On JESSICA JONES Trailer, Tom King’s BATMAN, and DCs SWAMP THING show!

Let us start in the middle Tom King’s BATMAN.

I listened to a recent podcast where they were bemoaning the news of Tom King stepping off the BATMAN comic. All kinds of speculation on him being removed, etc. That he was doing a brilliant run on Batman, etc, etc. And they couldn’t understand how DC could not see what a great, innovative job he was doing, and that DC execs must not like great stories, yada, yada.

This very minor and relatively harmless rant from this podcast I watched, illustrates perhaps a less wholesome issue with our culture in whole. This inability to see or look for, or acknowledge, viewpoints other than our own.

The truth is out there, to paraphrase a show I was never a fan of, beyond the odd ‘monster-of the week’ episode.

The truth is out there, but we have to look, and we have to do our homework.

It doesn’t have to be controversy when we get news we do not expect or agree with.

It doesn’t have to be DC executives are stupid.

It could be as simple, if Tom King was removed, as simple as the books were not moving in the numbers they liked, or meeting with across the board praise.

A simple look at reviews of Tom King’s BATMAN run, whether podcasts, or Youtube videos, or blogs or websites, when you extend the search beyond your circle, your chorus, you see a run, a body of work, that from the first trade on, was conflicted. And grew more uneven and conflicted, in terms of the writing, and the response to the writing with every trade/issue.

I think a lot of people make excuses for Tom King”s work when they do not love it. Like they refuse to admit they didn’t love it because of Tom King, so they blame the publisher, or the editor, etc.

A writer is a lot like a director, you get the praise when a product is great. You should also carry the blame when a product isn’t. A lot of people like to give King the former, and make excuses to keep him from the latter.

Stop making excuses or trying to blame Editorial if you do not like a Tom King story. You do not try to give them the praise if you love a Tom King story. So let’s not be hypocrites.

And I am not anti-Tom King, I am not one of these knuckle dragging anti social justice warrior, anti-woman, anti-diversity, psuedo neo nazi nuts. I judge the work, on the work, and wait to read it, before having an opinion on it.

Tom King can be a great writer.

The webpage will not show this image anonymously.

https://amzn.to/2MAm9GC

His VISION series is one of the greatest things I have read in years. (And if you have not read it, I urge you to pick up the collected hardcover… it is that good.)

His OMEGA MEN very good.

https://amzn.to/2EZQGHG

His Batman, in pieces, standalone, I’m thinking specifically of ANNUAL 2, can be great. Annual 2 was great.

The webpage will not show this image anonymously.

https://amzn.to/2MzJsk0

However, specifically to Batman, other than that standalone story,  his actual run on Batman, the first 4 or 5 trades, I found awful. I mean… awful. “I am suicide!”As his take-away on the character of Batman. Really???!!

Batman: I Am Suicide (The Complete Story) - YouTube

The great flaw of Tom King’ s BATMAN (for me), was always Tom King’s take of the character. He keeps writing the same broken, suicidal, and ineffective character, over and over again. And while it worked for the Vision and Mr. Miracle, shoehorning that Hamlet type protagonist and calling him Batman or Kid Flash, does not work at all.

He keeps trying to tailor these heroes and archetypes to his ptsd framework, and it increasingly does not work. He needs to start writing to the character, than simply shoehorning them into his rigid story.

We get it,

Tom King brings a military background, and a CIA background, and an espionage background, and a background of those places where we all break under stress and pressure. And again telling that story with certain characters can work, however retelling that story with every character does not work.

There are more stories than that. And another reason we look to these heroes is because they are our aspirations writ large, they should not all be stand-ins for the places where we fall down, they should be the standards of how to standup. They should be our hopes writ large, not our insecurities. The VISION type stories should be the exception, not the rule.

I do not want to read a comic with a Superman dealing with PTSD. It starts to become one note writing, rather than great writing, to make all the heroes analogs for the common man, or the Hamlet in us.

So yeah, while I will not be picking up the individual issues regardless of who writes BATMAN, because paying more than $2.99 for a single Marvel or DC comic is insanity (Marvel and DC should both be ashamed of themselves for charging more than $2.99 for scant pages of comics. Now, smaller Independent publishers I cut them slack on pricing, because their page count and quality is usually higher. However Marvel and DC has the economies of scale to keep prices low. To not do so comes down to mismarketing, mismanagement, and short term greed, over long term sustainability and growth) , I will, if the word of mouth is good, check out the books when they hit the $1 bins of the secondary market or in collected edition at the libraries.

I look forward to a new take on Batman, and a new writer.

Okay… next topic…

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JESSICA JONES Season III trailer. Here is the thing, I was not interested enough to watch the 2nd season of JESSICA JONES. And by all reviews I did not miss much. But I went into the the trailer for season III hoping it would be good. I have to tell you, I found it incredibly uninteresting.

I can only take so much of brooding, not quite likeable, characters so, just with the way the protagonist is played, with a listless, can’t be bothered attitude, the performance of Jessica Jones is typically the weakest part of the show JESSICA JONES.

https://s15-us2.startpage.com/cgi-bin/serveimage?url=http%3A%2F%2Ft0.gstatic.com%2Fimages%3Fq%3Dtbn%3AANd9GcTfEODizVkEhjX5DTd2Fp-EKHQdU-yX9y0FllP-kS2TgqSH8JQEVA&sp=ced14d29e1bfd30e584288dacec803c5&anticache=124267

So that said, you need charismatic, interesting people surrounding her to make the show worth while. You need a Luke Cage, you need a Purple Man. You need dynamism to counteract the plodding, disaffected, and starting to get annoying, performance of the protagonist.  And unfortunately the trailer for Season III offered none of that. Offered an Antagonist, absolutely as uninteresting as the protagonist. A battle of who could bore me more.

 

So yeah the trailer to Season III of JESSICA JONES, a hard fail. That is not going to make my watch list, based on that trailer.

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https://s17-us2.startpage.com/cgi-bin/serveimage?url=http%3A%2F%2Ft0.gstatic.com%2Fimages%3Fq%3Dtbn%3AANd9GcRewaG-8fAXhxFf9lOTCExTuJSTRmAqCeY83ZOieU-7ZSR1JdRg&sp=2c79f4941178f19f38dc309b58dfd647&anticache=375506

Finally, the news that the DC Swamp Thing show has been cancelled before the 1st season really starts.

It has come out the reason DC/Warner Brothers pulled the plug is largely because North Carolina, an increasingly politically suspect state (excuses to my North Carolina Friends, but you are starting to be run by the pointy hat crowd. And I’m not telling you anything you don’t know. You know you need to start cleaning your house, much the same way the Nation needs to clean its house) basically bailed on their promise to help finance the production of SWAMP THING in their state.

It is a great shame, because I have to tell you, I absolutely loved the full trailer to SWAMP THING.

They looked like they had all the elements for a wonderful , long form story, worthy of the kind of eerie, brilliant, haunting storytelling that creators Alan Moore, Bissette, Totleben, Wein, and Wrightson laid the ground work for.

Such a shame.

Maybe someone else will add the additional funds so we get to see this vision of Swamp Thing, eventually played out.

Well that’s it guys.

Just wanted to put my 2 cents in on those 3 topics. Take two seconds and support today’s recommended comics.

You know when I was saying I cut Independent comics a slack, because of their quality of content and packaging. ALTERNA COMICS and AHOY COMICS are two cases in point. There are a lot of great writers/artists in comics, arguably one of the best of them is Eric Powell. I absolutely am enamored with his GOON and his HILLBILLY and his SPOOK SHOW. And ALTERNA comics addreses all the issues with price gouging that we are getting from the big two, Marvel and DC, while giving us quality products. So you can preorder comics from both publishers and get them direct mailed to you.

https://www.mycomicshop.com/subscriptionservice

 

Use the links above get great books, support these publishers, and earn a few pennies for this blog. A win-win!

 

“Second star to the right and straight on ’til morning. ”

J.M. Barrie, Peter Pan

Filmic Fridays! AVENGERS ENDGAME early thoughts

While everyone is busy pondering and obsessed with how many Billions of Dollars AVENGERS ENDGAME will eventually take in, I find myself not really on that hype train.

I do intend to see AVENGERS ENDGAME (quick aside: that is a terrible title. While perhaps definition-wise apt, the actual use as a memorable, imaginative, compelling title… leaves much to be desired) and given the Russo’s track record in their past three Marvel movies I expect it to be great. But as far as getting into the speculation game is how much richer this movie will make one of the richest companies on the planet, I could not care less.

This sense of ownership comic fans show toward these films they own no part of, and corporations that 99.999% of them own no stock in, is very reminiscent of house slaves taking a sense of ownership in the gaudy trappings and parties of their masters.

I dislike Disney.

I have always disliked and distrusted Disney.

From a little kid there was something off about the company, an undercurrent always contrary to their seemingly family friendly/kid friendly fare. As a kid I always felt about all their product there was something so…. forced and insincere and cloying.

Time and egregious acts such as Disney being one of the first companies to buy a news division, (ostensibly to not be scrutinized by a free press, but to actually be the owners of the news) to now being one of the biggest monopolies in the world, has only strengthened my distrust of the company.

All these morons clamoring for Disney to subsume Fox, for no better reason than to see a movie with fictional IPs interacting, to have their Avengers meet their X-men, not understanding the broader real world implications of one less movie and TV company, one less alternative, in a world clearly running out of things not owned by Disney.

Disney has proven themselves historically to be an opponent of concepts such as public domain and creator owned, concepts that enrich culture, and move us forward.

And now that they in little more than a couple of decades have completely eaten any promising rivals to their claim of being the ‘Dream Studio’ from PIXAR, to MARVEL STUDIOS, to LUCAS FILMS, to now FOX, they are the textbook definition of a SUPER MONOPOLY.

About a 108 years ago the Supreme Court was RIGHT in breaking up Standard Oil. The Rockefeller’s monopoly of the oil business. Understanding a company with such broad reach could set prices, fix wages, even create and change laws. They were right to break Standard Oil all to pieces. And they are wrong to not actively be doing the same to Disney.

One company, especially one with as combative a policy on public domain and creator rights, should never have been made the owner (jailer?) of so many cultural and pop cultural properties, a large portion of which, like Shakespeare, like the writings of Mark Twain, Like the works of Poe, should already be in public domain. Batman, Superman, Captain America, these are concepts around long enough to become part of the cultural lexicon and conversation and hence, owned and own-able by all.

So just like any studio or TV station can put out Poe derived properties, the same should be the case with many of the early properties of Disney. Public Domain not keeping companies from making money off these concepts, it just keeps them from being the only entity to do so. it spreads the wealth, understanding that at some point, if a story lives long enough, it becomes the story of all men, and not the property of a single man or monopoly.

And Public Domain being only one of the rights of man trampled on, when a company grows too big. A company of sufficient size can set wages for an industry, effectively blacklist or put out of work who it chooses, suppress and eliminate competition/ choice.

Marvel Studios getting bought by Disney was not a good thing.

We are the poorer when viable competition to Disney or Microsoft or Apple or Google gets taken off the board.

So I hope for my own enjoyment that AVENGERS ENDGAME is a good movie, but as far as if it makes money, breaks even. I don’t have a dog in that fight. I’m not a theater owner, I’m not a studio stock holder, I’m not one of the people who worked in or on the movie, so in no way am i profiting from whether the movie does well or badly, anymore than as a film fan.

And for a fan to be interested in if he will see more of a franchise is understandable, but for a fan to be rabid about a film breaking records or how much billions it makes or its opening Weekend hall, is to lose sight of that money is largely going one way, out of many diverse people and  communities into a very few pockets.

In many ways those Billions a movie makes are further funds siphoned, to widen the gap… between rich and poor.

Now i do not fault a movie for doing well, but I will be much abused or maladjusted, before I cheer billionaires becoming bigger billionaires, when the bulk of people in this world, are getting poorer.

That’s my take on how completely, a monopolized media can skew us against our own best interests.

Here Endeth the Lesson.

🙂

 

 

 

TV Show Review : DAREDEVIL Seasons 1, 2, and 3!

cool-poster-art-for-daredevil-season-3-highlights-the-hero-and-villain1

The first season of DAREDEVIL, was and remains game changing , ground breaking TV. In terms of action choreography, and initial complexity of storyline, and some amazing performances.  It remains an astounding season of television, however it didn’t quite stick the landing.

There was something rushed and not quite satisfying in the ending. Something that did not quite live up to the AMAZING buildup.There was always a slight worm in the apple, and that was what was best and most enjoyable and most likable about the series, what was really brilliant about the series, was never the main three protagonists, the great acting of the series was done by the so-called villains such as Wilson Fisk, Alexandra, Wesley  and by the supporting characters such as Ben Urich and Stick.

What was annoying about season 1, was Karen Page, and she got increasingly more annoying, like nails on chalkboard through the season. Her remaining on the show, when two other astounding characters met violent ends, really for me weakened the show going forward. Also Matt Murdock, his maudlin approach, begins to wear thin at the end of 13 episodes.  But all those caveats aside, the strengths outweigh the failings of that first season. A solid A- of a season.

 

Fast forward to season 2 , which has a strong first half, but disintegrates in the 2nd half, Karen Page gets more annoying, Matt Murdock gets more whiny and maudlin, and Elektra storyline doesn’t do much for me. Karen Page playing girl reporter, just emphasizes everything I find annoying about that character, and how much the character of Ben Urich is missed.  Season 2 has its moments, largely due to the Punisher in the first half, but overall is strictly fast forward material through much of the 2nd half of season 2. This season is the definition of uneven, coming in at a C+/B-.

 

Daredevil Season 3 Review

 

The DEFENDERS series plays very much as DAREDEVIL Season 2.5. Because we get to minimize exposure to the weakest parts of season 2, namely Karen Page. Even though the Elektra/Black Star storyline is largely nonsensical and uneven (she can take blows from Power Man, but is affected by blows from Daredevil. Nonsensical.) the series moves at a fast clip, and seeing these actors together, enjoyable. Overall, inane ending excepted, a fun series. Grade: B+.

 

That brings us to the just finished third season of DAREDEVIL. It starts off intriguing, But quickly, particularly in the later episodes, drowns in all the unlikeable characters.

Karen Page is show stoppingly annoying every-time she is on the screen. Also three seasons of watching Matt Murdock suck all the joy out of everything, is just tiring. “Ooh, I have special powers, to make up for being blinded, I have friends, a good job, a great apartment… Oh I’m so angry!” what the hell does he have to be mad about all the time? 🙂

Just a joyless, depressing performance. And I am not saying it is badly acted, the actor is good, it is just he is written with nothing to do but complain all the time.

By comparison all the so-called villainous characters are far more interesting, to the point I was rooting though the later episodes for Fisk and the Mystery Villain 🙂 to take out Karen Page (Again, a fine actress, she is just written with nothing to do but eat the joy out of every scene. And what works in a few scant panels in a limited story, over three seasons… tires), and beat Matt Murdock.

I felt the ending was very unsatisfying.  Matt Murdock/Daredevil just comes across as much a psychotic as those he fights, and a hypocrite on top of it. And again the character flaws that work briefly in panels on a comic page, does not wear as well over three seasons. Add Karen Page to the mix, and you have a season 3 that I lose interest in whenever the three so-called leads are on camera. (To be fair, I quite liked the character of Foggy. He was the one thing that worked in that triangle.)

Overall a very dissatisfying wrap up to DAREDEVIL Season III. Karen Page survives, where yet more good characters die in her stead. I bought the first DAREDEVIL on BLURAY,  I bought the first LUKE CAGE on Bluray, and will be buying the 2nd season when it is available. I might buy the DEFENDERS, its flaws aside, overall it worked very well, and what IRON FIST couldn’t do in his own series (be good) he manages to pull off in the DEFENDERS and LUKE CAGE Season II.

With Luke Cage having been canceled, I don’t see anything to bring me back to the Netflix/Marvel Properties.  Not a fan of PUNISHER Season 1, Jessica Jones I fell off of, Iron Fist show was a train-wreck, and DAREDEVIL can not get out of its own way. Should a MOON KNIGHT show pop up, or a WEREWOLF BY NIGHT, I would definitely give those a look, but for now it appears the great Marvel/Netflix ship of success… has capsized.

 

DAREDEVIL Season 1 A-

DAREDEVIL Season 2 C+

DAREDEVIL Season 3 C+/B-

Overall Grade: B

 

 

 

 

Youtube Channel of the Day : CEREAL AT MIDNIGHT and why Physical media Matters in the age of Digital!

 

https://www.youtube.com/channel/UCsVgZNzzvedehALS-dTIFhA

 

CEREAL AT MIDNIGHT –  Is the only Youtube channel devoted to physical media, DVDs, CDs, Blu-Rays, etc that I am subscribed to. Just a great channel, with a personable host, showing his love for physical media.Love his channel, highly recommend it for all fans of physical media. They have a nice recent episode, perfect for Halloween, and the films of the great Vincent Price.

For those of you saying either ‘what is physical media?’, or ‘boo! hiss!’ to physical media, here is me… about to break it down.

Here is the thing, streaming is fine, and VOD is fine, and Hulu is fine, and Spotify is fine, but at the end of the day, it is all vaguely out of your control. And we live in a Millennial age where the mob thinks nothing of bigger issues such as Anti-Trust and eradication of public domain and setting up a Monopolistic regime, with no viable competition, just as long as they get to see Avengers in the same movie as Fantasic Four. If you don’t understand that, do a search for Disney, and add all those words i just mentioned… and maybe when the searches return… a lightbulb will go off.

We live in an age where the masses think nothing about the loss of privacy and human rights, as long as they get to easily scream at people in their MMOGonline game.

 

Between you and your entertainment is various levels of gatekeepers, from your ISP to your cloud storage, to your streaming platform. And we live in a bullshit age of witch-hunts and ‘me too’ bs bandwagon jumping, where people can get fired and vilified before they have a day in court, and programs and movies  can be censored or altered based on the screaming of the uninformed mob, or soundtrack altered due to rights issues.

Where you don’t have to be proven guilty, you just have to be attacked like you are.

So suddenly that movie you love, may or may not be available depending on licensing agreements, and it may or may not be the same edit of the version you grew up with. It could be censored to comply with the sensibilities of fools, or the fear of companies , that faceless twitter trolls will say bad things about them.

‘I hate, hate, hate… Peter Pan!’ In my best Dustin Hoffman, Hook Voice.

God bless the child that has his own.

Here’s the thing, gatekeepers, businesses are always behind the curve, and seldom do anything for the good of the people, or posterity. They do it because of expedience and the bottom line, and that is contrary and in direct opposition… to culture. The health of it, and the growth of it.

We here in the 21st century have access to movies from the Silent age of cinema, and radio shows from the dawn of sound, and TV shows from the infancy of the medium, not because of businesses, but in spite of them.

It was collectors decades ago, when businesses could not perceive the idea of a radio show being listened to over, or a television show being re-watched, or a movie after its initial run being rescreened, it was collectors, just normal people like you and I, who preserved these things, when the gatekeepers, burnt the films, and erased the tapes, and recorded over the video tapes, it was collectors who saved much of the early history of mass media. And it was collectors who ultimately taught them, the gatekeepers, the businesses,  to value these things, if not for the love, then for the monetary value it could generate.

But still, for all the teaching, Businesses and the Gatekeepers, while they have definitely learned to monetize, and secure the rights to everything they create, they still have not learned to respect the creations.

The creations remain to them as mercurial and open to change as a ledger balance. While they control art, the gatekeepers and businesses do not understand art. And therefore art will always be at risk in such hands. Will always be at risk in the hands of accountants.

So end of the day, I love having all these shows and movies and music, available via gatekeepers, via VOD, and Hulu, and Spotify, and Itunes, etc.

But end of the day, have your hard media to fall back on, against the day that ISPY or AIRPLANE or HOUSE OF CARDS or insert show here, is not politically correct to view or hear or watch.

End of the day, do not trust the things you love… to gatekeepers. Own the shows you love in a form that no gatekeeper can edit at their whim, or remove, or bar you from.

So that is one reason I’m a fan of CEREAL AT MIDNIGHT. It is a reminder that physical media is still out there, and can be picked up affordably. And is worth picking up.

Here endeth the rant! 🙂

Where to buy NEW comic books right now, Sept 2018 Pre-orders! And What books to get! ALL THE REST EDITION!

This is the last day to preorder books that will be shipping in December at a discount.

Here are my suggestions for the books worth your time:

MARVEL COMICS

Nothing. I can recommend nothing from Marvel Comics. Marvel is GROSSLY overpriced.  Save your money and either pick up these issues for a $1 or $2 each in a few months, when they are no longer new, from the secondary market. Or wait till they get collected into trade paperbacks and read them from your local library for free. Or buy them used online for a fraction of what getting the individual issues would cost.  I grew up with Marvel Comics, and i think they still have some fantastic creators I would love to read on a monthly basis, Ta-Nehisi Coates CAPTAIN AMERICA , comes to mind. After much hate from the moronic bigoted internet crowd, the moronic antisjw nazis, it turns out Coates CAPTAIN AMERICA is shaping up to be great. The same with just about anything Al Ewing touches. Unfortunately these great creators are sabotaged by a unsupportable comic price, and horrible editorial and marketing decisions.

The movies quite frankly are a lot better, and a lot less disorganized, stupid, and at times ingrained bigoted than the comics. The comics play lip service to diversity, and it is great to see creators like Coates and Walker get a chance to start their vision, but inevitably Editorial steps in and ruins/aborts their process/ending. The comics back pedal from everything to try to pander to the racist anti-change and anti-diversity mob, who typically don’t even read the comics they complain about.

The movies so far under Feige’s reign have embraced diversity with no back pedaling or moronic denigration that makes up so much of what goes on in the comics when it comes to characters of color (‘Oh Well we can’t have the Black Nick Fury be his own man. Let’s explain him away as the son of a White Nick fury.’ What????? Yeah this is the stupidity and racist great ideas that is happening in Marvel Comics, by there non-writers of color and editorial department.)

So yeah, so far the movies are actually better by far than the comics. So stick with them for now. Or until they start following the stupidity of the current comic books.

DC COMICS

Unfortunately DC that was doing a good job of keeping their prices under $3 a comic, ever since hiring the trojan horse of Brian Bendis, they have adopted Marvel’s disastrous and customer offensive pricing policy. Of charging $4, $5, $6,and $7… for COMIC BOOKS!!!!

Absolutely immoral.

And I like Brian Michael Bendis as a creator, but I despise him as a shill for the company, and his arrogant frat boy attitude to companies milking the audience, and  his basic ‘ah they will pay the higher price. Lower prices do not sell.’ I’m ten years of proving Bendis is wrong. It is not diversity that is the cause of Marvel Comics’ inability to keep from bleeding readers, it is the bloody price of their books. Add to that the over abundance of ads, poor placement of ads, and atrocious paper quality and you have a company that is repeatedly slapping their customers in the face, then wondering why the customers are not sticking around.

DC will soon find they will have the same issue as Marvel Comics. They will keep the die hards for a while, the sheep who buy multiple issues and variants, and the speculators, but that is  a far cry from the millions of people a publishing arm of Times Warner should be reaching.

Besides their last $2.99 books, which word is they are going away soon… The only book over $3 that I get from DC, that I make an exception for, is Christopher Priest’s brilliant DEATHSTROKE. And that is going to change, as editorial has decided to reward the critical acclaim that series has received, by mixing it into their editorial marketing ploy, basically gutting Priest’s ability to tell unhindered stories with the character. Once Priest leaves, so do I.

So what is worth getting?

Here is my list for September Pre-orders:

Beyonders 4 On order 1 $2.59
Bitter Root Cvr D Williams 1 On order 1 $2.59
Cavewoman A Wizard A Sorceress And Meriem 1 On order 1 $2.59
Cemetery Beach 3 On order 1 $2.59
Cinema Purgatorio Vast Cvr 16 On order 1 $4.54
Dark Ark Cvr A Doe 11 On order 1 $2.59
Deathstroke (2016) Cvr B Var Ed 37 On order 1 $2.59
Dick Tracy Dead Or Alive Cvr B Tommaso 3 On order 1 $2.59
Feast Or Famine 1 On order 1 $0.98
Gideon Falls Cvr B Suayan 8 On order 1 $2.59
Hillbilly Red Eyed Witchery From Beyond 4 On order 1 $2.59
Infinite Dark 2 On order 1 $2.59
Infinity 8 7 On order 1 $2.59
Jook Joint 2 On order 1 $2.59
Leviathan Cvr B Guillory 4 On order 1 $2.59
Lightstep 1 On order 1 $2.59
Lodger 2 On order 1 $2.59
Magic Order Cvr A Coipel 6 On order 1 $2.59
Moth And Whisper 3 On order 1 $2.59
New World Cvr B Moore And Muller 5 On order 1 $2.59
No World Primer 2018 On order 1 $0.16
Oblivion Song 9 On order 1 $2.59
Outer Darkness 1 On order 1 $2.59
Proxima Centauri 6 On order 1 $2.59
Raid Cvr B Photo 4 On order 1 $2.59
Red Sonja Cvr A Caldwell 23 On order 1 $2.59
Rick And Morty Cvr A 44 On order 1 $2.59
Rick And Morty Presents Pickle Rick Cvr A 1 On order 1 $3.24
Shadowman Cvr C Veregge 9 On order 1 $2.59
Sideways 10 On order 1 $1.94
Silencer 11 On order 1 $1.94
Sink Cvr A Cormack 6 On order 1 $2.59
Skyward 8 On order 1 $2.59
Spawn Cvr B Mattina 292 On order 1 $1.94
Stellar 6 On order 1 $2.59
Terrifics 10 On order 1 $1.94
Unexpected 6 On order 1 $1.94
Walk Through Hell 6 On order 1 $2.59
Warning 1 On order 1 $2.59
Whispering Dark 2 On order 1 $2.59

Order yours here:

https://www.mycomicshop.com/subscriptionservice?AffID=200301P01

And tell them HT sent ya!!!!

🙂

 

 

The worst thing that can happen to movies and free news is for Disney to gobble up Fox Studios and yet another news channel..

There is a reason a hundred years ago antitrust laws , and labor laws and child labor laws and unions came to be… because we learned the hard way… unchecked capitalism and greed is indistinguishable from tyranny and murder.

Companies were literally killing people to make a penny more in profit.

Let us not go backwards.

Say no to Disney gobbling up another studio and another network and news division. That would make them even more, the makers of truth..

Too much power for any company or any man.

Comcast is no prize, but in this situation, having them buy the Fox portfolio, it is clearly the lesser of two evils.

 

Here endeth the Lesson.

 

My All Over the Place Rant… Beware, there be Dragons here

It’s 0330 dark of the morning and I’m listening to Disaster-Piece’s IT FOLLOWS film score on CD (not something I would particularly recommend if you are in the house by yourself at this time of night), and I’m thinking…we are all adrift in the fields of the Lord.

That’s what I’m thinking.

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And I’m thinking of Carlos Castaneda and a Yaqui Indian called Don Juan and truths and fictions, and how the one becomes the other and the other the one.

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I’m thinking of the quality of person that would have actually voted for Resident Trump and be not ashamed.

I think the clinical term would be somewhere between fool and sociopath.

I’m thinking of seas relatively unspoiled by man, and islands far from this benighted shore.

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I think…

I think there are other worlds…

but this one is not quite done with me.

I think of duty and honor and truth and justice and loyalty, words co-opted by the venal to keep a nation of young men killing and dying and being mutilated and maimed for the 1%ers’ Dubai pleasure nations.

I’m listening to track 9 of IT FOLLOWS, the stereo panning in my Avanti Headphones, is working for me. Left, right… left, right. My brain relaxes, and formulates something beyond questions and answers.

It is a truly brilliant album, to accompany one of the standout horror films so far this 21st century.

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I’m thinking I can’t get down with media lynchings, especially by a notoriously untrustworthy and historically lynching obsessed nation as America. So the more they tell me to demonize anyone, whether a Cosby or Simpson or insert famous Black male target of the day, the more I have to question it. In a world full of evils to fight, it’s funny to me how the press never tackles the evil that really controls and infects their viewers lives.

Like the evil of Pharmaceutical companies that are getting rich selling you not ready for human use drugs that have more dangerous side-effects than the conditions they are created to combat. “Oh you have acne, oh use our product, but oh, it might sterilize or kill you. Heehee… but we told you up front so we’re not liable.”

No you pieces of offal, that’s not how it works, if someone buys a hamburger from me and it is laced with arsenic, that may make them very sick or kill them, that’s called attempted murder. Even if the burger was a good tasting burger, did its advertised job, side effects of food poisoning and possible death are not acceptable or allowable risks to eating a hamburger.

So that burger is not ready for human sale or consumption and is recalled, pulled from the market.

The pharmaceutical companies instead market you these not ready for human usage products, and lawyer up against their products being filled with arsenic.

The actions that would get an individual arrested for attempted murder, these companies are using to get rich on the sick and desperate . Now that is something the press should for 3 decades be raging against. Not a suspect celebrity murder case, and not an even more vacuous charge of sexual assault.

So when the press avoid the crimes of their rich corporate sponsors and overlords instead to pile on with, ‘what Black celebrity can we pull down today’, well that’s a train I’m not going to board, and that is a Dachau I’m not going to populate.

There are lots of racist cops walking around free that have committed worse crimes than either Simpson or Cosby have been accused of. There are lots of you judging them, Cosby, Simpson,… that should be wary of casting that first stone.

Simpson I don’t care about, except that the fact of a white owned media embroiled in demonizing him over 2 decades after his acquittal shows clearly the new face of lynch mobs. We have young men and women coming back from parts of the world we didn’t even know we were still fighting in… damaged, and having damaged, for reasons that stink of lies, and true evil, and rather than the press demonize the real monsters that fill our nightly news with blood, they want to waste energy on cases that in the scheme of things while significant to the families of the victim and the families of the accused, to the larger body of society, are not of import.

As far as Cosby, Cosby I was raised on, and in a world that would have you be less, he was one of the ones breaking barriers and opening doors so that a whole generation of young Black men and women could be more. There are very few people drawing breath on this planet that can claim to have done the good that Bill Cosby has done, and if you can not equal a man’s good, you are unfit to judge his evil.

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If he committed a crime, that is to be determined in a court of law.

But a man’s falling down does not erase his standing up, including the many times he stood up for a castigated people. So to take arms against him now is beyond ungrateful, it is cowardice of the highest order.

To let yourself be so crudely used, in this war of Black and White.

Now transitioning to another rant…

Why is local autonomy in nearly every walk of life being replaced by autonomy of these very few companies and oligarchies and families.

Once a blockbuster movie meant not only the studios did well but the regional independent local theater did well. These days theaters are mostly studio owned, so we have this incestuous chain of the studios getting paid in every part of the process, and local economies are obliterated by it. Reduced to only the most minuscule piece of the proverbial pie.

AVENGERS makes a billion Dollars, I don’t really care.

I care that it is or isn’t a good movie, but do I care if a Billion dollar studio make more millions and billions? Not in the least.

As it stands now these studios such as Disney and Fox and Warner Brothers (pieces of larger snakes) should have been broken up years ago and their anti-competitive and local economy suppressing monopolies ended decades ago.

The best thing that could happen to America is a nation where all the Disney Properties, most of which are over 50 years old went into the public domain where they belong so everyone can legally make money off of them and be enriched by them.

An America without the endless shadow of Disney and its lie of family values would suit me fine.

The album is over, the clock has moved on, and my rant…

My all over the place rant… ended.

For now.

“Come back and throw stones later, Mother will be more receptive”

—LION IN WINTER