On JESSICA JONES Trailer, Tom King’s BATMAN, and DCs SWAMP THING show!

Let us start in the middle Tom King’s BATMAN.

I listened to a recent podcast where they were bemoaning the news of Tom King stepping off the BATMAN comic. All kinds of speculation on him being removed, etc. That he was doing a brilliant run on Batman, etc, etc. And they couldn’t understand how DC could not see what a great, innovative job he was doing, and that DC execs must not like great stories, yada, yada.

This very minor and relatively harmless rant from this podcast I watched, illustrates perhaps a less wholesome issue with our culture in whole. This inability to see or look for, or acknowledge, viewpoints other than our own.

The truth is out there, to paraphrase a show I was never a fan of, beyond the odd ‘monster-of the week’ episode.

The truth is out there, but we have to look, and we have to do our homework.

It doesn’t have to be controversy when we get news we do not expect or agree with.

It doesn’t have to be DC executives are stupid.

It could be as simple, if Tom King was removed, as simple as the books were not moving in the numbers they liked, or meeting with across the board praise.

A simple look at reviews of Tom King’s BATMAN run, whether podcasts, or Youtube videos, or blogs or websites, when you extend the search beyond your circle, your chorus, you see a run, a body of work, that from the first trade on, was conflicted. And grew more uneven and conflicted, in terms of the writing, and the response to the writing with every trade/issue.

I think a lot of people make excuses for Tom King”s work when they do not love it. Like they refuse to admit they didn’t love it because of Tom King, so they blame the publisher, or the editor, etc.

A writer is a lot like a director, you get the praise when a product is great. You should also carry the blame when a product isn’t. A lot of people like to give King the former, and make excuses to keep him from the latter.

Stop making excuses or trying to blame Editorial if you do not like a Tom King story. You do not try to give them the praise if you love a Tom King story. So let’s not be hypocrites.

And I am not anti-Tom King, I am not one of these knuckle dragging anti social justice warrior, anti-woman, anti-diversity, psuedo neo nazi nuts. I judge the work, on the work, and wait to read it, before having an opinion on it.

Tom King can be a great writer.

The webpage will not show this image anonymously.

https://amzn.to/2MAm9GC

His VISION series is one of the greatest things I have read in years. (And if you have not read it, I urge you to pick up the collected hardcover… it is that good.)

His OMEGA MEN very good.

https://amzn.to/2EZQGHG

His Batman, in pieces, standalone, I’m thinking specifically of ANNUAL 2, can be great. Annual 2 was great.

The webpage will not show this image anonymously.

https://amzn.to/2MzJsk0

However, specifically to Batman, other than that standalone story,  his actual run on Batman, the first 4 or 5 trades, I found awful. I mean… awful. “I am suicide!”As his take-away on the character of Batman. Really???!!

Batman: I Am Suicide (The Complete Story) - YouTube

The great flaw of Tom King’ s BATMAN (for me), was always Tom King’s take of the character. He keeps writing the same broken, suicidal, and ineffective character, over and over again. And while it worked for the Vision and Mr. Miracle, shoehorning that Hamlet type protagonist and calling him Batman or Kid Flash, does not work at all.

He keeps trying to tailor these heroes and archetypes to his ptsd framework, and it increasingly does not work. He needs to start writing to the character, than simply shoehorning them into his rigid story.

We get it,

Tom King brings a military background, and a CIA background, and an espionage background, and a background of those places where we all break under stress and pressure. And again telling that story with certain characters can work, however retelling that story with every character does not work.

There are more stories than that. And another reason we look to these heroes is because they are our aspirations writ large, they should not all be stand-ins for the places where we fall down, they should be the standards of how to standup. They should be our hopes writ large, not our insecurities. The VISION type stories should be the exception, not the rule.

I do not want to read a comic with a Superman dealing with PTSD. It starts to become one note writing, rather than great writing, to make all the heroes analogs for the common man, or the Hamlet in us.

So yeah, while I will not be picking up the individual issues regardless of who writes BATMAN, because paying more than $2.99 for a single Marvel or DC comic is insanity (Marvel and DC should both be ashamed of themselves for charging more than $2.99 for scant pages of comics. Now, smaller Independent publishers I cut them slack on pricing, because their page count and quality is usually higher. However Marvel and DC has the economies of scale to keep prices low. To not do so comes down to mismarketing, mismanagement, and short term greed, over long term sustainability and growth) , I will, if the word of mouth is good, check out the books when they hit the $1 bins of the secondary market or in collected edition at the libraries.

I look forward to a new take on Batman, and a new writer.

Okay… next topic…

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JESSICA JONES Season III trailer. Here is the thing, I was not interested enough to watch the 2nd season of JESSICA JONES. And by all reviews I did not miss much. But I went into the the trailer for season III hoping it would be good. I have to tell you, I found it incredibly uninteresting.

I can only take so much of brooding, not quite likeable, characters so, just with the way the protagonist is played, with a listless, can’t be bothered attitude, the performance of Jessica Jones is typically the weakest part of the show JESSICA JONES.

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So that said, you need charismatic, interesting people surrounding her to make the show worth while. You need a Luke Cage, you need a Purple Man. You need dynamism to counteract the plodding, disaffected, and starting to get annoying, performance of the protagonist.  And unfortunately the trailer for Season III offered none of that. Offered an Antagonist, absolutely as uninteresting as the protagonist. A battle of who could bore me more.

 

So yeah the trailer to Season III of JESSICA JONES, a hard fail. That is not going to make my watch list, based on that trailer.

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Finally, the news that the DC Swamp Thing show has been cancelled before the 1st season really starts.

It has come out the reason DC/Warner Brothers pulled the plug is largely because North Carolina, an increasingly politically suspect state (excuses to my North Carolina Friends, but you are starting to be run by the pointy hat crowd. And I’m not telling you anything you don’t know. You know you need to start cleaning your house, much the same way the Nation needs to clean its house) basically bailed on their promise to help finance the production of SWAMP THING in their state.

It is a great shame, because I have to tell you, I absolutely loved the full trailer to SWAMP THING.

They looked like they had all the elements for a wonderful , long form story, worthy of the kind of eerie, brilliant, haunting storytelling that creators Alan Moore, Bissette, Totleben, Wein, and Wrightson laid the ground work for.

Such a shame.

Maybe someone else will add the additional funds so we get to see this vision of Swamp Thing, eventually played out.

Well that’s it guys.

Just wanted to put my 2 cents in on those 3 topics. Take two seconds and support today’s recommended comics.

You know when I was saying I cut Independent comics a slack, because of their quality of content and packaging. ALTERNA COMICS and AHOY COMICS are two cases in point. There are a lot of great writers/artists in comics, arguably one of the best of them is Eric Powell. I absolutely am enamored with his GOON and his HILLBILLY and his SPOOK SHOW. And ALTERNA comics addreses all the issues with price gouging that we are getting from the big two, Marvel and DC, while giving us quality products. So you can preorder comics from both publishers and get them direct mailed to you.

https://www.mycomicshop.com/subscriptionservice

 

Use the links above get great books, support these publishers, and earn a few pennies for this blog. A win-win!

 

“Second star to the right and straight on ’til morning. ”

J.M. Barrie, Peter Pan

New Zealand Attack/Tragedy

First my thoughts and hopes go out to the victims of this cowardly, reprehensible action.

To those who committed it, to those who enabled it, to those like our Resident in Chief who are making excuses for it… you are as guilty as the ones who pulled the trigger.

See, this blind yet supportive eye our resident in chief (and too many who voted for him) would turn toward intolerance, and step to power on the backs of stupidity, ignorance, greed and hate… this is the outcome of such a policy of hate. This is your ‘wall’ made manifest.

And in an increasingly connected global economy and global thought space, stupidity spreads. Especially when supported by fools in power.

America, has shown the world how to do mass murders of its own citizens by its own citizens, a genocidal and suicidal nation, that is infecting the rest of the world. The lack of laws to keep weapons of mass destruction out of the hands of the deranged, and the addled, and the damned. A lack of laws to hold the firearm manufacturers and the estate of the culprit fiscally responsible for the lives and bodies destroyed, by a wanton act of cowardice.

America, steered by madmen, shows the rest of the world how to go mad.

The answer?

The answer to blood?

The answer to horror?

The answer to deranged madmen calling for insane walls rather than real gun control?

The answer to too many of you who actually voted for such lunacy?

The answer is simple.

The answer is to admit you have been wrong.

Wrong as an American, or a Brit, or a New Zealander or a South African.

Wrong as a Democrat.

Wrong as a Republican.

Wrong as someone who believes in hate.

Wrong as someone who believes in love.

Wrong as a Christian.

Wrong as a Muslim.

Wrong as a Jew.

Wrong as a Buddhist.

Wrong as a Nazi.

You have to question everything you believe is right, and everything you believe is wrong, and only then can you see clearly.

Because a fool and a zealot do not question.

And we live in a world of fools and zealots, who do not challenge the absolute good and the absolute evil they have mistaken for the world.

Monologues, Alan Moore said.

Monologues we have mistaken for the world.

A man walked into a holy place, and destroyed lives, for a monologue he had mistaken for the world.

For a fiction, a fabrication, that with but a moments thought to question, the absolutes of his insane plan, people dead would now be alive, and families broken would be whole.

We all want to be on the side of the angels.

Whatever angels we bend our knee to.

But the magic of the world, is it is constantly changing. And every day, every single day, we have to get up, and ask ourselves, are we good men, or bad ones. And every single day, the answer to that question, should be in doubt.

We should never wake up assuming we are on the side of the angels. Because that is the quickest way… to do the devils work.

The man who walked into that Mosque in New Zealand was absolute in his conviction, and that is what damned him. And that is what will damn us all.

Absolutes whether the quest for a wall, or the quest for lives, absolutes… fail. They fail, especially when the price is paid not by you, but by some one else.

I end where I begin.

My thoughts go out to the victims of the latest man, the latest system, of absolutes. You want to really make a difference, really stop these massacres? This is what you do.

If you are a staunch supporter of NRA, question it. If you are a staunch opponent of NRA, question it. Question your absolutes, honestly, because I believe reason, all effing evidence to the contrary, I believe reason ultimately wins.

I believe a man on a path of hate or a man on a path of love, can be the same horrible man, for lack of questioning.

The humility of doubt can save their souls. Can define their souls. Accepting nothing as absolute.

Wake up every morning asking yourself if you are a good person or a bad one, and answering it honestly. And that is how you stay out of… true evil. Avoiding Absolutism.

I’m not preaching anything to you, that I don’t do myself.

Everyday I wake up, I ask myself if I am a good man or a bad one, and the act of questioning, and the striving to be a better man, is a great way to stop from, gleefully, being… the worst of men.

That’s all I have right now.

Be well.

Podcast of the Day : The Best Doug Moench Interview!

THE BEST DOUG MOENCH INTERVIEW!

I just discovered this COMIC SHENANIGANS interview with Doug Moench.

From April 2017 this interview is FANTASTIC! Doug Moench (pronounced mensh) is a legendary comic writer, but arguably not as legendary as he should be. While names like Frank Miller, Alan Moore, Stan Lee, Jack Kirby, Chris Claremont and John Byrne are known to even peripheral fans of comics, the name Doug Moench  arguably doesn’t get the praise he deserves.

His work in the 70s and 80s brought a sophistication to comics, that tends to get attributed to the year 1986 and the one two punch of Frank Miller’s DARK KNIGHT and Alan Moore’ s WATCHMEN, but those iconic books didn’t get born in a vacuum.  It came in stages through creators, by fits and starts, progressing the medium.  Creators such as…

The phenomenal work of Stan Lee in the 1960s creating stories that talked to the audience, rather than at the audience. His stories, his dialog, was snappy and fun patter which sung for the first time to a college audience, rather than strictly to the kid audience, and really separated Marvel from everyone else.

Stan Lee gets credit, but I think too many people in a rush to praise the artists, and address any slights,  such as Jack Kirby and Ditko and Romita etc (men deserving of praise) , they stumble into a very trumpian conceit of feeling that in order to praise the artists they have to tear down the writer, namely Stan Lee.  And quite frankly that is just insipid. You can praise them both, and should praise them both.

Beacause all that beautiful FF art, if married to insipid dialog/writing you have underwhelming stories. Or if you have stories that don’t hype/excite the audience, all the art is not going to save it. The silver age series SHIELD (pre and even some of the early Steranko) is an example of this.  Interesting Kirby art, but pretty boring , uninteresting writing.

Stan was writing the whole Marvel Universe at the time, and I don’t think war and spy books was his strength, so this series is pretty poorly written/dialoged, and all Kirby’s art couldn’t save it. The same thing could have happened to FF, but for Stan’s love for those characters and stories. The FF stories are great because Stan is at the top of his game as ideaman/writer, and Kirby is at the top of his game as storyteller/artist.  It is the collaboration of words and images that make those early FF stories work.

Stan Lee as ideaman, as writer, as editor, as cheerleader, as salesman, as enthusiastic fount of energy is unequaled. He put Marvel Comics  on his back and he carried it with a smile, onto the road that it is on now. With his passion to identify his creators and sell them to his audience, something no other publisher was doing, he gave birth to a generation of future writers and artists. As well as his more experimental work, allowing the competition (DC) to likewise let their writers off the leash. You get some of the best late 60s /early 70s Kanigher, Giordano, ONeil, Haney stories as a reaction to Marvel’s inroads to the college audience.

So you get a bunch of writers in the wake of Stan, growing the medium.

Among them being Roy Thomas, Steve Englehart, Len Wein, Marv Wolfman, Steranko, David Kraft, Keith Giffen, ONeil, Claremont, and arguably one of the most innovative of them… Doug Moench.

Doug Moench is known to a younger generation mostly for his later Batman work, however thanks to a new bunch of collections coming out from Marvel; the work that put him on the map (to even other comicbook creators) THE MASTER OF KUNG FU and MOON KNIGHT is finally readily available. Its availability allowing old and new to revisit these groundbreaking works, and put in clearer perspective this pivotal creator.

His MOKF, while of its age was more sophisticated than anything else coming out in comics, and looking back on it, now nearly 4 decades later, those stories are still incredibly entertaining. Particularly the issues with his long time collaborator, Paul Gulacy, are a phenomenal marriage of words and pictures.

Arguably 4 decades later, their ‘CAT’ story from issue #38 of the MASTER OF KUNG FU SERIES (and now available in Volume II of the MASTER OF KUNG FU Omnibus) is one of the greatest single issues of a comic. And fellow collaborators Mike Zeck, and the late great Gene Day also brought wonderful life to the words of Moench.

Likewise his MOON KNIGHT series with Bill Sienkiewicz was month in and month out one of the most sophisticated and daring and heartfelt books being put out; and opened the door for the success of the comic shop, and the rise of the Independent publishers. It gave a generation of writers a broader perspective on what can be done in a comic book. Many talented writers and artists have tried their hands at the character of Moon Knight since Moench’s departure, a few have been good, Warren Ellis and Jeff Lemire come to mind, most have been awful, and none have been the equal of Moench and Sienkiewicz’s run. That is something, when 4 decades of writers, cannot equal or surpass what you did.

Add to that three of the most haunting Batman stories, a trilogy of one shot issues done with Pat Broderick, and phenomenal creator owned work SIX FROM SIRIUS with Paul Gulacy, as well as his work in the Black and White mags,  and you have some of what makes Doug Moench one of the best writers in the history of comics.

Now with my 2 cents out of the way, go listen to the interview from the man himself:

https://comicshenanigans.podbean.com/category/doug-moench/

Week 4 of 2018! Best Unboxing and Graphic Novel Videos!

I like Youtube courtesy of Roku because you can browse without comments. I don’t mind comments if they are moderated, but unmoderated comments is just like sewage, something I prefer not to wade thru. 🙂

So Roku allows me to actually be able to use Youtube and find it useful rather than nauseating. Case in point, unboxing videos. I am a HUGE graphic novel and Art Book fan, and I’ve become quite enamored of these videos where people show off their artbook or graphic novel or comic. It has given me so many great ideas regarding items to purchase, as well as helping me decide ites to pass on.

Though, unfortunate for my wallet, more of the former than the latter.

Here are some recent great ones as well as some of the best channels to visit.

 

THE CHINEST has great segments where you get to see the interior of the comic and decide if it is for you or not.

https://m.youtube.com/user/TheChinest

MARKET WATCH has a recent fantastic series of videos where he shows some of the great items he found in a recent collection purchase.

https://www.youtube.com/channel/UCz_gop-AM3fa6NGhSs_J_0w

GEM MINT COLLECTIBLES does a phenomenal end of 2017 Room Tour. Really impressive man-cave even if you are not into figurines. I really want those GOON and FEAR AGENT Hardcovers/Omnibuses.  And I love the idea of his desk in the middle of the room as well as his bookstand. I’m completely going to do that.  Really interesting and informative videos on his channel. Check out his TOP TEN ABSOLUTE EDITION WHALES video as well.

https://www.youtube.com/channel/UC31fEeAOTnfRgvGFwYJsFUA

Kudos to OMNIBUDS CAFE I really enjoyed his 2018 Omnibus collection overview. His bound and signed editions are great.

 

I have more of these shout outs coming, as well as a list of my favorite collections of 2017!  So come back for more next time!

2015 Podcasts the Year in Review: Old Favorites ended and New ones discovered

 

Looking back over the ten year history of this blog I’ve praised my share of podcasts, and seen quite a few shuffle off this mortal coil.

2015 seemed to be a volatile year, with many of my long standing podcast favorites either no longer releasing episodes on a regular schedule or hanging up their mics.

Among some of the great ones that seem to be on hiatus or done are:

 

  • HORROR ETC
  • SIDEBAR

 

 

All of these shows are and were great, and will be missed. And join other great departed podcasts such as:

 

  • INDIE SPINNER RACK
  • GEEK SYNDICATE
  • MONDO MOVIE
  • FREQUENCY OF FEAR

 

But I completely understand, these podcast and blogs, while dearly loved, require HUGE expenditures of time and energy, and sometimes… life gets in the way. And considering most of these podcasts are not a revenue stream, it is understandable that when the effort exceeds the rewards… it’s time to stop doing it. What is amazing is that some of these shows have gone as long as they have.

All that said, you may or may not still find old episodes online. I recommend grabbing them if you can. SIDEBAR particularly interviewed some great artists, and for those interviews to be not easily accessible, seems… a loss.

INDIE SPINNER RACK  had the best interviews with both Alan Moore (One of the greatest and most influential writers in the comics/graphic novel medium – it is a crime that companies, marvel and dc, are releasing books missing his name , and shorn of his insightful interviews. the reasons for this are both well documented and trivial. yes, alan moore can be something of a bridge burner, but his brilliance makes him worth the effort to mend those fences. when he passes off this mortal coil, as we all must, no one wants to be remembered as the company that stole his characters, and froze him out of work. pay alan moore and get him at least authorizing director’s cut versions or writer approved versions of his most celebrated works. it’s one of the reasons i will not part with my swamp thing paperbacks, it is because later introductions are devoid of his introductions, which are as entertaining and informative as his stories. )

and Stephen Bissette (Who remains to this day, with his run on swamp thing, one of the greatest and most influential artists to work in the medium).

 

So the above are the podcasts lost in 2015. Here are some select podcasts enjoyed in 2015:

 

Head over to the German Music Magazine GROOVE and pick up two of the best mix tapes of 2015:

 

DECONSTRUCTING COMICS – anytime you get the chance to hear Stephen Bissette speak, take it. Not only one of the great superstar artists of the 80s with his game changing work on Swamp Thing, but simply an informed, erudite speaker on a number of topics.. including the history of horror and cinema. This Sept 2015 podcast is a recommended listen. They also have an episode of huge interest to any fan of either Edgar Allen Poe or Richard Corben. They also offer a Transformers episode that offers reviews on recent transformer comics.

 

 

THE DOLLAR BIN (Also a show that appears to be on indefinite hiatus) had a couple intriguing episodes in 2015, one covering HIP HOP FAMILY TREE, and one with Golden Age artist Allen Bellman:

 

And if these guys really are  done producing new shows, some of their classic shows that you want to get, while avaiilable, are:

I grew up on Steve Englehart comics and you don’t get today’s sophisticated comics, without first going through him. One of the first to help transition comics from kids entertainment to college and beyond entertainment.

Not one, but two interviews with one of the most elusive, and one of the most talented and innovative writers in comics, Christopher Priest (His SPIDERMAN VS WOLVERINE remains one of the joys of my collection, as well as his excellent run on BLACK PANTHER and QUANTUM AND WOODY).

 

A Bob McLeod interview (Made important because Bob McLeod’s work on the NEW MUTANTS is burned into my brain. That fight with the New Mutants and the Sentinels in a mall, blew my mind as a kid. And as an adult, those images still define for me what great artwork and storytelling should be.)

So quite a few of my favorite podcasts slowed down or completely stopped in 2015. However when one door closes another, as they say, opens.

So some podcasts I started listening to in 2015, and have added to my subscriptions are:

 

  • THE COMICS ALTERNATIVE- Their monthly preview episodes helped me all last year put in my monthly comics order
  • INKSTUDS- Interviews with Comic Book  Creators… some really indispensable interviews.
  • READING LIVES- Interviews with Writers… LOVE IT.
  • WTF- I think without argument the most listened to and successful podcast, with guests from  comedians, musicians, actors, and now a sitting president, Marc Maron out of his garage has created podcast as both high art, and passionate conversation.
  • FILMSPOTTING:SVU- Reviews for the streaming age
  • GILBERT GODFREY PODCAST – I do not find Gilbert Gottfried funny, but his knowledge and love for classic film and television, means he interviews people I want to hear, and he has had some GREAT gustd this year. Thankfully co-host Frank is there to get the podcast back on track when Gilbert starts amusing himself and no one else
  • FAT MAN ON BATMAN- Kevin Smith’s love for the creative process and all things Batman… is an addictive listen
  • HOUSE TO ASTONISH – A comic book podcast from across the pond

AND WRAPPING UP MY 2015 REVIEW, WANT TO GIVE ACCOLADES TO SOME OF MY FAVORITE, AND LONGEST RUNNING PODCASTS THAT ARE STILL GOING STRONG. ALL AWARD WINNING PODCASTS (they all won my Welles Award a few years back, and in my mind have been award winners every year since):

  • CGS – Comic Geek Speak -one of the oldest podcasts, and with great losses, and welcome additions, still an eagerly awaited listen
  • 11′ OCLOCK- One of the most informative and jam-packed and fun of any podcast. The chemistry these three have… works.
  • B-MOVIE CAST – Love this podcast on classic, crazy, genre cinema. Wonderful chemistry between the hosts.

Well folks, that is the podcast scene here as 2015 ends and 2016 takes the stage. Please use this list to see what was special about those shows we lost, and to jump aboard and support those we still have.

Thanks for reading and be well!

CDs worth owning in the age of Itunes! 15 Favorite obscure CDs!


moonserpent

ALAN MOORE : THE MOON AND SERPENT GRAND EGYPTIAN THEATRE OF MARVELS -A fantastic CD, oral dissection and tour of London of the Id. Alan Moore is analogous to Shakespeare in that like Shakespeare he is one of the greatest writers of a castigated medium (Shakespeare worked in the, during his life, little respected medium of plays, mass entertainment for the mobs; and Moore works in the medium of comic books/graphic novels), and arguably is not fully understood or appreciated out of that medium in his lifetime. His spoken word CDs are some of the most amazing and compelling, combining his love of topics but strange and obscure, married to his voice, which is one of the greatest and most haunting voices of our age. Moon & Serpent Grand Egyptian Theatre of Marvels

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DEATH : FOR THE WHOLE WORLD TO SEE – Rock/Proto-Punk – Turned on to this CD by the wonderful documentary A BAND CALLED DEATH. A great documentary and a great CD. For the Whole World to See

ABRAHAM BURTON QUARTET : CAUSE AND EFFECT – Was turned onto this CD by Amiri Baraka when I met him a few years back and bought his excellent hardcover book DIGGING THE AFRO AMERICAN SOUL OF CLASSICAL AMERICAN MUSIC. Cause and EffectDigging: The Afro-American Soul of American Classical Music

CHE : NOT LIKE THEM – Caught this artist live performance years ago, and got this CD direct from him. It still remains one of the best CDs I own. An amazing performer who brings together Neo-soul, R&B, Rock, and some genres not invented yet, in a fun, head bobbing package.

TAALAM ACEY : BLUES RESURGENCE – Another artist I caught live, and got this CD direct from him. One of the greatest spoken word CDs. Blues Resurgence

MARK GROSS : RIDDLE OF THE SPHINX – I heard him play his title track in a dive bar, somewhere on the edge of the world, and purchased. A great purchase as it is one of the best Jazz Cds I’ve ever heard. Riddle of the Sphinx

AWADAGIN PRATT : A LONG WAY FROM NORMAL- My gold standard for classical piano CDs are the great Glenn Gould’s BACH THE GOLDBERG VARIATIONS released by CBS Records and this lesser known, but no less great, album by Awadagin Pratt. A must own. Plays Liszt/Franck/Brahms/Bach

PARIS : THE DEVIL MADE ME DO IT/SLEEPING WITH THE ENEMY – I added these two CDs as one, because even though they are separated by decades, they are linked at the hip, by a fervor that is both mired in specific times, yet oddly time resistant. And a delivery… unequaled. The Devil Made Me Do It

TERRY CALLIER : SPEAK YOUR PEACE – Speak Your Peace

QUINCY JONES : IN COLD BLOOD – Soundtrack. Why on earth would anyone ever want the sound track to a movie? When I was young it made no sense to me. And to be truthful, for most movies and soundtracks I still feel that way. I’ve listened to a lot of not especially interesting soundtrack Records and CDs. And then one day I put on the LP to Cold Blood by Quincy Jones, a young Quincy Jones before he became the manager for the King of Pop, and settled into making pop and r&b albums. This young Quincy Jones was pushing how music could be used to elicit feelings and tell stories, and during the late 60s early 70s created some of the most experimental and haunting music ever conceived. IN COLD BLOOD remains the seminal instrumental work done not just by Quincy Jones, but by anyone. It was the first soundtrack album to open my eyes to the fact that the soundtrack can be a work of art onto itself. IN COLD BLOOD (ORIGINAL SOUNDTRACK LP, 1968)

JERRY GOLDSMITH : PLANET OF THE APES – Jerry Goldsmith has created mountains of Sound tracks, I don’t know if he has ever been more experimental or better than here. Planet Of The Apes: Original Motion Picture Soundtrack – Also Featuring Music From Escape From The Planet Of The Apes

JIMMY WILSON : FUTURE HISTORY – Future History

DON PEYOTE : BETWEEN WORLDS – A lot of people turn up their nose at the term New Age, rightly or wrongly I don’t know. What I do know is I’m in love with binaural effects, and CDs that, using just a headphone, can recreate a 360 degree environment. BETWEEN WORLDS does that brilliantly. A great CD to read or drift off to. Between Worlds with Hemi-Sync

STEVE USCHER : LA GUITARRA TROPICAL –

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IMMORTAL TECHNIQUE : REVOLUTIONARY VOL 2 – I have oft praised this CD. It should be required listening by people who want to hear what rap can be like… when it is about more than self grandizement and debasement.

Well hope you enjoyed that list of essential obscure CDs. Now I’m sure most of you in this age of Itunes have ditched your walkman, so how, you ask, do you play these cds? Well thankfully there are nice, compact, cost effective devices that allow you to take not only your cds but your dvds and other media with you when on the move. Here’s a link to one:

Sylvania Portable DVD Player SDVD7027-C, 7-Inch, Swivel Screen, Black

Enjoy!


PODCAST OF THE DAY: FATMAN on BATMAN 45

PODCAST OF THE DAY: FATMAN on BATMAN 45

Okay combine the writings of living legend Alan Moore at his best, with the impassioned reading of Kevin Smith and you have something excellent to accompany you through an hour or two of work.

Smith has an excellent voice for radio/podcasts, and using it to recite one of Moore’s most imaginative tales, makes this podcast a must listen.

Whether or not you have any interest in comics, Kevin Smith’s passion for the subject, and masterful reading is just addictive and entertaining. Highly recommended!

Go here to listen!