MOVIE OF THE DAY : 1000 ON THE BLACK

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The era of the Spaghetti Western was a prolific and profitable one, running from the mid 60s to the late 70s.To be expected the dreck outweighed the winners. 1000 ON THE BLACK aka BLOOD AT SUNDOWN is one of the winners. Recommended. Catch it courtesy of Amazon Prime.

 

 

Coffin for the Sheriff/Blood at Sundown

Blood At Sundown

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Surprise of the Day : TATE on Amazon Prime and DVD

The thing I like about Amazon Prime, and that sets it apart from Netflix is how deep its library of classic and obscure movies and tv shows goes.

It’s a wonderful Rabbit hole of films and TV shows that have been unseen in many cases, since their airing.

 

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TATE I discovered this morning. Its episode HOMETOWN is the pilot of a series that, despite excellent casts and scripts, only lasted 13 episodes..

Filmed in 1960, the show is set almost a 100 years earlier to right after the civil war, and stars a one-armed vet, and an ornery but honest sheriff,  who must hold the line in a town set against them.
Amazon Prime only has the first episode, but what an episode. Watching it in 2016 for the first time, it is just gripping television
I liked it so much that I picked up the entire 1960 series on DVD!
If you are similarly moved, you can get it here:

Tate Entire Series DVD

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Deputy:    I got a wife and family, Morty!

Sheriff:    You took your pay in the summer.

                     Now it’s winter.

                     You either in it, or crawl out of my sight!

                     I SAID CRAWL!

“Even with introspective, personal-story scripts from the always excellent Fink and good casts populated by James Coburn, Royal Dano, Robert Culp, Louise Fletcher, Robert Redford, Paul Richards, Martin Landau, Leonard Nimoy, Warren Oates, Peter Whitney, Chris Alcaide, Cathy O’Donnell, Pat Breslin, Mort Mills, Ted DeCorsia, Julie Adams and others, the 13 episodes of the surly gunfighter failed to catch-on with viewers, finding strong opposition from “I’ve Got a Secret” on CBS and “Wednesday Night Boxing” and “Hawaiian Eye” on ABC. Sponsored by Kraft, the series ended September 21 and Como returned to his time-slot in October ‘60.

Akin to the best of “Have Gun Will Travel”, “The Westerner”, “The Loner” and “The Rebel” scripts, “Tate” deserves a second viewing (if not a first if you missed it in ‘60) as an overlooked western gem.”

—WESTERN CLIPPINGS

Amazon Prime Movie of the Day : DJANGO, PREPARE A COFFIN

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‘Its hard to find a good ” Django” film after Sergio Corbuccis original, even though, after its success, there were hundreds of films which boasted themselves with the title “Django”. Sadly most of these films used the name as a marketing strategy to boost ticket sales. The main characters often had nothing to do with the Django that Corbucci established, sometimes they didn’t even have his name attached to them.
“Django, Prepare a Coffin” is one of those rare films that use the existing character, with all its quirks, and is able to bring him to life in a new scenario with a new actor.’

—Nolden  of LETTERBOXD

Really enjoyed this 1968 Spaghetti Western, ably directed by Ferdinando Baldi (TEXAS ADIOS, BLIND MAN). Originally written for Franco Nero (the star  of the original DJANGO), when he was unavailable they offered the role to Terence Hill (born Mario Girotti) because of his striking resemblance to the popular Nero.

But Terence Hill proves himself in this movie a capable leading man of his own, with a more easy and affable screen presence than the talented but oft explosive and hyperbolic Franco Nero. Hill’s more subdued take is perfect for this imaginative story of double and triple crosses.

 

 

Currently Watching Movie : BONE TOMAHAWK

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BONE TOMAHAWK– I’ve been looking forward to seeing this Horror Tinged Western starring Kurt Russell, since hearing about it way back in 2015 :). And finally seen courtesy of AMAZON PRIME I have to say, it does not dissapoint, it more than lives up to the hype, of being a great, gritty Western with some startling moments of horror.

The debut film of S. Craig Zahler is a tremendously engrossing, exciting, and brutal film. Highly Recommended. This is one I would love to purchase on DVD or Blu-Ray if it had a director’s or cast commentary. Unfortunately it doesn’t which means while a highly recommended viewing, I can’t recommend purchasing until theY release a better Blu-Ray. Grade: B+/A-.

 

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Tarantino HATEFUL EIGHT 70mm Road Trip Review

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Quentin Tarantino can be a bit of a provocateur, which I don’t think is a bad thing, but can be off-putting to some, but he is also a great filmmaker.

He is a visionary in the best sense of that word. And there is always a battle between the provocateur aspect to his nature and the filmmaker, and depending on the successfulness of that mixture, will in large part determine whether his film falls on the good or the great scale.

In the HATEFUL EIGHT, I think he gets that mixture right in a way that rockets it right up there, with his best films.

I saw this movie the day after seeing STAR WARS THE FORCE AWAKENS, an impressively written and directed effort by any standards, and while I found it a very good film, HATEFUL EIGHT 70mm Road-Trip Edition felt a great film.

Now visually the STAR WARS film, seen at one of the few IMAX Laser 3D theaters, was the more impressive viewing experience.  The theater I saw the HATEFUL EIGHT in, THE AFI at SILVER SPRING, was a very good theater, and shown in 70 mm, however outside of the increased breadth of the picture I could not tell this was a 70mm film.

Part of this I want to chalk up to being too far from the screen, or the screen not large enough to really dominate the room, it was a big room, but ultimately a well designed movie theater should give you a great picture from any room in the theater, the back of the theater or the front.

I felt the Airbus IMAX Theater in Chantilly Virginia got this RIGHT, and not so much the theater I saw the HATEFUL EIGHT in. Again I don’t think the film projected bad, it looked great in fact, however as someone who has seen LAWRENCE OF ARABIA reissued in 70mm, that is the rich, flooded detail and sensory overload i was expecting. None of that was present here in the HATEFUL EIGHT.

aside from it being a wider picture, I could not tell it wasn’t just typical 35mm, stretched a bit.  I know Quentin and the Weinstein’s retrofitted some theaters to showcase the film in 70mm, unfortunately at the theater I was in they either didn’t test or care how the movie presented to those in the more distant seats.

Is it a 70mm experience from the worst seat in the house? If the answer is no, then you need to do something.

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That criticism however is not on Tarantino, but rather the individual theater owners to insure they are providing the spectacle they are advertising.

I really enjoyed the HATEFUL EIGHT, but it’s 70mm nature, was unfortunately undetectable.  I would have loved to see this film at someplace like the Airbus to see if it’s 70mm nature came across. BEcause i wholeheartedly support tarantino’s push to make 70mm relevant in an age of digital.  I just think we need to do a little more quality control at the individual theaters to ensure viewers are getting that 70mm experience.

But enough about the film stock and visuals, what about the sound?

From Ennio Morricone’s first score for a western in decades, I was of course expecting something good, what we got was great. That score is magnificent, the work of a genius, undimmed by age.

I, in the theater, knew I wanted to purchase that score. That rarely happens to me.

 

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The same can be said of Tarantino’s film in total. HATEFUL EIGHT is an experience, a sometimes uncomfortable, and ugly experience, (man do they say the N word a lot) but without doubt a captivating, and memorable experience. You want to be in this place, with these dire and dangerous people, these ‘HATEFUL EIGHT ‘, to see where the road leads them.

Being a Western, that most iconic and cemented of genres, you know if not when the road will end, that blood will be waiting there at that end.

And there is blood, in extraordinary quantities, at the end of THE HATEFUL EIGHT. But there is more, there is pathos, and regret, and humor, and insight.

Tarantino is not afraid to probe the unexamined questions and uncrossed divide of race and class in our past and our present, our peers and ourselves, but to always do it without losing the narrative purpose, without losing the ability to entertain, is a tricky tightrope to walk.

For a film to be both important and fun to watch is a rare beast, and one the Academy is reluctant to nominate, but HATEFUL EIGHT is such a beast.

I watched the closing credits come across with that wonderful final song, and I thought there at the end of the movie, what I thought during the movie… this is a masterpiece.
Grade: A-.

 

 

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Movie of the Day : THE ARROYO (2014)

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THE ARROYO (2014)- It took a couple attempts for me to make it through this one, I’m glad I did. While the beginning may not quite grab you (both the title and the description of it is a bit ambiguous if you come across it like I did on Amazon Prime), I would urge you to stick with it. Writer, Producer, and first time Director Jeremy Boreing has created a film that starts humbly and builds into something that is not only worthy of your time… but will demand it.

The Western is an oft eulogized genre, yet for all these premature burials, yet does it rise. The West and the western is as much a state of mind as a locale, and it lives deep and long in Boreing’s THE ARROYO.

If you are a fan of television’s LONGMIRE or film’s NO COUNTRY FOR OLD MAN you’ll find yourself in welcome company with the ARROYO’s Jim Weatherford, played with a laconic grace by Kenny Maines; but make no mistake Boreing’s THE ARROYO is very much its own animal, exploring darker questions of the lawlessness at our borders and perhaps the culpability of the American political process, and the measure of courage.

A riveting watch, and strongly recommended. This is one I want to purchase the Blu-Ray for, with director’s commentary. And that’s the compliment of a great film, that despite getting to see it for free (courtesy of Amazon Prime) you are still inspired to own it on Blu-Ray!

Give it a watch, you may feel the same.

Netflix Movie of the Day : Andrew Goth’s GALLOWWALKERS!

Andrew Goth’s GALLOWWALKERS is an odd but effective mating of Sergio Leone’s ONCE UPON A TIME IN THE WEST and Alejandro Jordorowsky’s EL TOPO with a bit of Raimi and Fulci tossed in, but for all its influences, there is a lyric mania to this film that is all its own.

GALLOWWALKERS is a decidedly new and lurid and grand guinol take on one of the oldest of film genres. Plus it is just a beautifully shot film, with some of the best end-credits I’ve seen; a film that deserves to be owned, and will only grow more favored with repeat viewings. Grade: B+.