James Gunn releases Evil Superboy Elseworlds TRAILER called BRIGHTBURN?!!

So a new trailer just broke 15 minutes ago called BRIGHTBURN, labeled as produced by James Gunn.

Here is the trailer:

Okay.

So you do not have to be a superhero fan to recognize that this is the Superman/Superboy origin, except uh— evil.

Very clearly from the crashing ship, to the couple on the farm who discover a child they always wanted, to the ship buried in the barn, to the red cape , to the powers, these are very familiar Superman/Superboy tropes.

Now if this was April 1st I would say someone is having a laugh and this is an April Fool’s Day prank.

Why?

Because if I was DC, I would say… ” WTF?? Are you kidding, you are going to rename the characters and do an Elseworlds SUPERBOY story without paying us???!”

Actually, I love it.

I hope it is real, and there are enough changes that Gunn gets away with it. I think the concept of SUPERMAN not being in public domain after 80 years is simply ridiculous. So good on James Gunn if this trailer is legit.

It would not be the first evil superhero film to skate under the radar. Adam Wingard’s brilliant 2014 action film THE GUEST, very much is the tale of an evil Steve Rogers/Captain America, an evil Super Soldier.  And there is another mainstream film out there that plays either as a Joker origin story, or an evil Bruce Wayne story.

So these mash-ups do happen. I mean there is a reason that Copyright was set at 50 years. The lawmakers in their wisdom understood that if an idea had persisted after five decades it had become, like Robin Hood, or Mark Twain, or the three Musketeers, an indelible part of the cultural conversation and zeitgeist. And as such usable by all.

So yeah I don’t know if BRIGHTBURN is a real movie, or Gunn just having a laugh, either way I enjoyed him releasing the trailer!!

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News You Can Use! From Google/Alphabet with access to your medical history to Tyson to Mars to EPA Attacks on the environment!

 

-You can’t trust these companies with your browsing or computer data, and now they want to secure (monetize?) your medical data as well? Thanks but no Thanks.

 

You know where I stand on this whole guilty before conviction nonsense, people losing their jobs, their homes, their reputations, their livelihood, their honors, based on innuendo, and rumors, and the murmurings of the faceless idiotic twitter and Facebook mob. I think moronic sound-bytes like ‘Me Too’ and ‘Black Lives Matter’ miss the point. The concept of ME TOO has no effing place in a court of law, only at a lynching. And it is not ‘Black Lives Matter’ that is the takeaway, it is ‘All lives matter’, and until you sell that, you can’t sell anything else to the takers of lives. I think a lot of earnest but misguided causes are being used by bad men to do dreadful things, and history will look back at this year of ‘ME TOO’ and see it for what it was, targeted political attacks. The age of McCarthy and the Salem Witch Trials updated, and social media weaponized.

 

The article describes speculation that what killed life (microbial life) on Mars… was water. An experiment in arid Chile, unexpectedly showed that a mass extinction occurred when water was introduced to an ecosystem that had learned to thrive in arid conditions.

The facts of today, wonderfully recalling the fictions of HG Wells. Once again HG Wells innovative fictions, do not all stay the stuff of fiction. Man would land on the moon. The conditions on Earth may be hazardous to life on mars. Even to the new types of war machines and warfare.

His WAR OF THE WORLDS, a wonderful work of fiction, but it posited that Martian Life was ultimately ended by germs and bacteria in the very air and water. It is so great to see that HG Wells, 7 decades after his passing, remains somehow timely and relevant.

 

 

Let’s leave untouched for the moment that Resident Trump did not win the popular vote. Let us even leave untouched that a percentage of votes cast for him are in doubt at best. Here’s the issue, millions of you did vote for someone who is doing a great disservice to the highest office in the land. You are the ones who worry me more than Trump.

 

 

And to leave on a more uplifting note, here are the first and last paragraphs of HG Wells’ WAR OF THE WORLDS(1898).

 

Here the opening paragraph of H.G. Wells’ The War of the Worlds:

No one would have believed in the last years of the nineteenth century that this world was being watched keenly and closely by intelligences greater than man’s and yet as mortal as his own; that as men busied themselves about their various concerns they were scrutinised and studied, perhaps almost as narrowly as a man with a microscope might scrutinise the transient creatures that swarm and multiply in a drop of water. With infinite complacency men went to and fro over this globe about their little affairs, serene in their assurance of their empire over matter. It is possible that the infusoria under the microscope do the same. No one gave a thought to the older worlds of space as sources of human danger, or thought of them only to dismiss the idea of life upon them as impossible or improbable. It is curious to recall some of the mental habits of those departed days. At most terrestrial men fancied there might be other men upon Mars, perhaps inferior to themselves and ready to welcome a missionary enterprise. Yet across the gulf of space, minds that are to our minds as ours are to those of the beasts that perish, intellects vast and cool and unsympathetic, regarded this earth with envious eyes, and slowly and surely drew their plans against us. And early in the twentieth century came the great disillusionment.

And here is the paragraph quoted from the end of the novel:

For so it had come about, as indeed I and many men might have foreseen had not terror and disaster blinded our minds. These germs of disease have taken toll of humanity since the beginning of things–taken toll of our prehuman ancestors since life began here. But by virtue of this natural selection of our kind we have developed resisting power; to no germs do we succumb without a struggle, and to many–those that cause putrefaction in dead matter, for instance–our living frames are altogether immune. But there are no bacteria in Mars, and directly these invaders arrived, directly they drank and fed, our microscopic allies began to work their overthrow. Already when I watched them they were irrevocably doomed, dying and rotting even as they went to and fro. It was inevitable. By the toll of a billion deaths man has bought his birthright of the earth, and it is his against all comers; it would still be his were the Martians ten times as mighty as they are. For neither do men live nor die in vain.

 

 

 

Today’s Short Horror Films!

Today’s Youtube Short Horror Films!

 

Dan Allen’s TAP TAP is an effective little horror film. However the lead actress seems a bit on the young side to be doing such a voyeuristic role. And the endig a bit anti-climatic So the short, while well made, is a tad unsettling for the wrong reasons. 6/10.

 

Some films make you question the mental health of the filmmaker. Michael Rosenbaum’s FADE INTO YOU is one such film. You think it is going somewhere interesting, and then just doesn’t. The ending is like a love letter to crazed stalkers. Just unpleasant. And undermines an initial intriguing setup. 5/10.

Will Phelps’ CAPSTONE’S OAK in 21 minutes delivers the goods in an episode that would feel right at home in an EC Comic or a Tales from the Crypt. 8.5/10.

UNDER CONSTRUCTION…

December 1st to 2nd Youtube Roundup : Dr. Von Chilla + Price Increases+Bendis+ Social Justice!

https://www.youtube.com/watch?v=gswkW9as0M4

 

Under the heading “Don’t drink and Youtube” 🙂  – Dr. Von-Chilla went on a bit of a tirade regarding people speculating on comics and buying comics based on movie, tv news. Which I can get behind his feelings on that.

He also threw in there, ‘Brown chicks taking over for white guy superheroes’, which I think is a whole separate argument that I don’t get behind.

Now I know Dr. Von Chilla is not one of those anti social justice warrior nut-cases, who were hating on creators like Mark Waid and Ta-Nehisi Coates and Dan Slot, but that issue he brings up of characters changing, is one of the arguments of this mob.

It is that faulty ‘anti social justice warrior’ thinking.

If you do not like social justice warriors, you should not be reading superhero comics, because Superman, Batman, and Captain America in their origins were Social Justice Warriors. Before there was a term for it, these characters in the Golden Age were taken it to the fat cat businesses and corrupt syndicates and regimes that were sticking it to the little guy. From slum lords to Nazis the comics of the 1930s 1940s were all about saying things about what was wrong in the world. Far more courageously I might add, than most books do today.

So to hate on today’s comics for doing the same thing is to be disingenuous at best, and a moron at worst.

Now that’s me going on a tirade against people with an issue with Social justice concepts in comics. Here’s the thing, not all comics are for you or for me.

We have our preferences and there is nothing wrong in wanting to stick to that. What is wrong, is to not allow others there preference.

If the publishers can sell new characters to new populations, great for them, if they can spike sales of existing story-lines, by changing up the character, great for them (changing up not being the same thing as a mashup, which is what they are doing wrong today). That is nothing new. After the first 110 issues of the original IRON MAN he got in a rut. Back in the 80s… the creators, to get him out of this rut, wrote a FANTASTIC very long storyline where Tony Stark, became an alcoholic, stopped being IRON MAN, and James Rhodes became IRON MAN. And those were STELLAR issues from the 1980s. For my money the only issues, along with the original 110 issues, worth owning.

The same thing happened in GREEN LANTERN, the book was going nowhere after Neal Adams’ departure in issue 89 (IT SHOWS YOU HOW MUCH NEAL ADAMS BROUGHT TO THE BOOK AND THAT HE WAS A HUGE PART OF THE CREATIVE DIRECTION, BECAUSE WHEN HE LEFT EVEN THOUGH THE WRITER DENNY ONEIL STAYED, THE BOOK WAS UTTER CRAp. THE SOCIALLY CONSCIOUS STORYLINES THAT MADE AND STILL MAKE THEIR PARTNERSHIP SO GOOD, WENT BY THE Way-side AND THE BOOK DEVOLVED INTO A BORING BOOK. AND I LIKE DENNY ONEIL AS A WRITER, BUT WITHOUT NEAL ADAMS HE DID NOT KNOW WHAT TO DO WITH THESE CHARACTERS. I SPECIFY THESE CHARACTERS BECAUSE HE DID VERY WELL ON BATMAN AFTER NEAL’S DEPARTURE) .

THE BOOK WAS BAD A LONG TIME AND DID NOT GET GOOD AGAIN UNTIL ABOUT #172 when writer Len wein comes aboard and started to direct the book back to earth, and replacing Hal Jordan with John Stewart. LIKE ALWAYS THE LATE, GREAT LEN WEIN WOULD BE CALLED IN TO HELP RIGHT A SINKING SHIP, AND WITH THE HELP OF HIS ARTIST WOULD COMPLETELY REVAMP IT, AND BREATHE NEW LIFE INTO the series.

AND ONCE HE GOT THE BOOK winning again, WEIN would turn iT OVER TO ANOTHER WRITER TO CARRY THE book to the championships (to toss in a sports comparison).

HE DID THAT WITH THE X-MEN, fixing it and HANDING IT OFF TO CHRIS CLAREMONT AND HE DOES THAT HERE WITH GREEN LANTERN… fixing it and HANDING IT OFF TO STEVE ENGLEHART AND JOE STATON, till about issue 200, with wonderful Joe Staton art and great Englehart stories, along with the ONeil/Adams run… those are my favorite issues of GREEN LANTERN to this day.

SO IF LOOKING TO COLLECT GREEN LANTERN IN MY Humble OPINION YOU GET ISSUES 42 to 80, then 172 to 200. Use the following link(YOU GET GREAT BOOKS, AND YTOU EARN A FEW PENNIES FOR THIS BLOG TO KEEP THE LIGHTS ON. A WIN-WIN!):

https://www.mycomicshop.com/search?tid=179931&pgi=1&AffID=200301P01

 

https://d1466nnw0ex81e.cloudfront.net/n_iv/600/680115.jpghttps://d1466nnw0ex81e.cloudfront.net/n_iv/600/4749311.jpghttps://d1466nnw0ex81e.cloudfront.net/n_iv/600/679549.jpghttps://d1466nnw0ex81e.cloudfront.net/n_iv/600/899707.jpgGreen Lantern (1960-1988 1st Series DC) 52Green Lantern (1960-1988 1st Series DC) 53Green Lantern (1960-1988 1st Series DC) 54https://d1466nnw0ex81e.cloudfront.net/n_iv/600/680145.jpg

https://d1466nnw0ex81e.cloudfront.net/n_iv/600/681251.jpgGreen Lantern (1960-1988 1st Series DC) 57Green Lantern (1960-1988 1st Series DC) 58Green Lantern (1960-1988 1st Series DC) 59Green Lantern (1960-1988 1st Series DC) 60https://d1466nnw0ex81e.cloudfront.net/n_iv/600/679569.jpghttps://d1466nnw0ex81e.cloudfront.net/n_iv/600/680191.jpghttps://d1466nnw0ex81e.cloudfront.net/n_iv/600/680199.jpghttps://d1466nnw0ex81e.cloudfront.net/n_iv/600/679611.jpghttps://d1466nnw0ex81e.cloudfront.net/n_iv/600/612061.jpghttps://d1466nnw0ex81e.cloudfront.net/n_iv/600/800569.jpghttps://d1466nnw0ex81e.cloudfront.net/n_iv/600/1081095.jpghttps://d1466nnw0ex81e.cloudfront.net/n_iv/600/867585.jpghttps://d1466nnw0ex81e.cloudfront.net/n_iv/600/804069.jpg

And they were experiments, creators tossing stuff at the wall and seeing what stuck. They were allowed that freedom in the 1980s, they should be allowed that freedom today.

The ones that do not appeal to you, don’t buy. Like me I no longer buy Marvel Comics in monthly form. I think to pay over $3 for Marvel’s horrendous paper quality, and obvious attempt to milk the speculator market rather than create good stories is asinine.  And their obvious editorial mandate to create new characters, mashup characters, to get the mindless speculators, to buy cosmic ghostrider, or phoenix wolverine, or Thor venom, or Hulk Wolverine; is not creative, it is actually them in real ways making of themselves a horrible parody and joke. The same for DC, to a lesser degree, ever since Bendis went over there. He’s a good writer, but I find him more trojan horse at DC, bring the fratboy idocy, and disrespect for readers intelligence and pockets, that he championed while at Marvel.

No sooner he is over there and DC raises its prices to $3.99. So yeah these days, with Marvel and Dc, if I hear good things about a story, I’ll check it out at my library when collected or pick up the trade online. But as far as monthly books, you just get a whole lot more bang for your back from Independents like Image, Dark Horse, IDW, After-Shock, etc. DC and MARVEl, the two companies that realistically can afford to keep the price point of new comics at $2.99 or less, are the ones driving the price up($4,$5,$6,$7 is unsupportable, when realistically speaking most of these books will end up in dollar bins in a few years. It is bad business from the big two.)

So these days companies like Alterna and Chapterhouse who sell books for under $3, are the ones I am happy to purchase everything they sell. For me they are the future of comics.

So alll that to say, there are hundreds of comics released every month, there is no shortage of Alternatives.

And quite frankly to expect Superman or Captain America of today to appeal to you the same way as the Superman of your childhood did, and never allowed to experiment or change that character is moronic.  Characters change, writers changes, the audiences they write for likewise change.

You hate slabbing. Don’t slab. You hate variant covers don’t buy variant covers. (Quick aside : I’m not a huge fan of either of those things. I think pressing comics, while it removes imperfections from the cover, is PROVEN to shorten the lifespan of the interior newsprint pages. I think it is people moronically pursuing short term goals, at the expense of the longevity of the actual book. People are going to unslab these books in several years and find pristine covers over deteriorating interior pages, especially as it relates to older books. Newsprint+moisture+heat=mistake. Every single time.

But hey  if people want to continue doing this even after being informed of the potential damage (every single person you see pressing on youtube, presses differently. Different ranges of heat, different amounts of moisture, different drying time before slabbing. I guarantee you 99% of the people slabbing comics are doing more harm than good, and are making a mold infused mess rather than preserving a collectible. It is all experimentation and guess-work with the lot of them.

If you were to do it perhaps to salvage a book that already had interior water damage, I would only use CGCs  original service, rather than one of these diy -let me get my iron out -guys. Also going through CGC you have some potential recourse through your insurance company  if things go wrong. Better than some of these guys who are doing pressing at their kitchen sink. Okay that may have been a long aside. 🙂 )

 You hate new characters or change to your existing characters, don’t read those characters. Read the 80 years of back issues, or choose new comics to support. It is not that effing difficult, it is not effing brain surgery, it only becomes a problem when you want YOUR choices to be the only choices everyone else has available. That is the problem I have with the anti social justice warrior nuts.

They think their right to hate something, should supersede someone else’s right to love something.

Don’t tell me the things you hate. Tell me the things you love, and that is how you move the needle.

It is what is great about the Youtube comic community. A lot of people sharing their loves, has inspired me to buy a LOT of books this year. People telling me what they hate, has not gotten me to drop a single book, or change a single purchasing decision. I decide for myself what is worth hating, and I hate very few things. I dislike a lot. I have no interest in reading books or watching tv shows about trans or gay characters. I’m not saying these books or Tv shows shouldn’t not exist,  OR THERE IS ANYTHING WRONG WITH IT, but I have no interest in them IN MY COMICS OR MY TV SHOWS. So AFTER THE FIRST SEASOn of supergirl tv show (which i enjoyed) I dropped out of the second season, because it was too much soap opera bs about her sister coming out. no interest. same thing with arrow, mr. terrifics relationship i think is out of place and just detracts from the show, etc.

so instead I just find something I like, to watch or read.  SO while I may dislike or avoid many  things, I hate very few. Your hate is not something I catch from you, like the cold.

But tell me of the things you love, and that I will check out, to see if I love it too.

Dr. VonChilla, knows this. Because I have watched his videos where he introduces us to books he loves. And some of those books I’ve bought.

That’s how you change the world for the better Dr. Von Chilla… one great recommendation at a time.

 

 

Deontay Wilder vs Tyson Fury : THE FINAL WORD

The webpage will not show this image anonymously.

Well two undefeated fighters, one Heavy-weight champion (Deontay Wilder) and one returning champion (Tyson Fury), who both have seemingly been stymied in their attempts to get another existing champion, Anthony Joshua (he has three belts [wbo,ibf,wba] and Deontay Wilder holds one of the belts [wbc]), into the ring (In Deontay’s case to unify the belts and in Tyson’s case to regain the belt he relinquished); instead these two met each other last night, Saturday 1 Dec 2018, in a match of unorthodox styles.

Having made the rounds of all the fight analysis, and post fight press conferences to save you the trouble of doing so 🙂 , it seems we have a fight that boiled down to Fury being the slippery, better boxer– being able to make Wilder miss and counter punch, vs Wilder being the aggressive, stronger puncher and able to, when he could reach Fury, knock him to the canvas twice. The last knock down in the twelfth round, that by reports EVERYONE was sure was a knockout, and everyone was amazed by Fury getting up from the canvass and beating the count, to finish the round and take it to the cards.

Where I think (based on all the various takes on the fight) the judges (often second guessed mostly by a bunch of people who have never set foot in a boxing ring) got it right; awarding a decision of a draw. And setting the stage in the future for a rematch.

And like both fighters said (who were very complimentary of each other in the post fight, after being complete bastards to each other in the pre-fight build up) the fans were the winners, getting a great fight,

I think the only loser may have been Anthony Joshua’s camp who hoped two of the dangerous people gunning for him, would have narrowed themselves down to one.

But nope, as of today he still has two undefeated wolves, who have been baying publicly and loudly for his blood. Given the fantastic performance by both men I don’t know how legitimately either one is not your next fight. Perhaps even before a rematch fight.

If I were in either of these men’s camp, I would be pressing for an Anthony Joshua fight next, over a rematch. They both have more to gain, and the rematch is now a guaranteed payday regardless of how they perform against Joshua.

However if they do the rematch first, whoever gets the L is off the table for a Joshua Heavyweight payday fight.

 

It is a great time to be a boxing fan.

 

The BEST MOVIES & MOVIE POSTERS OF 50 YEARS AGO! How Does 2018 compare?!

2018 has been a money making year for a few studios, there is no denying that.

But I think the operative words there are ‘a few studios’. With Disney being on an unchecked tear these last few years, engulfing studio after studio, we are at a perilous place.

Where cinema space, screens, are eaten up by a few dwindling studios, leaving very little place for anything that is not a special effects laden blockbuster. And while I like special effects laden Blockbusters, we must court more than that or we risk reducing cinema to a thematically rote enterprise.

Something lacking the breadth and width of the films released 50 years ago in 1968.

2018 has had some very good movies. However I would argue we lack the breadth of choices in cinema of 1968, and we lack local theatrical ownership, and distributors as middlemen to studios. The studios have managed to dismantle the local economic movie infrastructure, allowing for what amounts to them strip-mining the economy, and taking out boatloads of money with their blockbusters insuring none of that money is spent locally.

For this reason I never celebrate or care if a studio breaks even or loses money or makes money, because in real ways they are raping the local economies, by transitioning money from your pocket directly to the pocket of billionaires.

1968 everybody got a little piece of the pie when a movie did well. From the ticket taker on up to the studio. That was a healthy economy. But studios got greedy, dismantled the middleman, and today they take money out of your community and put nothing in.

That is an unhealthy and unsupportable economy, on the local level.

So keep that in mind next time you want to act like Disney making 700 million or a billion dollars from a movie, is anything for you to cheer about. 🙂

I’ll have more on this in an upcoming post.

For now, check out the best of 1968!

2001: A Space Odyssey (1968)C'era una volta il West (1968)

Il grande silenzio (1968)

Katharine Hepburn and Peter O'Toole in The Lion in Winter (1968)

Bullitt (1968)

Clint Eastwood in Hang 'Em High (1968)

Romeo and Juliet (1968)

The Odd Couple (1968)

Yellow Submarine (1968)

COMICCON that I am most looking forward to in 2019—TERRIFICON!

I think I mentioned in an earlier blog that I went to TERRIFICON in Connecticut this year, 2018, and absolutely loved it.

But I am not sure I adequately conveyed why, or why I see this convention becoming the only state-side comic book themed convention I see myself paying to attend, going forward.

TerrifiCon CT's Terrific Comic Con at the Mohegan Sun produced by Mitch Hallock and Big Fedora Marketing LLC

Most cons are a ludicrous hard-sell to anyone who is not a fan of that con. You stand around in long, moronic, snaking lines, to get into an overstuffed hall with too many people jostling or bumping or waiting in more lines that impede traffic. The panels are moronic, the hot guests uninteresting, and the deals… not there.

What helps sell TERRIFICON is the location. Now unless you are a guest or wealthy, staying at the casino is probably not what you want to do. But there are quite a few affordable and nice places to stay within a short drive.

We made a little vacation out of it. Close to Mystic Connecticut and New London Connecticut, areas I had not been before, we made a couple of days of touring the area before ever getting to the con. And you know what… the area is great. There is a bit of a learning curve, but once you get in the swing of it the area is beautiful and made for boat rides, and strolling through the picturesque neighborhoods and shops, and trying the wonderful food.

And then by the actual day of the convention we had already had a great and full fledged vacation.

 

The convention was a surprising and welcome capper to it. For a variety of reasons. The actual location itself, the Mohegan Sun Casino is simply massive, so you never feel (even with thousands of people) crushed, or swamped, or impeded, or over-whelmed. The distance between booths and space between aisles allows tons of space to maneuver and enjoy. Add to that it is exceptionally well laid out, with great panels, great guests, informative hosts, great shopping options… and did I mention it is in a world class casino.

That means instead of the overpriced awful food and drink options you have to endure at other conventions, here you can walk over to Bobby Flay’s restaurants and sample just stupendous food. And there were tons of other great restaurant and shopping options.

It is the holy grail of comiccon locations.

And getting back on the panels. With guests that interested me, Roy Thomas, Larry Hama, Christopher Priest, and the list goes on, the panels that felt enlightening rather than trivial; trivial being generally what panels are at most other shows. I really have no interest in getting anything signed or photo ops, but great deals, great panels, great stories, great vibe, and access to great food make it a no-brainer of a draw for comic and non-comic fans.

Having been to comic book conventions from New York to Philly to Awesomecon in Dc, those are venues that don’t really do much for me, but Mitch Hallock’s TERRIFICON, I guess because he is a fan like me, and came up on the same Bronze age goodness, he is putting on a convention for himself, and thereby all the other adults of his age, so it can still offer the kids and families their anime goodness and gaming goodness, but has the sort of experience we Bronze, Silver, and Golden Age fans appreciate.

Having been to Terrificon this year, I do not see myself going back to New York Comiccon, or Awesomecon, or any of those. Those cons are oft geared to selling the new hot thing, and these days I’m more geared to want to see the proven talent.

I see myself making a yearly pilgrimage to the gracious New England area and making a fantastic weekend of it, most of which has nothing to do with comics, but having that convention at the center of it, It’s a win-win for me and the Mrs.

As long as Mitch Hallock puts on TERRIFICON I see myself being a returning attendee.

One suggestion Mitch, if you see this, try an get Larry Lieber for next year’s TERRIFICON.

I have been singing his praises since hearing his interviews on the MARVEL EPIC Podcast. While everyone remembers Kirby’s run on RAWHIDE KID, for my money the Larry Lieber written and drawn work on that series, is western comics at its best. Tutored by both his brother Stan Lee and original Artist Jack kirby, Larry became a perfect amalgram of these two men, becoming both a compelling writer and a great artist, and that shows best in his (unfortunately unreprinted) multi-year run on RAWHIDE KID. I recommend back issue diving and picking up RAWHIDE KID from issue 42 to issue 120. It is as great a run of consecutive comics done by ONE person as you will see. Nearly eighty consecutive books both written and drawn by Larry Lieber between 1964 and 1974. Ten years and a stunning body of work, by a true unheralded workhorse of the medium.

http://epicmarvelpodcast.com/

Go to the above link and listen to the Lieber episodes and you’ll be singing his praises too.

p.s. And if looking for a great panel moderator, I don’t think Kurtis of EPIC MARVEL PODCAST would mind if I suggest him. His show speaks volumes for his love of the medium.

 

 

Well if you found my recommendation of either TERRIFICCON or EPIC MARVEL PODCAST or the criminally overlooked work of Larry Lieber helpful, show your support by using the link below to check out today’s book of the day. Purchasing using the below link gets you a great book and earns this blog a few pennies to keep the lights on.

Here is a nice selection of Stan, Jack, and Larry monster comics:

https://amzn.to/2TYGIwg

If you can only afford to get five Larry Liber RAWHIDE KID comics, then get these five:

https://amzn.to/2PcwTae

https://amzn.to/2Q1yXHr

https://amzn.to/2DSTXZz

https://amzn.to/2Pbmg7x

https://amzn.to/2KME4FK

 

Thanks for viewing!