For this comparison I’ve left out vampire, zombie, werewolf and ghost/possession films, concentrating on the more niche sub-genre’s that make up horror movies.
EASE OF SEARCHING: Amazon wins. You can type in a generic term and Amazon will search for it. Netflix’s app by default just searches by title
RATINGS: Netflix previously did helpful star ratings, but since has replaced it with utterly useless percentage rankings. Netflix desperately needs to go back to star ratings and IMDB scores on films. Amazon is the clear winner here, offering usually pretty spot on ratings to help you locate your next obscure or recent find.
TRAILERS: Netflix except in a few cases, with mostly their produced content, does not offer trailers. And the few they do offer take multiple clicks to locate and play. I love watching trailers, they can save you a lot of time by, along with the rating, quickly helping you determine if a movie (or show) is worth your time. Another HUGE fail for Netflix, and big win for Amazon Prime.
A ‘VIEWERS ALSO WATCHED’ OPTION – Again it helps emulate the video store dynamic, by putting on your radar options and selections you otherwise would not have thought of. I spend probably 4 times longer on the Amazon app, because it offers this rabbit hole feature. One selection, leading to another, leading to another.
One of the things that has been occupying me (besides today’s POWER and ELEMENTARY marathons):
I do not like You Tube if I have to go to its web page, for the simple fact I hate its un-moderated comments and ignored idiocy and stupidity. But the YouTube channel on Amazon Fire or Roku is something else. I find it actually useful, and nice to view on my big screen TV. And no un-moderated comments to deal with.
The main thing I go to YouTube for is short films, followed closely by movie trailers.
But for short films YouTube’s Roku or Fire Channel, is a great boon. Giving a stage and platform for filmmakers who would otherwise go undiscovered to develop an audience and a name, through short films that wow you and stay with you far more viscerally than most feature length films can.
That brings us to OATS STUDIOS, a production company created by Neill Blomkamp of DISTRICT 9 and ELYSIUM fame.
I am not a fan of the feature films of Neill Blomkamp, they have wonderful core ideas, but tend to get lost under poor Hollywood casting or unnecessary backstory. However in the short film is where Blomkamp’s OATS STUDIOS shine.
Those Oat Studio short films form a loose trilogy, united by a common theme of mankind pushed to the brink by powers unearthly. And the films are also united by being superlative and imaginative, and gems of 21st century short films.
FIREBASE (which I have also titled DREAMS OF THE RIVER GOD), the 2nd film released, is a little over 26 minutes, and set in Vietnam War era Vietnam… combines so many mind-blowing concepts, and creates one of the screens memorable creations, in the character of… The River God. I can see this spawning a lot of spin-off short films, set in this universe.
RAKKA, the first film released, moves several decades ahead to a world on the brink of extermination by a threat otherworldly.
All this to say if you are looking for something to watch, then make it to the Oats Studios site and find the aforementioned films by Neill Blomkamp.
As of this writing they do not yet have a BLURAY up for these films, but I urge them to release one. Quality productions such as this deserve a quality Blu-Ray production with special features and director’s commentary, and not simply the ephemeral availability of websites and streaming.
Today’s Recommended short films!
‘The Answer must be in the attempt.’
I had no desire to see this film, but finally watched, it is quite a lovely film. Covering one day, one chance encounter between two people. There is something very relateable and universal about meeting someone in passing, and bridging that gap between is there or isn’t there something there.
It’s a wonderful film about those fleeting glances we have all had, followed and acted upon, and leading to something by chance begun. Here that unlikely and awkward and magical and inept circumstance of burgeoning love is told against the backdrop of one of the most beautiful of cities, Vienna, immortalized by Carol Reed’s and Orson Welles’ THIRD MAN.
It’s a wonderful way to pass an hour and a half. Watching a film about the moments that live… because of the attempt.
“I believe if there’s any kind of God it wouldn’t be in any of us, not you or me but just this little space in between. If there’s any kind of magic in this world it must be in the attempt of understanding someone, sharing something. I know, it’s almost impossible to succeed but who cares really? The answer must be in the attempt.” — Celine in BEFORE SUNRISE
When I can find nothing of appreciable interest in the long form format I turn to short films. And there are real magnificent gems to be found there from David F. Sandberg’s LIGHTS OUT to Alec Peter’s brilliant PRELUDE TO AXENAR.
A new addition I’ve recently stumbled on, are the short films of Alejandro Suarez Lozano.
His THE FISHERMAN is a well paced, well performed and beautifully shot tale of a Fisherman haunted by the one that got away. With traces of THE OLD MAN AND THE SEA and MOBY DICK this visually adept tale of man vs nature also adds the fragile geopolitical overtones of the third world and the first world fighting for space in a 21st century poised to outgrow them both. The ending is both unexpected and perfect.
His HIDDEN SOLDIER follows a soldier on a mission behind enemy lines during World War II. Vividly told in haunted Blacks and Greys, this one pulls you along to an ending that is both audacious and chilling.
Both films are the calling card of a filmmaker to expect increasingly great films from.
The best way to see these two films? Use the link below and view them on the Director’s site and tell him… HT sent ya!
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A film fan who loves to write, talk and promote filmmakers
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