One of the reasons I love the Snyder Cut Trailer, despite the fact I do not think a reedited film will make that C-/D+ movie substantially any better ( though I would love to be pleasantly surprised, the trailer does look great), is simply because I love the song HALLELUJAH. Many years ago I listened to the Jeff Buckley version, and my –appreciation– for that song remains undiminished, regardless who sings it. But for that song at its best, you have to go to the Jeff Buckley version, of the Leonard Cohen classic.
First let’s start with the OG, Leonard Cohen.
Now let’s move on to the version that made me a fan of the song:
And finally this live performance video is not Buckley’s best performance of the song. It is tired and worn and imperfect, and tortured, but for all those reasons, it is an essential glimpse at Jeff Buckley before his untimely passing, and an essential inspiration to all of us, in what it means to perform, even when you are not sure if you have anything left to perform with.
After doing this post I checked and to my dismay realized I did not have the Legacy CD version of GRACE. For a physical media head like me, that’s an unforgivable omission.
Come the beginning of the world or the end of it there are a few things every man or woman of note should have: A good pickup truck, a good shotgun, a good knife, some good books, some good movies, some good CDs, and a portable DVD player to platy them all on.
Jeff Buckley’s GRACE should be one of those cds.
Get yours by clicking the image above.
And get a decent portable player, as well as the headphones I recommend, here:
Jeff Buckley Lyrics
“Hallelujah” (originally by Leonard Cohen)
Well, I heard there was a secret chord
That David played and it pleased the Lord
But you don’t really care for music, do you?
Well it goes like this:
The fourth, the fifth, the minor fall and the major lift
The baffled king composing HallelujahHallelujah, Hallelujah, Hallelujah, Hallelujah…Well your faith was strong but you needed proof
You saw her bathing on the roof
Her beauty and the moonlight overthrew ya
She tied you to her kitchen chair
She broke your throne and she cut your hair
And from your lips she drew the Hallelujah
Hallelujah, Hallelujah, Hallelujah, Hallelujah…
Well, baby, I’ve been here before
I’ve seen this room and I’ve walked this floor (you know)
I used to live alone before I knew ya
And I’ve seen your flag on the marble arch
And love is not a victory march
It’s a cold and it’s a broken Hallelujah
Hallelujah, Hallelujah, Hallelujah, Hallelujah…
Well, there was a time when you let me know
What’s really going on below
But now you never show that to me, do ya?
But remember when I moved in you
And the holy dove was moving too
And every breath we drew was Hallelujah
Hallelujah, Hallelujah, Hallelujah, Hallelujah…
Maybe there’s a God above
But all I’ve ever learned from love
Was how to shoot somebody who outdrew ya
And it’s not a cry that you hear at night
It’s not somebody who’s seen the light
It’s a cold and it’s a broken Hallelujah
To this day, my favorite trailer of all time is the 1st WATCHMEN movie trailer, with the simply haunting SMASHING PUMPKINS song. You have to understand, that 2009 trailer represented the culmination of over 20 years of attempting to get that iconic book to screen.
And I have to say — I was one who was happy with the graphic novel, and just didn’t think a filmed version was feasible or needed. And I’m typically not that guy/gal who complains if someone wants to make a movie, or cartoon, or whatever from a successful book or movie. I say, more power to them, that’s just business. That is the nature of film, since the dawn of film.
Sometimes adaptations work out great (quite a lot actually) where the movie is actually superior to the source material, example of this would be Michael Mann’s MANHUNTER being superior to the original novel RED DRAGON by Thomas Harris. Or the Russo brother’s CIVIL WAR being superior to the over-bloated comic-book version. So yeah I’m always game to be pleasantly surprised by an adaption.
I guess where Alan Moore’s WATCHMEN differed for me, is the creator made an agreement with the publisher, that would have given him the rights to WATCHMEN, once the book went out of print, He made this deal in a time where there was no such concept as an ‘evergreen’ graphic novel. Everything went out of print in the Comic Book world. Alan Moore’s WATCHMEN became the first book, that DC would never let go out of print.
So while Alan Moore is known for being historically difficult, the reason may be that he has been hoodwinked more than a time or two. And WATCHMEN perhaps being the most painful of the many various conflicts he has had with publishers and other creators, would notoriously be a sore subject with Mr. Moore.
At the end of the day, 35 years removed from Moore’s heyday in comics, he is still that name we reach toward when we think of what is best in comics. So to have the medium’s best writer, our modern day Shakespeare (a writer, writing in a castigated medium for the mob, works that would stand the test of time) not involved with the adaptation, and not wanting the adaptation of his most acclaimed property; well you tend to understand, as a fan of that writer and that property, and not really need to see that adaption.
So I wasn’t calling for a WATCHMEN film, and I was not boycotting it either, I just had no interest in seeing it. Two things started to excite me about the film, One/ that Zack Snyder was attached as Director (coming off 300 he had skyrocketed as one of the most exciting directors, and one of my favorite directors) and Two/ then seeing that first trailer in 2009. The first trailer with the Smashing Pumpkins song… holy cow!!!
For someone to take a long un-filmable project, that had been gestating for decades, and bounced between different writers, directors, production teams, and finally land with one of the most stylish action directors to come along since Sam Peckinpah and John Woo, and to produce a trailer like that— mic drop.
That trailer, as someone like many, who loved Alan Moore’s WATCHMEN; that trailer completely screamed Alan Moore’s WATCHMEN. And more than that it screamed iconic, it screamed visionary, it screamed Zack Snyder.
Visionary is a high compliment, but when looking at the visuals of Zack Snyder, it is well earned. And that vision and love for the source material was all on display in that trailer, and add that perfect song…and you have something that highlights the strengths of Zack Snyder, his visuals, and replaces dialog and plotting, with the pure emotion of the right song.
To this day, that first WATCHMEN trailer remains my favorite trailer of all time. And while the movie was not the trailer (meaning it could not maintain that level of perfection and excitement over 2+ hours, but arguably no film can), the film while definitely having issues (overlong, pacing issues); at the end of the day, flaws and all, it is an achievement of film-making.
You could not cast that film any better than it was cast, it starts great, it ends great, and in-between it is compelling if overlong (but given the depth of content, it was the length it needed to be). And let us speak of that ending, I spoke earlier of adaptions that are better than the original; this film is not better than the graphic novel, but there are moments in this film, that are. One of those moments is the ending. The culmination of Ozymandias’ master plan makes far more sense in the film than in the Graphic novel.
All in all Zack Snyder’s WATCHMEN is a flawed masterpiece, and I’ll take that every day of the week. And the trailer… flawless. Check out the below review.
Since then others have taken a crack at Alan Moore’s seminal work, to surprising (and I would say impressive) effect. I still wish Alan Moore’s name was on all these adaptions, and he was getting paid, since he is making corporations quite wealthy milking his ideas.
Part of this is Moore’s own ‘line in the sand ‘ attitude, but seriously I really wish fences could be mended, as Moore is not getting any younger, and it would be nice if people would laud him, monetarily and credit wise, while he is alive, rather than empty speeches after he, like we all must, passes off this mortal coil.
Anyhow that was just a quick aside about how much i love the 1st 2009 WATCHMEN trailer, and while Zack Snyder has been hit and miss for me film-wise, his visuals (with the exception of the stupid costumes/CGI for the FLASH and CYBORG) are always top notch; and the trailers… genius.
I just saw the trailer for JUSTICE LEAGUE THE SNYDER CUT, and once again, that marriage of iconic visuals as only Zack Snyder can do it, with the perfect song– it makes me excited now to see this, when I had no interest in a ‘Snyder Cut’ of a film that did not work for me the first time.
“You won’t let me live, and you won’t let me die.”
In a very impressive trailer weekend for DC/Warner Brothers, the SNYDER JUSTICE LEAGUE may be my favorite trailer, just edging out both THE BATMAN and WONDER WOMAN 84. Now I definitely think both WONDER WOMAN 84 and THE BATMAN are going to be vastly better films than this re-cut JUSTICE LEAGUE CUT (I don’t see the edit substantially being able to change/better the film. Change it a little, yes. Better it a little, yes. But substantially? No.); however based just on trailers, the Snyder Cut hearkens back to his successful 1st WATCHMEN trailer, and that formula (for the trailer) just works.
I, in the last 48 hours, have decided to jump into 3D TV. I’ve had a 3D capable Blu-ray player for several months. and just this week ‘engaged the engines'(yeah that’s going to catch on) on getting a 3D projector that does native 1080p. Should be here next week.
And along with that, I have begun compiling a list of recommendations of must own Blu-Ray titles.(ie I jumped on Youtube, via Roku, and found a bunch of recommendations)
And a word on that region free Blu-ray player, I picked up.
I purposely sought out a Blu-ray player that, in addition to being region free, also does 3D; as I knew eventually I wanted to cross that bridge. In fact, being I have been a life long 3D fan, from stereoscopic comic books and Art-books, to the old Anaglyph 3D presentations that would come on tv, every blue-moon, when I was a kid (Invariably the 3D over the tv, never worked great; using those funky red and blue glasses) it is funny that it has taken me this long to jump into 3D.
Part of it is, even though I was in the theaters, with everyone else that snowy winter, when AVATAR made its way onto our screens and became a world wide phenomenon, kicking off this latest 3D craze; I didn’t hop aboard the 3D train. While a fan of AVATAR, and thought its 3D was ground breaking; I was never sold on the idea of everything needing to be in 3D. I am still not. However I am far more compelled by the idea of being able to also do 3D in the home. Not all the time, but occasionally.
In the 10 years since AVATAR’s success, while hundreds of films have been foisted on us at increased ticket prices, I probably went to see easily less than 2 dozen films in the theaters. 3D is great for 45 minute IMAX films (in real IMAX theaters that are in science centers, not the retrofitted baby Imaxes that are in your local multiplex) but for (closing in on 2 hour) blockbusters, it has to be done well; and not everything lends itself to 3D.
3D when done brilliantly needs to be in the movie theaters, not in our homes, and needs to be done sporadically. At least that was my feeling for the past 10 years since AVATAR, and in the theaters I have seen some good uses of 3D since then.
However these days while I still believe a real theater is the best place for 3D, and that viewing should be sporadic, what supercedes that… is me being a collector. And no, I refuse to use supersede, I am going with supercede. It was good enough in the 17th century, it is good enough now. :).
Being a collector (which I have been since my grade-school days of comics and books and vhs tapes and records), I like having the ability to not rely on gatekeepers. if I do choose to revisit an especially impressively made 3D film on my Blu-ray player, in my home, I don’t want to have to vet that choice through anyone else; or wait on licensing agreements for movies to become available.
I do not like having to rely on gatekeepers for anything, not my entertainment, not my news, not my liberty. 3D tvs have in the US gone the way of the Dodo, and the older models that you can get are prohibitively expensive. Manufacturers of Blu-ray players, are closing up shop. Big business has obviously passed around a memo, “let’s phase out this physical media nonsense, and make them come to us for everything; where we can monitor, we can control, we can edit material, as necessary.”
A noble memo. But I don’t think they got my memo.
“No.”
So job one, was to pick up a multi-region Blu-ray that could also do 3D. I saved up and got that done a few months ago. ‘What about 4K?’ I hear someone asking.
4K? I don’t really care about 4K.
“What?? Oh no he didn’t??!!! Get me a knife, I’m gonna cut this fool!!!”
Wait. Bear with me Trumpian mob.
Let me explain,
I do not care about 4K, as it is really negligible improvement over a well mastered Blu-ray.
“What??? But…”
Shhh. Adults are talking.
There is a difference between a well mastered 4K and a well mastered Blu-ray, viewed on the median residential monitor display size of 55″ to 65″, at a viewing distance of 8 to 10 feet; but that difference is not pixel density, is not screen real estate. That difference is not 4k pixel count, vs 1K pixel count. With 20/20 vision viewing any modern display of the size I listed, from the distance I listed, if you can see a difference at all… it will be negligible at best.
You have to remember you don’t actually see very well, even with 20/20 vision. That’s why the illusion of movies even works. Because our brains are very good at taking the upside down nonsense our eyes sends them, and crafting a world view that makes sense.
That is the reason 24 static images, moved at speed (a movie), can fool us into believing there is motion going on. If our eyes were really any good, we could never fall for the lie of motion, we would register movies for what they are, 24 static images , flipped one after another.
We would be, how Alan Moore, that mad scribe, describes the Flash.
One of the most beautiful, and horrible lines I have ever read, I read at a time when we read most of the horrible things that form us. I had read Flash comics as a kid, and thought them and the character way cool. And with scant lines, Alan Moore taught the young tike I was, the meaning of existential dread.
‘There is a man who moves so fast that his life is an endless gallery of statues.’
I understood then, a concept I had not thought of till that moment, the horrible constraints of perfection.
However we, perhaps thankfully, do not perceive the world clearly, we as a species, even the best of us, see relatively poorly.
However, our brains are fantastic for compensating for our deficiencies. Making a truth, out of the lie of our eyes. And with television and the difference between pixel count between 1080p and 4K that occurs at speed in real time, our brain is just as adept in that situation, at lying to us. You are unlikely to see any difference in pixel count.
“But I’m telling you I see a clear difference between 1080p and 4K when I watch BOO BOO GOES TO HOLLYWOOD!!!!!”
Yes, I know. But that difference (using the parameters previously stated) is not pixel density. The difference you are seeing is color grading and picture processing applied by technologies such as HDR. That is why HDR is there, to give you the difference that 4K by itself cannot.
But here is the thing, they could have just as easily applied HDR to work with Blu-ray, made HDR an evolution of Blu-ray, solidify Blu-ray as a format, and help it finally supercede Dvd, as the most popular format. But then they could not sell you new tvs, and new incompatible 4K media, which requires all new players.
4K is a cash grab. And it is a road of diminishing returns.
While concepts like 2k and 4k and even now 8k, have a useful and needed place in production and mastering and editing, and real theatrical showings. On the residential/consumer side it is simply superfluous. And companies harangued into tying up limited resources re-releasing the same 10 titles in yet another format, just take money and resources away from titles that are still awaiting… their first Blu-ray release.
So that is why 4K is not a priority for me. I don’t hate it, I’d just rather solidify the formats we have, than further fragment an already fragmented market. However if studios can make 4k work for them, and make money off it, a niche of a niche, good for them.
I don’t care if 4k, 8k, 16k players exits, there will always be people putting the stupidest things in their homes (“So let me understand this. Every device inside my house will now have a microphone built in, that can not be hardware disabled? And a camera? And be able to call out back to it home servers? And all data is potentially saved? Is this a Bob Newhart skit? A Bill Cosby skit? I’m sorry son, no one is going to believe that science fiction story. 1984 is one thing, but that story you are talking about would have required an entire generation to not have the common sense that God gave a rock. Next thing you are going to tell me is they let a reality tv star steal the election and run the country into the ground!!! Ha! Ha! What an imagination!”).
Leave me the ability to watch what I want, when I want. Without having to vet my viewing through gatekeepers and their servers; and the rest of the world— can keep spinning.
Yeah give me region-free Blu-ray any day. And yeah, I’ll even take a side of 3D. :).
If that is not the longest digression in the history of the world, it has to be in the top 3. But finally, you made it to what you really came for. The tits— oh wait, I meant the list. There are no Mammary glands below. I repeat, there are no Mammary glands below. Go ahead and unsubscribe, see if i care!!!
Yes, yes. It has been a long week.
Oh ps, the items in bold in the lists below, are titles that in my research I think are the ones to start with, and they just so happen to be ones that I have ordered and are on the way. So if you can’t find em, I bought the last ones. HA! HAAHA! HA! HA! HHAHA! HA! HA! HEE! HO! HA— hmm this is surprisingly difficult to keep going. You get the picture, maniacal laughing. Sheesh!
Humor, look it up.
TOMMY BOY
HUGO, JOURNEY TO THE CENTER OF EARTH, KONG:SKULL ISLAND,JUNGLE BOOK,STAR WARS THE FORCE AWAKENS,PACIFIC RIM “Could have been one of the number one 3D movies of all time”,JURASSIC PARK, POLAR EXPRESS, LIFE OF PI, AVATAR -2020 LIST
THE FAILED JOURNALIST
TRON LEGACY, AMAZING SPIDER-MAN, HOBBIT BATTLE OF THE FIVE ARMIES, AVATAR, HUGO, POLAR EXPRESS, GRAVITY, HOW TO TRAIN YOUR DRAGON, THE WALK, LIFE OF PI
-2018 LIST
3D BLU-RAY BUNKER
NEED FOR SPEED, INFERNO(1953), THE WALK, HERCULES(2014), THE LEGEND OF HERCULES (2014), AVATAR, STAR WARS THE FORCE AWAKENS, XXX RETURN OF XANDER CAGE, UNIVERSAL SOLDIER DAY OF RECKONING – his 2020 selections
BRASS TAX
A quick caveat about BT. You think I’m offensive, I’ve never known anyone use the term b*tch as often as he does. 🙂 Seriously, his early videos I left thinking, “Did they delete the other words from the dictionary?”. Joking. But seriously, stick with this show, they are informative and fun. His BLACK PANTHER3D Blu-ray review is hilarious, and he rates it as superior to the 4K. He hasn’t done a 3D review in 11 months, but I hope new ones are on the way.
THE LAST JEDI, FORCE AWAKENS, BLADE RUNNER 2049, BLACK PANTHER, THOR RAGNAROK, AVENGERS ENDGAME, KONG SKULL ISLAND, PIRATES OF THE CARIBBEAN, XXX THE RETURN OF XANDER CAGE, THE GREAT WALL, GHOST IN THE SHELL, DOCTOR STRANGE, TRANSFORMERS THE LAST KNIGHT
**************************
All humor aside, there are a lot of great selections, and great videos to peruse . Do me a favor, if moved to, and not offended by my whimsy… like, subscribe, and support using the links below. Further go subscribe to all four of the channels listed above. They possess just a monumental amount of info on 3D Blurays. I am subscribed to all these channels and consider them, essential. I’m first in line to like their new 3D related videos.
DEAL OF THE DAY 2!Like I said I don’t find 4k a necessity, however I found this player that includes necessities like region free, and 3D, but it also includes 4K at an affordable price. At this price it is a bit of a no-brainer.
This one has steadily increased in price. The model 700 is cheaper, but what I like about the specs on this one (the 706) is it is a short throw, which just means placement is easier as you can place it right near the screen or wall to be projected on.
Some Times you wonder how what is seemingly obvious is utterly lost on people in positions of power.
VALERIAN movie? Great concept on paper , great visuals, the leads are as interesting as watching paint dry. I would not in a million years have chosen those two people to helm that movie. They have no visual interest.
The latest Universal bomb in THE MUMMY, completely predictable. White Egyptians, unless they are Boris Karloff, just never a good idea.
Casting and visuals and chemistry is still a HUGE part of what makes a film or show work and why it is dead on arrival.
It is one reason the JUSTICE LEAGUE movie is despite everything they are trying to course correct and do right, can’t fix intrinsic issues they have done wrong. The comic book decided to put CYBORG in the comic, not because he is a good character, but because he hit three demographics they throught would make for both multiple diversity streams and good merchandising. He was a Black crippled robot.
TRANSFORMERS has proven that robots sell, all day long. On top of that being able to add a character of color to the blindingly white DC universe, ticks that box, and making him a cripple, ticks the handicapped audience. A lucrative and growing segment condsidering how many young men and women this country sends overseas to mutilate and get mutilated.
Here is the issue though. It doesn’t make sense for CYBORG to be in the Justice League, beyond tokenism and a blatant money grab.
From a story point it makes NO SENSE in the comics, and it makes no sense in the movies. I’m all for characters of color toning down the lilly whitness of the Justice League, but not awful characters. The JUSTICE LEAGUE UNLIMITED cartoon has shown a great character of color that deserves to be in the Justice League and works great in the Justice League… John Stewart, The Green Lantern, And you know what, he also has kick ass powers and is more than a walking toaster. The late great Dwayne McDuffie made John Stewart a great character, and the Justice League a great AND diverse team without sacrificing quality or common sense. They were great BECAUSE of that diversity and love that Dwayne imbued that series with, that made it great.
Greatness is a thing that seldoms gets said in the same sentence as JUSTICE LEAGUE. Unlike the AVENGERS that has a few notable stories you can hand people to sell them on these characters for live action movies, most notably Mark Millar’s THE ULTIMATES followed by Steve Englehart’s, Gerry Conway’s, Jim Shooter’s and Kurt Busiek’s runs; the JUSTICE LEAGUE has very little that holds up, or is of appeal to a movie going audience. Outside of deconstructive and apocalyptic stories, the twilight of the Gods type mythology such as KINGDOM COME, and some Morrison work, there are almost no great JUSTICE LEAGUE comic stories. The best the JUSTICE LEAGUE has ever been is in the McDugffie helmed cartoon.
The current comic and the current movie unfortunately, has learned nothing from the late McDuffie’s lead.
Add to that the Cyborg and Flash costumes are crap (didn’t you learn anything from the GREEN LANTERN train-wreck about CGI costumes) and you have a movie that could have been great, crippled by by people who are going to lose dollars to save pennies. People ignorant or uncaring of the part visual chemistry plays in whether a thing works or not.
And that brings us back to Star Trek.
Looking at the cast photo of Star Trek Discovery… that cast has no visual interest, no chemistry. The same issue suffered by THE ENTERPRISE cast, and to a lesser degree the VOYAGER cast. There was no joy or interst or chemistry in this combination of people.
Watching the latest STAR TREK DISCOVERY Trailer, I find the trailer interesting, however the jury is out on whether that translates into good. There was no excitement in that trailer, a bunch of uninteresting looking people, no visual chemistry or excitement to them, and a general air of uninterst and lack of joy in the whole.
You are in effing space, that should be awe-inspiring to the cast and to the viewer. But all that comes across in that trailer is how dreary everything is. The one male lead, who I know to be a good actor, he perhaps has never been the most rousing actor, and whether lead or not, you need somone immediately that grabs your eye, and you can say, yep, here is a hero or man of action, or somone who can command a screen and command the attention of viewers. Without a doubt great scenery chewing actors is the hallmark of great Star Trek, whether it is William Shatner, or Leonard Nimoy or Patrick Stewart or Johnathan Fraker or Avery Brooks or Michael Dorn.
The star of this series, is a lead actress, and she is clearly charismatic, but you can’t act in a bubble, without that chemistry of clicking actors around you and fun plots, it is just dreariness. And that’s what came across in the trailer… dreariness.
And a lot of changes for change sake.
The change to the Kilngons… strikes me as… foolhardy at best.THE NEXT GENERATION hit a home run in being able to make an interesting but crude visual race of the Kilingons… better. Not just better, but a rousing transcendent success. The way the Original Serieshit a home run with the Vulcans and the Romulans, the Next Generation hit that Home Run with the Klingons.
You don’t fix what isn’t broken. And in this case DISCOVERY’s redesign of the Klingons just seems change for change sake, that tears down a success, and what could have been an easy inroad to the series for fans craving the popular Klingons, becomes instead a detriment.
Just poor, poor thinking.
Along with that the idea of trying to make American audiences pay to see this series that initially needs as much groundswell of support it can get, is just idiocy. Out of the gate you set an antagonistic relationship between show and audience.
I will, needless to say, not be paying for this show, no more than I had any intest in paying to see VALERIAN or THE MUMMY.
But I will keep abreast of it through online reviews and podcasts, and I hope it can prove me wrong. But if Paramount stick to the visuals and that tone and that cast, that seems clearly set in stone for the first year….you may have an interesting SciFi show, but you arguably wont have a good show, and you definitely won’t have a great Star trek show.
Paramount instued of suing the AXANAR fan film, should have gone with that filmmaker to produce their new show. It is obvious that the fan films have more heart, intelligence, and fun, and understanding of what makes good Star Trek than Paramount has.
PARAMOUNT’s rebooted STAR TREK films, a case of diminishing returns, from the excellence of the first one, to the too self indulgent but still great second film, to the atrocious third film; points to a company that is in desperate need of course correction. And that same folly and arrogant stupidity that highlights their dealings with the fans, mars their handling of this latest television show.
For more on this, I want to direct you to a MIDNIGHT’S EDGE YouTube video, that revealed some of the reasons for Paramount’s mishandling of the latest Star Trek property and where CBS fits in. It’s a riveting and informative bit of reporting.
Every month movies and TV shows leave Netflix as their contracts expire. It’s one of the reasons Streaming is no replacement for having a hardcopy (DVD or Blu-Ray) of a movie or TV series you love, and want to have readily available.
So disappearing content is an unavoidable reality of Streaming. However this month is an especially impactful month for Netflix in terms of what is going away.
Among the notables are:
18 Classic seasons of Doctor Who are leaving.
All 8 seasons of the modern Doctor Who are leaving. So last chance to enjoy the best of 50 years of Doctor Who.
You’re losing 4 seasons of the great JUSTICE LEAGUE animated series, helmed by the late, great Dwayne McDuffie.
YOUNG JUSTICE Season 1 of the Animated Series, One of the best Animated Shows since JUSTICE LEAGUE is departing
So that, is a bit chunk of quality programming leaving, so view it while you can.
Or do what I did and purchase the seasons worth having:
“I’m an old lefty. I believe the government must do for people, what people cannot do for themselves.”
— Green Arrow courtesy of Dwayne McDuffie’s excellent JUSTICE LEAGUE UNLIMITED
I’ve been watching classic episodes of JUSTICE LEAGUE UNLIMITED, a show that remains animated television at its best, and for most of its run the love letter of producer/lead writer Dwayne McDuffie. The recently departed Dwayne McDuffie who followed up his stellar work at Warner Brothers Animation, with unfortunately editorially sabotaged work at both DC COMICS and MARVEL COMICS.
With the 2012 US Presidential election nearly upon us, the take away from my watching of JUSTICE LEAGUE UNLIMITED is that line, and the idea that only in a country as monumentally effed up and corrupt and mismanaged as America, could anyone consider either of the television approved candidates, Obama or Romney, steeped as they both are in the blood and oil and pus and complicity of big business, as viable people’s candidates.
You are a fool if you believe Obama is, and has been, in his tenure anything more than Bush-lite. He has rubber-stamped policies, in the past four years, that have destroyed civil and economic liberties domestically and expanded the endless war abroad.
And to make his conservatism seem liberal, he is contrasted with a malicious madman in Romney, though both candidates are more alike than they are different, taking money as they are from the same masters. But this illusion of conflict is played up in the media, to give the American people once more… the illusion of choice; a choice between the lesser of two evils, the choice between big business crafted puppets, between Mussolini or Hitler if you like, which is to say… no choice at all.
I voted for the ‘lesser of two evils’ four years ago, and I’ve regretted it since, with every bill or shredding of civil liberties that Obama has signed into law.
In many ways I think we would be in a better place if the obvious madman Mccain, had come to power 4 years ago, because people would have rallied against his obvious butchering of civil liberties, rather than this death by inches thing that has occurred under the cult of personality, which is the presidency of Obama.
He has been as ‘republican’ a president as you could hope, with all the negative connotations of that word, but his every action has been defended (or ignored) by people who see his labels (Democrat, Black, Liberal) rather than his actions (Republican, Conservative). And Republicans, conservatives become more conservative/republican to keep/enforce this artificial feud (which serves no one but big business), this artificial division of them and us.
So I’m not inclined to be backed into a corner again this year, this year I’m voting for a candidate whose views intrigue me, and whose background and history gives me reason to feel… justified.
Candidates on the ballot or write in candidates not sanctified by big business are few and far between, here are a few such candidates:
GARY JOHNSON– The former republican, and two time Governor of New Mexico, now running under the Libertarian ticket, has me very intrigued for his anti-big business stance, and his history of not raising taxes,
STEWART ALEXANDER – http://stewartalexanderforpresident2012.org/- I’m also intrigued by the ticket of Alexander and Mendoza that is running for the Socialist Party. Their stances on the issues is the about face from the “give big business our first born” dance the American people have been on, though their lack of any documented political experience and lack of endorsements is a bit of a concern. As is the general sub-par nature of their web-site and presentation. But at this point in America’s history, I’ll take the well meaning amateur, over the slick big business approved trained seal… any day.
RON PAUL– I can’t really figure out from day to day if Ron Paul is running or not running for the Presidency, however it’s an impressive site the 75 year old has, and the stances he pays lip service to, you can really get behind. Give it a read, and should his name show up on a ballot, I don’t think anyone would have an argument picking him over Romney or Obama.
So where is the candidate who will do for the people, rather than for big business? Well he may be one of those above, take a look for yourself and decide.
You only have one vote, and despite what any one tells you, it is not wasted if you go against the majority or the ‘sure thing’, it is only wasted if you go against your conscience.
When the record shows that 99.99999999% of the population voted for the lesser of evils or established evils, be not afraid to stand alone as that man or woman who voted out of hope… rather than fear. One of the votes I’m proudest to have cast, was a ‘losing’ vote, was for Ralph Nader. And I’d cast it the same way today, given those same candidates and situations.
I’d cast it for the attempt to make things better, rather than the certainty and fear of keeping them the same.
The RECOMMENDED READS page (look over at the column on the right of your screen) has been updated
with reviews of Cornell Woolrich’s FRIGHT, recently published by Hard Case Books after being out of print for fifty years. And also a status review of CROOKED LITTLE VEIN by Warren Ellis and published by William Morrow.
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Now onto TV stuff:
My recent exposure to what passes for good television these days, garbage like LOST, and the new BIONIC WOMAN and insert Reality TV show here, has left me for an appreciation for the great TV shows of yesteryear.
So here’s my list of great Television shows (in no particular order):
NYPD BLUE Just the first season with David Caruso. The forerunner to the rash of police procedurals currently polluting the airwaves.
HOMICIDE Love this series. Caught everything but the last season. A tremendous show.
BABYLON 5 – People may gripe these days about MJ Straczynski’s comic book work, and the complaints aren’t unwarranted. But what ever issues of the present or the future his work may contain, his past is beyond reproach. His BABYLON 5 being the most ambitious television show ever. A man’s singular vision turned into a novel, with a distinct beginning, middle, and end. It’s the kind of vision that is lacking in “make it up as you go along” shows, such as LOST.
SPENSER FOR HIRE– Love, love, love this series. It’s a crime that it’s not available on DVD.
All SPENSER FOR HIRE images are by Dave McCraken
And real quick I’m going to rant: There is some art floating around, whenever you pull up info on this series (I’m not going to reproduce it here, because it annoys me, but click here to see it or here), showing some doctored up picture of Spenser and Hawk, with Hawk being positioned so he’s like six inches shorter than Spenser.
What the f*** is that? The following pic is how Spenser and Hawk look on the show:
It may seem like a simple thing, but it really isn’t. Like anyone whose done advertising, or product placement can tell you, ads are meticulously thought out. And the fact that such an obviously out of scale picture (to anyone who has seen the show) is occurring on multiple sites, has become a defacto standard… seems and is… odd.
Odd in the same wacky way that every network station at the same time decided to call people refugees who are not, or insurgents… who are not.
America is funny that way. 🙂 . It’s this wonderful nation where people call coincidence, what can only be design.
Avery Brooks is 6’1, Robert Urich was 6’2. A negligible height difference, but the picture makes it look like Hawk is a much shorter man. However both the character Hawk and Spenser were always portrayed as the same height. About 6’3ish.
So where does this box-art come from misrepresenting Avery Brooks and the show? Where does the idea of that come from?
That’s like doing a picture of me beside Avery Brooks and having me tower over Avery, it’s just as much bs. There’s great photos of the two of them from the 60 plus episodes they did, and they are always the same height. Yet someone is going to photoshop in this obviously… flawed picture. Just coincidence? Accident? Could have just as easily been Bob Urich misrepresented as shorter?
Come’on!
Someone made a conscious choice to misrepresent the heights of the two stars. Not coincidence, not a mistake, but a choice.
But why that particular choice? Maybe someone is cockeyed? 🙂 .
I don’t like pointing out this nonsense. I don’t like the fact that there is still nonsense like this to point out, but there it is. The media has grown and continues to grow more skewed, not less, it really is very much spiraling into minstrel like days. But subtly. Unfortunately, I catch subtle.
So I’m going to call a fowl when I see a fowl.
It’s very much like when Ford Motor Company had an advertisement showing all their engineers, and they photo-shopped out all the Black engineers for European distribution. It made the national news, so feel free to look it up if you don’t believe me. Was that coincidence? That big choice, and this little one… the same choice.
And some of you make say I’m making mountains out of molehills. But when one sees as many molehills, time after time, as I have… they tend to add up… all by themselves; to a looming mountain.
Molehills, the little lies we integrate into our world and self-view, create and recreate our reality. What men like Maslow and Berger called the Social Construction of Reality.
It’s how our enemies are made, and our friends.
Social construction of reality. We learn quietly, invisibly to absorb these minor molehills without question, so by the time we should question the really serious issues, we have accepted too much… to question the steps that have brought us here.
Bigotry and using the media as a weapon, is alive and well, and it’s not going to go away because we stick our heads in the sand, it just grows when we do that.
So when I see BS, especially involving my favorite show. I call it BS. And this is a case of BS.
Here endeth the rant.
For anyone who wants a free SPENSER FOR HIRE review guide just contact me. I’ll provide them to the first 10 emailers free. It’s a great series and deserves to be remembered correctly. If for nothing else, as the series that launched a young Samuel L Jackson. (in a bit part where he gets roughed up by Hawk. Great stuff!)
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WEREWOLF– I recommend just the premiere. Beautifully done, but the later episode are cheaply done and don’t go anyplace.
SIMPSONS– I lost interest a few seasons ago, but the first few were great!
SANFORD AND SON– My favorite comedy show of all time!
DEEP SPACE NINE– Brutally sabotaged by stations like Sinclair Broadcasting on initial airing, on DVD you can reexamine this series, and it builds to a brilliant conclusion. Like Babylon 5, and unlike the other Trek shows, this series actually has a wonderful storyarc. It may even on the broad scale, be superior to Babylon 5 (which had stronger individual episodes), making it one of the greatest series ever.
FARSCAPE– This was a FANTASTIC series, unfortunately killed before it could come to it’s conclusion, but the episodes we did get are stunning. All driven by the phenomenal, and at times heart wrenching performance of Ben Browder. If DEEP SPACE NINE and BABYLON 5 are in a tie for first place, this show is solidly in 2nd place as my favorite sci-fi series.
FIREFLY– I’m not a Whedon Fan. I could take or leave his BUFFY and his ANGEL. And while not a flag waving fan of FIREFLY, I thought it was easily his best show, possibly for it’s brevity. It didn’t get a chance to out stay its welcome ala the X-FILES. And had an interesting take on tomorrow.
QUANTUM LEAP– Women love this show. And in another life, a woman turned me on to it. And I have to say she was right. It’s a great, great show, much like FARSCAPE powered by Heart Wrenching performances by star, Scott Bakula.
CHAPPELLE SHOW-This is not even just brilliant comedy, it is the most courageous examination of the American id ever aired. A fantastic two seasons.
ROBIN OF SHERWOOD– John Carpenter’s mythic redefining of the Robin Hood myth, brilliantly brought to life by two phenomenal directors, and a young, hungry, and brilliant cast. And at the same time a wonderful mirror on the 80s age that spawned it. Easily in my top 5 shows of all time.
MIAMI VICE– It’s slick MTV style is old hat now, but this was the show that did it first and best. This and CRIME STORY make a great one, two punch.
JUSTICE LEAGUE helmed by Dwayne McDuffie is one of the best cartoons ever made. And for a guy who grew up on cartoons, that’s saying a lot.
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