TV REVIEW : Netflix’s LUKE CAGE Season 1 Episode 1-13 by Cheo Hodari Coker

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Well I’ve just finished watching the 13th episode of Netflix/Marvel Studios LUKE CAGE, and I have to say… I loved it. Full stop. Show runner Cheo Hodari Coker manages to in many ways do the impossible, and take a character already spotlighted in the JESSICA JONES series, and whose origins are the milieu of the Black Action or Black Agency film of the late 60s and 70s (mislabeled under the derogatory misnomer of Blaxploitation) and with him tell a rich, evocative, exciting, deeply layered cultural and historical and prescient love letter, to a place, Harlem, New York, and to an idea of local determination, and local agency, and self love, and colored love, and Black love in the age of Ferguson.

 

 

Or you can just look at it as a great action/drama series, set in the wonderfully expansive universe of Marvel shared superhero universe. :).

 

 

But what has exemplified the Netflix/Marvel collaborations to date is how grounded they are in a world not so dissimilar from our own. The gritty street level nature of DAREDEVIL’s 1st season, and ground breaking fight choreography, and fantastic writing made for a justifiably lauded 13 hours of television. (lost a bit in its less cohesive and interesting 2nd season)

 

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LUKE CAGE takes that to another level, in being a show that is as much about cultural signposts and idioms that define us, as it is the ‘A’ story of conflict and resolution. The literary and historical and musical references are not just littered throughout the story, they help define the scope of the character and the scope of the neighborhood that this story takes place in. A man is the things he loves, the things he reads, the things he listens to, the heroes that inspired, the places that mattered, and immediately in one episode Coker defines LUKE CAGE the character and the series in broad strokes, that for me reverberate deeply.

 

 

The first two episodes floored me in how good and rich and beautiful, they are. Coker here hitting, for me, the conversations I have in my soul and my head, Chester Himes, Walter Mosley, Denis LeHane, George Pelecanos, Donald Goines??? Come’ on Son!!! Kenyatta??? Those few strokes and I knew this was a writer with a deep love and understanding of genre fiction, and those who make it.

 

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But it’s more than name dropping, our influences define us, and define our world, and define who we care for, so immediately they make us part and parcel of this story that Coker and his team of writers tell. It’s a beautifully structured 13 hours of television, in that the first 6 episodes are very much their own chapter. You could bundle those 6 episodes up and have a great season.

 

Episode 7 feels like a swerve, very much like a start over, so if you rush into it, not recognizing that peak at the end of 6, that culmination, it’s going to feel stretched out. One of the possible dangers of binge TV… you have to pace yourself.

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Take a break after episode 6, let that sink in. It is very much, in comic book terms, the end of the first trade paperback or story arc. Episode 7 begins the 2nd story arc, so you have to go into it not rushing to a conclusion, but gearing up for the start, because start it does. As everything from the first arc gets turned on its head, and new major players break on the scene. It’s a jarring ride, but once it hits episode 9 its has picked up steam and by 10 is on a full sprint to the finish. Episodes 11, 12 and 13 are Brilliant.

 

There is a saying out there that ‘it’s not how you begin, but how you end that matters’; that saying is wrong. All of it matters. It is about how you begin, how you endure, and how you end. Cheo Hodari Coker’s LUKE CAGE does the extremely unlikely, in doing all three exceptionally well.

 

 

I want a Blu-Ray of this show, complete with Director’s and cast commentary, like yesterday. It is that good, and replete with episodes you want to go back to and know more about.

 

 

And I have to say it’s wonderful to see here in 2016, that TV is making great strides to not be exploitative, and to have shows where you can have more than a token number of characters of color.

 

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One thing I love about LUKE CAGE, particularly about the 2nd half (I love the first half as well) is it is so wonderful to see 6 beautiful women of color in major speaking parts, taking center stage in moments of strength and weakness, and owning the stage. It’s so rare to see a three shot of powerful, beautiful Black women in uplifting, exciting, dramatic, heroic material. It’s non-existent in Hollywood but thankfully, through great show-runners of color, and the success of shows such as BEING MARY JANE and EMPIRE is becoming finally available on the small screen. And the same love extends to being able to see multiple men of color in powerful, uplifting, heroic roles.

 

 

And the appearance of Method Man, and that song… Amazing. This series in addition to a DVD/Blu-Ray, must release a sound track, because in addition to the songs, the score for some of the episodes… is stunning.

 

 

I’ve recently become addicted to listening and purchasing scores, and LUKE CAGE has a world class score.

 

 

Now, is the series perfect ? No. I thought episode 3, they had a real opportunity to do an action sequence as talked about as DAREDEVIL’s hallway fight, but the director/fight coordinator wasn’t up to it. You’ll know the scene when you see it, it’s perfectly fine, but never rises above fine, when it should have been spectacular. And it’s a different show from DAREDEVIL , so the action will be different, I get that, but you can still do different and STUNNING.

 

Also, my problem with a character like Luke Cage, is the same one I have with a character like Wolverine, just because you can stand there and take being shot by a hail of bullets, doesn’t mean you want to or have to.

 

 

Luke Cage’s character (minor spoiler ahead) is revealed as a former police officer, former Recon soldier, former Prison MMA Fighting champ, former Boxer, all this to say… HE CAN FIGHT. So speed the dude up! Rather than standing there and waiting for someone to unload a clip on you, he should be disarming them and wrapping the gun around their necks before they can get off a shot. Especially since ricochets can kill just as well as any other bullet. I understand visually it’s an exciting thing to depict, but it should be the exception for talented filmmakers, not the rule. When he is shielding people from gunfire, sure… let the bullets fly. But in combat mode he should be disarming these guys before they get a shot off. Particularly later in the season that attitude would have made for exciting sequences.

 

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So that was another issue I had. However, the sequences do improve as the series progresses. Plus it’s not a show that is about fisticuffs like DAREDEVIL, as much as it is about the fight for a soul of a neighborhood. And that tale it tells expertly.

 

 

It is a superlative 13 hours of television, and all involved should take a bow. Cheo Hodari Coker has made not just a great Netflix series, but a great television show, and the one to beat as my favorite show of 2016.

 

Marvel's Luke Cage

Marvel’s Luke Cage

And among the Netflix shows so far where do I rank it? It’s much better than DAREDEVIL Season 2, which was good, but not great, it edges out JESSICA JONES, which was great, and it battles it out with DAREDEVIL Season 1 for the top spot. DAREDEVIL Season 1 which was clearly the best show of 2015, outdoes it in terms of action, a definite A of a show.

 

 

However I have minor quibbles with it, like I didn’t like the loss of Ben Urich, I found the character of Karen page annoying through most of it, the character of Matt Murdock was a bit unlikable, and the last episode it failed to stick the landing with an unimpressive looking costume, and just a bit of a dour ending. So those nitpicks, are the reason LUKE CAGE edges it out, and gets a big A+ grade from me. It possesses a story and characters that I want to revisit… often.

 

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Final Verdict: Seminal, Must Watch TV! Will appeal to fans of mystery novels, especially fans of Chester Himes or Walter Mosley, or fans of movies such as TROUBLE MAN.

 

If you are not a fan or are made uncomfortable or nervous or have unexamined issues with women of color, you probably will have an issue with the later episodes.

 

‘The fault lies not in our stars, but in ourselves.’ Brother, it always does. :).

 

But for the rest of us who watch the series, LUKE CAGE is phenomenal television at its best.

 

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Best Singer of the Day (And beyond): Mary Afi Usuah

I was on a spaghetti western kick today, looking for recommendation of the best Western and Spaghetti Western soundtracks, and by fits and starts I found myself getting completely sidetracked. I followed one of those offshoots to an album called 20 BEST CLASSICS EVER : FEMALE VOICES IN ITALIAN SOUNDTRACKS.

It was okay, peppered with songs from a varied assortment, from Sophia Loren to Grace Jones. I found it largely unexceptional save for one song called COWARD by a singer I had never heard of before.

The arrangement was exciting and unconventional, and her voice, sultry, supple, and seminal. Full of power, and gradiations, and range, and the breadth of the human experience. I found the lyrics wanting, but her voice,… she sang like a star looking to tell you what beauty it had seen, before exploding.

This unknown singer’s name was Mary Afi Usuah, a Nigerian sonstress rising out of that tumultuous age of civil and colonial revolutions. Musicians of the age knew her, knew her power of voice and spirit, and she backed up some of the best of the period from Led Zeppelin to Duke Ellington, however larger public recognition eluded her as the Nigerian/London/Rome and Naples trained Usuah, released only two album’s during her 13 year touring career.

I’m listening to that 1975 debut Album now, EKPENYONG ABASI. Largely in Nigerian, there are also songs in English. The album, beyond her beautiful voice, has some masterful playing/rhythms.

The debut is followed up by her 1978 album AFRICAN WOMAN. Both have thankully finally been reissued in CD and Vinyl after having been forgotten for decades. The great Mary Afi Usuah died before seeing these re-releases, but thankfully her music and her name is out there for a new generation to love and be inspired by. Snap these up while available.

Highly Recommended!!

Ekpenyong Abasi CD

African Woman

Beyond these two albums Ms Usuah has some fantastic singles sung in italian. She is only listed as Mary Afi for these releases. Well worth hunting them up on Amazon Music or Spotify.

Currently Listening to : Nate Parker’s THE BIRTH OF A NATION (2016) The Inspired by Album

This is a really odd post, it starts as a nice, fluffy love letter to an album I’m completely loving, and at the end goes completely off the rails and becomes a tirade.

I would say, read the warm, fluffy part, and leave the tirade alone. Especially if you know nothing about the Nate Parker controversy, or better yet care nothing for it.

I’ll give you ample warning when to stop reading.

Not sure where it came from, but it came.

My ire, and disgust with the media.

But it came.

And I thought it was honest, not necessarily right, but it was honest and deserved its say. So I left it.

You have been warned.

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I think what Nate Parker is doing with BIRTH OF A NATION, a hundred years after DW Griffith’s love song to racism by the same title, is nothing short of inspired. The audacity of it, the brilliance, the balls of it, Something Percival Everett does wonderfully in literature, overturning assumptions, and re-appropriating those parts of our shared consciousness, our story, that we have relegated too long… to the worst angels of our nature.

I can’t wait to see the movie when it breaks on wide release. It sounds completely on my page. However I haven’t seen the movie so the jury’s out, but I have listened to the soundtrack, and… I LOVE IT!!!!

LOVE IT!!!

To listen to this one album was reason enough to sign up for Spotify.

And speaking of Spotify, how did I get involved with it?

Well I’m not at all a social media type. But I like things that enrich us and after a month of using Spotify I have to say… I’m feeling enriched.

This is going to sound hyperbolic. And maybe it is. I’m too close, I can’t say. I can only say I’m listening to THE BIRTH OF A NATION as I write this and I’m feeling… thankful.

I think as we get older, and side-tracked by adult concerns, one thing that falls by the wayside, is our time to enjoy and follow and discover music. And I think that moving away from that discovery of new sounds, new voices, new visions, new wonders to buoy our souls, is when we begin to die,

I know, extreme.

But bear with me.

What if the world began with a song, and will end with one.

What if all we are is notes, in some unfathomable composition.

That would mean that what we feed on more than food is music. And it would mean what we starve for lack of, more than food, is music.

The lack of it, the relinquishing of it, perhaps just a little death.

A little death we let wedge its tip into our hearts.

And widen, till everything we are… escapes.

So I’m finding SPOTIFY, with its easy ability to allow me to find and listen to this music I would otherwise not find or find time for…I’m finding it, in my emotional state of listening to THE BIRTH OF A NATION, I’m finding it… of great value.

That said MP3 is great for sampling music, and SPOTIFY is great for introducing me to music, but great music deserves to be listened to on the highest quality CD you can find. I’ve spent a month on SPOTIFY and I have bought easily a couple hundred dollars in CDs.

I’d like to buy BIRTH OF A NATION but unfortunately it is not yet available on CD. But when it is, it’s going on constant rotation in my portable cd player.

It is that good.

 

 

“When they say make America great again, they mean make us all slaves again.”— WAR Nas

“No matter if you’re red, white, black, if you want freedom, then we’re all like Nat!”— WAR Nas

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OKAY STOP READING HERE!!!! Beyond this place, like the old maps once said… “There be Dragons!” I’m bat guano ranting in the next section, and it goes strange quickly, so if strange is not your friend, stop reading NOW!!!!!!!!!!!!!!!!!!!!!!!

 

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Oh and if you have a problem with Nate Parker, and are part of this new spate of using the media to lynch Black Men before trial, be it Bill Cosby or Nate Parker, or really going back 20 years to OJ Simpson, eff you and the horse you rode in on.

“Oh, but they are guilty, they did this, they did that.”

Then let a court prove it. Not the news, not talk shows, not soap boxes.

I don’t stand with lynch mobs, whether you wear a white hood and a shotgun, or a TV camera and a microphone.

Because for a lynch mob it’s never about innocence or guilt, it’s about creating an atmosphere of fear and horror and distrust, so they can sell a message, usually to keep a certain demographic in line.

Me, I’m not the message buying type. In a Nation where less than a hundred years ago, thousands of Black men (many of them war heroes) were lynched by ‘god fearing’ ‘people’ I’ll side with Black ‘villains’ before I side with a biased lynch mob media, everyday of the week, and twice on Sunday.

If they are guilty try them in the courts. Do not effing try them on your TV program, or radio show, or ‘news’ show, or at the water cooler, or on your lynching scaffold.

Until you’ve done the good of a Bill Cosby, or a Nate Parker, or even an OJ Simpson; don’t presume to judge their evil. That’s for a court room… your soul is not sinless enough for the task.

I say again…

Your soul… Christian, or Muslim, or Jew, or Hindu… is not sinless enough for the task.

I think any Presidential candidate you can name has done more evil than all three of those men combined. The pursuit of power is a bloody road, and the achieving of it even more so.

You kill one person (allegedly) they call you what, OJ? 🙂 You kill thousands of people, they call you Reagan or Bush.

Save your hate for mass murderers, but for other flawed men, and for yourself, pray to be better.

That is the justice of honest men, who are wise enough to know, there… but for the grace of God… go I.

 

Woah… that came out of nowhere.

But hey, that’s what you can expect in a nation that is honestly considering Trump for the highest office in the land. Derision. :).

God keep you all from rage, and keep you all from harm, and most of all god keep you from the folly of thinking you are bloody better than the poor slobs the media chooses to lynch today.

Amen.

If you like this crazy post, or just like the blog, support by checking out and purchasing the following cool and recommended items!

Sylvania SDVD7029 7″ Portable DVD Player-Swivel Screen (Certified Refurbished)
Kids these days, in this age of MP3s and Itunes and Spotify have no idea what CDs are, or how good they can sound. For $40 you can give them the gift of not only a portable CD player, but a portable DVD player.

But it’s as the former, a portable CD player, that currently interests us. In addition to the portable player you want to get them a couple CDs to play on it, and I recommend the following two:

It Follows (Original Motion Picture Soundtrack) I really enjoyed IT FOLLOWS and the soundtrack on CD is equally brilliant, and stands on its own as just engaging and creepy and addictive listening experience.At once an influenced work, yet highly original in its own right, and sure to be influential. Disasterpeace hits a homerun with this score. Nice use of stereo imaging. Highly Recommended.

Sinister (Original Motion Picture Soundtrack) – I’m not a wimp, and am a huge fan of a variety of scores, especially the dark, strange ones, but I have to say this Christopher Young score is on a level all its own. I find it truly disturbing, and yes… scary. A huge achievement, and essential listening!

Azend Group Corp BDP-M1061 Maxmade Portable 10-Inch Blu-Ray DISC/DVD Player (Black)

Sony S1500RF Multi System Region Free Blu-Ray Disc DVD Player

Amazon DEALS OF THE DAY! Best Soundtrack of 2016!?!

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THE HATEFUL EIGHT Soundtrack by Ennio Morricone – Quentin Tarantino’s The Hateful Eight Soundtrack

Quentin Tarantino’s eighth movie THE HATEFUL EIGHT, I saw just this previous December in its extended road show version. I saw it at a sumptuous venue, surrounded by real cinephiles, and quite liked the movie. I thought it had flaws, because while not a prude by any measure, I did think Quentin went a bit heavy on the profanity button.

Sometimes excess is not verisimilitude, being true to the framework of your film, sometimes it is just excess, and gets in the way of your film.

At some point it becomes like a kid who has just learned to curse, and says it all the time as if there is a maturity in that, when just the opposite is the truth. Over use of profanity is the mark of a juvenile aesthetic. I thought the movie was great, I loved the process and loved the ending and loved the visuals, the only detraction was… that juvenile aesthetic of Tarantino’s.

So it’s a movie I really liked, and want to call a great movie, but a great movie should also be re-watchable, and I’m uncertain how many times I would want to re-watch this. Portions of it sure. But to sit down and rewatch the whole thing? Revisit it, like I do with THE SEARCHERS or TOMBSTONE  or ONCE UPON A TIME IN THE WEST… Not so much. That’s where the juvenile aesthetic works against a film, and works against Tarantino. These slight misgivings aside, It is still a solid B+ of a movie.

However one thing that I was not not conflicted on was Ennio Morricone’s score. Upon hearing this in the theater, I new I loved it and wanted to purchase the soundtrack when available. And I’m not a soundtrack guy, I buy sporadically, and seldom consider buying the score while watching a movie. So that tells you what type of impression this score made on me.

Today I received the Third Man Records stunning 2 LP Pressing of THE HATEFUL EIGHT. Wow! This may just be the collectible of the year!

It takes me back to the thrill I got of getting Records or Laser Discs, back in the day. That larger than life, elaborate and beautiful album cover, filled with extras, such as a booklet with liner notes, posters, photographs.

For around $30 while supplies last , it is a steal!

Morricone purportedly came out of retirement to do this score for Tarantino, and I’m glad he did, because he creates a score for the ages, to stand up to his decades of stunning, influential, and cinema shaping…. scores.

Now while the music is excellent, the pressing is also slightly hampered by Tarantino’s decision to add dialogue to the album. I would have preferred this album without Tarantino’s additions of dialog, and let this just be the music. However the dialogue tracks are easily skipped on CD. Not so easily skipped on the LP,  but the 2 album LP, is a collector’s dream, sporting a beautiful fold out gate fold cover,, and enough extras to make it worth any purchasers time to own both the CD and the LP.

Pick up both at the links below while in stock:

Quentin Tarantino’s The Hateful Eight Soundtrack

Quentin Tarantino’s The Hateful Eight CD

 

CDs worth owning in the age of Itunes! 15 Favorite obscure CDs!


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ALAN MOORE : THE MOON AND SERPENT GRAND EGYPTIAN THEATRE OF MARVELS -A fantastic CD, oral dissection and tour of London of the Id. Alan Moore is analogous to Shakespeare in that like Shakespeare he is one of the greatest writers of a castigated medium (Shakespeare worked in the, during his life, little respected medium of plays, mass entertainment for the mobs; and Moore works in the medium of comic books/graphic novels), and arguably is not fully understood or appreciated out of that medium in his lifetime. His spoken word CDs are some of the most amazing and compelling, combining his love of topics but strange and obscure, married to his voice, which is one of the greatest and most haunting voices of our age. Moon & Serpent Grand Egyptian Theatre of Marvels

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DEATH : FOR THE WHOLE WORLD TO SEE – Rock/Proto-Punk – Turned on to this CD by the wonderful documentary A BAND CALLED DEATH. A great documentary and a great CD. For the Whole World to See

ABRAHAM BURTON QUARTET : CAUSE AND EFFECT – Was turned onto this CD by Amiri Baraka when I met him a few years back and bought his excellent hardcover book DIGGING THE AFRO AMERICAN SOUL OF CLASSICAL AMERICAN MUSIC. Cause and EffectDigging: The Afro-American Soul of American Classical Music

CHE : NOT LIKE THEM – Caught this artist live performance years ago, and got this CD direct from him. It still remains one of the best CDs I own. An amazing performer who brings together Neo-soul, R&B, Rock, and some genres not invented yet, in a fun, head bobbing package.

TAALAM ACEY : BLUES RESURGENCE – Another artist I caught live, and got this CD direct from him. One of the greatest spoken word CDs. Blues Resurgence

MARK GROSS : RIDDLE OF THE SPHINX – I heard him play his title track in a dive bar, somewhere on the edge of the world, and purchased. A great purchase as it is one of the best Jazz Cds I’ve ever heard. Riddle of the Sphinx

AWADAGIN PRATT : A LONG WAY FROM NORMAL- My gold standard for classical piano CDs are the great Glenn Gould’s BACH THE GOLDBERG VARIATIONS released by CBS Records and this lesser known, but no less great, album by Awadagin Pratt. A must own. Plays Liszt/Franck/Brahms/Bach

PARIS : THE DEVIL MADE ME DO IT/SLEEPING WITH THE ENEMY – I added these two CDs as one, because even though they are separated by decades, they are linked at the hip, by a fervor that is both mired in specific times, yet oddly time resistant. And a delivery… unequaled. The Devil Made Me Do It

TERRY CALLIER : SPEAK YOUR PEACE – Speak Your Peace

QUINCY JONES : IN COLD BLOOD – Soundtrack. Why on earth would anyone ever want the sound track to a movie? When I was young it made no sense to me. And to be truthful, for most movies and soundtracks I still feel that way. I’ve listened to a lot of not especially interesting soundtrack Records and CDs. And then one day I put on the LP to Cold Blood by Quincy Jones, a young Quincy Jones before he became the manager for the King of Pop, and settled into making pop and r&b albums. This young Quincy Jones was pushing how music could be used to elicit feelings and tell stories, and during the late 60s early 70s created some of the most experimental and haunting music ever conceived. IN COLD BLOOD remains the seminal instrumental work done not just by Quincy Jones, but by anyone. It was the first soundtrack album to open my eyes to the fact that the soundtrack can be a work of art onto itself. IN COLD BLOOD (ORIGINAL SOUNDTRACK LP, 1968)

JERRY GOLDSMITH : PLANET OF THE APES – Jerry Goldsmith has created mountains of Sound tracks, I don’t know if he has ever been more experimental or better than here. Planet Of The Apes: Original Motion Picture Soundtrack – Also Featuring Music From Escape From The Planet Of The Apes

JIMMY WILSON : FUTURE HISTORY – Future History

DON PEYOTE : BETWEEN WORLDS – A lot of people turn up their nose at the term New Age, rightly or wrongly I don’t know. What I do know is I’m in love with binaural effects, and CDs that, using just a headphone, can recreate a 360 degree environment. BETWEEN WORLDS does that brilliantly. A great CD to read or drift off to. Between Worlds with Hemi-Sync

STEVE USCHER : LA GUITARRA TROPICAL –

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IMMORTAL TECHNIQUE : REVOLUTIONARY VOL 2 – I have oft praised this CD. It should be required listening by people who want to hear what rap can be like… when it is about more than self grandizement and debasement.

Well hope you enjoyed that list of essential obscure CDs. Now I’m sure most of you in this age of Itunes have ditched your walkman, so how, you ask, do you play these cds? Well thankfully there are nice, compact, cost effective devices that allow you to take not only your cds but your dvds and other media with you when on the move. Here’s a link to one:

Sylvania Portable DVD Player SDVD7027-C, 7-Inch, Swivel Screen, Black

Enjoy!


100 Reasons CDs still rock! Reason #42: NOISY LOVE SONGS by Okkyung Lee

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NOISY LOVE SONGS by Okkyung Lee – Is undeniably noisy and I’m almost positive that portions of its scathing sound stage begins to liquefy my frontal lobe, but that’s a negotiable price to pay for cellist Okkyung Lee and her eight part ensemble’s ability to take sound and music far past normal.

A challenging but revelatory listening experience that you need the full sonic range that a good CD will provide, to adequately hear and experience. Grade: B+. Strongly Recommended!

Noisy Love Songs… price your cd here!

And take your CDs and DVDs with you, with this 21st century walkman: Coby TFDVD7011 7-Inches Portable DVD Player

Today’s Recommended Deals!

COWBOY BEBOP:THE MOVIE DvD Review!

COWBOY BEBOP:THE MOVIE
Cowboy Bebop: Tengoku no tobira (2001)

I’m not an Anime or Manga fan. While a fan of SPEED RACER reruns as a kid, and blown away by films like AKIRA and the first GHOST IN THE SHELL, I generally find them to be the exception rather than the rule. That is to say I come across more anime I dislike than like.

The same thing for manga, I’ve tried things like MONSTER only to find myself uninterested quickly.

So it was nice to go into COWBOY BEBOP THE MOVIE, and immediately take a liking to the visuals and tone of the story telling, and the multi-cultural tableau of COWBOY BEBOP was also quite welcome.

A couple things strike you really quickly going into the film, it’s visually very beautiful to look at, fluid and kinetic and even balletic. Great action scenes and the visuals are sumptuous. The 2nd thing that strikes you is just how brilliant a job the English Voice actors and sound design crew do in bringing this to life. The dub is generally a derided part of most imports, we’ve all sat through our share of horrendous English dub jobs. So the general rule of thumb, is viewers should sit through dubbing only for comedies, and subtitles are for dramatic foreign films (the thinking being humor is something that can’t be well conveyed in subtitles, humor is a lot to do with pacing and intonation and much of that requires the spoken voice, not subtitles. Plus any poor English dub voices will only add to the humor/ridiculousness).

So yeah the general rule of thumb is the dub version should be avoided for anything save humor. I’m happy to say that COWBOY BEBOP THE MOVIE is the exception to that rule. I watched it both ways, with the English Dub and with subtitles, and the English dub is clearly the way to go. The Voice actors are awesome, really strong performances, and convey so much information, that you don’t get by just reading the subtitles.

So very rarely do English Voice Actors working on foreign films get their due, but here they really do stellar work, and make this film shine. Highly recommended performances by all the voice actors.

Now moving onto the film itself, I went into it pretty blind having never seen an episode of COWBOY BEBOP, and for the most part that wasn’t a problem. The movie being relatively new viewer friendly. A story about a group of bounty hunters on Mars, and their most dangerous hunt. The movie does suffer from some pacing issues, it feels long. It took a few tries to actually get through this movie, I found myself zoning out consistently at the same spot. Going along with that issue, 3/4th of the way in, after the protagonist Spike has the battle on the train, the plot does get confusing. A murky resurrection, talk of Spike and the Antagonist being the same, and talk of a previous girlfriend, and it’s all a bit off-putting to the new viewer who hasn’t seen any COWBOY BEBOP.

However murky bits and pacing issues aside it ends entertainingly enough, with enough stellar, imaginative visuals and tender story and awesome jazz-tinged soundtrack to get a recommend from this reviewer, But be aware that this is very much a DVD film, it works much better consumed in portions, rather than trying to sit through the whole thing at once. Your mileage may vary. Grade: B.