Best Short Horror Films of 2019 Week 8!

Best Short Horror Films of 2019 Week 8!

 

https://i.ytimg.com/vi/mPtCeemqdE0/hqdefault.jpg?sqp=-oaymwEjCPYBEIoBSFryq4qpAxUIARUAAAAAGAElAADIQj0AgKJDeAE=&rs=AOn4CLDh_UfxcZNe5u6425f8IB_xRSS0rgCLAP, CLAP– A 2017 short film according to youtube, I just became aware of this one tonight. Directed by Brandon Piskorik and starring Aaron Burt it is everything you want from a 5 minute horror film. A setting, a narrative, a looming dread, and a payoff. It is a fantastic short film, so I was a bit surprised to see even IMDB has no entry for it. And there is seemingly no webpage or online poster image promoting the short. To go to the effort to make a quality film, then to spend no effort to publicize it seems to me a missed opportunity.

Horror while a popular genre, is a hard genre to get right. Get the editing wrong, the timing wrong, the pacing wrong, and it becomes dreary rather than dreadful (in the horrific, hoped for tone, you want your horror film to hit). Piskorik gets it right here. A solid B+. Worth a look.

 

Another worth a look short is DOOR TO PURGATORY, also from 2017 this one is written and directed by Alexandra Balda. There are no surprises here, from frame one this is a pretty straight forward horror tale, but it is told and photographed well, with a protagonist you find likable and want to keep following.

At 13 minutes it is longer than most shorts but is 13 minutes well spent. There are minor things that distract, showing too clearly and too long the horror element, and too much of the mustache twirling villain at the end. But beyond that it is a solid first short film. A solid C+.

And the things the film CLAP, CLAP failed to do to publicize that movie, is not repeated here. As this movie is on IMDB, is a festival circuit participant (and winner) and has a poster. Alexandra Balda is a filmmaker I look forward to seeing more from.

 

Now films that did not make the cut and why:

STICKS- while arguably more professionally assembled than others on this list, what hurts this is what hurts most horror films, whether short or long. People reacting without any commonsense. Seemingly the protagonist is a caretaker. Why she is cleaning the house at night, well people get busy no biggie. So i’ll ignore that. However, why on earth would any sane person go up those stairs given the circumstances of the short? Why would any sane person open a door given those circumstances? they wouldn’t. It is bad, lazy writing, and a waste of everyone’s time. And the movie is an insult to the viewer’s intelligence.

TOOTH MAN- Not as slickly made suffers from the same issue. Characters acting completely braindead. With reason and commonsense seemingly a foreign language. You are babysitting and discover a bag of bloody teeth after a noise, and the possibility of an intruder, any sane person gets the kid and you get out of the house, and call the police/parents from a neighbors house. But no, not in this movie. I understand you need to create a situation of isolation for protagonist and threat, but you do that through smart writing, not lazy writing. On top of that I hate movies where adults lie to kids. Or husbands patronize wives about the obvious crazy stuff that happens in these movies. When those scenes happen they take me completely out of the movie.

 

 

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VOD Streaming Movie of the Day : Blake Edward’s Brilliant EXPERIMENT IN TERROR

Glenn Ford and Lee Remick in Experiment in Terror (1962)

Blake Edwards is a name that arguably, if known at all by a modern audience, is known for the PINK PANTHER movies. But true film fans know him as one of the greatest directors of that transitional period between the all powerful studio system and the rise of auteur directors and Independent Film-making.

Cutting his teeth in fast paced, often live television, (his most notable Television work being the excellent and both evocative and ahead of its time PETER GUNN) like his contemporary Don Siegel he brought a frenetic new pace and tempo to film making. Starting with the use of jazz to denote the soundtracks of his film, rather than the more orchestral, staid, European classical influences of earlier films, his films looked to modern composers, most notably Henry Mancini to tell uniquely American tales. Also his use of pacing and editing and shot selection were all revelatory.

And his use of characters of color stands out, one of the earliest directors to use background actors of color in non-stereotypical roles, to show an America peopled with more than just the traditional studio system view of an all white America. Seeing a mixed crowd, or a crowd with people o f color and whites just sharing the same space, as people, while taken for granted today, during the making of this film… it was groundbreaking. And many theaters in the south, the film could not be shown without cuts being done to it.

Anita Loo in Experiment in Terror (1962)

Directors like him, and Don Siegel, and Stanley Kramer and Joseph L. Mankiewicz and Richard Brooks, helped transition a very blinders on/white-washed 1950s America, into the more multicultural 1960s, and they did this through our entertainment, our films and our tv shows.

They, and the actors and editors and writers helped drag a more honest view of the American landscape into the light, a view full of different people and different backgrounds, and different challenges.. Both feeding and being fed by, the civil and human rights battles being fought at home and abroad, their veracity as filmmakers, helped open the door to this concept of film as something progressive and capable of change.

From these new daring Filmmakers like Blake Edwards, we begin to get film-making  that transcends complete artifice, and stereotyping.

We get the French New Wave Films, The Pan African Films, the Neo-Realist films of Italy, and at home we get the Independent Film Movement, to include the Black New Wave Films of the 70s ( dismissively titled Blaxpoitation by people who do not realize that Black Exploitation is the first 60 years of Hollywood Films. Where people of color had no positive representation in films, most films with no persons of color at all, and the few that did have people of color, offered them typically only one token person of Color in a film, in a menial/demeaning role. Actors like Sidney Poitier, Bill Cosby, Harry Belafonte and directors like Gordon Parks, and Ossie Davis, helping to pave a view of an America that actually reflected the multitude of people in it, formerly invisible).

It is a thread, the evolution of film, that allows us to evolve from DW Griffith’s 1915’s THE BIRTH OF A NATION (which shamefully was the predominant mindset of Hollywood Film-making, both behind and in-front the camera, for the greater part of the 20th century). An evolution filled with achievements small and large, and filmmakers lauded and forgotten. A lot of films and a lot of filmmakers, and a lot of steps forwards, and moments of stumbling backward, to in a little over a hundred years go from THE BIRTH OF A NATION, to Ryan Coogler’s justifiably lauded BLACK PANTHER in 2018.

Glenn Ford, Lee Remick, and Stefanie Powers in Experiment in Terror (1962)

 

The films of Blake Edward are part of that thread. Not in any overt political manifesto, but just in his love of showing an America peopled with… the people he would see in the streets and in the crowds, his love for a veracity that transcended stereotype.

 

EXPERIMENT IN TERROR, is a pure thriller of a film, with not a wasted pound. And it has people of color in it, not because they are people of color, but because they are people, it is San Francisco of the time, before gentrification, where people you would see, came in multiple creeds and colors. It is a fantastic film that has nothing to do with ethnicity, but everything to do with being true to telling a story in a place and a time.

It is one of Blake Edward’s best films. However, Blake Edwards very rarely made anything that was not a ‘best’ film.

It is a uniquely tense, and thrilling film, even by Blake Edwards standard. I mean the tension in it holds up today. Lee Remick is one of the most beautiful women from an age of beautiful women, and she is also like most of Edwards leading ladies… delivering a phenomenally written and ground breaking tour de force performance.

Also starring the great Glenn Ford, who like the movie does not waste a moment, everything propels the story and the moment. Glenn Ford was one of those actors who never delivered a bad performance, and elevates everything he is in.

A stunning cast. A stunning script. And sumptuous film-making makes for a film that can be watched for free courtesy of AMAZON PRIME this month, but deserves in the age of digital to be owned on DVD/Blu-Ray.

 

Get your copy here:

Experiment in Terror [Blu-ray]

https://amzn.to/2Gk6ZS8

I would also recommend picking up the gorgeous poster with the stunning Lee Remick as well as the CD and Album. Please use my links as they earn this blog a few, well needed, pennies. 🙂 .

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https://amzn.to/2DAaUXh

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Thanks for looking. And if you enjoy this post please like, comment or order via the links. All three are greatly appreciated!

 

 

 

Streaming VOD Roku Fire TV Channel Watching Guide For Feb 2019 : HULU Edition!

HULU

 

1st Kudos to Hulu for, in an age where Streaming Services like Netflix are going price-hike crazy, actually offering a price reduction. Applause to HULU! This and Amazon Prime in my opinion are the best two Streaming services, in terms of both content, value, and ease of use/quality of the surfing experience.

Netflix lags FAR behind both channels, in my admittedly biassed opinion.

 

Okay onto the stuff you need to catch this month on Hulu (both old and new content):

https://cdn3-www.comingsoon.net/assets/uploads/gallery/legion-season-2/dxqfn3rxkaa06zq-jpg-large.jpgThe first season of LEGION was nothing short of game changing television. Writer/Producer Noah Hawtey with this and the 2nd season of FARGO proving himself one of the best writer/producers of this new Golden Age of Television. [To that list of best writer/producers of this new Golden Age, I would add creator Drew Goddard for DAREDEVIL Season 1 (Was not a fan of Seasons 2 and 3), and Cheo Hodari Coker’s brilliant and criminally underrated LUKE CAGE Season 1 and 2. While DAREDEVIL Season 1 is the better Action Show, LUKE CAGE is the better show, both writing and importance, for reasons way beyond, one person hitting another.]

I am looking forward to Noah Hawley’s feature film directorial debut LUCY IN THE SKY (slated for this year), but until then I will be enjoying the 2nd season of LEGION on Hulu.

 

 

John C. McGinley, Nate Mooney, Deborah Baker Jr., and Janet Varney in Stan Against Evil (2016)

The Boondocks (2005)

Into the Dark (2018)

INTO THE DARK? A hulu curated series of feature length Horror Movies?? Count me in!!!!!

Dwayne Johnson in The Titan Games (2019)

THE TITAN GAMES is definitely inspired by AMERICAN NINJA WARRIOR, and while not as compelling as that show, this is still a very good mid season fill-in for AMERICAN NINJA WARRIOR.

I had my doubts about ATLANTA, but the first season made me a believer. A modern day renaissance man, Donald Glover is a creator to watch. And season 2 is now on HULU. This show and WAYWARD PINES are two shows that get painted with the TWIN PEAKS brush, as a measure of their strangeness; but both shows are far better than TWIN PEAKS ever was.

David Kellman, Robert Shafran, and Eddy Galland in Three Identical Strangers (2018)

Ted Allen in Chopped (2007)

Cities of the Underworld (2007)

The Tesla Files (2018)

 

Aldis Hodge and Jurnee Smollett-Bell in Underground (2016)

 

The first episode of UNDERGROUND Blew me away! Fantastic use of anachronistic music, and camera movements to tell this tragic and triumphant tale of horror and holocaust. It is of course not easy viewing, but is rewarding and essential viewing. I did not like and do not rewatch the film ROOTS, but the film SANKOFA which covers the same story of the slave trade but does it with such heartbreaking beauty and incredible visuals, it becomes an undeniable work of art, rather than simply a dry recounting of facts, or a pity party. That is what UNDERGROUND also brings to this shameful part of American history. The struggle of those who fought against the accepted horror of their time.

In that way, how much more heroic are they… than we. I look forward to completing season 1 and 2 this month on HULU!

 

Rick and Morty (2013)

RICK AND MORTY- much to my surprise is animation genius. LOVE IT. Right up there with the VENTURE BROS. Looking forward to season 4 showing up on HULU.

Lakeith Stanfield in Sorry to Bother You (2018)

Called both the best and worst movie of 2018, depending on which reviewer you listen to, I’m really looking forward to watching SORRY TO BOTHER YOU sometime this month. And based on the track record of certain critics, I think this one is going to end up in my loved it pile.

The Sisters Brothers (2018)

Joseph Sikora, Omari Hardwick, Naturi Naughton, 50 Cent, Lela Loren, and Sinqua Walls in Power (2014)

I LOVE this series, POWER, and am way behind on it. So HULU this month will give me the chance to finish season3 and watch season 4.

Scott Grimes, Penny Johnson Jerald, Seth MacFarlane, Peter Macon, Adrianne Palicki, J. Lee, Mark Jackson, and Halston Sage in The Orville (2017)

I loved the first season of the ORVILLE. Season two started off great, but the second episode written by Wellesley Wild and directed by Kevin Hook, wow, that was a stinker.

It is some of the worst television I’ve seen since the 4th season of HELL ON WHEELS. Meaning really god awful, editor-less and rambling and self indulgent, please-fine-me-the-remote-fast-forward television. :). The odd thing is with just a less heavy handed delivery, no need for multiple hit us over the head holo-deck scenes, it could have been a good episode. the message was sound, the delivery unfortunately over indulged.

I will be very pleased not to see the name Wellesley Wild or Kevin Hook on any upcoming Orville episodes. 🙂 . Because other than that misstep, it has been a great and balanced show, not over doing the comedy and letting the drama shine thru when called for. And the visuals/ set and ship design and CGI, are just stellar.

It is the best STAR TREK on TV since the turn of the century. Wow. Let that sink in. 🙂

Castle Rock (2018)

Runaways (2017)

Kelsey Grammer, Russell Hornsby, and Rachelle Lefevre in Proven Innocent (2019)The premise of this show, addressing wrongful convictions, is I think very timely, and intriguing. Particularly in a witch-hunt/social media lynching America where people are found guilty and punished BEFORE trial, much less a verdict. In such an America where corporations the jury and the judges, rubber stamp social media verdicts, and special interests weaponize social media… a show about wrongful convictions… I’ll take a look.

Now the above are some of the top shows on or coming to HULU in February 2019, and reasons to give HULU a look this month.

So those of you who came just for the February 2019 STREAMING TV guide can leave now.

For those of you who want one of my inconveniently timed and inappropriately placed rants, 🙂 keep reading.

 

 

That last mention above, regarding the show PROVEN INNOCENT, made me ponder upon that subject.

One of the most idiotic postings I read recently, was this commenter piling on some guy accused of harassing a woman.

This guy was calling for the usual things the mob calls for, the accused to get fired, the accused to get stoned, etc. To which was pointed out that he knows neither the ‘claimed’ victim nor ‘claimed’ accuser,  that before taking sides and handing down his verdict, maybe this should go thru due process. Due process defined as If criminal… a court of law, if civil or corporate, a board of inquiry or a federal HR complaint.

When pointed out that there is a process for proving an actual crime or wrong doing, that perhaps has nothing to do with stirring up lynch-mob justice on Facebook or Twitter, and attacking someone who should be innocent till PROVEN guilty…. this guy’s response was….

 

“I TRUST WOMEN!!!!”

That was it.

Some woman he does not know, claims some horrendous deed was done to her, last week, 5 years ago, 20 years ago, and this guy takes it as gospel and attacks wherever she points.

You know where that also happened.

Salem Massachusetts in 1692 and 1693.

As well as the United States from the age of reconstruction through the 1960s, where many a body swayed from many a tree.

“ME TOO’, may be a great movement for healing wounds, and improving conditions.

However, it has no place deciding guilt or innocence.

Only facts should do that, not the baggage of the mob.

Here endeth the aside. 🙂

Favorite Purchase of the Day : NEGRO ROMANCE #1

 

Romance books as well as Comic Books in general really picked up steam in the post World War II years. The comics finding themselves picked up by everyone one from kids to teens to adults. GIs and their wives also making a regular audience for these comic books.

In the prosperous post World War II years America was riding high, and you can see it in everything from the cars to the boom in home ownership to the boom in the birth rate, to the boom in comic genres and publishers.

In an America where currently comics struggle to sell a 100000 issues, comics back then routinely sold upwards of half a million copies. The more popular titles in the millions.

Romance Titles were one of those lifted by the general explosion of comics. And mainstream comics, though another war had just been won, ostensibly for liberty and freedom, were still victim of an America cowtowing to Jim Crow restrictions. Books that had people of color,could not be sold in some southern states if those depictions were not jingoistic or demeaning.

Evenhanded or respectful depictions of people of color, would likely get your book banned from that particular retailer. It was an extension of the same restrictions movies dealt with, that led to the ‘race’ movies of pioneers such as Director/Producer Oscar Micheaux in the 1920s and the creation of Black Film Production companies, and more importantly a Black owned circuit of theaters.

However Comics, while more popular than today, were still a niche medium and attempts to break the Jim Crow mandated codes against people of color, while valiant and brilliant… were unfortunately short lived. Especially where legal protections against mob behaviour/lynchings were virtually non-existant.

So that the NEGRO ROMANCE comic  existed at all (much like the earlier ALL NEGRO COMICS) is down to the courage and talent of people who at the end of the day just wanted to tell good stories, without the Minstrel Show trappings of the time. That the book lasted two issues before being literally white-washed, removing characters of color and renaming it, is unfortunate.

But at least we had those two issues. And Thanks to Karl A. Therrian, after 70 years of being  lost from the light of day, these issues, along with ALL NEGRO COMICS are currently available.

I could not be happier to own these reissues, in FANTASTIC condition of these extremely rare comics. Get them while they last.

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https://amzn.to/2M5427P

I will cover the book in more detail in an upcoming post.

However, I would strongly suggest not sleeping on these books. Yes, you can buy them from various people, but it is apparent the love and care that Karl A. Therrian puts into his reissues that sets them above the competition.

Buy it while available.

SATURDAY SLABS : Key/Investment Grade Comics – SGT ROCK/OUR ARMY AT WAR Issues 1 to 100!

SLABS –slabbing is slang for getting a comic professionally graded and encased in an un-openable hard plastic shell from CGC, PGX, or CBCS. A slab therefore is that graded comic, encased.

I’m not a big one for getting books encapsulated (the more technical term for slabbing), especially for modern books. But I do understand the benefit of third party grading, especially when it comes to older books. Ensuring the book is complete, annotaing any issues, and providing a grade from an outside third party, eliminates much of the haggling regarding condition that would otherwise occur when buying or selling a comic book.

So for reasons of liquidation, I see the benefit of comic book certification (including encapsulation), but again, I see the benefit as it relates to older or scarce books (real scarcity, and not this manufactured scarcity of variant covers on modern books). Now that said while I can see the use of grading and slabbing for select investment grade books, I DO NOT agree with the fad of pressing comics.

What is pressing comics?

It is a relatively new bit of snakery, people attempting to make the cover of their book look better, by actually applying moisture and heat to their comic, to ‘press’ out wrinkles, creases, folds, rounded spines etc.

And while it will make your cover lay better and arguably get you a slightly higher grade, based on a nicer cover, ‘pressing’ does this as the expense of the interior which in older books is newsprint. You can not apply heat and moisture to newsprint without shortening the life and speeding up the degradation of that pulp paper.

Period.

No ifs, no ands, no buts. Heat+moisture+newsprint = nothing good. That comes from the Library of Congress.

Now no specific long term studies have been done to show the damage of ‘pressing’. In 10 years when you open up that sealed book, will you find it is more degraded and corrupted then a say non-pressed book? Have those previously white pages started to brown rapidly due to the excess moisture pressed into those pages? have you induced mold growth into your valuable collectible.

There is no science to pressing comics, no agreed upon heat settings, or moisture exposure times, or drying times, it is a bunch of disparate people making it up as they go along, giving you short term results, at the expense of the longevity of your book. Why on earth would you let your collectibles be the guinea pig for such untested experiments.

Just say no to pressing your comic book.

That public service announcement out of the way, onto this installment’s investment grade books.  Out of the first 100 issues of the ground breaking DC War Series OUR ARMY AT WAR, here are the issues worth adding to your collection… and why.

 

 

15 MUST OWN ISSUES OF OUR ARMY AT WAR!

 

Our Army at War 1 - Dc - Superman - National Comics - Sword - Battle - Carmine Infantino

You do not expect sophisticated storytelling from a nearly 70 year old comic book, but this debut issue of OUR ARMY AT WAR offers up just such a compelling and surprising reading experience. Particularly in the story ‘DIG YOUR FOXHOLE DEEP’. OUR ARMY AT WAR #1 is a pricy acquisition, but one worth acquiring if you have the disposable income.

Next of the must have issues would be #15:

Our Army at War 15 - Explosive Battle Action - Fire - Thunder In The Skies - Sunday Walk - Fifteen Minute War

Just based on that striking cover with its beautiful use of yellows and purples.

For similar reasons, the following issue, #46, makes the must own list:

Our Army at War 46 - Soldier - Army - War - Action - Explosive

 

Next up, #50:

Our Army at War 50

This issue is notable in that, from here forward, the cover art gets far more sophisticated. It is also the first taste of the letterbox covers that would come much later,

The next 50 issues, from 50 to 100, with one or two exceptions, are all worth owning.Standouts being:

53,54,56,57(1st Grey Wash Cover), 61(Wonderfully desperate and emotive faces by Frank Robbins I believe), 71(Great, you-are-there pov camera angle), 74,75,80,81,82,83,87,89,90,92,94,95,96!

 

Our Army at War 53 - Dc - Tank - Soldier - Machine Gun - WarOur Army at War 54 - Gun - Sword - Jan No 54 - Grenade - Battle Line - Joe KubertOur Army at War 56 - Joe KubertOur Army at War 57 - Bullets - Machine Gun - Helmets - Men - ExplosiveOur Army at War 61Our Army at War 71 Our Army at War 74 - Bullet - Face - Head - Fear - AirplaneOur Army at War 75 - Blind Night Fighter - Airplane - Gunfire - Double Length Story - GooglesOur Army at War 80 - Tank - Ruins - No 80 - Tank Bait - SoilderOur Army at War 81 - Dc Comics - The Rock Of Easy Co - Gun - Nazi - HelmetOur Army at War 82Our Army at War 83 - Gone With The Gun - Flying Machines - The Trooper - Big Guns - The WarfareOur Army at War 87 - Battle Action Comic Book - Vintage Army Comic - Easy Company Army Stories - Wwii Tank Warfare Comic - Chute Dragging Soldier Into TankOur Army at War 89Our Army at War 90 - Easy Company - Dollar Comics - Superman - National Comics - Approved By The Comics Code Authority - Joe KubertOur Army at War 92

Our Army at War 94 - Target Easy Co - Combat Happy Joes - Battle - New Two Part - Fight - Joe KubertOur Army at War 95 - Battle Of The Stripes - Barb Wire - Gunfire - Crawling - Battle - Joe KubertOur Army at War 96 - Tank - Building - Panzer - Gun - Dc Comics

Well those are my collectible/investment picks for this installment.

Now you can actually pick up some of the aforementioned issues via one of my current favorite comic book stores, LONE STAR COMICS. Better known by there website presence, MY COMIC SHOP. Please use the link below to order from them, and when you do you will earn this blog a few pennies, that will be greatly appreciated and go back into the blog, and more content you can use.

So Thanks to anyone who supports this blog, and this specific post, via the following link:

https://www.mycomicshop.com/search?TID=180591&AffID=200301P01

Thank You for looking and come back next Installment for more great selections!

Excelsior!

RIP To Stan Lee 1922 to 2018.

My Favorite COMIC BOOK Youtube/Roku Channels of 2018!!! Starting off with AFTA COMICS, MERCENAUT and HERB TRIMPE!?!

COMICS

  • TheGO2 Geeks
  • Silver-Aged Dave
  • AFTA Comics
  • Regie Simmons IFBB Pro
  • DS Comics
  • Earl Grey
  • Comics with Bueller
  • Wallace Ryan
  • ComicTom 101
  • Pop Culture Philosophers
  • SleepyReader666
  • Professor Thorgi
  • Metarog
  • Chycho
  • ETA Nick
  • Nighttiger
  • Comichyjinx
  • LeeKirbyDitko
  • CurtisCamron
  • Farley’s Nerdcave
  • Rwheatley0206
  • Saddle City Comics
  • Forest City Coins and Comics
  • BargainHuntersThrift
  • Area 51
  • Arkham Comics las Vegas
  • Comic Buying
  • Tony Sanders
  • Tony Tothe
  • Tom Ryan
  • DrVonChilla
  • CaptainStrangeLife
  • Simon Comics
  • UltimateChance
  • Thugie1
  • Comic Book Ninja
  • ComicHero77
  • Comic News Network
  • Gotham Comics
  • HeroHunter81
  • Longshanks_78
  • Master X
  • Lord Tatman
  • Symphonic-Elk
  • Knights_of_Old
  • Jerno’s Comics
  • YicketyYackety
  • TJ Watson
  • WhatCulture
  • Wiebes TV
  • Windy City Comic
  • Yanni Gogolak
  • Islord 372
  • Batzman’s Classic Cars & Comics
  • Mercenaut

I will be speaking on all these channels in more detail, regarding why they made my 2018 best of List.

I am going to start with the last on this list MERCENAUT and work my way up.

https://www.youtube.com/user/mercenaut

Mercenaut is on this list, not for being a White Supremacist or Black Activist ( inside joke, watch his channel) but for a single show he did in 2018, where he showed off a copy of CAPTAIN BRITAIN #8. With that episode, this guy along with the Epic Marvel Podcast and Afta Comics, started my hunt and love for Herb Trimpe covers in 2018. The CAPTAIN BRITAIN mag sported a STUNNING Herb Trimpe cover which is shown below.

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Prior to that while i remember Herb Trimpe, I never really paid attention to how great of a cover artist he was. Between MERCENAUT’s showing, and the brilliant Trimpe Western cover’s that AFTA Comics showed, this year has very much been the year of collecting Herb Trimpe and Larry Leiber comics. Some of Trimpe ones I picked up this year are:

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The webpage will not show this image anonymously.

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https://i0.wp.com/www.comicbookdb.com/graphics/comic_graphics/1/511/183423_20120804222034_large.jpg

 

As great as Trimpe’s Super Hero Covers are (With his work on the INCREDIBLE HULK being arguably his finest) his western work which I did not get exposed to until this year, I love even more. Just look how much storytelling he puts into those covers.

In an age where modern comic covers no longer tell a story, largely are just pinups having nothing to do with the content of the book, Herb Trimpe was able to tell a great story using just the cover.

Thank You Mercenaut, Afta Comics, and Epic MArvel Podcast for putting the late great Herb Trimpe on my radar!!

Okay quick rant on variant/multiple covers.

Darn you Variant Covers!!! You are diluting the medium. You can not have an ICONIC issue and multiple covers. Now again everything in moderation. A variant cover here or there is fine, but it has become the rule rather than the exception.

As a consumer, buy what you like. But as the publisher/producer of this content too much choice in a market can be as harming as too little, if it generates confusion, and stymies adoption by potential readers, in favor of courting speculators.

 

And that is just what is happening in the market place. In an effort to milk a diminishing audience, the mainstream publishers resort to the skankery of pimping multiple covers (yes I did just coin the word skankery 🙂 ) to the speculator segment, which harms the iconic nature of a work as much as alternative endings, to those of us who actually think books should be read.

To be iconic a thing must live memorable, in the shared consciousness and memory of the audience.

A memorable cover, or a memorable line, or a memorable poster, or a memorable ending. You think of Exorcist you think of a singular poster, You think of Casablanca you think of that ending, you think of Citizen Kane you think of that beginning, if you think of the original UNCANNY X-MEN 138, you think of the classic cover of Cyclops walking way from the X-MEN and toward the reader. And the background framed by all these beautiful UNCANNY X-MEN covers tinged in purple. For my money the single most beautiful and poignant X-men cover of all time, by John Bryne, another great artist,

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That… for an image, or line, or scene, to stay memorable not just in your memory, but in the memory of a generation,… is to be iconic. People my age have a shorthand, a shared pop-culture language, that makes us part of a shared conversation.

Unfortunately people growing up on comics today, have no such singular, iconic cover or image to define a moment or a book. Because that one clear vision is muddied and diminished by multiple covers so the publisher can try and milk the speculator market, rather than serve the longer and more far reaching nature of creating something singular and memorable.

It’s the same way mainstream publishers are diluting their most popular characters with these shoddy imitations/iterations that only help to eradicate what was unique about the original character. You have now 15 variations of wolverine running around, Including one that is part Hulk, part Wolverine. Really? This is fan-fic, being done by the publishers, with no real consideration beyond milking the speculator market. They have strip-mined their own effectiveness as a sequential platform. 

That and the price point of Marvel and DC Comics is why I have stopped getting them in periodic format. There is no reason the mainstream publishers can not hold their price point at $2.50 or $2.99 cents, and make a profit and sell millions of copies at that price point.

The movies and video games have done the hard work of providing name recognition to the masses,the publishers inability to translate the billions these characters make in other mediums to even millions in the comic medium, comes down to mismanagement and an outdated vision/model from the comic publishers.

So these days if I need a monthly comic, I gravitate to the Independents. If I hear good things about a mainstream storyline, I pick it up in collected format or rent it from my library.

And if I really yearn for the days of great iconic covers, in mainstream comics, well thankfully there are always great Herb Trimpe comics to pick up in back issues!

Thanks for reading, feel free to leave your comments or send emails! I will be covering other channels in upcoming updates.

Excelsior!!!

 

 

 

John Krasinski’s THE QUIET PLACE : A Movie/VOD Review!

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So A QUIET PLACE has been on my radar to watch for a while, however other things took priority. However I heard a Youtube Film critic, recently say that A QUIET PLACE was his best film of 2018. Given the stiff competition of monumental film-making occurring in 2018, that seemed like a bold statement.

But I am always open to discovering a new great film. So today I watched, courtesy of Amazon Prime VOD, John Krasinski’s A QUIET PLACE.

John Krasinski came on my radar as he did with most people  in the brilliant 13 HOURS (that reminded Michael Bay critics, Michael Bay can be a great director), and this year in Amazon’s equally brilliant JACK RYAN series.

Here with his Sophomore feature film, A QUIET PLACE, Krasinski makes a solid little horror film. The silent conceit is a nice touch, and the movie plays a bit like an updated SEVEN.

The third act I feel the audience is way ahead of the characters, at least I was, so you are screaming at the characters to catch up and figure out the ultimate solution to the movie. Also somethings seemed odd… why wouldn’t you, in such a world, carry around firecrackers with you at all times to distract the menace, and carry weapons, and set traps etc (ala a bear trap and an alarm clock, as these things do not seem too particular in what they attack).

But overall a good B-movie. A solid B-. John Krasinski as well as being an actor to watch, is a filmmaker to watch.

Grade: B-.

As far as claims of A QUIET PLACE being the best movie of 2018… in a word… no.

Even allowing for film being subjective, it is not even the best b-movie film of the year (that honor goes to the excellent UPGRADE) much less the best film of the year (that would go to films like BLACK PANTHER, AVENGER INFINITY WAR etc).

But it doesn’t have to be. It just has to be worth your time, and for most of its run time it is. Recommended!

p.s.

And in case you wonder what is my bar for great films. here are some films I consider great, as in best of the year great (in their respective years) in no particular order…

THIRD MAN (Carol Reed/Orson Welles)

LAWRENCE OF ARABIA

SUPERMAN

WRATH OF KHAN

MEMORIES OF MURDER

DARESALAM

CITY OF GOD

HYENA by Djibril Diop Mambety

Just about anything by Michael Mann

Just about anything in the latter half of his career by the late Tony Scott

Just about anything in the first half of his career by Ridley Scott

THE MISSION (both the Johnnie To Film and the Turkish film of the same title)

TUCKER

BRAM STOKER’S DRACULA

MALTESE FALCON

BRIDE OF FRANKENSTEIN

GREED (Silent Film)

SUNRISE (Just about anything by Murnau or Fritz Lang or Alfred Hitchcock)

The early films of M NIGHT SHYMALAN

PICKPOCKET (Robert Bresson)

And to this list you can safely put AVENGERS INFINITY WAR, BLACK PANTHER, CAPTAIN AMERICA WINTER SOLDIER, and the first AVENGERS, which all transcend being genre movies, to just be great films.