Movie Quote of the Day : From 1982s CONAN THE BARBARIAN!

The 1982 CONAN movie may be remembered, when remembered at all,slightly glibly, by a generation grown used to better, faster, stronger. Everything is of a time about the 1982 CONAN THE BARBARIAN, the effects mostly, the acting by Schwarzenegger is good but not great, bordering on cringy but the director keeps it on track.

However what stands the test of time of this first foray into the world of CONAN… is the fantastic direction and even more fantastic script by John Milius. Every director in Hollywood was clamoring for this script, but Millius coming off of great successes chose to direct it. And I think that’s for the best, because he kept his fantastic script alive. Dialogue that other directors may have cut for being too much, too sexist, too anti-christian, too everything, Millius kept, and he made sing.

That he was able to get one of the better and more verbose performances out of a very young and still green Arnold Schwarzenegger is a testament to Millius as man, writer and director.

Other things that stand the test of time is the great casting of James Earl Jones, who delivers one of his best performances as the feared Thulsa Doom. A villain that in the original Robert E. Howard Novels never rose above a Black Peril character, Millius script and Jones’ acting are able to imbue with true pathos, and humanity, and even sympathy.

And finally add to it the stunning score created by Basil Poledouris, and you have a movie that will stand the test of time. If you only own one Basil Poledouris score, this is the one you own.

Now onto today’s movie quote.

From a movie replete with quotable lines, narrowing it down to just one can be a good problem to have.

But for whatever reason, one quote has stayed with me the last couple of days. It is the following… enjoy.

 

“No one, not even you, will remember if we were good men or bad. Why we fought, or why we died. All that matters is that two stood against many. That’s what’s important!”

I think that quote, in a band-wagon jumping, lynch-mob mentality America, is important to hold onto. This idea of standing against the mob.

I think it is a quote, to remember.

Thanks for checking out this blog, and if you want to support it, use the link below to buy today’s item of the day:

Basil Poledouris’ CONAN THE BARBARIAN Soundtrack on CD or LP. (I typically prefer the CD, but you get what grabs you)

https://amzn.to/2TQboys

 

Conan the Barbarian

Currently Watching : DEAD SQUAD TEMPLE OF THE UNDEAD

DEAD SQUAD: TEMPLE OF THE UNDEAD

25 minutes in and the jury is out on this one. I find it intriguing despite the annoying nature of most of the characters. The annoying, brain dead westerner character is one I can definitely do without. The film so far has not been great, a bit too campy and annoying, but I find myself interested in where the film is going. Interested in the shape of the doom they are getting closer to. And the Antagonist equally wears out his welcome.

However the practical effects and makeup are impressive, and how badass one of the characters is around the 40 minute mark keeps me watching when I was ready to write this one off.

I do not like Zombie/Ghoul films as a rule, but this one is different enough (especially the head monster) and truly deranged and yes campy enough, that you just have to be impressed by the absurd weirdness of it.

It becomes far more intriguing than I was initially thinking. Definitely not for everyone but for fans of Peter Jackson’s early horror films like BAD TASTE and DEAD ALIVE, despite my early doubts, Dominik Hauser’s DEAD SQUAD (his debut film) by the end, becomes an absolutely tremendous and fitting homage and evolution of those campy horror classics.

Try it yourself courtesy of Amazon Prime streaming. It is unfortunate movies like this are not getting a DVD/Blu-ray release with Director’s commentary. That’s how B films like this traditionally have endured. Preserved by collectors and fans. In the ephemeral world of streaming,controlled by cold dollars and cents, films like this can disappear without a whisper.

Movie Trailer of the Day : HIGHWAYMEN & TRIPLE FRONTIER

https://m.media-amazon.com/images/M/MV5BODU4MzM2MDAxMl5BMl5BanBnXkFtZTgwNDEzNjM0NzM@._V1_SY1000_CR0,0,674,1000_AL_.jpg

THE HIGHWAYMEN & TRIPLE FRONTIER– I have not been the biggest fan of Netflix, mostly for their price hikes, but also I have never been a fan of their user interface. But their actual content, since the Marvel/Netflix shows, has over all been sound.

I think the Netflix/Marvel TV Shows,for the most part, were very strong. IRON FIST was an unfortunate misstep (my least favorite show next to the PUNISHER. While loved by many, I found season 1 after a strong start, plodding, one note and unlikable), however DAREDEVIL Season 1 set the action standard, and LUKE CAGE Season 1 and 2 for me set the story standard. I like the places LUKE CAGE went, and I think it holds up the best to repeat viewings, as it has something to say more significant than supposed good guy hits bad guy.  And for me has character growth, the other shows lacked.  I love where LUKE CAGE Season 2 ends, and of all of them, its loss of one more season seems the most unfortunate.

But beyond the Marvel/Netflix collaboration, Netflix is well represented by its new films and straight to Netflix films.

While Will Smith is currently getting the stink eye for his ridiculous look in the live action ALADDIN (what was he and his agent thinking???),  I enjoyed BRIGHT and I have enjoyed other Netflix  branded films such as MUDBOUND and BIRDBOX.

Also Netflix has a great offering of international TV shows from RIPPER STREET to NARCOS to MINISTRY OF TIME.

So I am always open to being impressed by their content. 

And with the latest THE HIGHWAYMEN trailer and TRIPLE FRONTIER trailer, I am very impressed with Netflix’s March Lineup. These two trailers look stellar!

Even though I philosophically am more inclined to the Warren Beatty version of BONNIE & CLYDE, I am open to giving this opposing take a chance. See for yourself here…

Best Short Horror Films of 2019 Week 8!

Best Short Horror Films of 2019 Week 8!

 

https://i.ytimg.com/vi/mPtCeemqdE0/hqdefault.jpg?sqp=-oaymwEjCPYBEIoBSFryq4qpAxUIARUAAAAAGAElAADIQj0AgKJDeAE=&rs=AOn4CLDh_UfxcZNe5u6425f8IB_xRSS0rgCLAP, CLAP– A 2017 short film according to youtube, I just became aware of this one tonight. Directed by Brandon Piskorik and starring Aaron Burt it is everything you want from a 5 minute horror film. A setting, a narrative, a looming dread, and a payoff. It is a fantastic short film, so I was a bit surprised to see even IMDB has no entry for it. And there is seemingly no webpage or online poster image promoting the short. To go to the effort to make a quality film, then to spend no effort to publicize it seems to me a missed opportunity.

Horror while a popular genre, is a hard genre to get right. Get the editing wrong, the timing wrong, the pacing wrong, and it becomes dreary rather than dreadful (in the horrific, hoped for tone, you want your horror film to hit). Piskorik gets it right here. A solid B+. Worth a look.

 

Another worth a look short is DOOR TO PURGATORY, also from 2017 this one is written and directed by Alexandra Balda. There are no surprises here, from frame one this is a pretty straight forward horror tale, but it is told and photographed well, with a protagonist you find likable and want to keep following.

At 13 minutes it is longer than most shorts but is 13 minutes well spent. There are minor things that distract, showing too clearly and too long the horror element, and too much of the mustache twirling villain at the end. But beyond that it is a solid first short film. A solid C+.

And the things the film CLAP, CLAP failed to do to publicize that movie, is not repeated here. As this movie is on IMDB, is a festival circuit participant (and winner) and has a poster. Alexandra Balda is a filmmaker I look forward to seeing more from.

 

Now films that did not make the cut and why:

STICKS- while arguably more professionally assembled than others on this list, what hurts this is what hurts most horror films, whether short or long. People reacting without any commonsense. Seemingly the protagonist is a caretaker. Why she is cleaning the house at night, well people get busy no biggie. So i’ll ignore that. However, why on earth would any sane person go up those stairs given the circumstances of the short? Why would any sane person open a door given those circumstances? they wouldn’t. It is bad, lazy writing, and a waste of everyone’s time. And the movie is an insult to the viewer’s intelligence.

TOOTH MAN- Not as slickly made suffers from the same issue. Characters acting completely braindead. With reason and commonsense seemingly a foreign language. You are babysitting and discover a bag of bloody teeth after a noise, and the possibility of an intruder, any sane person gets the kid and you get out of the house, and call the police/parents from a neighbors house. But no, not in this movie. I understand you need to create a situation of isolation for protagonist and threat, but you do that through smart writing, not lazy writing. On top of that I hate movies where adults lie to kids. Or husbands patronize wives about the obvious crazy stuff that happens in these movies. When those scenes happen they take me completely out of the movie.

 

 

VOD Streaming Movie of the Day : Blake Edward’s Brilliant EXPERIMENT IN TERROR

Glenn Ford and Lee Remick in Experiment in Terror (1962)

Blake Edwards is a name that arguably, if known at all by a modern audience, is known for the PINK PANTHER movies. But true film fans know him as one of the greatest directors of that transitional period between the all powerful studio system and the rise of auteur directors and Independent Film-making.

Cutting his teeth in fast paced, often live television, (his most notable Television work being the excellent and both evocative and ahead of its time PETER GUNN) like his contemporary Don Siegel he brought a frenetic new pace and tempo to film making. Starting with the use of jazz to denote the soundtracks of his film, rather than the more orchestral, staid, European classical influences of earlier films, his films looked to modern composers, most notably Henry Mancini to tell uniquely American tales. Also his use of pacing and editing and shot selection were all revelatory.

And his use of characters of color stands out, one of the earliest directors to use background actors of color in non-stereotypical roles, to show an America peopled with more than just the traditional studio system view of an all white America. Seeing a mixed crowd, or a crowd with people o f color and whites just sharing the same space, as people, while taken for granted today, during the making of this film… it was groundbreaking. And many theaters in the south, the film could not be shown without cuts being done to it.

Anita Loo in Experiment in Terror (1962)

Directors like him, and Don Siegel, and Stanley Kramer and Joseph L. Mankiewicz and Richard Brooks, helped transition a very blinders on/white-washed 1950s America, into the more multicultural 1960s, and they did this through our entertainment, our films and our tv shows.

They, and the actors and editors and writers helped drag a more honest view of the American landscape into the light, a view full of different people and different backgrounds, and different challenges.. Both feeding and being fed by, the civil and human rights battles being fought at home and abroad, their veracity as filmmakers, helped open the door to this concept of film as something progressive and capable of change.

From these new daring Filmmakers like Blake Edwards, we begin to get film-making  that transcends complete artifice, and stereotyping.

We get the French New Wave Films, The Pan African Films, the Neo-Realist films of Italy, and at home we get the Independent Film Movement, to include the Black New Wave Films of the 70s ( dismissively titled Blaxpoitation by people who do not realize that Black Exploitation is the first 60 years of Hollywood Films. Where people of color had no positive representation in films, most films with no persons of color at all, and the few that did have people of color, offered them typically only one token person of Color in a film, in a menial/demeaning role. Actors like Sidney Poitier, Bill Cosby, Harry Belafonte and directors like Gordon Parks, and Ossie Davis, helping to pave a view of an America that actually reflected the multitude of people in it, formerly invisible).

It is a thread, the evolution of film, that allows us to evolve from DW Griffith’s 1915’s THE BIRTH OF A NATION (which shamefully was the predominant mindset of Hollywood Film-making, both behind and in-front the camera, for the greater part of the 20th century). An evolution filled with achievements small and large, and filmmakers lauded and forgotten. A lot of films and a lot of filmmakers, and a lot of steps forwards, and moments of stumbling backward, to in a little over a hundred years go from THE BIRTH OF A NATION, to Ryan Coogler’s justifiably lauded BLACK PANTHER in 2018.

Glenn Ford, Lee Remick, and Stefanie Powers in Experiment in Terror (1962)

 

The films of Blake Edward are part of that thread. Not in any overt political manifesto, but just in his love of showing an America peopled with… the people he would see in the streets and in the crowds, his love for a veracity that transcended stereotype.

 

EXPERIMENT IN TERROR, is a pure thriller of a film, with not a wasted pound. And it has people of color in it, not because they are people of color, but because they are people, it is San Francisco of the time, before gentrification, where people you would see, came in multiple creeds and colors. It is a fantastic film that has nothing to do with ethnicity, but everything to do with being true to telling a story in a place and a time.

It is one of Blake Edward’s best films. However, Blake Edwards very rarely made anything that was not a ‘best’ film.

It is a uniquely tense, and thrilling film, even by Blake Edwards standard. I mean the tension in it holds up today. Lee Remick is one of the most beautiful women from an age of beautiful women, and she is also like most of Edwards leading ladies… delivering a phenomenally written and ground breaking tour de force performance.

Also starring the great Glenn Ford, who like the movie does not waste a moment, everything propels the story and the moment. Glenn Ford was one of those actors who never delivered a bad performance, and elevates everything he is in.

A stunning cast. A stunning script. And sumptuous film-making makes for a film that can be watched for free courtesy of AMAZON PRIME this month, but deserves in the age of digital to be owned on DVD/Blu-Ray.

 

Get your copy here:

Experiment in Terror [Blu-ray]

https://amzn.to/2Gk6ZS8

I would also recommend picking up the gorgeous poster with the stunning Lee Remick as well as the CD and Album. Please use my links as they earn this blog a few, well needed, pennies. 🙂 .

The webpage will not show this image anonymously.

https://amzn.to/2DAaUXh

https://amzn.to/2MZGK3D

 

Thanks for looking. And if you enjoy this post please like, comment or order via the links. All three are greatly appreciated!