Amazon DEALS OF THE DAY! Best Soundtrack of 2016!?!

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THE HATEFUL EIGHT Soundtrack by Ennio Morricone – Quentin Tarantino’s The Hateful Eight Soundtrack

Quentin Tarantino’s eighth movie THE HATEFUL EIGHT, I saw just this previous December in its extended road show version. I saw it at a sumptuous venue, surrounded by real cinephiles, and quite liked the movie. I thought it had flaws, because while not a prude by any measure, I did think Quentin went a bit heavy on the profanity button.

Sometimes excess is not verisimilitude, being true to the framework of your film, sometimes it is just excess, and gets in the way of your film.

At some point it becomes like a kid who has just learned to curse, and says it all the time as if there is a maturity in that, when just the opposite is the truth. Over use of profanity is the mark of a juvenile aesthetic. I thought the movie was great, I loved the process and loved the ending and loved the visuals, the only detraction was… that juvenile aesthetic of Tarantino’s.

So it’s a movie I really liked, and want to call a great movie, but a great movie should also be re-watchable, and I’m uncertain how many times I would want to re-watch this. Portions of it sure. But to sit down and rewatch the whole thing? Revisit it, like I do with THE SEARCHERS or TOMBSTONE  or ONCE UPON A TIME IN THE WEST… Not so much. That’s where the juvenile aesthetic works against a film, and works against Tarantino. These slight misgivings aside, It is still a solid B+ of a movie.

However one thing that I was not not conflicted on was Ennio Morricone’s score. Upon hearing this in the theater, I new I loved it and wanted to purchase the soundtrack when available. And I’m not a soundtrack guy, I buy sporadically, and seldom consider buying the score while watching a movie. So that tells you what type of impression this score made on me.

Today I received the Third Man Records stunning 2 LP Pressing of THE HATEFUL EIGHT. Wow! This may just be the collectible of the year!

It takes me back to the thrill I got of getting Records or Laser Discs, back in the day. That larger than life, elaborate and beautiful album cover, filled with extras, such as a booklet with liner notes, posters, photographs.

For around $30 while supplies last , it is a steal!

Morricone purportedly came out of retirement to do this score for Tarantino, and I’m glad he did, because he creates a score for the ages, to stand up to his decades of stunning, influential, and cinema shaping…. scores.

Now while the music is excellent, the pressing is also slightly hampered by Tarantino’s decision to add dialogue to the album. I would have preferred this album without Tarantino’s additions of dialog, and let this just be the music. However the dialogue tracks are easily skipped on CD. Not so easily skipped on the LP,  but the 2 album LP, is a collector’s dream, sporting a beautiful fold out gate fold cover,, and enough extras to make it worth any purchasers time to own both the CD and the LP.

Pick up both at the links below while in stock:

Quentin Tarantino’s The Hateful Eight Soundtrack

Quentin Tarantino’s The Hateful Eight CD

 

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THIS WEEKEND’S Recommended MUSIC! THE HEAVY!


Music so good, that mp3s and Itunes do them a disservice. Music that deserves buying on CD and listening all the way through.

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The House That Dirt Built
– Was introduced to this band THE HEAVY because of the awesomely addictive song they did for the great opening credits of the TV show STRIKE BACK.

Based on that one song, I bought this album. And I am glad I did, it is a great, addictive item. How good is it? It is so good that I bought their other two albums (available at the links below) without listening to a single song. That is how heavy… THE HEAVY is!

gloriousdead
The Glorious Dead

greatvengeance
Great Vengeance & Furious Fire

“I was listening to Michelle Myers Saturday broadcast on KEXP a few weeks back and she played an infectious cut from their follow up album “The House That Dirt Built”. Usually music needs some time to grow on me but the song SHORT CHANGE HERO cut deep with an intoxicating groove that sent me on an instant quest to search them out.

… This is hands down one of the five best CD’s I have purchased this year rivaling their sophomore “The House That Dirt Built”. Do yourself a favor. If you purchase no other music in the next year get one (or both) of The Heavy’s releases.”

—Amazon Review JSG

Music Deal of the Day! RICH VS ROACH

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It is such a joy being able to continually discover new things and great things and sublime things. 56 years after its recording it is a joy to for the first time hear this preeminent 1986 pressing of these preeminent Jazz drummers (avoid the later 2012 issue that for no sane reason reorganizes the order of the songs).

This is a fantastic CD that is far better than the original LP for 4 crucial reasons. Alternative takes to 4 of the songs, and two of those takes are essential gamechangers.

Namely the first two songs of the album, SING, SING, SING and THE CASBAH set the memorable impressions of the album, and in the original takes Buddy Rich provides the better more impressive performance. His levels are louder, his playing is pure manic brilliance, in contrast Max Roach ‘s performance while nuanced suffers from levels that are muted, and his playing while strong, seems a bit hesitant and halting.

Compare this to the alternate takes, released on this album, and here is the Max Roach, the genius, allowed off the leash. It’s a beautiful and haunting staccato rhythm he builds in the unused alternative takes, that turns this album, particularly those two songs, from a clear victory for Buddy Rich, as has been stated, to an impossible to call draw, between two of the best drummers in the business.

The reason for using the skewed take? Well this was largely a Buddy Rich financed Album, and it was 1959, and you were still playing to a nation that was largely still in the shadow of Jim Crow.

Whatever the reason, thanks to the 1986 cd and the alternate takes you can finally appreciate both of the legendary drummers at the top of their game.

Grade: A+! Highest Rscommendation!

This 1986 CD is almost sold out on Amazon, I strongly urge any lovers of great music, great stereo recordings, and great Jazz to pick up multiple copies of this CD, because without a doubt it makes a great gift and friends with taste will ‘borrow’ it.

And yes you could listen to this on MP3 via Itunes, but you could also listen to it with cotton stuffed in your ears. 🙂 .

MP3s are a great way to sample a bunch of music quickly and determine what you love and want to buy. But once determined, the MP3 format is not the format to buy it in. You need full uncompressed audio.

You need a well mastered CD, and RICH VS ROACH happens to be one of the best.

Get your CD here:Rich Versus Roach

This also happens to be one of the great stereo recordings, so it deserves to be heard with headphones on a great portable player. The one I personally use and recommend is :

Sylvania 9-Inch Swivel Screen Portable DVD/CD/MP3 Player with 5 Hour Built-In Rechargeable Battery, USB/SD Card Reader, AC/DC Adapter

Enjoy!

CDs worth owning in the age of Itunes! 15 Favorite obscure CDs!


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ALAN MOORE : THE MOON AND SERPENT GRAND EGYPTIAN THEATRE OF MARVELS -A fantastic CD, oral dissection and tour of London of the Id. Alan Moore is analogous to Shakespeare in that like Shakespeare he is one of the greatest writers of a castigated medium (Shakespeare worked in the, during his life, little respected medium of plays, mass entertainment for the mobs; and Moore works in the medium of comic books/graphic novels), and arguably is not fully understood or appreciated out of that medium in his lifetime. His spoken word CDs are some of the most amazing and compelling, combining his love of topics but strange and obscure, married to his voice, which is one of the greatest and most haunting voices of our age. Moon & Serpent Grand Egyptian Theatre of Marvels

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DEATH : FOR THE WHOLE WORLD TO SEE – Rock/Proto-Punk – Turned on to this CD by the wonderful documentary A BAND CALLED DEATH. A great documentary and a great CD. For the Whole World to See

ABRAHAM BURTON QUARTET : CAUSE AND EFFECT – Was turned onto this CD by Amiri Baraka when I met him a few years back and bought his excellent hardcover book DIGGING THE AFRO AMERICAN SOUL OF CLASSICAL AMERICAN MUSIC. Cause and EffectDigging: The Afro-American Soul of American Classical Music

CHE : NOT LIKE THEM – Caught this artist live performance years ago, and got this CD direct from him. It still remains one of the best CDs I own. An amazing performer who brings together Neo-soul, R&B, Rock, and some genres not invented yet, in a fun, head bobbing package.

TAALAM ACEY : BLUES RESURGENCE – Another artist I caught live, and got this CD direct from him. One of the greatest spoken word CDs. Blues Resurgence

MARK GROSS : RIDDLE OF THE SPHINX – I heard him play his title track in a dive bar, somewhere on the edge of the world, and purchased. A great purchase as it is one of the best Jazz Cds I’ve ever heard. Riddle of the Sphinx

AWADAGIN PRATT : A LONG WAY FROM NORMAL- My gold standard for classical piano CDs are the great Glenn Gould’s BACH THE GOLDBERG VARIATIONS released by CBS Records and this lesser known, but no less great, album by Awadagin Pratt. A must own. Plays Liszt/Franck/Brahms/Bach

PARIS : THE DEVIL MADE ME DO IT/SLEEPING WITH THE ENEMY – I added these two CDs as one, because even though they are separated by decades, they are linked at the hip, by a fervor that is both mired in specific times, yet oddly time resistant. And a delivery… unequaled. The Devil Made Me Do It

TERRY CALLIER : SPEAK YOUR PEACE – Speak Your Peace

QUINCY JONES : IN COLD BLOOD – Soundtrack. Why on earth would anyone ever want the sound track to a movie? When I was young it made no sense to me. And to be truthful, for most movies and soundtracks I still feel that way. I’ve listened to a lot of not especially interesting soundtrack Records and CDs. And then one day I put on the LP to Cold Blood by Quincy Jones, a young Quincy Jones before he became the manager for the King of Pop, and settled into making pop and r&b albums. This young Quincy Jones was pushing how music could be used to elicit feelings and tell stories, and during the late 60s early 70s created some of the most experimental and haunting music ever conceived. IN COLD BLOOD remains the seminal instrumental work done not just by Quincy Jones, but by anyone. It was the first soundtrack album to open my eyes to the fact that the soundtrack can be a work of art onto itself. IN COLD BLOOD (ORIGINAL SOUNDTRACK LP, 1968)

JERRY GOLDSMITH : PLANET OF THE APES – Jerry Goldsmith has created mountains of Sound tracks, I don’t know if he has ever been more experimental or better than here. Planet Of The Apes: Original Motion Picture Soundtrack – Also Featuring Music From Escape From The Planet Of The Apes

JIMMY WILSON : FUTURE HISTORY – Future History

DON PEYOTE : BETWEEN WORLDS – A lot of people turn up their nose at the term New Age, rightly or wrongly I don’t know. What I do know is I’m in love with binaural effects, and CDs that, using just a headphone, can recreate a 360 degree environment. BETWEEN WORLDS does that brilliantly. A great CD to read or drift off to. Between Worlds with Hemi-Sync

STEVE USCHER : LA GUITARRA TROPICAL –

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IMMORTAL TECHNIQUE : REVOLUTIONARY VOL 2 – I have oft praised this CD. It should be required listening by people who want to hear what rap can be like… when it is about more than self grandizement and debasement.

Well hope you enjoyed that list of essential obscure CDs. Now I’m sure most of you in this age of Itunes have ditched your walkman, so how, you ask, do you play these cds? Well thankfully there are nice, compact, cost effective devices that allow you to take not only your cds but your dvds and other media with you when on the move. Here’s a link to one:

Sylvania Portable DVD Player SDVD7027-C, 7-Inch, Swivel Screen, Black

Enjoy!


Rating Carolina CD Review : Carolina Chocolate Drops LEAVING EDEN

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Picture is copyright Jim Brock Photography

With 2013 still early in its run, an early contender for my favorite CD of the year is Carolina Chocolate Drops LEAVING EDEN (and yes I know it came out in 2012). It has been a while since I was so thoroughly in love with a CD from first song to last (Terry Callier’s opus SPEAK YOUR PEACE comes to mind, and that is high praise indeed).

I like their 2006 debut cd, DONA GOT A RAMBLIN MIND, but I don’t love it. The same can be said for their 2009 concert CD entitled CAROLINA CHOCOLATE DROPS & JOE THOMPSON. However their latest LEAVING EDEN is another story. It is an album that is not only listenable from first song to last, it is immediately re-listenable. An album that can be on rotation in your cd player often without wearing out its welcome; no small feat in this day and age of too much, too fast, too poorly done.

What really endears me to this CD is how these young children of the Diaspora, these four children of the atom, of the early 21st century, are so thoroughly channeling and keeping alive this quintessential music of the early 20th century. What endears is how these young men and women of the race: Human, of the ethnic group: Nubian/Black, of the Nation: American and of the tribe: Artist; are creating music that incorporates the width and breath of all of the above.

LEAVING EDEN is at once joyous and jubilant and haunting and innovative, and sublime. The spirit of Robert Johnson moves strongly here, and well. ‘Howls in the bones of her face’ to borrow from Dylan, the cd LEAVING EDEN howls in the bones of your face.

Not only do I have a new favorite CD, I have a new favorite band. And luckily they are touring this year so if coming to a city anywhere close to you I highly recommend checking them out in person. I had the chance to see them in concert last year and missed it. I won’t miss them this year, and if you are smart neither will you.

Their touring schedule is here.

And their CD LEAVING EDEN? In an age of digital and Itunes do CDs still have a place? That appears to be the question of the moment. My answer? When they are this good, hell yeah CDs have a place. Owning just an mp3 sample would just be a crime. This is a work of art in the listening, and should be a work of art in the displaying. Grade: A+.

You can buy cds here:

Leaving Eden

And Don’t fail to also check out the following essential CDs:

Speak Your Peace

The Complete Recordings (The Centennial Collection)

And for more Carolina Chocolate Drops albums go here:

CDs available

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Picture is copyright Jim Brock Photography

ESSENTIAL CDs in the Age of ITunes #15-10 – Under Construction

In the age of ITunes, easy and user tailored content of individual songs at whim, is there a place for CDs?

For great ones, I would say yes.

MP3 is a great sampling medium, a very good compression medium, but it should not be considered an end onto itself, especially where music is concerned.

There is some value in the physical medium, when it comes to a great album. A great CD that stands up from first song to last, is worthy of the process.Of listening to that music in high-fidelity without the compression of MP3. Is worthy of the cover art and liner notes, and more is worthy of the tangible, tactile experience of engaging with that physical medium as a touchstone to the process and enjoyment of the physical medium.

From LPs to CDs, their is something as vital in the form of the medium as well as the function, something in the beauty of interacting with a great LP presentation or a great CD presentation in a physical space, that is not replicated in a digital download.

But it has to be a CD/Album worthy of putting on and listening and enjoying from first song to last. Something with sporadic good songs isn’t going to cut it. For that you might as well stick with the Itunes model of downloading random songs.

But for those CD and LP releases of music as functional and vital novel, as compelling art, the medium matters, has value.

Without further ado, here is a list of 5 essential CDs and/or LPs worth owning in the age of Itunes, where increasingly we own nothing:

incoldbloodIN COLD BLOOD – One of the seminal and ground-breaking movie soundtracks of all time. Quincy Jones’ finest work. Last I looked only available on LP.IN COLD BLOOD (ORIGINAL SOUNDTRACK LP, 1968)

BACH THE GOLDBERG VARIATIONS:GLENN GOULD – This album began my love and appreciation for the piano and remains one of the great classical recordings.

JIMI HENDRIX:THE ULTIMATE EXPERIENCE- Lives up to its name. One of the pivotal and formative icons of modern Rock and Roll.

speakyourpeaceSPEAK YOUR PEACE:TERRY CALLIER- Overlooked during the heyday of Soul, Terry Callier was rediscovered by a British promoter in the early days of the 21st century, which lead to his old albums being reissued, and Terry Callier producing new albums. SPEAK YOUR PEACE is one of those albums, and more it is one of the great Albums of all time. Terry Callier being a devastatingly beautiful and poetic songwriter, easily on par with the best of Dylan, with a voice far superior to just about anyone’s.Speak Your Peace

SNAKES AND LADDERS- This Alan Moore and Tim Perkin’s helmed spoken word CD in many ways is a reworking of an earlier and no less mind-blowing Alan Moore CD, THE MOON AND SERPENT GRAND EGYPTIAN THEATRE OF MARVELS. However SNAKES AND LADDERS manages not only to be its own thing, but manages to be a great and compulsively listenable experience in its own right.Alan Moore and Tim Perkins – Snakes and Ladders

Well that’s this installment’s picks. Come back next time for five more. And if you are moved to buy the CDs and add them to your collection, please you the supplied links to do so. Thanks and go out there and hug somebody today. (but ask first :))

CD of the Day Review! Alan Moore’s MOON AND SERPENT!

Review Alan Moore’s MOON AND SERPENT: It starts off with roller-coasters and rain, and there’s something fitting about that. That Moore’s finest, most all-encompassing work should start off with roller coasters and rain. Highlighted tracks are highly recommended listening.

Track 1 roller-coaster/carnival barker-“tell all your friends, tell all your enemies, tell all the people you do not know.” Goes to about the 5:30 mark. From the start, his most sonically, and stereoscopically mesmerizing CD.

Track 2 rain, a tour of London- Moore’s voice at once longing and hungry and haunted and stark. A dreamer two days dead, speaking of dreams. Speaking of London, all Londons. “hallucinated rain in a mirage of gutter… a phantom, speculated city, somewhere else… where do the Yarmouth breakers detonate, a distant semtex when we are away from yarmouth… these are the towns of light, built from remembered brick… where thought is form…locations we shall never visit that yet have their hearsay substance in our lives, and so are never far from us… metropolis erected out of nothing, only metaphor, and ringed with slums of dreams… a shadow London, our idea of London” Goes to about the 8:44 mark. 9/10.

Track3 a tour of London- “Move on to the city hypothetical… his Tesla grid of terror and magnificence…streets filthy with mythology… “ till about 13:20 mark

Track 4 Cray Twins/Double trouble – Brilliant use of stereo! Love listening to this. “two sides to every story, two doors to every cell” till 15:31 10/10

Track 5 St.Pauls/Diana -The heart of the City – Let us pay attention to St. Paul himself, a Proto-Mason , there in 1st Corinthians 3:10 he states “As a Master-builder I have laid foundations and another builds there on.” , “here is Diana chained, the soul of woman-kind bound in a web of ancient signs that women might abandon useless dreams of liberty” “be careful here” till 19:45

Track 6 Fleet and Bride Street –“they are the engineers of our exhaustion” “If this room is mirrored in idea space, what of we?” “…monologues we have mistaken for the world” “stay close together, these are stairways beyond substance, things get slippery here.” Till 24:50

Track 7 Into the Abyss – “Theory and belief are all we have to walk upon” A walk through idea spaces, through landscapes/mythologies… eclectic. Till 32:15.

Track 8 Spectre Garden- Angel Baeletic- “I am the daughter of fortitude, and ravished every hour of my youth” Haunting and beautiful. Till 35:24

Track 9 Demon Asmodeus- Sumptuous, disturbing use of sound. Till 40:02

Track 10 Deity/Glycon last created of the roman gods- “Proceed with caution, this is old power. And the idea of a god, a real idea” Till 44:10

Track 11 Tundra Absolute/The Final wasteland- “if we observe it, we affect it” He is dropping knowledge, no, not knowledge… wisdom… wisdom beyond the paltry dreams of science. Brilliance! Brilliance! Reaches a stunning conclusion, with a truly compelling performance by Alan Moore. A+. till 59:35

Track 12 End Music/Denouement- Don’t care for this folksy/wood nymph song, or the delivery. But not enough to mar this excellent CD. Till 63.07.

Overall grade: A+. Best of breed. Essential CD.

Moon & Serpent Grand Egyptian Theatre of Marvels