Oddisee’s THE GOOD FIGHT- After seeing numerous best of list in 2015 extolling Kendrick Lamar’s TO PIMP A BUTTERFLY I offer up THE GOOD FIGHT as a dissenting opinion. Good on any musician who can get accolades, but I’m of the mindset that the only thing good and creative about TO PIMP A BUTTERFLY is the title and that the actual album is juvenile and perhaps unnecessarily ignorant… to the point of stupidity.
There may be a positive message somewhere in TO PIMP A BUTTERFLY, but somewhere in the 15th N word this and F that, I became extremely bored. It was almost laughable, in that it seemed I was listening to a 14 year old that had just learned how to cuss and was doing it all the time, rather than an adult who should be able to put together a lyric or perhaps an entire song without the crutch of expletives.
And I know he is doing it because that is what his label wants him to do, what they want to sell to urban children as the extent of music, but it does a grand disservice to everyone.
It’s analogous to the comedian who goes on stage and does fart jokes, it may get a laugh or a chuckle when you’re a kid, just hearing it, but somewhere along the way you want more out of your humor than the lowest common denominator, You want wit, and perhaps a bit of wisdom. And the same for music, you get to the point where you want of your music, a bit of wit and wisdom.
THE GOOD FIGHT offers that bit of wisdom, delivered by a rapper with real skills and a social conscience, and the ability to sell his message without the crutch of constant cursing.
In any sane world you can not listen to the flow, the lyrics, the speed, the melody, the entire package that is Oddisee’s THE GOOD FIGHT and not rate it as not just the superior album by miles, but the superior performer. One is the work of an adult talking about you and me and the world striving toward better, and one is the petty ramblings about bitches and hos, not done particularly well.
The praise for TO PIMP A BUTTERFLY and the relative obscurity of THE GOOD FIGHT, perhaps indicative of a generation of children raised and sold on profanity over performance and mendacity over musicality. Well THE GOOD FIGHT is an excellent album for people raised on awful rap/gangsta ‘music’ to see what great Rap actually sounds like. Grade: B+.
Get your copy at the link below:
The Good Fight
Caught this band on tv, here’s hoping they get picked up for a record deal as I like the music they produce, and would like to get some CDs.
From their website:
“The Sons of Serendip is a musical group of four friends, who through a series of serendipitous events, came together in graduate school at Boston University. Micah Christian, a teacher from Randolph, MA, is the lead vocalist of the group; Cordaro Rodriguez, an attorney from Charlotte, NC, is the pianist and guitarist; Kendall Ramseur, a performer, cello instructor and grocery clerk from Charlotte, NC, is the cellist and vocalist; and Mason Morton, who is a teacher from Atlanta, GA, is the harpist for the quartet. They have each been playing their instruments since childhood, but recently, they came together to begin what they hope will be a long beautiful journey of creating music that touches people’s hearts. On America’s Got Talent, they hope that their music will resonate deeply with listeners and that, in some way, it will make their lives a little better – even if just for a moment.
All images copyright Shef Reynolds. All rights reserved. ”
AMERICA’S GOT TALENT Quarterfinals – Yes I can’t believe I was watching this as well.
The thing is, the heart of the show is a throwback to talent and variety shows that have been a staple of television for decades. And some of the people who perform are talented.
What I find infuriating is the judges, particularly Howie Mandel who is such a massive kiss-ass and every other word out of his mouth is America, as if he is the personal spokesman for America.
What annoys me about the show is the conceit that win or lose the show is in any way the opinion of America. When win or lose the choice is the judges, and the mob, people who either have an invested interest in who wins (friends or family) or people with nothing better to do than call in. Either way the choices are the suspect sampling of a small and suspect call-in base. Hardly America.
The contortionist was good, the 12 year old singer, and the aerial animator were the only three, in this writer’s opinion, deserving of going on. Grade: Mediocre.
July’s FAVORITE podcasts Part 1 of 2!
B MOVIE CAST– A great 2+ hours of B-movie celebration. A long running and well enjoyed favorite, that I have praised for years, that I look forward to every week. Consistently one of the best!
COMIC GEEK SPEAK – One of the earliest podcasts and still one of the most popular and enjoyable, this one is a bunch of friends letting you in on their love of all things comics. With closing in on 1500 episodes, this show has seen many changes and many moments memorable and heartfelt. Dedicated to Jamie D, this show will always be one of the best.
FILM SPOTTING – One of the newer movie podcasts I’m trying, after the hiatus of a couple other movie podcasts.
FILM SPOTTING SUV – For those of us who have cut the cable bill and have embraced all things streaming this is an informative listen, keeping you abreast of the latest movies and shows to watch… courtesy of streaming.
HORROR ETC – Another long running show, this Canadian horror movie podcast is up there with B MOVIE CAST as being one of the best, while still being very unique. Always a highly recommended listen.
SIDEBAR – A trio of impressively versed art lovers, helm this excellent process show, with interviews and commentaries of some of the most acclaimed cartoonists, pencilers, painters, etc. A must have addition to anyone’s podcast rotation!
SONGS OF THE DAY
“(9-CD LP-sized box set with 48-page book) Look out! as the man himself said, ”This is it!” Throw away those old bootlegs, sell the other albums and pick up these nine little boogie woogie blue plates. This is everything Louis recorded for Decca – in other words nine CDs of the most influential, and purely enjoyable R&B ever cut. Truly Reet Petite And Gone! Here are just a few of the memorable jump ‘n’ jive hits: Outskirts Of Town, What’s The Use Of Gettin’ Sober, Five Guys Named Moe, GI Jive, Caldonia, Buzz Me, Salt Pork West Virginia, Beware, Stone Cold Dead In The Market (with Ella Fitzgerald), Choo-Choo Ch’Boogie, Ain’t Nobody Here But Us Chickens, Open The Door Richard, Boogie Woogie Blue Plate, Run Joe, Baby It’s Cold Outside (with Ella Fitzgerald), Beans And Cornbread, Saturday Night Fish Fry and Blue Light Boogie.It’s no exaggeration to say that R&B starts here. This is also the only set carefully re-engineered from the original metal parts!”— Amazon Reviews
“Let The Good Times Roll…” is old. It was originally issued in 1992 as an 8CD/1LP box set and then when Bear Family finally got the CD licensing rights for the Ella Fitzgerald LP, they reissued it in 1994 as this 9CD set which has remained on catalogue ever since.
It’s a 12″ x 12″ box with a 46-page album-sized booklet featuring a stunning and detailed life story and discography by PETER GRENDYSA – which in itself is peppered with movie stills, newspaper clippings, Harlem Hit Parade charts, Sheet Music etc… There are 215 tracks (32 unreleased) with expert tape and 78″ transfers by the legendary BEAR FAMILY experts in Germany – great sound throughout despite the vintage [age]. Other vocalists and players featured throughout include RODNEY STURGESS (Jordan’s first ever credit in 1939), YACK TAYLOR, DAISY WINCHESTER, MABEL ROBINSON, KENNETH HOLLON, BING CROSBY, ELLA FITZGERALD, MARTHA DAVIS, VALLI FORD, LOUIS ARMSTRONG and BILL DOGGETT.”— Amazon Reviews
“Absolutely Stunning. This is the second collection I’ve bought that was produced by the Bear family (the first was Lesley Gore – It’s My Party), and I’m here to tell you, it’s a stunner. Packaged in a sturdy large box containing nine individually cased discs (discs eight and nine are in one jewel case), a printed booklet, and the CDs themselves even resemble miniature vinyl records with grooves on the label side.” –Amazon Reviews