Best Movies & Shows on AMAZON PRIME! Week 38 of 2016!

Amazon has all four of Amando de Ossorio’s little seen but well regarded quartet of Blind Dead films, courtesy of Amazon Prime, so you can try before you buy.

They are:

tombs-of-the-blind-dead1 tombs-of-the-blind-dead-1972-bw-beyond-horror-design tombs_of_blind_dead_poster_01

La Noche Del Terror Ciego (1971) – THE NIGHT OF THE BLIND TERROR renamed for North America to the surprisingly brilliant title, (and the title that has defined the series) THE TOMBS OF THE BLIND DEAD, was an international success and put its director Amando de Ossorio and Spanish Horror on the map.

The titular protagonists were so haunting, the character design so inventive, that it spawned three equally well regarded sequels.

Finally watched I can see why this film series, closing in on its 5th decade, is well regarded. Given the time period and obvious limitations of budget, the director, Amando de Ossorio manages to create a wonderful atmosphere, iconic villains, and intriguing characters and story, imbuing a new intriguing twist, onto the well trod myth of the living dead.

The three sequels are:


THE RETURN OF THE LIVING DEAD 1973 ( The original Spanish title, ATTACK OF THE BLIND DEAD being superior to the American title)

ghost_galleon_poster_03 ghost_galleon_poster_02

THE GHOST GALLEON  1974 ( Known in its original title, EL BUQUE MALDITO, as THE DAMNED SHIP)

night_of_seagulls_poster_01 seagulls


and finally NIGHT OF THE SEAGULLS 1975 (The only movie in the series, translated literally from the Spanish).


Now you can see all 4 films on Amazon Prime. Now be careful, there are multiple copies of these films on Amazon, most of them have a cost to them, however do a search and find the movies without a poster image and those will be the free ones.

Then watch all four and enjoy and if as impressed as I am, and ready to own the DVDs with special features, then go here:

The Blind Dead Collection (Tombs of the Blind Dead / Return of the Evil Dead / The Ghost Galleon / Night of the Seagulls / Amando De Ossorio- Director)






Holiday Gift Guide : 5 BEST COMEDY Albums of ALL TIME & The Final Word on Bill Cosby!

From Redd Fox to Bob Newhart to Bill Cosby to Eddie Murphy, here are the best comedy albums of all time:







If you have to start with one album, start with Bill Cosby’s WONDERFULNESS, just hilarious. Now I know it’s popular because of the controversy to demonize Bill Cosby. Here’s my first, last, and best measure on Bill Cosby, it is a line from a Sam Peckinpah movie… “When you side with a man, you stick with him and if you can’t do that, you’re like some kind of animal.”

When I was a kid growing up in the 70s and 80s it was Bill Cosby who defined so many of the opportunities and enjoyment and broke so many of the barriers to pave a way for a young, punk kid like myself and millions of others to dream bigger, aspire better.

From an accomplished college sports figure to a ground breaking televsion actor in the beloved ISpy series to a world acclaimed commedian to a producer of kids’ television shoes (FAT ALBERT!), to a great, classic series of 70s movies, to a really groundbreaking 80s television series,to a civil rights and human rights fighter, and economic fighter…. the accomplishments of Bill Cosby are staggering for any ten people, but that he fit all this into one life… is the stuff of legend. To call him a Renaissance Man is apt.

Is he guilty or innocent of these accusations?… That’s for a court of law to decide rather than this televsion lynching the American Mass Media has been fond of with prominent people of color. This assassination by media is out of proportion, by a generation grown and raised on the tearing down of idols.

Guilty or Innocent, a man’s falling down must be weighed against his standing up. And if many of us presume to not have committed the perceived sins of Bill Cosby, neither have those same rock throwers committed the triumphs and the groundbreaking accolades of a Bill Cosby. We are none of us Saints, and most of us Sinners, but I posit that the good Bill Cosby has done, is larger and grander than the good his detractors have done.

You want to stand in judgment of a man’s evil, then you have to be capable of also judging or equaling his good, and none out there speaking against Bill Cosby have fought as tirelessy as Bill Cosby to make the world better… and Cosby has made the world… for punk kids like myself… better.

I heard the comedian Sinbad, a man who knew and learned from Cosby, state the same, he can not judge on some strangers’ accucations, but only on how Cosby impacted his life. And for Sinbad, and myself, and generations who grew up in a world precipitously devoid of opportunities for people of color, Cosby’s impact is overwhelmingly to the good. Cosby always used his talent and his resources to carve out such opportunities for others.

And now because of suspect accusations, that if true hints at someone who needs counseling over incarceration, all that good is what…. forgotten? Made Moot? You strip him of honorary titles? Really?

Here is the secret to those of you misguided enough to think that way… the price of greatness is sometimes perilous and steep. The soldier we thank for his service is back from blowing off some kids face, the president we applaud… has rained down fire on civilian targets, the sports figure you idolize is an adulterer and flawed father…. none of us are saints, and most of us are sinners, and the best we can hope to do is weigh a man’s good and his bad, and decide which part of that equation touches us the most and be ruled by that.

How you view the soldier with blood on his hands, depends on whether you are close to him or close to those he killed. In an imperfect world it’s the best we can do…side with those who have sided (if only tangentially) with us.

As a young kid turning into a young man, Cosby gave me the gift of laughter, of hope, of options, of the pleasure of seeing TV change into something more representative of the ethnically diverse nation it was supposed to speak to. So I can only judge him based on that, his personal failings beyond that are perhaps for those close to him or affected by them… to be offended by. And if criminally liable for a court to determine, however, where this shouldn’t be played out is in trial by media.

Shame on those schools and organizations quick to pull bestowed honors based on the lip service of media’s mob.

“When you side with a man, you stick with him. And if you can’t do that, you’re like some kind of animal.”

So that ends my rant and stance on Bill Cosby. His albums are still hilarious, and his achievments… still achievements.

Here endeth the lesson.

Classic COMIC BOOK Comic & Cover of the Day: BATMAN and TEEN TITANS

Today’s classic comic cover (alliteration is your friend) is a Jim Aparo cover from writer Bob Haney’s crazy 1970s run on BRAVE AND THE BOLD. This is one of the best books DC was putting out back in the 70s, and even back then the stories were outrageous non sequiturs, diverging wildly from established DC tropes of storytelling and often character. I loved Bob Haney’s stories, and being even of their time the stories were out of their time, and therefore remain oddly timeless.


This particular cover and comic of the day is BRAVE AND THE BOLD #149, from 1979, starring BATMAN in conflict with the TEEN TITANS, and titled ‘LOOK HOMEWARD, RUNAWAY’. Both the absurd and highly entertaining writing of Bob Haney and fluid and graceful art of Jim Aparo are at full gallop in this fun story.

If interested grab a copy here!

Enjoy till next time!


WEDNESDAYS WORDS is a new weekly installment that ranks the most interesting, intriguing books of the week (old, new, reissues, digital, etc). Contributors represent a variety of genres and sources. Each book includes Title and publisher blurb.

This is a rare one item WEDNESDAYS WORDS and the latest I’ve ever put one together, but put it together I did. Enjoy!

Creepy Presents Bernie Wrightson [Hardcover]

Book Description
Publication Date: September 13, 2011 | Series: Creepy Presents
All of horror legend Bernie Wrightson’s Creepy and Eerie short stories, color illustrations, and frontispieces are finally collected in one deluxe hardcover! These classic tales from the 1970s and early 1980s include collaborations with fellow superstars and Warren Publishing alumni Bruce Jones, Carmine Infantino, Howard Chaykin, and others, as well as several adaptations and original stories written and drawn by Wrightson during one of the most fruitful periods of his career! All stories and images in this collection are restored with care and reprinted in the same oversized format as Dark Horse’s award-winning Creepy Archives and Eerie Archives series.

As far as one book recommendations go, you would be hard pressed to find a better one than CREEPY PRESENTS BERNIE WRIGHTSON! First the hardcover book, which I’m perusing, in between writing this post, smells great.

I know that sounds like an odd statement, especially to all you digital i-something babies, but for those of us raised and reared on paper and ink, there are few things as evocative as the new book smell.:)

Add to that the fact that DARK HORSE who published this book, publishes really high quality books, and you have something special as much for construct as content. Something that can not be effectively… digitized.

So despite being printed in China, DARK HORSE is very quality-conscious and demanding… and it shows in the finished product. It’s a gorgeous art compilation book, containing the best art and stories from Wrightson’s time at Warren Publishing!

And lastly it’s Bernie Wrightson, one of the most celebrated sequential artists of the late 20th century; and here in the 21st, his work still remains… unrivaled.

While this book is no FRANKENSTEIN BY WRIGHTSON (Also Published by DARK HORSE, and copies getting scarcer and more expensive every day), it is vintage WRIGHTSON and as such most definitely should be an essential part of anyone’s desert island survival bag!

And at the current ridiculously low price you would have to be an unhinged art-hater, not to own a copy.

So there! Go here for more and to get your copy if so moved to:

Creepy Presents Bernie Wrightson

Bernie Wrightsons Frankenstein

The WEDNESDAYS WORDS column is a new blog feature, appearing (you guessed it!) every Wednesday. Come back next week to see which books make the list!

If you’re a publisher, writer, or other creative representative looking to submit items for WEDNESDAYS WORDS, just leave a comment on this post with your email/contact info, comments don’t get posted they come right to me, and I’ll reach out to you with the snail mail details.

And as far as readers, if you see items on WEDNESDAYS WORDS you’re considering purchasing then, if you are able and would like to support this blog, please utilize the attached links.

Your helpful purchases through those links, generates much appreciated pennies to keep this blog running. Your feedback and support… just way cool, and way appreciated. Thanks!

Sponsored by Ebay Store: Deals of the Day!

BREAKING NEWS! Marc Olden Books back in Print!

Courtesy of Diane C who runs the Marc Olden website comes the pretty great news, for all of us fans of Marc Olden, as well as fans of just great books, that all of Marc Olden’s long out of print Men’s Adventure novels are back in print courtesy of Mysterious Press.

Comprised of his HARKER, NARC, and BLACK SAMURAI series of books, these are in many ways the holy grail of pulp 70s men’s adventure thrillers and paved the way for such writers as James Patterson and Hugh Holton.

Now these long out of print books are finally available in affordable editions. I must admit to largely being a paper guy myself, but for those of you Ebook/Kindle converts than, this is the deal for you!


Here’s the link to Mysterious Press also:


I have to say, I think the MYSTERIOUS PRESS E-book covers are a bit artless (particularly when compared to the beautiful paperback originals), but my cover critique aside, having the content available again is what counts.

So go support and tell them HT sent ya!🙂

Some memorable, one might even say memorial, movie quotes

Okay this gets a bit weirdy and ranty, so if you don’t want weirdy and ranty, skip this post and come back tomorrow when I’ll be discussing the finer arts of moose calling or some-such nonsense.🙂

Okay… you’ve been warned.

The White Cliffs Of Dover DVD

“God will never forgive us, if we break faith with our dead again”

— Irene Dunne in her favorite film role (I concur) 1944’s THE WHITE CLIFFS OF DOVER, set in a world at war, fighting to end future wars. Hoping the sacrifice of young lives would end there.

Short Night of Glass Dolls DVD

“It’s not Mira. Mira was a rebel. She refused sex and gold when everybody else here was lured with them, We use them as bait the whole world over. Sex and Gold. They are important because they suppress the will to resist.”

–In Aldo Lado’s surprisingly haunting and still relevant 1971 film… SHORT NIGHT OF THE GLASS DOLLS, written in a world beset with wars civil and colonial.

“The oldest person beats the drum, and the youngest go to battle. We will hold the reigns of power in the world as long as there are people willing to be killed, willing to shed their own blood. And nothing must ever be changed.”

— SHORT NIGHT OF THE GLASS DOLLS [for my full review go here]

I like those quotes. Good quotes from good films.

With an election year upon us, I’m always mightily aware of politicians and posturing.

And I’m always distinctly aware, I’ve heard it before.

Every lie before they say it. A memorial of lies one might say.

How about we try this crazy thing, instead of just remembering the ones who have died, always a worthy goal, let’s do our bit and reduce the number of people we send to join them this year, and next year, and the year after.

How’s that for a worthy memorial to war? An end to all current and future war. An end to young people dying for the posturings of old people.

Be those young people American, or Iranian, or Somalian, or Haitian, or Guatemalan…let’s consecrate ourselves to some new way, some better way, some civilized way… to live, that does not involve pitting our young people against each other in conflicts, real life Hunger Games, that they have not the slightest idea of why they are fighting.

So I’m putting on the ballot a new way to fight wars… the big mouths in this country who have a problem with big mouths in another country, the congressmen, the owners of papers, the columnists, the heads of corporations, the religious zealots, and the talk radio idiots, everyone who is quick to have others kill and torture for them… you go fight the war.

Let’s try that.

All in favor, raise your hand.🙂 .

Let’s let the 20 and 30 year olds stay home, eff their brains out, get back to some of that age of Aquarius loving (before the 80s came to get them on the ‘me’ kick), and let them run the country.

And all you senators, all you justices, all you presidential candidates… you’ve had your time at bat, and you’ve made a perpetually regenerating and increasing mess of it…. so yeah you old, chairman of the board, want to be in charge f**ks, put on some fatigues, fill up that rucksack and you go fight the wars.

But no remote control drone bombing raids, no satellite directed death from above, no weather modification toys, no dropping mines in playgrounds (what kind of animal signs off on that? You do my friends. With every tax dollar you pay and flag you wave. You do, when you say ‘yes sir’ to terms like war power acts, and patriot acts, and laughable misnomers like homeland security… you do, we do. We did. Not anymore), not even any nuclear subs or good old grunts on the ground. No, we don’t give you any of that to wage war with, none of your cowardly, expedient toys to turn countless people into your faceless collateral damage, instead just a cage match with you old, hateful, fat f**ks in a cage with other old, hateful, fat f**ks.

We’ll give you some boxing gloves, maybe even a club or two, and you guys go at it. Work it out. Get along or kill each other, but either way, the world would be a lot better if you old manifest destiny, new world order, ‘woodrow wilson’ idolizing mfers would just die.

Because honestly, you effers have had your day, and all we have seen since the industrial revolution, is more of the same. The rich few get richer, and the rest of the people and the planet, gets raped and used up until we are clinging to a burnt out dying ball of rock.

What is the good of all your imagined power then you dumb f**ks?!!

The world can’t afford doing the same insanity that got us here, to this point, and expecting a different result. In fact that’s the definition of insanity, trying the same thing, and expecting a different result.

So give it to the young.

The world… give it to the young. They might eff up, they might not. They might find a different way, a better way. They’ll at least fall down going forward, going toward something new, which is more than any of you old ingrained effers have done in the last century and a couple decades, of mounting genocide.

Hell, maybe young people, devoid of you old people riding them to ensure they make your comfortable, beloved mistakes, they’ll even make a REAL democracy out of America, instead of a tyranny dressed as capitalism.

And as far as you old dudes and dudettes, you seekers or power and despoilers of wisdom, when you die, which is sad but more than likely a probability, that whole ‘live by the sword, die by the sword’ thing, we’ll grill a hot-dog or hamburger to you on the next memorial day.

Really we will.

Happy memorial day.🙂

Price The White Cliffs Of Dover

Price Short Night of Glass Dolls

Exclusionary TV: Whites Only Television? MADMEN, PAN-AM and REVENGE

Provocative title huh?

Well, it’s not quite as provocative as it seems. The premise of this article isn’t that shows such as MADMEN, PAN-AM, and REVENGE are in and of themselves bad or bigoted shows.

They may in and of themselves be good shows. But shows, dramas or scifi or action, that are predominantly White, when not off-set by any shows that are predominantly Black or colored, true to the definition of predominant… create an environment, a medium, that is about the ascendancy, importance, influence, authority of force of one group.

In such an environment it is impossible for me to buy into, relate, follow, view, or otherwise enjoy such shows. Now in an environment where a show such as PAN-AM is counter-pointed with a show on The forming of AIR JAMAICA or the Black Stuntmen’s Union or the Black Coyboys’ Union or any adventure or thrilling show with a predominant cast of color; then PAN-AM rather than being indicative of a color and ethnic bias in every show in tv, can be seen as one voice in a chorus, rather than the same voice, everywhere.

So that’s the problem I have with shows such as MADMEN and REVENGE they paint everything with the same trite and pale brush (take the series REVENGE, based on a book by the son of one of the most famous Black men, and the cast is all white. Explain that to me? Along with that it always rings false that we have yet to see a THREE MUSKETEERS that represents the ethnicity of the author Alexandre Dumas, or the ethnicity of the inspiration for all Dumas’ heroes, namely his father, France’s most famous and most feared soldier, the elder Alexandre Dumas, (inexplicably called Thomas-Alexandre in recent writings), the Black giant, the warrior Moor, Napolean’s most feared and brilliant General. The COUNT OF MONTE CRISTO is directly inspired by how his father was betrayed by Napolean, imprisoned, and killed. And rather than anyone ever tell that story, it becomes in REVENGE about a blond woman, mad about something. Forgive me if I have no interest in that retelling.)

So, What’s the solution?

We’ll get to it. First indulge me, with a brief trip to yesteryear.

In the late 50s, into the 60s and 70s television and cinema in the US, and indeed throughout the Western World, made great strides in becoming more representative of the class struggle going on throughout the world.

That’s a fact, it just is. So let’s begin there.

As countries from Congo to Cuba to Korea to the West Indies to Brazil all were dealing, at various stages, with the shattering of traditional Colonial ties. With populations of repressed people, embracing the concept, both with artistry and arms, of “not eating at another man’s table” but creating their own table.

It was a staggering period not just of revolution, but potentially evolution… for the world and the west.

Rather than mass media that explored and showcased only the fantasies and the fears of the white and the male you began getting shows that took place in a world reflective of the movements changing the landscape of our cultures and our time. Civil disobedience, and sit-ins, and Black power, and Native American rights, transcendentalism and free love, sexual and religious experimentation, and of course war and the search for peace and self identification.

And all these growing pains, all of this stew of change, could be seen in the entertainment of the age.

DANGER MAN, MISSION IMPOSSIBLE, PROFESSIONALS, GOOD TIMES, SANFORD AND SON, the rise of Soul Cinema, and the rise of Hong Kong Cinema, and Neo-Realism in Italy, and the New Wave in France, and the didactic films out of Russia, and Brazil, and Cuba, and Senegal, all of this making its way to newly born film studies programs in the states that gave birth to a whole generation of entertainment makers excited and influenced and inspired by this time of change and challenge.

So suddenly you had Patrick McGoohan in the DANGER MAN TV show 50 years ago globe-trotting and going to different countries and different people, and exploring issues of colonialism, and civil war, and terrorism, and governmental oppression, and doing this with a changing ethnically diverse cast. Dealing with issues of Middle East tensions and modern slavery. And this kind of informed and humanistic film-making came from the creators down. And all the shows of that period, while not DANGER MAN ground breaking, to greater or lesser degrees were that informed and representative of a culturally diverse and changing world.

Move the clock forward 50 years, and suddenly you have no community owned or locally owned cinema, much less production companies. That’s not an accident, that’s a very pointed, and very considered monopolization and marginalization.

You have the end of virtually any locally or regionally owned newspaper, radio, or television station. So you get the end of people and community created movements, and art and music, and you get instead corporate construction of reality and ‘art’ in things like AMERICAN IDOL and its ilk.

You have cinema and television that is in retreat from ideas… like diversity and the rights of man, and instead seeks a return to the exclusionary, blinders on, cinema of the 50s. Not just in terms of content and cast in front of the camera, but talent and crew behind the camera.

As, in reality, the mad military war machine of billionaires undoes the local determinism of countries like Haiti and Liberia and Libya, so too is our entertainment,no less the tool of billionaires, undoing the strides made toward multiculturalism. A return to “Whites only” television from MADMEN to PAN-AM to REVENGE.

And those shows while they hold no interest for me, would be fine if they were counterpointed by an equal number of US made shows with a majority of Black or Brown or Asian or a combination thereof, of actors in front the camera, and talent behind the camera.

And the talent is there, as screenwriters such as John Ridley discuss in numerous interviews. Even more talent than was available in the 60s and 70s is available now, the difference is, the cinemas are bought up, the advertising is cost prohibitive, and quite frankly the doors are closed.

In the 60s and 70s, Hollywood saw the need for an influx of diversity to save them from the rise of Independent Cinema (an outgrowth of viable and healthy local cinemas, local determinism), and there were a good number of people in the studios who were happy and excited for that diversity. They were part of the changing times, and part of changing it.

Today Independent Cinema has no way into the theaters, because the locally owned theater circuit, and indeed the community controlled mass-media circuit that served America, particularly Black America from the 20s to the 70s, has been bought out, legalized away, and generally dismantled.

For what was gained, more was lost in the compromise of integration.

The problem with the doctrine of separate and equal, was the fact that is was NEVER separate and equal, it was always separate and UNEQUAL. The Black Power movement and Black Panther movement was about making it SEPARATE AND EQUAL. Was to make the lie into the truth. And that is the reason we have integration today. Because the idea of separate and equal, scared the powers to be to their very soul.

They saw in the more moderate integration model of Martin Luther and his ilk, a compromise that could become a massive victory. They retreated from Separate and (Un)equal and embraced Integration of a sort, “you can now use our Bathrooms, you can now to an extent come into our house, but… you have to lose your house. You have to lose your radio stations, your movie theaters, your stores, your farms, your wallstreets, your sports teams, your attempt at self determination”.

Of course it wasn’t presented like that, but a few decades later that’s absolutely what has happened. The thriving economic base of Black America that thrived even under the odiousness of Separate but unequal, wherein they could still provide for themselves and be self sufficient, has been completely gutted under the together but even more UNEQUAL system of integration. And that robbing of local determinism has extended to all America. Has shown itself to be the most significant volley in a class-war that has America trillions of dollars in debt, and slaved, to corporations gross and immoral.

And television and cinema is the clearest example of this wholesale pillaging of a peoples economic potential.

So that’s what I see when I see shows like MADMAN or PANAM or REVENGE or SMALLVILLE (past season 4) I see prejudice and bigotry and class warfare… codified.

So you have a television and a cinema environment that has turned back the clock, and is again solely about showcasing the fantasies and the fears of the white and the rich, to the exclusion of all else.

It bores me to go backwards. To learn from the past is a great thing, to repeat the past is not. And we have a whole generation of studio execs and heads, who think they are doing something new by embracing the old, and all they are doing… is wasting time.

In a multi-cultural society, an increasingly multi-cultural society, these dreams of exclusion cannot stand, they will become unsatisfying, they always do. And in the end we will have to waste years just getting back to the same point of diversity as the 1970s. Getting back to the starting point from which we should be… evolving.

So let’s cut out some of the time wasting. Contact these studios signing off on this exclusionary television, the creators and producers, twitter them, facebook em, call’em, even write em, let them know the show doesn’t represent you, and to create a show that does. And let the advertisers know, say “this show boycotts me and mine. Since you are asking me to support your product, I want you to produce a show that supports me.”

It’s economics people. For all their crushing of competition, ultimately the decision makers and gate-keepers still need to create a product you want to buy. Let them know they are failing at that mandate.

Let them know you want to see more shows, that are both smart and diverse.

Day Break – The Complete Series- Do not buy the 2disk version, get the 4 disk version

55 Degrees North – Series One & Two – 5-DVD Box Set ( Fifty Five Degrees North ) ( 55 Degrees North – Entire Series 1 & 2 ) [ NON-USA FORMAT, PAL, Reg.2.4 Import – United Kingdom ]

Kidnapped – The Complete Series

Secret Agent AKA Danger Man: The Complete Collection (Slimline Packaging)

The Philanthropist: The Complete Series

Kings – The Complete Series

Blood & Bone

I Am Cuba: The Ultimate Edition

Let them know you want to see more DAY BREAK with Taye Diggs and Moon Bloodgood, more 55 DEGREES NORTH with Don Gilet, more KINGS with Eamonn Walker more BLOOD AND BONE with Michael Jai White, more James Purefoy and Jesse L. Martin in THE PHILANTHROPIST (the spiritual descendant of McGoohan’s DANGER MAN); more shows that look forward to solutions, rather than backward to evasions.

Challenge the creators, challenge the studios, challenge the advertisers, challenge the performers, and challenge yourself to go not marching backward, but to go forward… into the mystery. And ultimately we will as cities and a nation, have to eschew outside control, and embrace again local production of items and local determinism.

And it starts as simply as recognizing and calling out the prejudiced the exclusionary and the destructive when we see it.

Here endeth the lesson.