Streaming VOD Movies, TV shows and Youtube Videos of Week 2 of 2020! SHUDDER Edition!

 

 

 

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These 4 films, which I have watched since starting my SHUDDER subscription (something like $2.49 for the month, for the next 3 months) are all FANTASTIC, films, in very different ways. But all of them have soared to the top of my MUST BUY List!

MANDY I raved about in a previous post is just a brilliant primary color tinged nightmare of a dream quest/revenge story committed to film.

THE HEAD HUNTER, is a claustrophobic, incredibly tense, incredibly rousing,  actioner/creature feature mash-up.

THE WAX MASK is one of the most sumptuously filmed and strangest Italian Giallo’s, being both a period piece and a Hammer studios homage, a stunning directorial debut.

And then we come to Lucio Fulci’s CITY OF THE LIVING DEAD. I am not a champion of the nonsensical, gore filled films that most remember Fulci for, like THE BEYOND and THE HOUSE BY THE CEMETERY and this one, CITY OF THE LIVING DEAD. I think all of these are the films he made when the audiences  neglected his true masterpieces, to some extent when he stopped caring about making great films, and just decided to pander to the lowest common denominator horror crowds. When Fulci cared, he was one of the most imaginative, talented and stylish filmmakers of his time. He made some of the best Giallos, some of the best westerns, one of the best Hitchcock homages, and one that was his stab at a serious film/period piece. It was that film’s failure that soured him on film and audiences, and made him a gun for hire, and by reports misanthropic to his cast, his crew and the audience, and a churner out of his gore films. That said while I do see these films as Fulci no longer being that filmmaker whose westerns would inspire John Woo’s Blood Ballets and dove motif, despite these films being set-pieces of gore… loosely supported by a story, they are despite all that… still very, very compelling and entertaining. He builds moments of tension and dread and horror, as well as a good smattering of WTF!. Just the audacity of these films, particularly CITY OF THE LIVING DEAD, is impressive. So while not a champion of this film like I am of his earlier films, even lesser Fulci… is jaw dropping. This movie has story structure issues, it doesn’t hold together as a cogent film, it is haphazard and at times silly, but all that aside it is always visually arresting and cinematically audacious. And once seen, you want to own the BluRay to see the making of features and here the interviews and commentary because you definitely want to know what the cast thought of him, after making them do some of the things he had them do in this film.

I’ll be doing an upcoming piece on Fulci, but I guess it says everything about Fulci, is that even what I consider his ‘slapped together/whatever’ film phase, consists of many films, such as CITY OF THE LIVING DEAD, that are must watch films. Even his films of derision, are dripping with imaginative talent.

 

Halloween Countdown – 7 for 7 – Seven Movies and Seven Reviews! Day 12!

 

Extra Large Movie Poster Image for Dark House This film has intriguing visuals, Victor Salva creating another memorable movie boogie man in the Axe-Men, and the syncopated way they move.  However the movie gradually loses steam to a forgettable ending. Worth a look, but not a keeper.

 

DISCARNATE is another movie, where the monster/monster design is unfortunately better than the movie it is in.

The movie is ok, worth a look, but I feel the creature is the most interesting thing, and the surrounding actors and plot, while talented, have the definite feel of very rote and not particularly engaging. When not on the monster effects, it all seems a bit by the numbers.

 

 

Pikovaya dama. Chyornyy obryad (2015)

 

QUEEN OF SPADES – I have praised this movie before. A lot of other movies do the “kids daring each other to summon up things that go bump in the night” very few do it as competently, or intriguingly, or captivatingly as this film. Most of the time, it is just a bunch of stupid choices made by stupid people, followed by even more “lacking common sense” responses.

Yes we are entering the world of the fantastic, but even in that fantastic world, the responses have to be responses that we feel we would or could make in such fantastic situations.

And when the choices are even more fantastic than the premise, that is when suspension of disbelief breaks down, and we are done with the movie.

That is the problem with the vast number of horror movies. Not so here. You feel the path the characters are on, and the choices being made, are true to the constraints of the world and situation created. Huge fan of this movie. It’s a solid B/B+ of a movie. If you are a fan of LIGHTS OUT the short and feature (while this film isn’t to that level, it is not far off), give this one a try.

 

HELL HOUSE LLC- This has a bit of “people behaving not the way a rational person would behave in such a situation” vibe, it feels to me. However the movie keeps it moving, and slightly mollifies the protagonists stupid actions, by painting him into a corner, and when you feel you are in a corner, stupid decisions tend to trump rational ones.

Besides that, the movie is just well constructed, leading to the forewarned ending. Not a great movie, but a very good one. And one I can re-watch. One of the best Scare House movies (WAY better than the HOUSES OF OCTOBER movies)

Leaving D.C. (2012)BAD BEN series – I can not even tell you how many BAD BEN movies there are. IMDB list at least six, however there may be some tangentially connected films as well. I’ve seen at least 4 of the BAD BEN movies proper, and starting with the 1st (LEAVING DC) I have been a fan.

Just a great series that has fun with the haunted house and found footage tropes.

It is not Shakespeare, does not take itself too seriously (well the first one is the most sinister and ‘serious’ of them all), but isn’t just played for laughs, it is told straight forward, but like SCREAM the protagonist is aware of the movie tropes, so it is a bit “inside baseball” fun to it.  But it is fun, and is better than most horror movies out there that trod similar ground, and that have stupid, unlikable 20-something protagonists.

Ben is a character you definitely like, and root for during his misadventures.

 

Hex (2017)HEXI enjoyed this film. Dire, and complicated, and horrible, and beautiful, and an ode to hatreds and conflicts… and the emptiness and wastefulness of those hatreds and conflicts. It is haunting, in the best and worst ways. Not a big film, or a great film, it is a small intimate film, yet there is something… great in it. Not as beautiful as THE WITCH but it, like that film, stays with you long after you see it.

With a title like THE SHE-CREATURE and being from the schlock days of 1956, especially with the poster art, you wouldn’t expect much from this film. But what people forget is even though the special and creature effects were in their infancy and it shows (that poster is everything that is wrong with this movie, selling the monster rather than the mystery), the acting and direction is actually very strong in a lot of these films.

And THE SHE-CREATURE is an example of real actors (past their prime in some cases, and in roles arguably beneath them, but still delivering that star power), beautiful direction and cinematography and an intriguing premise that includes (for 1956 and arguably even today) controversial concepts of hypnotism, past life regression, spiritualism,  and a palpable racial memory that lives on in our very genes, that hold up, despite the limitations of the creature design and affects.

The film would have been better served if it never showed the monster, or showed it only in brief glimpses (ala NIGHT OF THE DEMON) unfortunately selling subtle over schlock, was not an easy sell then or now.

So we have a movie that is actually engrossing, until the outlandish rubber suit monster at its core turns up. But despite the ludicrous of everything associated with the creature design, there is a brutality to the murder scenes that the monster leaves behind, that is ahead of its time.

And bottom-barrel rubber suit or no, the story and performances around it, keeps me intrigued enough to keep watching. That aside I still enjoyed my watch.

In-fact if you were to CGI in a credible monster, over the awful blonde haired sea-monster with boobies rubber suit (Those are words you do not expect to use together in a sentence. 🙂 . Even for the 50s that monster design is deplorably bad, and a bit inexcusable when people were able to do impressive creature designs such as CREATURE FROM THE BLACK LAGOON), or edit around those scenes, you would actually have a good little movie. So definitely not a must see by any means, but it is worth a look on a slow movie day. There are things to like about it, even in 2019 going on 2020. 

So… 4 solid recommendations, and 3 not quite ready for prime time films reviewed for Halloween. If you have Amazon Prime, all the films are available to view at no cost. Come back tomorrow to see what makes the list on Day 11, of our Halloween countdown.

Snowed In? Binge Watch Gerry Anderson’s UFO on HULU!!

If you are like a great majority of the North East, you are very much snowed in this weekend; so let me suggest something perfect for such a weekend.

HULU offers a bevy of shows worthy of binge watching, here is one of the best:

UFO – This series, the brainchild of Gerry and Sylvia Anderson is them making the leap from their very popular children’s Marionette series to, not only Live Action, but also more Adult fare. This show, embodying many of the obsessions of the late 60s, the Space Race, ESP, the James Bond Spies, A more global, diverse perspective, and UFOs,tells an imaginative tale of a secret cold war between these mysterious UFOs and the Earth’s protectors… SHADO.

A few episodes in, getting past the wonderfully kitschy depiction of the far flung year of 1980 (Sylvia’s designs for dress and uniforms, is at once sexy, ludicrous, surreal, and ultimately captivating), and the crudeness of the effects (which I personally love, Gerry Anderson being the king of marionette and minature based effects, which he would further perfect in SPACE 1999, which itself would inspire some of the effects in STAR WARS) and you quickly realize this is a serious and at times shockingly dire and brilliant show. The scripts are surprising, in that out of this far fetched world comes moments of pathos, and thoughtfulness, and sometimes strivings toward the profound. It was a welcome tone, a morality to the writing that would be even more in evidence in the 1st season of SPACE 1999 (avoid Season 2, and make sure you watch Season 1 in the correct order).

But despite its quality UFO was an unfortunately, but possibly understandably, short lived show.

The unfortunate part because the show when originally broadcast in the US, was done out of sequence, which made it just not work from week to week. A similar fate would befall both UFO’s follow-up series and (as a 21st century example) Joss Whedon’s FIREFLY

HULU thankfully presents the series in order, and it makes all the difference, as you get to grow with the characters as they grow with each other. Treat yourself to this 46 year old, way out 60s infused tale of spies and Aliens in the far-flung future of 1980.

Highly Recommended!

These are a few of my favorite things : Amazon Prime DEALS OF THE DAY!

 

 

 

The Best of EC Artist Edition Vol 1 Hardcover – 2013

 

EC Comics is arguably the finest line of comics ever produced. Whether it was science fiction or war, crime or horror, their entire line stood head and shoulders above the rest of the comics on the newsstands. Now IDW Publishing is pleased to present an Artist’s Edition unlike any other, featuring the best stories by the brightest stars of EC Comics. Remember these classics? 50 Girls 50 by Al Williamson and Frank Frazetta, The Corpse on the Imjin by Harvey Kurtzman, The Flying Machine by Bernie Krigstein, Touch and Go by Johnny Craig, Judgment Day by Joe Orlando. All these plus more! And a stunning cover gallery crammed with glorious EC goodness! Brought to you by the same team responsible for the Eisner Award-winning Walter Simonson’s The Mighty Thor: Artist’s Edition and David Mazzucchelli’s Daredevil Born Again: Artist’s Edition.

The Best of EC Artist Edition Vol 1 – Price your copy here!

 

 

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New-York Historical Society New York City in 3D In The Gilded Age: A Book Plus Stereoscopic Viewer and 50 3D Photos from the Turn of the Century Paperback – June 3, 2014

Be transported to New York during the Gilded Age and experience daily life in one of the world’s most vibrant cities through mesmerizing, contemporary 3D photography and exciting tales of the time.

Black Dog & Leventhal has partnered with the New-York Historical Society to present New York in the Gilded Age as it’s never been viewed before. This innovative package includes a sturdy metal stereoscopic viewer and 50 stereoscopic photographs of turn-of-the-century New York. The package also includes a 128-page paperback that provides a brief history of the stereograph craze and an overview of the city’s evolution during that time.

New-York Historical Society New York City in 3D In The Gilded Age: A Book Plus Stereoscopic Viewer and 50 3D Photos from the Turn of the Century

 

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Paris in 3D in the Belle Époque: A Book Plus Steroeoscopic Viewer and 34 3D Photos Paperback – April 14, 2015

 

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LNTGO Ks Luxury Brand White Skeleton Alloy Dial Analog Hand Wind Mechanical Relogio Fob Copper Key Steampunk Pocket Watch Men- Ksp064 – Price this beautiful time peace here!

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Gustave Dore 1832-1883: Master of Imagination Hardcover – June 10, 2014

The diverse oeuvre of Gustave Doré—illustrations, paintings, sculpture—combines with biography and critical essays and attests to the artist’s enduring impact on contemporary culture. Proclaimed “the most illustrious of illustrators,” Gustave Doré is best known for his engravings, which appeared in editions of the Bible, Dante’s Inferno, Poe’s The Raven, The Adventures of Don Quixote, and even in Hollywood, from King Kong to Seven. Yet the extent of his genius remains largely unknown. Here, along with his renowned illustrations, his paintings and sculptures are also examined, bringing to light the rich diversity of his talent. Using watercolor, vivid oil paint, or sculpture, he demonstrated mastery in a vast scope of media, and in treatments ranging from monumental historical tableaux to landscapes to modest compositions. His work transcended techniques and eras, covering an inexhaustible range of subjects from Europe to the United States to Russia and revealing his insatiable curiosity. This comprehensive monograph accompanies an exhibition at the Musée d’Orsay in Paris from February 18–May 11 and at the National Gallery of Canada in Ottawa from June 12–September 14, 2014.

Gustave Dore 1832-1883: Master of Imagination – Price it Here!

STREAMING VOD Channel of the Day : Watch Free Flix


Today’s recommended channel is Watch Free Flix.

Why.

For one main reason… the movie SUDOESTE.

sudoeste

Eduardo Nunes’ 2012 feature film debut is a languid, assured fable, sumptuously told. Think Djibril Diop Mambety’s HYENAS meets Murnau’s SUNRISE, not in theme, but in visual language, in pacing, in storytelling.

Other highlights of this channel:

DOSE OF REALITY (2013)
ANOTHER MAN’S GARDEN
FUSE
DIOSES
THE PRECINCT
MORLANG
POSSIBLE LIVES
EL DEDO
WHAT A WONDERFUL WORLD
THOSE THREE
KABALA
OS INQUILINOS
PARTITION
THE OTHER SIDE
EXHUMED
TIN CAN MAN
CHILDREN OF A DARKER DAWN
HOUSE OF WHIPCORD

Try the channel for yourself:

http://watchfreeflix.com/

Streaming TV Show of the DAY : Star Trek CONTINUES

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I’ve covered quite a few fan projects on this blog, some really exceptional ones. Among the best are those related to the Star Trek universe. STAR TREK CONTINUES is a web series that the term fan project does a bit of a disservice to.

This is a full fledged production as smooth and polished as the Original Star Trek series that it revives. Not simply a homage this web series continues the unfinished five year mission of the original series (which was cancelled after three seasons). STAR TREK CONTINUES conceit is that it starts off in the 4th (never seen) season of The original Star Trek.

And going along with this conceit, STAR TREK CONTINUES first episode PILGRIM OF ETERNITY, before watching you really should watch the season two episode of the original series, titled WHO MOURNS FOR ADONAIS. STAR TREK CONTINUES premiere episode is a direct follow-up to that 1967 episode, complete with the actor who played in that episode, reprising his role here.

You’ll have so much more appreciation for exactly how wondrous STAR TREK CONTINUES is, if you precede it by watching that 1967 episode. You’ll also have a far better understanding just how excellent Vic Mignogna is, largely the driving force behind this labor of love, in his role as the iconic James T. Kirk. Vic Mignogna has Shatner’s Kirk down to an alchemy, it’s not science, it’s magic.  From the walk, to the pauses, to the lift of the chin, to the way he sits, this isn’t mimicry, or mockery, it is acting of a very high and compelling level.

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Vic Mignogna understands and loves the role, and that comes across, as does his passion and expertise for the original series. Wearing an insanely impressive number of hats from director, to editor, to writer, to producer, to star, Vic Mignogna has put together an impressive production and a large and varied cast.

From Christopher Doohan reprising, excellently I might add, his father’s role of Mr. Scott, to Kim Stinger doing a lovely Uhuru, to Michele Specht ravishing in her role as new character Dr. Elise McKennah, to the towering 84 year old Michael Forest (with many movie and tv credits to his name) reprising and bettering his 1967 performance of Apollo, it is a series that would have made Gene Roddenberry proud, and makes this fan of Roddenberry’s endearing dream…  incredibly impressed and happy.

Now not everything works of course. Not all the actors do as well a job of bringing to life their characters as the above actors do. But considering everyone is largely doing this for the love, the general level of performances is fantastic, and the costumes, and makeup, and sets and special effects and writing is jaw droppingly good quality! Every bit professional level. Hell, this show is easily better than most of the post-DS9 Star Trek television shows that Paramount paid small fortunes to produce.

Now I like the JJ Abrams STAR TREK movies, I think they both were fantastic. That said, I think there is a place in this digital world, for Chris Pine on the big screen, and Paramount backing the STAR TREK CONTINUES series and having Vic Mignogna on the small screen.

Okay enough praising this series. Go watch the 1967 episode WHO MOURNS FOR ADONAIS courtesy of Amazon Prime for free, then go to the STAR TREK CONTINUES website to view the existing three episodes. If you have Roku, you can go to the Vimeo Channel here for an easy way to view it on your tv.

And once you are as impressed with the series as I am, help them keep it up by swinging by their web page and sharing the love and donating; so that you can help keep this great project coming! And tell em HT sent ya! 🙂

Enjoy!