Gary Johnson Romney Obama Ron Paul Stewart Alexander and the Lesser of Evils

“I’m an old lefty. I believe the government must do for people, what people cannot do for themselves.”
— Green Arrow courtesy of Dwayne McDuffie’s excellent JUSTICE LEAGUE UNLIMITED

I’ve been watching classic episodes of JUSTICE LEAGUE UNLIMITED, a show that remains animated television at its best, and for most of its run the love letter of producer/lead writer Dwayne McDuffie. The recently departed Dwayne McDuffie who followed up his stellar work at Warner Brothers Animation, with unfortunately editorially sabotaged work at both DC COMICS and MARVEL COMICS.

With the 2012 US Presidential election nearly upon us, the take away from my watching of JUSTICE LEAGUE UNLIMITED is that line, and the idea that only in a country as monumentally effed up and corrupt and mismanaged as America, could anyone consider either of the television approved candidates, Obama or Romney, steeped as they both are in the blood and oil and pus and complicity of big business, as viable people’s candidates.

You are a fool if you believe Obama is, and has been, in his tenure anything more than Bush-lite. He has rubber-stamped policies, in the past four years, that have destroyed civil and economic liberties domestically and expanded the endless war abroad.

And to make his conservatism seem liberal, he is contrasted with a malicious madman in Romney, though both candidates are more alike than they are different, taking money as they are from the same masters. But this illusion of conflict is played up in the media, to give the American people once more… the illusion of choice; a choice between the lesser of two evils, the choice between big business crafted puppets, between Mussolini or Hitler if you like, which is to say… no choice at all.

I voted for the ‘lesser of two evils’ four years ago, and I’ve regretted it since, with every bill or shredding of civil liberties that Obama has signed into law.

In many ways I think we would be in a better place if the obvious madman Mccain, had come to power 4 years ago, because people would have rallied against his obvious butchering of civil liberties, rather than this death by inches thing that has occurred under the cult of personality, which is the presidency of Obama.

He has been as ‘republican’ a president as you could hope, with all the negative connotations of that word, but his every action has been defended (or ignored) by people who see his labels (Democrat, Black, Liberal) rather than his actions (Republican, Conservative). And Republicans, conservatives become more conservative/republican to keep/enforce this artificial feud (which serves no one but big business), this artificial division of them and us.

So I’m not inclined to be backed into a corner again this year, this year I’m voting for a candidate whose views intrigue me, and whose background and history gives me reason to feel… justified.

Candidates on the ballot or write in candidates not sanctified by big business are few and far between, here are a few such candidates:

GARY JOHNSON– The former republican, and two time Governor of New Mexico, now running under the Libertarian ticket, has me very intrigued for his anti-big business stance, and his history of not raising taxes,

STEWART ALEXANDER
http://stewartalexanderforpresident2012.org/- I’m also intrigued by the ticket of Alexander and Mendoza that is running for the Socialist Party. Their stances on the issues is the about face from the “give big business our first born” dance the American people have been on, though their lack of any documented political experience and lack of endorsements is a bit of a concern. As is the general sub-par nature of their web-site and presentation. But at this point in America’s history, I’ll take the well meaning amateur, over the slick big business approved trained seal… any day.

RON PAUL– I can’t really figure out from day to day if Ron Paul is running or not running for the Presidency, however it’s an impressive site the 75 year old has, and the stances he pays lip service to, you can really get behind. Give it a read, and should his name show up on a ballot, I don’t think anyone would have an argument picking him over Romney or Obama.

So where is the candidate who will do for the people, rather than for big business? Well he may be one of those above, take a look for yourself and decide.

You only have one vote, and despite what any one tells you, it is not wasted if you go against the majority or the ‘sure thing’, it is only wasted if you go against your conscience.

When the record shows that 99.99999999% of the population voted for the lesser of evils or established evils, be not afraid to stand alone as that man or woman who voted out of hope… rather than fear. One of the votes I’m proudest to have cast, was a ‘losing’ vote, was for Ralph Nader. And I’d cast it the same way today, given those same candidates and situations.

I’d cast it for the attempt to make things better, rather than the certainty and fear of keeping them the same.

Here endeth the Lesson

Justice League: The Complete Series DVD! Buy your copy here and earn some pennies for this blog post. Easiest way to show your appreciation for a post. Thanks!

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DCs RELAUNCH! 52 Books coming in September! Tips on ones to get & ones to avoid!

DC has announced its lineup of 52 new titles starting September. As stated in my previous post DC is doing a lot of things right, with this publishing revamp of their comic-book line; namely pushing digital distribution, and creating new jumping on points to coincide with that distribution.

But the major thing I see DC Publishing (owned by Time Warner)is doing wrong is ignoring the root reason they were not selling books in the first place, which is that there books were not that good.

Their esteemed major competitor, MARVEL COMICS GROUP, has the better writers, and without question the superior artists. And I see very little in this revamp that addresses that quality problem.

You can see the full list of the 52 titles to be released in September here, and for the most part they look uninteresting at best, and 90s retread crap fodder at worst.

Uninteresting writers with very dated looking artists. And often artists, untried as writers, writing major characters?!! WTF?? Nice way DC to sabotage your own facelift/revamp.

You want to do a revamp and make it count then pay the money, and get the name writers, and the hot artists. Get the best. Liefield? Really??? God bless him, but really? That’s who you choose to launch a new book geared to galvanize and attract new readers? This is not the 90s.

SAVAGE HAWKMAN, good artist, but needs a name writer to get my money. Tony Daniels? Sorry, just don’t care. STATIC SHOCK, great character, no interest in that creative team… at all. NIGHTWING, TEEN TITANS, LEGIONS LOST, JUSTICE LEAGUE, FLASH, GREEN LANTERN books, most of the BATMAN books, most of the SUPERMAN books (Grant Morrison is too hit and miss for me to trust him monthly, I wait till his stories are collected and listen to the general feedback to see if he’s the good Morrison, or the hodgepodge one), all look like the poorly written, poorly drawn tripe no one was buying before.

Now the ones I think are (or could be)exceptions to DC’s general trend of mediocrity and lack of quality are as follows:

SUPERGIRL #1
Written by MICHAEL GREEN and MIKE JOHNSON
Art and cover by MAHMUD ASRAR
On sale SEPTEMBER 21 • 32 pg, FC, $2.99 US • RATED T
Meet Supergirl. She’s got the unpredictable behavior of a teenager, the same powers as Superman – and none of his affection for the people of Earth. So don’t piss her off!

The writers did good work on Batman/Superman, and I like the art.

VOODOO #1
Written by RON MARZ
Art and cover by SAMI BASRI
On sale SEPTEMBER 28 • 32 pg, FC, $2.99 US • RATED T+
Who is Voodoo? Is she hero, villain – or both? Learn the truth about Priscilla Kitaen as she leaves a trail of violence across America. Discover the new DCU through her eyes, because the things she sees are not always what they seem

Ron Marz doesn’t do anything for me, but Sam Basri I consider one of the few great artists DC has (that Marvel hasn’t stolen away from them yet) and this book is worth getting for his art alone.

BATMAN #1
Written by SCOTT SNYDER
Art by GREG CAPULLO and JONATHAN GLAPION
Cover by GREG CAPULLO
Variant cover by ETHAN VAN SCIVER
On sale SEPTEMBER 21 • 32 pg, FC, $2.99 US • RATED T
Retailers: This issue will ship with two covers. Please see the order form for more information.
Be here for the start of a new era for The Dark Knight from writer Scott Snyder (AMERICAN VAMPIRE, BATMAN: GATES OF GOTHAM) and artist Greg Capullo (Spawn)! A series of brutal killings hints at an ancient conspiracy, and Batman learns that Gotham City is deadlier than he knew.

Only Batman book that has me really interested, and it is because of the writer, Scott Snyder.

BATWOMAN #1
Written by J.H. WILLIAMS III and W. HADEN BLACKMAN
Art and cover by J.H. WILLIAMS III
On sale SEPTEMBER 14 • 32 pg, FC, $2.99 US • RATED T
At last! Batwoman’s new series begins, from the multiple award-winning creative team of J.H. Williams III and Haden Blackman!
In “Hydrology,” part 1 of 5, Batwoman faces deadly new challenges in her war against Gotham City’s underworld – and new trials in her life as Kate Kane.
Who or what is stealing children from the barrio, and for what vile purpose? Will Kate train her cousin, Bette Kane (a.k.a. Flamebird), as her new sidekick? How will she handle unsettling revelations about her father, Colonel Jacob Kane? And why is a certain government

I had mentioned Sam Basri being one of DC’s great artist, here’s the other, the brilliant JH Williams III. Now whether he can write is another story, but I’ll definitely check this one out to see.

MISTER TERRIFIC #1
Written by ERIC WALLACE
Art by ROGER ROBINSON
Cover by J.G. JONES
On sale SEPTEMBER 14 • 32 pg, FC, $2.99 US • RATED T
The world’s third-smartest man – and one of its most eligible bachelors – uses his brains and fists against science gone mad in this new series from Eric Wallace (TITANS) and Roger Robinson!
Michael Holt is the head of a successful high-tech corporation and an institute that recruits and encourages the finest minds of the next generation to excel. As Mister Terrific he inhabits a world of amazement few others know exists, let alone can comprehend.

Premise sounds interesting, and I really like the character, but once again we have an unknown writer, and generally unknown, serviceable (but not awesome) interior artist. I’ll give it a try but have serious doubts.

JUSTICE LEAGUE DARK #1
Written by PETER MILLIGAN
Art by MIKEL JANIN
Cover by RYAN SOOK
On sale SEPTEMBER 28 • 32 pg, FC, $2.99 US • RATED T
The witch known as The Enchantress has gone mad, unleashing forces that not even the combined powers of Superman, Batman, Wonder Woman and Cyborg can stop. And if those heroes can’t handle the job, who will stand against this mystical madness?
Shade the Changing Man, Madame Xanadu, Deadman, Zatanna and John Constantine may be our only hope – but how can we put our trust in beings whose very presence makes ordinary people break out in a cold sweat?

– I was going to pass on this book, but the artwork by Mikel Janin looks great, my only concern is a gaudy colorist could ruin his beautiful gray-scale washes/artwork. If they were smart they would use spot coloring and leave it mostly gray-scale.

SWAMP THING #1
Written by SCOTT SNYDER
Art and cover by YANICK PAQUETTE
On sale SEPTEMBER 7 • 32 pg, FC, $2.99 US • RATED T+
One of the world’s most iconic characters has returned to the heart of the DC Universe, and every step he takes will shake the foundations of the Earth!
Alec Holland has his life back…but the Green has plans for it. A monstrous evil is rising in the desert, and it’ll take a monster of another kind to defend life as we know it!

ANIMAL MAN #1
Written by JEFF LEMIRE
Art by TRAVEL FOREMAN and DAN GREEN
Cover by TRAVEL FOREMAN
On sale SEPTEMBER 7 • 32 pg, FC, $2.99 US • RATED T+
Buddy Baker has gone from “super” man to family man – but is he strong enough to hold his family together when Maxine, his young daughter, starts to manifest her own dangerous powers? Find out in this dramatic new series from writer Jeff Lemire (SWEET TOOTH) and artist Travel Foreman (The Immortal Iron Fist).

FRANKENSTEIN, AGENT OF S.H.A.D.E. #1
Written by JEFF LEMIRE
Art by ALBERTO PONTICELLI
Cover by J.G. JONES
On sale SEPTEMBER 14 • 32 pg, FC, $2.99 US • RATED T
It’s Frankenstein as you’ve never seen him before, in a dark new series from acclaimed writer Jeff Lemire (SWEET TOOTH) and artist Alberto Ponticelli (UNKNOWN SOLDIER)!
Frankenstein is part of a network of strange beings who work for an even stranger government organization: The Super Human Advanced Defense Executive! But can he protect the world from threats even more horrifying than himself? And since he’s vilified for who and what he is, will he even want to take on this mission?

—Scott Snyder, Jeff Lemire, interesting premises, and decent artists, what is not to like.

DEMON KNIGHTS #1
Written by PAUL CORNELL
Art by DIOGENES NEVES and OCLAIR ALBERT
Cover by TONY S. DANIEL
On sale SEPTEMBER 14 • 32 pg, FC, $2.99 US • RATED T
Set in the Dark Ages of the DC Universe, a barbarian horde is massing to crush civilization. It’s fallen to Madame Xanadu and Jason Blood, the man with a monster inside him, to stand in their way – though the demon Etrigan has no interest in protecting anyone or anything other than himself! It’ll take more than their own power to stop an army fueled by bloodlust and dark sorcery, and some very surprising heroes – and villains – will have no choice but to join the fray!

STORMWATCH #1
Written by PAUL CORNELL
Art and cover by MIGUEL SEPULVEDA
On sale SEPTEMBER 7 • 32 pg, FC, $2.99 US • RATED T+
They are Stormwatch, a dangerous super human police force whose existence is kept secret from the world Directly following the ominous events of SUPERMAN #1, Adam One leads half the Stormwatch team to recover the [INFORMATION REDACTED] from deep in the Himalayas. Meanwhile, Jack Hawksmoor and the rest of the Stormwatch crew look to recruit two of the deadliest super humans on the planet: Midnighter and Apollo! And if they say no? Perhaps the Martian Manhunter can change their minds…

— Both of these by Paul Cornell sound interesting

ALL-STAR WESTERN #1
Written by JUSTIN GRAY and JIMMY PALMIOTTI
Art and cover by MORITAT
On sale SEPTEMBER 28 • 40 pg, FC, $3.99 US • RATED T+
Even when Gotham City was just a one-horse town, crime was rampant – and things only get worse when bounty hunter Jonah Hex comes to town. Can Amadeus Arkham, a pioneer in criminal psychology, enlist Hex’s special brand of justice to help the Gotham Police Department track down a vicious serial killer? Find out in this new series from HEX writers Justin Gray and Jimmy Palmiotti, with lush artwork by Moritat (THE SPIRIT)!

-This is a great and proven creative team.

MEN OF WAR #1
Written by IVAN BRANDON
Art by TOM DERENICK
Cover by VIKTOR KALVACHEV
On sale SEPTEMBER 7 • 40 pg, FC, $3.99 US • RATED T+
On the ground and on the front lines, a young, headstrong soldier known as Joe Rock assumes command of Easy Company – a team of ex-military men turned contractors. Will they survive the battle-scarred landscape carved by the DCU’s Super-Villains? Find out in this explosive new series from Ivan Brandon (Viking, DOC SAVAGE) and Tom Derenick (JUSTICE LEAGUE OF AMERICA)!

-Premise has me interested, and Derenick is a good artist.

SUICIDE SQUAD #1
Written by ADAM GLASS
Art by MARCO RUDY
Cover by RYAN BENJAMIN
On sale SEPTEMBER 14 • 32 pg, FC, $2.99 US • RATED T+
They’re a team of death-row super villains recruited by the government to take on missions so dangerous – they’re sheer suicide!
Harley Quinn! Deadshot! King Shark! Defeated and imprisoned, they’re being interrogated about their mission – and about who’s pulling the strings behind this illegal operation. Who will be the first to crack under the pressure?

-Not familiar with the writer but Marco Rudy’s work an ACTION COMICS was stellar

DEATHSTROKE #1
Written by KYLE HIGGINS
Art by JOE BENNETT and ART THIBERT
Cover by SIMON BISLEY
On sale SEPTEMBER 14 • 32 pg, FC, $2.99 US • RATED T+
“Friends die, family disappoints, but a legacy… That lives forever.”
Slade Wilson is the best mercenary in the DCU, and he’s been doing this a long time. Some might say too long. But they’ll learn: Never turn your back on Deathstroke the Terminator. He won’t quit, no matter how high the stakes. Kyle Higgins (BATMAN: GATES OF GOTHAM) and Joe Bennett (TEEN TITANS) team up to bring you the finest in mayhem and gore.


-An unknown writer, and the premise doesn’t fill me with confidence, anything that uses gore as a selling point is usually braindead, lowest common denominator tripe, but Joe Bennett (THE CREW) is a great artist, and I would like to be proven wrong on this one

LEGION OF SUPER-HEROES #1
Written by PAUL LEVITZ
Art by FRANCIS PORTELA
Cover by KARL KERSCHL
On sale SEPTEMBER 21 • 32 pg, FC, $2.99 US • RATED T
The Legion of Super-Heroes has been decimated by the worst disaster in its history. Now, the students of the Legion Academy must rise to the challenge of helping the team rebuild – but a threat of almost unstoppable power is rising at the edge of Dominator space, and if the new recruits fail, the Legion Espionage Squad may be the first casualties in a war that could split worlds in half!

-solid creative team, so worth a look.

THE FURY OF FIRESTORM #1
Written by ETHAN VAN SCIVER and GAIL SIMONE
Art by YILDIRAY CINAR
Cover by ETHAN VAN SCIVER
On sale SEPTEMBER 28 • 32 pg, FC, $2.99 US • RATED T
Jason Rusch and Ronnie Raymond. These two high school students are worlds apart – and now they’re drawn into a conspiracy of super-science that bonds them forever in a way they can’t explain or control. The dark secrets of the murderous Dog Team and its Firestorm Protocol force them to put aside their differences to confront a threat so terrifying that it may lead to a new Cold War! Welcome to a major new vision of nuclear terror from writers Ethan Van Sciver and Gail Simone with astonishing art by Yildiray Cinar!

– I’ve seen some sample art by Cinar, and Gail Simone is a good writer and should keep Ethan’s ideas from imploding. Though from this premise sounds like this is a miniseries rather than an ongoing. Worth a look.

The Following are MAYBEs:

BATWING #1
Written by JUDD WINICK
Art and cover by BEN OLIVER
On sale SEPTEMBER 7 • 32 pg, FC, $2.99 US • RATED T
Africa, a land of beauty – and of great horror. A land of creation and conflict. It is in desperate need of a defender, and from the ranks of Batman Incorporated comes a soldier to carry on the legacy of The Dark Knight in the most tumultuous region on Earth. Meet Batwing, the Batman of Africa!

I’m intrigued by this one, the premise sounds like a Bat take on Unknown Soldier, but I’m not sold on the art, and that costume is horrible. This one is a wait for the trade.

BATGIRL #1
Written by GAIL SIMONE
Art by ARDIAN SYAF and VICENTE CIFUENTES
Cover by ADAM HUGHES
On sale SEPTEMBER 7 • 32 pg, FC, $2.99 US • RATED T
Yes, it’s really happening!
Barbara Gordon is back as Batgirl – and she’s going to have to face the city’s most horrifying new villains as well as the dark secrets from her past. You won’t want to miss this stunning debut issue from fan-favorite BIRDS OF PREY writer Gail Simone!

Gail Simone has me interested, but not interested in the artists. I’ll wait for the trade.

CATWOMAN #1
Written by JUDD WINICK
Art and cover by GUILLEM MARCH
On sale SEPTEMBER 21 • 32 pg, FC, $2.99 US • RATED T+
Meet Catwoman. She’s addicted to the night. Addicted to shiny objects. Addicted to Batman. Most of all, Catwoman is addicted to danger. She can’t help herself, and the truth is – she doesn’t want to. She’s good at being bad, and very bad at being good. Find out more about what makes Catwoman tick in this new series from writer Judd Winick (BATMAN: UNDER THE HOOD) and artist Guillem March (GOTHAM CITY SIRENS)!

I do like the art on this one but not interested in the character. It’s a weak maybe.

Well those are the titles I think are worth a try, and you may agree. Try them and let me know.

Change comes to one of Comics’ Biggest Publishers! Does it spell DC New or DC Eww??? or DC vs Marvel

Change comes to one of Comics’ Biggest Publishers! Does it spell DC New or DC Eww???

by
Heroic Times
Copyright Heroic Times Jun 2011
All Rights Reserved

Okay most of you comic fans reading this know the gist of the big news that has recently been released. Specifically the recent announcement by Top 2 Comic Book Publisher DC Comics, a subsidy of Time Warner, to in essence revamp their entire publishing line, and their publishing model in September of this year.

Comics being very much serialized entertainment, like soap operas or television shows they build up a history. Overtime, some view that history as a resource and some as baggage. In the face of dwindling sales DC is taking the latter approach and cleaning house, restarting their whole line of books, from number one.

Come September, 52 titles will be kicked out by DC, starting at # 1, with the characters and stories supposedly streamlined to allow easy adoption, by new readers. On top of this they will offer the books via digital distribution, as well as through the traditional dwindling markets of the comic book store.

It is an unprecedented and bold move, in an age where all print media, from newspapers to books, is losing readers. And specifically a necessary move for DC, that has seen its place in the market continue to slip, as its major competitor MARVEL COMICS GROUP owned by Disney, continues to trounce them in sales/market share.

So all in all, I think this bold move by DC, while unexpected, is overall a good one, as obviously they needed to do something.

It’s a hail-Mary pass, and I see it working for them in the short term, generating interest in their books through the line wide shake-up, and the day and date (digital publication that coincides with print publication) digital distribution option, opening them up to a world of new potential readers/consumers. If they capture just a fraction of the digital market, they could potentially move very quickly from servicing tens of thousands of people to hundreds of thousands, if not millions of people per issue.

There are some potential roadblocks, most remarked on being the pricing of the digital comic, as most agree the 99 cent or $1.99 cent model is the better price-point for easy mass adoption. However I have no doubt the pricing structure will work itself out in time.

So in short term I see this being a success for the company, however potentially not as great a success as it could be, and potentially not a lasting success as their competitors invariably jump into Digital distribution to compete.

No, I see DC’s biggest drawback to this line-wide overhaul, is the appearance (now this is only going by the miniscule data so far released on the books to come out in September, this is speculation not fact) that the streamlined books suffer the same problem as the pre-streamlined books, which is basically… they are not that good or interesting.

That’s harsh to say, but that is the current problem with DC comics that they seem to, with well meaning overtures to price and distribution and character’s costumes, overlook.

The main problem DC overlooks, to why their sales are dwindling… is the fact that their books themselves, particularly when compared to their main competition Marvel Comics, are not that interesting, they are in fact… lacking.

And it pains me to say this as someone who is not a fan of much of what Marvel does, and infact actively does not purchase Marvel Comics’ individual issues. Generally because of ads breaking up the story, and lack of back-matter or letters pages, failing these things I’ll just wait for the trade, and monthly buy Indie books, such as CHEW or WALKING DEAD that do offer these extras, that for me make the individual issues… worth their price.

If there is a story from Marvel that is getting particular buzz I’ll wait for the trade and pick it up at my local library or on Ebay or not.

On the other hand, DC comics stories are not particularly interesting, I listen to a number of podcasts and read reviews and articles to stay abreast of what’s drawing the buzz in this niche market of comics, and DC seldom… draws the buzz, in any meaningful way. The ones that do I’ll pick up via Ebay or Library, and am generally underwhelmed.

Particularly glaring is the fact that DC’s artwork is bland to subpar. For a medium defined by its art.. that’s not good. In general (in general, not across the board) the writers and artist of DC are not setting the world on fire.

There are exceptions such as Irving Frazier, Basri, Jock, J.H. Williams III (to name ones that spring to mind) in the art camp, and Scott Snyder, Morrison (when he’s the good Morrison) and Rucka (who DC has lost) in the writing camp; but in general the rule applies.

And having looked at some of the talent launching their 52 new books (again not privy to all of them, just going by the early news released as of this date), I see the rule of bland storytellers and bland art and bland takes on characters… continuing.

Where is the talented, amazing writers that are blowing the roof off the place, and everyone is talking about for their Indie work? Where are the Remenders and Aarons and Hickmans and Van Lente’s and Spurrier’s?

With very few exceptions all the exciting writers in comics are working for Marvel. Add to that the fact that Marvel blows DC away in terms of art, and it is a powerful combination.

DC’s art style is largely still stuck in the 90s Image era, and with DC co-headed by Jim Lee, perhaps that’s no wonder, but it is a mistake.

This is the age of the Simone Bianchis and Copiels and Djurdevics and Eptings and Braithwaites and Molinas, guys who offer a level of detail and beauty and storytelling that makes you want to turn pages. And all those guys are Marvel artists.

Now it’s true none of those names, either writer or artist, is known to this new potential readership, that digital distribution offers the opportunity to tap, however my point is… quality will out.

Which means people may be introduced to comics through DCs digital books, but just as in the paper books… they will quickly transition to more sophisticated art and story; which means Independents and Marvel. And they will gravitate to the artists and writers that are steering, capably, the ship.

Now, best of luck to DC’s policy of giving artists they are trying to keep (they tend to lose creators to Marvel), writing assignments of popular characters… to entice them not to jump ship. However, It is a suspect policy.

Not every artist is a Frank Miller (who before being Hollywood Frank Miller, started out as an artist, than became an iconic writer, DARK KNIGHT, 300 etc) and even Frank Miller took a while to be THE Frank Miller.

I am saying it is idiotic to give your flagship titles/characters to unproven writers. No disrespect, beyond the truth, intended to David Finch and Tony Daniels (two popular DC artists and now Writer/Atists), but I’ve never been a huge fan of their art, and by all reports their writing isn’t setting the world on fire. Now it is quite possible with practice they could become kick-ass writers, but you don’t let them practice on your flagship characters such as Batman. It’s thinking like this from DC, again that 90s Image model, mantra of “art is all”, that has been hurting their market share.

Art is important, desperately important. But the writing is also desperately important. And when you can bring top writers AND top artists to a title (which is what Marvel does), then you have a title to hype and to generate sales. And DC fails with both aspects, the writing… and the art.

Nearly every single book Marvel puts out, looks great. That’s how deep their pool of artists is; as opposed to DC that has probably less than a handful of artists I consider great, and the rest, are a “grin and get through it” bunch.

Add to this Marvel Comics are better art designed, and you point out another major failing of DC. The first thing you see of a comic is its cover, and Marvel’s covers are not just better in terms of the actual cover art, they are better in terms of typography and design.

They are, as a whole, as a gestalt, the more interesting covers (exceptions to this being Sam Basri’s phenomenal covers for POWER GIRL).

And fault Marvel for what you will, I think a lot of this has to do with artists such as Quesada and Bendis, who have strong visual instincts, being in editorial control of Marvel and knowing what a compelling cover should look like.

These are the reasons Marvel is # 1. And this whole DC overhaul of their universe and digital delivery announcement while groundbreaking and exciting, will be less effective than it can be if it does not also look at improving quality.

For DC’s announcement to really have had teeth in it, and pit-bull like hang on staying power, they needed to release these 52 titles with a substantial number of amazing creative teams, and from the early solicits, I don’t see this happening.

The most high profile announcement of the new books is Geoff Johns and Jim Lee on the JLA.

Jim Lee’s style was interesting to me in the 90s, but I find it less so in the 2010s. I think part of that is… he’s not the artist he was 20 years ago, looking more like Lee acolyte Ed Benes… than himself, and paradoxically he’s enough of the old Jim Lee for his style to seem very dated. Of course that’s to me, there are huge fans of his, so no doubt the relaunched JLA will garner huge numbers. I just don’t think I’ll be among them.

Along with the art, another thing that raises early flags regarding this new JLA title… is the makeup of this new team. DC makes lip service to diversity, but tokenism is not diversity. First you remove John Stewart as the Green lantern, which is this generation’s Green Lantern (thanks to the JLA cartoon), and you fill it with a boring 70s lineup, and add Cyborg as a concession to tokenism?

I would prefer people not use any characters of color, then drag out just one Black character on a team. I hate seeing just one Black character on a team, give me at least two Black characters, or don’t do it at all. Because without exception that one Black character will be poorly and stupidly written.

And I dislike Cyborg in particular as a character. What is it with Black male characters in comics having to be missing limbs or in someway physically or psychologically damaged? What is that? for the writers to feel comfortable writing him? Be it Cyborg or War-machine over at the esteemed competition. Which is why if you’re going to do diversity, the mass media familiar John Stewart makes more sense than Cyborg, and toss in Vixen and/or Firestorm to go with him. Both characters offering a lot more to work with than the neutered Cyborg. Or don’t do it at all, because (say it with me) tokenism is not diversity.

And while we’re on the subject of Firestorm, what the eff is it with Black characters having to wear yellow? What is that about? You see all these sly little digs they get in? Even as a kid reading Power Man in the day, I was like…”he’s cool and all, but what the f–k is he wearing a big yellow shirt for?!” Even at age 7, I knew that just wasn’t kosher. I mean really? WTF?

Seriously, Mix non-people of color, writing people of color, and typically this is the kind of almost subconscious bs you get. Sad isn’t it? 🙂

Beyond the JLA, everything else mentioned suffers a bit from that underwhelming writer/artist syndrome that DC has.

Now I am interested in the MR. TERRIFIC comic announced, though I’m not familiar with the writer, and while the cover art is good, the interior art… not making me do handstands.

So yeah, it’s great that DC is doing this massive overhaul, and particularly pushing the digital distribution issue, but ultimately how ever you distribute the books… they have to be good, and if DC’s books, can’t currently compete with Marvel traditionally, digital delivery won’t change that.

DC will have the upper-hand for the time it takes Marvel to get a digital presence, but once the playing field is even again, DC loses again… unless they address the underlying problems with their comics. Those being: 1/ that they are still written for a white 1950s audience, rather than a multicultural 2011 audience, and 2/that they actively need to court the hot writers and artists, ala Marvel.

That’s the bottom line. There ain’t no more. I do wish DC well, and here’s hoping they evolve sooner rather than later.

What I’m Reading: FABLES, Cornell Woolrich, GOON, JLA, ESSEX COUNTY, KRIGSTEIN

Well currently have a bunch of books either in rotation, either just finished, on their way to being finished or about to start.

Among them:

NIGHT HAS A THOUSAND EYES by Cornell Woolrich. I’m coming in on the home stretch of this one. I own just about everything Woolrich has written. Made a big dent in his short story collections, and now working my way into his various novels.

A prolific writer, getting through all his novels will probably require more leisure time than I have, but I’m giving it the good old college try. He is easily one of my top ten writers, possibly the top 5, I consider him, along with Chester Himes, one of the most important and influential American writers of the 20th century. He is as Francis Nevins Jr coined him… “A Master of Bleak Poetic Vision”.

NIGHT HAS A THOUSAND EYES is not his best novel, (FRIGHT, THE BLACK PATH OF FEAR and RENDEVOUS IN BLACK, the three of his novels I’ve completed so far, are all better) but Woolrich in neutral is more compelling, addictive and just plain mesmerizing than just about any other writer at full speed.

More for how he says things than what he says.

He constructs, paints a picture unlike any other writer that I know of, living or dead. There’s a sense of discovery in his writing, he builds the world in fragments around you, sets the scene, like a picture slowly developing itself, so when finally his description coalesces into something familiar, he has given you this rare gift of seeing something known, be for a while… magical and unknown.

“And so- every night he walked along the river, going home. Every night about one, a little after.

Anything you keep doing like that, if you keep doing it long enough, suddenly one time something happens. Something that counts, something that matters, something that changes the whole rest of your life. And you forget all the other times that went before it, and just remember that once.”

And that ability is in effect in NIGHT HAS A THOUSAND EYES, about a man trying to save a woman, from the irresistable pull of stars. However, I recommend newbies to the world of Woolrich to start with the novels I previously named, or with his short stories. Go to my page on recommended Short Stories (in the column to your right)and you’ll see some recommendations.

****

B.KRIGSTEIN is an oversized, very hefty tome by Greg Sadowski on the artist Bernard Krigstein. Perhaps most well known by those reading this, for his work on EC comics in the 50s. But Krigstien went on to have a more commercial career, followed by a fine arts career. I just browsed this one and didn’t quite captivate me, no sleight against Krigstein I’m perhaps not the audience for his art. So worth a look if you’re a Krigstein fan, others may want to give it a pass.

****


THE COLLECTED ESSEX COUNTY- By Jeff Lemire, this was spoken of with quite a bit of acclaim, so picked it up from my local library. It’s a very thick and nicely designed trade by the publishers, TOP SHELF PRODUCTIONS. A wonderfully evocative graphic novel, collecting three distinct but intermingled stories. With an eye toward minimalism, Lemire with cartoony but deft lines, unfolds tales of a small Canadian town and the lives that grow up and out of it. I’ve read the first two stories, and it’s good, though it doesn’t for me live up to the hefty accolades. But it is impressive story telling, and a heartfelt tale of common lives, that are never really common. I think if you can get the collected edition for a good price, it’s something, in line with Matt Kindts’ THREE STORY, both forlorn memoirs, that you’re going to want on your bookshelf, to browse through from time to time. A recommended buy. Grade B.

DARK HORSE BOOK OF THE DEAD- Yet the latest in this Dark Horse series of Anthologies, each covering a specific topic in Horror. This zombie one being the weakest and least satisfying of the reads so far. None of the stories leaving much of an impression. Worth a look if its in front you, but not worth hunting down.

JLA AMERICAN DREAMS- Not enjoyable Howard Porter Art, and not interesting Grant Morrison stories.

FABLES # 1-5, This is my second time trying to give this heartily praised series by Bill Willingham a try. Like anyone will tell you the first trade, not particularly interesting. Trades 2 and 3 are better, I would call them good. Trade #4 is the first one that I would go so far as to say I really liked. mainly for the opening story, which was great. But Trade #5 descends back into just feeling like spinning wheels, I’m slogging my way just to get through it. So by the end of trade #5 you’re talking 33 issues, over 3 years of story. So clearly fables isn’t my cup of tea. 33 issues and I really find none of the extensive cast particularly interesting, likeable or compelling. I even have trades 6 thru 9 sitting here, but just can’t work up any interest in reading them). So I think I’ll call it a day on this series, as I have tons of other things to read. I’m just glad I got to read these trades for free at the library rather than purchasing them. Your mileage may vary, but for me and this series it’s game over.

****

GOON- Now a series that is working for me, and is living up to the hype is Eric Powell’s loony and lunatic THE GOON. I’ve read three trades back to back, VOL 2 MY MURDEROUS CHILDHOOD, VOL 3 HEAPS OF RUINATION, and CHINATOWN AND THE MYSTERY MR. WICKER. I’ll avoid the play by play, except to say they are fantastic. Fun, frenetic, with every crazy assortment of monstrosity and menace, and at the heart of it, a life hardened palooka, who in the best YOUNG GUNS tradition, understands the meaning of pals. Best praise I can give this series is after reading these trades for free I’m going to buy a nice collected hardcover of them. Nuff said.

All for this installment. Check back later for more.

INTO THE MYSTERY: Remembering DWAYNE MCDUFFIE

“You writers live too much out of the world.”
— Carol Reed’s THIRD MAN.

I just heard about Mr. McDuffie’s passing.

We had exchanged emails, a couple weeks ago, about doing an interview.

I wanted to discuss his work and discuss how DC Editorial had hampered his comic book work on JLA (as well as Marvel on FF), and the success of his animation work, and his future plans.

Life being life and we all being immortal, I had put off following up on the interview until we had more time.

Needless to say, time and tide continues to surprise us all.

A towering individual, not only in terms of height (he was 6’7″) but in terms of talent, and enthusiasm, he will be greatly missed by me and many.

I think in a medium that is ever less inclusive, that is going backwards rather than forwards (how DC and Marvel treated him is part and parcel of people who consider themselves liberal but are not, holding ever more egregious lines of pride and prejudice), he was a rare voice against the inherent prejudice, tokenism, and marginalization of people and more the presentation of people.

He had this outrageous idea that these tales of modern myth, could support more than the single token, and tokenized, character of color and instead provide a multiplicity of characters of color. In a medium that still follows to great degree the Disney model of segregation and marginalization, he wanted the myths and the mythmakers… to be better than that.

And to this end he made fantastic inroads into redefining the myths we feed our kids through shows like STATIC SHOCK and JUSTICE LEAGUE UNLIMITED, and with the latter expanding the scope/expectations of American televised animation. JLU is very much a cartoon that appeals to adults who grew up on these characters, as well as kids, and offers a storyline with scope. And remains a watershed work.

It is therefore sad, and inexplicable that with such a pedigree, the editorial department of DC and Marvel, refused to grant his comic work the same license and freedom as his Animation work, and all readers are the poorer for that… sabotage. DC’s actions seemingly more about getting the Milestone characters, completely under thumb, to no doubt like other multi-cultural friendly properties, such as ZUDA, be misused, marginalized and ultimately taken off the table, and buried from the sight of day.

I love all these keepers of a 50s status quo, of the white way, particularly at DC Comics Publishing wing, who come out now in the wake of his passing to praise McDuffie’s work, when they did nothing but their best to butcher his work while alive. Hypocrisy. Be honest now, in your heart of hearts, be honest. You stink just a little of hypocrisy.

Save your pretty lies, and if true sorrow feel, show it in your actions, and not in your primping words.

You did wrong by him in life, do right by him in death, and in so doing, do right by yourself.

Grow.

Learn the contours of your own prejudice and your own culpability, so you can get past it. Be more open to characters and creators of color. use well the Milestone characters, and support diversity in your mainstream books. Stop trying to erase the good creators have done with characters of color, with Marvel it’s them tearing down all the great work Christopher Priest did (instead of making his BLACK PANTHER and CREW work available again, and better yet getting him back on BLACK PANTHER, Marvel seems committed to killing or marginalizing every strong male Black Character they have), with DC it’s them going back to the 50s in terms of all their mainstream characters.

Don’t wait till someone’s demise, to realize you’ve stunted not only their growth, but by doing so your growth, and my growth, and everyone’s. When new visions are sabotaged, the medium suffers. And the medium has suffered with the interference in Duffie’s comic book work.

But in the face of that, one ever to go forward, to shine lights, rather than curse darknesses, Dwayne McDuffie continued to tell stories. His recent CRISIS ON TWO EARTHS, being the best of the DC Animated Adaptations, and his Animated ABSOLUTE SUPERMAN on my list to see.

So Animation and comics has lost a great ambassador, proponent and crafter for these four colored adventures, but more it has lost a fighter against ignorance, and intolerance and stupidity and stereotyping, in a medium filled with too many people, too many editors and writers and decision makers, who live and die only by these inanities.

But for this one fighter lost, McDuffie’s work has served to introduce many to these fields of wonders and whimsy, and hopefully to inspire new mythmakers and new myths.

My best to him and his, as he precedes us into the Mystery.

I’m going to direct you to this recent 2 pt podcast interview with Christopher Priest, coutesy of the guys at Dollcast, as it touches a bit on Milestone, and is just an invaulable insight into a medium, that while little read, becomes ever more influential to other mediums.

Here’s PART I.

and

Here’s PART II

And once you listen to that feel free to go here for a listing of books written by Dwayne McDuffie.

The return of UNDER THE RADAR Vol2 Issue 2! Part 1 of 2!

“Must we start every sup, with who we love and who we don’t?” —Peter O’Toole in the LION IN WINTER


Okay it’s that time again. My recommendation for comic books/graphic novels to preorder now for January 2011 arrival.

If while going though the below list you see any titles that you want to purchase current or backissues of go

here.

But first, what is UNDER THE RADAR?

UNDER THE RADAR was an experiment I started a while ago that I was quite proud of. Basically a very cool PDF I launched out to comic book retailers and fans to highlight titles you would otherwise miss, or get lost in the deluge from bigger publishers flooding the market.

It was fun, and very intensive, and very time consuming, so when time became an issue it fell by the wayside.

But I notice my old UNDER THE RADAR posts get a lot of hits, and even though a lot of people are doing preview podcasts (audio/radio-like programs dedicated to recommending items to preorder), those can be quite time consuming, when what most people are looking for is a quickly viewed list of recommended items they might otherwise miss.

So with that in mind, UNDER THE RADAR is back, but in a FAR simpler format. No PDF, no long diatribes. just a monthly listing of new titles to preorder or be on the lookout for.

Okay without further ado, this is a list of titles you can preorder this month through your local retailer for January 2011 arrival.


Marvel

No letters pages, no back matter, ads breaking up the story.

All these odd decisions from Marvel give no incentive to buy marvel issues monthly. Seemingly, they don’t care enough to give you a something beyond what you would get in the trade paperback, a real sense of a Stan Lee dialog, or sense of a monthly behind the scenes look at the creative process, so generally I say eff em. I’m talking about the publishing policies and policy makers of Marvel, not generally the creators, (as marvel has some great creators, but perhaps in service of not the greatest decision makers) but rather the lackluster way the creations are fed to you.

So even though Marvel floods the market with well over a hundred titles a month, their policies make it very easy to dismiss most of them from purchase consideration. The exceptions for this month?

$4.99 INVINCIBLE IRON MAN #500

Written by MATT FRACTION Art & 50/50 Covers by SALVADOR LARROCA Variant Covers by MARKO DJURDJEVIC, JOE QUESADA & JOHN ROMITA JR. GIANT-SIZED ANNIVERSARY ISSUE! Three generations of Starks face their ultimate foe, seventy-some years in the future while, in the present, Spider-Man joins Iron Man as he tries to fill in the blanks of his missing memory. What if amnesia was a weapon? What if the smartest man in the land had ten nightmares that all came true? Who is the son of Tony Stark? What’s inside of the rings? The future starts now, for the Marvel Universe’s favorite futurist. The Eisner-award-winning series makes a four-hundred-something-issue leap and raises a glass of non-alcoholic champale in salute to Ol’ Shell-head! By Matt Fraction (THOR, UNCANNY X-MEN, CASANOVA) and Salvador Larroca (UNCANNY X-MEN, FANTASTIC FOUR), with special guests Howard X, Y and Z! 104 PGS./Rated A …$4.99

100 pgs for $5. Not great, but I do like what Matt Fraction is doing with this book. Hopefully it isn’t full of reprints to pad out the page count, but figure the odds of that. A lukewarm recommendation.

* Marvel had a couple interesting trades, but their pricing is outrageous. For 4 and 5 issues of content they are trying to charge $20 to $30 for a collected edition, trade, or hc. Which basically boils down to them trying to charge you between $4 and $6 per issue collected. To that I say, hell no. A trade should, with rare eceptions, be no more than $2 per issue collected. So if you are only collecting 4 issues you’re only going to get $8 from me. And if it costs more than that you get nothing from me.

So Marvel trades get nothing from me this month.

*I’m interested in Matt Fraction’s THOR but not interested enough to pay $4 an issue, they can keep it.

$1.95 (save $1.04) THUNDERBOLTS #152
Written by JEFF PARKER Penciled by KEV WALKER Cover by GREG LAND The T-Bolts leap into HULK’s “Scorched Earth”! At the request of Steve Rogers, Luke Cage must take his hardened team to deal with a doomsday scenario unleashed in the pages of HULK! And now that the squad is a man short, Cage finally uses his power to recruit another prisoner to duty–and his pick will shock you! Will the Thunderbolts accept this new member as a part of their force? Or will this heavy duty wild card destroy the balance of power? Find out in the series that Newsarama.com’s Best Shots calls “The Avengers title that not enough people are raving about…it’s one of the best of the bunch.” 32 PGS./Rated T+ …$2.99 (preview artwork is available)

The reason I’m picking up this title is it has potential, it has Luke Cage:Power Man (They need to go back to calling him that), Jeff Parker is a good writer, storyline sounds like a good jumping on point, and the price is $2.99. So to keep me picking it up monthly they’ll need to add letterpages or backmatter, or I’ll be hopping off of it relatively soon.

$2.99 BLACK PANTHER MAN WITHOUT FEAR #514

Written by DAVID LISS Penciled by FRANCESCO FRANCAVILLA Cover by SIMONE BIANCHI Luke Cage guest stars as T’Challa’s new adventure in NYC continues! The former King of Wakanda has sworn to protect the mean streets of Hell’s Kitchen, and while battling the mob is one thing, how does he stop a killer targeting innocent people? It’s a deadly game of cat-and-mouse, as T’Challa hunts ruthless new crime lord Vlad the Impaler, while Vlad concocts a desperate and bloody scheme to entrap the mysterious new vigilante that’s ruining his plans. T’Challa learns what it really means to be a man without fear, courtesy of award-winning thriller novelist David Liss and the pulp-tastic art of Francesco Francavilla! 32 PGS./Rated T+ …$2.99

I think without argument Christopher Priest’s take on the Black Panther was the essential take, and Marvel’s use of this character since, has been in the shadow of that great run. And good writers not withstanding, Hudlin and Mayberry, I think it suffers from idiotic editorial decisions. Petty decisions intent, for whatever reason, on dismantling a great character. A female Black Panther? Really? That was someone’s stab at a good idea? Just indicative of the sabotaging type editorial decisions that have plagued this character.

The post-Priest series suffering from gimmics rather than gusto.

However with T’Challa back in the suit, if only in the DAREDEVIL title, I’m hoping this will be a good jumping on point. I’d love to see an entertaining, respectful run with this character. I’m unfamiliar with David Liss, but he has sense enough to toss Luke Cage:Power Man in here, and that means I’m willing to give him the benefit of a doubt, and willing to support, until they prove otherwise.

From Marvels ICON Line

$3.99 CASANOVA GULA #1 (OF 4)

Written by MATT FRACTION Art & Cover by FABIO MOON CASANOVA is back. Or is he? Actually Casanova is gone. Gone from space, gone from time. The burning question WHEN IS CASANOVA QUINN hangs over the entire world as E.M.P.I.R.E. and W.A.S.T.E. alike race toward the horrible, inevitable, answer…The second staggering volume of CASANOVA starts here by the Eisner-laden team of Matt Fraction (THOR, UNCANNY X-MEN, THE INVINCIBLE IRON MAN) and Fabio Moon (DAYTRIPPER, SUGARSHOCK) taking over art duties. Never before collected! Never before reprinted! Never before understood! In gorgeous full 4-D psychocolor! Worth a million in prizes! Change your shorts, change your life, change into a nine-year-old Hindu boy! Guaranteed!* *not actually guaranteed 40 PGS./Mature Content …$3.99


No ads breaking up the story, and loads of backmatter, and additional pages. So it’s me getting more bang for my buck, plus it’s Matt Fraction’s CASANOVA.

$14.99 CASANOVA TP LUXURIA VOL 1

Written by MATT FRACTION Penciled by FABIO MOON & GABRIEL BA Cover by GABRIEL BA Meet Casanova Quinn: prodigal son of a law-and-order family hell-bent on keeping the world safe and sound, now blackmailed into betraying his father and the international law enforcement organization he controls. LUXURIA collects the first volume of CASANOVA as its titular star transforms from devil-may-care thrill-seeker into the most dangerous man in the world. What happens when the ultimate player gets played? Find out in this genre-bending sci-spy epic. Gorgeously re-colored and re-lettered by hand, this staggering psychedelic spy-fi epic is collected for the first time as it was meant to be made. By the Eisner award-winning team of Matt Fraction (INVINCIBLE IRON MAN, THOR, UNCANNY X-MEN), Gabriel Ba (UMBRELLA ACADEMY, BPRD: 1947), and Fabio Moon (DAYTRIPPER, SUGARSHOCK). With all-new, all-different, never-before-seen bonus material! Collecting CASANOVA: LUXURIA #1-4112 PGS./Mature …$24.99 152 PGS./Mature …$14.99

And speaking of CASANOVA we also have the CASANOVA trade. At $15 and being a collection of bigger ICON issues, the price point is a doable exception.

$3.50 INCOGNITO BAD INFLUENCES #4

BY ED BRUBAKER AND SEAN PHILIPS WITH COLORS BY VAL STAPLES Zack Overkill has plunged into the super-criminal underworld on a deadly mission that’s made him question everything. Now he’s come face-to-face with his target, and things just got a hell of a lot worse. And so with every issue, our Professor of Pulp Culture, Jess Nevines is back with another great essay on forgotten pulp history, available only in the single issues of INCOGNITO. INCOGNITO, BAD INFLUENCES #4 -32 PGS/Mature Content/Np Ads … $3.50

It’s always good to see the CRIMINAL team of Brubaker and Philips releasing another issue.

Uhh, yeah and that’s all for Marvel.


DC

All the negatives I said for Marvel, goes for DC as well. Which makes it easy to disregard most of the 100 or so books they put out every month. It’s stupid, confusing, greedy, and ultimately just off-putting to have 20 different Bat Titles. You should have just 2. BATMAN, and one 100page anthology called BATMAN FAMILY. Boom, job done. And until they do this it makes it very easy for me to buy none of their titles. Thanks. :).

The exceptions?

$2.99 POWER GIRL #20

Written by JUDD WINICK Art and cover by SAMI BASRI Racing headlong into the adventure and turmoil of GENERATION LOST, Power Girl is hot on the trail of Max Lord – seeking answers and looking for payback. But a trip to Project Cadmus leaves her with a bit more than she can handle, and monstrously outnumbered. On sale JANUARY 19 * 32 pg, FC, $2.99 US

The one big difference between Marvel and DC is in terms of art. For the most part Marvel has frigging kick ass artists and cover design, and no doubt this is due to two of the companies driving forces, Quesada and Bendis, being great artists in their own right. DC to be kind, with a few exceptions (such as the great and innovative art of Perez or Quietly), underwhelms. DC’s covers and interiors are typically a bland, uninteresting house style; and in a medium that lives and dies on art, that’s not a good thing.

And when they do get a decent artist, like Simone Bianchi, seemingly the suits are too inane or cheap to keep them, and Marvel ends up offering the artist a better deal.

Which brings us to Sam Basri.

I touched on this in the last UNDER THE RADAR, Sam Basri is one of the few absolutely amazing artists that DC has working for them. His sense of cover design on the POWER GIRL series has been blowing me away. They really are works of art by themselves, and is one of the main reasons I’m picking up this series in individual issues rather than waiting for the trade. He really is one of DCs best artists, and the company really needs to realize this and pay him accordingly, or they’ll find him working for their competition in no time. 🙂 .

$2.99 SPIRIT #10

Written by DAVID HINE Art by MORITAT Cover by LADRONN Roscoe Kalashnikov was sure he could get away with murder – and in a town as corrupt as Central City, maybe he could. But if that’s so, why do his victim’s words still haunt him? She said something about “the spirit of justice” and now, around every corner, Roscoe is seeing a flash of trench coat and the briefest glimpse of a masked man… On sale JANUARY 19 * 32 pg, FC, $2.99 US

David Hine on a SPIRIT comic? I’m intrigued. David Hine is a really good writer.

$2.99 THUNDER AGENTS #3

Written by NICK SPENCER Art by CAFU & BIT and HOWARD CHAYKIN Cover by CHRIS SPROUSE The new hit series by Nick Spencer (ACTION COMICS, Morning Glories) and CAFU continues! Think the T.H.U.N.D.E.R. Agents are a messed-up team? Wait until you learn the secrets of the evil organization known as Spider! This issue promises twists, turns and a sequence illustrated by the legendary Howard Chaykin! On sale JANUARY 12 * 32 pg, FC $2.99 US

I’m hearing good things about this Nick Spenser, so this issue may be worth a look.

$2.99 LOONEY TUNES #194

Written by BILL MATHENY Art by DAVID ALVAREZ Cover by SCOTT GROSS Beaky Buzzard is hungry. He thinks he’s found a nice meal in Daffy Duck, but the wacky bird has another suggestion: Bugs Bunny. So just who will be feeding the hungry buzzard family? A hint: It won’t be the ever-cool Bugs! Poor Beaky doesn’t stand a chance… On sale JANUARY 5 * 32 pg, FC, $2.99 US

$2.99 TINY TITANS #36

Written by ART BALTAZAR & FRANCO Art and cover by ART BALTAZAR Titans to the center of the Earth! Terra uses her powers to take the “hot” Titans on the journey of a lifetime. And if Terra is involved, you know Beast Boy isn’t far behind! Don’t forget the sunscreen and the bottled water, and watch out for the Sea Trap of Doom! On sale JANUARY 19 * 32 pg, FC, $2.99 US

I’ve started looking for books that I can give to younger readers. The above seem to fit the bill.

$2.99 ACTION COMICS #897

Written by PAUL CORNELL Art by PETE WOODS Cover by DAVID FINCH & BATT The last place Lex Luthor expected his quest for the Black Lantern energy to take him was Arkham Asylum – specifically to the cell of The Joker! What clues about Lex’s quest could The Joker have to offer, and why on Earth would Lex trust him? Get ready for a one-of-a-kind confrontation between comics’ two greatest villains, as brought to you by the twisted minds of Paul Cornell and Pete Woods! On sale JANUARY 26 * 32 pg, FC $2.99 US

$2.99 STEEL #1

Written by STEVE LYONS Art by SEAN CHEN Cover by ALEX GARNER John Henry Irons is a normal human being who managed to overcome all odds and become a hero who Superman considers a peer and colleague. What kind of determination drives a man to reach such heights? Find out here as a battered and bruised Steel defiantly stands as the only thing between Metallo and the destruction of Metropolis! Doctor Who novelist Steve Lyons and artist Sean Chen (ACTION COMICS, SALVATION RUN) deliver a story that shows why Steel is a true DC Universe icon! ONE-SHOT * On sale JANUARY 5 * 32 pg, FC, $2.99 US

Great solicitation. Plus I really like the character of Steel.

*I’ve heard good things about Lemire’s SUPERBOY, but I’ve seen the art, and it just doesn’t work for me. May try it later in trade.

$2.99 SUPERGIRL #60

Written by NICK SPENCER Art by BERNARD CHANG Cover by AMY REEDER & RICHARD FRIEND SUPERGIRL welcomes aboard writer Nick Spencer (JIMMY OLSEN, T.H.U.N.D.E.R. AGENTS, Morning Glories) and artist Bernard Chang (WONDER WOMAN, SUPERMAN) for a Girl of Steel story unlike any other! Someone is trying to kill the young heroes of the DC Universe! Who is this villain, and how can Supergirl stop him? Maybe her friends can help – namely, Batgirl, Blue Beetle, Miss Martian, Static and…Robin?! Buckle up, folks, because this one puts the pedal to the metal on page one and doesn’t let up for a second! On sale JANUARY 19 * 32 pg, FC, $2.99 US

Two things are getting me to give this a try, Nick Spenser and Static.

$2.99 HOUSE OF MYSTERY #33

Written by MATTHEW STURGES Art by WERTHER DELL’EDERA and DAVID LLOYD Cover by ESAO ANDREWS Since the Pair of the Conception first chased Fig Keele into the House of Mystery, Fig has never known who they were or what they wanted from her. Now, Fig solves a mystery that’s been lingering since the very beginning. Featuring a tale illustrated by David Lloyd (V FOR VENDETTA)! On sale JANUARY 5 * 32 pg, FC, $2.99 US MATURE READERS

Probably not the best place to jump in, but I’m intrigued, and have been meaning to pick this up.

Wow, I’m actually quite surprised how many DC comics I recommend this month. I guess their price drop has helped their titles to become more attractive, or at least most justifiable of the expense. Well that’s all for this installment. Catch me tomorrow for part 2 of this, and the remaining titles I recommend. Don’t miss it, as that’s where the good stuff is.