THE BRIDE (2017)-This is the 2nd Russian film I’m seen by relatively new writer/director Svyatoslav Podgaevskiy, the first being QUEEN OF SPADES, and I have to say… this guy is the real deal. Showing a sense for storytelling, and pacing a scene, and building up a sense of earned dread and creepiness that few directors can equal.
I was and am a huge fan of QUEEN OF SPADES and THE BRIDE might even be better. It eschews (for the most part) the unlikeable, stupid characters, and moronic plots that make up most horror movies these days, instead offering simply baroque and hair raising film-making of the highest order.
That opening scene is how you start a movie. Look forward to more film from this filmaker. Grade: STRONGLY RECOMMENDED. Watch it for free courtesy of Amazon Prime, than buy a DVD/Blu-Ray to earn. It deserves to be the permanent part of any good DVD collection .
I just came from a sold out upscale theater showing of Ryan Coogler’s BLACK PANTHER for Marvel Studios.
I’m going to try to be brief. As someone who went into this having avoided all trailers, and spoilers, and special feature exposes (that in my experience is like pre-chewing your food before sitting down to eat, making it impossible for fan or reviewer to truly be surprised by a film) I was… blown away.
In terms of look, performance, direction, pathos, and humor, and rock solid action, it is without argument one of the best of the EIGHTEEN Marvel Studio Films released to date. I saw it in 3D and it is worth seeing in 3D. You don’t get the things flying into the audience effect, but the sense of looking down, and into chasms and waterfalls, plays up to 3Ds strengths. So I recommend seeing it at least once in 3D. I say once because like the original AVENGERS film, this is a film that deserves to be seen more than once.
I plan to see it in 2D when I go back next time.
This BLACK PANTHER film, released during Black History month, in my humble opinion is in a three way tie for the #1 Marvel Movie of all time; tied with the original AVENGERS by Josh Whedon and CAPTAIN AMERICA WINTER SOLDIER by the Russo Brothers. Those three movies share one shining exquisite truth; they are not just great comic-book movies, they are great films… FULL STOP.
Okay that should be all you need, go see the film now.
Okay still here, the following contains minor spoilers.
BLACK PANTHER is a great film from first frame to last. It is masterfully done; weaving effortlessly between drama, pomp, circumstance, humor, horror, tragedy, and heroism and hope. Chadwick Boseman is astonishing as the titular character, playing him with understated grace and elegance, that carries effortlessly the weight of the film. He is the rock upon which our tale is moored.
Writer/Director Ryan Coogler in three films has catapulted himself as one of the defining directors of our age, and BLACK PANTHER is that talent writ large. This is the tale of the death of kings, of fathers and sons, and things lost in the fire, this is about nothing less than the fate of the world, and about nothing more than the grief of boys for their fathers, a beautifully developed thread in all of Coogler’s films, but never done so well as here.
Coogler takes the admonishment of Hamlet ‘The common theme of life, is death of fathers’ and uses it like a lover and a lance, to both caress and break your heart. And he takes King Henry’s complaint in THE LION OF WINTER ‘I could have conquered Europe all of it, but I had women in my life.’ and here makes of it the saving grace of the protagonist, the film, and the world.
It is the women in this film who save the world, who save the men from their self extinguishing thirst for conquest and vengeance. And taking that line from LION OF WINTER, to also mean parental and familial influence, the difference between T’Challa and Killmonger then ultimately is in their relations to their fathers, even to the structure of their afterlives, one is defined by the inspiration of his father, and one by the lack of his father, and both of them have become completely extraordinary men in staggeringly different ways because of these relations.
It makes for a film of unexpected emotional intensity and depth. Coogler as a filmmaker has my number, as tears unbidden came to my eyes in places in this film. But I would argue he has everyone’s number, if you have the heart to feel, be you Irish or Korean or Ethiopian or American, Coogler will find those places that bind us all,… and squeeze. And then he’ll hit you with the action, then the humor, and sometime when you are laughing, he will squeeze again, and the tears will rise and you will know this is a filmmaker.
And it is wonderful when a director finds his muse, and an actor finds the director that gets him, brings out his best. Coogler and Michael B. Jordan are that combination.
They join legendary director/star pairings such as:
- Ford and Wayne
- Hawks and Wayne
- Kurosawa and Mifune
- Hitchcock and Grant
- Lee and Washington
- Scorsese and Dinero
- Scott and Washington
- Woo and Yun-Fat
- Ayer and Smith
- Fuqua and Washington (It is not lost on me that Denzel Washington’s name appears with three different directors. It just shows the kind of fantastic actor he is, the longevity of his career, and that he can embody for many directors, the perfect actor).
Those pairings when they happen are the source of cinematic gold. And it happens in BLACK PANTHER with Coogler and Jordan, two of the respective best of their generation.
Simply a masterful film, with a stunning cast, and great performances. And Kudos to Kevin Feige who with 18 films under his belt, is not just producing films that transcend the source material, he has proved himself the most successful and influential film producer, in the history of the medium.Supplanting such names as Zanuck or Lewton.
It is a success richly earned.
That said, a lot of fans and reviewers care about the numbers, how much a movie makes. I do not. I could not care less if BLACK PANTHER made $1 or 1 Billion Dollars. In this day where studios own the films and the theaters; that is money that is being taken out of local economies. It is good the movie is successful in that we get more such movies from that director, that producer, those actors, but as far as making Disney richer, that does not concern me.
Now should we go back to the days of local and community owned theaters, then that matters, that we should support, because those dollars are staying in the community.
So I’m happy for the movie not because it does this much business, or that much business, I’m happy for the movie, because such visions raise us all, and the success allows such visionaries to keep telling stories.
Grade: An unqualified A+.
If you like this movie I recommend the following:
The following movies are too good, to trust in the ‘cloud’ or ‘streaming’ to always have them available, or always have them available in unchanged, unedited, or unaltered versions. The below movies deserve to be owned in physical form, in the age of digital.
Chadwick Boseman’s excellent A MESSAGE FROM THE KING
LION IN WINTER
CAPTAIN AMERICA : WINTER SOLDIER
CAPTAIN AMERICA : CIVIL WAR
This is a bit belated but I think you will find a nice overview to 2017 and pointers to 2018 in the ramblings below.
Favorite movies seen in the Theater in 2017:
I only saw two movies in the theater in 2017, so looking to improve on that in 2018. Nothing in January had me jazzed to pay theater prices for, however I am looking forward to the following in 2018:
FAVORITE TV SHOWS IN 2017:
- AMERICAN NINJA
- AMERICAN PICKERS
- LOVE IT OR LIST IT
- LETHAL WEAPON
- THE GRAND TOUR
FAVORITE STREAMING TV CHANNEL IN 2017
The one two punch of AMAZON PRIME and HULU gets this award. NETFLIX that was riding high in 2016 with LUKE CAGE and other shows, had a disappointing 2017. With a non user friendly interface compared to Amazon Prime and a selection of shows and movies that weren’t as interesting or well curated as either HULU or AMAZON PRIME, I cancelled my membership at the end of 2017. The last straw being the overhyped and ultimately lackluster PUNISHER series, as well as news of the studios pulling their content from Netflix.
In 2018 the TV shows that I am or will be watching are:
TAKEN (I think the new showrunner made a mistake getting rid of most of the cast from season 1, but hopefully he can course correct and fix it)
STRIKE BACK and ELEMENTARY return after long hiatuses
LONGMEYER went out with a bit of a whimper, so looking forward to YELLOWSTONE
And lastly looking forward to Season 2 of what, without question, was the best, most inventive TV show of 2017, Noah Hawley’s LEGION.
And for those keeping score… LUKE CAGE tied with FARGO Season 2 (Also by Noah Hawley) were the best TV shows of 2015, and DAREDEVIL Season 1 was the best TV show of 2014.
BEST MUSIC OF 2017
I loved everything binaural in 2017, adding many great CDs to my collection. THE HEAVY and GREGORY PORTER remained in heavy rotation. Gregory Porter being my favorite live performance of 2017. And I added new interests RAG N BONE MAN, Andra day and Brian Ferneyhough. With Spotify to allow me to try before I buy, I’m looking forward in 2018 to discovering more great music, both old and new.
BEST READS OF 2017
I didn’t read as many novels, or listen to as many audio books in 2017 as I did in previous years, so I definitely hope to turn that around in 2018.
I did do substantially better with Art Books, Graphic Novels, Reference Books, and comics in 2017. Some of the standouts:
MATT BAKER THE ART OF GLAMOUR
CREEPING DEATH FROM NEPTUNE
THE WOLVERTON BIBLE
ARTIST EDITION BASIL WOLVERTON (This and the other two previous books having to do with Basil Wolverton, I went all in on him in 2017. Still absorbing these three books here in 2018)
THE SIGNATURE ART OF BRIANSTELFREEZE
SEX AND HORROR THE ART OF ALESSANDRO BIFFIGNANDI
In 2018 writers I intend to go all in on are Percival Everett, Victor Lavalle, Colin Whitehead and Walter Mosley, as well as revisiting work by Ligotti, Lebbon, Ellison, Stephen King, Clive Barker and Bennett.
In 2017 Marvel had a great POWER MAN AND IRON FIST series I was reading, the only thing I was buying monthly from Marvel Comics. And Marvel letting greed get in the way of common sense, killed a series everyone was loving, with a creative team everyone was loving, David Walker and Brian Stelfreeze, to instead both dilute audience attention and oversaturate the market with multiple books, almost all of which are ready to be canceled. So going into 2018, with Marvel sticking to their insane $3.99 price point per book, there are no titles I pick up from Marvel Comics.
In 2017 DEATHSTROKE by Christopher Priest was the only DC Comic I was getting on a monthly base. It’s arguably the one series that you can just pick up and enjoy without having to read any other title, or care about any other title. Priest has been able to just do… what he does best, create a fantastic read; month in and month out. So it is the only DC book I’m reading in 2018. However, greed rears its ugly heads and the idiots who get paid to make stupid decisions have decided to add DEATHSTROKE to their floundering team book… JLA, basically gutting the standalone nature of the comic that allows Priest, to do his magic. Basically the same poor decision making that happened last year with POWER MAN AND IRON FIST.
I figure the conversation went like this… ‘man everyone is talking about this book, let’s put the characters in multiple other books, and then they will be talking about all those other books too.’ No, you EFFING morons! The reason people are enjoying POWER MAN AND INRON FIST or DEATHSTROKE is because it is well drawn and well written and not part of your insipid crossover infested universe. Your very attempts to duplicate that success, without understanding it, will kill the character in the new book, and kill interest in the character in the original book.
So yeah here’s hoping someone with brains over at DC, vetoes the horrible idea to put DEATHSTROKE in the JLA, because I’m not going to read the JLA, and you’re editorial interference will create a character that no longer works in his solo book. You have therefore killed the golden goose and have nothing to show for it.
The good news is when you get sick of the stupid decisions and overpriced ad laden product at DC and MARVEL, you have great content from other publishers to enjoy. Publishers that give you more for your money. Publishers such as IMAGE, AFTERSHOCK, DARK HORSE and many more.
As far as where to buy new comics from, a lot of people will steer you to DCBS. I personally in terms of pure customer service and ease or ordering prefer LONE STAR COMICS. You can order comics in advance from the at http://www.mycomicshop.com at a discount.
They are highly recommended, and I use them myself, and this is an unpaid recommendation. Tell them Heroic Times sent you.
And wrapping this up, favorite podcasts of 2017:
COMIC GEEK SPEAK
WTF with Marc Maron
To name a few. Okay that is it for my 2017 Pop Culture overview. Thanks for bearing with it and if you enjoy, spread the word. Enjoy WEEK #6 of 2018!!!
Riveting documentary about film, racing and life.
AMAZON PRIME vs NETFLIX! Fun MONSTER Movies on VOD this Weekend!
For this comparison I’ve left out vampire, zombie, werewolf and ghost/possession films, concentrating on the more niche sub-genre’s that make up horror movies.
AMAZON PRIME HAS:
EASE OF SEARCHING: Amazon wins. You can type in a generic term and Amazon will search for it. Netflix’s app by default just searches by title
RATINGS: Netflix previously did helpful star ratings, but since has replaced it with utterly useless percentage rankings. Netflix desperately needs to go back to star ratings and IMDB scores on films. Amazon is the clear winner here, offering usually pretty spot on ratings to help you locate your next obscure or recent find.
TRAILERS: Netflix except in a few cases, with mostly their produced content, does not offer trailers. And the few they do offer take multiple clicks to locate and play. I love watching trailers, they can save you a lot of time by, along with the rating, quickly helping you determine if a movie (or show) is worth your time. Another HUGE fail for Netflix, and big win for Amazon Prime.
A ‘VIEWERS ALSO WATCHED’ OPTION – Again it helps emulate the video store dynamic, by putting on your radar options and selections you otherwise would not have thought of. I spend probably 4 times longer on the Amazon app, because it offers this rabbit hole feature. One selection, leading to another, leading to another.
Add all the above, to Amazon Prime’s massive back catalog which dwarfs Netflix’s options, and you have the fun video store experience improved on and ramped up by a factor of ten. Amazon may be producing the superior new content, and branded shows, but as a central distributor of all things VOD, how it made its name initially, it Is falling way behind.
This week’s clear WINNER…. AMAZON.