Best Cheap but GREAT over-sized comic book posters of the Day!!!

Best Cheap but GREAT over-sized comic book posters!!!

Makes fantastic gifts or presents for the pop-culture fan in your life, or give to yourself as a nice present!

 

 

Captain America – Madbomb Marvel Retro” Maxi Poster 36 x 24

 

Alex Ross 70721 Marvel Generations Oversize Vinyl 62×48 Poster

 

Frank Frazetta Red Planet Mars Science Fiction Fantasy Artwork Classic Retro Vintage SciFi Artist Comic Book Cover 1970s Cool Wall Decor Art Print Poster 24×36

 

Pyramid International X Men Magneto Triumphant Marvel Comics Retro Cover Art Cool Wall Decor Art Print Poster 24x36

Magneto Triumphant Marvel Comics Retro Cover Art Cool Wall Decor Art Print Poster 24×36

 

Princess and The Panther by Frank Frazetta Cool Wall Decor Art Print Poster 24×36

 

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News you can Use!… And a RanT.

DISNEY QUIETLY DELETES ‘TOY STORY 2’ SCENE AMIDST ‘ME-TOO’ BACKLASH.

https://frompage2screen.wordpress.com/2019/07/12/disney-quietly-deletes-toy-story-2-casting-couch-scene-after-metoo/

 

This is a bit longer than I intended it to be, so feel free to read in pieces. I think there may be some grain of wisdom in the wildness of it. It goes hither and yon, but its heart is in the right place.

 

First I have never liked Disney.

I don’t.

I do not like their stance on copyright. I do not like their stance on creator rights. And I do not like that they famously, or infamously bought a news station, rather than being the subject of the news.

I do not like any company that is above the law. All laws. And masks their absolute earth shaking power, behind this facile facade of familial values.

But you do have to respect Disney.

Respect what they have done, and how they have done it.

But cheer-leading is another matter.

I think people who were championing for Disney to buy Fox, or this company, or that company. the mass of people without a stake in Disney, championing Disney so they can see fictional characters share the same screen, are morons who do not understand larger issues of monopoly, and wage manipulation and price fixing, and law making, that comes with allowing a company to get that big. Real tangible issues that affect the people and the quality of life of the people, not at the very top of that economic pyramid.

I think people who take an ownership view of how much billions more, billion and trillion dollar entities like Disney make (oh we have to get the Avengers movie over a Billion or to 2 Billion) are ignorant slaves, cooing for their masters to build a bigger house, and expand their plantation, when you barely have a pot to piss in.

I like the Marvel and Star Wars movies and think Disney has done well by them  (However I would have been happier if neither Disney purchase was approved, and they remained separate companies, because competition and a free market and quality of life and choice… is more important than getting a specific type of movie), and I want entertainment I consume to be good, but as far as being a cheerleader for how much more billions these movies make for their global overloads. I sincerely could not care less. If the movies lose money they lose money, if they gain money they gain money.

The fact that studios have helped destroy local theaters and distribution, that 40 years ago, that money a  blockbuster made would go into the local economy,. Into the Independent theaters, the distributors, the retail companies. That money a movie made, a nice portion of it, went back into the local economy. Not so any longer. Now a studio owns a stake in everything from the distribution company, to the chain of theaters it is shown at, to the theatrical equipment and media used. The Billions a movie makes, is literally billions moving out of the pockets of the many poor, and into the pockets of the few rich.

Only if you are a stock owner should you feel some tiny type of fiscal ownership or incentive in Disney’s financials, and I guarantee you most of the idiots who are clamoring for a movie to break this record or that record, do not own a single Disney stock. They are penniless slaves taking ownership in their masters house, rather than any ownership in their own.

So that is my background on how I feel regarding Disney.

 

Now onto them cowtowing to ‘Me Too’ mob.

 

This is the reason DVDs and Blurays can not be replaced by streaming, because of this tail wagging the dog syndrome, this knee-jerk reaction companies and politicians and courts are engaged in of cowtowing to the mob, and acting and punishing at the whims of the mob, before thinking.

We can have great intentions, but the 2nd those great intentions transcend due process or replace ‘innocent till proven guilty’ with ‘guilty till proven innocent’; you become a mob rather than a movement.

And businesses and courts and the media, cowtowing to this witchhunt atmosphere become part of that lynchmob mentality.

Let us start with the big picture and some historical perspective and work our way down.

A lynch mob mentality. That’s the type of atmosphere, where people lose their job and livelihoods and lives before their day in court, where books get banned and burned, and in the age of streaming, films get… altered.

So that’s the reason if you have a movie you love, you only truly own it, if it is in a physical format. Any item you own in the ‘cloud’ or even on your hard drive (if it is accessible to updates) is subject to this re-writing of content, this editing of content, to placate the unreasoning, scared, power-hungry mob.

Most people have good intentions.

To protect their communities, to support democracy, to fight against discrimination, to oppose sexual harassment, to protect children, to defend women.

But we have allowed people with bad intentions to weaponize these good intentions, with unthinking rigid slogans that replace and usurp the rule of law, and dispense and enact punishment before due process, popular American slogans such as “Make America Great Again aka Keep America White” or “Better Dead than Red” or “Me Too”, when you become a knee jerk defender of slogans over reason and due process, you move from a defender against crime, to a committer or crimes. A lynch mob and a witch hunt.

And I’ll have no truck with that.

Too many people have been lynched in this country, both literally and most recently social media wise, to let anyone get away with mob justice, or mob punishment, as our new normal.

Someone is accused of a crime, guess what people… IT IS STILL AN EFFING ACCUSATION until proven in court. You should not immediately go from reading a headline to attacking that person, and calling for punishment and calling for them to be fired or banned or stripped of their earned honors.

(One thing on that — If an honor a university or organization has given to a person that has earned it, is removed at the behest of the mob, you do harm to the value of that honor. To the integrity of that organization.

What matters is not who the person you gave an honor to… becomes, or was in the past, but that you gave your word. If the reason the honor was given remains a fixed point in time, a fact, than that honor must likewise remain a fact, a fixed point in time.

We do not get to only immortalize a man’s falling down, his standing up, the reasons for those accolades must likewise be a fixed point. For accolades and honors to be removed with the mutterings of the mob, is to make those honors and the institution that gives them and takes them away… of no more value, than spit in wind. I’m looking at you Yale and Xavier and the Navy… to name a few.)

What we do not do, is 4 years before their date in court, pronounce them guilty, fire them, hound them, and generally destroy their life and livelihood on an accusation. That is the definition of a witchhunt and mob justice.

A man or woman’s bad, does not erase their good, and in this ME TOO slogan age, we seem to want to  make a person the one, and erase the other. And that is not how judgement works, or none of us will see the paradise.

Because if men who have done more good, than any twenty of us walking this planet, can be demonized by the mob in the blink of an eye, with none of that good taken into account, all those accolades edited out, and only the bad judged, then none of us, judged that way, will escape hell.

We must weigh the good a person has done against their bad, and only then can they be judged fairly. And they must be judged by people impartial, without axes to grind, or an agenda to put forward, else it is not judgement, it is crucifixion.

This censoring and editing of content, because ‘we’ no longer agree with an actor who is in it, or a joke that is portrayed, is a very slippery slope. And we have been here before, and it does not work out well for anyone.

A bit of an off-topic rant, but one that was brewing for a bit.

And shows how potentially widespread and damaging to every facet of our lives, cow-towing to the mob can be.

Final take away: slogans are for outside the court, not in place of it, and more trivial take away… if you have content you love, be it a book, a song, a movie, in this new digital/streaming age, while accessing it has become easier, so has altering and censoring it. So if you have something you love, own it in a form that can not easily be changed, a physical/tangible form.

 

Here endeth the Rant. 🙂

 

 

Filmic Fridays! AVENGERS ENDGAME early thoughts

While everyone is busy pondering and obsessed with how many Billions of Dollars AVENGERS ENDGAME will eventually take in, I find myself not really on that hype train.

I do intend to see AVENGERS ENDGAME (quick aside: that is a terrible title. While perhaps definition-wise apt, the actual use as a memorable, imaginative, compelling title… leaves much to be desired) and given the Russo’s track record in their past three Marvel movies I expect it to be great. But as far as getting into the speculation game is how much richer this movie will make one of the richest companies on the planet, I could not care less.

This sense of ownership comic fans show toward these films they own no part of, and corporations that 99.999% of them own no stock in, is very reminiscent of house slaves taking a sense of ownership in the gaudy trappings and parties of their masters.

I dislike Disney.

I have always disliked and distrusted Disney.

From a little kid there was something off about the company, an undercurrent always contrary to their seemingly family friendly/kid friendly fare. As a kid I always felt about all their product there was something so…. forced and insincere and cloying.

Time and egregious acts such as Disney being one of the first companies to buy a news division, (ostensibly to not be scrutinized by a free press, but to actually be the owners of the news) to now being one of the biggest monopolies in the world, has only strengthened my distrust of the company.

All these morons clamoring for Disney to subsume Fox, for no better reason than to see a movie with fictional IPs interacting, to have their Avengers meet their X-men, not understanding the broader real world implications of one less movie and TV company, one less alternative, in a world clearly running out of things not owned by Disney.

Disney has proven themselves historically to be an opponent of concepts such as public domain and creator owned, concepts that enrich culture, and move us forward.

And now that they in little more than a couple of decades have completely eaten any promising rivals to their claim of being the ‘Dream Studio’ from PIXAR, to MARVEL STUDIOS, to LUCAS FILMS, to now FOX, they are the textbook definition of a SUPER MONOPOLY.

About a 108 years ago the Supreme Court was RIGHT in breaking up Standard Oil. The Rockefeller’s monopoly of the oil business. Understanding a company with such broad reach could set prices, fix wages, even create and change laws. They were right to break Standard Oil all to pieces. And they are wrong to not actively be doing the same to Disney.

One company, especially one with as combative a policy on public domain and creator rights, should never have been made the owner (jailer?) of so many cultural and pop cultural properties, a large portion of which, like Shakespeare, like the writings of Mark Twain, Like the works of Poe, should already be in public domain. Batman, Superman, Captain America, these are concepts around long enough to become part of the cultural lexicon and conversation and hence, owned and own-able by all.

So just like any studio or TV station can put out Poe derived properties, the same should be the case with many of the early properties of Disney. Public Domain not keeping companies from making money off these concepts, it just keeps them from being the only entity to do so. it spreads the wealth, understanding that at some point, if a story lives long enough, it becomes the story of all men, and not the property of a single man or monopoly.

And Public Domain being only one of the rights of man trampled on, when a company grows too big. A company of sufficient size can set wages for an industry, effectively blacklist or put out of work who it chooses, suppress and eliminate competition/ choice.

Marvel Studios getting bought by Disney was not a good thing.

We are the poorer when viable competition to Disney or Microsoft or Apple or Google gets taken off the board.

So I hope for my own enjoyment that AVENGERS ENDGAME is a good movie, but as far as if it makes money, breaks even. I don’t have a dog in that fight. I’m not a theater owner, I’m not a studio stock holder, I’m not one of the people who worked in or on the movie, so in no way am i profiting from whether the movie does well or badly, anymore than as a film fan.

And for a fan to be interested in if he will see more of a franchise is understandable, but for a fan to be rabid about a film breaking records or how much billions it makes or its opening Weekend hall, is to lose sight of that money is largely going one way, out of many diverse people and  communities into a very few pockets.

In many ways those Billions a movie makes are further funds siphoned, to widen the gap… between rich and poor.

Now i do not fault a movie for doing well, but I will be much abused or maladjusted, before I cheer billionaires becoming bigger billionaires, when the bulk of people in this world, are getting poorer.

That’s my take on how completely, a monopolized media can skew us against our own best interests.

Here Endeth the Lesson.

🙂

 

 

 

My Favorite COMIC BOOK Youtube/Roku Channels of 2018!!! Starting off with AFTA COMICS, MERCENAUT and HERB TRIMPE!?!

COMICS

  • TheGO2 Geeks
  • Silver-Aged Dave
  • AFTA Comics
  • Regie Simmons IFBB Pro
  • DS Comics
  • Earl Grey
  • Comics with Bueller
  • Wallace Ryan
  • ComicTom 101
  • Pop Culture Philosophers
  • SleepyReader666
  • Professor Thorgi
  • Metarog
  • Chycho
  • ETA Nick
  • Nighttiger
  • Comichyjinx
  • LeeKirbyDitko
  • CurtisCamron
  • Farley’s Nerdcave
  • Rwheatley0206
  • Saddle City Comics
  • Forest City Coins and Comics
  • BargainHuntersThrift
  • Area 51
  • Arkham Comics las Vegas
  • Comic Buying
  • Tony Sanders
  • Tony Tothe
  • Tom Ryan
  • DrVonChilla
  • CaptainStrangeLife
  • Simon Comics
  • UltimateChance
  • Thugie1
  • Comic Book Ninja
  • ComicHero77
  • Comic News Network
  • Gotham Comics
  • HeroHunter81
  • Longshanks_78
  • Master X
  • Lord Tatman
  • Symphonic-Elk
  • Knights_of_Old
  • Jerno’s Comics
  • YicketyYackety
  • TJ Watson
  • WhatCulture
  • Wiebes TV
  • Windy City Comic
  • Yanni Gogolak
  • Islord 372
  • Batzman’s Classic Cars & Comics
  • Mercenaut

I will be speaking on all these channels in more detail, regarding why they made my 2018 best of List.

I am going to start with the last on this list MERCENAUT and work my way up.

https://www.youtube.com/user/mercenaut

Mercenaut is on this list, not for being a White Supremacist or Black Activist ( inside joke, watch his channel) but for a single show he did in 2018, where he showed off a copy of CAPTAIN BRITAIN #8. With that episode, this guy along with the Epic Marvel Podcast and Afta Comics, started my hunt and love for Herb Trimpe covers in 2018. The CAPTAIN BRITAIN mag sported a STUNNING Herb Trimpe cover which is shown below.

The webpage will not show this image anonymously.

 

Prior to that while i remember Herb Trimpe, I never really paid attention to how great of a cover artist he was. Between MERCENAUT’s showing, and the brilliant Trimpe Western cover’s that AFTA Comics showed, this year has very much been the year of collecting Herb Trimpe and Larry Leiber comics. Some of Trimpe ones I picked up this year are:

The webpage will not show this image anonymously.

The webpage will not show this image anonymously.

The webpage will not show this image anonymously.

https://i0.wp.com/www.comicbookdb.com/graphics/comic_graphics/1/511/183423_20120804222034_large.jpg

 

As great as Trimpe’s Super Hero Covers are (With his work on the INCREDIBLE HULK being arguably his finest) his western work which I did not get exposed to until this year, I love even more. Just look how much storytelling he puts into those covers.

In an age where modern comic covers no longer tell a story, largely are just pinups having nothing to do with the content of the book, Herb Trimpe was able to tell a great story using just the cover.

Thank You Mercenaut, Afta Comics, and Epic MArvel Podcast for putting the late great Herb Trimpe on my radar!!

Okay quick rant on variant/multiple covers.

Darn you Variant Covers!!! You are diluting the medium. You can not have an ICONIC issue and multiple covers. Now again everything in moderation. A variant cover here or there is fine, but it has become the rule rather than the exception.

As a consumer, buy what you like. But as the publisher/producer of this content too much choice in a market can be as harming as too little, if it generates confusion, and stymies adoption by potential readers, in favor of courting speculators.

 

And that is just what is happening in the market place. In an effort to milk a diminishing audience, the mainstream publishers resort to the skankery of pimping multiple covers (yes I did just coin the word skankery 🙂 ) to the speculator segment, which harms the iconic nature of a work as much as alternative endings, to those of us who actually think books should be read.

To be iconic a thing must live memorable, in the shared consciousness and memory of the audience.

A memorable cover, or a memorable line, or a memorable poster, or a memorable ending. You think of Exorcist you think of a singular poster, You think of Casablanca you think of that ending, you think of Citizen Kane you think of that beginning, if you think of the original UNCANNY X-MEN 138, you think of the classic cover of Cyclops walking way from the X-MEN and toward the reader. And the background framed by all these beautiful UNCANNY X-MEN covers tinged in purple. For my money the single most beautiful and poignant X-men cover of all time, by John Bryne, another great artist,

The webpage will not show this image anonymously.

That… for an image, or line, or scene, to stay memorable not just in your memory, but in the memory of a generation,… is to be iconic. People my age have a shorthand, a shared pop-culture language, that makes us part of a shared conversation.

Unfortunately people growing up on comics today, have no such singular, iconic cover or image to define a moment or a book. Because that one clear vision is muddied and diminished by multiple covers so the publisher can try and milk the speculator market, rather than serve the longer and more far reaching nature of creating something singular and memorable.

It’s the same way mainstream publishers are diluting their most popular characters with these shoddy imitations/iterations that only help to eradicate what was unique about the original character. You have now 15 variations of wolverine running around, Including one that is part Hulk, part Wolverine. Really? This is fan-fic, being done by the publishers, with no real consideration beyond milking the speculator market. They have strip-mined their own effectiveness as a sequential platform. 

That and the price point of Marvel and DC Comics is why I have stopped getting them in periodic format. There is no reason the mainstream publishers can not hold their price point at $2.50 or $2.99 cents, and make a profit and sell millions of copies at that price point.

The movies and video games have done the hard work of providing name recognition to the masses,the publishers inability to translate the billions these characters make in other mediums to even millions in the comic medium, comes down to mismanagement and an outdated vision/model from the comic publishers.

So these days if I need a monthly comic, I gravitate to the Independents. If I hear good things about a mainstream storyline, I pick it up in collected format or rent it from my library.

And if I really yearn for the days of great iconic covers, in mainstream comics, well thankfully there are always great Herb Trimpe comics to pick up in back issues!

Thanks for reading, feel free to leave your comments or send emails! I will be covering other channels in upcoming updates.

Excelsior!!!

 

 

 

Today’s Recommended Podcast: 3rd DEGREE BYRNE Ep# 1 AVENGERS 164-166

I stumbled across this relatively recent podcast today. An entire podcast dedicated to the works, the oeuvre, of one of the most influential artists, and later writer/artist, of the 1970s and 1980s… John Byrne.

As a kid of the 70s and 80s, I very much grew up on the artwork and collaborations and stories of John Byrne, so I still hold that work as formative and really ground breaking. And really his body of work remains a large part of the cultural storyboards that power today’s billion dollar comic films.

So this podcast that discusses his work, rather than the politics or quirks or controversy of Byrne the man, I find of great interest.

This 1st episode covers a classic three part story by Jim Shooter (writer), John Byrne(artist) and George Perez (cover artist).

For my money this is, in addition to visuals being borrowed liberally for for the 2nd Marvel Studios AVENGERS film, it is one of the  best Avengers stories.

I’ve sold most of my comics from yesteryear keeping only those that wowed me as a kid, and that still impress me as an adult, books that remain quintessentially the best examples of Superhero Blockbuster action. These 1970s AVENGERS books, 164, 165,166 remain the impetus and heart and idea space for what now 40 years later, have become multi-billion dollar cinematic mythologies… for new generations.

For my money nothing surpasses those three books, and it would be decades before Kurt Busiek in his wonderful 4 part Ultron Story-line in the  AVENGERS (vol III from 1999 – 19,20,21,22) wrote anything as iconic as those three Shooter/Byrne images.  The 90s Busiek/Perez run being very much a homage to those 70s  Shooter/Byrne issues. Shooter and Byrne telling in 3 perfect packed issues, what lesser creators would have ruined by trying to stretch to 4, 5, or 6 issues.

It is no mistake that those two disparate stories were mashed together to make the plot for AVENGERS II AGE OF ULTRON. A movie I liked quite a bit, it is a solid B/B+, but it is not as successful as the two story-lines that inspired it. Whereas the beauty of most of the Marvel Studios output is they are actually superior to the story-lines that inspired them; the movies written to be more sophisticated, and appeal to a very savvy adult audience. The first AVENGERS movie is better than the books that inspired it, as is the 3 CAPTAIN AMERICA movies,  as is the GUARDIAN OF THE GALAXY movies, and the IRON MAN movies (the first two Thor movies, not so much 🙂 ).

Jim Shooter was a boy genius who understood hyperbole and the dream of the mythic and heroic, and arguably there is no better example of that than in AVENGERS 164, 165, and 166. These issues are relatively still very affordable as 1st printings, and recently have been reprinted along with other essential issues in a very affordable collection.

 

You can get the issues here:

 

Avengers Epic Collection: The Final Threat

 

This collection is close to going out of print and covers issues #150 to #166, which is really the very best issues of the run. Pick them up at the link above while they are in stock.

Once you have read them, or if you have already read them, check out the podcast below. I disagree with them on some points but overall an interesting listen, and an interesting idea for a podcast. And I have to thank their podcast for spurring this blog post.

http://twotruefreaks.com/media/podcasts/byrne/rss.xml

 

 

GRAPHIC NOVEL Round-Up : Bendis’ UNCANNY X-MEN

allnewxmen2
ALL NEW X-MEN VOL 2 HERE TO STAY – Collecting issues 6 to 10 of the series this is an interesting and fun premise for a miniseries, namely have the X-men of the past interact with the present. However for a series, it is a gimmick, an in-joke, that runs the risk of staying around too long, and outliving its sell by date. For the moment Marquez and Immonen art keeps it interesting, but already the premise is getting to feel belabored.

uncanneyxmen1
UNCANNY X-MEN VOL 1 REVOLUTION – Collecting issues 1 to 5 of the series the pluses are a strong, witty and fun script by Brian Michael Bendis, and some gorgeous art by Chris Bacchalo. The weaknesses are the layouts can be lost under muddy finishing/coloring, and a tendency, unsatisfying tendency, to end the very slight collections on a cliffhanger. It is a weakness that both volumes share.

Add to that the outrageous price of $24.99 for only 5 issues ($5 an issue!!!), a hundred thirty plus pages of story and the absence of a complete, standalone story becomes even more insulting.

It is a very petty and miserly and obscene ‘bleed your audience’ policy that Marvel has undertaken here, that does not deserve to be rewarded by purchasing these overpriced volumes. That said, I do feel the writing in these volumes is fun and entertaining and action-packed and worthy of a read if not a buy.

Just be aware that the cliffhanger ending, appropriate for a $3 monthly serialized comic, is wholly inappropriate for an overpriced $25 collected edition ; that you should be able to enjoy on its own without waiting months for the next volume.

GRADE : B-. Until the ending I was enjoying both volumes, but without an ending the volumes are very much like a great parallel bar routine where the athlete fails to stick the landing. Pretty, but ultimately disappointing and forgettable.

And add that exorbitant price point of $25 for 5 issues of material (and yes I realize the trade can be had for a little bit cheaper, but that is still overpriced as well) and it becomes a case of look, do not buy.

Borrow or rent these puppies for a quick read, then move onto something else, that you would not have any problems paying retail for; something you would not mind proudly adding to your bookshelf such as BATWOMAN VOL 1 HYDROLOGY. A book that I have also recently read.

batwomanhydology

DC publishing (the other big comic book company besides Marvel) has their own problems, however producing satisfying collections is generally not one of them.

DC hardcover collections, offer an issue more and two dollars less retail, and offer a contained story, something that Marvel’s new publishing initiative MARVEL NOW may want to take note of.

Marvel writers generally are currently doing good work (far better than their esteemed competition that with few exceptions is self-destructing due to editorial hubris), so to have that sabotaged by ghetto collections… possibly not the route Marvel wants to go.

To try the books and decide for yourself or to hunt them down for less than retail use the below links and this blog earns a couple pennies. If I’ve helped turn you on to something you would have otherwise missed (BATWOMAN HYDROLOGY is a must have for any art lover’s collection. It is exquisite), then please use the links below. Thanks:

All-New X-Men, Vol. 2: Here to Stay

Uncanny X-Men, Vol. 1: Revolution

Batwoman Vol. 1: Hydrology (The New 52)

Batwoman: Elegy

TOP 15 Favorite Comic Book / Superhero Movies!! Updated 2012 list!!


So where does Joss Whedon’s AVENGERS rank on the list of best comic-based movies?

Pretty high actually.

Well here’s my biased list of my 15 favorite Comic based movies. The ones I find… re-watchable.(Only caveat being I tried to list only one film per series, the best film of the series, to leave room for others).And it’s pretty much in order of re-watchability. Which film can I view at anytime because it’s that… good and timeless?

Well it starts with SUPERMAN THE MOVIE, still not just one of the best comic book films, but one of the best… films. My top 5 are movies I can leave on repeat in my house and grow not sick of.

SUPERMAN THE MOVIE
AVENGERS
SPIDERMAN II
BLADE II
300

X2
CAPTAIN AMERICA
THOR
IRON MAN II
WATCHMEN

WANTED
CROW
HANCOCK (horrible title, horrible marketing, horrible poster, saved by a fantastic 2nd half)
DOLPH LUNDGREN PUNISHER (The best of the Punisher Films. Fun, ninja-decimating flick. :))
MATRIX (Has not dated well, but still strong enough to make the list)

And a few honorable mentions, BATMAN (1989), DARK KNIGHT, HISTORY OF VIOLENCE, DARK MAN, UNBREAKABLE. Feel free to suggest any you think I may have missed (me? never! I got all the good ones! :)) in the comments section.

Sponsored by Ebay Store: Deals of the Day!

Favorite AVENGERS Comic Book Covers! Pt 3 of 3: The Years 1977 to 1996

Working on the next MONARCHS OF MAYHEM in-between real life stuff, it’s going to come out tomorrow 14 Mar 2012, just because it’s going to take more hours to get ready. These posts take a LONG time, In the interim enjoy the following:

Podcast of the Day: John’s Old Time Radio Show #9! It’s a great podcast. After listening swing by John’s site leave him some good words and tell him where you heard about him. Thanks! -HT

And wrapping up my favorite AVENGERS covers from the original series, is pretty easy. Because after 1977, with very few exceptions the covers are just uninteresting at best and plain awful at worst. Much like the book itself, it was just stumbling from weakness to weakness.

Here then are the best covers in the last 20+ years of the books original run:

George Perez’s finest AVENGERS cover, and one of the most iconic covers of all time. Would make a great poster! This is the last GREAT A+ Cover of the AVENGERS!


Memorable.


Fun.

It says a lot that the numbers jump over a hundred issues, before I list another cover. And this is gimmicky mess, but it was better than all the previous 100 covers. It just clarifies how bad the book got.


A mercy post.


The last one I could find even something remotely interesting in.

So needless to say you want great AVENGERS covers (and comics) stick to issues #181 and before. At least for the first Volume.

In 1998 creators Kurt Busiek and George Perez would launch a new AVENGERS series that largely just pays homage to the great years of the series, You can look at them almost as a remake of the Jim Shooter and George Perez run, that I mentioned in the previous post. But it’s done well enough by Busiek and Perez to be entertaining in its own right.

And then later would come the Bendis’ years, But that is a story for another installment. 🙂

Revisit the earlier posts here:

PT 1 of 3
PT 2 of 3

Favorite AVENGERS Comic Book Covers! 2nd Decade Pt.A 1973-1977!

Per the previous post, in keeping with the upcoming AVENGERS movie, I’ve decided to cover my favorite AVENGERS comic book covers of all time. And this is part 2:

Okay I had intended to tackle all the great covers in the 2nd decade of AVENGERS comics, however that’s not going to happen, there are just too many great covers. So this post will cover the first five years of the 2nd decade of AVENGERS comics. The years from 1973 to 1977.

Enjoy!

AVENGERS 117- I believe this cover is by Sal Buscema. He was drawing the DEFENDERS and this issue is part of a great AVENGERS/DEFENDERS crossover.

AVENGERS 127- Another great Gil Kane cover.

AVENGERS 131- Fun LEGION OF THE LIVING Frankenstein monster cover is pretty fun. At a guess I’d say this is also a Gil Kane cover.

AVENGERS 134- Gil Kane up to bat again, with this cover featuring the always popular golden age Human Torch.

AVENGERS 136- The floating heads is always a nice touch. And even without Gil Kane signing his work, those elbows at jaunty fighting angles even in repose, screams Gil Kane. 🙂 (turns out the floating heads are done by a different artist, John Romita, and that’s what was making some of these covers hard to call as completely Gil Kane)

AVENGERS 139- Here’s another example, the main drawing with that exagerrated action (somebody gets hit and their knees fly into their chest, and elbows shoot out)is vintage, powerful Gil Kane. But those floating heads are by Spiderman artist John Romita. A favorite comic as a kid, so that may be swaying my appreciation for the cover, which is not Kane’s best. I’m going to have to start grading harder or I’m going to end up listing every cover Gil Kane does. 🙂

AVENGERS 141- There have been many face off covers, this is one of the standout ones. A nice Gil Kane cover, his typical hard angles, lessened a bit, being inked by Jazzy John Romita.

AVENGERS 142- I promise you I’m grading harder, but what can I tell you, 1975 and Gil Kane was just knocking these covers out of the park. Add cowboys to it, or people in normal clothes and Gil was in his element. Notice the difference between this cover and the previous. The inker here was more faithful to Gil Kane’s hard angles and musculature, which I think looks more striking. Great cover.

AVENGERS 145- What?! Do you see this cover? I’m trying to avoid anymore Gil kane covers but that’s like trying not to give the MVP to Michael Jordan when he’s playing. It can’t be done. Great Kane cover, inked by Dan Adkins. Wonderful use of word balloons and typography. Something you don’t see too much in modern comics.

AVENGERS 146- Tell me this cover doesn’t have ‘buy me’ all over it? It’s a great design. However you notice how it’s rounded a bit, inked by Al Milgrom, you lose some of the angularity and power that Kane’s pencils are full of. But even subdued Kane is great.

Don’t worry Gil stops doing covers with this issue, so we should be able to jump ahead a few years before we get any more covers this good right? WRRRRRROOOOONNNGGGGG!! Cause the artist they bring in to replace him on covers is…..

AVENGERS 147-148 Last time he made this list was all the way back in issue #20, Jack the King Kirby is back doing the covers! Definitely with 148! 147 however is attributed to Buckler and Adkins, but what I’m seeing in 147 is Kirby and Milgrom.

So I’m going with my gut and attribute the penciling on both of these to Jack the King Kirby. He’s not as sophisticated as Gil Kane or John Buscema, but there is just so much life and energy in these covers, so much going on, that they are just a joy to a young kid stumbling across these issues in the libraries back issue bins or on newsstands.

And the interiors were done by Steve Englehart and Jim Shooter on scripts and George Perez and John Byrne on pencils, from this point till issue 166, almost twenty issues, they are mostly home-runs. I guess the best way to put it in perspective is… all of the comics I’ve mentioned previously… I’ve sold. This run from 147 to 166, are not for sale. In the age of digital these are the comics that are worth having as paper. 🙂

I won’t list all those covers here are the standouts:

As mentioned 147-148 are great, we bypass 149-150 (these are credited to George Perez, possibly George Perez’s earliest work. Look nothing like his great work now, quite frankly they are not good) and from 151-158 we get great Jack Kirby Covers. The best being the following:

158 being Kirby’s last cover for the AVENGERS and he goes out with one of my favorites of his run!

159 So Kirby leaves or is let go, it’s unclear which, who the heck can they bring in till a new regular cover artist is chosen. Who else but the best? Gil Kane returns, and like he always does… he blows the doors off the place! Look at what he’s doing in this cover. It’s just a clinic on great art. Add to that the interior art by George Perez and story by Jim Shooter and you have… classic defined.

162-163 After a couple lackluster covers, George Perez steps in to knock it out of the park with great covers to match his great interior art.

164-166 There’s a lot of nonsense about great comics out there. Here’s the straight dope… this three part storyline, issues 164-166, is the best AVENGERS storyline. Full stop. With Jim Shooter as writer, George Perez on covers, and John Byrne on interior art, they together created the throwdown for the ages. People like to use the term wide-screen entertainment to define something blockbuster in scope, these three issues from the summer of 1977… were wide-screen entertainment before the term existed. If you own only three Avengers comics… make them these three. Highest recommendation. Now that said, while all three of the covers are at least good, only one is great. This one:

AVENGERS 164- And with that cover the legendary John Byrne created the last great AVENGERS cover of 1977!

Come back next time as we finish off the 2nd decade of AVENGERS comics. the years from 1977-1983, and we also tackle the third decade, the years from 1983 to 1993.

Ya’ll come back now ya here!

p.s. As far as purchasing issues, per my previous post (scroll down) Marvel has the first 30 issues available in their oversized hardcover format they call an omnibus. It’s a good deal. However they don’t have omnibuses out for issues 31-164, so getting these issues is a little more difficult. You would think with Marvel’s AVENGERS movie due out this year they would capitalize on interest and release Omnibuses for most of these early issues. But… Noooooo. So failing that look at the links in the first post and this:

Essential Avengers, Vol. 7 (Marvel Essentials)

Essential Avengers – Volume 8

The above two are black and white collections, which is just about sacrilege, the color being such a part of these issues, but if you can’t afford the original issues, and can’t wait for the expensive hardcovers or omnibuses… they are a cheap way to read a bunch of issues.

Hold the presses!!! Here are some better color options to read these issues:

Avengers: The Coming of the Beast – Avengers (1963) #137-140, #145-146

Avengers: The Serpent Crown – Collecting AVENGERS (1963) #141-144 and #147-149.

Avengers: The Private War of Dr. Doom- contains Avengers 150-156, Annual 6; Super -Villain Team – Up 9

If you do choose to buy, please support this blog by using the links provided. This blog generates a couple dimes from each sale, so you guys using the links is definitely appreciated and definitely necessary to keep the blog going. Thanks!

Favorite AVENGERS Comic Book Covers! The First 10 Years 1963-1973!

Well with the AVENGERS movie on the horizon, I thought a nice posting would be on (come’on you can guess) my favorite AVENGERS comic book covers. And plus it’s a nice look at how typography and art styles change over time.

What typically defines a great cover for me is, is it something I would pay to have as a poster. Surprisingly enough, most covers fail this criteria.

Take a gander at the ones that don’t 🙂 :

AVENGERS 20- While you can make an argument for a lot of the early issues because of nostalgia, this one I think stands out, primarily because of Jack Kirby’s great use of perspective to make for an exciting cover.

AVENGERS 44- This is the next standout issue, by big John Buscema.

AVENGERS 63- Excellent Gene Colan Cover!

Avengers 66- Beautiful John Buscema cover. Dig that crazy perspective. 🙂

AVENGERS 92- I used to own this issue. Early cover art by Neal Adams.

AVENGERS 96- Another great Neal Adams cover.

AVENGERS 99- Another great cover, mixing excellent typography with the artwork of Big John Buscema.

AVENGERS 107- Great Rich Buckler cover.

AVENGERS 110- And cometh Gil Kane. A series known for its great covers and artists, and here was Gil Kane blowing them all out of the water. Decades later and it still remains one of the great covers of all time.

AVENGERS 113- The art isn’t the greatest here, but the typography and storytelling of the scene makes this an attractive and attention getting cover by Rich Buckler and Joe Sinnott.

The Avengers Omnibus, Vol. 1- This collects the first thirty issues of the AVENGERS in a deluxe hardcover format. These tend to sell out quickly.

More omnibuses are not available as of yet, so if you want to get issues 31 to 113, outside of buying individual issues (prohibitively expensive for most of us) the two ways to get the issues are:

I. MASTERWORKS- Masterworks are highquality hardcover (and lately sc) books that collect on average 6 issues on quality, glossy paper. So can be a bit pricey trying to get a lot of issues in that format, so it’s best for just getting specific must have issues.

Such as these:

Marvel Masterworks: The Avengers Volume 10 (Marvel Masterworks) Deluxe hardcover edition collecting The Avengers, nos. 89-100. These guys tend to sell out as well, and prices can go up when that happens

Marvel Masterworks: The Avengers Volume 11- This volume of the Avengers Masterworks reprints issue numbers 101-111, and Daredevil #99, from July 1972 to May 1973, Including issue#110 mentioned above

II. DIGITAL COMICS

40 years of the Avengers on DVD Rom- These tend to sell out quickly as well. So pick them up before they sell out and the price goes up

Well that’s all for this installment. Come back next time as we tackle the years from 1973 to 1983!