The GREATEST multi-part FANTASTIC FOUR comic book stories—- EVER!!!!!!!!!!!!

Start with the  FANTASTIC FOUR OMNIBUS 1,2, & 3. A great way to get into the early issues. Click the images to see more on the titles covered.

 

They were visionaries. Explorers. Imaginauts. They were Stan Lee and Jack Kirby. And like the Fantastic Four, they continually strove to overcome the impossible and achieve the extraordinary. Now, the first three years of their landmark run are collected in one oversized volume. This keepsake edition also includes all original letters pages and pinups, critical commentaries, a historical overview, and other DVD-style extras.

COLLECTING: FANTASTIC FOUR (1961) #1-30, FANTASTIC FOUR ANNUAL (1963) #1

 

Collecting the greatest stories from the World’s Greatest Comics Magazine in one, massive collector’s edition that has been painstakingly restored and recolored from the sharpest material in the Marvel Archives.

COLLECTING: FANTASTIC FOUR 31-60, ANNUAL 2-4

These are some of the greatest adventures of all time! Collecting FANTASTIC FOUR (1961) #61-93 and ANNUAL #5-7, and material from NOT BRAND ECHH #5-7. All Ages

 

Celebrate 60 years of the World’s Greatest Comics Collaboration! Stan Lee and Jack Kirby conclude their record-setting tenures on the FANTASTIC FOUR, the book that birthed the Marvel Universe! In Kirby’s final issues, Doctor Doom lurks in the shadows, the FF save Apollo 11 from an alien threat, and the Sub-Mariner and Magneto team up to attack our heroes! Then, Stan Lee is joined by Marvel art legends John Romita Sr. and John Buscema to forge a new future for Marvel’s first family! Along the way, the Thing battles the Hulk, the Surfer is taken captive by Galactus, and the Overmind menaces Earth — leading to the strangest event in Marvel history: Doctor Doom joins the FF?! Guest-starring Black Panther, the Inhumans and more!

COLLECTING: Fantastic Four (1961) 94-125, Fantastic Four: The Lost Adventure (2008) 1, material from Fantastic Four Annual (1963) 8-9

 

Okay now onto the issues you can afford to pick up in issue form, and the ones i recommend having:

FANTASTIC FOUR 161,162,163,164- These issues completely wowed me as a kid, and continue to entertain me as an adult. Simply great work by the team of thomas, buckler and sinnott.

https://d1466nnw0ex81e.cloudfront.net/n_iv/600/737293.jpghttps://d1466nnw0ex81e.cloudfront.net/n_iv/600/4770723.jpghttps://d1466nnw0ex81e.cloudfront.net/n_iv/600/733509.jpghttps://d1466nnw0ex81e.cloudfront.net/n_iv/600/583385.jpg

FANTASTIC FOUR 164,165– Great covers, Great issues!!!

https://d1466nnw0ex81e.cloudfront.net/n_iv/600/729313.jpghttps://d1466nnw0ex81e.cloudfront.net/n_iv/600/729147.jpg

 

FANTASTIC FOUR 168,169,170 More Thomas, Buckler greatness!!

 

https://d1466nnw0ex81e.cloudfront.net/n_iv/600/604839.jpghttps://d1466nnw0ex81e.cloudfront.net/n_iv/600/671921.jpghttps://d1466nnw0ex81e.cloudfront.net/n_iv/600/727133.jpg

FANTASTIC FOUR 242,243,244 -Comics (and Comic Book Covers and Artwork) do not get any better. Just genius issues!!!!

 

https://d1466nnw0ex81e.cloudfront.net/n_iv/600/908873.jpghttps://d1466nnw0ex81e.cloudfront.net/n_iv/600/753481.jpghttps://d1466nnw0ex81e.cloudfront.net/n_iv/600/752795.jpg

 

FANTASTIC FOUR 249,250

https://d1466nnw0ex81e.cloudfront.net/n_iv/600/905357.jpghttps://d1466nnw0ex81e.cloudfront.net/n_iv/600/794987.jpg For my money John Byrne invented the concept of wide-screen entertainment with his seminal early work on AVENGERS 164 thru 166. This is him a decade later, showing he is still the bar, by which super hero action will always be measured.

 

FANTASTIC FOUR 251-265

 

https://d1466nnw0ex81e.cloudfront.net/n_iv/600/1099025.jpg

Without argument John Bryne was one of the best writers and artists on Fantastic Four (Right up there with Stan the Man Lee, Jack King Kirby, John Buscema and Roy Thomas ), but until you go back and revisit his lengthy run on The World’s Greatest Comic Magazine’you forget exactly how good he was. Issue 251 thru 265 is really one large, fluid story about— families lost and families found.

It was the world’s greatest comic magazine – again! Not since the days of Stan Lee and Jack Kirby had a creator so perfectly captured the intense mood, cosmic style and classic sense of adventure of Marvel’s First Family. Fresh off an earth-shattering and reputation-making run as penciler on UNCANNY X-MEN, John Byrne proved his writing talent was every bit the equal of his art as he pulled double-duty on FANTASTIC FOUR, launching Reed, Sue, Ben and Johnny into realms of imagination and wonder into which few creators before had dared to travel. From the four corners of the globe to the farthest reaches of space to the deepest depths of the Negative Zone, the FF face off against foes old and new – including the Dr. Doom, Galactus and Annihilus! Plus: The FF aid the Inhumans, bid farewell to the Baxter Building, don new costumes and celebrate their 20th anniversary in style as Byrne reminds us all there’s a family at the heart of this team of adventurers!

Collecting: MARVEL TEAMUP (1972) #61-62; MARVEL TWO-IN-ONE #50; FANTASTIC FOUR (1961) #215-218, #220-221, #232-262 and ANNUAL #17; PETER PARKER, THE SPECTACULAR SPIDER-MAN (1976) #42; AVENGERS (1963) #233; THING (1983) #2; and ALPHA FLIGHT (1983) #4.

Superstar John Byrne’s legendary run concludes with one of the most innovative periods in Fantastic Four history! The sensational She-Hulk replaces the Thing, Sue Richards becomes the Invisible Woman, and Mr. Fantastic is tried for crimes against the universe! Also featuring the return of Dr. Doom, the fate of Reed and Sue’s unborn child, the resurrection of Jean Grey, and more — as the FF confront deadly foes including the Mole Man, Dr. Octopus, Terminus, the Beyonder, Mephisto, Psycho-Man and Annihilus! Plus: the unfinished “Last Galactus Story,” reprinted for the first time!

COLLECTING: Fantastic Four (1961) #261-295, Fantastic Four Annual #18-19, Alpha Flight (1983) #4, Thing (1983) #10 and #19, Avengers Annual #14, and material from Secret Wars II #2, Epic Illustrated #26-34, What If? (1977) #36, What The -?! #2 and #10, Thing (1983) #7, Fantastic Four Roast and Fantastic Four Special Edition — written by John Byrne, Mark Gruenwald, and Roger Stern; and illustrated by John Byrne, Mark Bright, Ron Wilson, and Jerry Ordway.

The original first run of the FANTASTIC FOUR ran 416 issues. For my money you can stop reading with the recommendations in this post. The series never gets better or as good as the issues listed above.

 

Well this post was a good amount of work. If you enjoyed, then please like, subscribe, comment, email, and use the links. It is all apprecaired! Hope all you gals and guys are doing great!!!

2009’s WATCHMEN Trailer, 2020’s JUSTICE LEAGUE Trailer, Zack Snyder, Alan Moore, DC, Broken Agreements and the Films!

To this day, my favorite trailer of all time is the 1st WATCHMEN movie trailer, with the simply haunting SMASHING PUMPKINS song. You have to understand, that 2009 trailer represented the culmination of over 20 years of attempting to get that iconic book to screen.

And I have to say — I was one who was happy with the graphic novel, and just didn’t think a filmed version was feasible or needed. And I’m typically not that guy/gal who complains if someone wants to make a movie, or cartoon, or whatever from a successful book or movie. I say, more power to them, that’s just business. That is the nature of film, since the dawn of film.

Sometimes adaptations work out great (quite a lot actually) where the movie is actually superior to the source material, example of this would be Michael Mann’s MANHUNTER being superior to the original novel RED DRAGON by Thomas Harris. Or the Russo brother’s CIVIL WAR being superior to the over-bloated comic-book version. So yeah I’m always game to be pleasantly surprised by an adaption.

I guess where Alan Moore’s WATCHMEN differed for me, is the creator made an agreement with the publisher, that would have given him the rights to WATCHMEN, once the book went out of print, He made this deal in a time where there was no such concept as an ‘evergreen’ graphic novel. Everything went out of print in the Comic Book world. Alan Moore’s WATCHMEN became the first book, that DC would never let go out of print.

 

So while Alan Moore is known for being historically difficult, the reason may be that he has been hoodwinked more than a time or two. And WATCHMEN perhaps being the most painful of the many various conflicts he has had with publishers and other creators, would notoriously be a sore subject with Mr. Moore.

At the end of the day, 35 years removed from Moore’s heyday in comics, he is still that name we reach toward when we think of what is best in comics. So to have the medium’s best writer, our modern day Shakespeare (a writer, writing in a castigated medium for the mob, works that would stand the test of time) not involved with the adaptation, and not wanting the adaptation of his most acclaimed property; well you tend to understand, as a fan of that writer and that property, and not really need to see that adaption.

So I wasn’t calling for a WATCHMEN film, and I was not boycotting it either, I just had no interest in seeing it. Two things started to excite me about the film, One/ that Zack Snyder was attached as Director (coming off 300 he had skyrocketed as one of the most exciting directors, and one of my favorite directors) and Two/ then seeing that first trailer in 2009. The first trailer with the Smashing Pumpkins song… holy cow!!! 

For someone to take a long un-filmable project, that had been gestating for decades, and bounced between different writers, directors, production teams, and finally land with one of the most stylish action directors to come along since Sam Peckinpah and John Woo, and to produce a trailer like that— mic drop.

That trailer, as someone like many, who loved Alan Moore’s WATCHMEN; that trailer completely screamed Alan Moore’s WATCHMEN. And more than that it screamed iconic, it screamed visionary, it screamed Zack Snyder.

Visionary is a high compliment, but when looking at the visuals of Zack Snyder, it is well earned. And that vision and love for the source material was all on display in that trailer, and add that perfect song…and you have something that highlights the strengths of Zack Snyder, his visuals, and replaces dialog and plotting, with the pure emotion of the right song.

To this day, that first WATCHMEN trailer remains my favorite trailer of all time. And while the movie was not the trailer (meaning it could not maintain that level of perfection and excitement over 2+ hours, but arguably no film can), the film while definitely having issues (overlong, pacing issues); at the end of the day, flaws and all, it is an achievement of film-making.

You could not cast that film any better than it was cast, it starts great, it ends great, and in-between it is compelling if overlong (but given the depth of content, it was the length it needed to be). And let us speak of that ending, I spoke earlier of adaptions that are better than the original; this film is not better than the graphic novel, but there are moments in this film, that are. One of those moments is the ending. The culmination of Ozymandias’ master plan makes far more sense in the film than in the Graphic novel.

All in all Zack Snyder’s WATCHMEN is a flawed masterpiece, and I’ll take that every day of the week. And the trailer… flawless. Check out the below review.

Watchmen: An HBO Limited Series (Blu-ray + Digital)

Since then others have taken a crack at Alan Moore’s seminal work, to surprising (and I would say impressive) effect. I still wish Alan Moore’s name was on all these  adaptions, and he was getting paid, since he is making corporations quite wealthy milking his ideas.

Part of this is Moore’s own ‘line in the sand ‘ attitude, but seriously I really wish fences could be mended, as Moore is not getting any younger, and it would be nice if people would laud him, monetarily and credit wise, while he is alive, rather than empty speeches after he, like we all must, passes off this mortal coil.

Anyhow that was just a quick aside about how much i love the 1st 2009 WATCHMEN trailer, and while Zack Snyder has been hit and miss for me film-wise, his visuals (with the exception of the stupid costumes/CGI for the FLASH and CYBORG) are always top notch; and the trailers… genius.

I just saw the trailer for JUSTICE LEAGUE THE SNYDER CUT, and once again, that marriage of iconic visuals as only Zack Snyder can do it, with the perfect song– it makes me excited now to see this, when I had no interest in a ‘Snyder Cut’ of a film that did not work for me the first time.

“You won’t let me live, and you won’t let me die.”

In a very impressive trailer weekend for DC/Warner Brothers, the SNYDER JUSTICE LEAGUE may be my favorite trailer, just edging out both THE BATMAN and WONDER WOMAN 84. Now I definitely think both WONDER WOMAN 84 and THE BATMAN are going to be vastly better films than this re-cut JUSTICE LEAGUE CUT (I don’t see the edit substantially being able to change/better the film. Change it a little, yes. Better it a little, yes. But substantially? No.); however based just on trailers, the Snyder Cut hearkens back to his successful 1st WATCHMEN trailer, and that formula (for the trailer) just works.

UFC252 Part2 : Post Fight Results – The Final Word

Wow.

UFC252 lived up to the hype in surprising ways.

Chito Marlon Vera stops the unbeaten Sean O’Malley in great style. By all reports it was Vera’s great kicks to O’Malley’s legs that caused the leg to buckle. And Vera, like the warrior he has proved himself to be,  finished O’Malley. Thumbs up for Vera. And hats off to O’Malley, he is a young tough guy, falling down and learning from it, should only make him a better fighter.

Stipe defeats Cormier by decision. I heard the play by play and have seen the screen grabs, what a great fight. Stipe gets it done, cementing himself as one of the best and longest running Heavyweight champions (adding all his time as heavyweight champion, and all his title defenses).

And Cormier’s already high stock, only goes up with this fight. To put on the kind of performance he did, from bell to bell, and after effectively losing an eye in the 2nd round— wow. When you use the term legend and champion performance, its hard not to have Daniel Cormier in mind.

It does bring up the thought they need to either alter the gloves like fighter Cory MacDonald suggested, so that fighters can still grapple but not fully extend their fingers, to make eye-pokes less prevalent, or have these guys go in with at least protective contacts. Contacts won’t help with avoiding a detached retina (that may come with a severe eye-poke), however they should help protect the cornea from getting scratched, which is potentially the more severe issue.

That damage to DC’s eye looked very severe. Hoping he gets immediate and great care, and that therE is no permanent or irreparable damage. He can go into retirement knowing he has repeatedly fought the best in the world and, in victory or in defeat, always been the best in the world.

My best goes out to all the fighters, and hoping they all have a speedy and full recovery.

Best Cheap but GREAT over-sized comic book posters of the Day!!!

Best Cheap but GREAT over-sized comic book posters!!!

Makes fantastic gifts or presents for the pop-culture fan in your life, or give to yourself as a nice present!

 

 

Captain America – Madbomb Marvel Retro” Maxi Poster 36 x 24

 

Alex Ross 70721 Marvel Generations Oversize Vinyl 62×48 Poster

 

Frank Frazetta Red Planet Mars Science Fiction Fantasy Artwork Classic Retro Vintage SciFi Artist Comic Book Cover 1970s Cool Wall Decor Art Print Poster 24×36

 

Pyramid International X Men Magneto Triumphant Marvel Comics Retro Cover Art Cool Wall Decor Art Print Poster 24x36

Magneto Triumphant Marvel Comics Retro Cover Art Cool Wall Decor Art Print Poster 24×36

 

Princess and The Panther by Frank Frazetta Cool Wall Decor Art Print Poster 24×36

 

Guys if you found this post helpful, I definitely would appreciate  you subscribing, liking and using the attached links. It is a win-win.

Currently Watching / Quote of the Day : PULP FICTION The Golden Age

I am currently watching PULP FICTION: THE GOLDEN AGE OF SCI FI, FANTASY AND ADVENTURE, courtesy of Youtube and Roku (the only way I watch a Youtube video), and it is just a riveting watch. If you are a fan of books and writers or simply history, and 20th century Americana, this deep dive into the early years of a uniquely American art form, pulp fiction, you will be riveted by this feature. It is less than an hour in length, and get past the incredibly hokey opening, it gets serious and informative and impressive, very quickly.

 

There is a line in the feature that, while being a patron of pulps and pulp writers and knowing this to be true, still actually gave me chills to hear it so succinctly laid out.

 

‘The fascinating thing about the writers who were working in Pulps, was they were writing what was considered disposable fiction, trash. I mean, most of these stories you’d read them and throw them out, and yet… the top writers in these fields, whether Westerns or Science Fiction or Horror or Mystery, they are now considered the literary giants of the 20th century.’

—Marc Zircee, Historian

That line gave me chills. And it is still the case. The writers who are moving the needle here in the still early days of the 21st century, are writers who wrote in under appreciated genre fields.

Similar to successful pulp writers Ray Bardbury, Issac Assimov, Harlan Ellison, Walter Gibson, HP Lovecraft, Sax Rohmer, Dasheil Hammett, L Ron Hubbard, Raymond Chandler, Norvell Page, Cornell Woolrich and Stan Lee (who as a kid started writing pulp stories in the comics, 20 years before he and a cadre of artists would give birth to the revamped Marvel Comics) and others who survived the brutal starvation years of the pulps, and did not join the mass of such writers… who died young and broke, but continued at it, to write, and write, and write, and transition their forward looking pulp sensibilities to the new mediums of radio, and television; that is what is happening today.

 

And not to be remiss the pulp artists, both cover artist and interior were equally important. They gave the astounding, jaw dropping artwork that got you to stop and pick up the story, and the spot illustrations that powered you through it. And like the pulp writers of the day, the artists were woefully underpaid and horribly overworked to barely eke out a living. Most died broke and unknown, with their work not even credited by the publisher, but a few rose above the carnage of those years to create work that is remembered, geniuses like Norman Saunders, J. Allen St. John, Elliott Dold, George Rozen, Jerome Rozen, Rudolph Belarski, Frederick Blakeslee, John Newton Howitt, HJ Ward, Virgil Finley, and the criminally neglected Barye W. Phillips who did one of the best pulp covers ever with FANTASTIC #1 from 1952. I will be doing an article on the artists in an upcoming installment.

The pulp work… wins out.

The perseverance and love… wins out, and those trash/pulp writers of the 20th century are the ones who are celebrated and rediscovered today, where the ‘serious’ writers are largely forgotten and unread by the masses.

The pulp writers who were pushing the needle in the 20th century, with fast, hard,ugly, brutal, and imaginative tales that did not fit the sensibilities of the ‘serious fiction’ of the day.

That unruly challenging and imaginative fiction they were writing then… about our basest desires and wildest hopes remains…. today, still relevant. The way Mary Shelley’s FRANKENSTEIN will always be relevant, the way Shakespeare will always be relevant, the way Chester Himes’ Digger and Coffin Joe, will always be relevant. Because people then, as people now, understand the extremes of hope and despair, and that is the place pulp writers evoked for us best.

Now the modern equivalent are writers such as Stan Lee and Alan Moore and Frank Miller and Pat Mills and Neil Gaiman and Mark Olden and Warren Murphy to name a few.  People who slaved away in the late 20th century in the looked down upon realm of Comics or Pulp novels, but wrote about our hope and our fears writ large, modern myths to reflect our modern fears. And like always men who define the conversation of the extreme (the dreamers), in their own time, end up defining the conversation of the masses for their children’s time.

And today we have a new generation of talented pulp writers. From Dennis Lehane to Walter Moseley to John Ridley to Derrick Ferguson to Thomas Ligotti to John Jennings to Joe Hill to Charles Saunders to Percival Everett to John Sanford to Collin Whitehead to Victor LaValle to Richard Gavin to Ed Brubaker to Christopher Priest to Warren Ellis to Brian Michael Bendis to Robert Kirkman to Al Ewing to Eric Powell to David Walker to name a few.

Serious Fiction talks about what is, Pulp Fiction uses the past, present and future as allegories to talk about who we can be, when we screw our courage to the sticking place. And as such it will always be a place waiting for us… to discover.

I hope you like this post. if you did subscribe, give a like or comment. 

A word about subscribing, there are a lot of demands on our time, too much for all of us to be aware of all the cool people and cool things, we might like to be aware of. Wednesday Words was a well received feature I did years ago, and it was just a quick touch on people whose name and work you may want to have on your radar. Subscribing will get you, every two weeks a very short, but very informative edition of WEDNESDAY WORDS.

So if you haven’t subscribed, please do, and bring a friend with you. Collaborating, especially in these oft marginalizing times… seems like the right answer.

And for now, go to Amazon or your local bookstore or library and check out the writers mentioned in this piece. Till next time… be well!

 

 

3 days left to PREORDER your comics in October! Here is how! The FINAL Part!

Here is the promised final part.

Just in time to order, pull the trigger by this Wednesday 24 July 2019!

 

Books worth pre-ordering by 24 July 2019, and save money off cover price, of books being released early October! Halloween!

Here then are the recommended books!

 

Books worth buying from Marvel:

While Marvel under the auspices of the great film division helmed brilliantly by Kevin Feige, are doing gangbusters on the big screen and television screens; the comic books are a train-wreck. I’m not talking talent wise, I think Marvel, The Comic Book Division has talented and creative people actually writing and drawing and creating the books.

Where Marvel falls down is in marketing and pricing their books, and over saturating a small market, with a lot of noise. I think Editorial and Marketing between the two of them are steering the company, periodical wise, at high speed right into a wall.

You do not have to be a genius to realize, Johnathan Hickman or any writer, is not going to revamp crap, if you are diluting and smothering a good idea, (in this case the ‘revamping’ of the X-men) right out the box, by comprising your jump on story 6 to 12 new titles, by that many creative teams. It is the moronic, diminishing returns crap, Marvel publishing has been doing for the last few years. Drowning whatever signal they may produce, under a crap load of noise.

 

One X-men title. One exciting creative team, writer, artist, colorist, letter. One steady price-point, $2.99. Not 10 mutant titles to dilute and confuse your audience. One title. One jumping on point. One easy brand to market to retailer and customers. If you are a Marvel Comic book company, with Marvel Studios having done the hard work of giving you a potential GLOBAL audience of BILLIONS. And you can not sell ROUTINELY hundreds of thousands, if not millions of EVERY issue of X-MEN, the issue is gross mismanagement.

It is not the customer, it is not people do not read, it is not competition from video games or movies, it is gross incompetence by your marketing/management and arguably editorial divisions.

Disney needs to farm out the marketing and management of Marvel Comics, to anyone but the people who are currently failing at it.

Books to buy from Marvel:

None

 

Books to buy from DC:

My above rant about Marvel periodical, also applies to DC periodicals. (With the exception of their $1 reprint line, one of which you will see below).They raised their periodical prices to $3.99 to coincide with hiring Marvel Poster Boy Brian Michael Bendis. And they were on an upswing before doing that. Following their price hike I dropped all of the books that went up in price, except Christopher Priest’s DEATHSTROKE. And to this date, that is the only periodical book I am buying from DC Comics.

 

TWOMORROWS PUBLISHING

 

Alter Ego 161 - Click Image to Close

November 2019 – 100 pages (FULL COLOR)

ALTER EGO #161 (100 pages, $9.95) is a full-issue tribute to Stan (The Man) Lee and his contributions to comics! Roy Thomas writes on his more than 50-year relationship with Stan—and shares 21st-century e-mails from Stan (with his permission, of course)! Art by Kirby, Ditko, Maneely, Everett, Severin, Romita—plus tributes from pros and fans alike—and special sections on Stan by Michael T. Gilbert, Bill Schelly, and even the FCA! Vintage Galactus cover by Jack Kirby and Vince Colletta! Edited by ROY THOMAS.

Diamond Comic Distributors Order Code: JUL192270

 

Order Books here:

https://www.mycomicshop.com/subscriptionservice?AffID=200301P01

 

3 days left to PREORDER your comics in October! Here is how!

‘Preorder? Preorder?

We don’t need no stinking preorder!’

Little bit of a bastardization of the famous line from the great john Huston directed, Humphrey Bogart, Walter Huston led movie, TREASURE OF THE SIERRA MADRE.

Humphrey Bogart, Tim Holt, and Walter Huston in The Treasure of the Sierra Madre (1948)

One of the best films ever made, and a must watch if you have, in an age of Disney Blockbusters, never seen this quintessential bit of Americana. From 1948, the film is as riveting as SICARIO or any other thriller you will see today, and amazingly still as timely and as timeless.

Pre-ordering is something unique to that weird world of comic books.

Not every comic store can carry every comic. There are a lot of publishers, coming out every month with new titles. Staying on top of it can be an initial learning curve.

But pre-ordering helps you save money, depending what online or brick and mortar retailer you use, the amount is typically between 10% and 50% savings.

The particular online retailer I use, and that I recommend, saves you 35% off the cover price of your comics.

Why do I use the retailer that saves you 35% as opposed to the retailer who saves you 40 to 50%? Well I’ve used that 50% off retailer in the past, and had issues with their customer service, as well as problems getting the issues I ordered, and problems with how i was being charged.

With the 35% off retailer, the customer service has been excellent, and I get the books I ordered in quality condition.

Therefore they are the ones I use, and the ones I recommend.

Okay this is part one of my comic book pre-order tutorial, the little trailer/preamble if you will.  I am hard at work on part two, with suggestions of what to order and the link you can use to order from my retailer of choice.

Give this post a like, and come back in about 4 hours to see the 2nd and final part of this pre-order for books shipping in over 2 months, in October.

Thanks!

Youtube Channels On Rob Liefeld, Moon Girl & Devil Dinosaur and the Demise of DC Comics?

I listen to some of these Youtube channels, with hosts expressing all types of varying views and opinions.

People get up in arms about a lot of things, than rush to share their opinion.

Here is the thing, everyone has an opinion, but what you should share is an INFORMED opinion. I’m always amazed by the number of people who don’t take the time to make their opinion, an INFORMED opinion.

” Oh No! Rob Liefeld is saying DC is heading for a collapse!”

And that is news why?

I don’t personally care what the opinion of Rob Liefeld is. Not saying I dislike him, but in a long day of numerous issues, the opinions of Rob Liefeld generally do not make my radar. Or most people for that matter, we live busy lives.

However a podcast put this particular Liefeld stance on my radar.

DC comic company heading for a demise.

Just a cursory glance at the comic market will make that stance seem like an outcome with a hefty potential, to be the likely stance.

As far as most of America is concerned there is  no such thing as comic books. The best selling comic books of the biggest companies in the US, Marvel and DC, have been struggling for years to sell a 100000 copies in a nation of over 300million people.

That is an unprecedented level of failure.

That is a market hanging on by its fingertips, and is staying alive by resorting to desperate 1990s moves of multiple and variant covers, and price gouging their remaining dwindling audience.

Comics are going up exponentially in price because the big two American Comic book companies rather than attempting to grow an audience, is simply concentrating on milking to death their existing dwindling audience of extremists.

And you have to be an extremist of some sort to pay $4 and $5 and up for books of lessening quality and miniscule content.

And recent talk of AT&T’s acquisition of Warner brothers and by extrapolation DC, points to the print division of DC Comics as one not viewed favorably by At&T; one can argue with good reason.

So to speculate and even err on the side of the demise of the periodical print form of comics, DC comics specifically, that is only looking at the situation clearly and making some informed conclusions. Especially in the wake of the biggest book retailers, far larger than DC. suffering calamitous years of their own.

If you had to bet on DC print division, returning to the glory days of selling millions of copies OR going strictly to a digital and collected/trade model (with some print on demand tossed in); you have to look at the latter as the most likely option.

So yeah talk of the demise of DC Comics, or Comics in general, is just acknowledging the same falling dominoes we see in other physical media markets, from newspapers, to book retailers, to CD and DVD providers. The only difference being all of those things, still sell better than Comic Books.

To not see demise in the wind in the desperate price gouging antics of Marvel and DC, is to not be paying attention. Now I being a fan of print would like a return to a thriving sequential market, but it will take following the path of innovative sequential companies like Alterna, who eschew relying on just the flawed Diamond Direct Market model.

I urge you to check out the Alterna channel for great discussions on these very topics.

And what is funny is the same people who will argue for the health of the direct market, will then call for the cancellation of titles like MOON GIRL AND DEVIL DINOSAUR and MS MARVEL. “Oh those minority books, diverse books are low selling. they should be cancelled. Why aren’t they being cancelled? ” Again it is a case of people not taking two seconds, in a digital age, to get informed.

While the titles do not sell gangbusters in periodic form, in the flawed Diamond direct market model, they sell gangbusters to libraries. MOON GIRL AND DEVIL DINOSAUR and MS MARVEL sell great to libraries, and are critical darlings. And are quickly becoming bigger IP money makers than the traditional “Give us only white guy” titles, that surprise, surprise, after a few issues, stop selling, and need to be rebooted to bolster sales.

It has been my experience that most people on social media, are here to spread gossip or an agenda or be outraged about something, the truth be damned. They just want to have something to move their lips about. That becomes the babbling of idiots, rather than any type of cultivated discourse.

So to combat this type of co-opting of the conversation by those who probably really have no love for comics, those of us in a position to have even a minor audience, we owe our legitimate audience better than regurgitating the suspect ramblings of the agenda prone, we owe them better than our uninformed opinions, or theirs, we have to hold all of us to a higher level of discourse.

There can be no civilization without holding ourselves to civil discourse.

The truth is out there. You just have to take the time to shut your mouth long enough… to hear it, and read it, and internalize it. 🙂

Hear Endeth the Lesson!

 

On JESSICA JONES Trailer, Tom King’s BATMAN, and DCs SWAMP THING show!

Let us start in the middle Tom King’s BATMAN.

I listened to a recent podcast where they were bemoaning the news of Tom King stepping off the BATMAN comic. All kinds of speculation on him being removed, etc. That he was doing a brilliant run on Batman, etc, etc. And they couldn’t understand how DC could not see what a great, innovative job he was doing, and that DC execs must not like great stories, yada, yada.

This very minor and relatively harmless rant from this podcast I watched, illustrates perhaps a less wholesome issue with our culture in whole. This inability to see or look for, or acknowledge, viewpoints other than our own.

The truth is out there, to paraphrase a show I was never a fan of, beyond the odd ‘monster-of the week’ episode.

The truth is out there, but we have to look, and we have to do our homework.

It doesn’t have to be controversy when we get news we do not expect or agree with.

It doesn’t have to be DC executives are stupid.

It could be as simple, if Tom King was removed, as simple as the books were not moving in the numbers they liked, or meeting with across the board praise.

A simple look at reviews of Tom King’s BATMAN run, whether podcasts, or Youtube videos, or blogs or websites, when you extend the search beyond your circle, your chorus, you see a run, a body of work, that from the first trade on, was conflicted. And grew more uneven and conflicted, in terms of the writing, and the response to the writing with every trade/issue.

I think a lot of people make excuses for Tom King”s work when they do not love it. Like they refuse to admit they didn’t love it because of Tom King, so they blame the publisher, or the editor, etc.

A writer is a lot like a director, you get the praise when a product is great. You should also carry the blame when a product isn’t. A lot of people like to give King the former, and make excuses to keep him from the latter.

Stop making excuses or trying to blame Editorial if you do not like a Tom King story. You do not try to give them the praise if you love a Tom King story. So let’s not be hypocrites.

And I am not anti-Tom King, I am not one of these knuckle dragging anti social justice warrior, anti-woman, anti-diversity, psuedo neo nazi nuts. I judge the work, on the work, and wait to read it, before having an opinion on it.

Tom King can be a great writer.

The webpage will not show this image anonymously.

https://amzn.to/2MAm9GC

His VISION series is one of the greatest things I have read in years. (And if you have not read it, I urge you to pick up the collected hardcover… it is that good.)

His OMEGA MEN very good.

https://amzn.to/2EZQGHG

His Batman, in pieces, standalone, I’m thinking specifically of ANNUAL 2, can be great. Annual 2 was great.

The webpage will not show this image anonymously.

https://amzn.to/2MzJsk0

However, specifically to Batman, other than that standalone story,  his actual run on Batman, the first 4 or 5 trades, I found awful. I mean… awful. “I am suicide!”As his take-away on the character of Batman. Really???!!

Batman: I Am Suicide (The Complete Story) - YouTube

The great flaw of Tom King’ s BATMAN (for me), was always Tom King’s take of the character. He keeps writing the same broken, suicidal, and ineffective character, over and over again. And while it worked for the Vision and Mr. Miracle, shoehorning that Hamlet type protagonist and calling him Batman or Kid Flash, does not work at all.

He keeps trying to tailor these heroes and archetypes to his ptsd framework, and it increasingly does not work. He needs to start writing to the character, than simply shoehorning them into his rigid story.

We get it,

Tom King brings a military background, and a CIA background, and an espionage background, and a background of those places where we all break under stress and pressure. And again telling that story with certain characters can work, however retelling that story with every character does not work.

There are more stories than that. And another reason we look to these heroes is because they are our aspirations writ large, they should not all be stand-ins for the places where we fall down, they should be the standards of how to standup. They should be our hopes writ large, not our insecurities. The VISION type stories should be the exception, not the rule.

I do not want to read a comic with a Superman dealing with PTSD. It starts to become one note writing, rather than great writing, to make all the heroes analogs for the common man, or the Hamlet in us.

So yeah, while I will not be picking up the individual issues regardless of who writes BATMAN, because paying more than $2.99 for a single Marvel or DC comic is insanity (Marvel and DC should both be ashamed of themselves for charging more than $2.99 for scant pages of comics. Now, smaller Independent publishers I cut them slack on pricing, because their page count and quality is usually higher. However Marvel and DC has the economies of scale to keep prices low. To not do so comes down to mismarketing, mismanagement, and short term greed, over long term sustainability and growth) , I will, if the word of mouth is good, check out the books when they hit the $1 bins of the secondary market or in collected edition at the libraries.

I look forward to a new take on Batman, and a new writer.

Okay… next topic…

***************************************************

JESSICA JONES Season III trailer. Here is the thing, I was not interested enough to watch the 2nd season of JESSICA JONES. And by all reviews I did not miss much. But I went into the the trailer for season III hoping it would be good. I have to tell you, I found it incredibly uninteresting.

I can only take so much of brooding, not quite likeable, characters so, just with the way the protagonist is played, with a listless, can’t be bothered attitude, the performance of Jessica Jones is typically the weakest part of the show JESSICA JONES.

https://s15-us2.startpage.com/cgi-bin/serveimage?url=http%3A%2F%2Ft0.gstatic.com%2Fimages%3Fq%3Dtbn%3AANd9GcTfEODizVkEhjX5DTd2Fp-EKHQdU-yX9y0FllP-kS2TgqSH8JQEVA&sp=ced14d29e1bfd30e584288dacec803c5&anticache=124267

So that said, you need charismatic, interesting people surrounding her to make the show worth while. You need a Luke Cage, you need a Purple Man. You need dynamism to counteract the plodding, disaffected, and starting to get annoying, performance of the protagonist.  And unfortunately the trailer for Season III offered none of that. Offered an Antagonist, absolutely as uninteresting as the protagonist. A battle of who could bore me more.

 

So yeah the trailer to Season III of JESSICA JONES, a hard fail. That is not going to make my watch list, based on that trailer.

*********************************

https://s17-us2.startpage.com/cgi-bin/serveimage?url=http%3A%2F%2Ft0.gstatic.com%2Fimages%3Fq%3Dtbn%3AANd9GcRewaG-8fAXhxFf9lOTCExTuJSTRmAqCeY83ZOieU-7ZSR1JdRg&sp=2c79f4941178f19f38dc309b58dfd647&anticache=375506

Finally, the news that the DC Swamp Thing show has been cancelled before the 1st season really starts.

It has come out the reason DC/Warner Brothers pulled the plug is largely because North Carolina, an increasingly politically suspect state (excuses to my North Carolina Friends, but you are starting to be run by the pointy hat crowd. And I’m not telling you anything you don’t know. You know you need to start cleaning your house, much the same way the Nation needs to clean its house) basically bailed on their promise to help finance the production of SWAMP THING in their state.

It is a great shame, because I have to tell you, I absolutely loved the full trailer to SWAMP THING.

They looked like they had all the elements for a wonderful , long form story, worthy of the kind of eerie, brilliant, haunting storytelling that creators Alan Moore, Bissette, Totleben, Wein, and Wrightson laid the ground work for.

Such a shame.

Maybe someone else will add the additional funds so we get to see this vision of Swamp Thing, eventually played out.

Well that’s it guys.

Just wanted to put my 2 cents in on those 3 topics. Take two seconds and support today’s recommended comics.

You know when I was saying I cut Independent comics a slack, because of their quality of content and packaging. ALTERNA COMICS and AHOY COMICS are two cases in point. There are a lot of great writers/artists in comics, arguably one of the best of them is Eric Powell. I absolutely am enamored with his GOON and his HILLBILLY and his SPOOK SHOW. And ALTERNA comics addreses all the issues with price gouging that we are getting from the big two, Marvel and DC, while giving us quality products. So you can preorder comics from both publishers and get them direct mailed to you.

https://www.mycomicshop.com/subscriptionservice

 

Use the links above get great books, support these publishers, and earn a few pennies for this blog. A win-win!

 

“Second star to the right and straight on ’til morning. ”

J.M. Barrie, Peter Pan

The End of American Comic Books?

With the major two American Publishers (Marvel Comics and DC Comics) Marvel Comics (Real) | Spiderman animated Wikia | FANDOM powered ...Dc Logo Png Transparent - Dc Comics Logo 1976 - Free Transparent ...largely pricing themselves out of the periodic comic book market, ($4 for a 22 story page comic? Are you on crack?! 🙂 ) and failing to engage any sizeable readership in the sub-thirty market, and losing readers in their dwindling above 30 market, they are kept around largely to just be an idea space/loss leader for the actually profitable divisions of the multinational oligarchies that own them.

That is not to say there are not brilliant writers and artists that work for Marvel Comics and DC Comics, but unfortunately they are crippled by a few things.

First a pricing structure (over $3 for a couple dozen pages of comics. 10 minutes of reading entertainment is moronic. It is a poor value for dollar when compared to just about anything else) , second a quality structure ( abhorent paper and cover quality. Poor and obtrusive placement of ads, especially when compared to better Indy publishers. Marvel Comics is especially culpable in this) and third a flawed editorial structure/mindset ( lets inundate the MARKET, dilute the brand and confuse and frustrate the readership, with too much overlapping, and conflicting, and redundant books, and events, and storylines. Let us not give prospective readers one clear on-ramp to our comics, a single Batman book to follow, or Spiderman book to follow, when we can publish 20 poorly selling, and market-fractioning books instead. And let us not place the books or advertise the books, places where our demographic could actually find them).

All three of these ingrained ‘sales’ structures of major American comics, seemingly just designed by moronic frat boys, rather than capable professionals who really love and want to grow/expand the medium.

Marvel and DC comics for the last few decades since the 90s, proving themselves inept at selling American Comics to Americans or anyone else. Think about it, Marvel and DC comics, these publishers, their inability to sell 100 thousand comics in a nation of 300 Million people, is an unprecedented level of failure. Especially with the hard work of selling these characters to the mainstream already done by the movies and TV shows.

If I were the parent companies, AT&T and Disney, I would wholesale fire the Marketing and Editorial departments of both companies, and bring in fresh blood with fresh ideas. Because, clearly the people currently running these divisions have not the slightest clue how to sustain and grow their print model/readership.

Now on the Independent comic book publishing Front, there are still promising companies, IMAGE COMICS, and some of the smaller companies such as Alterna and Albatross etc. these companies are really challenging the ingrained pricing and content and quality deficits of marvel and dc. these companies resembling more the mad creativity and broad appeal of marvel comics in its bronze age glory days, before it lost its way. before the peter principle took hold of marvel and dc, and they grew past their best and most useful state.

WHERE I BUY JUST ABOUT NOTHING MONTHLY FROM THE BIG TWO (Exception being Christopher Priest’s DEATHSTROKE) I buy just about everything from ALTERNA, and ALBATROSS and a bunch from IMAGE. Dark Horse, IDW, Ahoy, Aftershock, Titan, all companies putting out great books.

However a recent rash of buyouts of Indy comic companies, by deep pocket Chinese companies may bode ill for true Indy American Comics. and may signal an end to this current golden age of american comics.

AND YES, I WOULD ARGUE THAT LOW SALES AND OTHER ISSUES TO THE CONTRARY, WE ARE IN A GOLDEN AGE OF COMIC BOOKS, graphic literature, slims. cause when you get away from the reprehensible shenanigans and mismanagement and flooding the market tactics of the big two, the comics themselves, have truly never been better, or richer, with nearly every genre of book being published, and across the board, a higher level of story and art then ever before.

The webpage will not show this image anonymously.

The webpage will not show this image anonymously.

Ahoy Comics | Expect More

The webpage will not show this image anonymously.

i grew up in the bronze age of comics, i love the bronze age comics, and there were some great comics. but across the board the quality and creativity is better today. you just have to push a lot of that noise of the big two out of the way so you can see eric powell’s hillbilly and goon, so you can see brubaker’s criminal, so you can see rucka’s lazarus so you can see walker’s bitter root, so you can see dingess’ manifest destiny, and the list goes on. and even in marvel, great comics are being made,  ta-nehisi coates black panther and captain america, jason aAron’s thor, montclare’s moon girl and devil dinosaur, g. willolw wilson’s ms. marvel and the list goes on, it is just marvel has made these books (for reasons mentioned) unpalatable to pick up monthly. it is better to wait for the collected edition and read the story that way.

The webpage will not show this image anonymously.

for monthly comics I really like the Alterna model in terms of pricing, and seeking old fashioned newstand distribution. And hopefully other companies can follow their homegrown lead so we continue to have American comic book companies not potentially censored by allegiance to foreign interests.

Hope you found the above slight tirade useful. It comes from a place of love for the medium, and love that a home grown, domestic comic book company… can endure.

If you want to buy the back issues of any of the books I mention, or subscribe to books (preorder new books, I highly recommend it) use the below link. You will get great books, and it will earn a few pennies for this blog. Enjoy!

https://www.mycomicshop.com/?AffID=200301P01