Best things on streaming HULU this month : Donald Glover’s ATLANTA leads the pack

It took me a while to get aboard the ATLANTA hype train, but catching the whole 1st season of the series courtesy of HULU, it lives up to the hype,

The multi-talanted Donald Glover crafting an ethnic focused drama, with echoes of Twin Peaks (the first interesting season, not the 2nd horrendously boring 2nd season of twin Peaks) mixed with a wonderful filmic vibe of WHAT’S HAPPENING meets HAPPY DAYS meets MENANCE TO SOCIETY.

I binged the entire ten episode 1st season, and look forward to season 2 breaking on HULU or Blu-ray/DVD.

Extra Large Movie Poster Image for Atlanta (#9 of 9)

Other recommends or items of interest this week from the VOD/Streaming service are:

GAME SHOWS or LIFESTYLE PROGRAMMING (I’m not a fan of the term Reality TV)

  • CHOPPED
  • BEAT BOBBY FLAY
  • IRON CHEF
  • HOUSE HUNTERS
  • COUNTING CARS
  • FORGED IN FIRE
  • AMERICAN NINJA WARRIOR

Forged in Fire (2015)

DRAMA SHOWS

  • THE HANDMAIDS TALE
  • LETHAL WEAPON
  • TAKEN
  • THE CROSSING
  • FARGO -Just SEASON 2, Season 1 is okay, Season 3 is pretty unwatchable, Season 2 is great.
  • POWER
  • STAN AGAINST EVIL – Horror/Comedy/Drama…. it is great’
  • THE ORVILLE
  • THE STRAIN
  • SPOOKS
  • THE MUSKETEERS- These two BBC shows, SPOOKS and THE MUSKETEERS are two of my favorite shows of all time. I’m buying the BLU-RAY of both against the day they get pulled from streaming. Or one of the actors in the future gets villified and they call for all the shows to be burned/removed. That’s right mofos I still have all my ISPY, FAT ALBERT and COSBY shows. As well as the Grammy winning albums. So sit on it and spin. 🙂 (I really don’t know what that means. 🙂 ) And if you don’t know what I’m referring to, go check out my earlier post.

Taken Movie Poster

CARTOONS

  • TEENAGE MUTANT NINJA TURTLES

 

CLASSIC SHOWS

  • THE BIG VALLEY
  • THE SAINT
  • THE ROCKFORD FILES

Lee Majors, Barbara Stanwyck, Linda Evans, Peter Breck, and Richard Long in The Big Valley (1965)

MOVIES

  • AMERICAN GANSTER
  • ROCKY V – A lot of people hate on this fifth entry in the series starring real life Boxer Tommy Morrison (who gives a really good performance), but I love this movie, and its generational overtones. It is a nice, at the time, capper to the series. Rating the movies I would have to go the first two ROCKY films, CREED, than my next favorite one by far, is this film. ROCKY V. ‘I didn’t hear no bell, Tommy. I didn’t hear no bell.’  I Love this movie.
  • AWAKEN THE SHADOWMAN
  • RYDE
  • STARSHIP TROOPERS: TRAITORS OF MARS
  • COLOSSAL
  • 78/52:HITCHCOCK ‘S SHOWER SCENE
  • THE HANGMAN

American Gangster Movie Poster

Still waiting on Season 2 of LEGION and RUNAWAYS to drop on HULU.

That’s it for this installment.  Come  back for more, or feel free to suggest a VOD channel you want me to do an installement on. Till then be well, be kind, and don’t let big media decide your Gods or your Demons.

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Best & Favorite of 2017!!!

This is a bit belated but I think you will find a nice overview to 2017 and pointers to 2018 in the ramblings below.

Favorite movies seen in the Theater in 2017:

KONG:SKULL ISLAND

LOGAN

 

I only saw two movies in the theater in 2017, so looking to improve on that in 2018. Nothing in January had me jazzed to pay theater prices for, however I am looking forward to the following in 2018:

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EQUALIZER 2

click for larger (if applicable)

 

FAVORITE TV SHOWS IN 2017:

  • LEGION
  • TAKEN
  • POWER
  • AMERICAN NINJA
  • CHOPPED
  • AMERICAN PICKERS
  • LOVE IT OR LIST IT
  • LETHAL WEAPON
  • THE GRAND TOUR
  • GODLESS
  • RUNAWAYS

FAVORITE STREAMING TV CHANNEL IN 2017

The one two punch of AMAZON PRIME and HULU gets this award. NETFLIX that was riding high in 2016 with LUKE CAGE and other shows, had a disappointing 2017. With a non user friendly interface compared to Amazon Prime and a selection of shows and movies that weren’t as interesting or well curated as either HULU or AMAZON PRIME, I cancelled my membership at the end of 2017. The last straw being the overhyped and ultimately lackluster PUNISHER series, as well as news of the studios pulling their content from Netflix.

In 2018 the TV shows that I am or will be watching are:

CASTLE ROCK

GRAND TOUR

TAKEN (I think the new showrunner made a mistake getting rid of most of the cast from season 1, but hopefully he can course correct and fix it)

STRIKE BACK and ELEMENTARY return after long hiatuses

LONGMEYER went out with a bit of a whimper, so looking forward to YELLOWSTONE

JACK RYAN

LETHAL WEAPON

CHOPPED

IZOMBIE

BLACK LIGHTNING

AMERICANS

And lastly looking forward to Season 2 of what, without question, was the best, most inventive TV show of 2017, Noah Hawley’s LEGION.

And for those keeping score… LUKE CAGE tied with FARGO Season 2 (Also by Noah Hawley) were the best TV shows of 2015, and DAREDEVIL Season 1 was the best TV show of 2014.

 

BEST MUSIC OF 2017

I loved everything binaural in 2017, adding many great CDs to my collection. THE HEAVY and GREGORY PORTER remained in heavy rotation. Gregory Porter being my favorite live performance of 2017. And I added new interests RAG N BONE MAN, Andra day and Brian Ferneyhough. With Spotify to allow me to try before I buy, I’m looking forward in 2018 to discovering more great music, both old and new.

BEST READS OF 2017

I didn’t read as many novels, or listen to as many audio books in 2017 as I did in previous years, so I definitely hope to turn that around in 2018.

I did do substantially better with Art Books, Graphic Novels, Reference Books, and comics in 2017. Some of the standouts:

 

MATT BAKER THE ART OF GLAMOUR

CREEPING DEATH FROM NEPTUNE

THE WOLVERTON BIBLE

ARTIST EDITION BASIL WOLVERTON (This and the other two previous books having to do with Basil Wolverton, I went all in on him in 2017. Still absorbing these three books here in 2018)

JACKIE ORMES

THE SIGNATURE ART OF BRIANSTELFREEZE

SEX AND HORROR THE ART OF ALESSANDRO BIFFIGNANDI

In 2018 writers I intend to go all in on are Percival Everett, Victor Lavalle, Colin Whitehead and Walter Mosley, as well as revisiting work by Ligotti, Lebbon, Ellison, Stephen King, Clive Barker and Bennett.

 

In 2017 Marvel had a great POWER MAN AND IRON FIST series I was reading, the only thing I was buying monthly from Marvel Comics. And Marvel letting greed get in the way of common sense, killed a series everyone was loving, with a creative team everyone was loving, David Walker and Brian Stelfreeze, to instead both dilute audience attention and oversaturate the market with multiple books, almost all of which are ready to be canceled. So going into 2018, with Marvel sticking to their insane $3.99 price point per book, there are no titles I pick up from Marvel Comics.

 

In 2017 DEATHSTROKE by Christopher Priest was the only DC Comic I was getting on a monthly base. It’s arguably the one series that you can just pick up and enjoy without having to read any other title, or care about any other title. Priest has been able to just do… what he does best, create a fantastic read; month in and month out. So it is the only DC book I’m reading in 2018. However, greed rears its ugly heads and the idiots who get paid to make stupid decisions have decided to add DEATHSTROKE to their floundering team book… JLA,  basically gutting the standalone nature of the comic that allows Priest, to do his magic. Basically the same poor decision making that happened last year with POWER MAN AND IRON FIST.

 

I figure the conversation went like this… ‘man everyone is talking about this book, let’s put the characters in multiple other books, and then they will be talking about all those other books too.’ No, you EFFING morons! The reason people are enjoying POWER MAN AND INRON FIST or DEATHSTROKE is because it is well drawn and well written and not part of your insipid crossover infested universe. Your very attempts to duplicate that success, without understanding it, will kill the character in the new book, and kill interest in the character in the original book.

So yeah here’s hoping someone with brains over at DC, vetoes the horrible idea to put DEATHSTROKE in the JLA, because I’m not going to read the JLA, and you’re editorial interference will create a character that no longer works in his solo book. You have therefore killed the golden goose and have nothing to show for it.

 

The good news is when you get sick of the stupid decisions and overpriced ad laden product at DC and MARVEL, you have great content from other publishers to enjoy. Publishers that give you more for your money. Publishers such as IMAGE, AFTERSHOCK, DARK HORSE and many more.

As far as where to buy new comics from, a lot of people will steer you to DCBS. I personally in terms of pure customer service and ease or ordering prefer LONE STAR COMICS. You can order comics in advance from the at http://www.mycomicshop.com at a discount.

 

They are highly recommended, and I use them myself, and this is an unpaid recommendation. Tell them Heroic Times sent you.

 

And wrapping this up, favorite podcasts of 2017:

 

11OCLOCK COMICS

COMIC GEEK SPEAK

WTF with Marc Maron

BLACK TAPES

GEEK SYNDICATE

 

To name a few. Okay that is it for my 2017 Pop Culture overview. Thanks for bearing with it and if you enjoy, spread the word. Enjoy WEEK #6 of 2018!!!

 

 

 

 

 

Rating the Bigfoot Movies! Best and Worst!

BIGFOOT MOVIES TO SEEK OUT:

WILLOW CREEK – Suffers from annoying boyfriend syndrome, a failing too common to too many of these films with women being talked into dangerous situations, and worse being talked into remaining in the dangerous situations by boyfriends completely oblivious or making inane excuses for them remaining rather than rushing them to safety.

WILLOW CREEK for the majority is this annoying dynamic. So worth a watch if you are a Bigfoot movie fan/completest, but this due to how stupid the characters are written is far from satisfying. Grade: C-/D.

EXISTS is Big Foot movie done probably as well as it can be done. While you do have the obligatory idiot, you also have more well rounded and intriguing characters, and some sustained and exciting Bigfoot action. And a great and exciting if harrowing ending. Well worth owning on Blu-ray. Grade: B+

THE WOODSMAN- Is a horror takeoff on SURVIVOR MAN, as are many of these ‘Something in the woods’ films. Sporting only 2 actors, and only a brief glimpse of the rock thrower. Worth a  look, but relatively forgettable and an abrupt unsatisfying end. Always a bad sign when the poster is far more interesting than the actual movie.  Grade: C-/D-.

STOMPING GROUND – is up there with IT EXISTS with being a solid entertaining look of friends sharing their bonding time with something else. A great ending. B+.

LEGEND OF BOGGY CREEK- This is the one that started the BigFoot hype and with its documentary  meets DELIVERANCE style, continues to have a compelling vibe. Grade: C-.

SOMETHING IN THE WOODS – low budget 2016 film is convincingly done and engrossing tale of a man trying to protect his family and farm from something… unrelenting. Very good film. Grade: B/B-.

THE SIGHTING – For those looking for a twist on the standard BigFoot lore, this film fits the bill. Quite liked it. B/B+.

BIGFOOT (1969) – Speaking of twists. This forgotten 1969 film features buxom beauties falling into the clutches of a Bigfoot who wants attention paid to something besides his foot, and the biker boyfriends who must save them. The type of outlandish, trippy film that only the waning days of the swinging 60s could provide. Grade:  C/C+. Worth a Look and several shakes of the head.

CREATURE FROM BLACK LAKE (1976)

HUNTING GROUNDS (2017) – If you are sick of this off camera stuff most of these other films do, than this is the film for you. You will see the Bigfoot clearly and often, and doing things the other films would leave to your imagination. Where this one trips itself up is the human element. But unevenness aside, well worth a look. Grade: C/C+.

WILD MEN (2017) – Another Reality show goes hunting for BigFoot type movie. This one is quite good and fun. Grade: B.

 

-BIGFOOT THE LOST COAST TAPES rivals EXISTS as one of the best BIGFOOT movies. And it has one of the more unique and impressive endings. Strongly recommended. Grade: B+.

 

You can catch many of these films courtesy of AMAZON PRIME and/or HULU and the following are worthy of owning on DVD/Blu-Ray:

Exists [DVD + Digital]

Bigfoot: The Lost Coast Tapes BD/Combo [Blu-ray]

 

BIGFOOT MOVIES TO AVOID:

FIELD FREAK

BLACK WATER SASQUATCH

NIGHT WALKER

BIGFOOT VS DB COOPER

LOST WOODS

1313 BIGFOOT ISLAND

BOGGY CREEK (2010)

DOGMAN

HOLLER CREEK CANYON

PREDATORY INSTINCT

BIGFOOT HORROR CAMP

BIGFOOT WARS

BIGFOOT VS ZOMBIES

Currently Watching : POWER Season One on HULU!

POWER The acclaimed Curtis ’50 CENT’ Jackson produced STARZ series finally makes itself available on HULU, and man was it well worth the wait. Showrunner/Creator Courtney Kemp Agboh’s POWER is the very definition of binge worthy television.

From opening credits to final fade to black, the show is FANTASTIC!! Omari Hardwick helms a powerhouse cast, in an exquistely photographed, compulsively paced stunner of a show.

BLU-RAY Movie of the Day : Antoine Fuqua’s EQUALIZER

“Progress. Not perfection.”

The Equalizer Movie Poster

I know in this day of streaming it’s all the rage to herald the death of physical media.

Allow me to be the voice of dissent.

Streaming is fine for sampling things, and trying things, but for things you love, and intend to watch again, revisit again, give me that feature rich DVD or BLU-RAY any-day, and twice on Sunday.

I love film. And I love cast and Director’s commentary. For films I love, after I consume the film, I like to go back and hear about the process, the experience of making the film.

For a beloved film, it just adds to the enjoyment.

And for cinephiles or hopefuls one day looking to work in some capacity crafting these once celluloid marvels, a commentary by Michael Mann or Ridley Scott or the late great Tony Scott is like being part of the best film school in the world.  It’s enjoyable AND informative.

My favorite movies I might get introduced to on streaming, but providing they have that commentary and special features, I will always buy in Blu-ray/DVD format.

The Equalizer Movie Poster

Antoine Fuqua’s THE EQUALIZER is one of those movies. First the Blu-Ray picture and sound quality is stellar. No buffering issues, or making sure you haven’t gone over broadband quota issues, or weather related or ‘time of day’ issues that can all affect your enjoyment with streaming. No the Blu-Ray, as long as you have your player and power, will be there for you, in the same spectacular quality.

Now moving on to the film itself, while I liked the TV show well enough, I too was incredulous when i heard about a remake. Add to that the odd choice of Denzel Washington to helm a big screen version of a mid-tier show, best known for the Britishness of its protagonist.

But I’m happy to say AntoinE Fuqua and the writers and Denzel Washington do the impossible in making this 80s small screen show, into galvanizing big screen entertainment. From the first frame the story is told, of a man of regimented routine, of  necessary order. Peace, found in the adherence to the space between seconds. A dragon allowed to sleep. Until one day something shatters that routine, that peace, and the dragon must wake.

Fuqua is a director, whose first couple of efforts left me cold, but I have to say he has grown into a great Director. There is such a beautiful patience in this film, that it makes the action scenes when they come, so much more devastating. And a large part of that is Denzel Washington, he brings a laconic, measured weight to the doors he steps through, a gravitas, that really sells the moments he must… wake.

Coming out the same time frame as JOHN WICK, both films share a common theme of men of extreme skillsets being forced back into using those skills. It’s lovely how the same theme of vengeance can be handled so differently, and so well in those differences.

JOHN WICK is a balls to the wall, action extravaganza,  EQUALIZER offers a bit more measured approach, but somehow manages to make every person’s fall more personal for that measured response. Fuqua’s EQUALIZER takes the time to watch the light go out of a man’s eyes. And there is something sobering and frightening about that. I love JOHN WICK, and looking forward to JOHN WICK II, but I love EQUALIZER just as much. The only misstep to EQUALIZER is the poor choice of a rap song for the closing credits, but other than that a home-run of a film.

It is a phenomenal film. Made even more so by the VENGEANCE MODE that the Blu-Ray offers. All in all a grade ‘A’ film, well deserving of owning in Blu-Ray.

 

Get your copy at the link below:

The Equalizer [Blu-ray]

THE LAST WORD : SUPERMAN II Richard Lester Theatrical Version vs SUPERMAN II Richard Donner Cut!!

https://art-s.nflximg.net/a51de/87597ad788e1e7e1adb2f9171df6be8aca8a51de.jpg

 

Netflix is showing the theatrical cut of SUPERMAN II. Anyone who tries to tell you the Richard Donner cut of SUPERMAN II is better than the Richard Lester theatrical version is quite frankly deranged.

Okay maybe that’s a bit harsh (no it is not) but while there are pieces of the so-called Donner Cut that would be nice added into the theatrical cut, most notably the Marlon Brando scenes in the fortress of Solitude are essential, and the extended scenes with Luthor and Ms. Teschmacher are just a lot of fun (I strongly recommend getting the DVDs of both and cutting those scenes into the Theatrical cut to create something I call the improved cut. It will wow you).

as a whole the theatrical cut of SUPERMAN II is vastly superior and more satisfying then the Donner cut. Full stop.

The opening is vastly superior in the theatrical cut, as is the reason for Zod’s escape from the phantom zone. And the ending of the Donner cut, SUPERMAN turning back time again, is just lazy and stupid, from a creative level, and makes the memory wiping kiss in the theatrical version look like a stroke of genius.

And yes the theatrical version takes liberties with Superman’s powers, force beams, mirage powers, using the shield on his suit as a net, but I never had a problem with these scenes… because they were fun. And really, in for a penny… in for a pound, once you sign off on heat vision and cold breath, then mirage powers, and force blasts, and memory wiping… seems like just enjoying the ride.

Both versions skate over the final reckoning of the defeated villains, so neither version is perfect, but of the two the theatrical version is head and shoulders better. In my opinion Donner wanting to end the 2nd movie with the same unsatisfying gimmick he ended the first film with, like I said, is just lazy writing and unimaginative thinking. I could clearly see based on that, why the studios replaced him.

Final verdict?

The Richard Lester SUPERMAN II theatrical film, trounces the Richard Donner SUPERMAN II Cut by a mile.

Get your copy here:

 

Superman II (Two-Disc Special Edition)

What I’m Watching : SUPERMAN RETURNS (2006) Revisited after 10+ years!

Dracula Movie Poster

Recalling this is Frank Langella’s Birthday and how much I’m enamored of his performances (particularly his DRACULA I think is hypnotic and astounding), I went looking for films courtesy of streaming/VOD and I came across SUPERMAN RETURNS.

 

Superman Returns Movie Poster

Unlike the vocal few, I’ve always liked Bryan Singer’s SUPERMAN RETURNS. It is not perfect but its weaknesses are minor, and its strengths… deserving of praise.

Watching it today, over 10 years after its release, the film holds up. It is visually stunning to look at, gorgeously filmed and sumptuously framed, outright beautiful. Going for and achieving that feeling of awe, that particularly the first Richard Donner Superman was able to achieve, And it has that romanticized feel, and familial pacing, and doe-eyed optimism that both of the first two Donner Superman movies were able to achieve. But all of this lensed through Bryan Singers unique and ambitious take, his more otherworldly, take on the Man of Steel.

Where some people only saw ‘stalker’ Superman, those of us acquainted with reason, saw an obvious moral quandary tackled head-on. You want a being that can hear you when you call? The price and burden of this means he is always listening and always watching. So the film plays wonderfully with this idea of mensh unt Ubermensh. Of Man and Superman, and the burdens and trials of both.

The film does lose itself toward the end, but not enough to keep the journey from being rewarding, and memorable and fun.

This film falling in solid Bronze medal contention as one of the best Superman Movies of all time, beat out only by those two films that it is a natural sequel and follow-up to, Richard Donner’s SUPERMAN and SUPERMAN II.

MAN OF STEEL, as well as the other post Donner Christopher Reeves films are all left far in this films wake.

My grade after revisiting SUPERMAN RETURNS after 10+ years?

Well, Great Bryan Singer Direction, excellent visuals, stunning production design by Guy Hendrix Dyas, great performances by Brandon Routh and Kevin Spacey and Tristan Lake Leabu as Lois’s son.  Also the flying scenes (all of them but particularly, That flight with Lois, a definite homage to the iconic scene in the first film, and I think it’s great),the plane scene, the yacht saving scene,the Daily Planet globe scene, the eye scene, the car scene that is a homage to a classic comic book cover, the mensh unt ubermensh overtones, and just the sheer fun of it, all of that is a solid A.

If you watch those scenes and don’t feel a sense of awe, possibly you shouldn’t be watching a film called SUPERMAN or there may be something fundamentally broken in you. 🙂

Now in the minus column you have that the Lois Lane performance sometimes grates and the general denouement/climatic battle/wrapup didn’t quite work for me (through I appreciate it more on re-watching then when I initially saw it in the theaters), those are a C- at best.

So averaged together the film as a whole is still a solid B+.

[possible spoilers]Too bad Bryan Singer didn’t get to follow this up, as I would have liked him exploring the dynamics of a SUPERMAN with a family, and a kryptonian impervious to kryptonite, and just some of the other ingenious ideas touched on in this film.[spoilers done]

Revisit it yourself on Netflix or better yet get the Blu-ray with Directors Commentary. The film will stand the test of time against the cynics, romance always does. STRONGLY RECOMMENDED.

 

 

Superman: The Movie / Superman II: The Richard Donner Cut / Superman Returns [Blu-ray]

Superman Returns (Two-Disc Special Edition)

Drácula (Blu-Ray) (Import Movie) (European Format – Zone B2) (2013) Frank Langella; Laurence Olivier; Donald P