“I think that’s what separates this film from other films about the civil war, and other films that deal with historical racial dynamics in this country, that Ang was open to the complexity of it. That war is a seminal event in the character of American history, and it continues to inform who we are today, and who we will become. The story is a non-conventional look at historic race relations in this country. “
“I understood the attack they had planned, and I understood the subtlety of the character they had drawn. Holt, the character I played, that Ang described as an emerging character, and I thought it worked on multiple levels, relative to the film. Interestingly that was the first role I got, not having had to audition. Ang said that he had seen my work, he had seen Basquiat prior to that and maybe some of my stage work and said ‘There was something in your eyes that I saw, that was right for the character.’ That as well gave me a lot of confidence in the way that he worked, and the way he understood what acting was.”
“Black folks in the south, in the years before the civil War did not have a voice. Holt, is reflective of the nature of Black folks relation to society at that time. And ultimately as he emerges out of that silence, what he does say is all the more heightened, and all the more powerful.”
“I think it has gained a core audience since then — an expanding audience, it’s a film that’s going to survive. RIDE WITH THE DEVIL is the last film about the Civil War of the 20th century, and I think the arc from BIRTH OF A NATION, at the beginning of the 20th century to RIDE WITH THE DEVIL is an evolution of our ways of portraying this critical and defining point in our history, through cinema.”
The below books are others, that are either going to sell out, have a high chance of leaving amazon except for the digital version, or generally when they are gone, it will be a long stretch between reissues — if ever. And more than anything, all these books just deserve to be on your bookshelf. You are supporting great books, by great writers.
Never buy a book for appreciation value, buy a book because you want it for your bookshelf. However it does not hurt to also choose books that tend to, at the very least, over the long haul, hold their value. I’m talking about books like THE FANTASTIC ART OF BEKSINSKI that went from a $20 book when new– to now ,years later, being sold out and commanding $100 to $200… the same with the WRIGHTSON’S FRANKENSTEIN HC. So if you do, down the road decide you no longer want the book, you are going to at least get your $20 out of it.
Now nothing is guaranteed, as the stock market clearly shows us, but buying for enjoyment, and also being able to, when you choose, liquidate that item— that is a win-win. And the fact that you did get to enjoy the book, means you have got your purchase price out of it; even if you only sell it for a $1 down the road, you have done great. A great book, gives you your Money’s worth and then some. :).
And if you do use the below links to purchase, I would be appreciative; as the links generate very appreciated pennies for this site.
Okay onto this installment’s selections:
Eric Powell is one of my favorite comic book creators, and i think his THE GOON series is genius, if you can afford to get the out of print Dark Horse editions go for it. But I think just insuring you pick up his affordable softcover reprint editions is a great idea. But his hardcover artbook is absolutely essential. A must own to be placed beside the stunning THE ART OF BRIAN STELFREEZE.
Full disclosure I am a huge fan of Derrick Ferguson, and I know him, so I’m completely biassed here, but I love his work. And thing is, i am biassed on all the things I recommend. I love these books, and movies, and cds and objects that cry out to be added to my bookshelf, and I have no problem telling you that. :). This particular title, Amazon is starting to do that frightening thing — where it seems inventory is taking longer and longer to get out to people, so grab this one while still in stock.
When you look at the racist caricatures people were doing in strips and comics for the first 3rd of the 20th century, by creators like Eisner and Windsor McKay, it is a tendency for people today to try and excuse it by saying “oh it was the times’ –no, it was a choice. Mac Raboy, golden age artist extraordinaire, lived in those self same times, yet his depictions of people of color were not those stereotypes.
Then as now, it is not the times that define our choices, it is our choices that define our times. I have been waiting years, for a great hardcover on this under-known golden age great. And though what I really want to see is an oversized collection of all his comic book stories, this artist overview is also welcome, and will go beside my Matt Baker book. As of this writing book is down to 17 copies on Amazon, this is one I’m going to pick up two copies of. One for me and one as a gift.
Guys this is not a cheap book. Selling on Amazon for about $90 currently, which is still less than cover price. If you have not picked this up, pick it up. Because when this item sells out (and it will, this is the 2nd printing) it is going to do exactly the same thing as the first printing. It’s going to become very hard to afford on the secondary market. For a long time before this latest printing this was a $200 book. So if you have an interest in this, get it while still in-stock.
That is it. I didn’t know i was bringing back Wednesday’s Words until the end of this installment. The post started as something else, but by the end of it I realized, like John Wick— “Yeah, I guess i’m back.” 🙂
If you enjoy this post you know what to do, like, subscribe and support by using the links. Thanks, and till next time— be well!!!
There are about two dozen truly great audio actors, whose work on audio books, is a MUST OWN. Among them are Orson Welles, David Birney, Harlan Ellison, Roddy McDowall, James Mason, Michael Boatman to name a few.
Some of these guys work, for various reasons such as rights etc, are not available via streaming or in some cases even on CD. But these are preeminent works, of the greatest voice actors of their respective era, giving their greatest deliveries. And they can still be picked up via LP or cassette, at affordable prices, and deserve to be.
Once bought on LP or cassette go ahead and digitize it so you have these must own works in a preserved format. Here then without further ado, is the first of our 5 must own audio books!
Roddy McDowall reads WOLFEN- I am a huge fan of the 1981 WOLFEN film, I think it is a flawed, but unjustly overlooked masterpeice. However, I love this audio book version as much, perhaps even more, and that iis down to Roddy McDowall.
Roddy McDowall, a prolific actor with over 250 credits to his name, who is likely only remembered by a younger generation for his turn in FRIGHT NIGHT (1985), gave some of the great, humanistic performances of cinema in his abundant career. From Academy Award winning turn in HOW GREEN WAS MY VALLEY (1941) to his immortal role as Caesar in PLANET OF THE APES (1968) to THE LEGEND OF HELL HOUSE (1973) to the aforementioned FRIGHT NIGHT (1985), and everything in between, Roddy McDowall, despite the quality of the film or script, never gave a bad performance. The consummate actor, he always carried his role, you always believed him; and he brings that veracity to this audio book, and paints with his voice the hallowed and harrowing world of WOLFEN.
Click on the link below to acquire this essential bit of audio book history.
|Material Type:||Fiction, Audio book, etc.|
|Document Type:||Sound Recording|
|All Authors / Contributors:||Whitley Strieber; Roddy McDowall
Find more information about:
|Notes:||Abridged from the author’s book of the same title.|
|Performer(s):||Reader, Roddy McDowall.|
|Description:||2 audiocassettes (approximately 180 min.) : digital, Dolby processed, 1/8 in. tape|
|Responsibility:||author, Whitley Strieben.|
Quick words on a few of the ones above:
GANGS OF LONDON- One of the shows I’m most looking forward to in 2020, just based on this trailer, and that it is by the director of the RAID films.
WITCH:SUBVERSION- Is right up there with GANGS OF LONDON (and DRACULA Netflix/BBC though that may be more 2019 trailer) as my favorite trailer so far of 2020. Again that does not mean it is going to be a good film, but it does mean based on the trailer… it looks FANTASTIC.
6 UNDERGROUND – I really loved the trailer for 6 UNDERGROUND. And this is one I have actually seen, and I have to say. I loved this film. While it is the bandwagon thing to bash on Michael Bay, with the exception of his TRANSFORMERS films (and I like 2 of them), I have been a fan of Michael Bay’s films. I love the two BAD BOY films he did, and I think 13 HOURS is a masterpiece. And 6 UNDERGROUND for me is another Michael Bay home-run. It has one of the best car chase scenes in film, right up there with the best ever done (films like his own BAD BOYS 2, as well as RAID 2, DIRTY MARY CRAZY LARRY, BOURNE ULTIMATUM, BULLITT to name a few)
WESTWORLD SEASON 3 – As someone who was not interested enough to watch season 1 or 2 of WESTWORLD, I am very intrigued by the trailer for season 3. The production values look cinematic.
EMPEROR- I praised this trailer previously. Awesome trailer.
The trailer for SERGIO looks phenomenal. The kind of political intrigue thriller that directors like Sydney Pollack and Sydney Lumet would have loved. The real selling point is in its star, who was on the show NARCOS, and just was amazing in that series.
ALL THE RIGHT PLACES – I don’t typically go for the romance, coming of age type film. Which tells you how good this trailer was, that it got me a grumpy curmudgeon, actually interested in this.
HOME BEFORE DARK – Another movie, that is not my type of movie, a family drama, this trailer moved me for some inexplicable reason.
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Under The Skin
Directed by Jonathan Glazer
Score by Mica Levi
If my house, god forbid, was being evacuated, and after family, pets and other essentials, they told me “here is a box you have room to bring 15 of your artbooks” ; REBUS by James Jean, would be one of those books.
Now to clarify, I have a lot of artbooks, and if I do say so myself I only own what I consider GREAT and ESSENTIAL artbooks, so to narrow that down to 15… is difficult.
But here for your list reading pleasure, is one of those 15!
I actually love the design and construction of this book, more than the actual content. Don’t get me wrong, the artwork is great, very beautiful, and I like it quite a bit, but I do not love it. It is not quite my style, but the stunning construction of the book, with the red gilded pages, makes it such an art object in and of itself. It is the only James Jean book I own, and it is because of the beatiful construction and design of the book itself.
You can get your copy of REBUS here!
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Now where there are posters that are effective and compelling, there are posters that aren’t. These are some of the ones that stand out to me, as not interesting or effective posters.
Again the movie or trailer could be great or awful, i am here just talking about the poster itself.
I like Tom Hanks, I think he is a good actor, if not a personal favorite of mine, I acknowledge he is a good actor. However, all of his movies, the posters are just pictures of his face. And there is no lazier form of poster design then that. I mean the closeup of a face can be effective, when it is used to tell a story, or set a tone for the film, look at the ANTEBELLUM poster above. A closeup, but a closeup that gets you thinking, and wondering, and coming in on the middle of a story. It is a closeup as part of a storytelling moment, as opposed to this Hanks poster that is glorified selfie.
And not just for him, but for any actor, and for any poster, I general feel taking a close up of the stars face and calling that a poster or marketing… is LAZY and BORING and UNINTERESTING poster design.
And again, this is not just Tom Hanks, they do the same thing with other big stars like Will Smith, etc, people just want to take a big pic of the stars face, and photoshop in a lame background.
It is incredibly lazy poster design. Put some bloody effort and thought into it, give us the Struzan paints or Saul Bass typography, earn your effing money as a piece of marketing, and maybe even as a piece of art.
Here are some other examples of inept poster design/marketing.
I mean they are trying in this poster. Some thought has obviously gone into it, just for me, the design does not in anyway interest me to stop on this image, or want to find out or explore what the movie is about. I can not click off of it, or go past it quickly enough. Not the sign of a good poster.
The trailer for this looks good. The actual poster, not so much. The background is interesting, but the foreground of the star running toward us, just not interesting.
See my rant above, on the Tom Hanks poster. A selfie does not a great or even good, poster make.
Agree. Disagree. Have your own recommendations of great or mediocre posters, than subscribe, like, and feel free to comment or email.
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I’m not crazy about the poster tag-line, a ‘true legend’, while many true things with time become the stuff of legend, and many legends are stories that have outlived and outlasted the crumbling and burying into dust of all things, even concrete evidence, the putting together of those two words… ‘true legend’ , if not exactly an oxymoron, is just slightly inept marketing. You want to put those two together, try this… ‘in a time of imposed truths, he became in his own lifetime… a galvanizing legend’ .
Took me two seconds to come up with that, and I think it shows more thought than what their marketing department did. Call me guys if you need to fire them and get a better marketing presence, we’ll talk. 🙂 .
But that aside, a very good poster and a GREAT Trailer! If the movie lives up to it, it will be a blast.
As someone who just picked up the 2 season set of UNDERGROUND (almost sold out, so you may want to pick it up while you can, use the attached link) and who is a huge fan of the best in Pan African cinema such as SANKOFA, DARESALAM, HYENAS, GENESIS, I AM CUBA, CAMP DE THIAROYE (also available courtesy of the attached links) this film definitely goes on my must check out list. Probably along with the WITCH:SUBVERSION one of the best trailers for the Month of February.
SANKOFA – arguably one of the finest, and both savage and beautiful films made, of a true Holocaust. Haile Gerima’s masterpiece. and the fact that this film is out of print, and does not have a Criterion or similar high-scale Blu-ray or DVD release, is only proof that we have a long way yet to go. Get a copy, you will thank me later.
DARESALAM – This is simply put, cinema at its finest. Get your copy, while you can.
I AM CUBA – For years this film was not available in the west, and then when I finally saw it, I think at a film festival, yeas ago, the camera work, in a time way before CGI, blew my mind. As a fan of David Lean, and Hitchcock and Welles and Fritz Lang, geniuses with the camera, this film was like a generational evolution. In an age before Steadicam adoption, the shots were absolutely mind blowing. When it finally was released on a quality DVD boxset, I rushed out and picked it up, and I told all of you to pick it up. For those new to this blog, back in the day, those who listened to me picked it up for $40. It is decidedly more than that, but still worth picking up, if you have the funds. A Masterpiece.
Quick rant, feel free to bypass this. 🙂
Here’s a tip you should know. Quality non-hollywood films about and by people of color, especially politically provocative films, have a tendency of not staying in print. And either dry up entirely on the secondary market, or explode in price before disappearing into private collections rarely to see the light of day.
I am never in a rush to pick up KNIVES OUT or 1917 or AVENGERS ENDGAME, because that is going to be there for decades to come. But when I hear about a THE GREAT WAR or EMPEROR or a DARESALAM or a BROTHER JOHN on dvd or Blu-ray, I can not race fast enough to purchase these movies. Haile Gerima, who I had the pleasure to interview back in the day, understood the importance of retaining positive images, and words, and movies, and music. That is culture.
And when the ability to view or hear or see these sounds and images, is at the mercy and whims of multinationals… culture itself is held hostage. And the people who depend on the reflective power of culture, to help define the width and the breadth of their aspirations, are likewise diminished.
And particularly today when so many are weaned on streaming, physical media is ironically both scarcer and yet more important and arguably esteemed and sought after, than ever before.
Because those in the know, understand streaming giveth and streaming taketh away, based on the uninformed whims of the lynchmob. You want your favorite film, available to watch when you want, and in the cut of the film you remember, there is no replacement for physical media. There just is not.
Here endeth the soap-box interlude. 🙂
You can take it, or you can leave it alone. 🙂
Either way, be well.
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