I like the dayglo covers of the above reprint editions (the first two are reprint editions, the last two are new printings). However, I like the covers of the original Icon editions (shown below) a little bit better. The contents and build of both editions are almost identical, I just think the below Icon Editions have covers that are more in keeping with the noirish, slow-burn, content of the interiors. Price being no object I would get the below editions. However the below editions are out of print, and going for multiple times the cost of the new reprints. So unless you get the first editions cheap, or are well off and buy what you want… get the above reprints. Cick the images to view more and/or purchase.
To this day, my favorite trailer of all time is the 1st WATCHMEN movie trailer, with the simply haunting SMASHING PUMPKINS song. You have to understand, that 2009 trailer represented the culmination of over 20 years of attempting to get that iconic book to screen.
And I have to say — I was one who was happy with the graphic novel, and just didn’t think a filmed version was feasible or needed. And I’m typically not that guy/gal who complains if someone wants to make a movie, or cartoon, or whatever from a successful book or movie. I say, more power to them, that’s just business. That is the nature of film, since the dawn of film.
Sometimes adaptations work out great (quite a lot actually) where the movie is actually superior to the source material, example of this would be Michael Mann’s MANHUNTER being superior to the original novel RED DRAGON by Thomas Harris. Or the Russo brother’s CIVIL WAR being superior to the over-bloated comic-book version. So yeah I’m always game to be pleasantly surprised by an adaption.
I guess where Alan Moore’s WATCHMEN differed for me, is the creator made an agreement with the publisher, that would have given him the rights to WATCHMEN, once the book went out of print, He made this deal in a time where there was no such concept as an ‘evergreen’ graphic novel. Everything went out of print in the Comic Book world. Alan Moore’s WATCHMEN became the first book, that DC would never let go out of print.
So while Alan Moore is known for being historically difficult, the reason may be that he has been hoodwinked more than a time or two. And WATCHMEN perhaps being the most painful of the many various conflicts he has had with publishers and other creators, would notoriously be a sore subject with Mr. Moore.
At the end of the day, 35 years removed from Moore’s heyday in comics, he is still that name we reach toward when we think of what is best in comics. So to have the medium’s best writer, our modern day Shakespeare (a writer, writing in a castigated medium for the mob, works that would stand the test of time) not involved with the adaptation, and not wanting the adaptation of his most acclaimed property; well you tend to understand, as a fan of that writer and that property, and not really need to see that adaption.
So I wasn’t calling for a WATCHMEN film, and I was not boycotting it either, I just had no interest in seeing it. Two things started to excite me about the film, One/ that Zack Snyder was attached as Director (coming off 300 he had skyrocketed as one of the most exciting directors, and one of my favorite directors) and Two/ then seeing that first trailer in 2009. The first trailer with the Smashing Pumpkins song… holy cow!!!
For someone to take a long un-filmable project, that had been gestating for decades, and bounced between different writers, directors, production teams, and finally land with one of the most stylish action directors to come along since Sam Peckinpah and John Woo, and to produce a trailer like that— mic drop.
That trailer, as someone like many, who loved Alan Moore’s WATCHMEN; that trailer completely screamed Alan Moore’s WATCHMEN. And more than that it screamed iconic, it screamed visionary, it screamed Zack Snyder.
Visionary is a high compliment, but when looking at the visuals of Zack Snyder, it is well earned. And that vision and love for the source material was all on display in that trailer, and add that perfect song…and you have something that highlights the strengths of Zack Snyder, his visuals, and replaces dialog and plotting, with the pure emotion of the right song.
To this day, that first WATCHMEN trailer remains my favorite trailer of all time. And while the movie was not the trailer (meaning it could not maintain that level of perfection and excitement over 2+ hours, but arguably no film can), the film while definitely having issues (overlong, pacing issues); at the end of the day, flaws and all, it is an achievement of film-making.
You could not cast that film any better than it was cast, it starts great, it ends great, and in-between it is compelling if overlong (but given the depth of content, it was the length it needed to be). And let us speak of that ending, I spoke earlier of adaptions that are better than the original; this film is not better than the graphic novel, but there are moments in this film, that are. One of those moments is the ending. The culmination of Ozymandias’ master plan makes far more sense in the film than in the Graphic novel.
All in all Zack Snyder’s WATCHMEN is a flawed masterpiece, and I’ll take that every day of the week. And the trailer… flawless. Check out the below review.
Since then others have taken a crack at Alan Moore’s seminal work, to surprising (and I would say impressive) effect. I still wish Alan Moore’s name was on all these adaptions, and he was getting paid, since he is making corporations quite wealthy milking his ideas.
Part of this is Moore’s own ‘line in the sand ‘ attitude, but seriously I really wish fences could be mended, as Moore is not getting any younger, and it would be nice if people would laud him, monetarily and credit wise, while he is alive, rather than empty speeches after he, like we all must, passes off this mortal coil.
Anyhow that was just a quick aside about how much i love the 1st 2009 WATCHMEN trailer, and while Zack Snyder has been hit and miss for me film-wise, his visuals (with the exception of the stupid costumes/CGI for the FLASH and CYBORG) are always top notch; and the trailers… genius.
I just saw the trailer for JUSTICE LEAGUE THE SNYDER CUT, and once again, that marriage of iconic visuals as only Zack Snyder can do it, with the perfect song– it makes me excited now to see this, when I had no interest in a ‘Snyder Cut’ of a film that did not work for me the first time.
“You won’t let me live, and you won’t let me die.”
In a very impressive trailer weekend for DC/Warner Brothers, the SNYDER JUSTICE LEAGUE may be my favorite trailer, just edging out both THE BATMAN and WONDER WOMAN 84. Now I definitely think both WONDER WOMAN 84 and THE BATMAN are going to be vastly better films than this re-cut JUSTICE LEAGUE CUT (I don’t see the edit substantially being able to change/better the film. Change it a little, yes. Better it a little, yes. But substantially? No.); however based just on trailers, the Snyder Cut hearkens back to his successful 1st WATCHMEN trailer, and that formula (for the trailer) just works.
Plus Jim Rugg did the excellent AFRODISIAC. (And if you like that try out the excellent BLACK DYNAMITE by Brian Ash. However if looking for something that is not a parody, but just a straightforward bit of 70s inspired action and grittiness, I highly recommend the brilliant WORLD OF HURT : THRILL SEEKERS by Jay Potts.)
Like most of you reading this I have a backlog of material to get to. Being a collector I likely have more of a backlog than most. Books, comic books and graphic novels, music, cds, movies, streaming, old time radio, podcasts, youtube, and the list goes on.
So it is not unusual for Books that I get with all intention of reading, getting parked in a very long queue. For any of you with Netflix or Amazon Watchlists, you’ll understand this.
So often times books only make it to the top of that list when going out the door.
Case in point with ALEISTER & ADOLF. I have started finding new homes for books I have not had a chance to get around to, ALEISTER & ADOLF became one of those books. I was packing it up to ship to its new owner, and while I had flipped thru it never really had gotten a chance to read it. Well about to pack it up to ship off, I wanted to read a bit of it.
I opened the book, and ended up reading the whole thing, standing in one spot…. and I found it, riveting. I found it an interesting tale of the part symbols play in history, and in our concept of reality. That advertising and salesmanship, while seen as a very modern thing, is actually since time immemorial… at the heart of empires, their rise and their fall. The hearts and minds of people, is where wars and peace are won, and oligarchies sustained.
If you are a fan of writers like Alan Moore and Grant Morrison, while not told with the elegaic poetry of these writers, Douglas Rushkoff‘s writing and Michael Avon Oemings‘ art, weaves a succinct and engrossing page turner of strange fiction, based on even stranger facts.
A worthy addition to the writings, both fact and fiction, on that most pivotal and bloodiest of Wars, what Roosevelt would come to call… The Survival War.
Great read. And I see myself re-adding this to my collection in the future.
Averaging almost $100 a book, no one is going to confuse Marvel’s Omnibus line of high quality, oversized chronological reprints of their most popular and coveted books with cheap.
But for those with a fondness for these four color adventures of yesteryear these collections are a definite boon and a must have. Collecting between 20 and 40 issues of comics, including the letters pages for some, roughly 600 to 1200 pages of comic goodness, the cost is a deal compared to trying to get these issues individually, especially considering in some cases… original issues can run thousands of dollars.
And while these are reprints, they are reprints offered in a quality, oversized format signifigantly superior to the original cheaply produced issues.
From Stan Lee and Jack Kirby’s game changing work on the FANTASTIC FOUR (collected in 3 Omnibuses) to Doug Moench and Paul Gulacy’s seminal work on MASTER OF KUNG FU (70s Kung Fu and Spy Goodness at its best! To be collected over 4 volumes) to the gold standard of comic craft with Chris Claremont and John Byrne and Paul Smith’s THE UNCANNY X-MEN , these are the books and runs… that are deserving of this top of the line production!
Any of the 17 books listed, sell themselves, as noted by how quickly and often these pricey books sellout. Don’t sleep on these 17 books. Get your issues before they become unavailable or prices go up!
Currently Reading: NELSON by Rob Davis and Woodrow Phoenix
Last week I was hunting for new podcasts to add to my subscriptions for next year, and one I tried (and subsequently added) was MAKE IT THEN TELL EVERYONE. They had a podcast interview with a writer/artist/cartoonist Woodrow Phoenix, who I unfortunately was not familiar with.
But listening to the podcasts, and viewing snippets of his work online, I quickly ascertained that this was a creator to become familiar with asap.
I immediately ordered his acclaimed books NELSON and RUMBLE STRIP.
NELSON just came in and, yep I was right to rush out and purchase it. A bit of an experimental graphic novel, as 54 writers come together to tell something of a jam-piece of a story.
The back cover describes it as such :
“NELSON is a 250-page collaboration between 54 of the UK’s most exciting comic creators. It is an unprecedented experiment to create one complete story [from 54 distinct visions] -a collective graphic novel.”
Each artists gets to illustrate one day, one piece of a day in a character’s life, then it jumps one year, and the next writer has to pick up the threads of these characters. As it goes on through all 54 artists, 54 years of a person’s life are revealed.
It’s a genius idea by Editor Rob Davis, and turned from idea to reality by co-editors Woodrow Phoenix and Rob Davis. As someone who grew up loving CHOOSE YOUR OWN ADVENTURE style books as well as the WILDCARDS style books, NELSON’s experimental and experiential nature plays to my loves and my joys. A few pages in and I’m loving it.
THE PUNISHER : BLACK & WHITE – The Punisher is one of those characters that a little bit of goes a long way. It is such a basically one-note character that has been so exhaustively written about, that it is hard to do anything fresh or exciting with that character, but Nathan Edmondson attempts to do just that with PUNISHER : BLACK & WHITE.
A new city, a pet wolf, and a mixing of street level and super-powered bad guys, and add to that a worn motif of ‘laws and cops as incompetent, and only Punisher’s brand of brutality gets it right’ and the whole story just comes off as so much badly applied makeup to a decaying corpse.
An okay, if immediately forgettable six issue storyline, with an inferior and unsatisfying cliffhanger ending, spells a story worth trying but not worth buying or keeping. Grade : C-/D.
BLACK WIDOW : THE FINELY WOVEN THREAD –The prolific Nathan Edmondson takes his talent for the gritty to chronicling the exploits of everyone’s favorite sexy Russian super-spy, in BLACK WIDOW : THE FINELY WOVEN THREAD.
Edmondson uses a softer touch here than in his Punisher run, and it’s a better fit, as this time it is an understated espionage tinged series of stories, that serves as a vehicle for the real selling point, which is the lush, painterly, sumptuous art by Phil Noto. The story itself is largely unmemorable, thankfully what warrants a 2nd and third viewing is the art. So overall grade: C/C+.
“The World has rules, created by those who consider themselves above them. So we became radicals, who accepted neither.” — Jonathan Hickman’s THE MANHATTAN PROJECTS VOL 2
THE MANHATTAN PROJECTS VOL 2- I find writer Jonathan Hickman’s work very hit and miss. Quite frankly more miss than hit, while always filled with elaborate and imaginative ideas, his work generally lacks an emotional quotient, an emotional core, to make it worth reading.
His writing then becomes simple extrapolations of the head, that lack heart. Cold and off-putting works. I find this of almost all of his mainstream work that I have tried, SECRET AVENGERS, FANTASTIC FOUR, his current AVENGERS work I find unreadable dreck, with nothing to keep anyone emotionally interested or invested.
His Indie work can be likewise a gamble. Volume 1 of his Image series THE MANHATTAN PROJECTS was okay, if unremarkable. However I’m glad to say Volume 2 is much better, as Hickman is finally starting to pull taut the threads of his story.
The art by Nick Pitarra does a lot of the heavy lifting, with fun sight gags and panels that makes this far more entertaining than arguably the words or script alone would convey. I point you to the panel of the oval office orgy (say that three times fast 🙂 )for proof of that.
So lifted up on Pitarra’s visuals Hickman’s MANHATTAN PROJECTS VOL 2 is finally starting to hit its stride. And while Volume 1 is okay to read, it is not necessary, you could just pick up Volume 2, as it brings you up to speed pretty quickly. Grade: B. Worth a Purchase.
Hailed as a timeless story that turned modern super hero conventions on their heads, PLANETARY stars an inter-dimensional peace-keeping force including Elijah Snow, Jakita Wagner, and The Drummer. Tasked with tracking down evidence of super-human activity, these mystery archaeologists uncover unknown paranormal secrets and histories, such as a World War II supercomputer that can access other universes, a ghostly spirit of vengeance, and a lost island of dying monsters. Now, the entire series is collected in hardcover, including PLANETARY #1-27, PLANETARY/BATMAN #1, PLANETARY/JLA #1 and PLANETARY/AUTHORITY #1.
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