Three must watch Short Werewolf Horror Films! On VOD Now!

 

Delightful. Suitable for all ages.

Definitely not suitable for all ages, Pretty disturbing actually. But incredibly well done.

End of the Road (2015)

All three of these movies are great for different reasons. END OF THE ROAD skews closest to the traditional WEREWOLF film,and it pays off in a GREAT creature design, and just a pretty memorable and fantastic sequence. A must watch.

 

Check Vimeo, or Amazon Prime, or Youtube to view the above titles. Would love to hear your comments once you do.

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Streaming VOD Channel Review -BLACK NEON- And a review on WOLF and the films of Robert Bresson!

So while I advocate always keeping things you LOVE in physical media, DVDs , Blurays, CDs, etc; the benefit of Streaming and Digital is that it is GREAT for exploring, and finding out what out there is worth having. Most things are not worth having or keeping. So Streaming is great for a try before you buy methodology, or simply finding new things to watch right now.

This installment, the channel that is up for review is…  BLACK NEON.

BLACK NEON  – first thing that strikes you about this channel, is unlike the hundreds of options of other channels, this one has a very limited number of movies. Many I have to confess to being unaware of or not having seen on other channels. Always a plus in my book.

To avoid the mishap of doing a lengthy listing of its titles, only to determine the actual streaming service is crap, or ad infested. I decide to pick a movie and test it out.

Wolf (2018)

My eyes gravitate to a film called WOLF, a thriller of some type seemingly, and without reading the description I just start the film. From frame one I’m captivated. And over sixteen minutes in and not a single ad.

I’m loving the movie and the channel so far.

BLACK NEON may be a home-run. I’ll update after finishing the movie and looking around a bit.

***UPDATE*****

Okay I just finished watching WOLF courtesy of the BLACK NEON channel. Do a search for new streaming movie channels to add and you will find BLACK NEON.

Wolf (2018)

They do not have much content, maybe a dozen movies.But it is worth getting the channel just to see WOLF. What an incredibly strange film. Very off kilter, and always has you on the edge and not knowing where it is going, which I find refreshing.

It is very Bressonian. Robert Bresson was a French director, little known, and unfortunately little remembered today, but he used most effectively and most notably the idea of the pregnant frame. An empty frame, and the emptiness, the waiting for it to be filled would create tension.  And while not a horror director, his films such as A MAN ESCAPED and PICKPOCKET (both absolute masterpieces) build incredible amounts of tension by using the empty frame, and our desire to have it filled.

It has been used by directors since, and is used here in WOLF to great effect.  It is a slow burn movie, and has a WTF turn, that you never quite recover from, and is never truly made clear. You leave the film arguably with as many questions as you came, the final meaning of the film, and of what actually happened left up to individual interpretation.

Wolf (2018)

That can be frustrating to some, however I really liked it. I loved it actually, the patience of the film, and its willingness to court confusion.

That does not always work for me, sometimes it is the sign of a lazy filmmaker. But I do not think that is the case here, the filmmaker and writer Michael Jones has crafted a compelling story and wanted to let it finish cooking in the mind of the viewer.

Love it or hate it, I do not think it is a film you will easily dismiss.I fall in the camp of being very impressed by this raw nerve, of a movie.  

WOLF (2016 Australian release/2018 VOD release)

A Michael Jones Film

Grade: B+.

Recommended! This is definitely a movie that deserves to be owned on DVD and/or Blu-Ray.

Streaming VOD Channel Review : FILMRISE HORROR – For week ending Saturday 27 Oct 2018

So while I advocate always keeping things you LOVE in physical media, DVDs , Blurays, CDs, etc; the beneft of Streaming and Digital is that it is GREAT for exploring, and finding out what out there is worth having. Most things aren’t, so Streaming is great for a try before you buy methodology, or simply finding new things to watch right now

This installment’s channel up for review is FILMRISE HORROR.

FILMRISE HORROR  – nice interface and good Halloween selection for this free ad -supported VOD/Streaming channel. Also I like that it gives the movies ratings. The lack of ratings and trailers is one of the reasons I left Netflix. Highlight of this channel, as we gear up for Halloween, are:

  • BIG BAD WOLF – readily available on other chaneels, it is always a good one to watch
  • CREATURE – nice 80s Alien ripoff. But despite that, a good although cheesy watch
  • SWAMP SHARK – I’ve actually been meaning to watch this one. A shark in the swap? I’m there! 🙂
  • ALIEN CONTAMINATION – Another film I have been meaning to check out
  • IMAGES i This is a FANTASTIC early Robert Altman film, during his very experimental phase. With stunning cinematography and a brilliant discordant score this is a film I m proud to own on Bluray. But it is good to know streaming channels are showing it some love.
  • MEMORY OF THE DEAD – another one I want to take a look at
  • MANEATER – Gay Busey fights a Tiger. I’m there. 🙂
  • LYCANTHROPE – I’ll try most horror films that have to do with Werewolves.
  • NIGHT OF THE DEMON – I’ll try  most horror fiilms that have to do with Bigfoot.
  • STRIGOI – sounds intriguing
  • BITE MARKS – intriguing sounding Vampire flick
  • THE 4th FLOOR – a top notch cast in this interesting sounding film about an apartment build and a dangerous neighbor
  • SPIDERS and SPIDERS 2- I saw SPIDERS 2 and really, really enjoyed it. So looking forward to watching the first one.
  • BLOODWORX- I remember this being pretty good
  • DR. JEKYLL AND MR. HYDE – interested in seeing this made for TV version
  • LARVA – intrigued
  • FRANKENSTEIN – A 2015 vod version. May be worth a look.
  • WITHER – A swedish I believe, version of EVIL DEAD. A good film.
  • BLOOD PUNCH – Fantastic. Lots of fun.
  • DER SAMURAI – Disturbing, slow burn film, that is worth a watch.
  • IN THE SPIDERS WEB – Another fun Lance Henriksen horror film

All in all, this week FILM RISE HORROR has plentiful selections, good quality, a nice interface, and effective ratings to help you narrow in on a choice, unfortunately the ads are WAY too invasive and plentiful. Grade for this channel is : D-. It is not worth adding to your list.

THE FILMRISE HORROR CHANNEL GETS A FAIL. Do not subscribe to it this week.

Youtube Channel of the Day : CEREAL AT MIDNIGHT and why Physical media Matters in the age of Digital!

 

https://www.youtube.com/channel/UCsVgZNzzvedehALS-dTIFhA

 

CEREAL AT MIDNIGHT –  Is the only Youtube channel devoted to physical media, DVDs, CDs, Blu-Rays, etc that I am subscribed to. Just a great channel, with a personable host, showing his love for physical media.Love his channel, highly recommend it for all fans of physical media. They have a nice recent episode, perfect for Halloween, and the films of the great Vincent Price.

For those of you saying either ‘what is physical media?’, or ‘boo! hiss!’ to physical media, here is me… about to break it down.

Here is the thing, streaming is fine, and VOD is fine, and Hulu is fine, and Spotify is fine, but at the end of the day, it is all vaguely out of your control. And we live in a Millennial age where the mob thinks nothing of bigger issues such as Anti-Trust and eradication of public domain and setting up a Monopolistic regime, with no viable competition, just as long as they get to see Avengers in the same movie as Fantasic Four. If you don’t understand that, do a search for Disney, and add all those words i just mentioned… and maybe when the searches return… a lightbulb will go off.

We live in an age where the masses think nothing about the loss of privacy and human rights, as long as they get to easily scream at people in their MMOGonline game.

 

Between you and your entertainment is various levels of gatekeepers, from your ISP to your cloud storage, to your streaming platform. And we live in a bullshit age of witch-hunts and ‘me too’ bs bandwagon jumping, where people can get fired and vilified before they have a day in court, and programs and movies  can be censored or altered based on the screaming of the uninformed mob, or soundtrack altered due to rights issues.

Where you don’t have to be proven guilty, you just have to be attacked like you are.

So suddenly that movie you love, may or may not be available depending on licensing agreements, and it may or may not be the same edit of the version you grew up with. It could be censored to comply with the sensibilities of fools, or the fear of companies , that faceless twitter trolls will say bad things about them.

‘I hate, hate, hate… Peter Pan!’ In my best Dustin Hoffman, Hook Voice.

God bless the child that has his own.

Here’s the thing, gatekeepers, businesses are always behind the curve, and seldom do anything for the good of the people, or posterity. They do it because of expedience and the bottom line, and that is contrary and in direct opposition… to culture. The health of it, and the growth of it.

We here in the 21st century have access to movies from the Silent age of cinema, and radio shows from the dawn of sound, and TV shows from the infancy of the medium, not because of businesses, but in spite of them.

It was collectors decades ago, when businesses could not perceive the idea of a radio show being listened to over, or a television show being re-watched, or a movie after its initial run being rescreened, it was collectors, just normal people like you and I, who preserved these things, when the gatekeepers, burnt the films, and erased the tapes, and recorded over the video tapes, it was collectors who saved much of the early history of mass media. And it was collectors who ultimately taught them, the gatekeepers, the businesses,  to value these things, if not for the love, then for the monetary value it could generate.

But still, for all the teaching, Businesses and the Gatekeepers, while they have definitely learned to monetize, and secure the rights to everything they create, they still have not learned to respect the creations.

The creations remain to them as mercurial and open to change as a ledger balance. While they control art, the gatekeepers and businesses do not understand art. And therefore art will always be at risk in such hands. Will always be at risk in the hands of accountants.

So end of the day, I love having all these shows and movies and music, available via gatekeepers, via VOD, and Hulu, and Spotify, and Itunes, etc.

But end of the day, have your hard media to fall back on, against the day that ISPY or AIRPLANE or HOUSE OF CARDS or insert show here, is not politically correct to view or hear or watch.

End of the day, do not trust the things you love… to gatekeepers. Own the shows you love in a form that no gatekeeper can edit at their whim, or remove, or bar you from.

So that is one reason I’m a fan of CEREAL AT MIDNIGHT. It is a reminder that physical media is still out there, and can be picked up affordably. And is worth picking up.

Here endeth the rant! 🙂

AMAZON PRIME WatchList ITEM/GIFT of the Day : Accident MAN Movie and Book!

Accident Man Movie Poster ACCIDENT MAN- Ease of browsing. This is one of the reasons I canceled Netflix in favor of Amazon Prime. That and the fact I am not paying for more than two streaming services, and my other choice is HULU.

Searching Amazon Prime is a lot like the old days of the giant video stores, only it is a lot better. You have the greatest movie library in the world at your fingertips, and ratings and trailers for almost all the movies to help you make your selection. And also they have a CUSTOMERS ALSO WATCHED recommendation queue to turn you on to other films you might otherwise not have known about.

That and the trailers have helped me discover a lot of great and obscure films I otherwise would have never know about. This film starring two of my favorite Martial Arts actors of the 21st century, Michael Jai White and Scott Adkins, is an adaption of a great, little known British comic magazine character, ACCIDENT MAN. He originally appeared in the UK’s excellent, but short lived, TOXIC magazine.

And that was followed up with a mini-series  from DARK HORSE COMICS.

I didn’t realize until doing the research for this post, there is a hardcover ACCIDENT MAN, that collects all of his appearances in TOXIC magazine, as well as the Dark horse Comics. That is so a MUST BUY! I have the Toxic issues, and I’m keeping them because it is great to see the artwork at full, magazine size, but having all his work collected in one spot on quality paper… sign me up!

Here’s the link to the hardcover. I would recommend buying two copies, one to keep and one to resell when it goes out of print, because it will. Thank me later. 🙂

https://amzn.to/2P7kRzg

Cover Image

If the movie is half as insane as the comic strip, it is going to be a whole lot of fun. And looking at the trailer… it is.

You can get the movie either via streaming or DVD/Blu-Ray:

Accident Man [Blu-ray]

https://amzn.to/2BQaiPA

Considering the Blu-Ray comes with an audio commentary and making of features that reward multiple viewings, I would spring for the Blu-ray/DVD over the streaming version. Especially considering you can get the disc a bit cheaper. You can use the link above to order your copy today.

Thanks to Alien Bee of Alien Bee Dot Net for providing the special features details that even Amazon did not have. Go check out the Alien Bee site for more great reviews:

http://www.alienbee.net/blu-ray-review-accident-man/

Subscribe and like if you found the post informative, and please spread the word. And  email or comment with what your purchase, recommendation of the day was. Till next time!

 

AVENGERS INFINITY WAR : THE LAST WORD Review

 

I have been off the movie radar for a bit.

I go in cycles like that.

Last movie I saw in the theater (twice) was the excellent BLACK PANTHER Directed by Ryan Coogler and produced by filmic juggernaut, Marvel Studios.

Today a few minutes ago I just got done watching AVENGERS INFINITY WAR courtesy of Amazon Prime, and streamed right in the comfort of my home.

It is definitely a movie that would have been great seen  on a huge full size theatrical system, but as I said timing and interest sometimes works out for me to hit the theater, sometimes it doesn’t.

The movie, AVENGERS INFINITY WAR finally seen ( I avoided trailers, special features, reviews etc) it is ten years of Marvel Studios, and ten years of world building codified and paid tribute to; it is not just a great movie, it is a great mythology. It is that first story told around the raging fire to keep back the night. It is everything you want a film to be.

To call it just a superhero film is perhaps to miss the point, and the enduring power and place these four color heroes have held first on the comic page, and now the cinematic stage.

They are our modern myths writ large, and this film by the capable Russo Brothers improves and transcends the source material, to tell tales both of massive victories and massive defeats, but always managing to ground it on a very personal level.

The movie made me laugh, it made me cheer, it made me tear up, and it made me silent. A whole gamut of emotional states in a mere couple of hours. The Russo Brother’s have helmed yet another masterpiece and this one being their best and most haunting yet. Raising the stakes but not losing the man on the ground perspective, that make these films so relateable.

Tales of Gods and Monsters yes, but hinged on wheels of faith and loss and sacrifice and love.

The wheels all of us, can understand and be moved by.

There are reasons to be concerned about a monotheistic Movie Landscape, with all studios gobbled up by the mouse. I do not feel Disney acquiring Marvel Studios was a good thing. I do not feel the Lucas properties being engulfed by them is a good thing. I do not feel the Fox acquisition is a good thing.

I think in the long term this monotheistic film landscape is a very bad thing for culture, and choice, and competition. I think in the long term there are anti-trust and anti-competition issues that will affect all of us; whether fans or not, of these films. But those are fights and concerns separate from the actual review of this one singular film.

This one singular film, celebrating the 10th year of Marvel Studios unprecedented dynasty is filmmaking done as well as it can be done, on a scale and scope that is nearly as mythic as the story itself. I loved it. Full Stop. It is right in the mix with my top 5, being in no particular order AVENGERS, BLACK PANTHER, WINTER SOLDIER, CIVIL WAR, and this one… INFINITY WAR.

Grade: A+. As a fan of METROPOLIS and GREED and SEARCHERS and LION IN WINTER, even though this movie is a ‘Super-hero’ movie and a Blockbuster, and is popular, it is every bit as great and serious and beautiful a film as those lauded classics. It is a new minted classic, and will stand the test of time.  From script, to direction, to special effects, to performances, especially performances, allowing the actors to act under those layers of makeup and costumes and CGI, the film is a rare achievement.

I look forward to the sequel. And I look forward to buying this film on DVD/Blu-Ray, and watching again, and enjoying the film commentary.

You can get your Blu-Ray here:

https://amzn.to/2obFhvS

 

 

Youtube Channel Roundup : On Harlan Ellison, DC Comics, Brian Michael Bendis, and SLEEPYREADER666!

This blog post is on a recent video courtesy of SLEEPY READER, via his excellent Youtube Channel. Watched it courtesy of the Youtube Channel on my Roku streaming device

SLEEPY READER 666 Vlog #76 I like the fact that Sleepy reader covers diverse content, rather than just showing you the latest comics, or variants. I like that his stories are a little deeper than that and more informed.

In his most recent episode he discusses the late great Harlan Ellison, as well as Brian Michael Bendis, and kinda wags his finger at them for being too self aggrandizing. Based on a bad meeting he had with Harlan Ellison when he was 24.

And that got me thinking about the impressions we make of a person, the life long animus, or bad impression we somehow cement of a person, based on a cursory meeting in our youth. When you might have been catching your idol on a bad day.

Evidently seeing Ellison being bombastic and vocal, an impression of Ellison was created,  a definition of Ellison based on that one meeting, that some can carry through an entire life.

It is a common mistake that young people do (I have done it), imagining that one moment is the man. A lot of people go to conventions or meet their heroes, and because the hero doesn’t say what they wanted him to say, or respond how they expected him to respond that creator is suddenly for all time, and in all things, an asshole, or pompous, or whatever.

And most of the time it is that the person may have have a bad day, or a bad interaction, or a bad lunch, or a rude fan before you, or his mind is on a personal issue at home, so perhaps he doesn’t fully pay attention to the 200th person in the line, asking  him the same stupid question, or make the same inane joke as 50 people before.

Most of us barely are able to get along with the small circle of people who make up are 9 to 5. A celebrity mutiplies those interactions by the thousands arguably, and even if he is on most of that, 99% of that time, that leaves 1% he is not going to satisfy, or be at his best for.

I’m saying that basing your view of a person on one peripheral incident, that that person arguably has forgotten, five minutes after it happened, if he were to bump into you the day after he would likely not know know you from Adam, yet for you that incident of decades ago has become a defining , enlightening moment on that person’s personality for all time.

And all of us have done this at times. It is the reckoning of someone very young, and the mistake of someone very young. We who are older, who have been on both sides of that being disappointed, and disappointing a person, should hopefully grow to know better.

 

People have bad days. You call em on it, or you don’t. But either way you let it go, and you do not try and define a person you really do not know, based on just that one incident at a convention or party.

An idol doesn’t owe you the approval of his character, he produces work, an if the work speaks to you, he’s done his job. The judging of his soul or his character is not a part of that contract we develop with those who amaze up.

I’m one of those who grew up on the work of Asimov, Bradbury, Baldwin, and Harlan Ellison. Along with a good helping of Stan Lee, and Bill Cosby and Edgar Allen poe and Electric company.

What I gained from all those influences, those creators remain. I’m an immesurably richer person for the creativity of people I know only through their work for the most part.

And if later time finds them in places far from the heroic heights we met them on, it does not change the great things their work did for us, and many like us.

It’s the concept that is lost on a witch hunt America, that a man’s evil does not erase his good. No matter how our culture of championing falls, would like it to be so. 

I think sometimes, particularly in America, we raise people up, just to tear them down. That is arguably not the way, I’m not a bandwagon guy.   Judgement not by the consensus of the media or Social media, or one cursory interaction.

We all make up opinions on people, but perhaps those opinions should be as cognizant of our own… fallibility, as we can make it. And look at the supposed sins and failings of others, always in relation to our own sins and failings.

Something I absolutely do not think is currently happening in the media.

Was Harlan Ellison a prickly, abrasive, off-putting, and arguably contrary and combative person? As someone who has listened to just about all his recordings as well as read and listened to his writings… I believe Harlan Ellison would be the first one to say Yes!!!

He famously said, something to the effect ‘I’m a snake on a rock, don’t mes with me I’ll leave you alone. Mess with me i’ll bite you and hang on.’

That was Harlan Ellison. He suffered not fools. And he believed, he believed the wrong things should be railed against.

And that fire permeated his work, like the fire of invention. Harlan Elision changed the landscape of fiction, with an almost incendiary mirror to the fallacies of our age. His DANGEROUS VISIONS, written before I was born, and that I discovered as a teen, is (I think) for most who read it… the defining anthology of an age.

And in the decades since its publication that anthology and its sequel, continue to be the standard bearer by which all future anthologies are measured.

Harlan Ellison has been chastised for having been self aggrandizing, for his ‘look at me, aren’t I great’ attitude.

I, for one, think Harlan Ellison was a great writer. And his body of work will remain… great and essential, and oddly timeless.

He in many ways was some odd ying to Ray Bradbury’s yang, both of them being the voice for reason, in a world embroiled in madness. They both were masters of the cautionary tale, and their shadow looms large in the works of popular culture to this day. Like Poe they were the masters of the short story, and those short stories will only grow more beloved and adapted in the years to come.

Was Harlan Ellison self aggrandizing. It is the poor creator who isn’t , if he wants to sell his work.

Some creators are bad or uncomfortable with it, and hire others to do it for them. Some are great at it.

Harlan Ellison in addition to being a great writer, was arguably just as great a performer and showman. Like Jim Steranko he had the circus in his blood from a young age. Likely the way such men came up, kicking down doors is the reason the world knows their name today.

So to expect them to be something meek, because you are not comfortable with their breed of strong, is both inane and arrogant.

I love reading Ellison’s Books  for the very brashness of them. and their elegance, and the breath of his imagination, all  imposed by a hard early life, where dreams and the scraping, and shouting, and biting for them was all that made them real.

The very  ‘center of attention’ nature of Ellison, that so can put off others,  is the very thing that galvanizes me to him. And is one of the reasons listening to him perform his works makes them even richer.

He was a natural performer, and one of the best audio performers. Which is surprising giving his slightly nasally voice, but him performing was the audio equivalent of the energy Jack Kirby brought to his panel breaking drawings. It was raw energy and emotion and passion.

If you only know Harlan Ellison’s fiction from just reading, pick up the audio books.

He was one of the best audio actors of the 20th century, right up there with Orson Welles, Vincent Price, James Mason, Roddy McDowell, David Birney.

The thing about Ellison, he earned the right to be proud of his work. As did Bradbury, who had his own very good tv series. And there were plenty, and remain plenty to sing the praises of Ellison’s work. i own his 50th anniversary tome. An updated followup to it, containing the newsletter and other work he did prior to his passing, I definitely look forward to.

So to bring this back, if anyone does not like people who they feels push their importance’ that is their right.

But for every one who for whatever reason finds that behaviour bragging or pitiful, there are a lot that find it neither bragging or insincere, but simply informative, and the person’s personality.

And for me, Ellison, the personality I saw as a fan, was a great personality. And God knows we could use more of his take no bs personality  now, in a world of sheep meekly being bled to death by corporate gleed and malfeasance.

I’m sure he saw in this 21st century, everything he railed against in his fiction.

People also to do a sharp, awkward pivot off Harlan Ellison to accuse Brian Michael Brendis of disappointing publisher DC  Comics, because he misled them by , like Ellison, over-hyping himself.

That is to paraphrase some complaints I have heard. I like the work of Bendis, but he is no Harlan Ellison. The two do not fit in the same sentence. But you can get the gist of the thematic comparison Sleepy was making, by checking out his channel, and the video in question at the link below.

And to be clear, i like Sleepy Reader’s channel. I think it is very informative and you should subscribe. I have enjoyed just about all his shows and find him a highly intelligent, informed and informative person, providing a wealth of great information to this niche community of Comic Book fans on Youtube.

I take the time to write this post not to highlight how all of us in this talk show age, even the most intelligent of us, have started to internalize the sloppy thinking that has brought us to an America, that is regressing rather than progressing.

 

I am reminded of an Alan Moore line, that highlights the discrepancy between the truth of who we  were as angry young men, and who we hopefully grow into being.

As angry young men we have monologues rather than a conversation.  ‘Monologues  we have mistaken for the world’ to quote Alan Moore.

In closing HUGE FAN of Harlan Ellison here, as I mentioned, I hope they will releases a 70th anniversary anthology to follow up his 50th anniversary book.

 

For those reading this who want more from the late, great Harlan Ellison, as well as some of the other greats mentioned please use the following links:

https://amzn.to/2KNsJDA

Originally published in 1962 and updated in later decades with a new introduction, Ellison Wonderland shows a vibrant young writer with a wide-ranging imagination, ferocious creative energy, devastating wit, and an eye for the wonderful and terrifying and tragic. Among the gems are ”All the Sounds of Fear,” ”The Sky Is Burning,” ”The Very Last Day of a Good Woman,” and ”In Lonely Lands.” Though they stand tall on their own merits, they also point the way to the sublime stories that followed soon after and continue to come even now, more than fifty years later.

https://amzn.to/2MDGrLa

 

https://amzn.to/2MeAHv9

A Lit Fuse is an unguarded, uncensored, unquiet tour of the life of Harlan Ellison.

In late 2011 Harlan Ellison the multi-award-winning writer of speculative fiction and famously litigious personality did two uncharacteristic things. First, he asked biographer Nat Segaloff if he d be interested in writing his life story. Second, he gave Segaloff full control. The result is the long-anticipated A Lit Fuse: The Provocative Life of Harlan Ellison. The expansive biography, which is the first such project in which Ellison has permitted large portions of his varied works to appear, is published by NESFA Press.

Segaloff conducted exhaustive interviews with Ellison over the course of five years and also spoke with many of his friends and enemies in an effort to get inside the man and pin down the best-known Harlan stories. Their wide-ranging discussions cover his bullied boyhood, his storied marriages, his fabled lawsuits, and his compulsive writing process with more depth and detail than has ever before appeared in print. But it also delves deeply into the man s deeply held principles, his fears, and the demons that have driven him all of his 83 (so far) years. Friends, colleagues, and admirers such as Neil Gaiman, Patton Oswalt, Peter David, Robert Sawyer, Michael Scott, Edward Asner, Leonard Nimoy, Ed Bryant, Alan Brennert, Robert Silverberg, and many other notables add their voices.

Along the way the reader is treated to an analysis of the Connie Willis controversy, the infamous dead gopher story, allegedly pushing a fan down an elevator shaft, and the final word on The Last Dangerous Visions. What emerges is a rich portrait of a man who has spent his life doing battle with his times and himself, always challenging his readers to reach for a higher plane and goading himself to get them there. It s funny, wise, shocking, and well, it’s Harlan.

https://amzn.to/2Me0vY7

Rediscover the Early Ellison. This collection restores to print fifteen never-collected tales from the first dozen years of his career. Hard-hitting crime stories like “Thrill Kill,” “Girl at Gunpoint,” “Kill Joy,” “Knife/Death” and “Burn My Killers!” share the table of contents with stories of betrayal, including “Death Climb,” “Riff,” “Mac’s Girl,” and “The Honor in the Dying.” And, together for the first time, Ellison’s three detective stories featuring insurance investigator Jerry Killian. Toss in the solo outing of a diminutive private dick named Big John Novak (of whom Ellison expected to write much more, but never did) and a sexy Western called “Saddle Tramp” and you’ve got quite an assemblage of tales from the seamier side of life. All that, plus “The Final Movement,” a never-before-published story from the mid-1950s. Better than a poke in the eye with a white-hot bone of Amenhotep, I think you’ll agree.

 

https://amzn.to/2Oyn6vw

Harlan Ellison is probably best known as a script writer for sci-fi and fantasy movies and TV series such as the original Outer Limits, The Hunger, Logan’s Run, and Babylon Five. But his range is much broader than that, encompassing stories, novels, essays, reviews, reminiscences, plays, even fake autobiographies. Essential Ellison includes contains 74 unabridged works, including such classics as “A Boy and His Dog,” “Xenogenesis,” and “Mefisto in Onyx.” Includes black-and-white photos.

https://amzn.to/2KQ2Z9I

 

 

Best to any one reading this!