Where to buy NEW comic books right now, Sept 2018 Pre-orders! And What books to get! ALL THE REST EDITION!

This is the last day to preorder books that will be shipping in December at a discount.

Here are my suggestions for the books worth your time:

MARVEL COMICS

Nothing. I can recommend nothing from Marvel Comics. Marvel is GROSSLY overpriced.  Save your money and either pick up these issues for a $1 or $2 each in a few months, when they are no longer new, from the secondary market. Or wait till they get collected into trade paperbacks and read them from your local library for free. Or buy them used online for a fraction of what getting the individual issues would cost.  I grew up with Marvel Comics, and i think they still have some fantastic creators I would love to read on a monthly basis, Ta-Nehisi Coates CAPTAIN AMERICA , comes to mind. After much hate from the moronic bigoted internet crowd, the moronic antisjw nazis, it turns out Coates CAPTAIN AMERICA is shaping up to be great. The same with just about anything Al Ewing touches. Unfortunately these great creators are sabotaged by a unsupportable comic price, and horrible editorial and marketing decisions.

The movies quite frankly are a lot better, and a lot less disorganized, stupid, and at times ingrained bigoted than the comics. The comics play lip service to diversity, and it is great to see creators like Coates and Walker get a chance to start their vision, but inevitably Editorial steps in and ruins/aborts their process/ending. The comics back pedal from everything to try to pander to the racist anti-change and anti-diversity mob, who typically don’t even read the comics they complain about.

The movies so far under Feige’s reign have embraced diversity with no back pedaling or moronic denigration that makes up so much of what goes on in the comics when it comes to characters of color (‘Oh Well we can’t have the Black Nick Fury be his own man. Let’s explain him away as the son of a White Nick fury.’ What????? Yeah this is the stupidity and racist great ideas that is happening in Marvel Comics, by there non-writers of color and editorial department.)

So yeah, so far the movies are actually better by far than the comics. So stick with them for now. Or until they start following the stupidity of the current comic books.

DC COMICS

Unfortunately DC that was doing a good job of keeping their prices under $3 a comic, ever since hiring the trojan horse of Brian Bendis, they have adopted Marvel’s disastrous and customer offensive pricing policy. Of charging $4, $5, $6,and $7… for COMIC BOOKS!!!!

Absolutely immoral.

And I like Brian Michael Bendis as a creator, but I despise him as a shill for the company, and his arrogant frat boy attitude to companies milking the audience, and  his basic ‘ah they will pay the higher price. Lower prices do not sell.’ I’m ten years of proving Bendis is wrong. It is not diversity that is the cause of Marvel Comics’ inability to keep from bleeding readers, it is the bloody price of their books. Add to that the over abundance of ads, poor placement of ads, and atrocious paper quality and you have a company that is repeatedly slapping their customers in the face, then wondering why the customers are not sticking around.

DC will soon find they will have the same issue as Marvel Comics. They will keep the die hards for a while, the sheep who buy multiple issues and variants, and the speculators, but that is  a far cry from the millions of people a publishing arm of Times Warner should be reaching.

Besides their last $2.99 books, which word is they are going away soon… The only book over $3 that I get from DC, that I make an exception for, is Christopher Priest’s brilliant DEATHSTROKE. And that is going to change, as editorial has decided to reward the critical acclaim that series has received, by mixing it into their editorial marketing ploy, basically gutting Priest’s ability to tell unhindered stories with the character. Once Priest leaves, so do I.

So what is worth getting?

Here is my list for September Pre-orders:

Beyonders 4 On order 1 $2.59
Bitter Root Cvr D Williams 1 On order 1 $2.59
Cavewoman A Wizard A Sorceress And Meriem 1 On order 1 $2.59
Cemetery Beach 3 On order 1 $2.59
Cinema Purgatorio Vast Cvr 16 On order 1 $4.54
Dark Ark Cvr A Doe 11 On order 1 $2.59
Deathstroke (2016) Cvr B Var Ed 37 On order 1 $2.59
Dick Tracy Dead Or Alive Cvr B Tommaso 3 On order 1 $2.59
Feast Or Famine 1 On order 1 $0.98
Gideon Falls Cvr B Suayan 8 On order 1 $2.59
Hillbilly Red Eyed Witchery From Beyond 4 On order 1 $2.59
Infinite Dark 2 On order 1 $2.59
Infinity 8 7 On order 1 $2.59
Jook Joint 2 On order 1 $2.59
Leviathan Cvr B Guillory 4 On order 1 $2.59
Lightstep 1 On order 1 $2.59
Lodger 2 On order 1 $2.59
Magic Order Cvr A Coipel 6 On order 1 $2.59
Moth And Whisper 3 On order 1 $2.59
New World Cvr B Moore And Muller 5 On order 1 $2.59
No World Primer 2018 On order 1 $0.16
Oblivion Song 9 On order 1 $2.59
Outer Darkness 1 On order 1 $2.59
Proxima Centauri 6 On order 1 $2.59
Raid Cvr B Photo 4 On order 1 $2.59
Red Sonja Cvr A Caldwell 23 On order 1 $2.59
Rick And Morty Cvr A 44 On order 1 $2.59
Rick And Morty Presents Pickle Rick Cvr A 1 On order 1 $3.24
Shadowman Cvr C Veregge 9 On order 1 $2.59
Sideways 10 On order 1 $1.94
Silencer 11 On order 1 $1.94
Sink Cvr A Cormack 6 On order 1 $2.59
Skyward 8 On order 1 $2.59
Spawn Cvr B Mattina 292 On order 1 $1.94
Stellar 6 On order 1 $2.59
Terrifics 10 On order 1 $1.94
Unexpected 6 On order 1 $1.94
Walk Through Hell 6 On order 1 $2.59
Warning 1 On order 1 $2.59
Whispering Dark 2 On order 1 $2.59

Order yours here:

https://www.mycomicshop.com/subscriptionservice?AffID=200301P01

And tell them HT sent ya!!!!

🙂

 

 

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Today’s best and worst Comic Book related Youtube Channels

First Point, Youtube via your laptop or computer I find annoying and not worth your time.

Youtube via Roku, on my big screen TV, and absent all stupid comments I find incredibly useful and watchable.

Here without further ado, my additional points, Youtube Winners and  Losers for First Quarter 2018.

BEST

I like buying artbooks, and graphic novels, and collected editions, so I find some of these channels very helpful in helping me decide if  an item is worth buying. Especially when you are dealing with something like artist editions that can run hundreds of dollars.

So here are channels that helped me make great purchase decisions.

GABE INFINITY WATCH

GEM MINT COLLECTIBLES

NEAR MINT CONDITION

WALT’S COMIC BOOK CHANNEL

EARL GREY

OMNIBROS  LIVE

GORE VIDAL

WALLACE RYAN

 

WORST

Anyone who uses acronym’s such as SJW in their headlines, or as a snarky insult (I’m looking at DIVERSITY & COMICS channel, which is not about Diversity and is not about comics, but is about click baiting and laziness) is generally not a channel you should support or be subscribed to. The thing with acronyms is you end up blindly lumping things together that have nothing to do with each other. And instead of dealing with a specific argument, you tend to become the very caricature you are arguing against. You become as misinformed, in your ‘lumping together and your stigmatizing’ as those you accuse of lumping together and stigmatizing others.

Here’s the thing, we are all of us (if not idiots) more than the party line.

Let me say that again, we are all of us more than the party line.

Whatever party you choose to support this day or that. We are conservative when it comes to some things, liberal when it comes to some things. And biased when it comes to some things.

Take me.

I’m not a fan of witch-hunts. Whether that is the Salem Witch trials, or the McCarthy Witch Trials. Or today’s sexual harassment witch trials. I believe no one should lose their job or be punished, based on unproven allegations. I believe people are innocent till proven guilty in a COURT OF LAW. That goes for Cosby, or Weinstein, or Lauer, or Singer or Spacey, or Gibson, or as it affects comics, Berganza.

I do not like mobs. And I do not like Mob mentalities, and I do not like knee jerk responses, and I do not like talk show mentalities, and most of all I don’t like people tried on twitter and Youtube, and based on the accusations of the unproven, the opinions of the uninvolved, and the fear, and in some cases the vendettas of the powerful, people before trial… are tried and punished.

I do not like it.

Not when it comes to movies, or sports, or newscasters, or the medium of comic-books.

I do not know Editor Berganza from a hole in the wall. He could well be guilty. My problem he was fired on allegations rather than proof. As were all those I’ve mentioned. Accolades and awards and honors they have earned, stripped from them at the merest whiff of scandal. So until proven guilty, a man is innocent, and should be treated as such. I don’t like that comic book artist Adrian Syaf was fired for placing the numbers ‘212’ and the number ‘5:51’ in the background of drawings. Artists sneaking easter eggs into the background of drawings is not new for comics or any other medium. And how that is any different from Christians putting bible verses in the background of their scenes. Long story short, it isn’t. That’s what an editor is for to catch that stuff, and if you don’t you don’t. Based on the agregiousness of it, you take  the appropriate action. Which usually involves a good talking to, not ruining someone’s career.

So I do not like witch hunts..

Whether led by a republican, a lesbian, a trans-gender person, a bigot, I do not like witch-hunts. You have a case, prove it in a court of law, not by gathering lynch mobs.

And this overreacting is on both sides of the fence, and the quickness to throw broad dismissive labels, obscures the fact of what you are fighting against, and what you are fighting for.

That is the folly of labels, it makes people side with fools, and fools lead good men to horrible acts.

Labels and acronyms are always shorthand for the lazy, who can’t be bothered to know what or who they are really arguing against or about. If you are using the acronym SJW you might as well carve a swastika in your forehead because that’s the level you are arguing on.

We are all of us gradations of right, and gradations of wrong, and we are all gradations of irrational.

Being aware of those places where the unfair and the fair fight for possession of our soul, being aware of our culpability in any argument, makes us less likely to glibly go along with the mob, or those who would throw the first and last stone.

Being unaware that anyone who uses the term SJW or dem or repub, is in and of himself, guilty of being the exact same thing they would denigrate; makes you ignorant.

But that is fine, we are all ignorant of something.

Staying ignorant however, makes you stupid or evil.

And that is not fine.

You have to know in any argument, you may not be on the side of the right. And you must learn to accept no truth you went to bed with, as the truth you’ll wake up with. Only through constant questioning of yourself, and the things you love and the things you hate, and the things you believe, can you grow and stay on the right side of those things.

And just as surely… assuming you are always right, especially your side or group or acronym is always right, is the surest way to go marching down the road to hell.

Deep waters for Youtube and comics, huh?

Here is the thing, it doesn’t matter over what we conflict, How seemingly trivial or important.  it matters that we always know, the conflict is with ourselves first. And reason and right is not a given, it must be continually retried within ourselves.

I generally do not gravitate to comics that have trans-gendered or homosexual people in it. That has nothing to do with either of those groups, and everything to do with me. I would like to think it is less about homophobia and more my aversion and dislike of talk shows and reality shows and Lifetime movies, and not wanting that in my comic. Though definitely homophobia plays a part. But mostly its an aversion to those topics heavy handedly crowbarred into what should be a a superhero/action genre. That was my problem with Supergirl Season 2. And why I stopped watching it. It was the gay subplot, handled incredibly annoyingly.

Now contrast that to JH Williams III’s BATWOMAN which was a brilliant superhero book, that just so happened to have a Lesbian character. Or Priest’s DEATHSTROKE with its bisexual character, and these things aren’t written in 20 point type, it’s just another brilliantly layered part, or a brilliant superhero story.

But most people aren’t as talented as a Priest or Williams, so when my comic reads more like a mission statement it is time for me to find a different comicbook.

And it is specifically a superhero/comic related bias, I have an archaic definition of what Superhero and other comics are and should be, an idea that works for me. An idea of what entertains me in comics,  So I understand this bias in me, and I buy the comics that appeal.  However I’m not going to have a problem with their being homosexual or trans-gendered comics or creators, that do want to focus on the lifetime channel or talk show extremes. If there is an audience for those stories great. I won’t be reading them, but neither am I going to have a fit because these stories or creators or characters exist. And that is because I ‘m good with the world being what it is, and me being what I am, and I am aware what part of the failing is me rather than the world.

There is a lot of talk on youtube about social justice warriors, mostly by white men (mostly but not exclusively, there are also enough Black and Brown and Red and Yellow idiots to go around), who see comics by creators not like them, and filled with new characters not like them, and they are not comfortable with that.

That  is not a problem. Like I said, I also feel that discomfort for things outside my comfort zone.

But here is the difference, they feel threatened by these things out of their comfort zone, and attack. Rather than allow people to ‘do them’ (as the kids would say), and simply choose to not patronize the books and creators they don’t like, and just buy and read and enjoy the things they do, instead they want to attack, and force the industry to only reflect them and exclude the other.

That is a problem.

It is a problem of ignorance, and it is a problem of fear, and it is a problem of not knowing yourself, that the world is wide and wonderful, and we don’t have to agree to like the same books or like the same creators.

But we do have to agree to, not stop others from liking what they like.

We do have to agree, to fight with ourselves before we fight others, because most of the time when we lose control, and take up arms against others, it is because we haven’t solved something with ourselves.

So that was an incredibly long aside to get you to my list of Youtubers who are doing a disservice to our hobby, by waging war with others, because they can’t just  embrace this idea… that ‘you do you’.  :).

 

Case in point…

cAPN C-SUMTHING (not worth remembering the dudes correct channel, or name) – emphasizes one of my pet peeves, people who think having an opinion is enough. When it comes to sharing and broadcasting it to a larger audience, it is not enough to have an opinion. It needs to be an informed. You are sitting in a movie theater, and because you are warm you start screaming fire, and spreading an opinion, that with two seconds to inform that opinion… you may have realized you still have your jacket on, or the person a row in-front of you is smoking; so the theater is not actually on fire. So your initial knee-jerk animal brain opinion may have been ‘fire’, but shouting out that uninformed opinion, in the theater to a crowd, would create panic and possible injuries; whereas a moment to look around and inform that opinion, makes all the difference.

An informed opinion is worth sharing, an uninformed opinion is not. This Capn C-something perfectly illustrates the type of knee-jerk reactionary that is the bane of the Internet and the world.

First he has the money to buy a 100+ dollar Artist Edition, the time and resources to want to do a video on it and share his opinion on it, however he doesn’t even know what it is. When the description of the artist Edition is on every blurb about it, as well as on the back and inside cover You don’t even know what you are buying, and you are trying to do a review on it. Strike one.

Next he’s one of these reactionaries who uses acronyms and labels coined seemingly just to be denigrative. Social Justice Warrior, and then he is too lazy, to use the whole word. The kind who resorts to shorthand like SJW and Dems, the sign of someone who can’t be bothered to research the bandwagon he is jumping on, or the things he supports or objects to in any great depth. Strike two.

Third he sees a post by Christopher Priest, lamenting his pigeonholing by DC Comics as a Black Writer,and Priest stating that a good writer can write characters outside his ethnicity and gender, and that the publishers should not be lead by the ‘twitterverse’ the vocal minority who comments on titles they have not read and subjects they are not informed on. Capn Crumudgeon responds to this by saying ‘this Priest guy gets it’ while showing his ignorance by not knowing the writer currently works for DC and is one of their most acclaimed writers, and that Capn Cummudgeon by definition is the vocal minority Priest is calling out. Priest is not railing against diversity, he’s railing against editorial mandates decided by people who can not be bother to be informed on the positions they take.

Strike 3, you are out. What really lit me up about this, is a lazy acronym user like this guy, has more subscribers than actually informative people like some of the users listed above. It’s like people subscribing to JERRY SPRINGER instead of COSMOS. People stumble across his channel, probably like I did  (i did not subscribe  to him) because of his numerous Artist Edition reviews, and then he uses that as a platform for this half baked uninformed drivel, posing as a stance or world view. It reminds me of the brain damaged circus that passed for the last presidential debates. Something that debases viewer and viewed. If you are subscribed to this guy, unsubscribe. There are better places to get your book reviews from. And I list a bunch of them above. :).

 

And to not end on a down note here are more people/channels you should be watching and even subscribing to:

 

JARED OSBORN- He offers weekly pull list comic book hauls, and the occasional collected edition

POPE CEREBUS THE FIRST-

THE DARK NATE

IDWPublishing

24FRAMES

CURTISCAMRON

DRACIR’S COMICS AND THINGS

SOLID4STBEND

BRANDON 191

LUTHER MANNING

MARCUS LIM

JACKKIRBYBRONZE

So any of the above are better than those who embrace attacking the difference of others, rather than simply trying to better understand… the difference of themselves.   CAP’N and DIVERSITY (in name only), Youtube channels, come to mind, but any channel using acronyms such as SJW to cloak their ignorance and fear, you should strongly consider unsubscribing from.

Don’t support the uninformed who want to spend their time screaming fire, in a theater where there is no fire. Instead support the above channels that are trying to help people just find the seats, that are a good fit for them.

Here endeth the lesson.

Best & Favorite of 2017!!!

This is a bit belated but I think you will find a nice overview to 2017 and pointers to 2018 in the ramblings below.

Favorite movies seen in the Theater in 2017:

KONG:SKULL ISLAND

LOGAN

 

I only saw two movies in the theater in 2017, so looking to improve on that in 2018. Nothing in January had me jazzed to pay theater prices for, however I am looking forward to the following in 2018:

click for larger (if applicable) click for larger (if applicable) click for larger (if applicable)

EQUALIZER 2

click for larger (if applicable)

 

FAVORITE TV SHOWS IN 2017:

  • LEGION
  • TAKEN
  • POWER
  • AMERICAN NINJA
  • CHOPPED
  • AMERICAN PICKERS
  • LOVE IT OR LIST IT
  • LETHAL WEAPON
  • THE GRAND TOUR
  • GODLESS
  • RUNAWAYS

FAVORITE STREAMING TV CHANNEL IN 2017

The one two punch of AMAZON PRIME and HULU gets this award. NETFLIX that was riding high in 2016 with LUKE CAGE and other shows, had a disappointing 2017. With a non user friendly interface compared to Amazon Prime and a selection of shows and movies that weren’t as interesting or well curated as either HULU or AMAZON PRIME, I cancelled my membership at the end of 2017. The last straw being the overhyped and ultimately lackluster PUNISHER series, as well as news of the studios pulling their content from Netflix.

In 2018 the TV shows that I am or will be watching are:

CASTLE ROCK

GRAND TOUR

TAKEN (I think the new showrunner made a mistake getting rid of most of the cast from season 1, but hopefully he can course correct and fix it)

STRIKE BACK and ELEMENTARY return after long hiatuses

LONGMEYER went out with a bit of a whimper, so looking forward to YELLOWSTONE

JACK RYAN

LETHAL WEAPON

CHOPPED

IZOMBIE

BLACK LIGHTNING

AMERICANS

And lastly looking forward to Season 2 of what, without question, was the best, most inventive TV show of 2017, Noah Hawley’s LEGION.

And for those keeping score… LUKE CAGE tied with FARGO Season 2 (Also by Noah Hawley) were the best TV shows of 2015, and DAREDEVIL Season 1 was the best TV show of 2014.

 

BEST MUSIC OF 2017

I loved everything binaural in 2017, adding many great CDs to my collection. THE HEAVY and GREGORY PORTER remained in heavy rotation. Gregory Porter being my favorite live performance of 2017. And I added new interests RAG N BONE MAN, Andra day and Brian Ferneyhough. With Spotify to allow me to try before I buy, I’m looking forward in 2018 to discovering more great music, both old and new.

BEST READS OF 2017

I didn’t read as many novels, or listen to as many audio books in 2017 as I did in previous years, so I definitely hope to turn that around in 2018.

I did do substantially better with Art Books, Graphic Novels, Reference Books, and comics in 2017. Some of the standouts:

 

MATT BAKER THE ART OF GLAMOUR

CREEPING DEATH FROM NEPTUNE

THE WOLVERTON BIBLE

ARTIST EDITION BASIL WOLVERTON (This and the other two previous books having to do with Basil Wolverton, I went all in on him in 2017. Still absorbing these three books here in 2018)

JACKIE ORMES

THE SIGNATURE ART OF BRIANSTELFREEZE

SEX AND HORROR THE ART OF ALESSANDRO BIFFIGNANDI

In 2018 writers I intend to go all in on are Percival Everett, Victor Lavalle, Colin Whitehead and Walter Mosley, as well as revisiting work by Ligotti, Lebbon, Ellison, Stephen King, Clive Barker and Bennett.

 

In 2017 Marvel had a great POWER MAN AND IRON FIST series I was reading, the only thing I was buying monthly from Marvel Comics. And Marvel letting greed get in the way of common sense, killed a series everyone was loving, with a creative team everyone was loving, David Walker and Brian Stelfreeze, to instead both dilute audience attention and oversaturate the market with multiple books, almost all of which are ready to be canceled. So going into 2018, with Marvel sticking to their insane $3.99 price point per book, there are no titles I pick up from Marvel Comics.

 

In 2017 DEATHSTROKE by Christopher Priest was the only DC Comic I was getting on a monthly base. It’s arguably the one series that you can just pick up and enjoy without having to read any other title, or care about any other title. Priest has been able to just do… what he does best, create a fantastic read; month in and month out. So it is the only DC book I’m reading in 2018. However, greed rears its ugly heads and the idiots who get paid to make stupid decisions have decided to add DEATHSTROKE to their floundering team book… JLA,  basically gutting the standalone nature of the comic that allows Priest, to do his magic. Basically the same poor decision making that happened last year with POWER MAN AND IRON FIST.

 

I figure the conversation went like this… ‘man everyone is talking about this book, let’s put the characters in multiple other books, and then they will be talking about all those other books too.’ No, you EFFING morons! The reason people are enjoying POWER MAN AND INRON FIST or DEATHSTROKE is because it is well drawn and well written and not part of your insipid crossover infested universe. Your very attempts to duplicate that success, without understanding it, will kill the character in the new book, and kill interest in the character in the original book.

So yeah here’s hoping someone with brains over at DC, vetoes the horrible idea to put DEATHSTROKE in the JLA, because I’m not going to read the JLA, and you’re editorial interference will create a character that no longer works in his solo book. You have therefore killed the golden goose and have nothing to show for it.

 

The good news is when you get sick of the stupid decisions and overpriced ad laden product at DC and MARVEL, you have great content from other publishers to enjoy. Publishers that give you more for your money. Publishers such as IMAGE, AFTERSHOCK, DARK HORSE and many more.

As far as where to buy new comics from, a lot of people will steer you to DCBS. I personally in terms of pure customer service and ease or ordering prefer LONE STAR COMICS. You can order comics in advance from the at http://www.mycomicshop.com at a discount.

 

They are highly recommended, and I use them myself, and this is an unpaid recommendation. Tell them Heroic Times sent you.

 

And wrapping this up, favorite podcasts of 2017:

 

11OCLOCK COMICS

COMIC GEEK SPEAK

WTF with Marc Maron

BLACK TAPES

GEEK SYNDICATE

 

To name a few. Okay that is it for my 2017 Pop Culture overview. Thanks for bearing with it and if you enjoy, spread the word. Enjoy WEEK #6 of 2018!!!

 

 

 

 

 

2015 Podcasts the Year in Review: Old Favorites ended and New ones discovered

 

Looking back over the ten year history of this blog I’ve praised my share of podcasts, and seen quite a few shuffle off this mortal coil.

2015 seemed to be a volatile year, with many of my long standing podcast favorites either no longer releasing episodes on a regular schedule or hanging up their mics.

Among some of the great ones that seem to be on hiatus or done are:

 

  • HORROR ETC
  • SIDEBAR

 

 

All of these shows are and were great, and will be missed. And join other great departed podcasts such as:

 

  • INDIE SPINNER RACK
  • GEEK SYNDICATE
  • MONDO MOVIE
  • FREQUENCY OF FEAR

 

But I completely understand, these podcast and blogs, while dearly loved, require HUGE expenditures of time and energy, and sometimes… life gets in the way. And considering most of these podcasts are not a revenue stream, it is understandable that when the effort exceeds the rewards… it’s time to stop doing it. What is amazing is that some of these shows have gone as long as they have.

All that said, you may or may not still find old episodes online. I recommend grabbing them if you can. SIDEBAR particularly interviewed some great artists, and for those interviews to be not easily accessible, seems… a loss.

INDIE SPINNER RACK  had the best interviews with both Alan Moore (One of the greatest and most influential writers in the comics/graphic novel medium – it is a crime that companies, marvel and dc, are releasing books missing his name , and shorn of his insightful interviews. the reasons for this are both well documented and trivial. yes, alan moore can be something of a bridge burner, but his brilliance makes him worth the effort to mend those fences. when he passes off this mortal coil, as we all must, no one wants to be remembered as the company that stole his characters, and froze him out of work. pay alan moore and get him at least authorizing director’s cut versions or writer approved versions of his most celebrated works. it’s one of the reasons i will not part with my swamp thing paperbacks, it is because later introductions are devoid of his introductions, which are as entertaining and informative as his stories. )

and Stephen Bissette (Who remains to this day, with his run on swamp thing, one of the greatest and most influential artists to work in the medium).

 

So the above are the podcasts lost in 2015. Here are some select podcasts enjoyed in 2015:

 

Head over to the German Music Magazine GROOVE and pick up two of the best mix tapes of 2015:

 

DECONSTRUCTING COMICS – anytime you get the chance to hear Stephen Bissette speak, take it. Not only one of the great superstar artists of the 80s with his game changing work on Swamp Thing, but simply an informed, erudite speaker on a number of topics.. including the history of horror and cinema. This Sept 2015 podcast is a recommended listen. They also have an episode of huge interest to any fan of either Edgar Allen Poe or Richard Corben. They also offer a Transformers episode that offers reviews on recent transformer comics.

 

 

THE DOLLAR BIN (Also a show that appears to be on indefinite hiatus) had a couple intriguing episodes in 2015, one covering HIP HOP FAMILY TREE, and one with Golden Age artist Allen Bellman:

 

And if these guys really are  done producing new shows, some of their classic shows that you want to get, while avaiilable, are:

I grew up on Steve Englehart comics and you don’t get today’s sophisticated comics, without first going through him. One of the first to help transition comics from kids entertainment to college and beyond entertainment.

Not one, but two interviews with one of the most elusive, and one of the most talented and innovative writers in comics, Christopher Priest (His SPIDERMAN VS WOLVERINE remains one of the joys of my collection, as well as his excellent run on BLACK PANTHER and QUANTUM AND WOODY).

 

A Bob McLeod interview (Made important because Bob McLeod’s work on the NEW MUTANTS is burned into my brain. That fight with the New Mutants and the Sentinels in a mall, blew my mind as a kid. And as an adult, those images still define for me what great artwork and storytelling should be.)

So quite a few of my favorite podcasts slowed down or completely stopped in 2015. However when one door closes another, as they say, opens.

So some podcasts I started listening to in 2015, and have added to my subscriptions are:

 

  • THE COMICS ALTERNATIVE- Their monthly preview episodes helped me all last year put in my monthly comics order
  • INKSTUDS- Interviews with Comic Book  Creators… some really indispensable interviews.
  • READING LIVES- Interviews with Writers… LOVE IT.
  • WTF- I think without argument the most listened to and successful podcast, with guests from  comedians, musicians, actors, and now a sitting president, Marc Maron out of his garage has created podcast as both high art, and passionate conversation.
  • FILMSPOTTING:SVU- Reviews for the streaming age
  • GILBERT GODFREY PODCAST – I do not find Gilbert Gottfried funny, but his knowledge and love for classic film and television, means he interviews people I want to hear, and he has had some GREAT gustd this year. Thankfully co-host Frank is there to get the podcast back on track when Gilbert starts amusing himself and no one else
  • FAT MAN ON BATMAN- Kevin Smith’s love for the creative process and all things Batman… is an addictive listen
  • HOUSE TO ASTONISH – A comic book podcast from across the pond

AND WRAPPING UP MY 2015 REVIEW, WANT TO GIVE ACCOLADES TO SOME OF MY FAVORITE, AND LONGEST RUNNING PODCASTS THAT ARE STILL GOING STRONG. ALL AWARD WINNING PODCASTS (they all won my Welles Award a few years back, and in my mind have been award winners every year since):

  • CGS – Comic Geek Speak -one of the oldest podcasts, and with great losses, and welcome additions, still an eagerly awaited listen
  • 11′ OCLOCK- One of the most informative and jam-packed and fun of any podcast. The chemistry these three have… works.
  • B-MOVIE CAST – Love this podcast on classic, crazy, genre cinema. Wonderful chemistry between the hosts.

Well folks, that is the podcast scene here as 2015 ends and 2016 takes the stage. Please use this list to see what was special about those shows we lost, and to jump aboard and support those we still have.

Thanks for reading and be well!

INTO THE MYSTERY: Remembering DWAYNE MCDUFFIE

“You writers live too much out of the world.”
— Carol Reed’s THIRD MAN.

I just heard about Mr. McDuffie’s passing.

We had exchanged emails, a couple weeks ago, about doing an interview.

I wanted to discuss his work and discuss how DC Editorial had hampered his comic book work on JLA (as well as Marvel on FF), and the success of his animation work, and his future plans.

Life being life and we all being immortal, I had put off following up on the interview until we had more time.

Needless to say, time and tide continues to surprise us all.

A towering individual, not only in terms of height (he was 6’7″) but in terms of talent, and enthusiasm, he will be greatly missed by me and many.

I think in a medium that is ever less inclusive, that is going backwards rather than forwards (how DC and Marvel treated him is part and parcel of people who consider themselves liberal but are not, holding ever more egregious lines of pride and prejudice), he was a rare voice against the inherent prejudice, tokenism, and marginalization of people and more the presentation of people.

He had this outrageous idea that these tales of modern myth, could support more than the single token, and tokenized, character of color and instead provide a multiplicity of characters of color. In a medium that still follows to great degree the Disney model of segregation and marginalization, he wanted the myths and the mythmakers… to be better than that.

And to this end he made fantastic inroads into redefining the myths we feed our kids through shows like STATIC SHOCK and JUSTICE LEAGUE UNLIMITED, and with the latter expanding the scope/expectations of American televised animation. JLU is very much a cartoon that appeals to adults who grew up on these characters, as well as kids, and offers a storyline with scope. And remains a watershed work.

It is therefore sad, and inexplicable that with such a pedigree, the editorial department of DC and Marvel, refused to grant his comic work the same license and freedom as his Animation work, and all readers are the poorer for that… sabotage. DC’s actions seemingly more about getting the Milestone characters, completely under thumb, to no doubt like other multi-cultural friendly properties, such as ZUDA, be misused, marginalized and ultimately taken off the table, and buried from the sight of day.

I love all these keepers of a 50s status quo, of the white way, particularly at DC Comics Publishing wing, who come out now in the wake of his passing to praise McDuffie’s work, when they did nothing but their best to butcher his work while alive. Hypocrisy. Be honest now, in your heart of hearts, be honest. You stink just a little of hypocrisy.

Save your pretty lies, and if true sorrow feel, show it in your actions, and not in your primping words.

You did wrong by him in life, do right by him in death, and in so doing, do right by yourself.

Grow.

Learn the contours of your own prejudice and your own culpability, so you can get past it. Be more open to characters and creators of color. use well the Milestone characters, and support diversity in your mainstream books. Stop trying to erase the good creators have done with characters of color, with Marvel it’s them tearing down all the great work Christopher Priest did (instead of making his BLACK PANTHER and CREW work available again, and better yet getting him back on BLACK PANTHER, Marvel seems committed to killing or marginalizing every strong male Black Character they have), with DC it’s them going back to the 50s in terms of all their mainstream characters.

Don’t wait till someone’s demise, to realize you’ve stunted not only their growth, but by doing so your growth, and my growth, and everyone’s. When new visions are sabotaged, the medium suffers. And the medium has suffered with the interference in Duffie’s comic book work.

But in the face of that, one ever to go forward, to shine lights, rather than curse darknesses, Dwayne McDuffie continued to tell stories. His recent CRISIS ON TWO EARTHS, being the best of the DC Animated Adaptations, and his Animated ABSOLUTE SUPERMAN on my list to see.

So Animation and comics has lost a great ambassador, proponent and crafter for these four colored adventures, but more it has lost a fighter against ignorance, and intolerance and stupidity and stereotyping, in a medium filled with too many people, too many editors and writers and decision makers, who live and die only by these inanities.

But for this one fighter lost, McDuffie’s work has served to introduce many to these fields of wonders and whimsy, and hopefully to inspire new mythmakers and new myths.

My best to him and his, as he precedes us into the Mystery.

I’m going to direct you to this recent 2 pt podcast interview with Christopher Priest, coutesy of the guys at Dollcast, as it touches a bit on Milestone, and is just an invaulable insight into a medium, that while little read, becomes ever more influential to other mediums.

Here’s PART I.

and

Here’s PART II

And once you listen to that feel free to go here for a listing of books written by Dwayne McDuffie.

Jason Aaron vs. Alan Moore vs DC Comics vs the History of Comics

I think most people are aware of this brouhaha.

But for those late to the game Alan Moore, was interviewed, as is wont to happen, and was asked about DC’s plan to do new stories in the WATCHMEN universe that he and Dave Gibbons created nearly 3 decades ago. Moore’s response was typical Alan Moore, both erudite and acidic and a bit tongue in cheek. Satire and epiphany are strengths not just of Moore’s writing, but his speaking.

Deconstruction is the term you typically hear in regards to Moore. But epiphany is more accurate. SWAMP THING and WATCHMEN and MIRACLE-MAN are often lumped under the lazy man’s term of deconstruction.

They are not.

Moore takes old tropes, and he twists it till you see it, in that rarest of ways, in a brand new light, until you get a moment of… clarity of purpose, not just about the character you’re reading about, but in some crazy way, you get a clarity of purpose about yourself.

Epiphany.

That’s what Moore does at his best, he gives you moments of epiphany.

And that Epiphany is in that interview he does with Adi Tantimedh.

Moore started his career with comedy, true comic strips, I would say he has forgotten more about humor than most people will ever know, except I don’t think he’s forgotten anything. So with this in mind, in the interview he responded to DC’s claim to be putting top-flight talent on these new Watchmen stories. He responded the way pretty much anyone would… with a bit of incredulity. But more than that with a valid question of, “if this talent is so top-flight, why don’t they create their own tales” (paraphrasing there), rather than try and retread Moore and Gibbon’s 25 year old tale.

I have to say, I think that’s a pretty valid question. You can read his post in Rich Johnston’s very nice summation of the issue here!

But when you do read it, you’re going to see it’s pretty typical Moore. And given his problematic history with DC, that they’ve treated him not exactly the greatest, for someone who has pretty much defined that company in the 80s, and his shadow, seemingly continues to define that company; it’s an understandable distrust/dislike he avows.

It’s hard to say, what building blocks if removed causes the house of cards to come tumbling down, but I would say for DC, that building block is named Alan Moore.

Alan Moore’s SWAMP THING, its success created Vertigo, buried the comics code, sanctified the idea of DCs hiring of British Talent, and his WATCHMEN would give birth to this idea of comic books as BOOKS. As Graphic Novels, as something worthy of true literary consideration. So arguably if Alan Moore’s SWAMP THING fails, then the idea of the British invasion fails with it, and you don’t get Neil Gaiman or Grant Morrison or Warren Ellis or Mark Millar or Garth Ennis, and DCs revitalization of the late 80s… is stillborn.

So even by the most jaded eye, what DC owes Alan Moore, cannot be overstated, or easily repaid. And even by the most jaded eye, DC has done a piss-poor job paying it.

So all that backmatter goes into Moore’s comments on DC ‘revisiting’ WATCHMEN.

And like stated Moore’s questioning of putting ‘Top-Tier’ talent on their WATCHMEN cash grab (let’s call it what it is) sounds like him quite rightly questioning what the hell that ‘catch-phrase’ means. Seemingly it’s a veiled attempt to placate users, that see messing with Moore’s opus may be a bit of heresy, by saying “we don’t have the original creators, but we’ll have top-tier talent”. To which, if it was my legendary property, I would have the same question Moore has, namely… “if they are such Top-Tier talent they surely have their own legendary story to work on. Don’t they?”

That’s the gist of Moore’s statement.

At no point does he mention any creator.

Yet Jason Aaron, gets so incensed, he states “Fuck You Alan Moore” and goes on a tirade. His tirade you can find at the link above. It is quite inexplicable. Since as pointed out, without Alan Moore you don’t get a Vertigo, which means you don’t get someone picking up Aaron’s THE OTHER SIDE, which means you probably don’t get Jason Aaron as a comic writer.

“F**k you Alan Moore”? seriously? Something in that article incensed anyone that much? Typically the only thing that gets people riled up that much, about an article their name is not in, is their conscience. They feel for whatever reason… the article is an attack on them. Seemingly they see a truth unspoken, except in their hearts. What truth Jason Aaron saw, what doubt or slight it called to mind, I don’t know. But whatever it was, I didn’t see it in the Moore article I read.


“Alan’s fight with DC Comics led to DC being much nicer to comic creators so as not to have a repeat performance. Their creator ownership/creator participant contract for certain titles, including Scalped, was a direct result of that. Indeed, Vertigo itself as a imprint owes more to Alan than any other creator. Without Alan, there wouldn’t be a Scalped – at least, not published by DC.

Alan generally does these kind of interviews in a very self deprecatory, ironic to[n]e. It’s the way he talks. I gave an example of that at the beginning of the interview, because I know how his words can be taken if read in a different manner. Try watching the video, then reading the piece again in that voice. When Alan is talking about the comics industry having no top flight talent – he’s including himself in that analysis. And I don’t think he’s blaming any creator for his problems, or the problems of a retro-looking industry, he’s blaming the companies.”— from BLEEDING COOL

Jason Aaron would perhaps be better served, by thinking clearly, and perhaps thoroughly, before he speaks, or types. Better yet, perhaps burying the hatchet with Alan Moore and apologizing would not be a bad thing for him to consider.

Being loud and outraged is easy. Being stand-up when you’re wrong is hard.

But it would win Aaron points in many people’s books, and I think even in his own.

I think Aaron, if he judges it quietly and well, must see he went off for no good reason, seeing an enemy where no enemy was. Aaron has proved he can be loud and think he’s right, unfortunately we all can do that (even Alan Moore who has had his own share of tirades); but can he be loud and admit when he’s been wrong?

I like Aaron as a writer. I thought his THE OTHER SIDE was great. I haven’t followed anything past the first trade on SCALPED, but have heard good things about it. And have caught his Marvel work sporadically.

He’s a good writer.

But I think you have to come to the plate with more than good, before you call down the thunder on someone who has done a lot better than good. Has done a lot better than great.

I’ve never particularly been a fan of the British invasion. I think people tend to forget that long before Moore or his ilk, writers like Doug Moench (hugely underrated writer) and Chris Claremont and Kraft and Giffen and Steve Englehart and Steve Gerber and Jim Shooter and Denny Oneil and JM DeMatteis were teaching the medium how to be better.

So I say the following, not being an Anglophile or British Invasion bandwagon rider, not being a particular fan of many British Writers. I say the following, being very glad we have great American writers like Brubaker, and Fraction and Hickman and Christos Gage, and Priest (get back to writing!) and Geof Johns and Greg Rucka and Joss Whedon and Johnathan Hickman and Robert Kirkman and… yes, Jason Aaron…, being very glad of all the aforementioned writers… I say: Alan Moore has been called the best writer in comics for one simple, undeniable reason… he is.

He has the work to back it up. Not everything he does is a home-run. His Avatar work… not a fan. But Moore’s missteps are few and far between, and his successes… will stand the test of time.

So bottom line, you don’t call out Stan Lee, until you’ve done what he’s done. And you don’t call out Alan Moore, until you’ve done, what he’s done.

So for one professional to go off like a crazy fan-boy to another professional, does nothing but put your own professionalism in doubt. If you thought he was slighting you personally, drop the man an email or give him a call, and get a clarification. But make sure you have reason to rant, before calling out an elder statesman of your medium.

It’s just common sense.

Perhaps not so common.

The return of UNDER THE RADAR Vol2 Issue 2! Part 1 of 2!

“Must we start every sup, with who we love and who we don’t?” —Peter O’Toole in the LION IN WINTER


Okay it’s that time again. My recommendation for comic books/graphic novels to preorder now for January 2011 arrival.

If while going though the below list you see any titles that you want to purchase current or backissues of go

here.

But first, what is UNDER THE RADAR?

UNDER THE RADAR was an experiment I started a while ago that I was quite proud of. Basically a very cool PDF I launched out to comic book retailers and fans to highlight titles you would otherwise miss, or get lost in the deluge from bigger publishers flooding the market.

It was fun, and very intensive, and very time consuming, so when time became an issue it fell by the wayside.

But I notice my old UNDER THE RADAR posts get a lot of hits, and even though a lot of people are doing preview podcasts (audio/radio-like programs dedicated to recommending items to preorder), those can be quite time consuming, when what most people are looking for is a quickly viewed list of recommended items they might otherwise miss.

So with that in mind, UNDER THE RADAR is back, but in a FAR simpler format. No PDF, no long diatribes. just a monthly listing of new titles to preorder or be on the lookout for.

Okay without further ado, this is a list of titles you can preorder this month through your local retailer for January 2011 arrival.


Marvel

No letters pages, no back matter, ads breaking up the story.

All these odd decisions from Marvel give no incentive to buy marvel issues monthly. Seemingly, they don’t care enough to give you a something beyond what you would get in the trade paperback, a real sense of a Stan Lee dialog, or sense of a monthly behind the scenes look at the creative process, so generally I say eff em. I’m talking about the publishing policies and policy makers of Marvel, not generally the creators, (as marvel has some great creators, but perhaps in service of not the greatest decision makers) but rather the lackluster way the creations are fed to you.

So even though Marvel floods the market with well over a hundred titles a month, their policies make it very easy to dismiss most of them from purchase consideration. The exceptions for this month?

$4.99 INVINCIBLE IRON MAN #500

Written by MATT FRACTION Art & 50/50 Covers by SALVADOR LARROCA Variant Covers by MARKO DJURDJEVIC, JOE QUESADA & JOHN ROMITA JR. GIANT-SIZED ANNIVERSARY ISSUE! Three generations of Starks face their ultimate foe, seventy-some years in the future while, in the present, Spider-Man joins Iron Man as he tries to fill in the blanks of his missing memory. What if amnesia was a weapon? What if the smartest man in the land had ten nightmares that all came true? Who is the son of Tony Stark? What’s inside of the rings? The future starts now, for the Marvel Universe’s favorite futurist. The Eisner-award-winning series makes a four-hundred-something-issue leap and raises a glass of non-alcoholic champale in salute to Ol’ Shell-head! By Matt Fraction (THOR, UNCANNY X-MEN, CASANOVA) and Salvador Larroca (UNCANNY X-MEN, FANTASTIC FOUR), with special guests Howard X, Y and Z! 104 PGS./Rated A …$4.99

100 pgs for $5. Not great, but I do like what Matt Fraction is doing with this book. Hopefully it isn’t full of reprints to pad out the page count, but figure the odds of that. A lukewarm recommendation.

* Marvel had a couple interesting trades, but their pricing is outrageous. For 4 and 5 issues of content they are trying to charge $20 to $30 for a collected edition, trade, or hc. Which basically boils down to them trying to charge you between $4 and $6 per issue collected. To that I say, hell no. A trade should, with rare eceptions, be no more than $2 per issue collected. So if you are only collecting 4 issues you’re only going to get $8 from me. And if it costs more than that you get nothing from me.

So Marvel trades get nothing from me this month.

*I’m interested in Matt Fraction’s THOR but not interested enough to pay $4 an issue, they can keep it.

$1.95 (save $1.04) THUNDERBOLTS #152
Written by JEFF PARKER Penciled by KEV WALKER Cover by GREG LAND The T-Bolts leap into HULK’s “Scorched Earth”! At the request of Steve Rogers, Luke Cage must take his hardened team to deal with a doomsday scenario unleashed in the pages of HULK! And now that the squad is a man short, Cage finally uses his power to recruit another prisoner to duty–and his pick will shock you! Will the Thunderbolts accept this new member as a part of their force? Or will this heavy duty wild card destroy the balance of power? Find out in the series that Newsarama.com’s Best Shots calls “The Avengers title that not enough people are raving about…it’s one of the best of the bunch.” 32 PGS./Rated T+ …$2.99 (preview artwork is available)

The reason I’m picking up this title is it has potential, it has Luke Cage:Power Man (They need to go back to calling him that), Jeff Parker is a good writer, storyline sounds like a good jumping on point, and the price is $2.99. So to keep me picking it up monthly they’ll need to add letterpages or backmatter, or I’ll be hopping off of it relatively soon.

$2.99 BLACK PANTHER MAN WITHOUT FEAR #514

Written by DAVID LISS Penciled by FRANCESCO FRANCAVILLA Cover by SIMONE BIANCHI Luke Cage guest stars as T’Challa’s new adventure in NYC continues! The former King of Wakanda has sworn to protect the mean streets of Hell’s Kitchen, and while battling the mob is one thing, how does he stop a killer targeting innocent people? It’s a deadly game of cat-and-mouse, as T’Challa hunts ruthless new crime lord Vlad the Impaler, while Vlad concocts a desperate and bloody scheme to entrap the mysterious new vigilante that’s ruining his plans. T’Challa learns what it really means to be a man without fear, courtesy of award-winning thriller novelist David Liss and the pulp-tastic art of Francesco Francavilla! 32 PGS./Rated T+ …$2.99

I think without argument Christopher Priest’s take on the Black Panther was the essential take, and Marvel’s use of this character since, has been in the shadow of that great run. And good writers not withstanding, Hudlin and Mayberry, I think it suffers from idiotic editorial decisions. Petty decisions intent, for whatever reason, on dismantling a great character. A female Black Panther? Really? That was someone’s stab at a good idea? Just indicative of the sabotaging type editorial decisions that have plagued this character.

The post-Priest series suffering from gimmics rather than gusto.

However with T’Challa back in the suit, if only in the DAREDEVIL title, I’m hoping this will be a good jumping on point. I’d love to see an entertaining, respectful run with this character. I’m unfamiliar with David Liss, but he has sense enough to toss Luke Cage:Power Man in here, and that means I’m willing to give him the benefit of a doubt, and willing to support, until they prove otherwise.

From Marvels ICON Line

$3.99 CASANOVA GULA #1 (OF 4)

Written by MATT FRACTION Art & Cover by FABIO MOON CASANOVA is back. Or is he? Actually Casanova is gone. Gone from space, gone from time. The burning question WHEN IS CASANOVA QUINN hangs over the entire world as E.M.P.I.R.E. and W.A.S.T.E. alike race toward the horrible, inevitable, answer…The second staggering volume of CASANOVA starts here by the Eisner-laden team of Matt Fraction (THOR, UNCANNY X-MEN, THE INVINCIBLE IRON MAN) and Fabio Moon (DAYTRIPPER, SUGARSHOCK) taking over art duties. Never before collected! Never before reprinted! Never before understood! In gorgeous full 4-D psychocolor! Worth a million in prizes! Change your shorts, change your life, change into a nine-year-old Hindu boy! Guaranteed!* *not actually guaranteed 40 PGS./Mature Content …$3.99


No ads breaking up the story, and loads of backmatter, and additional pages. So it’s me getting more bang for my buck, plus it’s Matt Fraction’s CASANOVA.

$14.99 CASANOVA TP LUXURIA VOL 1

Written by MATT FRACTION Penciled by FABIO MOON & GABRIEL BA Cover by GABRIEL BA Meet Casanova Quinn: prodigal son of a law-and-order family hell-bent on keeping the world safe and sound, now blackmailed into betraying his father and the international law enforcement organization he controls. LUXURIA collects the first volume of CASANOVA as its titular star transforms from devil-may-care thrill-seeker into the most dangerous man in the world. What happens when the ultimate player gets played? Find out in this genre-bending sci-spy epic. Gorgeously re-colored and re-lettered by hand, this staggering psychedelic spy-fi epic is collected for the first time as it was meant to be made. By the Eisner award-winning team of Matt Fraction (INVINCIBLE IRON MAN, THOR, UNCANNY X-MEN), Gabriel Ba (UMBRELLA ACADEMY, BPRD: 1947), and Fabio Moon (DAYTRIPPER, SUGARSHOCK). With all-new, all-different, never-before-seen bonus material! Collecting CASANOVA: LUXURIA #1-4112 PGS./Mature …$24.99 152 PGS./Mature …$14.99

And speaking of CASANOVA we also have the CASANOVA trade. At $15 and being a collection of bigger ICON issues, the price point is a doable exception.

$3.50 INCOGNITO BAD INFLUENCES #4

BY ED BRUBAKER AND SEAN PHILIPS WITH COLORS BY VAL STAPLES Zack Overkill has plunged into the super-criminal underworld on a deadly mission that’s made him question everything. Now he’s come face-to-face with his target, and things just got a hell of a lot worse. And so with every issue, our Professor of Pulp Culture, Jess Nevines is back with another great essay on forgotten pulp history, available only in the single issues of INCOGNITO. INCOGNITO, BAD INFLUENCES #4 -32 PGS/Mature Content/Np Ads … $3.50

It’s always good to see the CRIMINAL team of Brubaker and Philips releasing another issue.

Uhh, yeah and that’s all for Marvel.


DC

All the negatives I said for Marvel, goes for DC as well. Which makes it easy to disregard most of the 100 or so books they put out every month. It’s stupid, confusing, greedy, and ultimately just off-putting to have 20 different Bat Titles. You should have just 2. BATMAN, and one 100page anthology called BATMAN FAMILY. Boom, job done. And until they do this it makes it very easy for me to buy none of their titles. Thanks. :).

The exceptions?

$2.99 POWER GIRL #20

Written by JUDD WINICK Art and cover by SAMI BASRI Racing headlong into the adventure and turmoil of GENERATION LOST, Power Girl is hot on the trail of Max Lord – seeking answers and looking for payback. But a trip to Project Cadmus leaves her with a bit more than she can handle, and monstrously outnumbered. On sale JANUARY 19 * 32 pg, FC, $2.99 US

The one big difference between Marvel and DC is in terms of art. For the most part Marvel has frigging kick ass artists and cover design, and no doubt this is due to two of the companies driving forces, Quesada and Bendis, being great artists in their own right. DC to be kind, with a few exceptions (such as the great and innovative art of Perez or Quietly), underwhelms. DC’s covers and interiors are typically a bland, uninteresting house style; and in a medium that lives and dies on art, that’s not a good thing.

And when they do get a decent artist, like Simone Bianchi, seemingly the suits are too inane or cheap to keep them, and Marvel ends up offering the artist a better deal.

Which brings us to Sam Basri.

I touched on this in the last UNDER THE RADAR, Sam Basri is one of the few absolutely amazing artists that DC has working for them. His sense of cover design on the POWER GIRL series has been blowing me away. They really are works of art by themselves, and is one of the main reasons I’m picking up this series in individual issues rather than waiting for the trade. He really is one of DCs best artists, and the company really needs to realize this and pay him accordingly, or they’ll find him working for their competition in no time. 🙂 .

$2.99 SPIRIT #10

Written by DAVID HINE Art by MORITAT Cover by LADRONN Roscoe Kalashnikov was sure he could get away with murder – and in a town as corrupt as Central City, maybe he could. But if that’s so, why do his victim’s words still haunt him? She said something about “the spirit of justice” and now, around every corner, Roscoe is seeing a flash of trench coat and the briefest glimpse of a masked man… On sale JANUARY 19 * 32 pg, FC, $2.99 US

David Hine on a SPIRIT comic? I’m intrigued. David Hine is a really good writer.

$2.99 THUNDER AGENTS #3

Written by NICK SPENCER Art by CAFU & BIT and HOWARD CHAYKIN Cover by CHRIS SPROUSE The new hit series by Nick Spencer (ACTION COMICS, Morning Glories) and CAFU continues! Think the T.H.U.N.D.E.R. Agents are a messed-up team? Wait until you learn the secrets of the evil organization known as Spider! This issue promises twists, turns and a sequence illustrated by the legendary Howard Chaykin! On sale JANUARY 12 * 32 pg, FC $2.99 US

I’m hearing good things about this Nick Spenser, so this issue may be worth a look.

$2.99 LOONEY TUNES #194

Written by BILL MATHENY Art by DAVID ALVAREZ Cover by SCOTT GROSS Beaky Buzzard is hungry. He thinks he’s found a nice meal in Daffy Duck, but the wacky bird has another suggestion: Bugs Bunny. So just who will be feeding the hungry buzzard family? A hint: It won’t be the ever-cool Bugs! Poor Beaky doesn’t stand a chance… On sale JANUARY 5 * 32 pg, FC, $2.99 US

$2.99 TINY TITANS #36

Written by ART BALTAZAR & FRANCO Art and cover by ART BALTAZAR Titans to the center of the Earth! Terra uses her powers to take the “hot” Titans on the journey of a lifetime. And if Terra is involved, you know Beast Boy isn’t far behind! Don’t forget the sunscreen and the bottled water, and watch out for the Sea Trap of Doom! On sale JANUARY 19 * 32 pg, FC, $2.99 US

I’ve started looking for books that I can give to younger readers. The above seem to fit the bill.

$2.99 ACTION COMICS #897

Written by PAUL CORNELL Art by PETE WOODS Cover by DAVID FINCH & BATT The last place Lex Luthor expected his quest for the Black Lantern energy to take him was Arkham Asylum – specifically to the cell of The Joker! What clues about Lex’s quest could The Joker have to offer, and why on Earth would Lex trust him? Get ready for a one-of-a-kind confrontation between comics’ two greatest villains, as brought to you by the twisted minds of Paul Cornell and Pete Woods! On sale JANUARY 26 * 32 pg, FC $2.99 US

$2.99 STEEL #1

Written by STEVE LYONS Art by SEAN CHEN Cover by ALEX GARNER John Henry Irons is a normal human being who managed to overcome all odds and become a hero who Superman considers a peer and colleague. What kind of determination drives a man to reach such heights? Find out here as a battered and bruised Steel defiantly stands as the only thing between Metallo and the destruction of Metropolis! Doctor Who novelist Steve Lyons and artist Sean Chen (ACTION COMICS, SALVATION RUN) deliver a story that shows why Steel is a true DC Universe icon! ONE-SHOT * On sale JANUARY 5 * 32 pg, FC, $2.99 US

Great solicitation. Plus I really like the character of Steel.

*I’ve heard good things about Lemire’s SUPERBOY, but I’ve seen the art, and it just doesn’t work for me. May try it later in trade.

$2.99 SUPERGIRL #60

Written by NICK SPENCER Art by BERNARD CHANG Cover by AMY REEDER & RICHARD FRIEND SUPERGIRL welcomes aboard writer Nick Spencer (JIMMY OLSEN, T.H.U.N.D.E.R. AGENTS, Morning Glories) and artist Bernard Chang (WONDER WOMAN, SUPERMAN) for a Girl of Steel story unlike any other! Someone is trying to kill the young heroes of the DC Universe! Who is this villain, and how can Supergirl stop him? Maybe her friends can help – namely, Batgirl, Blue Beetle, Miss Martian, Static and…Robin?! Buckle up, folks, because this one puts the pedal to the metal on page one and doesn’t let up for a second! On sale JANUARY 19 * 32 pg, FC, $2.99 US

Two things are getting me to give this a try, Nick Spenser and Static.

$2.99 HOUSE OF MYSTERY #33

Written by MATTHEW STURGES Art by WERTHER DELL’EDERA and DAVID LLOYD Cover by ESAO ANDREWS Since the Pair of the Conception first chased Fig Keele into the House of Mystery, Fig has never known who they were or what they wanted from her. Now, Fig solves a mystery that’s been lingering since the very beginning. Featuring a tale illustrated by David Lloyd (V FOR VENDETTA)! On sale JANUARY 5 * 32 pg, FC, $2.99 US MATURE READERS

Probably not the best place to jump in, but I’m intrigued, and have been meaning to pick this up.

Wow, I’m actually quite surprised how many DC comics I recommend this month. I guess their price drop has helped their titles to become more attractive, or at least most justifiable of the expense. Well that’s all for this installment. Catch me tomorrow for part 2 of this, and the remaining titles I recommend. Don’t miss it, as that’s where the good stuff is.