So while Alan Moore is known for being historically difficult, the reason may be that he has been hoodwinked more than a time or two. And WATCHMEN perhaps being the most painful of the many various conflicts he has had with publishers and other creators, would notoriously be a sore subject with Mr. Moore.
At the end of the day, 35 years removed from Moore’s heyday in comics, he is still that name we reach toward when we think of what is best in comics. So to have the medium’s best writer, our modern day Shakespeare (a writer, writing in a castigated medium for the mob, works that would stand the test of time) not involved with the adaptation, and not wanting the adaptation of his most acclaimed property; well you tend to understand, as a fan of that writer and that property, and not really need to see that adaption.
So I wasn’t calling for a WATCHMEN film, and I was not boycotting it either, I just had no interest in seeing it. Two things started to excite me about the film, One/ that Zack Snyder was attached as Director (coming off 300 he had skyrocketed as one of the most exciting directors, and one of my favorite directors) and Two/ then seeing that first trailer in 2009. The first trailer with the Smashing Pumpkins song… holy cow!!!
For someone to take a long un-filmable project, that had been gestating for decades, and bounced between different writers, directors, production teams, and finally land with one of the most stylish action directors to come along since Sam Peckinpah and John Woo, and to produce a trailer like that— mic drop.
That trailer, as someone like many, who loved Alan Moore’s WATCHMEN; that trailer completely screamed Alan Moore’s WATCHMEN. And more than that it screamed iconic, it screamed visionary, it screamed Zack Snyder.
Visionary is a high compliment, but when looking at the visuals of Zack Snyder, it is well earned. And that vision and love for the source material was all on display in that trailer, and add that perfect song…and you have something that highlights the strengths of Zack Snyder, his visuals, and replaces dialog and plotting, with the pure emotion of the right song.
To this day, that first WATCHMEN trailer remains my favorite trailer of all time. And while the movie was not the trailer (meaning it could not maintain that level of perfection and excitement over 2+ hours, but arguably no film can), the film while definitely having issues (overlong, pacing issues); at the end of the day, flaws and all, it is an achievement of film-making.
You could not cast that film any better than it was cast, it starts great, it ends great, and in-between it is compelling if overlong (but given the depth of content, it was the length it needed to be). And let us speak of that ending, I spoke earlier of adaptions that are better than the original; this film is not better than the graphic novel, but there are moments in this film, that are. One of those moments is the ending. The culmination of Ozymandias’ master plan makes far more sense in the film than in the Graphic novel.
All in all Zack Snyder’s WATCHMEN is a flawed masterpiece, and I’ll take that every day of the week. And the trailer… flawless. Check out the below review.
Anyhow that was just a quick aside about how much i love the 1st 2009 WATCHMEN trailer, and while Zack Snyder has been hit and miss for me film-wise, his visuals (with the exception of the stupid costumes/CGI for the FLASH and CYBORG) are always top notch; and the trailers… genius.
I just saw the trailer for JUSTICE LEAGUE THE SNYDER CUT, and once again, that marriage of iconic visuals as only Zack Snyder can do it, with the perfect song– it makes me excited now to see this, when I had no interest in a ‘Snyder Cut’ of a film that did not work for me the first time.
“You won’t let me live, and you won’t let me die.”
In a very impressive trailer weekend for DC/Warner Brothers, the SNYDER JUSTICE LEAGUE may be my favorite trailer, just edging out both THE BATMAN and WONDER WOMAN 84. Now I definitely think both WONDER WOMAN 84 and THE BATMAN are going to be vastly better films than this re-cut JUSTICE LEAGUE CUT (I don’t see the edit substantially being able to change/better the film. Change it a little, yes. Better it a little, yes. But substantially? No.); however based just on trailers, the Snyder Cut hearkens back to his successful 1st WATCHMEN trailer, and that formula (for the trailer) just works.
An entire Blacklight Comic Book?? Count me in!!!!
Plus Jim Rugg did the excellent AFRODISIAC. (And if you like that try out the excellent BLACK DYNAMITE by Brian Ash. However if looking for something that is not a parody, but just a straightforward bit of 70s inspired action and grittiness, I highly recommend the brilliant WORLD OF HURT : THRILL SEEKERS by Jay Potts.)
Averaging almost $100 a book, no one is going to confuse Marvel’s Omnibus line of high quality, oversized chronological reprints of their most popular and coveted books with cheap.
But for those with a fondness for these four color adventures of yesteryear these collections are a definite boon and a must have. Collecting between 20 and 40 issues of comics, including the letters pages for some, roughly 600 to 1200 pages of comic goodness, the cost is a deal compared to trying to get these issues individually, especially considering in some cases… original issues can run thousands of dollars.
And while these are reprints, they are reprints offered in a quality, oversized format signifigantly superior to the original cheaply produced issues.
From Stan Lee and Jack Kirby’s game changing work on the FANTASTIC FOUR (collected in 3 Omnibuses) to Doug Moench and Paul Gulacy’s seminal work on MASTER OF KUNG FU (70s Kung Fu and Spy Goodness at its best! To be collected over 4 volumes) to the gold standard of comic craft with Chris Claremont and John Byrne and Paul Smith’s THE UNCANNY X-MEN , these are the books and runs… that are deserving of this top of the line production!
Any of the 17 books listed, sell themselves, as noted by how quickly and often these pricey books sellout. Don’t sleep on these 17 books. Get your issues before they become unavailable or prices go up!
Tell em HT sent ya!!
But listening to the podcasts, and viewing snippets of his work online, I quickly ascertained that this was a creator to become familiar with asap.
I immediately ordered his acclaimed books NELSON and RUMBLE STRIP.
NELSON just came in and, yep I was right to rush out and purchase it. A bit of an experimental graphic novel, as 54 writers come together to tell something of a jam-piece of a story.
The back cover describes it as such :
“NELSON is a 250-page collaboration between 54 of the UK’s most exciting comic creators. It is an unprecedented experiment to create one complete story [from 54 distinct visions] -a collective graphic novel.”
Each artists gets to illustrate one day, one piece of a day in a character’s life, then it jumps one year, and the next writer has to pick up the threads of these characters. As it goes on through all 54 artists, 54 years of a person’s life are revealed.
It’s a genius idea by Editor Rob Davis, and turned from idea to reality by co-editors Woodrow Phoenix and Rob Davis. As someone who grew up loving CHOOSE YOUR OWN ADVENTURE style books as well as the WILDCARDS style books, NELSON’s experimental and experiential nature plays to my loves and my joys. A few pages in and I’m loving it.
Get your copy here:
THE MANHATTAN PROJECTS VOL 2- I find writer Jonathan Hickman’s work very hit and miss. Quite frankly more miss than hit, while always filled with elaborate and imaginative ideas, his work generally lacks an emotional quotient, an emotional core, to make it worth reading.
His writing then becomes simple extrapolations of the head, that lack heart. Cold and off-putting works. I find this of almost all of his mainstream work that I have tried, SECRET AVENGERS, FANTASTIC FOUR, his current AVENGERS work I find unreadable dreck, with nothing to keep anyone emotionally interested or invested.
His Indie work can be likewise a gamble. Volume 1 of his Image series THE MANHATTAN PROJECTS was okay, if unremarkable. However I’m glad to say Volume 2 is much better, as Hickman is finally starting to pull taut the threads of his story.
The art by Nick Pitarra does a lot of the heavy lifting, with fun sight gags and panels that makes this far more entertaining than arguably the words or script alone would convey. I point you to the panel of the oval office orgy (say that three times fast 🙂 )for proof of that.
So lifted up on Pitarra’s visuals Hickman’s MANHATTAN PROJECTS VOL 2 is finally starting to hit its stride. And while Volume 1 is okay to read, it is not necessary, you could just pick up Volume 2, as it brings you up to speed pretty quickly. Grade: B. Worth a Purchase.
Hailed as a timeless story that turned modern super hero conventions on their heads, PLANETARY stars an inter-dimensional peace-keeping force including Elijah Snow, Jakita Wagner, and The Drummer. Tasked with tracking down evidence of super-human activity, these mystery archaeologists uncover unknown paranormal secrets and histories, such as a World War II supercomputer that can access other universes, a ghostly spirit of vengeance, and a lost island of dying monsters. Now, the entire series is collected in hardcover, including PLANETARY #1-27, PLANETARY/BATMAN #1, PLANETARY/JLA #1 and PLANETARY/AUTHORITY #1.
Get your copy here: The Planetary Omnibus
ALL NEW X-MEN VOL 2 HERE TO STAY – Collecting issues 6 to 10 of the series this is an interesting and fun premise for a miniseries, namely have the X-men of the past interact with the present. However for a series, it is a gimmick, an in-joke, that runs the risk of staying around too long, and outliving its sell by date. For the moment Marquez and Immonen art keeps it interesting, but already the premise is getting to feel belabored.
UNCANNY X-MEN VOL 1 REVOLUTION – Collecting issues 1 to 5 of the series the pluses are a strong, witty and fun script by Brian Michael Bendis, and some gorgeous art by Chris Bacchalo. The weaknesses are the layouts can be lost under muddy finishing/coloring, and a tendency, unsatisfying tendency, to end the very slight collections on a cliffhanger. It is a weakness that both volumes share.
Add to that the outrageous price of $24.99 for only 5 issues ($5 an issue!!!), a hundred thirty plus pages of story and the absence of a complete, standalone story becomes even more insulting.
It is a very petty and miserly and obscene ‘bleed your audience’ policy that Marvel has undertaken here, that does not deserve to be rewarded by purchasing these overpriced volumes. That said, I do feel the writing in these volumes is fun and entertaining and action-packed and worthy of a read if not a buy.
Just be aware that the cliffhanger ending, appropriate for a $3 monthly serialized comic, is wholly inappropriate for an overpriced $25 collected edition ; that you should be able to enjoy on its own without waiting months for the next volume.
GRADE : B-. Until the ending I was enjoying both volumes, but without an ending the volumes are very much like a great parallel bar routine where the athlete fails to stick the landing. Pretty, but ultimately disappointing and forgettable.
And add that exorbitant price point of $25 for 5 issues of material (and yes I realize the trade can be had for a little bit cheaper, but that is still overpriced as well) and it becomes a case of look, do not buy.
Borrow or rent these puppies for a quick read, then move onto something else, that you would not have any problems paying retail for; something you would not mind proudly adding to your bookshelf such as BATWOMAN VOL 1 HYDROLOGY. A book that I have also recently read.
DC publishing (the other big comic book company besides Marvel) has their own problems, however producing satisfying collections is generally not one of them.
DC hardcover collections, offer an issue more and two dollars less retail, and offer a contained story, something that Marvel’s new publishing initiative MARVEL NOW may want to take note of.
Marvel writers generally are currently doing good work (far better than their esteemed competition that with few exceptions is self-destructing due to editorial hubris), so to have that sabotaged by ghetto collections… possibly not the route Marvel wants to go.
To try the books and decide for yourself or to hunt them down for less than retail use the below links and this blog earns a couple pennies. If I’ve helped turn you on to something you would have otherwise missed (BATWOMAN HYDROLOGY is a must have for any art lover’s collection. It is exquisite), then please use the links below. Thanks:
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