The masterful short films of Neill Blomkamp and Oats Studios!

Okay so it is Sunday 30 July 2017, and it has been a minute since I posted.

One of the things that has been occupying me (besides today’s POWER and ELEMENTARY marathons):

OATS STUDIOS

I do not like You Tube if I have to go to its web page, for the simple fact I hate its un-moderated comments and ignored idiocy and stupidity. But the YouTube channel on Amazon Fire or Roku is something else. I find it actually useful, and nice to view on my big screen TV. And no un-moderated comments to deal with.

The main thing I go to YouTube for is short films, followed closely by movie trailers.

But for short films YouTube’s Roku or Fire Channel, is a great boon. Giving a stage and platform for filmmakers who would otherwise go undiscovered to develop an audience and a name, through short films that wow you and stay with you far more viscerally than most feature length films can.

That brings us to OATS STUDIOS, a production company created by Neill Blomkamp of DISTRICT 9 and ELYSIUM fame.

I am not a fan of the feature films of Neill Blomkamp, they have wonderful core ideas, but tend to get lost under poor Hollywood casting or unnecessary backstory. However in the short film is where Blomkamp’s OATS STUDIOS shine.

Sporting cutting edge world class visual effects, great actors and performances, and big screen direction the films of OATS STUDIOS are, 30 minute or less, masterpieces of creativity and speculative fiction, of science fiction mixed with war, mixed with horror, mixed with a cautionary mirror tainted with pressing concerns, both moral and material.

 

FIREBASE

RAKKA

ZYGOTE

Those Oat Studio short films form a loose trilogy, united by a common theme of mankind pushed to the brink by powers unearthly. And the films are also united by being superlative and imaginative, and gems of 21st century short films.

FIREBASE (which I have also titled DREAMS OF THE RIVER GOD), the 2nd film released, is a little over 26 minutes, and set in Vietnam War era Vietnam… combines so many mind-blowing concepts, and creates one of the screens memorable creations, in the character of… The River God. I can see this spawning a lot of spin-off short films, set in this universe.

RAKKA, the first film released, moves several decades ahead to a world on the brink of extermination by a threat otherworldly.

and ZYGOTE, the last film released as of this writing, further still in the future, sports one of the most imaginative and horrific monsters since Carpenter’s THING. I like RAKKA but I love FIREBASE and ZYGOTE.

All this to say if you are looking for something to watch, then make it to the Oats Studios site and find the aforementioned films by Neill Blomkamp.

As of this writing they do not yet have a BLURAY up for these films, but I urge them to release one. Quality productions such as this deserve a quality Blu-Ray production with special features and director’s commentary, and not simply the ephemeral availability of websites and streaming.

Today’s Recommended short films!

 

Rating the Bigfoot Movies! Best and Worst!

BIGFOOT MOVIES TO SEEK OUT:

WILLOW CREEK – Suffers from annoying boyfriend syndrome, a failing too common to too many of these films with women being talked into dangerous situations, and worse being talked into remaining in the dangerous situations by boyfriends completely oblivious or making inane excuses for them remaining rather than rushing them to safety.

WILLOW CREEK for the majority is this annoying dynamic. So worth a watch if you are a Bigfoot movie fan/completest, but this due to how stupid the characters are written is far from satisfying. Grade: C-/D.

EXISTS is Big Foot movie done probably as well as it can be done. While you do have the obligatory idiot, you also have more well rounded and intriguing characters, and some sustained and exciting Bigfoot action. And a great and exciting if harrowing ending. Well worth owning on Blu-ray. Grade: B+

THE WOODSMAN- Is a horror takeoff on SURVIVOR MAN, as are many of these ‘Something in the woods’ films. Sporting only 2 actors, and only a brief glimpse of the rock thrower. Worth a  look, but relatively forgettable and an abrupt unsatisfying end. Always a bad sign when the poster is far more interesting than the actual movie.  Grade: C-/D-.

STOMPING GROUND – is up there with IT EXISTS with being a solid entertaining look of friends sharing their bonding time with something else. A great ending. B+.

LEGEND OF BOGGY CREEK- This is the one that started the BigFoot hype and with its documentary  meets DELIVERANCE style, continues to have a compelling vibe. Grade: C-.

SOMETHING IN THE WOODS – low budget 2016 film is convincingly done and engrossing tale of a man trying to protect his family and farm from something… unrelenting. Very good film. Grade: B/B-.

THE SIGHTING – For those looking for a twist on the standard BigFoot lore, this film fits the bill. Quite liked it. B/B+.

BIGFOOT (1969) – Speaking of twists. This forgotten 1969 film features buxom beauties falling into the clutches of a Bigfoot who wants attention paid to something besides his foot, and the biker boyfriends who must save them. The type of outlandish, trippy film that only the waning days of the swinging 60s could provide. Grade:  C/C+. Worth a Look and several shakes of the head.

CREATURE FROM BLACK LAKE (1976)

HUNTING GROUNDS (2017) – If you are sick of this off camera stuff most of these other films do, than this is the film for you. You will see the Bigfoot clearly and often, and doing things the other films would leave to your imagination. Where this one trips itself up is the human element. But unevenness aside, well worth a look. Grade: C/C+.

WILD MEN (2017) – Another Reality show goes hunting for BigFoot type movie. This one is quite good and fun. Grade: B.

 

-BIGFOOT THE LOST COAST TAPES rivals EXISTS as one of the best BIGFOOT movies. And it has one of the more unique and impressive endings. Strongly recommended. Grade: B+.

 

You can catch many of these films courtesy of AMAZON PRIME and/or HULU and the following are worthy of owning on DVD/Blu-Ray:

Exists [DVD + Digital]

Bigfoot: The Lost Coast Tapes BD/Combo [Blu-ray]

 

BIGFOOT MOVIES TO AVOID:

FIELD FREAK

BLACK WATER SASQUATCH

NIGHT WALKER

BIGFOOT VS DB COOPER

LOST WOODS

1313 BIGFOOT ISLAND

BOGGY CREEK (2010)

DOGMAN

HOLLER CREEK CANYON

PREDATORY INSTINCT

BIGFOOT HORROR CAMP

BIGFOOT WARS

BIGFOOT VS ZOMBIES

THE VOID Netflix StreaminG Movie of the Day!

THE VOID by director/writing team of Jeremy Gillespie and Steven Kosanski is the calling card of filmmakers to watch.

I loved the trailer for this film, and it was one of the films I was most hyped to catch on Netflix this year. Finally watched it does deliver the goods, a throwback to the visceral, and gooey practical affects of the best of 80s Body Horror, films such as John Carpenter’s THE THING. THE VOID is a deeply off-center film, and an uncomfortable one, and while doing everything right, feels off-kilter enough not to be a home-run.

You couldn’t ask anything more of a horror movie than this film delivers, and yet it leaves you slightly unsatisfied. Again, it is everything you can want in a horror film, but there is something about it that feels, strange and cold and empty in the center. Maybe that’s an earned feeling, or something about how referential it is to well known films in the genre, whatever it is, I do like this film, and I think it deserves more than one viewing.

I hestitate to call it a great film the way I would unreservedly say of DEVOURED or IT FOLLOWS or A GIRL WALKS HOME ALONE AT NIGHT or III: RITUAL, but it is a solid very good film, and is worth owning on Blu-ray or DVD. Grade:B+.

The Void

Currently Listening and Addicted to : YOURS TRULY JOHNNY DOLLAR

I have these episodes of Johnny Dollar on CD, that I purchased off of Ebay many moons ago, and I’ve lately taken to listening to them in the morning when driving to work. They are such an enjoyable alternative to what usually is available on radio these days. And most of the CDs I never listened to (they would always take a backseat to other great, but more garish shows… such as THE SHADOW, SUSPENSE or ESCAPE). Reevaluating it now, in my more seasoned years, the show has a compelling modernity and universalness that transcends its 6+ Decades of age.

And I have to say, this show in particular, because of its still innovative format of using an Insurance Investigator’s expense account as the hook into these narratives, is surprisingly addictive. All adults to some extent are part and parcell of the Insurance world, either as an occupation or a customer, so the films slant is familiar and well worn.

A few talented actors played Johnny Dollar, but the episodes with Bob Bailey… read as the show at its best. Starting in 1955 around episode #185, those are the shows to start with.

And because the shows are public domain you can burn to CD or copy to your media player and listen to as you travel or work.

Listen to some here:

https://archive.org/details/OTRR_YoursTrulyJohnnyDollar_Singles

Highly Recommended!

Best Movies & Shows on AMAZON PRIME! Week 38 of 2016!

Amazon has all four of Amando de Ossorio’s little seen but well regarded quartet of Blind Dead films, courtesy of Amazon Prime, so you can try before you buy.

They are:

tombs-of-the-blind-dead1 tombs-of-the-blind-dead-1972-bw-beyond-horror-design tombs_of_blind_dead_poster_01

La Noche Del Terror Ciego (1971) – THE NIGHT OF THE BLIND TERROR renamed for North America to the surprisingly brilliant title, (and the title that has defined the series) THE TOMBS OF THE BLIND DEAD, was an international success and put its director Amando de Ossorio and Spanish Horror on the map.

The titular protagonists were so haunting, the character design so inventive, that it spawned three equally well regarded sequels.

Finally watched I can see why this film series, closing in on its 5th decade, is well regarded. Given the time period and obvious limitations of budget, the director, Amando de Ossorio manages to create a wonderful atmosphere, iconic villains, and intriguing characters and story, imbuing a new intriguing twist, onto the well trod myth of the living dead.

The three sequels are:

return_of_the_blind_dead_poster_01

THE RETURN OF THE LIVING DEAD 1973 ( The original Spanish title, ATTACK OF THE BLIND DEAD being superior to the American title)

ghost_galleon_poster_03 ghost_galleon_poster_02

THE GHOST GALLEON  1974 ( Known in its original title, EL BUQUE MALDITO, as THE DAMNED SHIP)

night_of_seagulls_poster_01 seagulls

 

and finally NIGHT OF THE SEAGULLS 1975 (The only movie in the series, translated literally from the Spanish).

 

Now you can see all 4 films on Amazon Prime. Now be careful, there are multiple copies of these films on Amazon, most of them have a cost to them, however do a search and find the movies without a poster image and those will be the free ones.

Then watch all four and enjoy and if as impressed as I am, and ready to own the DVDs with special features, then go here:

 
The Blind Dead Collection (Tombs of the Blind Dead / Return of the Evil Dead / The Ghost Galleon / Night of the Seagulls / Amando De Ossorio- Director)
Enjoy!!

 

 

 

 

 

LUCIO FULCI : BEYOND THE BEYOND! A Critical Reassessment! His 7 Best Films!

The Roman born Director Lucio Fulci when remembered today is primarily remembered for his his schlock and gore filled horror films of the 80s such as THE BEYOND, HOUSE BY THE CEMETERY, ZOMBI 3, which is a crying shame, because these were the lowest common denominator films of a filmmaker reduced to making dreck to make a paycheck, rather than his films of the  late 60s and throughout the 70s that can be considered his artistic passion projects.

His film-making and use of the camera in this period was ground breaking and incredibly influential, and his best films remain among the best of their respective genre.

From 1966’s MASSACRE TIME (an early inspiration and precursor to the dove filled blood ballets of John Woo) to 1978s rarely seen SILVER SADDLE, was a twelve year period of unbridled creativity  and staggering experimentation, and contain not only Fulci’s best films, but some of the best films by anyone during the period, and films that stand the test of time.

 

Here without further ado our Fulci’s best films and essential films for any true lover of cinema:

 

Perversion-Story-Fr 16392_1_large 8666_1_large 16391_1_large silversaddlebeatricecenci tempo one-on-top-of-the-other-movie-poster-1969-1020488199 the-brute-and-the-beast-movie-poster-1966-1020462907

PERVERSION STORY AKA ONE ON TOP OF THE OTHER – Don’t let the salacious poster fool you this is a MAGNIFICENT film. It’s a reworking of a more well known film, a classic film by one of the world’s most respected directors, however I have to say… I prefer this Fulci film. It is an unjustly little seen masterpiece, beautifully shot, and deserves a great and feature rich Blu-ray disk. Fulci’s best film.

 

In second place I put PSYCHIC, just adore this film.

 

I follow that up with his LIZARD IN A WOMAN’S SKIN and DONT TORTURE A DUCKLING solidly in 3rd and 4th place.

SILVER SADDLE in 5th place, is the best of Fulci’s three westerns which says a lot. As it beats out the praised MASSACRE TIME in 6th place. (FOUR HORSEMEN OF THE APOCALYPSE does not make this best of list. It’s overlong, and I can do without its denigrated and stereotyped Black character. But its distasteful parts aside, it remains, like all of his wide-screen films… beautifully shot.)

BEATRICE CENCI, in 7th place, is the director’s own favorite film, his attempt to make a serious Fellini level film, and its poor critical and commercial response was a blow the Director never truly recovered from. The film is solidly good if not great. But definitely deserving of a watch. It’s a solid B/B-.

And those are Fulci’s seven best films, and are must watch films for anyone desirous of the best of Euro-cinema of the period.

 

the-brute-and-the-beast-movie-poster-1966-1020462907

1966’s Massacre Time – This film was the one to put Fulci on the genre/world map. One of the earliest of the Spaghetti Western craze, and one of the best. This is an ultra violent flick, that shows off Fulci’s adeptness and creativity in staging action scenes. You can definitely see in this film with its gravity defying blood laced shootouts and its prevalence with doves, a clear inspiration and precursor to the later ‘blood ballet’ films of John Woo. Made during the glory days of the spaghetti western genre (roughly 1966 to 1968) MASSACRE TIME stands out as being one of the most extreme of these extremist westerns.

 

More detailed reviews to come next installment!