FAVORITE SUPERMAN COMIC BOOK COVER EVER???

My better half thinks I’m a sick puppy for liking this cover, but man, I remember being wowed by this cover as a kid, and as an adult it still makes me literally laugh out loud. Even from the 60s and 70s age of outrageous SUPERMAN covers it is one of the most outrageous and funny.

The thought that even Luthor would stoop to such extremes, is absurd and horrible, both character wise and concept wise. But the absurd part wins out, you can not take it seriously. 

Even as a kid, I knew there was no way anyone was getting ‘killed’ and Luthor would get his well deserved beatdown,  and so even as a kid i saw the cover as a bit of wonderful hucksterism, and wildly audacious fun/comedy. As an adult I still feel that way. I don’t think the interior story is memorable, but that cover… is frame worthy.

 

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Lex Luthor turning the heroes into kids is bad enough, but then he is still so cowardly that he is sneaking up behind them and hitting them in the back of the head, rabbit punching them, with his super-powered brass knuckles. Do you get anymore ludicrously, cowardly, mustache twirlingly despicable. It is impossible not to view it like a Chuck Jones Wile E. Coyote skit on meth. :).

Quick aside, my Favorite Luthor in live action, and I have, to varying degrees,  liked all the versions, but the actor for me who is not only the best live action version, but is better than the animated version , is the criminally under mentioned Sherman Howard.

Sherman Howard

His work in seasons 3 and 4 of THE ADVENTURES OF SUPERBOY, thanks to great scripts and a great cast and crew (including the excellent Stacy Haiduk and Gerard Christopher), was TREMENDOUS. Those two years of THE ADVENTURES OF SUPERBOY, season 3 and 4, I would have to rate as easily the best live action version of Superboy/Superman on the small screen. Better than LOIS & CLARK, better than SMALLVILLE, better than the second season and up, of SUPERGIRL.

The webpage will not show this image anonymously.

The webpage will not show this image anonymously.

And a large part of why those two seasons remain worth revisiting are the Luthor episodes, and the fact that Sherman Howard gets to take the character from brilliant to wildly unhinged to sympathetic and back again. It is really a wonderful performance, that I urge you to go out and purchase or view those two seasons if you have never seen them.

They are that good, and Sherman Howard is that good in the role.

Get the shows here:

https://amzn.to/30zujB9

https://amzn.to/2XHHUod

 

Now getting back to the comic book cover… The cover shows MUCH better in person. But you should get a feel from the image whether it is one to add to your collection. If so, get your copy here:

https://www.mycomicshop.com/search?q=action+comics+466&AffID=200301P01

 

 

If you enjoyed this post, like, share, subscribe, and check out the sponsor link below to order comic book, podcast, and youtube curated laptops or tablets, and/or curated digital picture frames. They also do all manner of repair and customizing for the pop-culture community. Mention you are coming from this blog and get 10% off.

https://techsupport51.wixsite.com/tech-support-2day

 

THE LAST WORD: Joe Kubert’s BEST Comic Book Covers!!(Some of them)

I have an appreciation for the late, great Joe Kubert here in 2018 as an adult, that I really didn’t have for him as a kid. And much of that is down to exposure, as well as a broader scope of reading material.

As a kid, comics that interested me were what interested most kids of the latter 20th century. We were children of Stan Lee and Jack Kirby, Chis Claremont and John Bryne, Marv Wolfman and George Perez, David Kraft and Keith Giffen, Bob Haney and Jim Aparo. The very exciting and colorful, but delineated world of Superhero comics.

The Brave & The Bold #84 - Neal Adams

But then the late 80s happened, and creators like Alan Moore and Frank Miller and William Mesner Loebs created works that seemed to challenge and expand the horizons and genres and tropes of the medium. They were following in the footsteps of late 70s pioneers such as Doug Moench and Paul Gulacy, and the aforementioned creators, who all had their moments of scripting comics with an Indy sensibility before the term existed.

And now as an adult, having explored much of the growth of the mainstream comic industry from their golden age roots, to their big screen interpretations, here in 2018 I am revisiting some work that was largely before my time.

Namely the westerns and horror books and combat books, of the late 60s and early 70s.

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And this deep dive into this world (I mean I have gone deep in 2018), has solidified and cemented and revealed somethings. Most notably is 1/ The western comic books of Marvel Comics, the 12cent and 15 cent, etc comics, RAWHIDE KID, TWO-GUN KID, GUNHAWKS, MARVEL WESTERN, by mostly Larry Lieber, and Stan Lee, and Jack Kirby, and Gil Kane, and Herb Trimpe and John Severin are masterpieces. And these books are MUST OWNS. And many have not been reprinted. And while MARVEL COMICS were hands down producing some of the best Western Comics, some other notable comics in this genre are the painted cover LONE RANGER comics by Dell and Gold Key Publishing, and DC’s TOMAHAWK–

(Brief interuption to gush on Kubert’s TOMAHAWK. The last 25 issues or so of TOMAHAWK go from Neal Adams covers to the final ten which are Joe Kubert covers, from issues 131 to 140. There are not many people who can follow Neal Adams on covers, and be able to equal him.

When Neal Adams does a run of covers, those become the definitive sought after covers, especially during this period of the 60s and 70s in DC. Whether BATMAN or DETECTIVE or SUPERMAN or SUPERBOY, to this day the definitive covers for all those titles, are the ones drawn by Neal Adams, and with good reason. Neal Adams is a master artist.

So it is no small compliment to say not only does Joe Kubert’s ten issue cover run on TOMAHAWK equal the work of his good friend Neal Adams, they surpass them. As someone who just acquired those ten books this year, listen to me when I say they are INCREDIBLY undervalued, sporting both stunning covers and interiors, and no true fan of comics should be without them. If you can get them in high grade for $10 a book, that is a steal.

Get those issues at the link below. You get great comics AND you earn a few pennies to keep this blog’s lights on.

https://www.mycomicshop.com/search?tid=181351&pgi=101&AffID=200301P01

)

–and ALL STAR WESTERN & WEIRD WESTERN. All fantastic and I will be doing a bit on Western Comics in an upcoming post.

 

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And 2/ where the Marvel Comics  of yesterday ruled the WESTERN genre, the WAR or COMBAT genre was ruled by DC Comics. Largely because of two names the great Robert Kanigher and the great Joe Kubert. Both men master story tellers, one with words and one with images, and both men incredibly prolific and productive. My favorite TEEN TITANS story of the silver age is by Robert Kanigher, my favorite FLASH stories by Robert Kanigher. So I always meant to pursue Kanigher’s work into his combat/conflict/war books of the period, and I am finally getting a chance to do that in 2018. And what immediately sells these books is the iconic covers and visual storytelling by the late, great Joe Kubert.

Joe Kubert’s cover art on Our Fighting Forces #135

His work, especially pre the mid 70s, where his covers got to play with the typography and marrying that to the cover image… gold. Absolutely gold. To the point where covers for OUR FIGHTING FORCES and OUR ARMY AT WAR for a brief period in the late 60s, early 70s are cover art truly raised to the level of Art with a capital A. Why anyone would pay $4, $5, $6, and $7 for a brand new comic book (that can be found in the $1 bins or reprinted in a much better quality trade in a few months), when you can take that same money and get a classic issue from this period of comics… is beyond me.

It is work you are typically not going to see unless you go looking. Not many people are showing off 50 year old war comic book covers. In 2018 I have gone looking.

Let me show you some of what I’ve found. We will start with a taste of his unconventional and relatively rare Superhero work and move onto his more prolific genre work.

 

 

 

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SYFYWIRE’s Matthew Funk says it best when they say…

“G.I. Combat #88

Kubert’s contributions to the visual language of war stories can’t be overstated, and this cover proves as much. This is very Stanley Kubrick-style imagery, but the comic predates Full Metal Jacket by 26 years. Kubert was creating iconic, haunting, and cinematic images of war that would influence generations of storytellers.”

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When you think of great, iconic cover artists, the names Gil Kane, Neal Adams, Jim Steranko, Nick Cardy, and more recently Alex Ross come to mind. And all deservedly so. But one that arguably has gotten overlooked by the masses is Joe Kubert, and this is largely because he worked mostly in genres that did not get the attention back in the day. But now as an adult and getting into genres of Western and War and Horror, I am getting exposed to the work of great artists such as Joe Kubert, I am seeing much of it for the first time, and it is…. ASTONISHING. What really amazes me about Kubert is when he gets to play with Typography in his covers, and make that part of his story-telling, those are absolute game changers. Such as the above, and many of his Combat books.

 

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SGT ROCK

G.I. Combat (Volume) - Comic Vine

Our Army At War 254 - Sgt. Rock - Joe Kubert

Cover

Ready to own some of these great comic books?

Then use the link below and start ordering:

https://www.mycomicshop.com/search?q=our+army+at+war&pubid=&PubRng&AffID=200301P01

 

Best Movies & Shows on AMAZON PRIME! Week 38 of 2016!

Amazon has all four of Amando de Ossorio’s little seen but well regarded quartet of Blind Dead films, courtesy of Amazon Prime, so you can try before you buy.

They are:

tombs-of-the-blind-dead1 tombs-of-the-blind-dead-1972-bw-beyond-horror-design tombs_of_blind_dead_poster_01

La Noche Del Terror Ciego (1971) – THE NIGHT OF THE BLIND TERROR renamed for North America to the surprisingly brilliant title, (and the title that has defined the series) THE TOMBS OF THE BLIND DEAD, was an international success and put its director Amando de Ossorio and Spanish Horror on the map.

The titular protagonists were so haunting, the character design so inventive, that it spawned three equally well regarded sequels.

Finally watched I can see why this film series, closing in on its 5th decade, is well regarded. Given the time period and obvious limitations of budget, the director, Amando de Ossorio manages to create a wonderful atmosphere, iconic villains, and intriguing characters and story, imbuing a new intriguing twist, onto the well trod myth of the living dead.

The three sequels are:

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THE RETURN OF THE LIVING DEAD 1973 ( The original Spanish title, ATTACK OF THE BLIND DEAD being superior to the American title)

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THE GHOST GALLEON  1974 ( Known in its original title, EL BUQUE MALDITO, as THE DAMNED SHIP)

night_of_seagulls_poster_01 seagulls

 

and finally NIGHT OF THE SEAGULLS 1975 (The only movie in the series, translated literally from the Spanish).

 

Now you can see all 4 films on Amazon Prime. Now be careful, there are multiple copies of these films on Amazon, most of them have a cost to them, however do a search and find the movies without a poster image and those will be the free ones.

Then watch all four and enjoy and if as impressed as I am, and ready to own the DVDs with special features, then go here:

 
The Blind Dead Collection (Tombs of the Blind Dead / Return of the Evil Dead / The Ghost Galleon / Night of the Seagulls / Amando De Ossorio- Director)
Enjoy!!

 

 

 

 

 

Holiday Gift Guide : 5 BEST COMEDY Albums of ALL TIME & The Final Word on Bill Cosby!


From Redd Fox to Bob Newhart to Bill Cosby to Eddie Murphy, here are the best comedy albums of all time:

wonderfulness

REDD FOXX UNCENSOREDuncensored

THE BUTTON-DOWN MIND OF BOB NEWHARTbuttondown

IN LIVING BLACK AND WHITEdickgregory

EDDIE MURPHY COMEDIANeddiemurphycom

BILL COSBY WONDERFULNESSwonderfulness

If you have to start with one album, start with Bill Cosby’s WONDERFULNESS, just hilarious. Now I know it’s popular because of the controversy to demonize Bill Cosby. Here’s my first, last, and best measure on Bill Cosby, it is a line from a Sam Peckinpah movie… “When you side with a man, you stick with him and if you can’t do that, you’re like some kind of animal.”

When I was a kid growing up in the 70s and 80s it was Bill Cosby who defined so many of the opportunities and enjoyment and broke so many of the barriers to pave a way for a young, punk kid like myself and millions of others to dream bigger, aspire better.

From an accomplished college sports figure to a ground breaking televsion actor in the beloved ISpy series to a world acclaimed commedian to a producer of kids’ television shoes (FAT ALBERT!), to a great, classic series of 70s movies, to a really groundbreaking 80s television series,to a civil rights and human rights fighter, and economic fighter…. the accomplishments of Bill Cosby are staggering for any ten people, but that he fit all this into one life… is the stuff of legend. To call him a Renaissance Man is apt.

Is he guilty or innocent of these accusations?… That’s for a court of law to decide rather than this televsion lynching the American Mass Media has been fond of with prominent people of color. This assassination by media is out of proportion, by a generation grown and raised on the tearing down of idols.

Guilty or Innocent, a man’s falling down must be weighed against his standing up. And if many of us presume to not have committed the perceived sins of Bill Cosby, neither have those same rock throwers committed the triumphs and the groundbreaking accolades of a Bill Cosby. We are none of us Saints, and most of us Sinners, but I posit that the good Bill Cosby has done, is larger and grander than the good his detractors have done.

You want to stand in judgment of a man’s evil, then you have to be capable of also judging or equaling his good, and none out there speaking against Bill Cosby have fought as tirelessy as Bill Cosby to make the world better… and Cosby has made the world… for punk kids like myself… better.

I heard the comedian Sinbad, a man who knew and learned from Cosby, state the same, he can not judge on some strangers’ accucations, but only on how Cosby impacted his life. And for Sinbad, and myself, and generations who grew up in a world precipitously devoid of opportunities for people of color, Cosby’s impact is overwhelmingly to the good. Cosby always used his talent and his resources to carve out such opportunities for others.

And now because of suspect accusations, that if true hints at someone who needs counseling over incarceration, all that good is what…. forgotten? Made Moot? You strip him of honorary titles? Really?

Here is the secret to those of you misguided enough to think that way… the price of greatness is sometimes perilous and steep. The soldier we thank for his service is back from blowing off some kids face, the president we applaud… has rained down fire on civilian targets, the sports figure you idolize is an adulterer and flawed father…. none of us are saints, and most of us are sinners, and the best we can hope to do is weigh a man’s good and his bad, and decide which part of that equation touches us the most and be ruled by that.

How you view the soldier with blood on his hands, depends on whether you are close to him or close to those he killed. In an imperfect world it’s the best we can do…side with those who have sided (if only tangentially) with us.

As a young kid turning into a young man, Cosby gave me the gift of laughter, of hope, of options, of the pleasure of seeing TV change into something more representative of the ethnically diverse nation it was supposed to speak to. So I can only judge him based on that, his personal failings beyond that are perhaps for those close to him or affected by them… to be offended by. And if criminally liable for a court to determine, however, where this shouldn’t be played out is in trial by media.

Shame on those schools and organizations quick to pull bestowed honors based on the lip service of media’s mob.

“When you side with a man, you stick with him. And if you can’t do that, you’re like some kind of animal.”

So that ends my rant and stance on Bill Cosby. His albums are still hilarious, and his achievments… still achievements.

Here endeth the lesson.

Classic COMIC BOOK Comic & Cover of the Day: BATMAN and TEEN TITANS

Today’s classic comic cover (alliteration is your friend) is a Jim Aparo cover from writer Bob Haney’s crazy 1970s run on BRAVE AND THE BOLD. This is one of the best books DC was putting out back in the 70s, and even back then the stories were outrageous non sequiturs, diverging wildly from established DC tropes of storytelling and often character. I loved Bob Haney’s stories, and being even of their time the stories were out of their time, and therefore remain oddly timeless.

Brave_and_the_Bold_v.1_149lrg

This particular cover and comic of the day is BRAVE AND THE BOLD #149, from 1979, starring BATMAN in conflict with the TEEN TITANS, and titled ‘LOOK HOMEWARD, RUNAWAY’. Both the absurd and highly entertaining writing of Bob Haney and fluid and graceful art of Jim Aparo are at full gallop in this fun story.

If interested grab a copy here!

Enjoy till next time!

WEDNESDAYS WORDS

WEDNESDAYS WORDS is a new weekly installment that ranks the most interesting, intriguing books of the week (old, new, reissues, digital, etc). Contributors represent a variety of genres and sources. Each book includes Title and publisher blurb.

This is a rare one item WEDNESDAYS WORDS and the latest I’ve ever put one together, but put it together I did. Enjoy!

Creepy Presents Bernie Wrightson [Hardcover]


Book Description
Publication Date: September 13, 2011 | Series: Creepy Presents
All of horror legend Bernie Wrightson’s Creepy and Eerie short stories, color illustrations, and frontispieces are finally collected in one deluxe hardcover! These classic tales from the 1970s and early 1980s include collaborations with fellow superstars and Warren Publishing alumni Bruce Jones, Carmine Infantino, Howard Chaykin, and others, as well as several adaptations and original stories written and drawn by Wrightson during one of the most fruitful periods of his career! All stories and images in this collection are restored with care and reprinted in the same oversized format as Dark Horse’s award-winning Creepy Archives and Eerie Archives series.

As far as one book recommendations go, you would be hard pressed to find a better one than CREEPY PRESENTS BERNIE WRIGHTSON! First the hardcover book, which I’m perusing, in between writing this post, smells great.

I know that sounds like an odd statement, especially to all you digital i-something babies, but for those of us raised and reared on paper and ink, there are few things as evocative as the new book smell.:)

Add to that the fact that DARK HORSE who published this book, publishes really high quality books, and you have something special as much for construct as content. Something that can not be effectively… digitized.

So despite being printed in China, DARK HORSE is very quality-conscious and demanding… and it shows in the finished product. It’s a gorgeous art compilation book, containing the best art and stories from Wrightson’s time at Warren Publishing!

And lastly it’s Bernie Wrightson, one of the most celebrated sequential artists of the late 20th century; and here in the 21st, his work still remains… unrivaled.

While this book is no FRANKENSTEIN BY WRIGHTSON (Also Published by DARK HORSE, and copies getting scarcer and more expensive every day), it is vintage WRIGHTSON and as such most definitely should be an essential part of anyone’s desert island survival bag!

And at the current ridiculously low price you would have to be an unhinged art-hater, not to own a copy.

So there! Go here for more and to get your copy if so moved to:

Creepy Presents Bernie Wrightson

Bernie Wrightsons Frankenstein


The WEDNESDAYS WORDS column is a new blog feature, appearing (you guessed it!) every Wednesday. Come back next week to see which books make the list!

If you’re a publisher, writer, or other creative representative looking to submit items for WEDNESDAYS WORDS, just leave a comment on this post with your email/contact info, comments don’t get posted they come right to me, and I’ll reach out to you with the snail mail details.

And as far as readers, if you see items on WEDNESDAYS WORDS you’re considering purchasing then, if you are able and would like to support this blog, please utilize the attached links.

Your helpful purchases through those links, generates much appreciated pennies to keep this blog running. Your feedback and support… just way cool, and way appreciated. Thanks!

Sponsored by Ebay Store: Deals of the Day!

BREAKING NEWS! Marc Olden Books back in Print!

Courtesy of Diane C who runs the Marc Olden website comes the pretty great news, for all of us fans of Marc Olden, as well as fans of just great books, that all of Marc Olden’s long out of print Men’s Adventure novels are back in print courtesy of Mysterious Press.

Comprised of his HARKER, NARC, and BLACK SAMURAI series of books, these are in many ways the holy grail of pulp 70s men’s adventure thrillers and paved the way for such writers as James Patterson and Hugh Holton.

Now these long out of print books are finally available in affordable editions. I must admit to largely being a paper guy myself, but for those of you Ebook/Kindle converts than, this is the deal for you!

MARC OLDEN New E-Books!

Here’s the link to Mysterious Press also:

MYSTERIOUS PRESS

I have to say, I think the MYSTERIOUS PRESS E-book covers are a bit artless (particularly when compared to the beautiful paperback originals), but my cover critique aside, having the content available again is what counts.

So go support and tell them HT sent ya! 🙂