, is also one of the newest. A relatively recently commissioned mural, only 6 years of age as of this writing, that spans two stories and a thousand square feet, and five hundred years of Bermudian History. By local Artist Graham Foster his BERMUDA’S STORY IN ART is nothing short of a stellar marvel, that is to be ogled and awed at in person.

Walking up and down the two flights I loved it, and also knew I had not the time to truly grasp a fraction of the detail that Foster put into the work. It was too big, too immense, too esoteric in parts, it was the history of a nation distilled in paint and sweat and time.


Coming back from Bermuda, one of my great regrets was not picking up the art book, that was produced in 2011 (2 years after the murals opening) by the National Museum of Bermuda to give detail into Foster’s staggering work. Long unavailable, thankfully a few copies have become available on Amazon. I recently got one of them, and my verdict, on the massive 14″ by 14″, 200+ page book, written and annotated by Bermuda scholar Rosemary Jones in collaboration with artist Graham Foster is… it is a masterpiece. A work of art in its own right, to properly convey… the work of art of Foster’s Mural.

A fantastic addition to anyone’s library, whether a traveler, a bibliophile, or an art lover. Highest recommendation. Pick up your copy (if you are lucky) at the link below!

Hall of History Bermuda’s Story in Art



“Hall of History Mural Bermuda

If you love wall murals, this is the one you mustn’t miss in Bermuda. Hall of History is a 1000 square feet larger than life mural created by the Bermudian artist Graham Foster. You will find it in the Commissioner’s House located at the National Museum of Bermuda in Royal Naval Dockyard.

Graham started the work in 2005 and it took him 7,000 hours of research and painting to complete this mural over more than 3 years time. On November 2009, it was officially opened by Her Majesty The Queen. At the time of opening, Graham had presented a painting “The Wreck of the Sea Venture” to the Queen. The mural depicts over 400 years of life in Bermuda and you will be able to see virtually everything that made a mark in the island over the past centuries.

Graham Foster’s Mural “Hall of History” is now captured in a 14″ x 14″ Coffee table book. It depicts the deep history and heritage of his murals with many high quality pictures of the mural. The text of the book has been written by Rosemary Jones. In case you are not able to spend enough time at the Commissioners House to absorb all the details of the mural personally, this hefty book can be a great possession to explore those details. It’s currently retailing for $65 and is available at the bookstores island wide.”

“Graham Foster is a Bermudian artist best known for his larger-than-life mural, ‘The Hall of History’ at the Bermuda Maritime Museum in Dockyard. The two storey, 1000 square foot interior mural depicts five centuries of Bermudian history, and took approximately 7000 hours [over three years] to complete.

Born in 1970, he is the son of physician Elizabeth Foster and Alec Foster. A professional artist since 1995, Mr. Foster was educated at The Bermuda College and The Museum School of Fine Arts in Boston.

His paintings tend to follow one of two directions – one inspired by Bermuda’s fish,flora,fauna, and people, captured in a characteristically surreal style,the other is looser and more expressionistic,often inspired by dreams and the subconscious.

He is a sculptor [primarily in welded steel] as well as a painter. In 2002, he became the first Bermudian artist to have a work purchased for the permanent collection of The Bermuda National Gallery, a welded steel triptych entitled ’21st Century Fetish Family’. Many of his sculptures are strongly influenced by Tribal Art.”

Art Deals of the Day : Gustave Dore MASTER OF IMAGINATION


It’s about time that the 19th century’s most staggering and arguably prolific artist of the fantastic received a worthy hardcover tome, and with the almost sold out 2014 book, DORE:MASTER OF IMAGINATION edited by Phillippe Kaenel, Gustave Dore finally has that acclaim, and his fans finally have that book.

The book however, by shear breadth of Dore’s output, is in no way a comprehensive overview of his output, and is more a very cursory sampling of the different projects and mediums this renaissance man of the 19th century put his hand to.

“I am sorry to have made a mere 100,000 drawings by the age of 33” – Gustave Dore

So it is not perfect, but it is essential and makes a great companion to those quickly going out of print, but wonderful, 1970s Dover paperback compilations of Dore’s work. Whoever the editor at Dover Publishing in the 1970s who spearheaded reprinting Dore’s acclaimed works in affordable but quality paperback volumes, they created a great boon to art lovers everywhere.


Dore was the master of the meticulous and the detailed and the imaginative, a single one of his painstaking engravings having more complexity and depth and range than most modern day artists produce in a year.

There is this school of thought, that I do not subscribe to, that detail is bad, or unnecessary, or overkill. Largely spearheaded by modern artists incapable of doing detail, so they attack the idea of detailed illustrations to justify the value of their limitations. Simplicity and minimalism have their uses, but they will never replace, or supplant, or overshadow, prodigious talent, prodigious passion, and prodigious detail, all in service to a prodigious imagination. And Gustav Dore brought all that immense talent to every drawing he did. As an artist he has my highest recommendation.

All of the Dover Dore books are collectible, but the four best are the DORE BIBLE, DORE DANTE’S DIVINE COMEDY, DORE’s ORLANDO FURIOSO, and Dore’s IDYLLS OF THE KING.

And the DORE: MASTER OF IMAGINATION book serves as a bit more upscale exploration of Gustav Dore’s life and work. Price your copy of that and the Dover Titles below!

Gustave Dore 1832-1883: Master of Imagination beautiful Hardcover Tome!

The Dore Illustrations for Dante’s Divine Comedy (136 Plates by Gustave Dore)

The Dore Bible Illustrations

Doré’s Illustrations for “Idylls of the King” (Dover Fine Art, History of Art)

Doré’s Illustrations for Ariosto’s “Orlando Furioso”: A Selection of 208 Illustrations (Dover Fine Art, History of Art)