Currently Listening to Jacob Banks THE BOY WHO CRIED FREEDOM

I absolutely hate the fact that some musicians are only releasing their music in streaming MP3 compressed format. It is such a disservice to a musician and music lovers not to have that music on Gatekeeper free, high-quality, well mastered full range CD. It’s a crime, especially with a singer of the strength of Jacob Banks. Go ahead and discover him like I did, courtesy of MP3 or streaming, but hold out for a full range CD to buy.

Some standouts from this musician…

MONSTER 2.0 his single from 2015 PARADOX release.

And the five songs on his latest from 2017 THE BOY WHO CRIED FREEDOM. Includes the sterling CHAINSMOKING and the smokey PART TIME LOVE. A top notch singer deserving of a top notch mastered CD.

Until then, sample him here:

The Paradox [Explicit]

Another great discovery of 2017.

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YouTube vs Roku/Fire TV YouTube! CDs vs Records! And the de-evolution of America. Winner? MUSIC COMPANIES!

So i hate YouTube on the web.

I hate anything with an unmoderated comments section, that revels in talk show idiocy, or ‘attention through controversy’ or bad behavior.

But thankfully YouTube via streaming devices Roku or Amazon Fire TV, is actually devoid of those moronic comments and is more signal rather noise.

This week it has been brilliant helping me research and scratch my hifi/ audio need.

And by far, by far, the Youtube Channel I found the most useful of all, is the s)mply fantastic channel AUDIOHOLICS.

These guys can clearly call bs on the fuzzy thinking that makes up too much of hi-fi marketing and hype.

Such as the sillyness of various Youtube channels going on about the superiority of LPs over CD (I don’t care if you like LPs better, that is subjective. But LP/wax is an inferior medium, (I stress MEDIUM) that is not subjective, that is a fact.)

Talk about lossy system, LP is the original lossy system. It can’t handle the highs or the lows that CDs can, so has to be mastered in this very midrange sweet spot. Which is fine, in that midrange, if you’re good with that, and that sounds ‘warmer’ to you than a   CD, whatever. In the midrange if mastered right it can be perfectly fine. But one thing you lose in addition to those highs and those lows, that get clipped on wax, you lose the ability to reproduce the listening experience.

By that I mean, if you play a CD the first time, or the 500th time, and the hardware, the cd player, the speakers, amp, being the same; the quality of that recording will be the same as the first time you listened to it. That listening experience is reproducible.

Not so with wax/lps, like vhs tape or cassette tape, the LP playing experience is one of degradation. Everytime you play the medium, your start wearing it down minutely, and evertime you play it (though no one wants to think of it) it sounds worse than the previous time, because you are scraping into that signal, that medium.

I come from the analog generation, I played records, and vhs tapes, and cassettes until the quality noticeably started grinding down. And it didn’t then, and it doesn’t now, take too many plays, for that quality to start noticeably degrading.

So I have an experience with LPs and Cassettes, and in its time it was great, and it is still something to be said about large beautiful album covers and liner notes, the tactile process of it. But don’t confuse immediacy, with sound quality. And that immediacy doesn’t outweight the glaring flaws and problems with wax, in terms of sound quality, albums always getting futz on it,needles getting futz, the threat of warping, pops and cracles appearing out of nowhere.

We loved LPs because it was the best we had. But it was always a bit of a chore as anyone can tell you who grew up with them.

And I am not an LP hater. I think it has a place , and I still get the occassional LP, but generally these are recordings only available as LPs, or were mastered direct to wax.

The former being a lot of Quincy Jones stellar 60s and 70s avant garde film soundtracks such as the seminal IN COLD BLOOD. As far as the latter, I’m a purchaser and supporter of Jack White’s THIRD MAN RECORDS. This label goes to the stunning step of recording performances live and pressing directly to vinyl. You stilll lose some highs and lows when recording to wax, but in that midrange you get something very unique and original, you get a live concert experience unmoderated by overproducing.  That”s something very unique, and while I don’t see anything particularly superior in the sound, this at least has validity as something distinct from the CD. Unlike others taking tracks mastered for  a CDs range and just chopping off the highs and lows and slapping that on vinyl.

Vinyll can be great for these very unique niche projects. But as as additive to what should be a strong and healthy and forward looking digital market. To include CD and DVD and and SACD market.

It shouldn’t be this very cannibalizing either or scenario, in which music and choice….and the consumer… loses.

So when LD, CD, DVD came on the horizon it was then, and is now, a revolution, because suddenly you have something  you can buy that will rather than lasting 25 listens or views , if you are very careful and meticulous in keeping it cleaned and dust free,  before quality suffers, you have something that will keep its pristine quality, with just normal care for a minimum of 25 years. Not 25 listens like an LP… TWENTY FIVE YEARS! Minimum.

Now add greater dynamic range, larger capacity, and vastly increased lifespan and you have a medium,The CD/DVD, that by any definition is superior. And is by any measure the greatest boon to the video and audio consumer since the advent of recorded sound.

Now if a new generation gets sold on mp3 CDs and mp3 streaming and some badly mastered cds (and LPs can be equally badly mastered, any medium will have those who use it well and poorly. The difference being we have not yet exhausted the limits of how far we can take the CD and DVD and SACD. We are abandoning those formats before wecreach their limits. In favor of going backward to a medium, wax, whose limitations were always a source of frustration to audiophiles and engineers), and this young generation is bamboozled into writing off the most astounding and groundbreaking medium produced in the 20th century and goes backward to the flawed and not copyable ,and needing replaced often, analog medium, then who benefits?

I’ll tell you who… The RIAA and the music companies, who always viewed Digital with fear for the freedom it brought the consumer.

I tell you this new generation is giving away the baby with the bath water. Privacy, oh who needs that, put everything on facebook. Put surveillance systems in the guise of game consoles, and music players and smart devices in our homes.

Here’s the thing about smart devices and trusted computing, its about the companies being able to trust you, and not the other way around.

Conglomerates, are the ones benefiting from DVDs and CDs removed from the consumer and the return to records.This creates a model where the consumer owns music or video only on flawed, finite, non high-quality medium, and must go to the content provider for anything superior.

It is not only politically and morally and spiritually that America is devolving as a nation, but also in terms of technology.

 

My response… don’t let it.

Don’t buy the marketing and allow your rights to the future, be swept away by someone selling you the past. Continue to support full spectrum DVD, CD, and BluRay. And more than that let us continue to innovate, if people like the large LP format, lets give it to them, but in the superior medium.

I was a huge fan of Laser Disc, which works very much like a record, but using a superior medium, and a laser pickup instead of the horrible wax and needle medium.

Lets offer that as the 21st century version of records, to those who want Analog playback but with the benefits of digital transport/reproduction. That is a record I could get behind. 🙂

 

 

 

 

 

 

p.s. And avoid youtube morons attempting to review speakers and amps by just playing music (uh, moron, if I could hear the quality of your system just by listening on my system… they would call that magic. How do you not realize that?)

This is the lack of common sense mentality  that has idiots ditching CDs for flawed LPs, and spending thousands to try and make those LPs reach a dynmaic range, that is beyond them.

 

Okay here endeth my rant!

 

Three Defunct Podcasts that are still missed! INDIE SPINNER SIDEBAR HORROR ETC

These three podcasts all had long runs that unfortunately came to an end, and while there have been no end of new podcasts since ( and I’ll cover some of those new discoveries next installment), the niche these three podcasts filled, and the personalities thst filled them… remain unduplicated and sorely missed.

They are INDIE SPINNER RACK and SIDEBAR and HORROR ETC.

The first was a 2 man New York show that covered all things Comics Indie related, with style and panache and good natured, quirky humor. The third was a 3 man Atlanta show that sported some of the best interviews with illustrators, painters, comic pencillers, etc; and the last was a 2 person Canadian show covering Horror films, tv shows, books, comics. All 3 of those excellent shows have given up the ghost, but it is a testament to how good each one was, they remain… sorely missed, and the episodes… particularly SIDEBAR, important.

If you have the opportunity to download any of these podcast’s old episodes ( check the search engines) , get them. They are the real thing… they are pure.

 

Must own CDs/Albums in the age of Itunes : THE HEAVY

I first became aware of this band due to their song being the insanely catchy and additive opening to the British based/CINEMAX branded Adventure/Espionage series STRIKE BACK.

I couldn’t stop humming that opening tune, and in quick succession graduated to learning the bands name… THE HEAVY. And buying all their available CDs, unheard. All based on the strength of that one song, SHORT CHANGE HERO.

Well that song and my impetuousness of buying three CDs without sampling them, did not steer me wrong. The three CDs, GREAT VENGEANCE AND FURIOUS FIRE(2007), THE HOUSE THAT DIRT BUILT(2009), THE GLORIOUS DEAD(2012) beyond being fantastic music, are works of art in form as well as fuñction. The artwork, construction of the CD cases, the liner notes, the book,speak of a tactile, tangible process that remains valid and singular and needed for music when it is this good.

Their 4th album HURT AND THE MERCILESS(2016) which they are currenlty touring Europe on, cements this British band’s reputation, as one of the most exciting Rock,funk,soul,folk bands in decades!

You want to find music that is worth owing in CD or Lp form in this age of Itunes and MP3s?

Well you’ve just found it, and it’s THE HEAVY!!!!

Highly Recommend!

The Glorious Dead

The House That Dirt Built

Great Vengeance & Furious Fire

Hurt & The Merciless

Currently Listening: HOLY by Jamila Woods

Thanks to Kim Selling of Seattle’s THE STRANGER website for putting Chicago Native, Jamila Woods on my radar. In a decade where we have lost so many great voices, it is nice to know new great voices rise to fill the vacuum.

Jamila Woods is one of those voices. You can sample her singles, HOLY and BLK GIRL SOLDIER courtesy of Spotify; and if you like it as much as I do, listen to her whole 2016 album HEAVN (if you can find it).

‘Jamila Woods made one of my favorite albums of 2016, HEAVN.Intricately arranged and weeping with the weight of its own gifts, each track of that album ripped through topics like police brutalty and raising a community as a Black woman with grace and fury and light.’
-Kim Selling, THESTRANGER

Currently Listening and Addicted to : YOURS TRULY JOHNNY DOLLAR

I have these episodes of Johnny Dollar on CD, that I purchased off of Ebay many moons ago, and I’ve lately taken to listening to them in the morning when driving to work. They are such an enjoyable alternative to what usually is available on radio these days. And most of the CDs I never listened to (they would always take a backseat to other great, but more garish shows… such as THE SHADOW, SUSPENSE or ESCAPE). Reevaluating it now, in my more seasoned years, the show has a compelling modernity and universalness that transcends its 6+ Decades of age.

And I have to say, this show in particular, because of its still innovative format of using an Insurance Investigator’s expense account as the hook into these narratives, is surprisingly addictive. All adults to some extent are part and parcell of the Insurance world, either as an occupation or a customer, so the films slant is familiar and well worn.

A few talented actors played Johnny Dollar, but the episodes with Bob Bailey… read as the show at its best. Starting in 1955 around episode #185, those are the shows to start with.

And because the shows are public domain you can burn to CD or copy to your media player and listen to as you travel or work.

Listen to some here:

https://archive.org/details/OTRR_YoursTrulyJohnnyDollar_Singles

Highly Recommended!

Podcast of the Day : NO SLEEP Season 1 Ep 1-3

Podcast of the Day : NO SLEEP SEASON 1 First 3 Episodes!

EPISODE 01 – Two stories in this inaugural episode.
THE STAIRS AND THE DOORWAY is the first story and the stronger one. The second story THE MIDNIGHT MAN starts strong, but fizzles, as if the writer couldn’t work out an ending, and just abruptly turned it off.

EPISODE 02 – Matt Dymmerski’s THE BASEMENT as read by David Cummings is the last story of this 2nd episode, and the only memorable one. More than memorable, it’s a tight, effective burst of Poe tinged horror. A crazy quilt TELL TALE HEART as viewed by the victim. And Cummings is an effective Narrator.

EPISODE 3 – This is the first really strong episode of NO SLEEP with all three of the stories being satisfying reads/narrations. They are DON’T EVER TURN IT OFF, THE CORNFIELD, and THE THING IN THE FIELDS.