Today’s STEELBOOK Deals of the Day!

 

Show full-size image of LIMITED The Hunger Games - Complete Edition Stunning German Import! Blu-Ray!

I am not the biggest fan of THE HUNGER GAMES trilogy, but the odds of me, not owning this ‘work of art’ Steel-book and Movie, and having it proudly displayed on my bookshelf /media room,… those odds are zero.  🙂

If you likewise would like to add the item to your home, please use the following link. You get a great item, and it earns a few pennies for this Blog to keep the proverbial doors open. A win-win. 

Also it makes a great gift/ present.

HUNGER GAMES LIMITED EDITION STEEL-BOOK

 

 

Also have the following now available (you will find them using the above link as well):

 

Rambo: First Blood - Zavvi Exclusive (Blu-Ray & 4K Ultra HD) - Steelbook

Today’s Must own Blu-Ray Steelbook in the age of Digital : THE THIRD MAN (1949)

In the age of Digital when traditional DVDs are going the way of the dodo, Steel-books are just getting more and more popular. Here is this installment’s STEEL-BOOK of the day:

Orson Welles and Carol Reed’s THE THIRD MAN (1949)

 

Credited to Carol Reed, Orson Welles directorial hand is all over this one. In my opinion Orson Welles’ finest film, and that is saying a lot considering his masterpieces like CITIZEN KANE, MAGNIFICENT AMBERSONS, LADY IN THE WATER, OTHELLO, CHIMES AT MIDNIGHT and the list goes on. And if any film deserves the upscale Steel-book treatment… it is this one. And this one offers a stellar transfer, commentaries, and great features.

 

Get yours here! (Use this link and get a great item, AND earn a couple very appreciated pennies for this blog):

THIRD MAN LIMITED EDITION STEEL-BOOK

 

If you liked this post, please support this blog using the links below:

BONANZA

EBAY

Halloween Countdown – 7 for 7 – Seven Movies and Seven Reviews! Day 12!

 

Extra Large Movie Poster Image for Dark House This film has intriguing visuals, Victor Salva creating another memorable movie boogie man in the Axe-Men, and the syncopated way they move.  However the movie gradually loses steam to a forgettable ending. Worth a look, but not a keeper.

 

DISCARNATE is another movie, where the monster/monster design is unfortunately better than the movie it is in.

The movie is ok, worth a look, but I feel the creature is the most interesting thing, and the surrounding actors and plot, while talented, have the definite feel of very rote and not particularly engaging. When not on the monster effects, it all seems a bit by the numbers.

 

 

Pikovaya dama. Chyornyy obryad (2015)

 

QUEEN OF SPADES – I have praised this movie before. A lot of other movies do the “kids daring each other to summon up things that go bump in the night” very few do it as competently, or intriguingly, or captivatingly as this film. Most of the time, it is just a bunch of stupid choices made by stupid people, followed by even more “lacking common sense” responses.

Yes we are entering the world of the fantastic, but even in that fantastic world, the responses have to be responses that we feel we would or could make in such fantastic situations.

And when the choices are even more fantastic than the premise, that is when suspension of disbelief breaks down, and we are done with the movie.

That is the problem with the vast number of horror movies. Not so here. You feel the path the characters are on, and the choices being made, are true to the constraints of the world and situation created. Huge fan of this movie. It’s a solid B/B+ of a movie. If you are a fan of LIGHTS OUT the short and feature (while this film isn’t to that level, it is not far off), give this one a try.

 

HELL HOUSE LLC- This has a bit of “people behaving not the way a rational person would behave in such a situation” vibe, it feels to me. However the movie keeps it moving, and slightly mollifies the protagonists stupid actions, by painting him into a corner, and when you feel you are in a corner, stupid decisions tend to trump rational ones.

Besides that, the movie is just well constructed, leading to the forewarned ending. Not a great movie, but a very good one. And one I can re-watch. One of the best Scare House movies (WAY better than the HOUSES OF OCTOBER movies)

Leaving D.C. (2012)BAD BEN series – I can not even tell you how many BAD BEN movies there are. IMDB list at least six, however there may be some tangentially connected films as well. I’ve seen at least 4 of the BAD BEN movies proper, and starting with the 1st (LEAVING DC) I have been a fan.

Just a great series that has fun with the haunted house and found footage tropes.

It is not Shakespeare, does not take itself too seriously (well the first one is the most sinister and ‘serious’ of them all), but isn’t just played for laughs, it is told straight forward, but like SCREAM the protagonist is aware of the movie tropes, so it is a bit “inside baseball” fun to it.  But it is fun, and is better than most horror movies out there that trod similar ground, and that have stupid, unlikable 20-something protagonists.

Ben is a character you definitely like, and root for during his misadventures.

 

Hex (2017)HEXI enjoyed this film. Dire, and complicated, and horrible, and beautiful, and an ode to hatreds and conflicts… and the emptiness and wastefulness of those hatreds and conflicts. It is haunting, in the best and worst ways. Not a big film, or a great film, it is a small intimate film, yet there is something… great in it. Not as beautiful as THE WITCH but it, like that film, stays with you long after you see it.

With a title like THE SHE-CREATURE and being from the schlock days of 1956, especially with the poster art, you wouldn’t expect much from this film. But what people forget is even though the special and creature effects were in their infancy and it shows (that poster is everything that is wrong with this movie, selling the monster rather than the mystery), the acting and direction is actually very strong in a lot of these films.

And THE SHE-CREATURE is an example of real actors (past their prime in some cases, and in roles arguably beneath them, but still delivering that star power), beautiful direction and cinematography and an intriguing premise that includes (for 1956 and arguably even today) controversial concepts of hypnotism, past life regression, spiritualism,  and a palpable racial memory that lives on in our very genes, that hold up, despite the limitations of the creature design and affects.

The film would have been better served if it never showed the monster, or showed it only in brief glimpses (ala NIGHT OF THE DEMON) unfortunately selling subtle over schlock, was not an easy sell then or now.

So we have a movie that is actually engrossing, until the outlandish rubber suit monster at its core turns up. But despite the ludicrous of everything associated with the creature design, there is a brutality to the murder scenes that the monster leaves behind, that is ahead of its time.

And bottom-barrel rubber suit or no, the story and performances around it, keeps me intrigued enough to keep watching. That aside I still enjoyed my watch.

In-fact if you were to CGI in a credible monster, over the awful blonde haired sea-monster with boobies rubber suit (Those are words you do not expect to use together in a sentence. 🙂 . Even for the 50s that monster design is deplorably bad, and a bit inexcusable when people were able to do impressive creature designs such as CREATURE FROM THE BLACK LAGOON), or edit around those scenes, you would actually have a good little movie. So definitely not a must see by any means, but it is worth a look on a slow movie day. There are things to like about it, even in 2019 going on 2020. 

So… 4 solid recommendations, and 3 not quite ready for prime time films reviewed for Halloween. If you have Amazon Prime, all the films are available to view at no cost. Come back tomorrow to see what makes the list on Day 11, of our Halloween countdown.

Movie of the Day and Performance of the Day : THE BEAST

Rabbit Days (2016)

I LOVE, LOVE, LOVE a film that is an experience, that you do not know from the first frame, where the last frame will bring us. Blockbusters are by necessity a predictable commodity. They have to some extent give the audience what it is expecting. It has to inherently be predictable, so it can appeal to the largest possible audience, and bring the highest possible return.

There is nothing wrong with that, I love blockbusters as much as the next person. But there is something to be said for a film that does not live with our expectations, or perhaps even our world. Especially when it is done superbly well, when it is clear from the first frame you are, wherever the road takes you, in the hands of a visionary, a master filmmaker.

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That is the case with the LeBoeuf Brothers’, Ryan & Cody, THE BEAST. But any script hinges on a central performance, and Clarence Gilyard’s unhinged performance is nothing short of jaw dropping. At once so unhinged, and so good, and the other actors as various forms of straight men to him, also do a great job. Add in the atmosphere, and you are left with a nightmare landscape of a film, that eschewing sense, is brilliant.

The ending perhaps feels truncated, but perhaps is also just right. Depends on your patience for the surreal and absurd. But for fans of the films of Lynch and Bunuel, you will feel in THE BEAST… rewarded.

Grade: I loved it. Your Mileage may Vary. 🙂

Another home-run of a discovery courtesy of AMAZON PRIME. And hopefully we can expect a DVD or BLuray version, complete with Directors/Actors commentary. Streaming is great, but as a film fan, I love to own the films I love… in a less ephemeral and transient format than streaming.

Read the following after you view the movie. No real spoilers, I just feel going into this movie completely unprepared is the right way to go, to get the most impact out of it….Ok you’ve watched the movie! Great! now you can read the rest. 🙂

First, I am glad they changed the name of the movie, as the original one was too on the noise, and would have worked against the air of mystery they were building. This movie for me, has nothing to do with that original title (until possibly the very end), which made the appearance of carrots all the more bonkers and inexplicable and intriguing. I was picturing, something un-picturable as the menace throughout. And that worked to the movie’s benefit. BEAST therefore working much better as a title.

And regarding the lead, I knew he seemed/sounded familiar,  something about his voice, and his manner, but it wasn’t until after the movie that I placed him. Clarence Gilyard Jr, starred for years on WALKER TEXAS RANGER. He is almost unrecognizable, but  what really comes across is how fantastic of an actor he is here, and while always great on WALKER, you do get the feeling he was definitely underused on that show. His performance in THE BEAST shows an actor who should have been acting on the big screen for decades, rather than underused in a procedural. Though what we fans lost, the educational system gained with Gilyard being a lauded professor. And he has been keeping his hand in on the theater circuit.

Case in point, it is great to hear that he and other WALKER costar Sheree J. Wilson recently reunited to do a theatrical run of DRIVING MISS DAISY (what? these young-uns?!).  More on that here: https://www.thespectrum.com/story/entertainment/2018/04/03/tinseltown-talks-walkers-sheree-j-wilson-clarence-gilyard-jr-together-again/482336002/

Clarence Gilyard Jr as James Trivette and Sheree J.

Looking forward to more from these directors, and these actors.

And finally for more on THE BEAST, check out this podcast : https://www.piecingpod.com/2018/10/22/special-episode-the-beast-ryan-cody-leboeuf-interview/

What’s Hot and What’s Not STREAMING/VOD Guide Week 11 – AMAZON PRIME Edition

WORTH FINISHING/PRETTY DARN GOOD:

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Both movies from the early 90s are of course very dated. Martial Arts had only broken into  the main-stream American conscience barely 15 years earlier. And American Martial Arts/Fight Choreography was still finding itself. And we were still in that very formulaic 80s urban crime/ Deathwish style of filming. All those caveats aside the movies remain incredibly entertaining, with a few pretty awesome sequences. Jeff Wincott and Cynthia Rothrock were prolific 80s action stars for a reason. And that reason is on display in these movies. Along with movies such as SILENT RAGE and PERFECT WEAPON and THE LAST DRAGON these films are fun and fine examples of American Cinematic Martial Arts in its early days.

 

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I consider Patrick McGoohan one of the best actors ever. And his SECRET AGENT MAN/ DANGER MAN one of the best TV shows. His fight choreography in that show, which predated the James Bond films, elevated fight choreography. The same way that the first season of ARROW raised the bar. Then the first season of DAREDEVIL raised it even higher. Patrick McGoohan, former soldier, former boxer, brings all that to his roles. And here, a much older McGoohan past throwing punches, is no less, cinematic gold.

Richard Burton in a horror movie? SOLD!

https://cdn.cinematerial.com/p/500x/quedcqtx/the-witch-who-came-from-the-sea-blu-ray-cover.jpgThe late 60s and early 70s was such an interesting time for film. Just as borders were being changed and challenged in our world and ourselves, they were also being expressed in our fiction. Particularly our films. There is a malleability and ephemeral-ness to much of the best films from this period. They are not any one genre, or any one thing. Are like our night-scapes, daringly un-solid, and always changing, depending on the viewer, and the viewed. This film will stay with you, long after you have seen it, until you are not sure it was ever a film, but rather maybe a dream, you forgot to dream.  The sight of breaking bone, and spurting blood, is everywhere in this film, and no where. A haunting film.

This one does not start well. Took me a couple attempts to finish it. Much like GOATSUCKER  that started awful, it just gets better and better, culminating in an impressive ending.

INTERESTING / JURY IS OUT

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NOT WORTH YOUR TIME / AVOID

Nightshot (2016)https://i0.wp.com/www.dreadcentral.com/wp-content/uploads/2016/05/mortalremainsnew.jpgStarts interestingly, but like most failed horror films, loses any concept of common sense by the third act. Is this something any rational person would do? If the answer is no, then do not put such stupid actions in your darn movie. I wanted the time I spent watching it, back. Avoid.

 

Streaming VOD Roku Fire TV Channel Watching Guide For Feb 2019 : HULU Edition!

HULU

 

1st Kudos to Hulu for, in an age where Streaming Services like Netflix are going price-hike crazy, actually offering a price reduction. Applause to HULU! This and Amazon Prime in my opinion are the best two Streaming services, in terms of both content, value, and ease of use/quality of the surfing experience.

Netflix lags FAR behind both channels, in my admittedly biassed opinion.

 

Okay onto the stuff you need to catch this month on Hulu (both old and new content):

https://cdn3-www.comingsoon.net/assets/uploads/gallery/legion-season-2/dxqfn3rxkaa06zq-jpg-large.jpgThe first season of LEGION was nothing short of game changing television. Writer/Producer Noah Hawtey with this and the 2nd season of FARGO proving himself one of the best writer/producers of this new Golden Age of Television. [To that list of best writer/producers of this new Golden Age, I would add creator Drew Goddard for DAREDEVIL Season 1 (Was not a fan of Seasons 2 and 3), and Cheo Hodari Coker’s brilliant and criminally underrated LUKE CAGE Season 1 and 2. While DAREDEVIL Season 1 is the better Action Show, LUKE CAGE is the better show, both writing and importance, for reasons way beyond, one person hitting another.]

I am looking forward to Noah Hawley’s feature film directorial debut LUCY IN THE SKY (slated for this year), but until then I will be enjoying the 2nd season of LEGION on Hulu.

 

 

John C. McGinley, Nate Mooney, Deborah Baker Jr., and Janet Varney in Stan Against Evil (2016)

The Boondocks (2005)

Into the Dark (2018)

INTO THE DARK? A hulu curated series of feature length Horror Movies?? Count me in!!!!!

Dwayne Johnson in The Titan Games (2019)

THE TITAN GAMES is definitely inspired by AMERICAN NINJA WARRIOR, and while not as compelling as that show, this is still a very good mid season fill-in for AMERICAN NINJA WARRIOR.

I had my doubts about ATLANTA, but the first season made me a believer. A modern day renaissance man, Donald Glover is a creator to watch. And season 2 is now on HULU. This show and WAYWARD PINES are two shows that get painted with the TWIN PEAKS brush, as a measure of their strangeness; but both shows are far better than TWIN PEAKS ever was.

David Kellman, Robert Shafran, and Eddy Galland in Three Identical Strangers (2018)

Ted Allen in Chopped (2007)

Cities of the Underworld (2007)

The Tesla Files (2018)

 

Aldis Hodge and Jurnee Smollett-Bell in Underground (2016)

 

The first episode of UNDERGROUND Blew me away! Fantastic use of anachronistic music, and camera movements to tell this tragic and triumphant tale of horror and holocaust. It is of course not easy viewing, but is rewarding and essential viewing. I did not like and do not rewatch the film ROOTS, but the film SANKOFA which covers the same story of the slave trade but does it with such heartbreaking beauty and incredible visuals, it becomes an undeniable work of art, rather than simply a dry recounting of facts, or a pity party. That is what UNDERGROUND also brings to this shameful part of American history. The struggle of those who fought against the accepted horror of their time.

In that way, how much more heroic are they… than we. I look forward to completing season 1 and 2 this month on HULU!

 

Rick and Morty (2013)

RICK AND MORTY- much to my surprise is animation genius. LOVE IT. Right up there with the VENTURE BROS. Looking forward to season 4 showing up on HULU.

Lakeith Stanfield in Sorry to Bother You (2018)

Called both the best and worst movie of 2018, depending on which reviewer you listen to, I’m really looking forward to watching SORRY TO BOTHER YOU sometime this month. And based on the track record of certain critics, I think this one is going to end up in my loved it pile.

The Sisters Brothers (2018)

Joseph Sikora, Omari Hardwick, Naturi Naughton, 50 Cent, Lela Loren, and Sinqua Walls in Power (2014)

I LOVE this series, POWER, and am way behind on it. So HULU this month will give me the chance to finish season3 and watch season 4.

Scott Grimes, Penny Johnson Jerald, Seth MacFarlane, Peter Macon, Adrianne Palicki, J. Lee, Mark Jackson, and Halston Sage in The Orville (2017)

I loved the first season of the ORVILLE. Season two started off great, but the second episode written by Wellesley Wild and directed by Kevin Hook, wow, that was a stinker.

It is some of the worst television I’ve seen since the 4th season of HELL ON WHEELS. Meaning really god awful, editor-less and rambling and self indulgent, please-fine-me-the-remote-fast-forward television. :). The odd thing is with just a less heavy handed delivery, no need for multiple hit us over the head holo-deck scenes, it could have been a good episode. the message was sound, the delivery unfortunately over indulged.

I will be very pleased not to see the name Wellesley Wild or Kevin Hook on any upcoming Orville episodes. 🙂 . Because other than that misstep, it has been a great and balanced show, not over doing the comedy and letting the drama shine thru when called for. And the visuals/ set and ship design and CGI, are just stellar.

It is the best STAR TREK on TV since the turn of the century. Wow. Let that sink in. 🙂

Castle Rock (2018)

Runaways (2017)

Kelsey Grammer, Russell Hornsby, and Rachelle Lefevre in Proven Innocent (2019)The premise of this show, addressing wrongful convictions, is I think very timely, and intriguing. Particularly in a witch-hunt/social media lynching America where people are found guilty and punished BEFORE trial, much less a verdict. In such an America where corporations the jury and the judges, rubber stamp social media verdicts, and special interests weaponize social media… a show about wrongful convictions… I’ll take a look.

Now the above are some of the top shows on or coming to HULU in February 2019, and reasons to give HULU a look this month.

So those of you who came just for the February 2019 STREAMING TV guide can leave now.

For those of you who want one of my inconveniently timed and inappropriately placed rants, 🙂 keep reading.

 

 

That last mention above, regarding the show PROVEN INNOCENT, made me ponder upon that subject.

One of the most idiotic postings I read recently, was this commenter piling on some guy accused of harassing a woman.

This guy was calling for the usual things the mob calls for, the accused to get fired, the accused to get stoned, etc. To which was pointed out that he knows neither the ‘claimed’ victim nor ‘claimed’ accuser,  that before taking sides and handing down his verdict, maybe this should go thru due process. Due process defined as If criminal… a court of law, if civil or corporate, a board of inquiry or a federal HR complaint.

When pointed out that there is a process for proving an actual crime or wrong doing, that perhaps has nothing to do with stirring up lynch-mob justice on Facebook or Twitter, and attacking someone who should be innocent till PROVEN guilty…. this guy’s response was….

 

“I TRUST WOMEN!!!!”

That was it.

Some woman he does not know, claims some horrendous deed was done to her, last week, 5 years ago, 20 years ago, and this guy takes it as gospel and attacks wherever she points.

You know where that also happened.

Salem Massachusetts in 1692 and 1693.

As well as the United States from the age of reconstruction through the 1960s, where many a body swayed from many a tree.

“ME TOO’, may be a great movement for healing wounds, and improving conditions.

However, it has no place deciding guilt or innocence.

Only facts should do that, not the baggage of the mob.

Here endeth the aside. 🙂

VOD Streaming Watch 19 Jan- Currently Watching : THE HIVE on Amazon Prime

 

Called a cross between EVIL DEAD and MEMENTO, Director David Yarovesky’s 2014 Debut film earns its comparisons. Not in terms of plot, plot-wise it has nothing to do with either MEMENTO or EVIL DEAD, but the tone and beats, and film-making conceits recalls those two films… in a good way. Indeed perhaps a more apt comparison would be INVASION OF THE BODY SNATCHERS meets the BLOB, but whatever the surface comparison, this film is very much its own thing, and earns a welcome spot amidst those aforementioned influences. For the most part a likeable cast, a talented director and a smart monster/antagonist, this film is well worth your time. B/B+.