Currently Watching : TOO LATE FOR TEARS (1949) courtesy of KANOPY Streaming!

 

What a great film noir. And the lead actress is in the running for one of the most fatal… Femme Fatales. However watching this on streaming tonight, was a bit of a pain, The Picture kept losing quality and buffering. See this is the reason, for all the people screaming the death of physical media, that my physical media collection is not going anywhere.

I’m actually stockpiling the must have movies and TV series, that I do not want to rely on streaming, or licensing agreements, to be able to view.

Streaming when it works is great. But you have so many gate-keepers and potential points of failure and degradation between the supposed high quality 4K presentation you are paying for, and the actual variable picture quality you end up getting.

Streaming is absolutely fine for discovering new things and trying new films and TV shows, but as far as enjoying or re-watching a beloved film or tv show in a satisfying and quality manner, when and where and how you want, there simply is no replacement for having physical media at your fingertips.

And on top of that one reason streaming is as good as it is, is because it has the standard of physical media (Dvd, Blu-ray, 4K) to compete with, to keep it honest.

What happens when physical media is not an option, when studios have a captive audience, that has no alternative to the variable and at times disappointing real world quality of streaming?

You get the same kind of inferior presentation as you get from over the air Digital tv/Antennas.

Yes you get the benefits of far more channels than the old analog over the air television gave you, but you get less reliable quality then what you got from Analog tv. And anyone who has spent anytime watching Digital over the air tv sees the variable quality I speak of.

Business is happy to give us more, but better? In the absence of true choice and alternatives, better, is a cost that increasingly companies do not want to pay.

So to that end, if you decide you love this movie, you might want to get the Blu-Ray here!

Currently Watching : Criterion Blu-Ray THE CRANES ARE FLYING (1957) by Mikhail Kalatozov

Letyat zhuravli (1957)

“I believe in poetic cinema. Poetic cinema is the cinema created in especially vivid form… by great masters like Eisenstein, Pudovkin, and Dovzhenko. In my own work I strive to affect a viewer’s consciousness and soul by means of poetic cinema.”
-Kalatozov in a 1961 interview. Available on the Criterion Blu-ray

Tatyana Samoylova in Letyat zhuravli (1957)

Tatyana Samoylova in Letyat zhuravli (1957)

THE CRANES ARE FLYING (1957)-Three things period Russian films do just about better than anyone else, is tragedy and beauty and grandeur, and Director Mikhail Kalatozov’s THE CRANES ARE FLYING is overflowing with all three. You get the deep focus cinematography immortalized by Orson Welles married to a balletic, spiraling, intimate ground breaking, “you are there” camera movement, that is uniquely Russian. what kalatozov himself would call— poetic cinema.Letyat zhuravli (1957)

Almost 7 decades later and without any need for CGI, and 20 years before the invention of the Stedicam – the cinematography in this film (by the equally acclaimed Sergei Urusevesky) remains— both unbelievable and sublime. It is a film that draws you in from frame one, and holds you and the characters like a lover— deeply, afraid to be parted.Aleksandr Shvorin in Letyat zhuravli (1957)

All in all, a transfixing and haunting viewing experience, greatest of which is the beauty of Tatyana Samoylova, whose beauty captured here for all time, is so great –- and her performance so affecting—- that at times looking at her – is like looking at the sun.

One of the great Russian beauties, she becomes the mythical Helen – whom all young men seek to impress with war; and ‘changed by the war’ young men; seek only to hold in peace. THE CRANES ARE FLYING is up there with I AM CUBA/SOY CUBA (another Kalatozov cinematic achievement, with this time a stunning Cuban beauty) as a milestone of Russian cinematography, and by extension a milestone of world cinematography; up there with Welles CITIZEN KANE and Lean’s GREAT EXPECTATIONS. There is no putting this movie on, and not being captivated by it.

THE CRANES ARE FLYING is another masterpiece lovingly provided by the Criterion Blu-ray label. I am on a hunt now to see the other available Kalatozov directed films, as well as Tatyana starring films. Kalatozov,while IMDB lists 20 directing credits for him, most of those appear to be documentaries or shorts or state sponsored work. It really appears he only has 6 or 7 feature films to his name, all coming toward the end of his career, especially once he found a kindred spirit in his cinematographer, Urusevesky.  So I look forward to adding THE FIRST ECHELON, LETTER NEVER SENT and RED TENT to the list of Kalatozov films to add to my collection. Grade: It is a simple enough story, but the visuals just make it, cinema undeniable— A+.Aleksey Batalov in Letyat zhuravli (1957)

Click the image below to get the best price on the feature rich Blu-ray, and you also earn a few very appreciated pennies for this blog! A win-win!

Letyat zhuravli (1957)

VOD Streaming Film of the Day : Roger Corman’s X starring Ray Milland on Amazon Prime

 

I’ve seen this before, in passing quite a while ago. I did not remember it being this good. It is quite a fascinating and surprisingly dire film. Not a great movie, but a very good one, with one of the more impactful endings. A homerun by Roger Corman.

 

“What do you see?”

“This city, as if it was unborn, rising into the sky with fingers of metal, limbs without flesh, girders without stone, signs hanging without support, wires dipping and swaying without poles.

A city unborn, its flesh disolved in an acid of light.”

 

 

Check out the comments, as the brilliant Derrick Freguson, excellent Writer, Reviewer, general Renissance guy drops the knowledge on the ending! Also released today, coverage on the film, by great youtube channel SOLITARY RONIN at the link below. Watch the movie before checking out both, though.

And if he sells you on getting the Bluray like he did with yours truly, then get your copy here:

5 favorite audio books NOT available via streaming, spotify or Audible! Book #5 WOLFEN!

There are about two dozen truly great audio actors, whose work on audio books, is a MUST OWN. Among them are Orson Welles, David Birney, Harlan Ellison, Roddy McDowall, James Mason, Michael Boatman to name a few.

Some of these guys work, for various reasons such as rights etc, are not available via streaming or in some cases even on CD. But these are preeminent works, of the greatest voice actors of their respective era, giving their greatest deliveries. And they can still be picked up via LP or cassette, at affordable prices, and deserve to be.

Once bought on LP or cassette go ahead and digitize it so you have these must own works in a preserved format. Here then without further ado, is the first of our 5 must own audio books!

https://images-na.ssl-images-amazon.com/images/I/41-EAZMm3fL._SX295_BO1,204,203,200_.jpg Roddy McDowall reads WOLFEN- I am a huge fan of the 1981 WOLFEN film, I think it is a flawed, but unjustly overlooked masterpeice. However, I love this audio book version as much, perhaps even more, and that iis down to Roddy McDowall.

Roddy McDowall, a prolific actor with over 250 credits to his name, who is likely only remembered by a younger generation for his turn in FRIGHT NIGHT (1985),  gave some of the great, humanistic performances of cinema in his abundant career. From Academy Award winning turn in HOW GREEN WAS MY VALLEY (1941)  to his immortal role as Caesar in PLANET OF THE APES (1968) to THE LEGEND OF HELL HOUSE (1973) to the aforementioned FRIGHT NIGHT (1985), and everything in between, Roddy McDowall, despite the quality of the film or script, never gave a bad performance. The consummate actor, he always carried his role, you always believed him; and he brings that veracity to this audio book, and paints with his voice the hallowed and harrowing world of WOLFEN.

Click on the link below to acquire this essential bit of audio book history.

 

The Wolfen Audio Cassette – June 1, 1990

Material Type: Fiction, Audio book, etc.
Document Type: Sound Recording
All Authors / Contributors: Whitley Strieber; Roddy McDowall

ISBN: 1558002227 9781558002227
OCLC Number: 21983678
Notes: Abridged from the author’s book of the same title.
Performer(s): Reader, Roddy McDowall.
Description: 2 audiocassettes (approximately 180 min.) : digital, Dolby processed, 1/8 in. tape
Responsibility: author, Whitley Strieben.

CASH ON DEMAND Blu-Ray Movie of the Day! US vs UK version!

CASH ON DEMANDPeter Cushing never gave a bad performance in his beloved career, and this is another standout great performance, by Hammer’s most bankable star. This Indicator Bluray boxset (click on the image) is the way to get this film (as well as three other great films). As the name implies it is about a bank robbery, more than that I will leave you to discover, except to say Andre Morell is brilliant, and there are two versions of this film. The shorter 68 minute UK theatrical cut, and the 12 minute longer 80 minute US Extended cut.

Typically, rightly or wrongly, the US cut is assumed to be the ‘censored’ or ‘edited down’ cut. In this case that thinking is 100% incorrect as the US version is VASTLY superior to the UK theatrical cut. When given the choice between the two, always go for the US Extended cut, it is just a stellar example of great writing, great direction, and great performances. Click on the image above to purchase.

Grade: One of the best and essential HAMMER crime films. I adore this film. B+/A-.

Spoilers: Read the following after viewing the film-US Extended Version

Comparison of the Two Versions

CASH ON DEMAND- UK 68 minutes, A tight, nail-biting, brilliant 68 minutes. Leading to a stitched up ending, that because of how well the protagonist is stitched up, seems a bit truncated unrealistic, even rushed ending.

The US cut adds 12 minutes, that now empowers that final scene in a way that was missing in the UK version. It adds three notable scenes. One, a scene prior to Cushing’s arrival, which I think is helpful for fleshing out the Bank workers, and this mentioned holiday party.

Two, some initial business about Peter Cushings character being tyrannical and dressing down his subordinates. Just heightens the irony, and the rough justice in Cushing’s character suffering what he does.

Third, a nice addition with a firetruck siren, and the fantastic Andre Mrrell discussing Cushing’s character over a drink, and his… absence of mercy.

All of these additions gives more weight and nuance to the movie as a whole, in that you are not firmly in Cushing’s corner the way you were in the UK version, which downplayed his abuse of his subordinates. The US version, there is more grey, and the viewer to an extent enjoy Cushing’s character getting back some of his own, and the teaching of a man without mercy,.. watching him learn the value… of mercy.

The US version makes the ending resonate more, because all of them, even the criminal(s), ultimately show more mercy than Cushing’s character does. The suave bank robber, knows and cares more about the people Cushing’s character works with than he does.The US version is the superior version. It is in certain ways the story of Scrooge, but told without ghosts and the clanking of chains, and tells us ultimately something canonical… about treating our fellow man, and the measure of mercy. The UK version is a good film, the US version is a great film.

Trailer of the Day : Mark Amin’s EMPEROR (2020) and great Black History Month and All Year Long DVD and Blu-Ray Pickups!

Dayo Okeniyi in Emperor (2020)

This trailer came out of nowhere, but I loved it.

I’m not crazy about the poster tag-line, a ‘true legend’, while many true things with time become the stuff of legend, and many legends are stories that have outlived and outlasted the crumbling and burying into dust of all things, even concrete evidence, the putting together of those two words… ‘true legend’ , if not exactly an oxymoron, is just slightly inept marketing. You want to put those two together, try this… ‘in a time of imposed truths, he became in his own lifetime… a galvanizing legend’ .

Took me two seconds to come up with that, and I think it shows more thought than what their marketing department did. Call me guys if you need to fire them and get a better marketing presence, we’ll talk. 🙂 .

But that aside, a very good poster and a GREAT Trailer! If the movie lives up to it, it will be a blast.

As someone who just picked up the 2 season set of UNDERGROUND (almost sold out, so you may want to pick it up while you can, use the attached link) and who is a huge fan of the best in Pan African cinema such as SANKOFA, DARESALAM, HYENAS, GENESIS, I AM CUBA, CAMP DE THIAROYE  (also available courtesy of the attached links) this film definitely goes on my must check out list. Probably along with the WITCH:SUBVERSION one of the best trailers for the Month of February.

 

UNDERGROUND 2 season DVD

SANKOFA – arguably one of the finest, and both savage and beautiful films made, of a true Holocaust. Haile Gerima’s masterpiece. and the fact that this film is out of print, and does not have a Criterion or similar high-scale Blu-ray or DVD release, is only proof that we have a long way yet to go. Get a copy, you will thank me later.

Sankofa

 

 

Daresalam

DARESALAM – This is simply put, cinema at its finest. Get your copy, while you can.

 

I AM CUBAFor years this film was not available in the west, and then when I finally saw it, I think at a film festival, yeas ago, the camera work, in a time way before CGI, blew my mind. As a fan of David Lean, and Hitchcock and Welles and Fritz Lang, geniuses with the camera, this film was like a generational evolution. In an age before Steadicam adoption, the shots were absolutely mind blowing. When it finally was released on a quality DVD boxset, I rushed out and picked it up, and I told all of you to pick it up. For those new to this blog, back in the day, those who listened to me picked it up for $40. It is decidedly more than that, but still worth picking up, if you have the funds. A Masterpiece.

*************************

 

Quick rant, feel free to bypass this. 🙂

Here’s a tip you should know. Quality  non-hollywood  films about and by people of color, especially politically provocative films, have a tendency of not staying in print. And either dry up entirely on the secondary market, or explode in price before disappearing into private collections rarely to see the light of day.

I am never in a rush to pick up KNIVES OUT or 1917 or AVENGERS ENDGAME, because that is going to be there for decades to come. But when I hear about a THE GREAT WAR or EMPEROR or a DARESALAM or a BROTHER JOHN on dvd or Blu-ray, I can not race fast enough to purchase these movies. Haile Gerima, who I had the pleasure to interview back in the day, understood the importance of retaining positive images, and words, and movies, and music. That is culture.

And when the ability to view or hear or see these sounds and images, is at the mercy and whims of multinationals… culture itself is held hostage. And the people who depend on the reflective power of culture, to help define the width and the breadth of their aspirations, are likewise diminished.

And particularly today when so many are weaned on streaming, physical media is ironically both scarcer and yet more important and arguably esteemed and sought after, than ever before.

Because those in the know, understand streaming giveth and streaming taketh away, based on the uninformed whims of the lynchmob. You want your favorite film, available to watch when you want, and in the cut of the film you remember, there is no replacement for physical media. There just is not.

Here endeth the soap-box interlude. 🙂

You can take it, or you can leave it alone. 🙂
Either way, be well.

 

 

 

Great Directors Series : Walter Hill’s EXTREME PREJUDICE

[ EXTREME PREJUDICE POSTER ]

 

“Hell you can buy me Cash, you always could. But you can’t buy the badge. And one without the other ain’t no damn good.”

I LOVE This film.

See my previous review about how my initial disinterest the first time I saw this film, turned to absolute adoration the 2nd time I saw it. Every time I have seen it in the years since, my love for this film deepens.

“Sarita we’ve gotta give it a rest. The talk. All of it.”

“You don’t want to be with me any more?”

“No I didn’t say that. I just said we gotta give the talk a rest. That’s all. You, me and Cash. It’s too hard. It’s going to get too goddamned complicated.”

“For you Jack. But what about me?”

 

It is an imminently quotable film. Every line is a poetry of sorts. Not the poetry of Shakespeare’s HENRY V , but in its way the dialogue here is every bit as iconic and memorable and haunting.

“I’m just a poor ass dirt farmer. Nobody ever gave me nothing. And nobody’s gonna take it away!”

It is the culmination of Walter Hill’s filmic soliloquy on masculinity and violence and relationships.

Extreme Prejudice poster #1638754

And it stars some of the greatest character actors of the day, in arguably their finest roles.

“I don’t want to see you around here anymore.”

“Hell no Deputy. You can color me gone.”

The late great Rip Torn (who by all reports was a fun, rebel raising bad ass, here in this role gets to be closest to the bad-ass he was), Michael Ironside, the late great Powers Booth (who delivers an award worthy performance),  Larry B. Scott, Maria Conchita Alonzo, William Forsythe (who steals every scene he is in) , Clancy Brown and Nick Nolte all deliver for me, some of the finest performances of their respective careers.

“State Legislature??!! Shit, Jack! !Only thing worse than a politician is a child molester.”

Extreme Prejudice poster #1579716

I learned a valuable lesson that day many years ago, that first impressions while unavoidable  are seldom solid ground to stand on. What matters is informed opinions.

My informed opinion is this Walter Hill ode to his love of Peckinpah and Ford, driven by a torrential, act of god script by the great John Milius, transcends its inspirations and influences to be one of the greatest films ever made. And arguably the best modern day western ever made.

There is unfortunately no DVD or BluRay that does a great job on this film.  No cast or director’s commentary. Probably your best best currently is the beautiful German mediabook Bluray edition. But even then, the Bluray is obviously just taken right from the DVD. with no mastering done. Picture wise you might as well stick with the DVD, however, the mediabook, has beautiful photographs to accompany the Bluray.  The text is in German, but any online translator can help with that.

Still I do hope for a worthy well mastered Bluray someday soon, complete with commentary by the surviving cast and crew. ShoutFactory (a well known Bluray special edition producer)… make it happen!! 🙂 .

 

Until then to get the Bluray MediaBook, go HERE!

 

Extreme Prejudice

 

“He died going forward. That means a hell of a lot down here. “

News you can Use!… And a RanT.

DISNEY QUIETLY DELETES ‘TOY STORY 2’ SCENE AMIDST ‘ME-TOO’ BACKLASH.

https://frompage2screen.wordpress.com/2019/07/12/disney-quietly-deletes-toy-story-2-casting-couch-scene-after-metoo/

 

This is a bit longer than I intended it to be, so feel free to read in pieces. I think there may be some grain of wisdom in the wildness of it. It goes hither and yon, but its heart is in the right place.

 

First I have never liked Disney.

I don’t.

I do not like their stance on copyright. I do not like their stance on creator rights. And I do not like that they famously, or infamously bought a news station, rather than being the subject of the news.

I do not like any company that is above the law. All laws. And masks their absolute earth shaking power, behind this facile facade of familial values.

But you do have to respect Disney.

Respect what they have done, and how they have done it.

But cheer-leading is another matter.

I think people who were championing for Disney to buy Fox, or this company, or that company. the mass of people without a stake in Disney, championing Disney so they can see fictional characters share the same screen, are morons who do not understand larger issues of monopoly, and wage manipulation and price fixing, and law making, that comes with allowing a company to get that big. Real tangible issues that affect the people and the quality of life of the people, not at the very top of that economic pyramid.

I think people who take an ownership view of how much billions more, billion and trillion dollar entities like Disney make (oh we have to get the Avengers movie over a Billion or to 2 Billion) are ignorant slaves, cooing for their masters to build a bigger house, and expand their plantation, when you barely have a pot to piss in.

I like the Marvel and Star Wars movies and think Disney has done well by them  (However I would have been happier if neither Disney purchase was approved, and they remained separate companies, because competition and a free market and quality of life and choice… is more important than getting a specific type of movie), and I want entertainment I consume to be good, but as far as being a cheerleader for how much more billions these movies make for their global overloads. I sincerely could not care less. If the movies lose money they lose money, if they gain money they gain money.

The fact that studios have helped destroy local theaters and distribution, that 40 years ago, that money a  blockbuster made would go into the local economy,. Into the Independent theaters, the distributors, the retail companies. That money a movie made, a nice portion of it, went back into the local economy. Not so any longer. Now a studio owns a stake in everything from the distribution company, to the chain of theaters it is shown at, to the theatrical equipment and media used. The Billions a movie makes, is literally billions moving out of the pockets of the many poor, and into the pockets of the few rich.

Only if you are a stock owner should you feel some tiny type of fiscal ownership or incentive in Disney’s financials, and I guarantee you most of the idiots who are clamoring for a movie to break this record or that record, do not own a single Disney stock. They are penniless slaves taking ownership in their masters house, rather than any ownership in their own.

So that is my background on how I feel regarding Disney.

 

Now onto them cowtowing to ‘Me Too’ mob.

 

This is the reason DVDs and Blurays can not be replaced by streaming, because of this tail wagging the dog syndrome, this knee-jerk reaction companies and politicians and courts are engaged in of cowtowing to the mob, and acting and punishing at the whims of the mob, before thinking.

We can have great intentions, but the 2nd those great intentions transcend due process or replace ‘innocent till proven guilty’ with ‘guilty till proven innocent’; you become a mob rather than a movement.

And businesses and courts and the media, cowtowing to this witchhunt atmosphere become part of that lynchmob mentality.

Let us start with the big picture and some historical perspective and work our way down.

A lynch mob mentality. That’s the type of atmosphere, where people lose their job and livelihoods and lives before their day in court, where books get banned and burned, and in the age of streaming, films get… altered.

So that’s the reason if you have a movie you love, you only truly own it, if it is in a physical format. Any item you own in the ‘cloud’ or even on your hard drive (if it is accessible to updates) is subject to this re-writing of content, this editing of content, to placate the unreasoning, scared, power-hungry mob.

Most people have good intentions.

To protect their communities, to support democracy, to fight against discrimination, to oppose sexual harassment, to protect children, to defend women.

But we have allowed people with bad intentions to weaponize these good intentions, with unthinking rigid slogans that replace and usurp the rule of law, and dispense and enact punishment before due process, popular American slogans such as “Make America Great Again aka Keep America White” or “Better Dead than Red” or “Me Too”, when you become a knee jerk defender of slogans over reason and due process, you move from a defender against crime, to a committer or crimes. A lynch mob and a witch hunt.

And I’ll have no truck with that.

Too many people have been lynched in this country, both literally and most recently social media wise, to let anyone get away with mob justice, or mob punishment, as our new normal.

Someone is accused of a crime, guess what people… IT IS STILL AN EFFING ACCUSATION until proven in court. You should not immediately go from reading a headline to attacking that person, and calling for punishment and calling for them to be fired or banned or stripped of their earned honors.

(One thing on that — If an honor a university or organization has given to a person that has earned it, is removed at the behest of the mob, you do harm to the value of that honor. To the integrity of that organization.

What matters is not who the person you gave an honor to… becomes, or was in the past, but that you gave your word. If the reason the honor was given remains a fixed point in time, a fact, than that honor must likewise remain a fact, a fixed point in time.

We do not get to only immortalize a man’s falling down, his standing up, the reasons for those accolades must likewise be a fixed point. For accolades and honors to be removed with the mutterings of the mob, is to make those honors and the institution that gives them and takes them away… of no more value, than spit in wind. I’m looking at you Yale and Xavier and the Navy… to name a few.)

What we do not do, is 4 years before their date in court, pronounce them guilty, fire them, hound them, and generally destroy their life and livelihood on an accusation. That is the definition of a witchhunt and mob justice.

A man or woman’s bad, does not erase their good, and in this ME TOO slogan age, we seem to want to  make a person the one, and erase the other. And that is not how judgement works, or none of us will see the paradise.

Because if men who have done more good, than any twenty of us walking this planet, can be demonized by the mob in the blink of an eye, with none of that good taken into account, all those accolades edited out, and only the bad judged, then none of us, judged that way, will escape hell.

We must weigh the good a person has done against their bad, and only then can they be judged fairly. And they must be judged by people impartial, without axes to grind, or an agenda to put forward, else it is not judgement, it is crucifixion.

This censoring and editing of content, because ‘we’ no longer agree with an actor who is in it, or a joke that is portrayed, is a very slippery slope. And we have been here before, and it does not work out well for anyone.

A bit of an off-topic rant, but one that was brewing for a bit.

And shows how potentially widespread and damaging to every facet of our lives, cow-towing to the mob can be.

Final take away: slogans are for outside the court, not in place of it, and more trivial take away… if you have content you love, be it a book, a song, a movie, in this new digital/streaming age, while accessing it has become easier, so has altering and censoring it. So if you have something you love, own it in a form that can not easily be changed, a physical/tangible form.

 

Here endeth the Rant. 🙂

 

 

Today’s Vetted Amazon Purchases! Gift Ideas!

Today’s Vetted Amazon Purchases! Gift Ideas!

Everyone knows, just like Rotten Tomatoes or IMDB or any other site, Amazon is subject to a lot of fake reviews.A lot of those 4 and 5 star products when you take the time to do the research are junk. Puffed up with scam bot reviews.

This new segment is designed to help you find only the products that have been vetted or checked to have a reliability rating of over 70%. Meaning at least 70% of the reviews are accurate, as well as checking if the company as a whole has an abundance of reliable or scammed/generated reviews.

Without further ado today’s recommended low cost sub $100 tablet. This is for someone who wants a 2nd tablet for non-intensive tasks such as security cam checking or ‘digital frame’ usage or other very casual surfing.

You have lots of mostly Chinese made items in the sub $100 market to choose from. The ones with decent reviews, if you take the time to research, 9 out of 10 are fabricated reviews.

I’ve done the research to find that one out of ten low cost sub $100 tablet that is worth your time (along with the needed memory card). Below is one that has a predominance of reliable reviews:

 

The HOOZO TABLET 10.

I never heard of this tablet before today. But I was looking for a tablet that would do cellular, that is a lot better than the limited options the cellular provider was offering.

And as I mentioned in this range the market is almost exclusively Chinese made products, due to American big business willingness to dismantle domestic operations to outsource everything to the lowest bidder. And Chinese products are often viewed with a certain amount of dubiousness, and unfortunately when it comes to products China exports there have been numerous documented reasons for this outlook.

Whether it is a matter of varying degrees of quality, sub par build due to making tight margins, or orchestrated malfeasance all of these things have been documented when it comes to Chinese products exported to US shores. And again I’m not blaming the Chinese, I’m blaming short sighted American policy, that has in the last few decades dismantled the idea of local autonomy and creation and putting us at the mercy of the lowest common denominator mentality; unchecked capitalism, being indistinguishable from unchecked tyranny.

All that to say, when it comes to products you are putting in your home, you have to use more than usual diligence. The China made Wyse security cameras that everyone is racing to put in their homes and laud for its features ( which I admit are impressive) has perhaps a glaring issue. The same issue that a lot of devices have, but turned up a few notches. The security camera, may actually be invading your security. But that is an article for another day, but it is in the reviews if you take the time to look.

Anyhow, yes when it comes to products from China, you of course will have great products and great companies. The job is finding them.

That brings us to the HOOZO 10 Tablet.

This one checked all the boxes and was way  higher on the reliability scale than the tablets being offered by my cellular provider. And ever since that scandal a few years ago with cellular providers installing hardware back-doors into the devices they sold consumers, I’ve always preferred to bring my own device to a cellular provider.

So this tablet at a sub $100 price, is not going to replace your main machine, but as a secondary or dedicated machine for browsing device or gaming device  to free up your main device to be exclusively for more sensitive transactions (if you are using your phone to do purchases,and or banking, or secure email, you should not have game apps, or cooking apps, or puzzle apps, etc on it, that is where this secondary device comes in).

This machine is to help you avoid the  ‘one ring that rules them all’ point of failure or security breach.

Get yours here:

https://amzn.to/2TMmIeK

AEGO 64gb Micro SD Card microSD Memory Card UHS-1 Class 10 for Kindle Fire/Tablets/Dash Cam/GoPro with Free Adapter (U1 64GB)

 

 

AEGO 64gb Micro SD Card microSD Memory Card UHS-1 Class 10 for Kindle Fire/Tablets/Dash Cam/GoPro with Free Adapter (U1 64GB)

https://amzn.to/2JVba9F

I had started my search for 64gb Micro Sd cards, by checking out the usual players first Kingston, Samsung, etc. After digging into the reviews I wasn’t happy with what I was seeing. I then found this unknown to me company AEGO, with a very striking visual design, and much to my surprise they had great pricing AND RELIABLE reviews! More reliable than some of the big names in the field. Add to that there is not often you pick up a micro SD card and give any thought to how beautiful it is, AEGO gets props for making a very utilitarian item such as an SD card, look like a work of art.  My vote… pick it up.

Use this link to check it out. If you decide to pull the trigger you will earn a few pennies for this site which I will be grateful for. It helps me to keep producing more content like this. Share the link and spread the word. Without further ado, the link:

https://amzn.to/2JVba9F

 

So yeah guys, I hope you found this post helpful. Took me a few hours to do the research and put the post together, so if you enjoyed the post definitely use the links, like the article, spread the word. Till next time…

Be Well.

T-Shirt of the Day : Mario Bava’s DIABOLIK

For the movie fans among you, here is one of the coolest T-shirts of one of the best directed cult movies of all time!

 

In an age far removed from billion dollar Comic Book movies, cinematographer turned Director Mario Bava, best known for his primary colors drenched horror films, gave us this European take, on a superhero. Somewhere between James Bond and Batman, his Diabolik just riveted and impressed, and remains…. impressive.

Definitely light-hearted, and zany, and cartoony in the best sense of the word, this film is a MASTER CLINIC on crafting film. This film, like upcoming films represented in my T-shirt series, deserves to be owned as tactile DVDs/Blurays. Go ahead and sample them via streaming, but own them via DVD/Bluray, because these are films, and special features, and Director’s commentaries that any true fan of cinema, will come back to often. And now you can do it while wearing the coolest t-shirt!

 

 

Danger: Diabolik/DVD

From The Grindhouse Cinema Database

< Danger: Diabolik

USA

Diabolikdvd.jpg
  • Region 1
  • STUDIO: Paramount
  • SPECIAL FEATURES: Audio Commentary by Bava Expert/Biographer Tim Lucas and Star John Phillip Law. A nicely put together commentary featuring lots of really great information from Tim. John Phillip Law tells us all about what it was like working with Mario Bava and the beautiful Marissa Mell on the film. | “Body Movin'” video by The Beastie Boys with Audio Commentary by Adam Yauch (MCA) the director of the video which was inspired by Danger Diabolik. | Danger Diabolik: From Fumetti to Film: Interviews with Diabolik fans featuring comic book artist Stephen Bisette, Director Roman Coppola, Composer Ennio Morricone, Musician Adam Yauch, Producer Dino DeLaurentiis and Diabolik himself: John Phillip Law! | Also included on this DVD: Diabolik Teaser and Theatrical Trailers.
  • PICTURE: Ratio: (1:85:1) / 16 X 9 Anamorphic Widescreen. This new transfer is simply beautiful. Diabolik looks the best its ever looked. Mario Bava’s super colorful cinematography and set designs are at the forefront of the film.
  • SOUND: Dolby Digital 2.0 Mono (English). Ennio Morricone’s incredible psychedelic score comes through like a dream. Turn this up on your home stereo system and feel the vibe deep deep down.

Unfortunately there is no Bluray of this film available, but the nearly out of print DVD, is top of the line and a must own for any fan/collector.Get it here:

https://amzn.to/2syKpfF

As far as the T-shirt… get yours here:

https://www.ebay.com/itm/Diabolik-movie-poster-1968-T-SHIRT-BLACK-all-sizes-S-to-5XL-PP/132448305023?hash=item1ed688bf7f:m:mZ4jd_tJhV8HzQpgO5bc_AQ

 

Tell em HT sent ya!