Best TV shows by decade! 1950s to 2017!

Best TV shows by decade!

1950s
DRAGNET
GUNSMOKE
HONEYMOONERS
I LOVE LUCY
THE LONE RANGER
RAWHIDE
RIFLEMAN

1960s
MISSION IMPOSSIBLE

RIFLEMAN
STAR TREK
TWILIGHT ZONE
GUNSMOKE
HAVE GUN WILL TRAVEL
OUTER LIMITS
THE FUGITIVE (the template for decades of shows to follow, from THE HULK to WEREWOLF)
RIFLEMAN

1970S
SANFORD AND SON
GOOD TIMES
HAPPY DAYS
MASH
MISSION IMPOSSIBLE
MORK AND MINDY
UFO
SPACE 1999

 

1980s

THE COSBY SHOW
SPENSER FOR HIRE
HILL STREET BLUES
MIAMI VICE
QUANTUM LEAP
THREE’S COMPANY
STAR TREK NEXT GENERATION
WEREWOLF (Starred the great Chuck Connors, this short lived series was great!)
ROBIN OF SHERWOOD (Best interpretation of Robin Hood ever!)

 

1990s
ER
FAMILY MATTERS
FRESH PRINCE OF BEL-AIR
THE SIMPSONS
MARRIED WITH CHILDREN
MARTIN
SEINFELD
WINGS
STAR TREK DEEP SPACE NINE
BABYLON 5
X-FILES
HOMICIDE
NYPD BLUE
BUFFY

 

2000s

EVERYBODY LOVES RAYMOND
CURB YOUR ENTHUSIASM
SPOOKS
BREAKING BAD
HUSTLE
TOP GEAR
TORCHWOOD
DOCTOR WHO (The Dave Tennant Years)
THE WIRE
FIREFLY
THE VENTURE BROTHERS
JUSTICE LEAGUE

2010s (There was a while in the 2000s where after the writer’s strike everyone was signaling the death nell of scripted television, as channels ramped up their reality tv programming. Thankfully the 2010s sees scripted television not only alive and well, but thriving on an unprecedented level. The rise of streaming TV has created an unprecedented production of shows to fill the VOD denand. 

With Streaming platforms such as Netflix, Amazon, and Hulu becoming world class producers of content, the 2010s sees not only the quantity of Television options at the highest it has ever been in the history of the world, but the quality of the programming exponentially better. 2010s is a golden age of TV.

 

 

 

HEMLOCK GROVE
BATES MOTEL
PENNY DREADFUL
ROME
SPARTACUS
BLACK MIRROR
AMERICAN HORROR STORY
HOUSE OF CARDS
DAREDEVIL
RIPPER STREET
LUKE CAGE
JESSICA JONES
SUPERNATURAL
GREEN ARROW
IZOMBIE
ELEMENTARY
THE FLASH
THE GOOD WIFE
LONGMEYER
WALLANDER
THE AMERICANS
LEGION
LUTHER
BADLANDS
ALPHAS
COSMOS
BEING HUMAN BBC 1ST 3 SEASONS ONLY
TEEN WOLF
BLACKLIST
STRANGER THINGS
TOPGEAR BBC ONLY
NARCOS
THE 100
MARCO POLO
GLITCH
SHERLOCK
RECTIFY
HAWAII FIVE-O
LEVERAGE
THE CLONE WARS
ZOO
HELL ON WHEELS
AGENTS OF SHIELD
ASCENSION
CRIMINAL MINDS
TRANSPORTER
BURN NOTICE
HATFIELDS & MCCOYS
BROADCHIRCH
HELIX
INSPECTOR POIROT
JACK TAYLOR
HINTERLAND
THE MAGICIANS
LIFE
YOUNG JUSTICE
DOLLHOUSE
BEING MARY JANE
PERSON OF INTEREST
FRONTIER
THE MESSENGERS
ALMIGHTY JOHNSONS
DARK MATTER
MARSEILLE
THE CLEVELAND SHOW
BOONDOCKS

Movie of the Day : THE HUNTED (2013) DVD Review!

https://images-na.ssl-images-amazon.com/images/M/MV5BODkwMDY1MzI4Ml5BMl5BanBnXkFtZTgwNjAyNDMzMDE@._V1_SY1000_CR0,0,675,1000_AL_.jpg

THE HUNTED(2013)There have been numerous movies with the title THE HUNTED, this one from 2013 is the best. 

I am QUITE impressed by this film. Star, writer, director and producer Josh Stewart crafts methodically and surprisingly, from earnest, everyday beginnings… moments of horror profound. Taking a primal sound meant to denote a response to horror, and making it in and of itself a vehicle of horror.

The editing (william yeh) and Sound Design (WALTER WERZOWA) in this film is brilliant, horror like comedy is timing, and this film is timed perfectly to… grip you, in moments not unlike, terror. The DVD featurette is a must watch when you finish the film, as is the fun director’s commentary. Go into the film, knowing as little as possible, and it will reward you.

An impressive debut film from Josh Stewart. Everyone wants to make a horror film but not everyone should or is capable of it. Stewart shows out the gate a deft hand and an assured eye, marrying perfectly the moments that seemed earnest and true, and the moments that chill. Looking forward to his follow-up films.

He joins a small but growing list of impressive filmmakers OF the disturbing to be on the lookout for.

JAMES WAN (INSIDIOUS, THE CONJURING)
LEIGH WHANNEL (INSIDIOUS 3) – A definite improvement over Insidious 2. Hair-raisingly talented.
DAVID F. SANDBERG (LIGHTS OUT)
NICHOLAS McCARTHY (PACT, AT THE DEVIL’S DOOR, HOLIDAYS)
DAVID ROBERT MITCHELL (IT FOLLOWS)
TI WEST (HOUSE OF THE DEVIL)
OREN PELI (PARANORMAL ACTIVITY FRANCHISE)
TOMAS ALFREDSON/MATT REEVES (LET THE RIGHT ONE IN/LET ME IN)
JAUME BALAGUERO (REC)
NEIL MARSHALL (THE DESCENT)
BONG JOON-HO (THE HOST)
JONATHAN GLAZER (UNDER THE SKIN)
GUILLERMO DEL TORO (PAN’S LABYRINTH)
(PONTYPOOL)
(THE WOMAN IN BLACK)
J.T. PETTY (THE BURROWERS)
PAVEL KHVALEEV (III, THE RANDOM, INVOLUTION)
BONE TOMAHAWK
SAUNA
CHRISTOPHE GANS (THE BROTHERHOOD OF THE WOLF, SILENT HILL)

A Fortress Features production.

 

Hunted [DVD] [2013] [Region 1] [US Import] [NTSC]

First Great Theatrical Experience of 2017 — KONG : SKULL ISLAND in 3D!

It takes a lot to get me out to the theater these days. 2016 was one of my most anemic theater going years. Having only seen a couple movies in the theater (among them the excellent CAPTAIN AMERICA CIVIL WAR).

The slow movie going year could be linked to several reasons, some personal and singular, and some endemic of larger more encompassing perspectives.

The rise of Netflix and Streaming options has brought cinema quality programming to your living room or bedroom, around your schedule. So no trying to make your schedule fit around a movie showing, and all the baggage of parking, and seats, and annoying crowds, and of course the expense.

So for those reasons and others the theater wasn’t top on my list in 2016.

2017 and I’m incentivized to see quite a few movies in the theater. One reason is the reopening of one of my favorite regional movie theaters, as an upscale adults only dinner and a movie venue.

Perfect for couples or close friends, I decided to check out a matinee showing of KONG : SKULL ISLAND over other available options at this theater (such as LOGAN and JOHN WICK II and GET OUT, all of which I intend to see) for the main reason I wanted to test out the spectacle and 3D quality of this new theater, and what better way than a loud, explosive, monster movie.

So I reserved my seats, picking the perfect seats of course, and quite impressed with their meal and drink menu. Forget the overpriced artery clogging Popcorn and Hotdogs and Candy that comprises the fare of your typical theater, this theater offered a full and quite impressive meal and drink menu, brought to your spacious clean, well kept seats, no less. We had the crabcakes, bistro burger, korean wings, with a Berry Blast drink for me and a Mocha Latte for her. And did I mention the excellent attentive service.

So we are planted in front our huge curved screen, it’s a matinee showing so not only do we have our whole row free, we have our whole section free, with probably a total of less than 20 people in the large yet intimate theater. Meaning the theater and screen is large, but the number of seats are few.

So that’s the setup. What about the movie?

The best part of the Peter Jackson 2005 KING KONG movie, was the one hour period on the island (once we get past Peter Jackson’s annoying portrayal of Native Life as monstrous, evil and subhuman), that one hour was fantastic sequences of monster and Kong Mayhem, and should have been the whole movie.

Once that movie leaves the island it loses all interest and excitement, crawling toward a tepid ending.

KONG:SKULL ISLAND, 12 years after Peter Jackson’s mistake, learns admirably from the flaws of his film, crafting an entire movie on Kong’s home, the Island of Monsters, Skull Island, and it is absolutely kick-ass!

The idea to set it in 1973, at a pivotal time for America and the World, I thought was a stroke of genius and gives real motivation to Samuel L. Jackson’s Ahab inclined character, who see’s in the monster of Kong, this fight, a chance to win the war that he was denied, to change shame into glory. I like the opening, the setup to the actual Mayhem that is Kong, quite a bit, which says a lot about the quality of the filmmaker and the film.

Usually the least interesting part of any monster movie, is the prelude to the appearance of the Monster, when you have to endure boring cardboard characters killing time. That was the issue with the GODZILLA movie by the producers of this film, it was mostly setup and concentration on the human drama, but the humans and the human drama in that movie was as of much interest as watching paint dry.

Here, the setup and the characters feel fleshed out and earned, and part of that is grounding these soldiers in 1973. Survivors, but somehow not victors. Going from one barely war abroad, to a frightening barely understood war at home awaiting them, Skull Island, is very much a reprieve to Jackson’s Colonel. And the men under him, caught in the machinations of dreams of Glory, well they are understood to.

And all the characters are quickly enlisted for this obscure mission, all powerful, compelling actors, not a Jack Black insight. But actors all who can compel and own their time onscreen… their closeups. So I’m thoroughly entertained and into the movie, before Kong goes Ape, so to speak. And when he does go Ape… it is… EPIC!!!

This is why Theaters have value in an age of Netflix and Home Theaters, because a home theater is no match for a commercial theater when you have no annoying audience to deal with, this was the fury of Kong unleashed… this was spectacle, this was Blockbuster, and this was worth every penny paid!

Should you see it in 3D? I typically find 3D is a wasted expense in most situations. I think it is expertly done here, and is really the type of movie that cries out for really good 3D. KONG is really good use of 3D, and I think like AVATAR is a must see in 3D!

KONG is only the second feature film of Director Jordan Vogt-Roberts, nothing in his filmography would indicate he could handle a big budget blockbuster of a monster movie, but much like the Russo Brothers of CAPTAIN AMERICA fame (who also came out of feature film obscurity) Roberts rises to the occasion, shattering expectations.

I loved this movie from beginning to end. It blows away recent failures such as GODZILLA and the aforementioned KING KONG, and bodes well for future films. Stay past the trailer for a nice Marvel style Easter Egg.

Grade: A solid and easy B+!! HIGHLY RECOMMENDED!

MUST LISTEN Audio Books for BLACK HISTORY Month and every other month! :) Part 2 of 2

The 2nd must listen audio book for Black History Month or any month is the mind breaking MUMBO JUMBO by the great Ishmael Reed.

Ishmael Reed, who was honored with the MacArthur “genius” award, is a Pulitzer Prize finalist and two-time nominee for the National Book Award. Mumbo Jumbo, a literary masterpiece, is an ironic and unconventional detectivestory infused with African-American cultural heritage. A strange psychic epidemic called “Jes Grew” is spreading through the country, affecting millions. PaPa LaBas, a HooDoo detective, is trying to find the origins of the JesGrew – not because he wants to cure it, but because he’s ready for a new kind of society.

mumbojumbo

Composed of the memorable personalities and the little remembered tragedies and triumphs of the roaring 20s, MUMBO JUMBO weaves these truths into an overarching fictional narrative that goes from the beginning of civilization to the fall of man.

But the fiction is so peppered with essential truths, like the best of all fiction, that it will change fundamentally how you look at everything, from museums to curse words to bull fights. If MIDDLE PASSAGE is my favorite audio book, MUMBO JUMBO  I think , in opposition to its name, is the most enlightening and powerful audio book I’ve ever listened to, for the  way it opened up my mind to… broader definitions of history and broader definitions of ourselves. Magnificent.

Version:

Unabridged
Author: Ishmael Reed
Narrator: J. D. Jackson
Genres: Fiction & Literature
Publisher: Recorded Books
Published In: July 2005
# of Units: 8 CDs
Length: 8 hours, 30 minutes

Get your copy here:

 

Mumbo Jumbo

MUST LISTEN Audio Books for BLACK HISTORY Month and every other month! :) Part 1 of 2

I first became familiar with these two novels, both by master writers, as novels proper. And both blew my mind in ways both stunning and lasting. Later I listened to the Audio Books. Audio Books, if you get the right reader, for the right work, can be rewarding experiences, even to lovers of the novel.

I love me some Walter Moseley EASY RAWLINS mysteries, I’ve read just about everyone of them, and I have to tell you the pairing of Moseley’s iconic words with a formidable actor such as Michael Boatman, is to have those works enriched, and nuances discovered that may have been skimmed over by even the most loving reader.

A great Adaptation, a great marriage of words and performance can do that, can alchemize into something more than the sum of its parts. Something magical. And an audio book avoids the constraints of time and budget and indeed visuals, that a film or TV show runs into. An audio book has the biggest theater of the world, and the biggest budget, in which to breathe life into the writers words,… the theater of the mind.

So Audio Books when they get that mixture right, become part of a sacred line of story and storytelling, going back to the cradle of not just Black History, but all history.

 

This 2 part post, honors two of the best, that should be loved and listened to and cherished by everyone.

They are:

Charles Johnson’s seminal and National Book Award winning novel, MIDDLE PASSAGE. It is an American epic, a rousing seafaring saga, blisteringly funny at times, deeply harrowing at others, both poetic, prosaic, and magical all at the same time. As someone who has read Melville, and Dickens, and Hemingway, and Crane and Poe and Bradbury and King and Baldwin, all the quintessential American masters, this is the novel I would save when everything else is burning.

 

middlepassge

 

I give the hardcover out as presents. I consider it, in an imperfect world, an arrow toward a more perfect union. So having it on a pedestal that high the audio book has to bring it. It was made into an audio book twice, the first was an abridged and hence flawed cassette version, but read by the author himself, I quite liked it. He brought something… wonderful to it.

The 2nd time was on CD, unabridged thankfully. The performer Dion Graham, gives a different performance than Charles Johnson, that I slowly warmed to. And as the story drew you deeper so did his voice. It’s a wonderful way to be introduced to this great novel.

I would say both audio book versions are indispensable. Start with the unabridged CD version, and then follow up by listening to the Abridged version. And have a copy of the paperback or hardcover, to read over especially loved passages.

In an America where folly holds sway, the words of men who both remember history and learn from it, is of the highest value.

Check them out at the links below:

Middle Passage Cassette Audio Book read by the Author!

Middle Passage Audio CD Unabridged!

By Charles Richard Johnson Middle Passage (Reprint) [Mass Market Paperback]

 

If you like this blog please support it by using the links above and by leaving comments! And come back for the 2nd part where we discuss the 2nd, must own, Black History Month (and other months) Audio book!

BLU-RAY Movie of the Day : Antoine Fuqua’s EQUALIZER

“Progress. Not perfection.”

The Equalizer Movie Poster

I know in this day of streaming it’s all the rage to herald the death of physical media.

Allow me to be the voice of dissent.

Streaming is fine for sampling things, and trying things, but for things you love, and intend to watch again, revisit again, give me that feature rich DVD or BLU-RAY any-day, and twice on Sunday.

I love film. And I love cast and Director’s commentary. For films I love, after I consume the film, I like to go back and hear about the process, the experience of making the film.

For a beloved film, it just adds to the enjoyment.

And for cinephiles or hopefuls one day looking to work in some capacity crafting these once celluloid marvels, a commentary by Michael Mann or Ridley Scott or the late great Tony Scott is like being part of the best film school in the world.  It’s enjoyable AND informative.

My favorite movies I might get introduced to on streaming, but providing they have that commentary and special features, I will always buy in Blu-ray/DVD format.

The Equalizer Movie Poster

Antoine Fuqua’s THE EQUALIZER is one of those movies. First the Blu-Ray picture and sound quality is stellar. No buffering issues, or making sure you haven’t gone over broadband quota issues, or weather related or ‘time of day’ issues that can all affect your enjoyment with streaming. No the Blu-Ray, as long as you have your player and power, will be there for you, in the same spectacular quality.

Now moving on to the film itself, while I liked the TV show well enough, I too was incredulous when i heard about a remake. Add to that the odd choice of Denzel Washington to helm a big screen version of a mid-tier show, best known for the Britishness of its protagonist.

But I’m happy to say AntoinE Fuqua and the writers and Denzel Washington do the impossible in making this 80s small screen show, into galvanizing big screen entertainment. From the first frame the story is told, of a man of regimented routine, of  necessary order. Peace, found in the adherence to the space between seconds. A dragon allowed to sleep. Until one day something shatters that routine, that peace, and the dragon must wake.

Fuqua is a director, whose first couple of efforts left me cold, but I have to say he has grown into a great Director. There is such a beautiful patience in this film, that it makes the action scenes when they come, so much more devastating. And a large part of that is Denzel Washington, he brings a laconic, measured weight to the doors he steps through, a gravitas, that really sells the moments he must… wake.

Coming out the same time frame as JOHN WICK, both films share a common theme of men of extreme skillsets being forced back into using those skills. It’s lovely how the same theme of vengeance can be handled so differently, and so well in those differences.

JOHN WICK is a balls to the wall, action extravaganza,  EQUALIZER offers a bit more measured approach, but somehow manages to make every person’s fall more personal for that measured response. Fuqua’s EQUALIZER takes the time to watch the light go out of a man’s eyes. And there is something sobering and frightening about that. I love JOHN WICK, and looking forward to JOHN WICK II, but I love EQUALIZER just as much. The only misstep to EQUALIZER is the poor choice of a rap song for the closing credits, but other than that a home-run of a film.

It is a phenomenal film. Made even more so by the VENGEANCE MODE that the Blu-Ray offers. All in all a grade ‘A’ film, well deserving of owning in Blu-Ray.

 

Get your copy at the link below:

The Equalizer [Blu-ray]

10 BEST CAR CHASE/ACTION SCENES of all Time!!

https://i1.wp.com/imgc.allpostersimages.com/images/P-473-488-90/40/4031/LWBLF00Z/posters/bullitt-french-movie-poster-1968.jpgBULLET – A classic, and on everyone’s list for a reason.

BORDER COP – The first few minutes of this 36 year old movie had my mouth agape. As It sports an unexpected and insane car chase sequence by anyone’s definition. Whatever they were paying the stunt man/men was not enough. The only car chase sequence in the film, it’s good enough on its own to earn a place on any list. BORDER COP is so many different and warring things together, it jumps genres so unexpectedly from a jaw dropping car chase movie in the first few minutes, to a low key drama, to a harrowing expose of business and cruelty both of the animal and human variety on the bloody US/Mexican border. A nearly 40 year old movie that sadly, and disgracefully is as relevant today as the day it was made. A solid movie.

 

Extra Large Movie Poster Image for The Raid 2: Berandal (#4 of 6)RAID 2 – Written, Edited and Directed by Gareth Evans there is much to recommend RAID 2. It’s a great Martial Arts movie, sporting some of the most brilliantly choreographed fight and knife scenes ever put to film, it is also an incredibly violent (and convoluted) crime/gangster movie. In addition it also showcases one of the most bad-ass car chase scenes. Starting at about the 1hour 50 minute mark, when most movies have already finished, RAID 2 is just warming up.

Dirty Mary Crazy Larry Movie Poster

DIRTY MARY, CRAZY LARRY– The quintessential 70s American Car Chase movie, this whole film is one long chase. A great car chase film, and a great film.

 

Cotton Comes to Harlem Movie PosterCOTTON COMES TO HARLEM – Predating Friedkin’s FRENCH CONNECTION by a year, Director Ossie Davis’ 1970 Action/Comedy Adaptation of Chester Himes COTTON COMES TO HARLEM showcases a great car chase scene. The scene, that involves a van and a bail of cotton, originates some chase sequences that Friedkin would appropriate for his own film, and filmmakers have been using since. Age not withstanding the car chase scene in COTTON COMES TO HARLEM is better than its imitators… and a lot more fun,

 

https://thisisnotadvertising.files.wordpress.com/2011/07/hire_wp-728059.jpg?w=444THE HIRE– What do you get when one of the most respected car companies gets together with some of the most respected action directors to craft a series of ads/short films…. you get THE HIRE, iconic short films that revive and improve upon the heyday of the car chase film. Short Films that would inspire the feature length TRANSPORTER series. Arguably the short films are better.

 

The Seven-Ups Movie PosterTHE SEVEN UPS – Philip D’ Antoni’s film, seen as something of an unofficial followup to FRENCH CONNECTION, sporting many of that film’s cast and crew and themes, is by far the superior film to the Academy Award winning FRENCH CONNECTION. The fact that the mediocre FRENCH CONNECTION has an Academy Award reiterates my thesis that the Academy has a tendency to reward films that reinforce or refresh for a new generation these racist mindsets and mentalities, often in heroic lights; From A BIRTH OF A NATION to THE JAZZ SINGER to GONE WITH THE WIND to MONSTERS BALL to FRENCH CONNECTION, the Academy is always happy to reward Minstrel Shows, films with Black Faces that are there to reinforce and present White Messages. THE SEVEN UPS Thankfully is not that type of film, and concerns itself strictly with telling a compelling crime film. Which it does in spades, complete with a car chase that starts around the 52 minute mark, and runs 12 minutes, that is easily the superior to the one in FRENCH CONNECTION; and THE SEVEN UP car chase can easily be ranked as one of the best of all time.

Extra Large Movie Poster Image for Sabotage (#3 of 13)SABOTAGE – One of the latter day, post-governor Arnold Schwarzenegger movies, SABOTAGE is surprisingly a home run. David Ayer, a director I tend to feel is too heavy handed, here finds a story and actors and a co-writer that tend to ameliorate his often too unlikable protagonists and world view. Here Schwarzenegger leads a DEA strike force, up against their deadliest enemy. Besides being a solid action thriller this film also sports an insane 10 minute car chase scene. The actors really sell this 10 minutes and make this a chase scene that holds up.

 

Mission: Impossible - Rogue Nation Movie PosterMISSION IMPOSSIBLE ROGUE NATION – As much as James Bond in its 50 years is known for car chases I couldn’t find one strong enough to surpass the car chases in the MISSION IMPOSSIBLE franchise. Notably this one from ROGUE NATION is the best MISSION IMPOSSIBLE car chase. From cars to bikes, just an astounding and fun 8 minute sequence.

 

Bad Boys II Movie PosterBAD BOYS II – Michael Bay is often vilified, for reasons that seem to me to amount to people upset that his movies are populist entertainment. Of the 13 feature films he has done in the last 22 years, five are devoted to a toy franchise, and the majority of the rest standard summer action fare. But action fare done really, really well.

Michael Bay at the top of his game is a great filmmaker, and I think nothing highlights this as well as his first feature BAD BOYS and his last 13 HOURS.

BAD BOYS II however is neither of those films, being neither popular nor successful. It is definitely a misfire, it is too long and the comedy misses more often than it hits, leading to overlong cringeworthy scenes you want to fast forward past rather than laugh at. Trying to emulate the success of the first film, they get the mixture of comedy and action wrong. That said, even when the comedy fails, the action and visuals never do. I have always loved Michael Bay’s use of the camera, he uses a lovely panning, roving style that is simply exquisite. Michael Bay understands the essence of the Heroic and is able to convey that in the panning of a camera. And arguably it is in this flawed film that Michael Bay crafts some of the best and most beautiful action set-pieces of his career.

Woody Strode who spent a career in films directed by legends such as John Ford and Fernando Di Leo and Richard Brooks and Stanley Kubrick, always considered his favorite director and his favorite moment on screen, was his wordless, almost cameo appearance, in the opening of Sergio Leone’s ONCE UPON A TIME IN THE WEST.

Michael Bay is that type of director, a painter of romanticized heroism, of images that galvanize and rouse, and unfortunately a lot of that talent was buried for the last decade filming CGI robots, BAD BOYS II is a great reminder of what Bay can do when filming captivating actors and captivating places.

BAD BOYS II is a flawed movie, but it has moments of greatness in it. And the 10 minute car scene alone is worth marveling at more than once and is Michael Bay at his blockbuster best. And more than than is one of cinema’s best car chase scenes.