VOD Streaming Amazon Prime Movie Review – Larry Fessenden’s WENDIGO

 

Written, Directed and Edited by Larry Fessenden, WENDIGO (2001) is a very unusual movie, in that it feels very full of portent, out of control, and uneasy. Most of all uneasy. The title would have you gearing up for something else, but what you ultimately get is something thst is less and more, something subtle, yet forboding.

It will leave you, depending on the type of person you are when you come to it, both enthralled by the story, and leary of following the story to its conclusion.

Go into this 17 year old film ( hard to believe 2001 is almost 17 years ago)  knowing as little as possible, nothing beyond the title, don’t even watch the trailer, and it will reward you with a film that will linger, long after the credits roll.

A recommended film. Grade B+.

 

 

 

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Movie of the Day : Netflix’s DEATHNOTE (2017)

DEATH NOTE – less horror than action-fantasy, prolific director Adam Wingard continues to prove himself one of the most innovative and exciting genre directors working; making this adaptation of the lauded manga and anime its own thing, that works beautifully for a feature film.

Great casting, great performances, and a compelling and exciting take on the DEATH NOTE source material, makes for a film that I personally like quite a lot. No it is not the manga, and no it is not the anime, if you want just that… that already exists, rewatch to your hearts content. What this is… is the concept of DEATH NOTE turned into something that works at a feature, rather than episodic, length. Job Done.

Also while I liked the anime, beyond a point I found it a bit long in the tooth, and all the characters while intriguing not exactly.. gripping. With the live action Wingard gets to flesh out the characters with really talented actors.

Nat Wolff’s Light Turner imbuing the relatively cold and calculating character of the anime, with a humanity and likability and relate-ability that makes you care. It is a fitting change to make, and it is a strength of Wingard’s recent films such as THE GUEST, to give us characters who, like most of us, are somewhere between sinner and saint.   Shea Whigham is always compelling, and brings to the role of James Turner, Light’s Dad, a warmth and strength and conviction, and nearly palpable love for his son, that is lacking in the anime.

Lakeith Stanfield, the actor who plays the quirky, candy loving, ‘L’ for my money makes that character even more compelling and interesting than in the anime. It is an inspired bit of casting and his performance largely steals the show.

And speaking of genius casting,  Dafoe’s voice as Ryuk… GENIUS. 

All the pieces of performance,writing, direction ends up with a DEATH NOTE feature film that deserves to be on your keep list. It joins THE GUEST and YOU’RE NEXT as Adam Wingard’s best films so far.

Grade : Strongly Recommended. B+.

 

 

Rating the Bigfoot Movies! Best and Worst!

BIGFOOT MOVIES TO SEEK OUT:

WILLOW CREEK – Suffers from annoying boyfriend syndrome, a failing too common to too many of these films with women being talked into dangerous situations, and worse being talked into remaining in the dangerous situations by boyfriends completely oblivious or making inane excuses for them remaining rather than rushing them to safety.

WILLOW CREEK for the majority is this annoying dynamic. So worth a watch if you are a Bigfoot movie fan/completest, but this due to how stupid the characters are written is far from satisfying. Grade: C-/D.

EXISTS is Big Foot movie done probably as well as it can be done. While you do have the obligatory idiot, you also have more well rounded and intriguing characters, and some sustained and exciting Bigfoot action. And a great and exciting if harrowing ending. Well worth owning on Blu-ray. Grade: B+

THE WOODSMAN- Is a horror takeoff on SURVIVOR MAN, as are many of these ‘Something in the woods’ films. Sporting only 2 actors, and only a brief glimpse of the rock thrower. Worth a  look, but relatively forgettable and an abrupt unsatisfying end. Always a bad sign when the poster is far more interesting than the actual movie.  Grade: C-/D-.

STOMPING GROUND – is up there with IT EXISTS with being a solid entertaining look of friends sharing their bonding time with something else. A great ending. B+.

LEGEND OF BOGGY CREEK- This is the one that started the BigFoot hype and with its documentary  meets DELIVERANCE style, continues to have a compelling vibe. Grade: C-.

SOMETHING IN THE WOODS – low budget 2016 film is convincingly done and engrossing tale of a man trying to protect his family and farm from something… unrelenting. Very good film. Grade: B/B-.

THE SIGHTING – For those looking for a twist on the standard BigFoot lore, this film fits the bill. Quite liked it. B/B+.

BIGFOOT (1969) – Speaking of twists. This forgotten 1969 film features buxom beauties falling into the clutches of a Bigfoot who wants attention paid to something besides his foot, and the biker boyfriends who must save them. The type of outlandish, trippy film that only the waning days of the swinging 60s could provide. Grade:  C/C+. Worth a Look and several shakes of the head.

CREATURE FROM BLACK LAKE (1976)

HUNTING GROUNDS (2017) – If you are sick of this off camera stuff most of these other films do, than this is the film for you. You will see the Bigfoot clearly and often, and doing things the other films would leave to your imagination. Where this one trips itself up is the human element. But unevenness aside, well worth a look. Grade: C/C+.

WILD MEN (2017) – Another Reality show goes hunting for BigFoot type movie. This one is quite good and fun. Grade: B.

 

-BIGFOOT THE LOST COAST TAPES rivals EXISTS as one of the best BIGFOOT movies. And it has one of the more unique and impressive endings. Strongly recommended. Grade: B+.

 

You can catch many of these films courtesy of AMAZON PRIME and/or HULU and the following are worthy of owning on DVD/Blu-Ray:

Exists [DVD + Digital]

Bigfoot: The Lost Coast Tapes BD/Combo [Blu-ray]

 

BIGFOOT MOVIES TO AVOID:

FIELD FREAK

BLACK WATER SASQUATCH

NIGHT WALKER

BIGFOOT VS DB COOPER

LOST WOODS

1313 BIGFOOT ISLAND

BOGGY CREEK (2010)

DOGMAN

HOLLER CREEK CANYON

PREDATORY INSTINCT

BIGFOOT HORROR CAMP

BIGFOOT WARS

BIGFOOT VS ZOMBIES

THE VOID Netflix StreaminG Movie of the Day!

THE VOID by director/writing team of Jeremy Gillespie and Steven Kosanski is the calling card of filmmakers to watch.

I loved the trailer for this film, and it was one of the films I was most hyped to catch on Netflix this year. Finally watched it does deliver the goods, a throwback to the visceral, and gooey practical affects of the best of 80s Body Horror, films such as John Carpenter’s THE THING. THE VOID is a deeply off-center film, and an uncomfortable one, and while doing everything right, feels off-kilter enough not to be a home-run.

You couldn’t ask anything more of a horror movie than this film delivers, and yet it leaves you slightly unsatisfied. Again, it is everything you can want in a horror film, but there is something about it that feels, strange and cold and empty in the center. Maybe that’s an earned feeling, or something about how referential it is to well known films in the genre, whatever it is, I do like this film, and I think it deserves more than one viewing.

I hestitate to call it a great film the way I would unreservedly say of DEVOURED or IT FOLLOWS or A GIRL WALKS HOME ALONE AT NIGHT or III: RITUAL, but it is a solid very good film, and is worth owning on Blu-ray or DVD. Grade:B+.

The Void

Currently Listening: HOLY by Jamila Woods

Thanks to Kim Selling of Seattle’s THE STRANGER website for putting Chicago Native, Jamila Woods on my radar. In a decade where we have lost so many great voices, it is nice to know new great voices rise to fill the vacuum.

Jamila Woods is one of those voices. You can sample her singles, HOLY and BLK GIRL SOLDIER courtesy of Spotify; and if you like it as much as I do, listen to her whole 2016 album HEAVN (if you can find it).

‘Jamila Woods made one of my favorite albums of 2016, HEAVN.Intricately arranged and weeping with the weight of its own gifts, each track of that album ripped through topics like police brutalty and raising a community as a Black woman with grace and fury and light.’
-Kim Selling, THESTRANGER

Currently Watching : Richard Linklater’s BEFORE SUNRISE

‘The Answer must be in the attempt.’

I had no desire to see this film, but finally watched, it is quite a lovely film. Covering one day, one chance encounter between two people. There is something very relateable and universal about meeting someone in passing, and bridging that gap between is there or isn’t there something there.

It’s a wonderful film about those fleeting glances we have all had, followed and acted upon, and leading to something by chance begun. Here that unlikely and awkward and magical and inept circumstance of burgeoning love is told against the backdrop of one of the most beautiful of cities, Vienna, immortalized by Carol Reed’s and Orson Welles’ THIRD MAN.

It’s a wonderful way to pass an hour and a half. Watching a film about the moments that live… because of the attempt.

 

“I believe if there’s any kind of God it wouldn’t be in any of us, not you or me but just this little space in between. If there’s any kind of magic in this world it must be in the attempt of understanding someone, sharing something. I know, it’s almost impossible to succeed but who cares really? The answer must be in the attempt.” — Celine in BEFORE SUNRISE

 

SHORT FILMS OF THE DAY : The Short films of Alejandro Suarez Lozano

When I can find nothing of appreciable interest in the long form format I turn to short films. And there are real magnificent gems to be found there from David F. Sandberg’s LIGHTS OUT to Alec Peter’s brilliant PRELUDE TO AXENAR.

A new addition I’ve recently stumbled on, are the short films of Alejandro Suarez Lozano.

His THE FISHERMAN is a well paced, well performed and beautifully shot tale of a Fisherman haunted by the one that got away. With traces of THE OLD MAN AND THE SEA and MOBY DICK this visually adept tale of man vs nature also adds the fragile geopolitical overtones of the third world and the first world fighting for space in a 21st century poised to outgrow them both. The ending is both unexpected and perfect.

His HIDDEN SOLDIER follows a soldier on a mission behind enemy lines during World War II. Vividly told in haunted Blacks and Greys, this one pulls you along to an ending that is both audacious and chilling.

Both films are the calling card of a filmmaker to expect increasingly great films from.

The best way to see these two films? Use the link below and view them on the Director’s site and tell him… HT sent ya!

https://www.asuarezlozano.com/films