Criterion Blu-Ray of the Day : Jeffrey Wright on the phenomenal film RIDE WITH THE DEVIL

Like the war it pivots around, Ang Lee’s RIDE WITH THE DEVIL, is a troubling property.

A box office failure on its release in 1999, the film came and went from theaters, virtually unseen. The release of the movie on Blu-ray, from respected Blu-ray Boutique label Criterion, finally gives audiences a chance to (most for the first time), see and explore what may be the most challenging film, from a director known for taking on eclectic and challenging material.

It is not an easy film, filled as it is with absurdities, and contradictions and stupidities reflective of the time. However stick with it, as it is a rewarding film, as much for what it says about the mistakes this nation has made, as it is prophetic and timely about the mistakes this nation is currently making.

Is it a great film? It has moments of greatness, and is never quite what you think it is.

It is ultimately a film I bought simply upon Jeffrey Wright, mentioning it as one of his favorites; and one I am very glad I bought. The beautiful criterion release offers a great interview with Jeffrey Wright, snippets of which I have provided below. However, please watch the film before indulging in the full special features.

In an age of streaming, this Criterion release of RIDE WITH THE DEVIL makes a case for physical media just in the gorgeousness of the gestalt. From the striking and handsomely designed packaging, to the overflowing with special features director’s approved and remastered release, to the eye-catching booklet filled with informative essays on the film; in every way this film is as much a tactile and dimensional experience, as a visual one.

A must own release. Grade: B+.

 

“I think that’s what separates this film from other films about the civil war, and other films that deal with historical racial dynamics in this country, that Ang was open to the complexity of it. That war is a seminal event in the character of American history, and it continues to inform who we are today, and who we will become. The story is a non-conventional look at historic race relations in this country. “

“I understood the attack they had planned, and I understood the subtlety of the character they had drawn. Holt, the character I played, that Ang described as an emerging character, and I thought it worked on multiple levels, relative to the film. Interestingly that was the first role I got, not having had to audition. Ang said that he had seen my work, he had seen Basquiat prior to that and maybe some of my stage work and said ‘There was something in your eyes that I saw, that was right for the character.’ That as well gave me a lot of confidence in the way that he worked, and  the way he understood what acting was.”

“Black folks in the south, in the years before the civil War did not have a voice. Holt, is reflective of the nature of Black folks relation to society at that time. And ultimately as he emerges out of that silence, what he does say is all the more heightened, and all the more powerful.”

“I think it has gained a core audience since then — an expanding audience, it’s a film that’s going to survive. RIDE WITH THE DEVIL is the last film about the Civil War of the 20th century, and I think the arc from BIRTH OF A NATION, at the beginning of the 20th century to RIDE WITH THE DEVIL is an evolution of our ways of portraying this critical and defining point in our history, through cinema.”

Get your copy here!

5 favorite audio books NOT available via streaming, spotify or Audible! Book #5 WOLFEN!

There are about two dozen truly great audio actors, whose work on audio books, is a MUST OWN. Among them are Orson Welles, David Birney, Harlan Ellison, Roddy McDowall, James Mason, Michael Boatman to name a few.

Some of these guys work, for various reasons such as rights etc, are not available via streaming or in some cases even on CD. But these are preeminent works, of the greatest voice actors of their respective era, giving their greatest deliveries. And they can still be picked up via LP or cassette, at affordable prices, and deserve to be.

Once bought on LP or cassette go ahead and digitize it so you have these must own works in a preserved format. Here then without further ado, is the first of our 5 must own audio books!

https://images-na.ssl-images-amazon.com/images/I/41-EAZMm3fL._SX295_BO1,204,203,200_.jpg Roddy McDowall reads WOLFEN- I am a huge fan of the 1981 WOLFEN film, I think it is a flawed, but unjustly overlooked masterpeice. However, I love this audio book version as much, perhaps even more, and that iis down to Roddy McDowall.

Roddy McDowall, a prolific actor with over 250 credits to his name, who is likely only remembered by a younger generation for his turn in FRIGHT NIGHT (1985),  gave some of the great, humanistic performances of cinema in his abundant career. From Academy Award winning turn in HOW GREEN WAS MY VALLEY (1941)  to his immortal role as Caesar in PLANET OF THE APES (1968) to THE LEGEND OF HELL HOUSE (1973) to the aforementioned FRIGHT NIGHT (1985), and everything in between, Roddy McDowall, despite the quality of the film or script, never gave a bad performance. The consummate actor, he always carried his role, you always believed him; and he brings that veracity to this audio book, and paints with his voice the hallowed and harrowing world of WOLFEN.

Click on the link below to acquire this essential bit of audio book history.

 

The Wolfen Audio Cassette – June 1, 1990

Material Type: Fiction, Audio book, etc.
Document Type: Sound Recording
All Authors / Contributors: Whitley Strieber; Roddy McDowall

ISBN: 1558002227 9781558002227
OCLC Number: 21983678
Notes: Abridged from the author’s book of the same title.
Performer(s): Reader, Roddy McDowall.
Description: 2 audiocassettes (approximately 180 min.) : digital, Dolby processed, 1/8 in. tape
Responsibility: author, Whitley Strieben.

Youtube and Pandemic Video of the Day, France, Revolutionary War and Captain America?

 

There are a couple things and a couple places that historically enrage me.

You will find injustice and stupidity everywhere, but some places seem to have more than their fair share. Some places where the rule of law and government, is put in the hands of the most venal, and these miscarriages of not just justice, but of humanity continue to proliferate and occur.

The MOVE Bombing in Philadelphia comes to mind, the LA riots, sentencing mentally disabled children as adults in Florida and locking them up with Adults.

Ah Florida.

You bring to mind a quote from Henry the Vth.

And when I think of Henry the Vth, it is not the play I read that comes to mind, or the many film adaptations, it is a very specific film and performance. It is Branagh’s HENRY THE V. And there is this scene where he has just seen the bodies of the children that France killed in a sneak attack. He says, he seethes, “I was not angry till I came to France!”

The webpage will not show this image anonymously.

Often I have heard news dealing with Florida, and it rises in me that self same rage, and I think… “I was not angry till I heard of Florida!”

And again I am sure there are great parts to Florida, great people in Florida, however it seems rightly or wrongly, they are overshadowed by the… mad.

Though it could be argued that… considering who some people voted for in the last presidential election, that all of America is mad.

***

Perhaps one of the greatest warriors America has ever produced, perhaps he was right.

Perhaps he was right when he switched sides.

I’m talking about Benedict Arnold.

History only remembers him as traitor.

They forget that he was the one everyone looked to, Washington, Jefferson, Banneker all of them. He was the Captain America of his day.  Winning battle after battle, until at some point he saw a dichotomy between a colony seeking its Freedom from England, while ever more earnest about creating its wealth through a system of petty tyrannies, fiefdoms, slavery and impoverishment.

Ah Arnold, they have roughly used you.

Perhaps he was right.

An 1880 Bio of Benedict Arnold, By A Sympathetic Relative

 

All that to say, that video… riled me.

********

Now a bit more on that Henry the Vth quote:

“I was not angry till I came to France!”

That line has always stuck with me. What was said, and how he said it, and the enormity of the villainy to prompt such words.

However I don’t want people to confuse me  being moved by that line, with any problems with France.

I like France, I went through it when I was younger, on a trip from Germany to London than back down through France to Spain.

Map of Central Europe (General Map / Region of the World)

While some American media has this totally undeserved derision toward France, the truth of the matter is… there would not be an America without France. The 100 year war between France and England, actually being just a small part of a 1000 year rivalry between those Super-Powers of that age, and the battle ground of America, what we called the Revolutionary War, was simply, for those Super Powers, their Vietnam.

Britain was fighting too many wars on too many fronts, battles with Spain, and France and on their own shores, and now a treasonous colony to deal with, that was being supported by their enemies. It was too much.

America likes to think we beat Britain, that is not the case. No, more than Vietnam beat America. In both cases battles on too many fronts, at home and abroad, required that the super power relinquish their expansionist wars, to concentrate on maintaining the nation proper.

So yeah, while Henry the Vth rightfully raged against France at the Battle of Agincourt, for myself, and for I think any American who has studied even basic history, and appreciates (for all its horrendous flaws) the dream of America, well you have to thank France for there even being a nation called America. Much as Vietnam has China to thank for them not being annexed by the United States.

So historically a fan of France, though these days they are dealing, like much of Europe and the World, with the rise of a new form of colonialism and fascism, under the guise of big business supplanting the rights of the individual.

 

Woah, man. That post went all over the place.  🙂

Somewhere in all that rambling there is probably a point. Me, I’ll leave it there. With this last refrain…

  • Travel when you can.
  • Defend each other and yourselves when you must.
  • Find and spread joy where you may.

These are my only laws.

Oh, and deliberate cruelty is not forgivable.

In the words of Tennessee Williams and Blance Dubois. Deliberate cruelty is not forgivable.

The webpage will not show this image anonymously.

The webpage will not show this image anonymously.

Be well all.

And here endeth the rant. 🙂

 

-HT

 

Deal of the Day!

Artbook of the Day : REBUS by James Jean! – One of 15 Best Artbooks of All Time?!!!

If my house, god forbid, was being evacuated, and after family, pets and other essentials, they told me “here is a box you have room to bring 15 of your artbooks” ; REBUS by James Jean, would be one of those books.

Now to clarify, I have a lot of artbooks, and if I do say so myself I only own what I consider GREAT and ESSENTIAL artbooks, so to narrow that down to 15… is difficult.

But here for your list reading pleasure, is one of those 15!

REBUS by James Jean

I actually love the design and construction of this book, more than the actual content. Don’t get me wrong, the artwork is great, very beautiful, and I like it quite a bit, but I do not love it. It is not quite my style, but the stunning construction of the book, with the red gilded pages, makes it such an art object in and of itself. It is the only James Jean book I own, and it is because of the beatiful construction and design of the book itself.

 

You can get your copy of REBUS here!

Streaming VOD Movies, TV shows and Youtube Videos of Week 2 of 2020! SHUDDER Edition!

 

 

 

https://res.cloudinary.com/amc-svod/image/upload/f_auto,w_600,q_auto:best/vmh/6846056b4e192c47_boxart.jpghttps://res.cloudinary.com/amc-svod/image/upload/f_auto,w_600,q_auto:best/vmh/0d60dca411127720_boxart.jpghttps://res.cloudinary.com/amc-svod/image/upload/f_auto,w_600,q_auto:best/vmh/a5893189d2c98895_boxart.jpghttps://res.cloudinary.com/amc-svod/image/upload/f_auto,w_600,q_auto:best/vmh/a82798ecfe55fbb2_boxart.jpg

 

These 4 films, which I have watched since starting my SHUDDER subscription (something like $2.49 for the month, for the next 3 months) are all FANTASTIC, films, in very different ways. But all of them have soared to the top of my MUST BUY List!

MANDY I raved about in a previous post is just a brilliant primary color tinged nightmare of a dream quest/revenge story committed to film.

THE HEAD HUNTER, is a claustrophobic, incredibly tense, incredibly rousing,  actioner/creature feature mash-up.

THE WAX MASK is one of the most sumptuously filmed and strangest Italian Giallo’s, being both a period piece and a Hammer studios homage, a stunning directorial debut.

And then we come to Lucio Fulci’s CITY OF THE LIVING DEAD. I am not a champion of the nonsensical, gore filled films that most remember Fulci for, like THE BEYOND and THE HOUSE BY THE CEMETERY and this one, CITY OF THE LIVING DEAD. I think all of these are the films he made when the audiences  neglected his true masterpieces, to some extent when he stopped caring about making great films, and just decided to pander to the lowest common denominator horror crowds. When Fulci cared, he was one of the most imaginative, talented and stylish filmmakers of his time. He made some of the best Giallos, some of the best westerns, one of the best Hitchcock homages, and one that was his stab at a serious film/period piece. It was that film’s failure that soured him on film and audiences, and made him a gun for hire, and by reports misanthropic to his cast, his crew and the audience, and a churner out of his gore films. That said while I do see these films as Fulci no longer being that filmmaker whose westerns would inspire John Woo’s Blood Ballets and dove motif, despite these films being set-pieces of gore… loosely supported by a story, they are despite all that… still very, very compelling and entertaining. He builds moments of tension and dread and horror, as well as a good smattering of WTF!. Just the audacity of these films, particularly CITY OF THE LIVING DEAD, is impressive. So while not a champion of this film like I am of his earlier films, even lesser Fulci… is jaw dropping. This movie has story structure issues, it doesn’t hold together as a cogent film, it is haphazard and at times silly, but all that aside it is always visually arresting and cinematically audacious. And once seen, you want to own the BluRay to see the making of features and here the interviews and commentary because you definitely want to know what the cast thought of him, after making them do some of the things he had them do in this film.

I’ll be doing an upcoming piece on Fulci, but I guess it says everything about Fulci, is that even what I consider his ‘slapped together/whatever’ film phase, consists of many films, such as CITY OF THE LIVING DEAD, that are must watch films. Even his films of derision, are dripping with imaginative talent.

 

2019 End of the Year Director Overview – Henri-Georges Clouzot

2019 End of the Year Director Overview – Henri-Georges Clouzot

The best available films of and about the great Suspense Director Henri-Georges Clouzot

Product Description

In a squalid South American oil town, four desperate men sign on for a suicide mission to drive trucks loaded with nitroglycerin over a treacherous mountain route. As they ferry their expensive cargo to a faraway oil fire, each bump and jolt tests their courage, their friendship, and their nerves. The Wages of Fear (Le salaire de la peur) is one of the greatest thrillers ever committed to celluloid, a white-knuckle ride from France s legendary master of suspense Henri Georges-Clouzot.

BLU-RAY SPECIAL EDITION FEATURES:
Restored high-definition digital transfer with uncompressed monaural soundtrack
Video interviews with assistant director Michel Romanoff and Henri-Georges Clouzot biographer Marc Godin
Interview with Yves Montand from 1988
Henri-Georges Clouzot: The Enlightened Tyrant, a 2004 documentary on the director s career
Censored, an analysis of cuts made to the film for its 1955 U.S. release
PLUS: An booklet featuring an essay by novelist Dennis Lehane

Review

A big, masterly movie…it joyfully scares the living hell out of you as it reveals something about the human condition. –Vincent Canby, The New York Times

https://amzn.to/2SOgfn3

 

Before Psycho, Peeping Tom, and Repulsion, there was Diabolique. This thriller from Henri‑Georges Clouzot (Le corbeau, The Wages of Fear), which shocked audiences in Europe and the U.S., is the story of two women—the fragile wife and the willful mistress of a sadistic school headmaster—who hatch a daring revenge plot. With its unprecedented narrative twists and unforgettably scary images, Diabolique is a heart-grabbing benchmark in horror filmmaking, featuring outstanding performances by Simone Signoret (Casque d’or, Army of Shadows), Vera Clouzot (The Wages of Fear), and Paul Meurisse (Le deuxième souffle, Army of Shadows).


Special features

New digital restoration, with uncompressed monaural soundtrack on the Blu-ray editionSelected-scene commentary by French-film scholar Kelley Conway

New video interview with Serge Bromberg, codirector of Henri-Georges Clouzot’s, Inferno

New video interview with horror film expert Kim Newman

New and improved English subtitle translation

PLUS: A booklet featuring a new essay by film critic Terrence Rafferty

https://amzn.to/2SF4rTM

 

This masterful adaptation of Prévost s 1731 novel Manon Lescaut marks quite a departure for Henri-Georges Clouzot, the French director lauded for his acclaimed thrillers The Wages of Fear and Les Diaboliques.

A classical tragic romance transposed to a World War II setting, Clouzot s film follows the travails of Manon (Cécile Aubry), a village girl accused of collaborating with the Nazis who is rescued from imminent execution by a former French Resistance fighter (Michel Auclair). The couple move to Paris, but their relationship turns stormy as they struggle to survive, resorting to profiteering, prostitution and even murder. Eventually escaping to Palestine, the pair attempt a treacherous desert crossing in search of the happiness which seems to forever elude them…

Clouzot s astute portrayal of doomed young lovers caught in the disarray of post-war France wowed the jury of the 1949 Venice Film Festival, where it won the Golden Lion award. Unjustly overshadowed ever since by the director s suspense films, Manon now returns to screens in glorious High Definition with a selection of elucidating extras.

SPECIAL EDITION CONTENTS

 

  • High Definition Blu-ray (1080p) presentation

 

  • Original 1.0 mono audio

 

  • Optional English subtitles

 

  • Bibliothèque de poche: H.G. Clouzot, an archival documentary from 1970 in which Clouzot talks of his love of literature and the relationship between the page and the screen

 

  • Woman in the Dunes, a newly filmed video appreciation by film critic Geoff Andrew

 

  • Image gallery

 

  • Reversible sleeve featuring two artwork options

https://amzn.to/2ZGgT7f

In 1964, Henri-Georges Clouzot, the acclaimed director of thriller masterpieces Les Diaboliques and Wages of Fear, began work on his most ambitious film yet.

Set in a beautiful lake side resort in the Auvergne region of France, L’Enfer (Inferno) was to be a sun scorched elucidation on the dark depths of jealousy starring Romy Schneider as the harassed wife of a controlling hotel manager (Serge Reggiani). However, despite huge expectations, major studio backing and an unlimited budget, after three weeks the production collapsed under the weight of arguments, technical complications and illness.

In this compelling, award-winning documentary Serge Bromberg and Ruxandra Medrea present Inferno’s incredible expressionistic original rushes, screen tests, and on-location footage, whilst also reconstructing Clouzot’s original vision, and shedding light on the ill-fated endeavor through interviews, dramatizations of unfilmed scenes, and Clouzot’s own notes.

SPECIAL EDITION CONTENTS

 

  • High Definition Blu-ray (1080p) presentation
  • Original 5.1 DTS-HD Master Audio
  • Optional English subtitles
  • Lucy Mazdon on Henri-Georges Clouzot, the French cinema expert and academic talks at length about the films of Clouzot and the troubled production of Inferno
  • They Saw Inferno, a featurette including unseen material, providing further insight into the production of Inferno
  • Filmed Introduction by Serge Bromberg
  • Interview with Serge Bromberg
  • Stills gallery
  • Original trailer
  • Reversible sleeve featuring original and newly commissioned artwork by Twins of Evil
  • FIRST PRESSING ONLY: Illustrated collector’s booklet featuring new writing on the film by Ginette Vincendeau

https://amzn.to/37u1B8z

 

 

 

La Prisonnière: Woman in Chains (Blu-ray)

The final film of Henri-Georges Clouzot’s (Diabolique, The Wages of Fear) brilliant career, La Prisonnière (1968) is a sensuously colorful film of voyeuristic sexual obsession. It maps a love triangle between abstract sculptor Gilbert (Bernard Fresson), his TV editor girlfriend Josée (Elisabeth Wiener), and art gallery owner Stanislas (Laurent Terzieff). At an art opening, Gilbert ditches Josée, so she ends up going home with Stanislas, who shows her a photograph of a woman in bondage. The image is shocking and alluring, and Josée asks to attend his next erotic photo shoot, her first step in unlocking the depths of her desires. Making full use of the psychedelic optical effects that Clouzot developed for the unfinished L’Enfer, La Prisonnière is a visionary swansong for this legendary cinema artist.

Special Features: Audio commentary by film historian Kat Ellinger • Booklet essay by film critic Elena Lazic The Rebellious Elisabeth Wiener (25 minutes) • Trailer

 

10/10

A disturbing masterpiece

slabihoud2 May 2019

Since there is little talk about “La Prisonnière” when ever there is some kind of documentary or article about Henri-Georges Clouzot , It hasn’t been shown on TV for a very long time and so I thought it must be a weak film, probably done with a small budget and only half-heartedly because of bad health. Boy, was I wrong! After Clouzot’s collapse at the filming of “L’Enfer” he had to refrain from filming for some time. He already had a breakdown earlier in his career and his reputation for being excessively obsessed with perfection was very likely the reason for it. He filmed only every few years because he planned his films methodically. After the disaster of “L’Enfer” it looked as if he had to retire because of his health problems. But he recovered and was able to finish one more film.

When you have seen the documentary “L’Enfer de Henri-Georges Clouzot” then you know that all the tests he had made for it have not been in vain. “La Prisonnière” looks very much like another try on “L’Enfer” from a different point of view. The strange lightning tests he made with Romy Schneider, Dany Carrel and Serge Reggiani and the experiments with shapes and optical illusions, that all and much more went into “Le Prisonnière”. And here it makes more sense than in “L’Enfer” since the male character is an art collector and gallery owner who exhibits modern designs. From all we can see of the fragments of “L’Enfer” through “L’Enfer de Henri-Georges Clouzot” it would have been a great film. And since so many good ideas could not be used there, he gave them all to “La Prisonnière” – and it is a great film! There are pure cinematic moments in this film too, and I had a feeling that Clouzot realized this would be his last film and he wanted to use everything that he had not tried yet and to finish with a bang.

 

https://amzn.to/39ucnNJ

 

Inspirational Person/Youtube Video of the Day and Inspirational Person of 2019 : David Goggins

A year ago today, I did not know who David Goggins was, which says nothing at all about his well deserved fame, and a lot about how generally out of the world I am, in regards to any event or person who I do not figuratively trip over.

David Goggins, has been described as the man who the hardest men on the planet,  look at as an inspirational tale. And with good reason. I did a post a while back that links to some of the coverage that introduced me to him.

David Goggins is a man who does not suffer fools, and does not suffer excuses, and lives by a grinding work ethic, that makes the hard or difficult or grueling day most of us think we are dealing with, literally pale in comparison.

He is a man who to some extent ensconces himself in the miserable and suffering, to find what lies beyond.

He is a hard relentless man, for an oft hard relentless world.

But he cares, he cares.

By his own estimation he is a natural introvert, a natural stutterer, a challenged learner, a fat man, and by any estimation he has transcended all labels that was put on him by others or by himself. When most of us make excuses for our failings, David Goggins at some point, at many points, said no… no more.

In a world that loves mediocrity, David Goggins learned to loathe it with a passion and a response and a tenacity that can only be called… relentless. “No you are not Big Boned…. You are fat!!!” to paraphrase Goggins.

He can come off as a gruff and a brusque human, in his language, in his stance, in his relentlessness, but what is clear is that relentlessness is shield and armor… for a man who cares deeply for all of us, and our wars against mediocrity.

Spending ten hours calling your followers for the holidays? Who the eff does that??? Who subjects themselves to that??? David Goggins does. He doesn’t hold himself up as perfect, and he’s not asking you to be perfect. He is asking you to when you get kicked in the teeth, (which you will, it is what life does) to get up, and be harder to knock down next time.

The most inspirational person I know this year, who I do not really know, someone that is outside my circle of friends and family (who if we are lucky are the ones to most tangibly inspire us), hands down is David Goggins. His story and his videos this year taught me clearly something we allow ourselves to forget, that no one cares about the things we complain about, no one, and they should not, what people should care about is the things you spend time fixing. You are either a complainer or a problem solver, part of the problem or part of the solution.

 

David Goggins calls you to be part of the solution. Whatever your specific solution is. He welcomes you to the war.

 

If you like this installment, please like, subscribe, and support this blog at this link!

 

 

2019: Four of my Favorite Blogs! More to Come!

 

 

Perpetually past due, in addition to being a GREAT supporter of this blog, makes a fantastic blog of his own where he alernates deep dives into songs that are moving him, with singular poems about things that move us all.

 

 

EXCLUSIVE: Action Star Scott Adkins Returns and Talks IP MAN 4, Taking on Donnie Yen and More! -action-flix.com

 

Really loving JMJERVA’s ActionFlix blog. Go ahead and like and subscribe to him at the link above. Any blog that lets me know ACCIDENT MAN 2 (a great Scott Adkins’ action vehicle based on an excellent British magazine strip from the early 1990s)  will be arriving on streaming soon, is a site for me.

 

I have been way remiss, by failing to check out routinely two of my favorite people keeping alive the pulp fiction flame, and that would be the great Derrick Ferguson and Ron Fortier. Go ahead and subscribe to their sites using the links above;  and give some likes and check it daily, or at least weekly for updated content.

 

Speaking of Derrick Ferguson, I know by now everyone has a review up, or has read a review, read his review at Ferguson Theater as he always gives an excellent and thoughtful take on the subjext at hand. And message him about purchasing a copy of THE MADNESS OF FRANKENSTEIN or his other titles.

Check his writings and work out here.

 

That is it for this installment.

Thanks for looking and HAPPY HOLIDAYS!

 

Deals of the Day!

Anthony Joshua vs Ruiz!!!! BREAKING BOXING NEWS!! & What Others are Not Saying!

WoW!

No one saw that coming.

And everyone will be looking at the above video.

And for a lot of people it will solidify the negative thoughts they had in regards to Anthony Joshua. The questioning thoughts regarding seemingly ducking Wilder, etc. And taking a ‘lesser’ fight with Ruiz. It did that for me, watching the above video.

But I will urge you to watch the below video. In many ways Anthony Joshua has been the most disrespected champion, however this video i think puts into perspective something that one doesn’t often see.

The measure of a champion.

In adversity you see the true character of a man. And the below video, seeing this after seeing the above video, I think anyone who was an Anthony Joshua dismisser or hater, will come away from that video with a new found respect for him. I did.

I don’t know many men who could have had the night he had, and speak immediately after it with such, no excuses candor.

 

I think in many ways Anthony Joshua now, if he wants it, is poised to be more respected and more dangerous than he has ever been. He is now a man freed of needing to protect perfection, he is a man who can concentrate on just… fighting.

We may rather than seeing the end of a career in the above two videos, be seeing the beginning of one.

Time will tell.

Here in First Quarter 2019, FINALLY reflecting on BEST Youtube Channels 2018!

Odd the difference streaming has made to my TV watching habits.

I went YEARS without watching cable TV, or really much of broadcast TV, and not really missing it.

I did not want a cable television bill, so I did either free off the air via the digital antenna or whole seasons of DVD. And I had my unlimited clear broadband modem, so web shows were also an option.

But back in 2013 or 2014 when Roku and Netflix really began to become a thing, I jumped in to the ‘streaming revolution’ and man have I, like most of you, had a blast.

So much so, that last year, after a few years of using Roku to watch the regulars (NETFLIX, HULU, AMAZON PRIME, CRACKLE, TUBI, and SHOUT FACTORY TV to name a few) I checked out a ‘new’ Roku station… YOUTUBE.

Youtube, a thing I avoided like the plague in its web/pc version for YEARS (because of lack of moderation of the sewage like comments section), quickly in 2018 became one of my favorite channels.

I spent more time watching the Youtube Channel and assorted programs on my big screen TV (Thanks to Roku) than just about anything else, with the other two big ones being AMAZON PRIME and HULU.

I still have issues with Youtube (the organization) but the regular joes and joettes, who for the love of it… create this unique and passionate content, these unique channels, well I love it for the same reason I love podcasts.

(Quick shout out to COMIC GEEK SPEAK, EPIC MARVEL PODCAST, KNIFEPOINT HORROR, TWOMORROWS, THE DAILY RIOS PODCAST to name a few)

They exemplify the passionate amateur who shows a better grasp and coverage of the material, then the paid professional pundit. And for the hours of joy they gave me, and others, in 2018 they deserve to be applauded.

And here (in a brief paragraph) are my favorite Youtube shows for 2018:

  1. AFTA COMICS
  2. SILVER-AGED DAVE
  3. REGIE SIMMONS IFBB PRO https://www.youtube.com/user/rsimmons1911
  4. RANDY AND TAYLA
  5. RICH REBUILDS
  6. ALL THAT JAZZ
  7. BRAVE WILDERNESS
  8. FIRST WE FEAST
  9. THE GO2 GEEKS
  10. WALLACE RYAN
  11. WORKOUT
  12. HAANTI
  13. EARL GREY https://www.youtube.com/channel/UC1ZtauWih38Lr1aVEXuZybw
  14. JOHN CAMPEA
  15. DS COMICS
  16. METAROG
  17. MINDSMASH https://www.youtube.com/channel/UC87Lj67s_Ht40lvGhtF9iHA
  18. MINORITY MINDSET
  19. OMELETO
  20. POP CULTURE PHILOSOPHERS
  21. PROFESSOR THORGI
  22. RAPID TRAILER
  23. CEREAL AT MIDNIGHT http://www.cerealatmidnight.com/ https://www.youtube.com/channel/UCsVgZNzzvedehALS-dTIFhACereal At Midnight: Pop Culture in Analog
  24. CHYCHO
  25. COMICHYJINX
  26. COMICS WITH BUELLER
  27. DR JOSH AXE
  28. FURY ROAD
  29. LEEKIRBYDITKOCOMICS
  30. THE DELUXE EDITION
  31. UFC AND MMA

If you are unfamiliar with any show above, do a search ( Not at google, please. Try duckduckgo or ixquick.com. Google and Disney should not own everything guys. Spread the love guys. Competition will help keep you free. 🙂 ). These channels are worth your time.

So yeah didn’t want to drag this post out but those are 31 channels that kicked butt in 2018, and I am currently still enjoying in 2019. And more than that, network and reach out to each other, and make it easy for your fellow youtubers and fans to reach you outside of Youtube. Cause you probably have a lot of fans who reach you via a streaming device. Which means they do not see your comments section, and can not post comments, etc. And I have seen a few channels go dark in the brief time I’ve been following Youtube channels, so an old fashioned email link, maybe not as outdated a concept as people say. 🙂

I would hate some of the above channels to likewise go dark, come 2020.

Thanks for looking!!!

If you liked this post, show support by purchasing today’s item via the below link:

 

https://amzn.to/2El13WP – This one is a little more expensive than the standard or usb version, but is worth the additional money due to a faster processor, HDMI port, and Fast Ethernet port. If you already have a streaming device or use a different streaming device, this one makes a great addition to a guest room, or a great gift.

 

Be well out there!