Youtube Channel Roundup : On Harlan Ellison, DC Comics, Brian Michael Bendis, and SLEEPYREADER666!

This blog post is on a recent video courtesy of SLEEPY READER, via his excellent Youtube Channel. Watched it courtesy of the Youtube Channel on my Roku streaming device

SLEEPY READER 666 Vlog #76 I like the fact that Sleepy reader covers diverse content, rather than just showing you the latest comics, or variants. I like that his stories are a little deeper than that and more informed.

In his most recent episode he discusses the late great Harlan Ellison, as well as Brian Michael Bendis, and kinda wags his finger at them for being too self aggrandizing. Based on a bad meeting he had with Harlan Ellison when he was 24.

And that got me thinking about the impressions we make of a person, the life long animus, or bad impression we somehow cement of a person, based on a cursory meeting in our youth. When you might have been catching your idol on a bad day.

Evidently seeing Ellison being bombastic and vocal, an impression of Ellison was created,  a definition of Ellison based on that one meeting, that some can carry through an entire life.

It is a common mistake that young people do (I have done it), imagining that one moment is the man. A lot of people go to conventions or meet their heroes, and because the hero doesn’t say what they wanted him to say, or respond how they expected him to respond that creator is suddenly for all time, and in all things, an asshole, or pompous, or whatever.

And most of the time it is that the person may have have a bad day, or a bad interaction, or a bad lunch, or a rude fan before you, or his mind is on a personal issue at home, so perhaps he doesn’t fully pay attention to the 200th person in the line, asking  him the same stupid question, or make the same inane joke as 50 people before.

Most of us barely are able to get along with the small circle of people who make up are 9 to 5. A celebrity mutiplies those interactions by the thousands arguably, and even if he is on most of that, 99% of that time, that leaves 1% he is not going to satisfy, or be at his best for.

I’m saying that basing your view of a person on one peripheral incident, that that person arguably has forgotten, five minutes after it happened, if he were to bump into you the day after he would likely not know know you from Adam, yet for you that incident of decades ago has become a defining , enlightening moment on that person’s personality for all time.

And all of us have done this at times. It is the reckoning of someone very young, and the mistake of someone very young. We who are older, who have been on both sides of that being disappointed, and disappointing a person, should hopefully grow to know better.

 

People have bad days. You call em on it, or you don’t. But either way you let it go, and you do not try and define a person you really do not know, based on just that one incident at a convention or party.

An idol doesn’t owe you the approval of his character, he produces work, an if the work speaks to you, he’s done his job. The judging of his soul or his character is not a part of that contract we develop with those who amaze up.

I’m one of those who grew up on the work of Asimov, Bradbury, Baldwin, and Harlan Ellison. Along with a good helping of Stan Lee, and Bill Cosby and Edgar Allen poe and Electric company.

What I gained from all those influences, those creators remain. I’m an immesurably richer person for the creativity of people I know only through their work for the most part.

And if later time finds them in places far from the heroic heights we met them on, it does not change the great things their work did for us, and many like us.

It’s the concept that is lost on a witch hunt America, that a man’s evil does not erase his good. No matter how our culture of championing falls, would like it to be so. 

I think sometimes, particularly in America, we raise people up, just to tear them down. That is arguably not the way, I’m not a bandwagon guy.   Judgement not by the consensus of the media or Social media, or one cursory interaction.

We all make up opinions on people, but perhaps those opinions should be as cognizant of our own… fallibility, as we can make it. And look at the supposed sins and failings of others, always in relation to our own sins and failings.

Something I absolutely do not think is currently happening in the media.

Was Harlan Ellison a prickly, abrasive, off-putting, and arguably contrary and combative person? As someone who has listened to just about all his recordings as well as read and listened to his writings… I believe Harlan Ellison would be the first one to say Yes!!!

He famously said, something to the effect ‘I’m a snake on a rock, don’t mes with me I’ll leave you alone. Mess with me i’ll bite you and hang on.’

That was Harlan Ellison. He suffered not fools. And he believed, he believed the wrong things should be railed against.

And that fire permeated his work, like the fire of invention. Harlan Elision changed the landscape of fiction, with an almost incendiary mirror to the fallacies of our age. His DANGEROUS VISIONS, written before I was born, and that I discovered as a teen, is (I think) for most who read it… the defining anthology of an age.

And in the decades since its publication that anthology and its sequel, continue to be the standard bearer by which all future anthologies are measured.

Harlan Ellison has been chastised for having been self aggrandizing, for his ‘look at me, aren’t I great’ attitude.

I, for one, think Harlan Ellison was a great writer. And his body of work will remain… great and essential, and oddly timeless.

He in many ways was some odd ying to Ray Bradbury’s yang, both of them being the voice for reason, in a world embroiled in madness. They both were masters of the cautionary tale, and their shadow looms large in the works of popular culture to this day. Like Poe they were the masters of the short story, and those short stories will only grow more beloved and adapted in the years to come.

Was Harlan Ellison self aggrandizing. It is the poor creator who isn’t , if he wants to sell his work.

Some creators are bad or uncomfortable with it, and hire others to do it for them. Some are great at it.

Harlan Ellison in addition to being a great writer, was arguably just as great a performer and showman. Like Jim Steranko he had the circus in his blood from a young age. Likely the way such men came up, kicking down doors is the reason the world knows their name today.

So to expect them to be something meek, because you are not comfortable with their breed of strong, is both inane and arrogant.

I love reading Ellison’s Books  for the very brashness of them. and their elegance, and the breath of his imagination, all  imposed by a hard early life, where dreams and the scraping, and shouting, and biting for them was all that made them real.

The very  ‘center of attention’ nature of Ellison, that so can put off others,  is the very thing that galvanizes me to him. And is one of the reasons listening to him perform his works makes them even richer.

He was a natural performer, and one of the best audio performers. Which is surprising giving his slightly nasally voice, but him performing was the audio equivalent of the energy Jack Kirby brought to his panel breaking drawings. It was raw energy and emotion and passion.

If you only know Harlan Ellison’s fiction from just reading, pick up the audio books.

He was one of the best audio actors of the 20th century, right up there with Orson Welles, Vincent Price, James Mason, Roddy McDowell, David Birney.

The thing about Ellison, he earned the right to be proud of his work. As did Bradbury, who had his own very good tv series. And there were plenty, and remain plenty to sing the praises of Ellison’s work. i own his 50th anniversary tome. An updated followup to it, containing the newsletter and other work he did prior to his passing, I definitely look forward to.

So to bring this back, if anyone does not like people who they feels push their importance’ that is their right.

But for every one who for whatever reason finds that behaviour bragging or pitiful, there are a lot that find it neither bragging or insincere, but simply informative, and the person’s personality.

And for me, Ellison, the personality I saw as a fan, was a great personality. And God knows we could use more of his take no bs personality  now, in a world of sheep meekly being bled to death by corporate gleed and malfeasance.

I’m sure he saw in this 21st century, everything he railed against in his fiction.

People also to do a sharp, awkward pivot off Harlan Ellison to accuse Brian Michael Brendis of disappointing publisher DC  Comics, because he misled them by , like Ellison, over-hyping himself.

That is to paraphrase some complaints I have heard. I like the work of Bendis, but he is no Harlan Ellison. The two do not fit in the same sentence. But you can get the gist of the thematic comparison Sleepy was making, by checking out his channel, and the video in question at the link below.

And to be clear, i like Sleepy Reader’s channel. I think it is very informative and you should subscribe. I have enjoyed just about all his shows and find him a highly intelligent, informed and informative person, providing a wealth of great information to this niche community of Comic Book fans on Youtube.

I take the time to write this post not to highlight how all of us in this talk show age, even the most intelligent of us, have started to internalize the sloppy thinking that has brought us to an America, that is regressing rather than progressing.

 

I am reminded of an Alan Moore line, that highlights the discrepancy between the truth of who we  were as angry young men, and who we hopefully grow into being.

As angry young men we have monologues rather than a conversation.  ‘Monologues  we have mistaken for the world’ to quote Alan Moore.

In closing HUGE FAN of Harlan Ellison here, as I mentioned, I hope they will releases a 70th anniversary anthology to follow up his 50th anniversary book.

 

For those reading this who want more from the late, great Harlan Ellison, as well as some of the other greats mentioned please use the following links:

https://amzn.to/2KNsJDA

Originally published in 1962 and updated in later decades with a new introduction, Ellison Wonderland shows a vibrant young writer with a wide-ranging imagination, ferocious creative energy, devastating wit, and an eye for the wonderful and terrifying and tragic. Among the gems are ”All the Sounds of Fear,” ”The Sky Is Burning,” ”The Very Last Day of a Good Woman,” and ”In Lonely Lands.” Though they stand tall on their own merits, they also point the way to the sublime stories that followed soon after and continue to come even now, more than fifty years later.

https://amzn.to/2MDGrLa

 

https://amzn.to/2MeAHv9

A Lit Fuse is an unguarded, uncensored, unquiet tour of the life of Harlan Ellison.

In late 2011 Harlan Ellison the multi-award-winning writer of speculative fiction and famously litigious personality did two uncharacteristic things. First, he asked biographer Nat Segaloff if he d be interested in writing his life story. Second, he gave Segaloff full control. The result is the long-anticipated A Lit Fuse: The Provocative Life of Harlan Ellison. The expansive biography, which is the first such project in which Ellison has permitted large portions of his varied works to appear, is published by NESFA Press.

Segaloff conducted exhaustive interviews with Ellison over the course of five years and also spoke with many of his friends and enemies in an effort to get inside the man and pin down the best-known Harlan stories. Their wide-ranging discussions cover his bullied boyhood, his storied marriages, his fabled lawsuits, and his compulsive writing process with more depth and detail than has ever before appeared in print. But it also delves deeply into the man s deeply held principles, his fears, and the demons that have driven him all of his 83 (so far) years. Friends, colleagues, and admirers such as Neil Gaiman, Patton Oswalt, Peter David, Robert Sawyer, Michael Scott, Edward Asner, Leonard Nimoy, Ed Bryant, Alan Brennert, Robert Silverberg, and many other notables add their voices.

Along the way the reader is treated to an analysis of the Connie Willis controversy, the infamous dead gopher story, allegedly pushing a fan down an elevator shaft, and the final word on The Last Dangerous Visions. What emerges is a rich portrait of a man who has spent his life doing battle with his times and himself, always challenging his readers to reach for a higher plane and goading himself to get them there. It s funny, wise, shocking, and well, it’s Harlan.

https://amzn.to/2Me0vY7

Rediscover the Early Ellison. This collection restores to print fifteen never-collected tales from the first dozen years of his career. Hard-hitting crime stories like “Thrill Kill,” “Girl at Gunpoint,” “Kill Joy,” “Knife/Death” and “Burn My Killers!” share the table of contents with stories of betrayal, including “Death Climb,” “Riff,” “Mac’s Girl,” and “The Honor in the Dying.” And, together for the first time, Ellison’s three detective stories featuring insurance investigator Jerry Killian. Toss in the solo outing of a diminutive private dick named Big John Novak (of whom Ellison expected to write much more, but never did) and a sexy Western called “Saddle Tramp” and you’ve got quite an assemblage of tales from the seamier side of life. All that, plus “The Final Movement,” a never-before-published story from the mid-1950s. Better than a poke in the eye with a white-hot bone of Amenhotep, I think you’ll agree.

 

https://amzn.to/2Oyn6vw

Harlan Ellison is probably best known as a script writer for sci-fi and fantasy movies and TV series such as the original Outer Limits, The Hunger, Logan’s Run, and Babylon Five. But his range is much broader than that, encompassing stories, novels, essays, reviews, reminiscences, plays, even fake autobiographies. Essential Ellison includes contains 74 unabridged works, including such classics as “A Boy and His Dog,” “Xenogenesis,” and “Mefisto in Onyx.” Includes black-and-white photos.

https://amzn.to/2KQ2Z9I

 

 

Best to any one reading this!

 

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YouTube vs Roku/Fire TV YouTube! CDs vs Records! And the de-evolution of America. Winner? MUSIC COMPANIES!

So i hate YouTube on the web.

I hate anything with an unmoderated comments section, that revels in talk show idiocy, or ‘attention through controversy’ or bad behavior.

But thankfully YouTube via streaming devices Roku or Amazon Fire TV, is actually devoid of those moronic comments and is more signal rather noise.

This week it has been brilliant helping me research and scratch my hifi/ audio need.

And by far, by far, the Youtube Channel I found the most useful of all, is the s)mply fantastic channel AUDIOHOLICS.

These guys can clearly call bs on the fuzzy thinking that makes up too much of hi-fi marketing and hype.

Such as the sillyness of various Youtube channels going on about the superiority of LPs over CD (I don’t care if you like LPs better, that is subjective. But LP/wax is an inferior medium, (I stress MEDIUM) that is not subjective, that is a fact.)

Talk about lossy system, LP is the original lossy system. It can’t handle the highs or the lows that CDs can, so has to be mastered in this very midrange sweet spot. Which is fine, in that midrange, if you’re good with that, and that sounds ‘warmer’ to you than a   CD, whatever. In the midrange if mastered right it can be perfectly fine. But one thing you lose in addition to those highs and those lows, that get clipped on wax, you lose the ability to reproduce the listening experience.

By that I mean, if you play a CD the first time, or the 500th time, and the hardware, the cd player, the speakers, amp, being the same; the quality of that recording will be the same as the first time you listened to it. That listening experience is reproducible.

Not so with wax/lps, like vhs tape or cassette tape, the LP playing experience is one of degradation. Everytime you play the medium, your start wearing it down minutely, and evertime you play it (though no one wants to think of it) it sounds worse than the previous time, because you are scraping into that signal, that medium.

I come from the analog generation, I played records, and vhs tapes, and cassettes until the quality noticeably started grinding down. And it didn’t then, and it doesn’t now, take too many plays, for that quality to start noticeably degrading.

So I have an experience with LPs and Cassettes, and in its time it was great, and it is still something to be said about large beautiful album covers and liner notes, the tactile process of it. But don’t confuse immediacy, with sound quality. And that immediacy doesn’t outweight the glaring flaws and problems with wax, in terms of sound quality, albums always getting futz on it,needles getting futz, the threat of warping, pops and cracles appearing out of nowhere.

We loved LPs because it was the best we had. But it was always a bit of a chore as anyone can tell you who grew up with them.

And I am not an LP hater. I think it has a place , and I still get the occassional LP, but generally these are recordings only available as LPs, or were mastered direct to wax.

The former being a lot of Quincy Jones stellar 60s and 70s avant garde film soundtracks such as the seminal IN COLD BLOOD. As far as the latter, I’m a purchaser and supporter of Jack White’s THIRD MAN RECORDS. This label goes to the stunning step of recording performances live and pressing directly to vinyl. You stilll lose some highs and lows when recording to wax, but in that midrange you get something very unique and original, you get a live concert experience unmoderated by overproducing.  That”s something very unique, and while I don’t see anything particularly superior in the sound, this at least has validity as something distinct from the CD. Unlike others taking tracks mastered for  a CDs range and just chopping off the highs and lows and slapping that on vinyl.

Vinyll can be great for these very unique niche projects. But as as additive to what should be a strong and healthy and forward looking digital market. To include CD and DVD and and SACD market.

It shouldn’t be this very cannibalizing either or scenario, in which music and choice….and the consumer… loses.

So when LD, CD, DVD came on the horizon it was then, and is now, a revolution, because suddenly you have something  you can buy that will rather than lasting 25 listens or views , if you are very careful and meticulous in keeping it cleaned and dust free,  before quality suffers, you have something that will keep its pristine quality, with just normal care for a minimum of 25 years. Not 25 listens like an LP… TWENTY FIVE YEARS! Minimum.

Now add greater dynamic range, larger capacity, and vastly increased lifespan and you have a medium,The CD/DVD, that by any definition is superior. And is by any measure the greatest boon to the video and audio consumer since the advent of recorded sound.

Now if a new generation gets sold on mp3 CDs and mp3 streaming and some badly mastered cds (and LPs can be equally badly mastered, any medium will have those who use it well and poorly. The difference being we have not yet exhausted the limits of how far we can take the CD and DVD and SACD. We are abandoning those formats before wecreach their limits. In favor of going backward to a medium, wax, whose limitations were always a source of frustration to audiophiles and engineers), and this young generation is bamboozled into writing off the most astounding and groundbreaking medium produced in the 20th century and goes backward to the flawed and not copyable ,and needing replaced often, analog medium, then who benefits?

I’ll tell you who… The RIAA and the music companies, who always viewed Digital with fear for the freedom it brought the consumer.

I tell you this new generation is giving away the baby with the bath water. Privacy, oh who needs that, put everything on facebook. Put surveillance systems in the guise of game consoles, and music players and smart devices in our homes.

Here’s the thing about smart devices and trusted computing, its about the companies being able to trust you, and not the other way around.

Conglomerates, are the ones benefiting from DVDs and CDs removed from the consumer and the return to records.This creates a model where the consumer owns music or video only on flawed, finite, non high-quality medium, and must go to the content provider for anything superior.

It is not only politically and morally and spiritually that America is devolving as a nation, but also in terms of technology.

 

My response… don’t let it.

Don’t buy the marketing and allow your rights to the future, be swept away by someone selling you the past. Continue to support full spectrum DVD, CD, and BluRay. And more than that let us continue to innovate, if people like the large LP format, lets give it to them, but in the superior medium.

I was a huge fan of Laser Disc, which works very much like a record, but using a superior medium, and a laser pickup instead of the horrible wax and needle medium.

Lets offer that as the 21st century version of records, to those who want Analog playback but with the benefits of digital transport/reproduction. That is a record I could get behind. 🙂

 

 

 

 

 

 

p.s. And avoid youtube morons attempting to review speakers and amps by just playing music (uh, moron, if I could hear the quality of your system just by listening on my system… they would call that magic. How do you not realize that?)

This is the lack of common sense mentality  that has idiots ditching CDs for flawed LPs, and spending thousands to try and make those LPs reach a dynmaic range, that is beyond them.

 

Okay here endeth my rant!

 

AMAZON PRIME Deals/Buys/Gift Ideas of the Day : BLUE MoFi HEADPHONES!

My obsessions, like most tech and toy intrigued guys… goes in phases. This particular week audio is dominating my interest.

I’ve spent over a hundred hours determining signal from noise, and great purchases, from fraudulent stacked reviews. Which unfortunately Amazon is full of.  Lots of those 4 and 5 star reviews, are caused by disreputable companies flooding amazon with bogus reviews.

Well kids I’ve done the hard-work and heavy lifting to determine real from fake reviews, and great products from garbage.

Without further ado, this weeks items worth buying.

HEADPHONES:

Blue Mo-Fi Powered High-Fidelity Headphones with Integrated Audiophile Amplifier

“In short, the Mo-Fis easily produce the best quality sound of any headphones I’ve used.” —Engadget

From a stateside company called BLUE that has a great reputation in the microphone/podcasting community., comes their first Headphone… THE MOFI.

The real reviews are in on both Amazon and Youtube, and the verdict is… these are game changers. Particularly if you are looking into getting into high quality personal audio, and don’t currently want to spend the money for a dedicated amp or receiver, these MoFi’s allow you to take the sound direct out of your CD or LP or Laptop or Media Player, and for a reasonable cost get a high quality headphone AND Amp in one package.

It is a definite WANT.  Though at $399 its original retail, I felt it was definitely pricey. However even at that price it is not unreasonable given the new ground it is breaking, a kind of all in one entry level rig, for those who want great headphone sound without having to deal with the hassle of selecting a dac/preamp, than a microphone amp, then a pair of speakers.

This one purchase, if you don’t already have a system,  and don’t really want multiple components just to listen to a headphone,  well than it is a VERY reasonable and enticing purchase at its original retail.

But while reasonable, I couldn’t pull the trigger on it at that price. However, Fast forward 6 months later and the MOFI is now on sale for $279 (Blue having released their new models the SADIE(A $399 powered headphone with built in amp, that basically just loses a bit of the weight and the clamping of the MOFI, but sound-wise is similar. From all reports negligibe difference over the MOFIs) and the ELLA (A $700 Planar Headphone with built in amp).

So the arrival of the new models, means we can now get the MOFI for over $120 off, bringing it down to a very doable $279. Now at that price for a combo high quality headphone and amplifier, it is a no-brainer of  a purchase. And if you are willing to purchase used, you can get it even cheaper.

You can price and order it here:

 

Blue Mo-Fi Powered High-Fidelity Headphones with Integrated Audiophile Amplifier

And if you are the type who has to have the latest and greatest, and money is no object, then the $700 ELLAS are waiting for you here:

Blue Ella Planar Magnetic Headphones with Built-In Audiophile Amp

https://images-na.ssl-images-amazon.com/images/I/61EG8uRKDUL._SL1500_.jpg

MUST LISTEN Audio Books for BLACK HISTORY Month and every other month! :) Part 2 of 2

The 2nd must listen audio book for Black History Month or any month is the mind breaking MUMBO JUMBO by the great Ishmael Reed.

Ishmael Reed, who was honored with the MacArthur “genius” award, is a Pulitzer Prize finalist and two-time nominee for the National Book Award. Mumbo Jumbo, a literary masterpiece, is an ironic and unconventional detectivestory infused with African-American cultural heritage. A strange psychic epidemic called “Jes Grew” is spreading through the country, affecting millions. PaPa LaBas, a HooDoo detective, is trying to find the origins of the JesGrew – not because he wants to cure it, but because he’s ready for a new kind of society.

mumbojumbo

Composed of the memorable personalities and the little remembered tragedies and triumphs of the roaring 20s, MUMBO JUMBO weaves these truths into an overarching fictional narrative that goes from the beginning of civilization to the fall of man.

But the fiction is so peppered with essential truths, like the best of all fiction, that it will change fundamentally how you look at everything, from museums to curse words to bull fights. If MIDDLE PASSAGE is my favorite audio book, MUMBO JUMBO  I think , in opposition to its name, is the most enlightening and powerful audio book I’ve ever listened to, for the  way it opened up my mind to… broader definitions of history and broader definitions of ourselves. Magnificent.

Version:

Unabridged
Author: Ishmael Reed
Narrator: J. D. Jackson
Genres: Fiction & Literature
Publisher: Recorded Books
Published In: July 2005
# of Units: 8 CDs
Length: 8 hours, 30 minutes

Get your copy here:

 

Mumbo Jumbo

MUST LISTEN Audio Books for BLACK HISTORY Month and every other month! :) Part 1 of 2

I first became familiar with these two novels, both by master writers, as novels proper. And both blew my mind in ways both stunning and lasting. Later I listened to the Audio Books. Audio Books, if you get the right reader, for the right work, can be rewarding experiences, even to lovers of the novel.

I love me some Walter Moseley EASY RAWLINS mysteries, I’ve read just about everyone of them, and I have to tell you the pairing of Moseley’s iconic words with a formidable actor such as Michael Boatman, is to have those works enriched, and nuances discovered that may have been skimmed over by even the most loving reader.

A great Adaptation, a great marriage of words and performance can do that, can alchemize into something more than the sum of its parts. Something magical. And an audio book avoids the constraints of time and budget and indeed visuals, that a film or TV show runs into. An audio book has the biggest theater of the world, and the biggest budget, in which to breathe life into the writers words,… the theater of the mind.

So Audio Books when they get that mixture right, become part of a sacred line of story and storytelling, going back to the cradle of not just Black History, but all history.

 

This 2 part post, honors two of the best, that should be loved and listened to and cherished by everyone.

They are:

Charles Johnson’s seminal and National Book Award winning novel, MIDDLE PASSAGE. It is an American epic, a rousing seafaring saga, blisteringly funny at times, deeply harrowing at others, both poetic, prosaic, and magical all at the same time. As someone who has read Melville, and Dickens, and Hemingway, and Crane and Poe and Bradbury and King and Baldwin, all the quintessential American masters, this is the novel I would save when everything else is burning.

 

middlepassge

 

I give the hardcover out as presents. I consider it, in an imperfect world, an arrow toward a more perfect union. So having it on a pedestal that high the audio book has to bring it. It was made into an audio book twice, the first was an abridged and hence flawed cassette version, but read by the author himself, I quite liked it. He brought something… wonderful to it.

The 2nd time was on CD, unabridged thankfully. The performer Dion Graham, gives a different performance than Charles Johnson, that I slowly warmed to. And as the story drew you deeper so did his voice. It’s a wonderful way to be introduced to this great novel.

I would say both audio book versions are indispensable. Start with the unabridged CD version, and then follow up by listening to the Abridged version. And have a copy of the paperback or hardcover, to read over especially loved passages.

In an America where folly holds sway, the words of men who both remember history and learn from it, is of the highest value.

Check them out at the links below:

Middle Passage Cassette Audio Book read by the Author!

Middle Passage Audio CD Unabridged!

By Charles Richard Johnson Middle Passage (Reprint) [Mass Market Paperback]

 

If you like this blog please support it by using the links above and by leaving comments! And come back for the 2nd part where we discuss the 2nd, must own, Black History Month (and other months) Audio book!

BROTD: Binaural Recording of the Day! Installment One!

Binaural recording is a 100 year old, mostly underused method, for providing immersive 3D sound recording AND playback with no need for consumer post processing or decoding, ala Dolby Surround.

I discovered Binaural recordings probably 10 years ago, and have been a fan ever since. The early Stephen King MIST CD (love the story and audio book, hate the movie, mostly due to Frank Darabont’s changes and excesses in group dynamics, creating caricatures rather than characters) and Clive Barker’s INHUMAN CONDITION sold under the moniker 3D Audio, being my first introduction to the wonders of Binaural.

 

“Suspended in a haze of terror, humanity makes its last stand against unholy destruction!

Stephen King’s sinister imagination and the miracle of 3-D sound transport you to a hot, lazy day in a sleepy all-American town — where a sudden, violent storm leaves behind a mysterious mist that traps you in the supermarket with dozens of others, cut off from your families and the world.

The Mist is alive, seething with unearthly sounds and movements. The Mist has you in its grip, and this masterpiece of 3-D sound engineering surrounds you with horror so real that you’ll be grabbing your own arm for reassurance. To one side — and whipping around your chair, a slither of tentacles. Swooping down upon you, a rush of grotesque, prehistoric wings. In the impenetrable mist, hearing is seeing — and believing. And what you’re about to hear, you’ll never forget.”

—THE MIST in 3D Sound

I immediately became hooked, but aside from those two audio books, and a handful of special effects and music CDs, Binaural never became embraced by the music or audio book market.

I always related that locking out of binaural with Dolby having defined the defacto surround standard for the theatrical and home markets; and receiver and CD and DVD and speaker manufacturers, having a vested interest in selling dolby post processing hardware and equipment.

Whereas with Binaural, you can cut all of that out, replace all of it on the consumers end, with nothing more than a pair of regular headphones.

Thankfully through the internet and other binaural lovers recording and sharing their city soundscapes, binaural has stayed alive. Allowing any person with the desire to download and a pair of headphones, the ability to experience, relive, a moment in someones’s walk through the streets of Paris, or Sweden, or New York; to experience what Alan Moore called “dream cities of the mind”.

And showing  everything old is new again, Binaural is finally being embraced (for its cost benefits and 3D soundstage) by virtual headset manufacturers and game designers, who are seeking an effective way to add surround sound  to their headsets without licensing or reguiring expensive post production decoding.

Add to that a new wave of affordable binaural microphones (the one part of Binaural that is not cheap, is cost of the recording heads. You can see some pricing here. So these new cost effective mics, come as a real boon.) and binaural recording is well on its way to being far more accessible.

VERGE coverage on Binaural for 2016!

So BROTD will be a reoccuring feature of this blog, shouting out impressive Binaural recordings or sites I’ve come across. And without further ado, this installments winner is (drumroll please)….

SOUNDLANDSCAPES BLOG – This website features various recording of Paris street life, and these are excellent recordings. You close your eyes and you are there, virtual reality of a sort, without the million dollar price tag. Just a stereo recording of microphones placed where the human ears woud be, and the motion through, or within a crowd, and listened to via headphones… and you have something not quite unlike magic.

 

Listen to this site’s great recording in your podcast player of choice using this RSS feed: https://soundlandscapes.wordpress.com/feed/

And a great recording to start with is the latest episode in their feed, described below by the Blog owner and recorder… Des:

Every Tuesday, Friday and Sunday an indoor market, housed in the 19th century Grande Halle, opens for business and an outdoor market appears on Place Jean-Jaures and in the surrounding streets.

Marché de Saint-Denis

The outdoor market is rather like an African souk selling everything from clothes and fabrics to a range of footwear, cosmetics, bags, clay cooking pots and other assorted household goods, tools and plants, as well as some high-end, branded goods at suspiciously low prices.

But for me, the indoor market inside the Grande Halle is the main attraction. With its sights, sounds and exotic smells, visiting the Grande Halle is a multi-sensory experience not to be missed.

The sound recording is fantastic, and i higly recommend you subscribing to Des’ site via the above feed. Oh and if unsure what podcatcher to use, on the tablet side PODCAST ADDICT is a good one, on the laptop/desktop side GPODDER is a very good one.

If you liked this post and want to see more Binaural coverage toss me some likes, and use the links below to get some great binaural recordings (every purchase helps support this blog and is greatly appreciated. You get introduced to great items, and we get a couple pennies 🙂 ).

 

The Mist Movie Tie-In: In 3 D Sound

From the Caves of the Iron Mountain

Podcast of the Day : NO SLEEP Season 1 Ep 1-3

Podcast of the Day : NO SLEEP SEASON 1 First 3 Episodes!

EPISODE 01 – Two stories in this inaugural episode.
THE STAIRS AND THE DOORWAY is the first story and the stronger one. The second story THE MIDNIGHT MAN starts strong, but fizzles, as if the writer couldn’t work out an ending, and just abruptly turned it off.

EPISODE 02 – Matt Dymmerski’s THE BASEMENT as read by David Cummings is the last story of this 2nd episode, and the only memorable one. More than memorable, it’s a tight, effective burst of Poe tinged horror. A crazy quilt TELL TALE HEART as viewed by the victim. And Cummings is an effective Narrator.

EPISODE 3 – This is the first really strong episode of NO SLEEP with all three of the stories being satisfying reads/narrations. They are DON’T EVER TURN IT OFF, THE CORNFIELD, and THE THING IN THE FIELDS.